#Color Pie
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The Color of Hope: Ambition, Necromancy, and Black Mana
Black is one of the most misunderstood colors in Magic: the Gathering, not least because it appears on the surface to be so straightforward. Look at the most iconic black cards of Magic and you'll see deals with demons, necromancy, mass destruction and cruelty and suffering–the trappings of classic fantasy evil. Even the color's symbol itself is a skull, a universal signifier of death and danger.
And in early Magic that seemed to be all it was. White was the color of Fantasy Good, black was the color of Fantasy Evil, and the rest of the colors were... fire magic? Elves? Whatever odd but intriguing skeleton affairs are implied by Time Walk?
Gradually, though, Magic deepened as both a game and a storytelling medium. The color pie grew into itself as a system of complementary philosophies, archetypes whose associated aesthetics were only part of the full picture. Their arrangement around the wheel, below, is highly deliberate; neighboring colors are said to be allies with a high degree of philosophical and mechanical overlap, while colors on opposite sides of the pie are known as enemies, more likely to disagree on fundamental levels.
Black stopped merely representing capital E Evil and became the color of striving for power; unlike its peers, black felt that nothing, least of all morality, could prevent it from seizing what it wanted. Mark Rosewater's 2015 article about black emphasized the color's focus on the self:
"Black's philosophy is very simple: There's no one better suited to look after your own interests than you... Many costs require the sacrifice of others for your own advancement. Because it puts itself first, black is always willing to make this trade. The weak must fall for the strong to thrive." -Mark Rosewater
At its worst, black is an exploitative, amoral color that prioritizes itself at the expense of all others, allowing the "weak" to fall and scorning the very idea of compassion. Rosewater writes that black is "always willing" to trade others for itself. And these can certainly be parts of black's philosophy, when taken to its worst possible extremes, but they're far from the entire story.
Over time, Magic's outlook on black gained nuance. Magic story introduced protagonists like the necromancer Liliana Vess, whose craving for immortality, seemingly exploitative nature, and demonic deals called back to the oldest portrayals of black–and yet she was not one-dimensionally evil. She underwent character development over the years, learning the value of reclaiming herself and standing beside others, and at no point did she become any less mono-black for it. Remember her; we will come back to Liliana and her story later.
In addition to the usual death and decay, black cards began to feature a theme of relentless devotion. On the plane of Eldraine where each color represents a virtue, black's is persistence, explicitly as important as any other color. On the plane of Ikoria, the love between bonder and beast pulls Winota back from the brink of death. Wherever this Oathsworn Vampire printing is set, its flavor text is quintessentially black. It's the same self-driven attitude as before, but cast in a different light: black is nothing if not persistent when it's got its heart set on something (or someone) it cares about. Nothing, least of all the grave, will keep it down. After all, black will always come back for its own.
These newer cards uncovered the true face of black as a color capable of both great love and harm (sometimes even the latter for the sake of the former), and suggested a tantalizing new thread: perhaps putting yourself and yours first isn't all that bad, necessarily. Black is a deeply protective color; it says you don't just have to accept what you're handed, it's okay even to be furious about it (hello, ally color red), but let that galvanize you to do something about it.
Vraska, a gorgon who faces extreme discrimination on her home plane of Ravnica, triumphs by reclaiming herself, gorgon powers and all–and even more radically, loving herself. She displays traits often considered the purview of white and green, such as a love of home and a drive to elevate the oppressed, but they are all filtered through the lens of her black alignment. Vraska staunchly refuses to deny herself or her people, the Golgari Swarm, of their value. Nor does she allow law or propriety to prevent her from championing them by any means necessary–even if that means cold-blooded murder, or aligning herself with a villain like the Planeswalker Nicol Bolas.
"[Vraska] thought of Mazirek, of the kraul, of the rest of the Ochran assassins and the malignant Jarad who reigned with casual ruin over the most downtrodden of the downtrodden. She remembered her years of isolation, and the heinous cruelty of the Azorius, and how no group deserved to suffer as much as those who would subjugate her own. Eliminating that hell was all she ever wanted." -The Talented Captain Vraska, Alison Luhrs
Like Vraska, black loves fierce and hard, willing to break any taboo for the sake of those it cares about. And it whispers, the entire way through, you are enough. You deserve better. No matter what others may say or do, you are enough.
"If I am to be met with disrespect, then I must first love myself with a fierceness no fool can take away." -Vraska in Pride of the Kraul, Alison Luhrs
Even black's "ruthlessness" isn't as fundamentally cruel as it appears, centering a passion for problem-solving (shared by its other ally blue) instead of a blunt disregard for others.
"People don’t understand the word ruthless. They think it means 'mean.' It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution. Not caring about anything else but the perfection of it." -K. A. Applegate
All of this comes together to make a black a color not of evil but of strength, integrity, and persistence. And that's all well and good, but I'm going to take it even further and put forward a new proposition: that black is the color of hope.
Of the nine mono-black Magic cards with "hope" in their names, all but Liliana portray black as an instrument of hope's destruction. This is, once again, black's flaw taken to its extreme–crushing others to achieve its own ends–but neglects black's own relationship with hope.
Black, more than any other color, requires hope to stay alive.
For black to persist, it must believe in a light at the end of the tunnel, a future in which its goals are realized. As long as it does, it will endure any hardship, walk through fire, and turn reality itself upside down on its way there. Primal, desperate ambition is the engine of hope that burns at the heart of black, keeping it always one step ahead of stagnation. Bitter and stubborn, black believes tomorrow will come because there is no other choice. After all, for black to relinquish hope is to let itself wither, regress, and die–an unacceptable outcome.
Thus, it is monumentally difficult to strip black of hope. That only makes it all the more crushing when it happens, when black contends with the idea that there is nothing it can do.
Black's deepest, darkest fear is helplessness.
Like any mono-black character, Liliana Vess is driven at her core by a seething, desperate hope. When Liliana first unlocks her necromantic power, it is out of a sheer refusal to allow her ill brother Josu to die, even when the esis root that would cure him is destroyed by enemy witches in an undead-raising ritual. She defies her previous training as a healer, which taught her only to take the safe path, in favor of a higher-risk and higher-reward approach: stealing life from the witches themselves to restore power to the esis root she needs. It is her knowledge that her brother needs her, and her sheer stubborn will to succeed, which allows her to defeat the witches against steep odds.
"Six foes, and Liliana stood alone. But Josu's life depended on her, and the power blossoming within her was more than enough." -Liliana's Origin: The Fourth Pact, James Wyatt
Tragically, however, Liliana's attempted cure goes horrifically wrong, transforming Josu into an undead being plagued by eternal suffering. In his pain, Josu attacks Liliana. For a while Liliana holds out hope, finding the power to fight back while she determinedly searches for a spell to reverse the harm she's done. It is when she realizes this isn't possible that her strength falters.
"All this time, she had believed… that she could turn the power of death to the service of life and health. That a healer should use every tool at her disposal. But Josu was the result, a horrible fusion of life and death, and all her spells meant to manipulate the life force of the living could do nothing to harm the dead." -The Fourth Pact
Liliana learns that even her own dark magic, fueled by determination, cannot solve the problem she's created. She discovers the hard limit of her willpower, and the despair of this discovery is what causes her Planeswalker spark to ignite.
