#i think thats everyone important

[warlockcctv]

Viktor's Complicated Color Progression to The Machine Herald and his strugles with Black Mana

Viktor is a very complicated character with a myriad of tragedies. To me I think based on his story, his place in the world, his relationship to the color pie pushes Viktor firmly as Yore-Tiller. It is the combo of Artifice. Of innovation, progress, evolution.

Viktor is a scientist at heart, a man of discovery and creation. As a child he tinkers and builds and as an adult he invents and evolves. This is why Viktor's core color is obviously Blue Mana.

Inherently curious about the world.

As he meets Singed he gains structure, a mentor, he sees a purpose in science. Not just finding fun or making toys but cultivation and growth. Even if he doesn’t understand it yet this is the foundation of his connection to White Mana.

Viktor gains a sense of morality, ambition is not worth anything. Not worth harming those you claim to help. Suffering is never justified

“There is always a choice.”

This Azorius state is where I believe Viktor spends most of his life. A scientist with an ethic working under constraints in a very ordered society. Piltover is an Azorius state. One more heavily influenced by Blue than White but Azorius nonetheless. Viktor gives himself completely to Piltover until he meets Jayce.

And then the sickness starts. The Desperation. As Viktor rots so do some of those morals, those boundaries. He steps over his line in the sand. But only he does, he won’t sacrifice anyone else for his ambition or his salvation. He gains a tempered connection to Black Mana.

This is a connection that is wavering, he is desperate and grasping. He is not ambitious enough to truly harness black, he can’t bring himself to harm another for his own gain. He only carves himself apart to gain a future. But then he goes too far, Skye gets killed and he pulls out completely.

When shown the cost Viktor won’t pay.

He lets go of the Hexcore, of Black.

And then he dies.

Here he sits, until his body is healed.

From the tomb he rises. Now he is empowered by the Hexcore, and at first I think he teeters on the edge of Black.

He is lost, aimless and emotionless.

And then the Rebirth, the Evolution. He saves the people he always wanted to help. He is renewed.

He touches Red Mana.

He is passionate about his dream, he is exploring new vistas and ignoring boundaries but not out of a desire to gain but to help. He puts himself in a vulnerable self sacrificing position for Warwick regardless of Skye’s knowledge of the systems limits

“He is worth the risk.”

He fosters a chaotic growth in his commune. A place of change and revolution and peace. A place where the Jeskai colors flourish. However there is no place for Green Mana here. At least not for Viktor. Viktor seeks to evolve and as he puts it,

“Evolution’s purpose is to supersede nature.”

Not a very Green ideology if you ask me.

This leads us to the Hammer of Damocles above Viktor.

Jayce.

Jayce for whatever reason (my theory on why is far too long to get into but basically Jayce is creating the future he saw by mistake, tragic consequences, three times the charm, etc.) decides that Viktor and what he has built needs to die. Regardless of if he was correct (I don’t believe he was for aforementioned reasons I won’t get into.) or not he has done damage. There is no going back.

Whether because of Singed or as I hope his own desperation, ambition, and need to evolve will push Viktor to his final state. This is when he will finally grasp Black Mana.

He will touch the Void, let go of his humanity and seek only progress. He gains the ambition and the stomach for violent action. Viktor was not born with power, he wasn’t handed power, no, as Silco once described Viktor must now take power by any means necessary.

To herald a new age, a new world.

To bring about the Grand Evolution.

[bidoofenergy]

pleas please ambrosius is the model knight, he's what all knights should aspire to be, he comes from the right family he does well in training, he's the model knight, he works within an institution because it benefits him--as long as he works in it, because the second the director thinks he's questioning things too much she kills him--are you picking up what im putting down? he keeps his true feelings buried--never show doubt, don't show conflict, keep your head down, do what you're told, aren't you so lucky to have this chance, aren't you glad you were born as you are and not like the others--are you hearing what im saying

(listen to eugene lee yang talk about this on the trypod)

[blueberrymilkcookie]

i tweaked blueberrys design a bit and now 3 of my pre-corruption beasts are done :D i might edit their designs at a later date but im okay w/ what i have rn

[premamelody]

derg

[shoyostar]

original pinned

[ ARCHIVING! ]

hi hii so,,, after a lot of thought and contemplating i think it’d be best for me to archive this blog </3

i came to tumblr nearly a year ago and it’s been fun but now i’m drained + uninspired, n i js have so much stress n negative emotions associated w this blog that now its time to leave and maybe start anew ?

who knows! :>

i’ve gone back and forth with if i should delete my works here or not bcs ik lots of people love them but they’ve js been a constant bad reminder to me and i’m not proud of most of them anymore :<< but as of rn i’ll be leaving them + this blog up!!

