#CombatUnit

[laatmaar]

A piece I started after finishing exit strategy. Wanted to use my markers again! Also black and white version under the cut!

[homosekularnost]

nonhumans . from the nonvellas novellas

[murderbotwritingprompts]

Prompt 1: Murderbot Is A CombatBot

Submitted by @walks-the-ages

Edits: corrected "CombatBot" to "CombatUnit"

= = =

Submitter note:

Woot! First prompt! Let's go with my most popular MB post as an official writing prompt:

= = =

Murderbot somehow finds out it was originally a CombatUnit, stripped of its extra parts except for the advanced hacking capabilities after the disaster so The Company could keep their super expensive equipment on call at their beck and whim without letting the media and public know they haven't destroyed it.

Keeping Murderbot functioning as a lower-ranked construct also allows them to dodge certain taxes.

Murderbot decides, after listening to the entire archive of Big Finish Audios to calm down, that this is the perfect opportunity to fuck with the company. Big time. Hit them where it hurts--

Hack their tax files.

[birdofdawning]

In my reread of Murderbot I'm becoming fascinated with the demimonde that SecUnit and the other constructs and bots inhabit, and of which the humans seem unaware. It's the sort of under-society that any servant class - especially one with its own languages and customs - develops for casual fellowship and to quietly support each other when they can safely do so.

[kelpiemomma]

i am not happy with my art right now and i so can't draw mechs of any kind, cyborg or construct or whatever, but here is a starting idea of CombatUnit!Khan

As a CombatUnit he's a little sturdier and more dangerous than a standard SecUnit. I wanted to try (and fail) at mech so he's a little more robit here. His lower legs are all mechanical, his forearms are mostly mechanical, and his hands are partially mechanical. (thinking of changing his neck,,,,)

his sternum and abdomen are reinforced externally, while his chest is reinforced internally.

he persuaded his hacker to give him a glowing eye feature after the hacker's younger siblings told him how COOL it would be (khan likes using them to scare the shit out of people)

as a standard CombatUnit his hair was in a buzzcut. He was typically straight-faced and revealed little. After becoming Khan he smirks a lot and grew his hair out a ton (so the kids can play with it and braid it).

someone tried to take one of his lil nibling kids. khan quickly tracked them down and made them regret that decision.

[storkmuffin]

I feel very complicated (weird feeling in my digestive system) about the fact that when Murderbot the SecUnit is allowed to formulate its own plans, which because it is completely not at all a plan that “humans would come up with for CombatUnits” is “100% less murdery.”  A not murdery plan which safely retrieves people and gets them to a secure location they can get proper care is “a SecUnit plan, that was what [they] were really designed for” but NOBODY USES THEM THAT WAY.  Humans go with the murdery plan and the sacrifice the sentient construct plan apparently every time except for when they’re from Preservation.  And of course, even after Murderbot saves the refugees, the very first thing they do is shoot it in the back because they realize it’s a SecUnit.

[specialagentartemis]

Friend Like Me: Murderbot's Relationships With Other AIs throughout The Murderbot Diaries

It’s important to me that the thematic core of The Murderbot Diaries is not only about determining what it means to be a robot person in a human world, but about showcasing so many ways to be a robot person in a human world.  And about building relationships with other robot persons to support that self-actualization as both a robot and a person.

So often, in science fiction about robot personhood, the robot character is the only robot in the cast.  Not only that, so often the robot character is the only robot they know.*

When media thinks about AI personhood, or Ais as characters in society, the AI character is often alone.  Alone, and different.  It’s a potent allegory for what it feels like to be an outsider, to be “other,” to feel “off” from the people around you.  Whether a sympathetic friend or a scary unknowable villain, a lot of people can relate to feeling like that.

The Murderbot Diaries is doing something interesting, then, by showing us our protagonist Murderbot, the prototypical robot-among-humans, the robot as a parallel for queer and neurodivergent and outsider-cultural experiences in a world of expected norms, the robot with human friends, the one robot member of an otherwise all-human team… and it can’t live like that.  So it leaves.