At this time Planeswalkers are as gods, immortal and near-omnipotent. Liliana spends decades enjoying this affirmation of her capability before the Mending strips her and all her peers of their power, reducing them once again to mortal mages.
"Then the Multiverse reshaped itself, robbing her—and every other Planeswalker—of the godlike power they once had wielded. Some called it the Mending, as if something broken had been repaired, but to Liliana, it seemed the opposite. It broke her beyond any hope of repair." -The Fourth Pact
Once again, it is Liliana's fear of helplessness and her refusal to accept it that drives her to push beyond the bounds of propriety–this time, to make a pact with Nicol Bolas and four demons to maintain her immortality. It is not enough for her merely to delay death; she requires the security of knowing she is fully beyond its reach, that she will never be helpless before it again as she was with Josu.
"Holding death at arm's length for whatever years are left to me? No, that's not enough. I want to be free of its shadow." -Liliana in The Fourth Pact
Black isn't like its enemy colors white and green, which are superficially associated far more often with hope. Unlike white, it doesn't believe that conviction, justice, and community will bring about rightness. Unlike green, it doesn't trust in the wisdom of the world or the natural order. Black believes that nothing will change unless you make it change; ultimately, black's self is the only one it can trust to bring about the world it needs. In addition, black lacks its enemies' idealism. Instead, it strives to be a pragmatic realist, making a final assessment of defeat all the more definite and crushing.
While white and green are more amenable to finding hope and holding it aloft as a banner, black claws hope desperately to its chest with shredded, bloody fingernails. Every ounce of hope black has, it tore by itself from the clutches of an uncaring world.
Ironically for such a self-driven color, black's fierce hope is the greatest asset it can provide to others–on its own terms, of course. It was Liliana who turned the tide of battle against the Eldrazi titan Emrakul, defiant in the face of cosmic despair. And when Nicol Bolas made his bid to return to godhood, using Liliana's necromancy to command his undead hordes, Liliana finally turned against him. In reclaiming her power, so too did she use it to free her fellow Planeswalkers from Bolas' assault. Her fear of helplessness no longer shackled her to him; agency and autonomy were hers at last.
The triumph of black, its moment of ultimate victory, is the hard-won fulfillment of its hope.
"Do not go gentle into that good night. Rage, rage against the dying of the light." -Dylan Thomas
An aetherborn, railing against the shortness of their natural lifespan, constructs a new body for themself with their own bare hands. An artificer's grief over her lost companion causes her to push invention to its limits. A young girl who loves her brother calls on the darkest of powers to save him. As it turns out, necromancy–that original thematic keystone of black–is only one of black's many, many refusals to let go of love and hope once it has them, even in the face of the ultimate end.
Time and time again, black–in love with life, ablaze with hope–looks the Grim Reaper in the eye and tells it: "Not today."
#mtg#magic the gathering#color pie#black mana#liliana vess#vorthos#literary analysis#war of the spark#magic origins#planeswalker#nicol bolas#vraska#necromancy
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I can't overstate how much I love the color wheel (or color pie) from Magic:The Gathering
I started playing magic back in 2001 when I was 14, Odyssey had just come out. I knew a bit of English, and I soon started reading Magic's website for news and spoilers. That's when I discovered @markrosewater 's column Making Magic. MaRo is both a great game designer and an impressive writer, his column was entertaining, witty, fun and informative. I consider Magic and especially his column to be the main reason I learned to read English so fast.
Now, 2001 was a period of transformation in Magic. The main saga in the story had just ended (consider Avengers:Endgame), and the people at WotC were reconsidering and rebalancing the color wheel. I remember there being weeks dedicated to the single colors, and MaRo's comulumn being deeeep dives into those colors.
Now, what's the color wheel? You see, in the universe of Magic: The Gathering the primordial energy and building block is mana, which comes in one of five colors: white, blue, black, red and green. Mechanically, each card is associated to one (or more) colors, and each color has mechanics that are typical for it, like green being the color of growth and big creatures, blue being the color of spells and flying, and black being the color of death and zombies. But the people at WotC put a lot of effort to also distinguish each color thematically, defining *why* each color has certain mechanics, what it says about the color's philosophy and values. Green is the color of nature and community, where the small ones help the big ones grow and foster. Blue is the color of knowledge and artificiality, black is the color.
It's pretty intuitive most of the time, but here's where it gets even better: the placing of the colors on the wheel has a meaning. Colors that are close to each other are "allied" colors and have something in common, while colors that are opposite of each other represent the two opposites on an axis:
I don't have the time (or skill) to go into detail here, but this system is so damn elegant. It has five basix building blocks but allows to represent an incredibly vast array of concepts, characters and behaviors.
The color wheel is still my favourite system to define/describe fictional characters, it's miles better than the alignment chart of D&D (or, like, hogwarts houses).
I find it incredibly fun to discuss what color(s) certain character fall into: is superman white, green? Is batman white, black, blue? A combination of those? Ryuko Matoi is red, Satsuki Kiryuin is white. Do you disagree? Perfect, tell me why, it's always super interesting to see which aspects of a character people consider the most prominent!
My favourite Magic blocks and sets were those playing with the color wheel and its concepts, mainly Planar Chaos but ESPECIALLY Ravnica. Man, I really need to play some rpg campaign set on Ravnica sooner or later.
I played magic for 5-6 years (until I finished high school), but the color wheel is ingrained in my mind. It was the main chitchat topic when I first started going out with my SO more than 15 years ago xD
So yeah, not sure who this is for, it's mainly me rambling and fanboying about one of my favourite game design and character creation concepts. If you don't know the color wheel, I suggest you try to read a bit about it. And if you do know it, what do you think? Is there anyone out there who used it as a basis for an rpg or foe writing?
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{MTG Color Theory 201:}
Or
2-Color Characters
[if you like, you may also peruse my post on monocolor characters]
With 5 colors available, we have 10 possible combinations of 2. As it happens, this includes 5 Allied Color Pairs (ACPs) and 5 Enemy Color Pairs (ECPs). Grouping them this way will help us understand their motivations, which are either coherent & external (ACPs) or dissonant & internal (ECPs). I’ll get into what exactly I mean by that below.
{for reference}
ACPs (Allied Color Pairs)
Red/Green: The Champion
Green/White: The Martyr
White/Blue: The Authority
Blue/Black: The Manipulator
Black/Red: The Demolisher
ACPs are defined by what their 2 colors agree on. Their ideology a coherent fusion of their color philosophies. They will have 2 Fair Weather Friends, the 2 colors adjacent to them, which they can tolerate but only to a degree; and 1 Nemesis, their shared enemy color, an external motivating force that they stand firmly against.