(may change in the future but i’m scared of the deact button LOL)

js kinda being on here stresses me out and its no longer fun so i hope that by doing this i can have some peace + you still get to read my old stuff :3

i started this blog js before my first year of uni and i never expected to stay this long on tumblr honestly,, like i was js gonna post a bit for fun n delete my acc LOL but i’m vv thankful for the almost 2k of you who stuck around and enjoyed my writing ^_^

youre all vv sweet n i wish i couldve provided more writing on here for yall to read before archiving this blog TvT i feel like i have nothing here honestly LOL

if my blog does deact, i may repost my fics on my new blog but for now i js wanna be lwk on here and not have to worry abt updating so many series at the same time (so sorry to all dfh, vbs, loveholic ++ all other fans of my ongoing series :<< the stress to write and update is too much for me to handle 😞)

please take care of yourselves and i hope to catch you again someday if you find me !! :3

bye bye!

[haunted-xander]

So. Fatebreaker, right? Ryne's biggest fears made manifest, daddy issues personified, yes?

He's an amalgamation of Thancred and Ran'jit, his face, his voice and his weapon is Thancred's, but his body, his fighting style and his words are Ran'jit's.

Throughout the fight Fatebreaker constantly makes comments about how only he can protect Ryne, only he can provide for her, only he has even the right to so much as stand beside her, to be in her general presence. He's possessive and obsessive, repeatedly asserting that she is HIS and his only. Which is exactly what Ran'jit says basically every time we encounter him.

But this time it's in Thancred's voice. This time it's with the voice and face of a man she actually cares about.

Ryne isn't scared of Thancred, she never has been. Even when she first met him she was barely even nervous (as clearly shown in Thancred's short story). There's a lot of different feelings happening between those two, but fear has never been one of them.

But now, after things have gotten so much better, she is scared of Thancred becoming like Ran'jit. Because if Thancred was just a little further gone, if he was just a little less compassionate, he would've. It wouldn't be hard for him to go down the same path as Ran'jit did, to be incapable of letting go of the ghost of that girl he loved so so much to the point he'd stubbornly grip anything close to her he could. He didn't, but the fact he could've is terrifying.

It makes his final words, words that are Thancred's, so very important. This is her deepest fears made manifest, but he still says he wants her to be happy. Her happiness not only matters, but is important to him.

[moonshine-nightlight]

Nothing's Wrong with Dale: Part Thirty-Three

It’s been a week, but you’re fairly certain your fiancé accidentally got himself replaced by an eldritch being from the Depths. Deciding  that he’s certainly not worse than your original fiancé, you endeavor to keep the engagement and his new non-human state to yourself.

However, this might prove harder than you originally thought.

Fantasy, arranged marriage, malemonsterxfemalereader, M/F

AO3: Nothing's Wrong with Dale Chapter 33

[Part One][Part Two] [Part Three] [Part Four] [Part Five] [Part Six] [Part Seven] [Part Seven.5][Part Eight] [Part Nine] [Part Ten]  [Part Eleven] [Part Twelve]  [Part Thirteen] [Part Fourteen] [Part Fifteen] [Part Sixteen] [Part Seventeen] [Part Eighteen] [Part Nineteen] [Part Twenty] [Part Twenty-One] [Part Twenty-Two][Part Twenty-Three] [Part Twenty-Four][Part Twenty-Five][Part Twenty-Six][Part Twenty-Seven] [Part Twenty-Eight][Part Twenty-Nine] [Part Thirty] [Part Thirty-One] [Part Thirty-Two] Part Thirty-Three [Part Thirty-Four] [Part Thirty-Five]

Violins played a lively tune as your and your new husband danced for the first time as a married couple.