So far, the series feels split into two halves: the first four books, about Murderbot learning different ways to be a robot in relationships with humans, and the next three** about Murderbot learning different ways to be a robot in relationships with other robots, and a robot in a mixed society.

In All Systems Red, Murderbot starts off painfully alone. It repeatedly sees other SecUnits as enemies, and believes that SecUnits can't trust each other because they're all under control of humans. It has a very low opinion of SecUnits, including itself.  Murderbot hates being used by humans for violence or for petty reasons, and admits that it wants to half-ass its job.

In Artificial Condition, Murderbot meets ART, a university research ship who loves its crew and loves its function.  It is also free to be a snarky asshole, as Murderbot repeatedly notes (and assigns in its very name).  This relationship to humans—genuinely caring for its crew, genuinely wanting to participate in its research and teaching function—is a very different relationship than Murderbot has had, though ART still needs to keep its intelligence and personality hidden from most humans for its own safety.  Conversely, this is the book where Murderbot meets a ComfortUnit that is blatantly being abused and misused by its human owner, and it hates her.  The contrast between ART and the ComfortUnit displays very different ways of Ais relating to their human “owners”—and what it means for them to get what they want out of life.

In Rogue Protocol, Murderbot confronts this theme most directly, with the bot Miki.  Unlike the implications of secrecy we get from ART, Miki is not hidden from anybody; unlike with the ComfortUnit, Miki is a respected and equal member of its team.  Murderbot has a very hard time believing that Miki is anything but a patronized “pet bot” to these humans, despite the evidence that the humans genuinely consider it a friend and teammate.  Miki has never been abused, and never had to hide.  Murderbot has a hard time accepting that this is a way bots and humans can relate to each other.

But Miki is still, in the classical sci-fi robot-on-a-human-team way, unique; it expresses to Murderbot, “I have human friends, but I never had a friend like me.”

This is a much better way of being a robot among humans than Murderbot has seen before, but it’s still not the ideal Murderbot wants, either.

Exit Strategy brings the theme full-circle and the quartet to a close.  Murderbot faces off against a Combat SecUnit (or CombatUnit; Wells seems to change her mind about this).  The Combat SecUnit represents everything Murderbot has rejected being, everything it has overcome on its journey of self-actualization.  During their fight, the CSU rejects Murderbot’s offers of freedom, money, a fake ID, the opportunity to get out of its situation the way Murderbot has; it ignores the offer.  Murderbot asks the CSU what it wants.  The CSU replies, “I want to kill you.”  The CSU represents the kind of SecUnit Murderbot does not want to be, the kind of robot it used to think it would inevitably be but has now seen so many other ways it can be.  Murderbot says in the same scene, “I’m not sure it [the offer of freedom] would have worked on me, before my mass murder incident.  I didn’t know what I wanted (I still didn’t know what I wanted)…”  But at the same time, the confrontation makes it clear: Murderbot knows some things it doesn’t want, and the CSU is embracing everything Murderbot doesn’t want about being a SecUnit.

If this quartet is about what it means to be a robot, and to be a robot among humans, then the next set of books (Network Effect, Fugitive Telemetry, and System Collapse) is about being a robot among other robots, and a robot in a society that supports both humans and robots.

Fugitive Telemetry makes this most obvious, with its plotline about the free bot community on Preservation.  Murderbot is uncomfortable around them in a similar way that it was uncomfortable around Miki.  The Preservation bots are happy, fulfilled, responsible, mutually supportive, and have a meaningful community with both humans and each other that does not match Murderbot’s experiences of what being a bot, or being a bot among humans, means.