Vs
ECPs (Enemy Color Pairs)
White/Red: The Enforcer
Red/Blue: The Visionary
Blue/Green: The Cultivator
Green/Black: The Predator
Black/White: The Master
ECPs are defined by what their 2 colors disagree on. Their Ideology is defined by a dissonant tension along a particular philosophical axis. They will be defined partially by their Blind Spot, the single color that sits between theirs, and their Rival Color Pair, the 2 colors opposite their Blind Spot that define what they reject in life.
{dig into the notes}
{see also my Quick Tour of 2-color Paladins}
#MTG#magic the gathering#Color Pie#mtg color theory#characterization#color pairs#character building#writing#troglodyte thoughts#free range sustainable shitpost
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That “Hazbin Hotel-ification of the Colors in Magic” thing you brought up I think could be more appropriately called the “Game of Thrones-ifying” of it and the modern fantasy genre more broadly as I feel that’s where this obtuse obsession with the “There are no real heroes and villains, just subjective worldviews with no actual moral weight” thing came from. Seriously, I’ve come to genuinely DESPISE ASOIAF for opening the floodgates to the nihilistic sludge we’re trudging through now.
You inspired me to crawl back through my tags to find this post in particular, about how Millenials (women in particular) kept rewatching the Lord of the Rings movies for comfort. "Because the good guys are actually all good."
There was no mention of George Martin's work in the version I reblogged, and I've never read ASOIAF, so I didn't make a connection at the time.
I also found feynites' post about: "People are confused by the fact that the villains are unquestionably villainous."
And another post about how almost all of Tolkien's imitators treat "Good" and "Evil" as equal opposites that simply see-saw between which has the advantage at any time, but Tolkien himself presents Good as the root of everything and Evil as a disease and corruption which did not exist in the beginning and will not endure to the end.
But, possibly, what we are seeing might also be a result of Phillip Pullman's assault on The Chronicles of Narnia through the His Dark Materials books.
Pretty sure Hollywood found it more financially affordable to make more Narnia movies than Materials movies, at least until Hollywood couldn't stomach Lion Jesus any more.
#lord of the rings#lotr#tolkien#hazbin hotel#a song of ice and fire#george martin#game of thrones#asks#ask#magic the gathering#color pie
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What if the mtg color pie was people?
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Each color’s take on “I do not control the speed at which lobsters die”
Green:
White:
Blue:
Black:
Red:
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I love her I N F I N I T E L Y
Incidentally this card, like every Huatli card, embodies an under-appreciated archetype of RGW color alignment—the interest in human unity of GW, infused with R’s artistic passion!
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Red
Magic the Gathering (MtG) is a card game created in 1993 that has continued into the modern day. While much of its success can be attributed to creative ideas in world building, gameplay, and characters, pieces of it are hinged on one of the games core concepts: the “Color Pie.” In Magic, every card is grouped into one of a few categories: White, Blue, Black, Red, Green, Colorless, and…
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#ADHD#art#atarka#boros#color#color explained#Color Philosophy#color pie#color pie magic#color red#creation#destruction#Discussion#Emotion#grixis#gruul#haste#Homer#homer simpson#izzet#jeskai#jund#kolaghan#Life#m#mabel#mabel pines#Magic#Magic Card Game#magic mechanic
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Corrupt Judges as Magic the Gathering colors
White: This judge is loyal to their nation or ideals, but said nation or ideals are similarly corrupt. A white judge is the judge most likely to persecute the marginalized, the downtrodden, the unfortunate due to their own corrupt values. Anyone considered a "degenerate" in their society would not be safe from them.
Green: This judge would believe that they are the arbiter of fate, that the natural order made for them to be a judge and therefore they are the natural order, at least in their own courtroom. Anyone who they believe fate doesn't favor would not be safe from them.
Red: This judge would not care about the logistics of any court case, only their own emotional understanding of them. The letter of the law matters little to them, making them... unpredictable, to say the least. Ironically, they're the ones most likely to let people go, but for all the wrong reasons. Anyone who can't appeal to them would not be safe from them.
Black: This judge is the one most loyal to themself and themself alone. A black judge can be bought with money, pacts, whatever that benefits them the most. They're also the one most likely to make Faustian bargains with others, whatever benefits them most. Anyone who runs counter to the judge's interests would not be safe from them.
Blue: This judge would be the one to adhere closer than any other to the letter of the law, but in the process would completely disregard the spirit. A blue judge is the most rigid in the legality of any situation, and therefore the most likely to condemn defendants on a technicality, because to them the law is never wrong. Anyone who is technically illegal would not be safe from them.
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Mtg color pie analysis:
"You've just won the lottery! What do you do with your money?"
White: Donate to charity
Blue: Go to college
Black: Start a business
Red: Buy a car
Green: Gift it to friends and family
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A similarity between green, red, and black on the color pie that I really appreciate, and that people often overlook, is an implicit trust in the self.
We see this most clearly in red and black, which center upon the self and personal needs or desires. Red is all about pursuing freedom, allowing yourself to feel your emotions, and acting upon them. To red, the opinions of others are a hindrance at best and a life-stealing prison at worst. Black is often about holding onto and prioritizing yourself, even when the world tries to force you not to. In extreme cases, it believes you are the only person you can trust in a cutthroat world that tries to bring you down. These are the two colors most often maligned in a society that favors the collective status quo over the needs of the individual, and conformity over diversity.
Green is often placed in opposition to these two "rebellious" colors as a preserver of the status quo. Almost every description of green philosophy includes some variation of the word "tradition" and an assumption that the color innately opposes change and progress. At worst it's characterized as a staunch traditionalist with a stagnant worldview who lashes out against progress of any kind, and sure, that can certainly be one extreme manifestation of green's flaws but it's by no means universal or inherent to the color.
Far more fundamental to green's philosophy is the idea that strength, power, and capability come foremost from within. It is, I'd argue, the core of green's worldview. Others' wisdom may guide you to unlock these things, and you can't separate your own power from that of the community around you, but it's still ultimately your job to discover what you are capable of. The path to victory is never walked alone, but only you can truly know yourself, in the end; only you can give yourself the strength you need to succeed.
And there lays green's unlikely overlap with red and black--its faith in the ultimate power of the self. (There are certainly other similarities, but this is an important one.) It's less evident in green because the "self" aspect of red and black is so often defined in opposition to others, while green is far more community-minded, but an underlying fierce faith in self-knowledge remains.
White and blue believe that true direction comes from beyond the self, whether that's from established morals or empirical research. Meanwhile, green, red, and black all insist that you are enough already; you alone know yourself, your needs, and your capabilities best. Embrace it.
