#Compact Cameras | Explore Tumblr posts and blogs

xtruss · 1 year ago

Text

National Geographic’s photo engineers share their top picks for compact cameras in 2023.

The 10 Best Compact Cameras, According To National Geographic

From budget-friendly point-and-shoots to high-tech wonders designed for wildlife photography, check out these recommendations from our photo engineering team.

— By Tom O’Brien Anderca Flynn | Photographs By Rebecca Hale | Published November 22, 2022

Things may still be far from “normal,” but our desire for adventure remains the same. Whether it’s spotting a rare bird in your local park or exploring an ancient wonder in a far-flung destination, technology has made it easier than ever to capture and preserve precious moments.

A powerful travel image not only has the ability to tell a story but also reminds us of the extraordinary beauty the world offers. “As a biologist and conservation photographer, I’m always amazed by the diversity of life on the planet,” says Jen Guyton, photojournalist and National Geographic Explorer. “Traveling to see and photograph nature’s riches allows me to learn new things and appreciate the abundance of this planet.”

With that in mind, we tapped the photo engineering team at National Geographic for which compact cameras they recommend—and why. They design and build custom equipment for professional photographers and test consumer products for this annual guide. Here are their picks for travel:

Fujifilm X-T5

Best for: Overall performance and ease of use. Professional-grade controls and vintage style make Fujifilm X-T5’s mirrorless APS-C camera ideal for a range of photographers, from hobbyists to pros.

The XT series from Fujifilm—often our top pick—has had a major revamp this year with the XT-5. It can go toe-to-toe with professional full-frame mirrorless models and DSLRs in performance, autofocus, image quality, and handling. While the X-T5 has gotten a little smaller than the X-T4, it gained the fantastic 40 megapixel (MP) sensor from the X-H2, one of the most detailed APS-C sensors on the market, which makes it—in the authors’ opinions—the reigning champion of 2023 travel cameras.

One of the most impressive things about the X-T series is that it provides an enjoyable shooting experience for amateurs and pros by blending vintage dials with modern, professional-grade controls, weather sealing, and ports for video or still photography. For more: Fujifilm

Ricoh GR III and GR IIIx

Best for: Portability and ease of use. Ricoh’s GR III and GR IIIx offer professional performance in pint-sized bodies.

The GRIII packs some serious photographic power into a pocketable size. It has a stabilized 24 MP APS-C sensor, dual-type autofocus, a responsive touch screen, and an easy-to-navigate menu system. It’s suits for casual point-and-shoot photography, or more controlled manual shooting. If you find the 28mm f/2.8 effective focal length too wide, the GR IIIx, released in 2021, is identical to the GR III in every way except for its lens, which is a slightly tighter 40mm f/2.8 equivalent lens. For more: Ricoh

Tip: The camera’s battery does not have a high capacity, but the built-in USB-C port makes it simple to top off the battery with a phone charger.

Fujifilm X100V

Best for: Travel street photography. The leaf shutter on Fujifilm’s X100V is quiet and can be synced with flash at a high speed.

When it was first released in 2011, the original X100 rocked the digital camera industry, revitalizing this legendary camera film brand and bringing retro styling to the forefront of camera design.

The latest, the X100V, brings a few significant changes. The lens has the same value (35mm f/2 equivalent), but the new design significantly increases sharpness corner to corner, both for wide-open and close-up images.

The camera’s body design adds nearly full weather sealing, a flip-out screen, and a slightly changed grip, as well as improvements to the control layouts (including a control stick). Fujifilm cameras produce the best JPEGs in the industry, with amazing film simulations; cameras in the X100 line are often the backup of choice for photojournalists. This one has a leaf shutter that can sync to high speeds with a strobe and a built-in neutral-density (ND) filter for combatting bright sunlight. For more: Fujifilm

Tip: When photographing with the Fujifilm X100 always pack a hot shoe thumb rest, a lens hood, and a wrist strap. These allow you to ditch the camera bag and lens cap.

Sony RX100VII

Best for: Speed and accuracy in a tiny package. Thanks to new sensor technology, this Sony model can shoot 20 frames per second with virtually no image distortion.

Despite being more than three years old, the seventh-generation RX100 line remains as one of the most versatile ultra-compact cameras. This version comes with real-time autofocus from Sony’s pro line, giving photographers highly reliable eye/face autofocus that now works with animals. No other camera in this size has autofocus or shoot speeds close to this little wonder. Plus, it shoots electronically with almost no distortion of moving subjects.