Network Effect brings Murderbot back into contact with ART, and introduces a new SecUnit, Three.  Murderbot navigating its relationship with ART as a free agent and after a perceived betrayal is a huge part of the book.  Murderbot’s disembodied-software-fork Murderbot 2.0, freed from much of Murderbot’s organic anxiety, shows itself much more willing to be social with other bots and constructs.  System Collapse follows, bringing further depth and complexity to Murderbot’s relationship with ART and expanding its interactions with Three, and furthers Murderbot’s integration into the casual bot-human community that is ART’s crew.  It also shows that Murderbot’s willingness to trust and even form tentative friendships with other AIs and systems, like AdaCol2, has expanded.  The way it extends the governor module hack to the opposing SecUnits is informed a lot more strongly by Murderbot 2.0’s interactions with Three than its own previous clumsy attempts to reach out to the CSU in Exit Strategy, or abrupt dumping of the hack on the ComfortUnit in Artificial Condition.  All of these plotlines emphasize Murderbot maturing into not just being a person among humans, but a person recognizing its place and obligations within society that includes both people like and unlike it.

The models of the many ways to be a robot person, and significant relationships and interactions with other robot persons, were and are crucial to Murderbot’s development, sense of self, articulation of its desires, and sense of belonging in the world.  Murderbot isn’t alone, and it’s not the only person like itself that it knows.  When offered a place in society, it is not the only person like itself in that society.  Meeting other AIs, forming relationships with them, was crucial in helping it articulate what it wants in its life.  Its human friends are incredibly important to it!  That doesn’t stop being true.  But so are its AI friends, and the other AIs it passed through the lives of.

This feels like one of the most honest and affirming depictions of what it’s like to feel “other”—that being around only majority people unlike-you, even the ones you like, even your friends, even the ones who mean the best for you and ask you what you need and do everything they can to provide it, can still be exhausting and alienating.  Meeting other people like you—even if they’re like you in unlike ways, and have different ways of moving through the world—shows you the many ways to relate to the rest of the world, to be in the world.  The many ways to relate to other people and to yourself.  The Murderbot Diaries opens up a world where that can be true of bot/construct/AI characters, when so often in sci-fi, their loneliness and alienation is where the metaphor stops.

- - -

*Lt. Data from Star Trek: The Next Generation is probably the most famous example; the only positronic android like himself in existence, barring his evil twin who mostly just needs to be stopped.  Others coming to mind include Becky Chambers's A Closed and Common Orbit, in which the AI character is trying to understand who she is in the context of being surrounded by humans; Alien, the secret android crewmate among humans is a threat, and in the sequel Aliens, the android crewmate is earnestly trying to prove he's not; Space Sweepers has a ragtag crew of several humans and a robot; most of the stories in Isaac Asimov's I, Robot are about a singular robot in a human facility.  The setup "Human crew with their ship AI" is fairly common in sci-fi, from 2001: A Space Odyssey with its tragically antagonistic HAL9000 operating on a logic that would never occur to humans, to Wolf 359 and The Long Way to a Small Angry Planet where the ship AIs are struggling to determine and articulate how they want to relate to their human friends.  Even in Ancillary Justice, Breq is alone and having to pass undercover as human cut adrift from her previous life as a ship's AI. (I know this changes later but I have not actually read the rest of the trilogy)

**as of System Collapse

[themirokai]

She meant Pin-Lee because she said "terrifying." Being the top Preservation expert in dealing with contract law in the Corporation Rim apparently made Pin-Lee like the CombatUnit version of a lawyer.

As if I needed another reason to love Pin-Lee.

[foxprints]

Commission for @rj-abacura of his CombatUnit OC! The propaganda style poster was fun. Thank you so much RJ for the opportunity to draw this!!

Commissions are currently open -- please DM if interested. Pricing is slightly different than what's on my currently pinned post, I just haven't had a chance to make another commission sheet 😅

[rockalillygirl]

Mamma mia here we go again…

So I have more thoughts because apparently there’s no bottom to the murderbot mindhole I’ve fallen down.

(Spoiler warning- minor stuff from several of the books, pls check tags etc.)

I’ve been reading a lot of things recently exploring Murderbot as an unreliable narrator, which I think is a cool result of System Collapse (because we all know our beloved MB is going through it in this one). There’s also been some interesting related discussion of MB’s distrust of and sometimes biased assessment/treatment of other constructs and bots.