#preview on my color pie thoughts before i put out the black mana essay#mtg#magic the gathering#red#green#black#jund#color pie#vorthos#green mana#black mana
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The Flavor of MTG: Blue, the Color of Progress(Part 1)
Prologue
Before we really dive into this color philosophy I have to get the usual stuff out of the way. If you haven’t read the previous, albeit really long, article covering some of the more general aspects of the Color Pie then you should probably do so, even if only to decrease the chance that you ask a question I’ve already gone over or to make sure that I don’t have to repeat myself over and over(You can read said article on Tumblr here(https://douglysium.tumblr.com/private/672979718186975232/tumblr_r5hjo0WAWg1ycm9nu) and on Google Docs here(https://docs.google.com/document/d/1y1d7vBZozSEmkARSeGYj4onyty6uAXlooaXKR9WxLOI/edit)). I should also mention that today I am focusing on MONO-Blue as a color philosophy. This means some specifics here may not apply to every color combination that includes Blue. It is also important to remember that the color pie is ultimately a vague philosophical archetype, not a personality archetype(even if a personality can be influenced by one’s personal philosophy). When I say things like a color’s “strength and weaknesses” there are definitely exceptions and know that I am speaking broadly and mostly talking about the behaviors and personalities that such a philosophy either attracts/encourages or discourages. Also, the color philosophies are all about what people find most important. So when I say something like Blue likes knowledge and Black cares about the self that does not mean that it is all those colors care about. Even Blue may care about emotions, Black may still care about others, and White often still cares about the individual. It’s just that those things come second fiddle to other things and should not get in the way of their primary goals. I should also note that because this article is about Blue and I do not have infinite time I will mainly be covering things from Blue’s perspective. So sorry if it comes off like I’m just bashing Red and Green philosophy at any point but I promise that those colors will get their chance to shine in their own articles one day. What I’m saying is don’t base your entire view of Blue’s enemy colors on this article since it probably won’t be the most flattering perspective.
General
One thing that all the color philosophies in Magic have is a little phrase that helps summarize their philosophy. This phrase basically has two parts, the end goal of the color and how they seek to achieve that. In Blue’s case, its phrase is “Perfection through Knowledge.” In this case, the end goal is “Perfection” and the means is “Knowledge.” What this is supposed to tell us is that Blue philosophy is all about perfecting one’s self and the world around it and creating a world where everyone and everything can be the best version of themselves. I think it’s important to clarify the wording here for Blue is not saying you literally need to be perfect or never make a mistake. Only that you should strive to be the best version of yourself you can be. In the case of Blue, perfection isn’t an end goal but an endless process and a mindset saying you should be constantly striving to do better. Since Blue is all about being the best you can be, its philosophy is often summarized as perfection since if you're striving constantly to become better and better constantly then you are always striving to get as close to perfection as possible. If I had to put it in a simpler way, Blue is about “Improvement/Progress through Knowledge.”
The way Blue believes we should achieve this is through the aforementioned knowledge. Blue is a philosophy that believes anything and everything can theoretically be understood and made possible as long as you have the knowledge, tools, time, and dedication. To this end, it is important to properly obtain and use knowledge since Blue believes almost anything can be achieved if you have the proper knowledge, resources, and time. In order to utilize this knowledge it is important to use your head and think through your actions as much as possible. Blue is a philosophy that strives to be open to any possibility but not too hasty to action because everything has a theoretical solution if the right amount of time, energy, and understanding is applied. This tends to mean Blue is generally against both impulse and instinct. Now Blue isn’t inherently against any and all emotions and it often acknowledges emotions as a powerful force(which makes discipline and forethought all the more important). Blue is simply arguing that you shouldn’t let things like emotions and instincts control you without tempering them with thought and reason because they often spur short-sighted actions that can hurt you in the long run. While they can grant you quick satisfaction, if improperly controlled they can come back to bite you later(or even immediately). Also, just going with whatever you immediately feel tends to conflict with Blue’s ideal of not making hasty decisions because Blue wants to strive to make the best and most optimal decision as much as possible. Part of doing that is keeping in mind more long-term goals over transient short-sighted ones and keeping the big picture in mind so that you can properly understand the ramifications of your actions and choices. Blue also understands that there are typically a limited amount of resources and time one has access to and to Blue it is important to maximize these resources by making informed, thoughtful, and considered decisions.
Similar to how White has some notable ways it tends to use structure, Blue has some notable ways it tends to approach and use knowledge. First off, since Blue believes knowledge, understanding, and thought are the key to everything it is often advocating for as much knowledge as possible and gathering any knowledge it comes across since you never know when the knowledge may become helpful in the future. There is also the fact that Blue may not always know or be aware of the knowledge it may need which can also often encourage it to collect as much knowledge as possible in order to increase the chances that it finds out something it didn’t know it needed or if the knowledge becomes helpful later. This often gives Blue an emphasis in regard to learning and education as these are some of the best tools to acquire more knowledge. This also tends to extend to a more structural level and not just individual levels. From Blue’s perspective, being the best self you can also mean that the society in which individuals reside needs to also be the best it can be. So Blue tends to prioritize things like education systems, libraries, schools, and other structured systems in regard to education. These can act as vectors for people obtaining the knowledge to become whatever it is that they consider to be their best selves as well as allow for Blue to obtain even more knowledge in order to give it an edge and allow it to overcome obstacles. If Black’s goal can be described as attempting to become as close to omnipotent(all-powerful) as possible so that it can get everything it needs, Blue’s can be described as one that strives to be as close to omniscient(being all-knowing) as possible.
Mark has given us 4 notable ways Blue may like to use knowledge in his “True Blue Revisited” article. Firstly, knowledge can be used to control people or get them to act in a way that is beneficial for you, others, or society via withholding pieces of information. Secondly, it can act as a key, allowing those with the right info to access or do things others do not know how to do. Those who know the proper words or actions may know how to do things others cannot. Thirdly, it can act as a form of protection. It goes without saying that if you know something’s coming you can better prepare for it and if you know what exactly something even is you may be able to use it to your advantage or exploit a weakness. Fourthly, it can be used as a weapon or a form of attack. This sort of ties into the first point since while controlling knowledge gives you the ability to exercise control over others, knowing/exposing the right piece of knowledge or secret information can be quite devastating(think stuff like blackmail or exposing weaknesses to the public).
Also, restricting someone’s information by lying, deceiving, hiding it, etc. can give a tactical advantage since they may not even realize there’s anything to fight back against or how to do it.
Blue is also a color philosophy that is more likely to take advantage of technicalities or utilize loopholes in laws and/or rules to get what it wants since it is a philosophy that is all about nuance and understanding the world around it and how they function. This emphasis on knowledge and understanding means that Blue often has a respect for science, since science is quite literally defined by the dictionary as “the intellectual and practical activity encompassing the systematic study of the structure and behavior of the physical and natural world through observation and experiment.”, “a systematically organized body of knowledge on a particular subject”, or “knowledge of any kind” and science is literally all about understanding how things work. Now just to be clear, you don’t need to be a scientist or specifically engage in science first and foremost per se to be Blue, but that’s something I’ll get into later. Tying in with Blue’s themes of knowledge and understanding, Blue is a philosophy that believes every phenomenon that exists or happens has an explanation for how and why it occurs even if we have yet to figure it out. This adds an aspect of questioning basically everything as much as possible since anything and everything can theoretically be understood in due time and under the right circumstances. Where colors like White or Green may see events as holy miracles or some sort of occurrence that cannot always be explained, Blue argues that there is an explanation for how and why these events occur. Although, this is not to say that Blue could never attribute something to a god or some sort of magic(even if I would say that in general Blue would probably usually, but not always, subscribe to the “Magic is just science we don’t yet understand yet” style of thinking. Although it is important to acknowledge that for some people and places within the multiverse some sort of magic, supernatural occurrence, or similar explanation could be a valid one for them).