This means silent shooting and high shutter speeds for working in bright light. The RX100VII sports a 24-200mm equivalent zoom lens that, while not as bright as we would like, covers a wide range for the traveler. Tom regularly describes this camera line as his “desert island” choice. Does it command a high price for such a small camera? Yes, but it delivers outstanding performance. For more: Sony

Leica Q2 and Q2 Monochrom

Best for: Performance and luxury. Leica offers well-rounded performance, simplicity, and top-notch image quality.

Though expensive, the venerable Q series cameras are wonderful to use. The Q series comprises These full-frame, fixed-lens cameras with full-frame, fixed-lens cameras with a 28mm f/1.7 lens providing built-in stabilization. Since the first-generation Q and Q-P have been discontinued, we recommend the modern Q2 and Q2 Monochrom, which both have a 47.5 MP sensor, a larger battery, and full weather sealing.

The Q2 Monochrom is nearly identical to the Q2, except that it shoots only in black and white and has a sleek black paint job. Removing the color filter stack (or Bayer array) makes for astounding black-and-white images; it also increases sharpness and high ISO performance because more light reaches the pixels. If you prefer color, the Q2 will be more to your liking. For more: Leica

OM System OM-1

Best for: Wildlife photography and creative landscape work. The OM-1 pro-style weather sealing, toggling levers for quick settings changes, and small sensor help get that rare photo.

The OM System (aka Olympus cameras) just released the flagship OM-1 camera, a major upgrade from the beloved Olympus E-M1 series.

The OM-1 has a similar layout to the E-M1 series but it packs a super fast stacked sensor for high-speed stills shooting at up to 10 FPS mechanical and a blazing 120 FPS electronic. An updated sensor brings better low light performance and subject detection autofocus algorithms that can detect cars, planes, animals, and humans.

This model also has hand-held high-res shooting (you can take 50 MP images out of a burst of 16 frames) and the Live-ND filter, which simulates a neutral-density filter. In addition, computational photography for handheld shooting emulates some tripod-based long exposure shooting (for example, a blurred waterfall). The pro line lenses have a high-quality build, integrated lens hoods, smooth zoom and focus rings, and round bokeh visualization (background blur).

The OM-1’s lens options make it ideal for birders and wildlife watchers. The new 150-400mm F4.5 TC1.25x IS PRO gives you a lightweight 300-800mm range and an integrated teleconverter up to 1000mm handheld. Tom tested this lens/camera combo and had a blast photographing birds in his neighborhood without his arms getting too tired. For more: OM Systems

Tip: The best lenses include the Olympus 12-100mm F/4 IS PRO (24-200mm), 12-24mm f/2.8 II PRO (24-80mm f/2.8 equivalent), 40-150mm F/2.8 PRO (80-300mm pro zoom), 7-14mm PRO (wide-angle zoom), 300mm F/4 IS PRO (600mm F4 equivalent), 150-400mm F4.5 TC1.25x IS PRO (300-800mm f/4.5).

Fujifilm X-S10

Best for: For the price, the Fujifilm X-S10 is the top all-around travel camera with interchangeable lenses.

With an internally stabilized 26 megapixel APS-C sensor, the X-S10 features impressive ergonomics despite its smaller size. It also has contemporary unmarked command dials and a mode selector, compared to the retro style used on other Fujifilm bodies.

What do you give up for the affordability and compact size? It has a smaller battery, a single card slot, a smaller viewfinder, no weather sealing, and a slightly lower top shutter speed. But these are all fair trades in our book. For more: Fujifilm

Tip: Thanks to its ergonomic grip, this camera pairs well with an all-around zoom lens. The Fujifilm XF18-135mm f/3.5-5.6 R LM OIS WR makes the perfect single lens travel kit.

Nikon Z30

Top (Nikon Z30): Best for: Budget-conscious travelers, who are packing light and have uncompromising video demands. Bottom (Canon EOS R7 ): Best for: Wildlife photography and action shots.

Nikon’s new Z30 is the third version in the company’s Z-mount APS-C lineup. Its compact size sets it apart. That’s thanks in part to not having an electronic viewfinder or a 30-minute recording limit, plus a vari-angle (or “tilty-flippy,” if you prefer) screen.