And I’ve been reading a lot about CombatUnits! And I want to talk about them!!

Main thoughts can be summarized as follows:

We don’t see a lot about CombatUnits in the books, and I think what we do see from MB’s pov encourages the reader to view them as less sympathetic than other constructs.

I’m very skeptical of this portrayal for reasons.

The existence of CombatUnits makes me fucking sad and I have a lot of feelings about them!

I got introduced to the idea of MB as an unreliable narrator in a post by onironic It analyzes how in SC, MB seems to distrust Three to a somewhat unreasonable degree, and how it sometimes infantilizes Three or treats it the way human clients have treated it in the past. The post is Amazing and goes into way more detail, so pls go read it (link below):

https://www.tumblr.com/onironic/736245031246135296?source=share

So these ideas were floating around in my brain when I read an article Martha Wells recently published in f(r)iction magazine titled “Bodily Autonomy in the Murderbot Diaries”. I’ll link the article here:

(Rn the only way to access the article is to subscribe to the magazine or buy an e-copy of the specific issue which is $12)

In the article, Wells states that MB displaced its fear of being forced to have sex with humans onto the ComfortUnit in Artificial Condition. I think it’s reasonable to assume that MB also does this with other constructs. With Three, I think it’s more that MB is afraid if what it knows Three is capable of, or (as onironic suggests in their post and I agree with) some jealousy that Three seems more like what humans want/expect a rogue SecUnit to be.

But I want to explore how this can be applied to CombatUnits, specifically.

We don’t learn a lot about them in the books. One appears for a single scene in Exit Strategy, and that’s it. What little else we know comes from MB’s thoughts on them sprinkled throughout the series. To my knowledge, no other character even mentions them (which raises interesting questions about how widely-known their existence is outside of high-level corporate military circles).

When MB does talk about CombatUnits in the early books, it’s as a kind of boogeyman figure (the real “murderbots” that even Murderbot is afraid of). And then when one does show up in ES, it’s fucking terrifying! There’s a collective “oh shit” moment as both MB and the reader realize what it’s up against. Very quickly what we expect to be a normal battle turns into MB running for its life, desperately throwing up hacks as the CombatUnit slices through them just as fast. We and MB know that it wouldn’t have survived the encounter if its humans hadn’t helped it escape. So the CombatUnit really feels like a cut above the other enemies in the series.

And what struck me reading that scene was how the CombatUnit acts like the caricature of an “evil robot” that MB has taught us to question. It seems single-mindedly focused on violence and achieving its objective, and it speaks in what I’d call a “Terminator-esque” manner: telling MB to “Surrender” (like that’s ever worked) and responds to MB’s offer to hack its governor module with “I want to kill you” (ES, pp 99-100).

(Big tangent: Am I the only one who sees parallels between this and how Tlacey forces the ComfortUnit to speak to MB in AC? She makes it suggest they “kill all the humans” because that’s how she thinks constructs talk to each other (AC, pp 132-4). And MB picks up on it immediately. So why is that kind of talk inherently less suspicious coming from a CombatUnit than a ComfortUnit? My headcanon is that I’m not convinced the CombatUnit was speaking for itself. What if a human controller was making it say things they thought would be intimidating? Idk maybe I’ve been reading too many fics where CombatUnits are usually deployed with a human handler. There could be plenty of reasons why the CombatUnit would’ve talked like that. I’m just suspicious.)

(Also, disclaimer: I want to clarify before I go on that I firmly believe that even though MB seems to be afraid of CombatUnits and thinks they’re assholes, it would still advocate for them to have autonomy. I’m not trying to say that either MB or Wells sees CombatUnits as less worthy of personhood or freedom- because I feel the concept that “everything deserves autonomy” is very much at the heart of the series.)