This brings us to Blue’s themes of perfection, self-improvement, and technology(as they are all related). As mentioned, Blue is all about being the best self one can be via knowledge and forethought. This ties in with some of Blue’s philosophy as Blue believes anything is possible and everything is a blank slate. When I say this I don’t mean Blue believes you can just magically start flying because you think about doing it hard enough or that it doesn’t believe in genetics or being more likely to be predisposed to certain things. Rather that everyone basically has infinite potential and there is a way to achieve what they want or want to be. Let me put it this way, if someone is born blind then they may be able to have perfect 20/20 vision via glasses, contacts, or surgery.
If something is born without wings to grant it the ability to fly then it may be possible to grant it flight using something like a jetpack, flying vehicle(such as an airplane), or maybe even some crazy futuristic genetic engineering to change someone’s very DNA.
This is all to say, Blue isn’t claiming you can just will yourself to grow wings or have perfect vision but rather that with the right amount of knowledge, one can do these things in order to make themselves better if they so choose. This is where Blue’s themes of technology come in since said devices and technology allow you to alter yourself and/or do things that you could not do on your own.
Normally, humans cannot fly but airplanes change that. Normally, nearsighted people cannot just manifest 20/20 vision but glasses change that. So Blue’s idea of a blank slate is more the idea that there is a path that allows you to become whatever it is you want to be if you take the right steps and make the best-informed choices possible and that it is possible for you to overcome and/or break free of things like genetics, fate, destiny, etc.
Blue also has a mindset that encourages one to never give up since there is basically always a way to get what they want. In Blue’s eyes even if it were to assume there is some hypothetical that could literally never be achieved no matter how much knowledge one obtained and no matter how advanced technology became there would be no way of knowing unless you are actually trying to achieve it anyway. The best way I can put it is through an example given in Mark Rosewater’s “STRIVING FOR PERFECTION” article: “For years no human was able to run a mile in under four minutes. Physiologists at the time claimed that it was quite possibly beyond the ability of the human body and that the mere attempt at such a thing would be dangerous to the athlete that tried it. Then one day a man named Roger Bannister did it. Forty-six days later another runner broke the four-minute barrier. Within three years, fourteen more runners had also done it. Now it's the standard for mid-distance runners… It was an impossible task, that is, until someone did it. Then it became a doable task and many people did it. The only barrier was a mental one. Runners couldn't do it because they didn't believe it was possible. Once it was proven possible, it completely changed how they approached the problem. People can do things they believe they can do. If you take a task at hand and assume you can do it, guess what happens? You do it.” This type of perspective in regards to the potential most people have is what Blue’s mindset may often be likened to. In a way in order to understand what is truly possible Blue is saying we must approach everything with the assumption that it is somehow possible. All the color philosophies basically have an answer for what your goal in life should be and how to achieve that and in Blue’s case that goal is basically pushing yourself to the limit and being the very best you can be while constantly seeking to better yourself and the world around you so it can in turn encourage and facilitate ways for you and others to be better. Blue is interesting in that it stresses that one must be flexible and open to all the possibilities while also not being too hasty or quick to action(as to give yourself time to figure out the best possible decisions). Of course, like all color philosophies, Blue usually wants a society that encourages this. So it will typically advocate for citizens being granted good opportunities for education, places to safely experience things through trial and error(as outside of controlled situations you should strive to make as few errors as possible), and some way to access the best and most recent tools and technology so they to can gain the knowledge and understanding needed to better themselves, the society they live in, and the world around them. Blue philosophy is ultimately, and succinctly, revolving around self-actualization(which is defined as “the realization or fulfillment of one's talents and potentialities, especially considered as a drive or need present in everyone.”)
Blue’s emphasis on knowledge, understanding, information, and forethought means that within Magic it often has an emphasis on academics, books & other repositories of information, mind/thought, control, memory, manipulation, artifice, trickery, subtlety, complexity, and illusions. Of course, the emphasis on knowledge means that Blue also has symbolic associations with the mind, and by extension abilities and magic relating to the mind and information regarding it, like telepathy and telekinesis. On the other hand, Blue’s emphasis on utilizing your time to the absolute fullest in order to gather as much information and time to think as possible tends to associate it with time-based magic and passivity and Blue’s emphasis on progress, betterment and what could be what gives it some future symbolism. Meanwhile, Blue’s emphasis on technology, improvement, and tools gives it a strong symbolic connection to construction/technology, artifacts, and man-made items.
Requirements
As with my previous discussion about White philosophy and beliefs, I think it's important to help cement a more concrete understanding of what one needs to believe in to be Blue aligned. I’ll do this by discussing the most basic and barebone ideals needed to potentially qualify for being Blue aligned. Of course there are a couple of disclaimers. It’s important to remember the Color Pie is a vague philosophical and value archetype. The color pie is ultimately about VALUES and IDEALS. A Blue character can end up being hot headed and overemotional, although they would normally see this as a flaw/mistake or potentially have some sort of self justification for it, and not every person who values knowledge is necessarily Mono-Blue or even has Blue in their color identity at all because they may have a different outlook on life or value something more important than progress and knowledge. They may also think knowledge should be used for a purpose different from that of what Blue says. Also, this article is specifically about Mono-Blue so these requirements are only meant to apply to just Blue, and any color combinations that contain Blue mixed with other colors may not necessarily follow the same rules, for example: it is possible to be Blue-Red aligned and believe that your emotions are more important than thinking things through.
First off, in order to be Blue aligned, one must believe that theoretically anything is possible and can be understood with the right amount of time, advanced enough technology and/or a certain amount of knowledge. As mentioned before Blue isn't foolish enough to believe that you can just grow wings with the power of thought but it may be possible in the distant future to create artificial wings, jetpacks, or vehicles that could carry you just as well, or even better, than any naturally occurring wings. Blue can also concede things like the fact that being literally perfect and without flaws is impossible. It’s a philosophy that believes that everything in the universe can theoretically be understood with enough time, advanced enough technology, and/or a certain amount of knowledge and thus believes everything has an explanation even if we do not know what said explanation is at the moment. We might not be able to grow wings or understand all the mysteries of the universe now but who knows? Maybe in a 1,000 years, these things and how they work will be as common as running water or something. If it wasn’t clear from some of my examples you don’t need to believe that LITERALLY anything and everything is possible or that there are no limitations. Like Blue isn’t about to say that a random ass roaches on the sidewalk is about to start inventing advanced technology just because it wills it or that it could reach the same kind of thoughts as a human without outside interference. It’s also important to remember that one tends to only have a limited amount of resources and time(which is why Blue would often say you need to make the best decisions possible). There are plenty of Blue characters that would argue one can never become completely perfect or that achieving something isn’t feasible within a certain amount of time or time frame and for many it would be utterly ridiculous to believe that a human could do something like break the sound barrier while running through sheer force of will and no outside technology to aid them or that you can achieve omniscience and understand all of the universe with the current level of technology.