Although it’s considered an entry-level camera, the Z30 is capable of 4K 30p recording without a crop, which cannot be said of its bigger, full-frame brother, the Z5. Its stills credentials are impressive as well, with the same amazing low-light performance, an 11fps mechanical shutter with AF tracking, strong AF performance, and the option to save images as high-quality raw files.

More importantly, it’s light, easy to carry around all day, and just plain fun to shoot with. It’s a perfect match for Nikon’s compact DX 16-50mm f/3.5-6.3 VR, which makes for an excellent setup to document your adventures. For more: Nikon

Tip: If range is more of a concern than camera size, consider adding the Nikkor Z DX 50-250mm f/4.5-6.3 VR to your camera bag. At effectively 375mm on the long end, with five stabilization stops, you’ll have no trouble capturing brilliant images of distant subjects.

Canon EOS R7

The R7 is among Canon’s first APS-C RF mount cameras (announced in May of 2022 alongside the trimmed down R10). The largest camera on this list justifies its size with impressive features, including one of the best APS-C sensors on the market (X-T5 has the crown now) at 32 megapixels.

Additional features include an in-body stabilization that can auto-level your horizons, a 15fps mechanical shutter (and a blistering 30fps electronic), two UHS-II card slots, and a comfortable ergonomic grip that houses the same LP-E6NH batteries used by its full-framed siblings, giving it a very dependable battery life.

We’ve also been impressed by its auto-focus on objects—using the same deep learning algorithms as the R3—but the face and eye detection performance leaves something to be desired. Its weather sealing means you can feel comfortable taking it just about anywhere, making it a solid action and adventuring companion. For more: Canon

Tip: Pair this powerhouse body with a good lens. We recommend purchasing a Canon EF-RF mount adapter so that you can take advantage of the countless affordable used EF DSLR lenses on the market.

Sony a7C

Best for: Full-frame shooting with interchangeable lenses for traveling.

The a7C lost out last year to the Canon RP (the first full-frame, interchangeable lens camera to make our list). But the a7C offers some noteworthy features. It’s remarkably compact for a full-frame camera.

Our research suggests this camera body has the smallest full-frame, interchangeable lens with a mechanical shutter or stacked sensor on the market. This is an important distinction because there are smaller full-frame cameras, but they either have a fixed lens or do not possess a shutter/fast read out sensor. As a result, photographing moving subjects is impaired.

Despite its small size, the a7C comes loaded with Sony’s quick and dependable real-time autofocus system. Pair this camera with one of the ultra-small prime lenses from Sony, such as the Sony 24mm f/2.5, 35mm f/2.8, 40mm f/2.5, or 50mm f/2.5. Doing so will give you a wonderfully compact travel camera that keeps a full frame sensor in your hands. For more: Sony

— Tom O’Brien is a mechanical engineer and runs the photo engineering department for National Geographic. He spends his days in his workshop designing and building custom equipment for the magazine’s photographers. Eric Flynn is a machinist/fabricator who works in the photo engineering department of National Geographic, where he manages equipment loans.

#Compact Cameras

0 notes

deadsetobsessions · 8 months ago

Text

Gothic mushroom shaped candles. Danny picked one up, grinning. Sam would have love these on her alters. Very Sam, very Gotham.

It a bit bittersweet, now that he could think of her without being paralyzed by crushing grief. Her and Tucker both. Danny turned, keeping an eye on Tim as he glared into the case of used cameras.

Danny walked over and tried not to feel guilty about practically mooching off of a child. Even if the money he was using was actually the Drakes’.

“Like anything you see?”

Tim shook his head. Danny pondered over what little he knew of photography- all of which he learned from documentaries that were more focused on nature.

“I think there might be a camera store a couple of blocks down. We could get the ones that takes photos of animals, like the really big ones that takes photos of wildlife?”

“I guess. I mean, I don’t need it since we can…” Tim glanced around suspiciously. Danny willed his mouth to not smile at Tim’s antics. “Fly close,” the kid finished in a whisper.

“Okay, but what about when I’m not there?”

Tim hunched up on himself and Danny despaired inwardly. Uh oh, what did he say now?”

“Are you going somewhere?” Tim quietly asked, sounding hurt and upset.

“No,” Danny soothed, patting Tim on the head. I mean, what if I’m busy with stuff but you want to go take pictures without me?”

“You said to go get you whenever I wanna go out to take pictures.”

“Okay, yeah, I- well, we might as well get you a quality camera, right? To take really really good pictures of the… local wildlife. Like… the birds and the bats, and all that.” Danny winked exaggeratedly.