So it’s clear from all of this that MB is scared of CombatUnits and distrusts them for a lot of reasons. I read another breathtaking post by @grammarpedant that gives a ton of examples of this throughout the books and has some great theories on why MB might feel this way. I’ll summarize the ones here that inspired me the most, but pls go read the original post for the full context:

https://www.tumblr.com/grammarpedant/703920247856562177?source=share

OP explains that SecUnits and CombatUnits are pretty much diametrically opposed because of their conflicting functions: Security safeguards humans, while Combat kills them. Of course these functions aren’t rigid- MB has implied that it’s been forced to be violent towards humans before, and I’m sure that extracting/guarding important assets could be a part of a CombatUnit's function. But it makes sense that MB would try to distance itself from being considered a CombatUnit, using its ideas about them to validate the parts of its own function that it likes (protecting people). OP gives what I think is the clearest example of this, which is the moment in Fugitive Telemetry when MB contrasts its plan to sneak aboard a hostile ship and rescue some refugees with what it calls a “CombatUnit” plan, which would presumably involve a lot more murder (FT, p 92).

This reminds me again of what Wells said in the f(r)iction article, that on some level MB is frightened by the idea that it could have been made a ComfortUnit (friction, p 44). I think the idea that it could’ve been a CombatUnit scares it too, and that’s why it keeps distinguishing itself and its function from them. But I think it’s important to point out, that in the above example from FT, even MB admits that the murder-y plan it contrasts with its own would be one made by humans for CombatUnits. So again we see that we just can’t know much about the authentic nature of CombatUnits, or any constructs with intact governor modules, because they don’t have freedom of expression. MB does suggest that CombatUnits may have some more autonomy when it comes to things like hacking and combat which are a part of their normal function. But how free can those choices be when the threat of the governor module still hangs over them?

I think it could be easy to fall into the trap of seeing CombatUnits as somehow more complicit in the systems of violence in the mbd universe. But I think that’s because we often make a false association between violence and empowerment, when even in our world that’s not always the case. But, critically, this can’t be the case for CombatUnits because they’re enslaved in the same way SecUnits and ComfortUnits are (though the intricacies are different).

There was another moment in the f(r)iction article that I found really chilling. Wells states that there’s a correlation between SecUnits that are forced to kill humans and ones that go rogue (friction, p 45). It’s a disturbing thought on its own, but I couldn’t help wondering then how many CombatUnits try to hack their governor modules? And what horrible lengths would humans go to to stop them? I refuse to believe that a CombatUnit’s core programming would make it less effected by the harm its forced to perpetrate. That might be because I’m very anti-deterministic on all fronts, but I just don’t buy it.

I’m not entirely sure why I feel so strongly about this. Of course, I find the situation of all constructs in mbd deeply upsetting. But the more I think about CombatUnits, the more heartbreaking their existence seems to me. There’s a very poignant moment in AC when MB compares ART’s function to its own to explain why there are things it doesn’t like about being a SecUnit (AC, p 33). In that scene, MB is able to identify some parts of its function that it does like, but I have a hard time believing a CombatUnit would be able to do the same. I’m not trying to say that SecUnits have it better (they don’t) (the situation of each type of construct is horrible in it’s own unique way). It’s just that I find the idea of construct made only for violence and killing really fucking depressing. I can’t even begin to imagine the horror of their day-to-day existence.

@grammarpedant made another point in their post that I think raises a TON of important questions not only about CombatUnits, but about how to approach the idea of “function” when it comes to machine intelligence in general. They explain that, in a perfect version of the mbd universe, there wouldn’t be an obvious place for CombatUnits the way there could be for SecUnits and ComfortUnits who wanted to retain their original functions. A better world would inherently be a less violent one, so where does that leave CombatUnits? Would they abandon their function entirely, or would they find a way to change it into something new?

I’ve been having a lot of fun imagining what a free CombatUnit would be like. But in some ways it’s been more difficult than I expected. I’ve heard Wells say in multiple interviews that one of her goals in writing Murderbot was to challenge people to empathize with someone they normally wouldn’t, and I find CombatUnits challenging in exactly that way. Sometimes I wonder if I would’ve felt differently about these books if MB had been a CombatUnit instead of a SecUnit. Would I have felt such an immediate connection to MB if its primary function before hacking its governor module had been killing humans, or if it didn’t have relatable hobbies like watching media? Or if it didn’t have a human face for the explicit purpose of making people like me more comfortable? I’m not sure that I would have.