Your focus had been intense for the first round of dancing as you were by yourselves in front of the entire wedding luncheon, but luckily by the second other couples were invited to join. Marigold and her husband were the first to come onto the floor, with plenty of others on their heels. You finally felt as if you had the chance to stop watching yourself so closely and perhaps truly look at Dale.

He looked splendid in his navy suit, the gold trimming that would look heavy-handed on others merely looked elegant with how easily he wore it. Despite the dancing—you felt your carefully styled curls, the ones framing your face, starting to lose their sleek definition and could see the evidence of movement whenever they flew in your vision—Dale’s hair was perfect, not a strand out of place. Was it silly to hope the cause was something inhuman so that you could feel better about your own inability to maintain such perfect composure?

His black hair was neatly contained by its low tie, a golden ribbon that complimented his suit. His breath was controlled too—deep but not panting as yours was. His hands weren’t sweaty where they held onto you, at your waist and your own hand as the dance instructed. It was leaving you feel rather self-conscious about your appearance.

If he was nervous about the crowd as you were, he’d not shown it. Although perhaps you’d been distracting yourself with anxiety over the crowd so none could build at the way his eyes hadn’t left you, his gaze more intense and focused than usual. You couldn’t afford the liability getting lost in his blue eyes would incur, at least you couldn’t when you were alone with him on the dance floor.

The first couple fast paced dances gave way to slower waltzes and you found your focus drawing tighter and tighter onto Dale and Dale alone. His confident steps, his large hands on you, his strength supporting you. His unwavering gaze—the affection and warm regard you still didn’t quite expect to see on Dale’s face, let alone directed at yourself. 

The dance slowed further with no more twists or jumps, no more parting only to come back together for brief seconds. You were pressed against him, your skirts no match for Dale’s competent steps and hold. He wasn’t as warm as he should be, but even that was welcome and spoke to how wonderfully unwavering he felt at the moment. As if nothing could stand against him and win—and you at his side.

He pulled you closer still and you could feel the soft velvet of his jacket brush your cheek before you remember your audience,  only enough not to give in to that final indulgence of resting your head on his shoulder, no matter how tempting it seemed.

“Are you enjoying yourself, sana?” Dale murmured, inclining his head closer to be heard over the music.

“Yes,” you replied, not seeing any reason to keep the easy answer to yourself. “I am.” You allowed him to steer the primary dramatic turn this dance has, spinning out and back to be caught in his arms in a move that heightened the intimacy of being held so close by contrasting it with the seconds you were apart. “Are you?”

“Yes,” he answered immediately, re-securing his grip on you. “I’m glad we don’t have to worry so much about managing other dance partners today. I’d prefer to only dance with you.”

“There are more talented dancers out there,” you couldn’t help but point out. You were always worried he had to slow himself down to keep up with you, who got winded so much faster than he did. “Even in here. Why—”

Dale shook his head. “But they aren’t you. You suit me best and I’m enjoying having you all to myself.”

Heat rose in your cheeks as you resisted the urge to hide your face against his chest. It was hard not to follow that line of thinking, let alone rebuff it or tease him back. Not on when he’s your husband. Not when you get him all to yourself tonight. His dancing skills easily morph into what other talents he might have, physically and in how he complements and anticipates you. 

You heard your name on his lips, questioning, but teasing. Trying to draw your eyes back to his instead of at his shoulder.

The next murmur of your name is accompanied by a jolt that’s out of place with the dance. Slowly, you realize that Dale isn’t in front of you, but to your side and that you’re sitting down. Sitting down in a carriage.

You blearily blink your eyes open, adjusting easily to the low afternoon light. You are comfortable and warm and so almost immediately close your eyes once more. The cushions of the carriage are plush and Dale is a solid comfort at your side, supporting your head so your neck isn’t even sore—the usual consequence that befell you if you sleep sitting upright. Instead you’re so relaxed you don’t want to move from your spot.

“We’re only a quarter of an hour from our destination,” Dale says, his voice low and quiet. “I thought you might want to be awoken before we arrived.”

“Thank you,” you reply, your hand coming up to your mouth to cover a yawn because he is correct. You’ve no desire to be jolted awake and out of the carriage in a hurry. 

While you get your bearings, you see Dale pop the last bit of a pasty into his mouth. Your own mouth floods with saliva, not only because you realize you’re hungry. You get distracted from the thought of sustenance by the sight of Dale licking his fingers clean. You wonder if the privacy the two of you are currently enjoying is why the red of his tongue seems more vibrant and its length seems longer than you remember.