Tim blinked and giggled when he got the joke. “Okay, as long as you’re staying!”

Danny grinned, fangs and all. “Of course.”

——

At the end of their shopping spree, generously provided and sponsored by the Drake family and their heavy black card, Danny got a phone and Tim got a wild life camera that was a whopping $4,000 but was compact enough to not look absolutely ridiculous.

“It’s heavy!” Tim whined, as he grinned like a loon.

“It’s quality,” Danny plopped the shopping bags on the island in one of the giant kitchens Drake manor had. “I’ll make dinner. You figure out those settings and you can tell me about it when we eat.”

“Okay!” Tim hummed excited, quick fingers and laser focus already aimed at his new device.

Danny picked up his new phone and dialed a number he knew by heart. As it rung, Danny held it up to his ear and began prepping the ingredients. At least

“Hello?” His sister’s cautious voice came through the phone. Danny’s shoulders relaxed.

“Heya, Jazz.” He could see Tim’s ears all but perk up in order to eavesdrop. His mouth quirked up in amusement and Danny turned away. He probably shouldn’t be encouraging that kind of behavior… but it was funny.

“Danny! Are you okay? I- I heard that they chased after you and I was worried sick! Are you safe? Any injuries? Do I need to pick you up?”

“I’m good. Promise. Not bleeding out or dying. It’s actually pretty nice right now,” Danny paused before turning back a little more so he could watch Tim’s reaction peripherally. “Hey, listen, can I adopt a little brother?”

He watched Tim sit up straighter eyed flickering up to him and back down again, a secretly pleased look on his face as he figured out that Danny was in fact talking about him.

“Danny, what the hell?” Jazz huffed, audibly relieved to know that Danny wasn’t on his merry way to becoming a full on ghost. “Who, why, and what kind of trouble did you get into now?”

“Hey, this was me getting out of trouble. Those people don’t even know where I escaped to. Tim helped me out a lot,” Danny said in the tone that meant ‘and there’s more to it but I can’t tell you right now.’

“His name’s Tim?”

“Yeah, you wanna say hi?”

Tim looked terrified as he heard Danny’s side of the conversation. Danny could relate.

“Alright. But you’re explaining everything later, got it?”

“Sure thing, boss.”

Danny turned to Tim, abandoning the peas he was shelling and rinsing off his hand to hold the phone.

“Tim, my sister, Jazz, wants to say hi. Are you cool with that?”

“Uhm! Yeah! Yeah, sure.” Tim, honest to ancients, squeaked. Danny’s enhanced hearing could pick up Jazz’s already melting heart. He taped a button.

“Jazz, you’re on speaker.”

“Hey, Tim. I’m Jazz. Thanks for taking care of my little brother!”

“Uh, hi, Jazz! I’m Timothy Drake! And, uh, you’re welcome! Anytime!”

Tim glanced at Danny for reassurance, relaxing a bit when the halfa threw him a double thumbs up.

Jazz went quiet.

“Jazz, you good?” Danny asked.

“We’re adopting him. Danny, you better make sure knows about everyone. Hi, Tim, I’m Jazz, your new big sister.”

“Uh- I have parents.”

“That can be fixed,” Jazz casually brushed off. Tim looked like a deer in headlights, so Danny took his sister off speaker and went back to cooking. He made sure to smile at Tim.

“Don’t worry, we won’t adopt you if you don’t want to. But it wasn’t a joke, we’re very serious.”

“I’ll think about it?”

Danny shrugged. “Good enough for me.”

“So, where are you?” Jazz asked him, rustling coming through on the phone.

“Gotham.”

“You are so fucking lucky I love you, dumbass. I’ll be there tomorrow at noon.”

“Playing hooky, are you?”

“Fuck off, little brother, before I show Tim your toddler pictures.”

“Thanks, Jazz.”

“Bye, Danny. Don’t get killed again when I’m not there, got it?”

“Sure, sure.”

Danny smiled and returned to his agenda of stuffing as many vegetables into one meal as he can. At least the food isn’t trying to tear out his face.

——

Robin hasn’t heard the eerie giggles around lately, but he’s been practicing his own. It’s weird though, because there’s always a glint of something in the corner of his eyes.

“Robin, muggers.”

“On it, B. Shall we, Batgirl?”

“Let’s go, Boy Wonder.”