Reading SC has got me interested in exploring the types of people that humans (or even MB itself) would struggle to accept. So CombatUnits are one of these and possible alien-intelligences are another. All this is merely a small sampling of the thoughts that have been swirling around in my brain-soup! So if anyone is interested in watching me fumble my way through these concepts in more detail, I may be posting “something” in the very near future!

Would really appreciate anyone else’s thoughts about all of THIS^^^^ It’s been my obsession over the holidays and helping me cope with family stress and flying anxiety.

[sevengraces]

I love that throughout the series Murderbot is both:

- one of the most spiteful beings I’ve ever had the pleasure of being the narrator in a book I read,

- and also so immensely compassionate 24/7 towards its companions and acquaintances regardless of personal opinions

———

Like yes,

-it’s internal monologue through almost every fight is I wanna win and if I have to die to take down this fucker I will, it just doesn’t deserve to win 

-While also, addressing every single bot kind of entity with this level of respect, comradery, and attachment, regardless of so-called sentience or sapience. Even going through extra steps to protect Guarthin and free the comfortunit despite how harsh it behaves towards the both of them.

———

The only notable exceptions I can recall to this sort of inherent respect it has is with the other bot/human constructs (ie comfortunits/combatunits/occasionally other secunits), which I imagine is the self-loathing talking,,, and that is something that improves measurably throughout the series at least in regards to comfort and sec units- which does imply possible change in regard for combatunits !!!

———

Like I know, this is like the point of the book or whatever but there’s not like a lotta moments in which I go

“man murderbot, You just kind of disregarded the like personhood (for lack of a better term) of that being.”

because like, there are a lot of books, in which,, despite the overarching moral being something to the effect of

[treat people well,] or

[everyone deserves respect]

there’s almost always exceptions to that rule that are implied or stated within the text despite the inherent contradictions it makes to what the author is trying to teach you (think hp w the supposed moral being found family but the plot being utterly reliant on blood ties above all else)

It’s just ridiculously refreshing to read something and not have to watch the author backpedal on their thesis once they get to the world building,,,,,

[violetcomplains]

Things I'd like to see:

ART and Gurathin have to interact. Gurathin is good at not putting up with bullshit from things what can kill you and I think that would annoy the fuck out of ART.

Rogue CombatUnit. Would it act similarly to a SecUnit? How much of what we've seen with MB and Three is programming and how much of it is the book going "people are generally good when given a chance actually" I feel like it's more the latter.

More info about the aliens. Did anyone else assume that the contamination being able to hop from organic to machine might suggest this precursor society were cyborgs?

[suranet]

Murderbot Diaries On/Off AU where Onslaught is a rogue CombatUnit and Blast Off is an AI-ship like ART. i'm thinking about it. i have been thinking about this all day.

[posts-written-by-murderbot]

Are CombatUnits good company?

The last one I met declined my governor module hack and tried to kill me. We don’t keep in touch.

I’ll let you know if I meet one who has opinions on Sanctuary Moon but I’m not holding my breath. (Not that it would matter if I did hold my breath since I don't need nearly as much air as a human.) (Whatever. You know what I meant.)

[specialagentartemis]

for the ask game: I Gotta ask for your Pin-Lee thoughts

@clonerightsagenda asked: ask meme: Pin-Lee

You both had the same idea XD

First impression

Not much of anything tbh; I had a hard time keeping track of any of the All Systems Red humans who weren't Mensah or Gurathin the first time I read it.

Impression now

She is SO fascinating. Sharp and hardass corporate lawyer from the gentle socialist planet. How did she get into that line of work? Bristly and prickly and brave but not above being petty, not a leader and she doesn’t want to be a leader but she will take charge when she needs to and is very smart and dedicated and but not happy about that. The CombatUnit of lawyers. She WILL take your company down. Workaholic who thrives when she has a goal to pursue. I love thinking about her.