Dale must notice your preoccupation because he gives you a sheepish smile, hiding his teeth and tongue behind soft lips to say, “Help yourself to what remains. I’m afraid that I ate the majority of the offerings.” He reaches forward, careful, you realize, not to jostle his right arm which you’re still clutching to your chest as he picks up the basket. He offers it to you. “I left you the mushroom pasty.”

You reluctantly let go of his hand to accept the offered pasty. You smile at his thoughtfulness: meat would have been far more likely to upset your stomach, especially in a pasty. “Thank you.” You keep your other arm still entwined with his, holding it to your side. It’s nice that it's been warmed from how you’ve been holding it. 

Dale makes no effort to reclaim his arm from your possession. Instead he fills the silence with easy conversation as he had been when you must have drifted off. He tells you about the part of the journey you slept through—where there was trouble, which road he noticed should be next on your list for improvements, and how often they stopped to water the horses. 

From all this, you gather you’ve made pretty good time. The sun’s only just beginning to set. Dale doesn’t press you to wake up faster or try to get you to contribute more to the conversation. It makes you think of what a morning might be like with Dale, him talking about your plans for the day while you can wake up at your own pace. 

Of course you don’t even know if you’ll be sharing chambers or have separate ones—you’d not had the nerve to ask and no one else brought it up. It varied quite a lot among couples to your understanding—noble ones that is. 

Sometimes it came down to space if it was possible—certain city houses with their limited space chose to prioritize rooms for entertaining or children over separate master and mistress chambers. Other times it was about practical comfort. Some sleep in the same bed but also maintain separate chambers for dressing and other personal matters.

Callalily swears if she had to sleep in the same room as her husband every night she’d murder him due to the snoring alone. But Asher and his wife never sleep apart. Marigold says it depends on what else is going on, their moods—how hot it is. 

You just added this to the list of matters you’ve never had the privacy to discuss with Dale. At least this would be decided to some degree tonight since you would be going to sleep somewhere. Although your nap had refreshed you. And tomorrow, and ideally the rest of the week, you’d be able to sequester yourself away with Dale and talk through everything else while you settle into your new marriage. After everything that happened, you aren’t going to let any more time go by without doing so. It’s tonight that’s still in question.

You take the time while listening and thinking to check your hair and clothes, getting them back in order from being rumbled by your nap. Even these little worries are starting to feel less daunting and more exciting, as you remember your dances, as you sit pressed against Dale in comfort, as you now know you and he are on the same page.

The carriage jolts to a stop, propelling you out of your thoughts and into the present. Dale reluctantly pulls out of your grip and you fight the urge not to let him. To hold on tight instead. No matter how ridiculous it would make leaving the carriage. You are a newly wed couple, surely some amount of foolishness is expected.

Still, it’s clear Dale’s intent on playing up his role as lord and husband, alighting from the carriage to offer his hand to help you down while a footman holds the doors open. Carefully you get to your feet, legs stiff after having been seated for such a long journey.

A small number of servants are lined up awaiting your arrival, including those you know and the ones who must be local to this lodge. You still feel rather sleepy and tired from all the socializing. It’s as if your mouth and mind know no more is officially required of them and so they’ve given up. You let Dale take the lead and had reclaim your hold on his arm as soon as you are able to. 

He looks startled but indulgent, which you are more than willing to accept.

You listen and do greet the housekeeper, but otherwise you allow yourself to be taken for the tour without much input or effort. It’s a lovely house, secluded and far smaller than a typical estate, obviously meant for only a few main guests or to be a wayhouse on longer journeys. It’s older, but well maintained. The traditional style is why the servants are housed separately. 

You feel as though the first floor tour goes by fast, but you start to feel some alertness, some anticipation, start to edge out the sleepy contentment that’d been lapping at your veins, when you go upstairs. It has well furnished studies, including a detailed map of the grounds the housekeeper goes over with you, in case you wish to ride or hunt. She doesn’t spend too long on it though, a twinkle in her eyes that makes you more self-conscious of your newly married status even more than some of the jokes made at the wedding luncheon.