Secondly, and most obvious, one has to believe in following their mind and using forethought over one’s emotions. This also ties in with the idea of knowledge being powerful and most important since the knowledge you gather allows you to make better decisions and letting your emotions have you just constantly make shortsighted and hair-brained decisions would just put that knowledge to waste. Doing something because “I just felt like it” outside of specific situations(such as a game or something) usually isn’t going to cut it even if you can understand where it is coming from.
Thirdly, you must believe that everyone is a blank slate. As mentioned before this does not mean one needs to straight up completely not believe that things like being predisposed towards certain things via genetics or biology or even destiny and/or fate exist. Rather that it is possible, in one way or another through willpower, discipline, knowledge, technology, etc. to change, overcome and/or break free of these things in one way or another.
Essentially, these are not the end-all-be-all limits for what we can and can’t do as long as we have the technology, time, and/or knowledge to do so. Blue philosophy tends to fall under various types of tabula rasa style schools of thought(that the human mind receives knowledge and forms itself based on experience alone, without any pre-existing innate ideas that would serve as a starting point. Tabula rasa thus implies that individual human beings are born "blank" (with no built-in mental content) and that their identity is defined entirely by their experiences and sensory perceptions of the outside world… ).
A Colorful Quote
In order to hopefully better understand where each color is coming from, even if you may ultimately disagree with it, I thought it would be helpful to pick a quote that I felt really resonated or matched with the color's themes/ideals in order to help package the color in a philosophical form of thought you may be more familiar with or understand.
The first quote is Lao Tzu’s “If you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime.” I feel like this quote does a pretty good job of showing why Blue tends to put all its stock in knowledge and understanding. As that knowledge allows you to do anything and can also be used to aid and better yourself. Understanding and knowing how to fish and how fishing works puts people in a better position than just never accumulating the knowledge while continuously buying fish without thought. Teaching people how to fish instead of just hoarding the knowledge can also allow for a better society and the world. Since dispensing the knowledge of how to fish allows more people to gather food which means society has more food. Having this knowledge also puts one in a position of power since if you know how to fish but your clients do not then they are more likely to have to rely on you and do what you say for food. “Knowledge is power” as they say(a phrase we’ll come back to later). Similarly, the famous Sun Tzu quote “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle” also shows how a philosophy that puts all its stock in knowledge might be appealing to Blue, and both quotes display that when Blue is faced with a problem it almost always advocates to tackle it from the angle of knowledge. The first quote also shows how knowledge can be used to make the world a better place, by teaching others, and this Sun Tzu quote also displays that while knowledge can be used to make the world a better place it can also act as an offensive or defensive weapon by understanding a situation or knowing something your enemies do not.
"Mind over matter" is a popular phrase and is defined by the Merriam-Webster dictionary as “-used to describe a situation in which someone is able to control a physical condition, problem, etc., by using the mind.” As mentioned before, Blue doesn’t necessarily believe you can say just start growing wings through sheer force of will but I feel like this quote still tends to embody a very Blue mindset or goal. Mind over matter situations are going to be the types of situations Blue tends to gravitate towards, and views problems as, because Blue believes that knowledge, willpower, and time can allow you to overcome many different kinds of weaknesses and problems.
The emphasis on mind over matter is also why in the game of MTG Blue tends to get things like telekinesis, an ability that allows one to perform physical actions using the mind and may even allow them to do things they could not do physically. While Blue can still believe in getting jacked and perfecting one’s body/physique it will argue that the best way to approach this is through knowledge and understanding. At the end of the day if you can understand the why and how something works it is possible to exert your will over it in some way and get the desired result. You may be able to increase your stamina while running by pushing yourself to the limit and exercising or by using some specific running technique. As pointed out earlier, from the perspective of Blue how can we know what truly is or isn’t possible for both the world around us and ourselves if we don’t push ourselves. I’m sure everyone had a situation or thing that they thought they would be bad at but turned out to be actually decent at or enjoy it. Or maybe you thought something like “I’ll never be a good artist” only to see how far you’ve come a couple years later.
“Knowledge is power” is a phrase that one could argue may apply a bit more to Dimir(Blue-Black) philosophy but I think it also applies to Blue quite well, and while Black and Blue do overlap in an emphasis on knowledge, Black sees power somewhat differently than Blue and doesn’t always see knowledge as being synonymous with power. However, I’ll get into that later. Of course, the color philosophy that believes knowledge and understanding can be used as a way to achieve anything would also see those things as the vectors for obtaining power and control if it really wants or needs to. This quote is also meant to emphasize the importance of passing on knowledge and education which is usually going to be important to Blue philosophy. Knowledge gives you the power to gain control over your own life. Similarly, Martin Luther King Jr’s “Science gives man knowledge, which is power; religion gives man wisdom, which is control” hits a lot of the same beats(even if it might be overall a more White-Blue or Bant(Green-White-Blue) quote).
“Measure twice cut once” is a quote that I feel perfectly encapsulates Blue’s ideals of trying to take as much time as possible while using the knowledge you have to make the best possible decisions. One only has so much resources and so much time so it is best to avoid careless mistakes or accidents as much as possible. You shouldn’t just go with whatever your emotions or gut tells you but always be trying to use your brain. Your emotions and what you want aren’t always the things you need and may sometimes only offer short-term gratification at the expense of more important or long term goals. You also shouldn’t rush things and try to take the time to understand a situation/problem as much as you can. Doing this can also save you even more time down the line than just rushing in would have.
Finally, “knowledge is its own reward” is probably one of the most Blue quotes out there. Out of all the colors Blue is the one that is most likely to be concerned about knowledge for knowledge’s sake because it wants to accumulate as much as possible since you never know when said knowledge may come in handy and it may reveal yet another bit of knowledge you didn’t know you needed. While Blue does have its own reasons for wanting to obtain knowledge, such as perfection and self-betterment, the other colors, such as White and Black, are less likely to care about knowledge for its own sake and are more likely to see it as just a means to an end.
Philosophical Strengths
Despite all of Blue’s themes of perfection, nothing is truly perfect and that goes for all color philosophies, including Blue. However, before I go over Blue’s philosophical weaknesses it is vital to go over Blue’s philosophical strengths in order to show some of the upsides and positives its philosophy can often encourage.
Blue’s most obvious and noteworthy strength is how it can encourage the use of knowledge and information. Blue does not only seek to figure out the best ways to acquire knowledge but also how to properly use knowledge as a tool. This encourages a way of approaching things that involves taking the time to utilize said knowledge by looking at the big picture/plan, and trying to figure out the consequences of each and every action they take. Blue strives to never act careless or without great thought and this can lead it to being less likely to make obvious or avoidable mistakes and consequences(but this does not make them immune to them mind you. No one is perfect). This also ties in with how Blue values restraint due to prioritizing using one’s knowledge and forethought over letting one’s emotions control them. This is another factor that can encourage the avoidance of careless mistakes. Blue argues for preparing for the long game and big picture and tries to not let its emotions ruin more important or bigger term goals for short term gratification. Blue’s prioritization of knowledge and understanding also makes it more likely to notice, understand, and/or utilize nuance(s) that may otherwise be missed.