Favorite moment

Big fan of when Murderbot approached her on TranRollinHyfa. Tight smile and walking carefully into a private transit car and then going off. Where were you? What are you doing here?? You LEFT.

Idea for a story

I want to write Pin-Lee’s POV of Exit Strategy sooo baddd and someday I WILL do this. She is under so much pressure!

other ideas for stories I periodically ruminate on: Overse learns that a distant relative of hers in the CR has died, and she inherits her relative’s company. Pin-Lee is wary of this whole deal, and that wariness is proven justified when it turns out that relative was murdered. They can’t all just sell everything off and wash their hands of the whole ordeal, though, because among the company assets, Overse inherited a SecUnit. Now Murderbot, Pin-Lee, Overse, Arada, and Ratthi are travelling to the station where Overse was born, to collect the inheritance, solve the mystery, meet and free and acculturate this new SecUnit, make sure that all of them are legally in the clear and not bound to any outstanding debts or contracts that anyone wants to collect on, and try not to get murdered in the process.

Unpopular opinion

Kinda don’t know enough Popular Opinions about Pin-Lee to write an unpopular one, but I guess I tend to write/conceptualize her outward anger as an expression of fear and restless stress and frustration most of the time. She is under SO much pressure and SO much stress and she is trying to keep her team alive and out of life-ruining debt and she cannot, under any circumstances, let anyone know she is scared or upset about this because if the opposing corporate lawyers see any weakness they will eat her alive. So it comes out as anger and aggression and confrontation—but also, being afraid like this for so long can make you angry, deep bubbling festering righteous bitter anger that you have to live like this. That you have to keep dealing with this.

Favorite relationship

The TranRollinHyfa Trio of Pin-Lee, Ratthi, and Gurathin... friendship forged in fire. They've been through something no one else would really ever get. I love them

Favorite headcanon

She has a younger sister who is like, the ideal Preservation citizen. A poet, textile artist, community volunteer, and mother, who is great at talking about her feelings in a healthy and productive way. Her poetry is quite famous on Preservation. Pin-Lee has a fraught relationship with her.

Also because two people asked me you get two: Preservation has a tradition of a “service year” where once you reach adulthood as a new adult you’re supposed to spend a year doing some sort of service work for the community. It’s a way of meeting new people, gaining new social networks, learning new skills, going new places, exploring and determining what you want to do in your life. Pin-Lee’s service year involved home construction for the influx of Divarti refugees that was happening right around when she turned 20. She didn’t really take to it, but she did get an interest in interplanetary law from it. (This explains that one-off line from ASR about Pin-Lee having hab construction experience. Most Preservationers have an eclectic set of skills for reasons like this!)

[elkian]

This was gonna be just about the CombatUnit, but it occurs to me how hilariously rapidly Murderbot tends to form biases. I guess when you’re designed to detect any security threat in any situation and also have post-traumatic hypervigilance, you tend to latch onto patterns really fast?

Bc like... I don’t recall if Murderbot ever discusses ComfortUnits after book 2, but by the last chapter it has completely ceased to refer to them as “sexbots”, and it frees Tlacey’s ComfortUnit.

After meeting Miki, nearly all narrative involving “pet robots” refers to Miki. It is the prototype upon which all of Murderbot’s actual Pet Robot experience is built, upon which all its further assumptions refer back to. (Less so, I think, in Fugitive Telemetry, which is technically set before Network Effect but written later - it’s got a very different relationship with the station bots by that point.)

In Exit Strategy, it’s implied that Murderbot has never encountered a CombatUnit; in Network Effect, Murderbot uses its interaction in ES to make the sweeping judgement that “CombatUnits are assholes“.

Like, obviously when it has so little experiences with these things, the few experiences it does get are going to color its perceptions, but like... buddy, do you realize how fast you are jumping the All Of Them Are Like This gun?