The fact that she goes next to the bedrooms does not help you regain hold of your composure. She opens a door down the hall and allows you and Dale to enter first. “Here is the mistress’s room,” the housekeeper informs you. “Given the size of the house, the traditional dressing and sleeping rooms are combined.”

“They’re very nice,” you say for lack of anything better coming to mind. Your heart sank when she opened the door. You’d been hoping for a combined suite as it would take care of some of the awkwardness. Although perhaps it is only you who feels that way. Dale certainly is showing nothing of the sort. He’s only spoken with the housekeeper during the entire tour, though he’s glanced at you at times. 

Now he just nods, allowing you to take the lead as she shows you the various accommodations and where certain trunks of yours had been placed. Dale’s focus is entirely on you and you can nearly feel his scrutiny like a tangible thing. It’s enough to let you know not to meet his eyes or you’ll become ensnared by his gaze, as you always do when he gets like this. 

As it is, you manage to make all the appropriate affirmative noises and agreements, answering the housekeeper’s minimal questions. Before you know it she’s shown you the entire room. Just as you’re wondering what will happen next—will you stay here or follow her and Dale to his chambers—when she puts a hand on a door you realize she’s not opened.

“Your shared sitting room is through here,” she explains, opening said door and leading the way through to a very nice, spacious sitting room. You listen with one ear to her talk of the furnishings and history but your focus is on the door opposite the one you came through.

The housekeep doesn’t spend too much time here before she’s saying. “… and finally, the master’s chamber.”

She gave a similar tour of his rooms while you try not to overthink your grip on his arm nor stare at the bed, with its fresh and luxurious looking bed linens. The sheets are white but the covers are blue. You don’t know why you’re fixated on such inconsequential details. Maybe they’re just the most innocent aspects of the bed you can distract yourself with.

The housekeeper is briefer with her explanation for this room as it’s a mirror of the mistress’ chambers. Soon enough she guides you both back to the sitting room to wrap up. “Would you like anything, my lord, my lady? Vitals to keep up your health, preparing the beds, your body servants?”

You look up at Dale, who, as he sometimes does, seems taller than he had even back in the carriage. Since you just had some food in the carriage, you are satisfied. He’s the one with the big appetite.

He smiles down at you before looking back at the housekeeper. “We ate before arrival and on our journey. Tomorrow morning will be sufficient.”

“Yes, my lord.”

“It has been such a long day,” Dale continues. “I believe we’ll retire for the evening. Tell Mr. Murray I will send for him in the morning, if need be.”

“Please do send Miss Adir to me,” you ask, knowing your dress is harder to get out of than Dale’s attire. Perhaps on a more ordinary day you’d be able to manage on your own, but for tonight with such a fancy gown, you need the help. If you were sharing a room, perhaps you might have asked Dale, but as it stands now, you haven’t the courage to ask–especially not in front of the housekeeper.

“Yes, my lady.” The housekeeper leaves to fetch your maid while you and Dale stay behind in the sitting room.

“It’s a charming house,” you say, feeling the need to fill the silence in a manner you haven’t since you’ve woken up.

“Indeed. How are you feeling?” Dale asks, a little more nervous and a little more sincere now that you’re alone together. “Still tired from the journey?”

You shake your head. “No, I feel rather rejuvenated from my nap.” You shift where you stand as you resist the urge to fuss with your dress—it had dug in in certain places while you slept and is far past beginning to feel uncomfortable. The lace in particular at your neck is becoming itchy.

“But you wish to change,” Dale guesses.

“Yes.”

“Of course, I agree,” Dale says and shifts his shoulders in his jacket. “Would you like to join me in my room when you’ve refreshed?”

“Yes,” you reply, eyes on the door where Miss Adir is entering. “I shall rejoin you shortly.”

Dale nods, his expression polite, but his eyes stormy. Not that you can ever truly tell what his eyes are telling you–all the signs to read are off for him. You’ll need time to study him better. Which you now have because he’s your husband. You’ve no notion of his experience, but perhaps he’s nervous about everything as well. Or maybe there are additional considerations for tonight given his nature you can’t even fathom. 

You turn and head for your rooms, not enjoying how performative everything is starting to feel, especially with another person present.

Miss Adir quietly chatters about her trip. She points out where certain of your items were put away and what is still packed while she helps you out of your overgown and skirts.