Going back to knowledge being a powerful tool, it is important to remember that one such way it can act as a tool is by being a weapon. It’s easy to see Blue and assume it just wants to spread knowledge constantly at all times but since Blue sees knowledge as vital when it’s approaching an opponent it seeks to not only use its own knowledge but restrict the knowledge of its opponent. This means Blue is more likely to lean into things like secrets, trickery, disinformation, and lies. By restricting someone’s access to information/knowledge you gain a tactical advantage because at the end of the day there’s only so much someone can do if they don’t even know they’re in any danger or what you even plan to do.
Due to this, Blue can have a bit of an underhanded sneaky quality that some people may miss when discussing its color philosophy, but I mean it is ally colors with Black(a color that’s all about doing literally whatever it takes to get on top.) so this trait is to be expected to one degree or another.
Philosophical weaknesses
Now for the weaknesses. A philosophy all about knowledge and understanding may be seen as being objectively all upside by a lot of MTG players at first, but nothing is perfect. Even Blue still has some weaknesses.
For one, Blue philosophy is one that can encourage being very passive to a fault. Striving to think just about everything through and utilize all the time available to do so can make quick decision making or taking immediate/spontaneous action difficult unless you already knew something was coming. This means that Blue may be prone to being outsped by others or opponents taking initiative and making a decision before it can figure out the best course of action. Simultaneously, this can also severely limit Blue’s flexibility. Blue is ultimately a philosophy that is extremely adaptive since it's all about “anything is possible,” and “everyone is a blank slate” but it is not the best at encouraging on going with the flow and/or being flexible enough to change and adapt on a dime. Blue is all about finding answers and improving but via an overall slow process of carefully considered knowledge and thought. This also segways nicely into my next point. While it can act as a strength, Blue’s restraint can also become a weakness when pushed too far. Due to Blue doing all it can to take its time and fully understand what’s happening in order to make the best decision possible it may end up becoming paralyzed and not making a proper decision. Think of it this way, Blue is all about being the best you one can be and part of doing that is trying to make as few mistakes as possible while also making the best decisions one can make. This means that Blue can sometimes end up becoming “paralyzed” while it tries to figure out not just what choice(s) to make but what is the very BEST choice(s) it can possibly make while considering all the nuances and trying to avoid any mistakes.
This can encourage inactivity and even potentially not making any choices at all or not making a choice in time out of fear that one may make a mistake, bad decision, or a suboptimal choice. This is another factor that can encourage a mindset that leads to one not making decisions fast enough.
Another way that Blue’s emphasis on knowledge can end up acting as a weakness is that Blue is a philosophy that tends to want to put all its eggs in the metaphorical basket of understanding what’s going on. This can once again add on to Blue’s weakness of acting too slowly or not at all, as Blue may struggle to come to a decision if it is put in a situation in which it can’t or has trouble understanding what’s going on. The other colors are more likely to advocate for taking action or make a choice even if they don’t or can’t completely understand the full picture of what is happening or what they are facing. This also means that Blue is usually the slowest out of the five colors in mindset, flavor, mechanics, and gameplay.
Another thing to consider is that Blue believes almost anything is possible. Which can, when pushed too far, encourage an outlook that pushes someone way too hard or tries to force things to change/happen in order to prove something or because it feels like it can. This can be sort of seen with some of the Green-Blue Simic Combine’s, the Blue-Red Izzet League’s experiments, as well as some of the horrifying creatures created by Innistrad’s various Blue mad scientists and Black-Blue stitchers. The best way to think about it is there is a sort of Victor Frankenstein side to Blue. The idea that everything can be known and mastered. This can sometimes lead to this philosophy pushing things a bit too far in the same way most people agree that Victor probably shouldn’t have been messing with life in the way he did. To Blue, The world is everyone’s sandbox in a way, anything can be improved and fiddled with.
Sometimes Blue encourages one to push themselves, others, or the world around them too far just to see if it can or in order to better understand it. To Blue, the world is its canvas in a sense.
Common Misconceptions
This brings me to what is becoming one of my favorite parts to cover in regards to color the Color Pie. One thing I’ve noticed about the Color Pie is there tend to be a lot of misconceptions about it in general. This is understandable because most people aren’t losers who will read and listen to all of Mark Rosewater’s Color Pie teachings and probably won’t technically need to know much about it outside of general gameplay mechanics. Although, of course, I still want to tackle these common misconceptions to show some of the work and understanding that Magic’s designers and writers have that people may overlook. I also want to hopefully make any conversations someone may have about the Color Pie more informed, nuanced, and productive.
One of THE MOST common misconceptions I see is that being Blue makes you smart, or that being smart must mean you’re Blue. This also tends to extend to people who begin to self identify as Blue and identify other people as Blue because they are smart and not because they actually agree with Blue philosophy. First off, just thinking a lot or appreciating thought doesn’t make one any more Blue then having emotions makes someone Red, having to eat makes someone Green, or wanting rules/regulations makes someone White. The color pie is a VALUE system; it ultimately comes down to what one values as more or less important. The other colors can all value or like being smart or intelligent but may not see gathering knowledge and information in order to improve yourself as the most important thing we should strive for. Furthermore, it also comes down to how you would argue one should use said knowledge. Blue would argue you should use knowledge and understanding to better oneself(although if you want to include multicolored identities it is possible to have Blue in a color identity and see knowledge as a thing that should be used for some other goal. However, my point still stands). This brings me to the other point. Blue VALUES knowledge but simply valuing something doesn’t automatically mean you have it in spades. Just valuing information doesn’t mean you have it and just valuing being smart doesn’t mean you are smart. Let me put it another way, not all Black aligned characters are powerful just because they value power and ruthlessness and not all White aligned characters are kind and just people simply because they value those things. That’s like saying that just because you want to be rich that means you are rich. You can have weak Black aligned characters and asshole White aligned characters. Likewise, you can have stupid or uninformed Blue characters.
The truth is, just merely being smart is a trait that anyone of any color or color combination can have in the same way that something like being emotional or shy is. This kind of goes hand in hand with the misconception that the Red alignment is somehow inherently stupid even though Red can be quite smart.
In fact White, Black, AND Green all greatly value knowledge in their philosophies, but just in their own different ways.
Now it is important to acknowledge that personal philosophy can influence traits or personality even if they aren’t one to one. You don’t need to be super emotional to be Red aligned but, since Red is all about following your heart and doing whatever your emotions tell you one could argue or acknowledge a Red aligned character is more likely to act emotional. So one could argue that a Blue aligned character may be more likely to come off as smart or knowledgeable because they are likely to reward themselves for going out of their way to seek knowledge and information, and a Black character is more likely to seem powerful because they have a philosophy that rewards being power hungry. However, there can easily be an overly emotional Blue aligned character who struggles to control their emotions, sees their emotions as justified, or feels that they aren’t letting their emotions control them even if they actually are(people are weird and aren’t always perfectly rational. Sometimes people convince themselves that what they are doing fits in line with their world view or is justified). I would also be remiss not to mention the impact Magic’s cards themselves may have on the general public’s perception of a color. It is important to remember that most(but not all) cards are depicting things from their associated color(s) perspective.
So the reason Blue cards may often come off as “smart” is the same reason so many White cards may invoke heroism and all kinds of heroic and “good” traits. That’s how the color itself tends to view said action or person being depicted on the card. Blue wants to be smart and make the most calculated and logical moves by utilizing all the information it has available. Also, being Blue doesn’t mean you are well rounded in your knowledge or have a perfectly even field of expertise on almost all subjects while spouting fun facts the entire time. Blue is ultimately all about using knowledge to better yourself so if your best self involves idk becoming an artist or something then one may tend to seek out information regarding art and art techniques and is less likely to go out of their way to understand how a car engine works.
I mean, yes Blue will argue you should obtain knowledge as you can because you never know if it will be useful or reveal something you didn’t know would help you(I mean I’m sure everyone has heard stories of how say a football player learning ballet helped them play football better and the like) but Blue also acknowledges that most people have limited time and resources. Which in its eyes, making careful and considered decisions through knowledge in order to avoid as many mistakes as possible and make the best decisions possible is so important. Not everyone has the time to read through an entire library so it is important to carefully pick and choose what you want to do so you can better yourself. Additionally, Blue isn’t even saying you need to be good at everything. Your best self may specialize in a very specific category or may not be a jack-of-all-trades. The point here is that Blue philosophy isn’t one that is just about being the smartest person in any given room. It is about self-improvement.
#mtg#magic the gathering#color pie#color philosophy#mtg article#TheTasteOfMagicTheGathering#TheFlavorOfMagicTheGathering#Douglysium
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MTG COLOR PIE
2 and 3 color characters
[my core post on MTG COLOR IDENTITY]
So. This post is gonna get long. Might take me a minute. Buckle up.
Every color pair is either Allies or Enemies, depending on whether or not they sit adjacent to each other on The Star. This profoundly affects how the character motivates themselves and needs to be kept in mind whenever adding colors.
• Allied color pairs agree in vague terms about what is important, but tend to differ in specifics when you start digging into the definitions of the things that they value. The act of refining their understanding of what they care about is their main method of acquiring an additional color.
• Enemy color pairs disagree along one of their major philosophical axis, so in order for a character to embody both, they must experience some tension along that axis. The act of resolving that tension is the main way for this character to acquire an additional color.
Similarly, 3-color characters can be broadly categorized into Shards & Wedges, depending on whether or not all the colors are adjacent. They will have a Nemesis Color Pair, the 2 colors they do not include, which can be helpful to pay attention to while fleshing the character out.
• Shards are triplets that are all together on one side of The Star, with no gaps. They superficially resemble a monocolor color of their central color, but have integrated elements of their Allied colors, usually in pursuit of more firmly distancing themselves from the center point between their Allied Nemesis Colors.
• Wedges, conversely, are triplets wherein one of the colors is isolated from the other two. The most complex of the available options, any character that winds up here took a turn somewhere along the way. I’ll unpack that later.
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Good to see a White enjoyer on this blog. I’m so sick of edgelord Nietzsche wannabes defending Black on the grounds of it being “anti-authoritarian” or whatever.
They don't like being held to a standard, so they have to confuse the issue of what a standard even is.
What they want to ignore and conceal is that being a rebel doesn't make you anti-authoritarian. It only means you aren't currently in charge and you don't like whoever is currently in charge.
Shiv Palpatine was a rebel against the old Republic. Not because he thought it was oppressive, but only because it stood in his way of oppressing other people as Emperor Darth Sidious.
There's no one more rebellious than an authoritarian. An anarchist could live peacefully as a hermit, but an authoritarian will not rest until they have at least one other creature to dominate and abuse.
Misery loves company, and authoritarians are miserable.
Authoritarians are quicker than anyone else to scream and cry if their rights and freedoms are threatened or taken away. Because they cannot accept the idea of enduring a personal hardship for the sake of someone else, or trusting that an authority figure needs to lead them through an unpleasant storm to reach a peaceful haven.
But as much as they jealously guard their own freedoms, authoritarians will instantly turn around and claim the people they hate deserve no such rights, and that any society which protects those rights is oppressive because it protects the people they hate and doesn't allow the authoritarian to abuse them with impunity.
White is the Color that desires Peace. By definition, those who gravitate towards Red and Black don't know the meaning of the word "peace". They have no peace in their lives, and Black in particular hates seeing it in the lives of others.
Search for the word "Jealous" and the only card you find is Black. "Covet" returns mostly Black. "Glutton", "Greed", "Hatred", "Spite", "Nihilism", "Torture", dementia, sickness, disease, pain, horror, terror...
There's no peace or love or healthiness or hope in any of that. Only a gaping, howling void with an insatiable appetite. The antithesis of peace. Black can only feel joy through sadism.
I don't know if I could find it again, but I legitimately saw a post on this website that claimed Black was the Color of Hope.
Black includes cards like Abandon Hope, Dash Hope, Eater of Hope, Hopeless Nightmare, Lose Hope, Hope's Demise, Thief of Hope...
Yeah, I don't think Black is on SPEAKING terms with Hope.
Meanwhile, White has Adherents of Hope, Angels of Hope, Avatars of Hope, Enduring Hope, Blazing Hope, Dawn of Hope, Emissary of Hope, Kindler of Hope, Font of Hope, Heron of Hope, Hope Against Hope, Hope Charm...
True to form, Black is a parasite and thief that wants to steal what White creates, and take credit for it, while accusing White of Black's crimes so Black can slip away into the night.
They want to claim they care about other people and White doesn't, but which Color provides spells of healing and protection, and which Color can only steal away the life of others?
Black is at best an anti-hero. When Black is the protagonist, it is the villain-protagonist, or it is heroic only by comparison to a more villainous antagonist.
If White isn't the most heroic Color in the Pie, then heroism loses all meaning.
Which is something that Overly Sarcastic Productions touches on when they say that a superhero universe without a (pure White) character like Superman just doesn't work.
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We don't need fictional universes like The Boys to see what the world would be like if superhumans were assholes, because we live in that kind of world right now, at the mercy of the rich and the powerful who either don't care if they step on us or who get their jollies by hurting us.
We need a Superman, or a Spider-Man, or a Luke Skywalker, or some other incorruptible, pure-hearted, well-intentioned, and wise force for GOOD in a world to give us Hope for Peace.
We need WHITE.
“You are the salt of the earth. But if the salt loses its saltiness, how can it be made salty again? It is no longer good for anything, except to be thrown out and trampled underfoot."
In the days before refrigerators, salt was white gold. Salt was the dependable agent of preservation and disinfection. The expensive substance that use you to protect scarce, life-saving foods from becoming spoiled garbage.
The Hazbin Hotel-ification of the Color Pie and all similar media is taking the salt out of the kitchen, throwing it out on the ground, trampling it underfoot, and then wondering why all of the food STINKS.
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3/6 done.
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