You make affirmative noises and give quiet answers to her questions about your own trip. Soon enough, you’re left in your shift alone. “Thank you, Miss Adir. That will be all for tonight.”

“Of course.” Miss Adir looks as if she would like to say something further but instead she just curtsies. “Good night, my lady.”

You finger the wine colored silk ribbon that is woven into the lace trim on your chemise while you listen for the door to shut, occupying yourself with brushing your hands along the skirt to ensure it falls correctly. Even after you’re alone, you waste more time, fussing with your hair and clothes until you can delay no longer.

Once it’s making you more tense to stay here, delaying, you leave your chambers, cross the sitting room, and walk through Dale’s open door.

You shut it quietly behind you, eyes searching for Dale. You frown at the sight of him, only his jacket removed and his waistcoat unbuttoned, sitting on the corner of his bed. He looks still remarkably dressed, as you might find him in his private study. Not how you’d expect to see him in his bed chambers on the night of your wedding. “Dale?”

Dale looks up and stares at you like he’s never seen you before despite the fact that he also looks as if he’s waiting for you. He blinks and gets to his feet. Your eyes dart to the lamp on the wall—it's not really dark enough to need one, but the shadows guttered with his movement in a manner that betrayed his nerves. When your eyes go back to his, he looks chagrined and the shadows still. “Apologies.”

You’re not sure what to say since you feel so throw off your own expectations. He’s acting as if there are still more secrets to spill and it’s got your nerves twanging. “It’s fine. Is everything alright?” Dale doesn’t look nervous as a person might on their wedding night. He looks nervous like a man on trial would.

“Yes, of course,” he replies. “Would you like to take a seat?”

“I…sure.” You hesitantly walk over to where he’s gesturing and seat yourself on the corner of the bed. “Yes.”

He paces in front of you and just as you’re about to ask again about what might have happened since you left him less than half an hour ago, he says, “So… I suppose you want to talk.”

He puts a lot of emphasis on “talk” that you don’t completely understand. You blink and repeat slowly, “Talk?”

“Yes, since you know I haven’t always been Dale and that I am a demon,” Dale elaborates. You still feel some surprise at him finally speaking plainly after so long of talking around the subject even after this morning. “I expect you have a lot of questions.”

“Oh!” You’d expected to ask such things tomorrow, not tonight. Not on your wedding night. It's obvious now that Dale’s given no thought to traditional wedding night activities. He’s obviously as focused on reassuring you as he had been back in his study. And you want to know more. You want to know everything, of course you do. You’d only thought…but no. He’s right. “I mean, I do.” Best to resolve all this now so he can start to trust in your acceptance. Best to get it all out in the open, in your new privacy, before something else got in the way. “Yes.”

“Well, we finally have some privacy,” Dale says, echoing your own thoughts so closely you almost smile, “and I don’t want you to be nervous or unsure about me.”

“I am sure of you,” you feel the need to say. You stand up because while you’d had other ideas for tonight, reassuring your husband you trust him certainly seems more important. “However, honest conversation is never bad and is overdue. I’ll brew some tea.”

Still, it’s harder than you think to swallow your disappointment. You take advantage of the distraction and familiarity preparing tea provides–the way it allows you to look away from and ensure your face isn’t giving away your chagrin. 

Of course Dale would value a conversation about his nature and his experiences and clarifying with you over something so, so human. He’d said something about a mate, but who knew what that truly meant to him. You had no real idea if demons even had sex. He must know what humans did on their wedding nights, but it's clearly not on his mind now. 

He pauses every now and then in his circuit of the room to hover a bit over you and the tea table, before backing off in a manner that makes it clear he’s not sure of his welcome still. 

But what about that kiss? You mind wonders with some frustration. Was that just something he thought humans did? Did he think it was expected and complied, but hadn’t truly want to? Or maybe he simply didn’t care about this sort of physical affection? You begin to feel rather shallow and base in your preoccupation.

As you finally pour the tea into a cup for each of you, you tell yourself that you can only manage one thing at a time. For now, your focus has to be on understanding Dale and what he wants. You can figure the rest out later. He’s your husband now. You’ve got plenty of time.

You sit back down on the bed, cup clutched in your hand, while Dale takes his gratefully. To your mounting disappointment, he sits at the vanity instead of next to you.

“So,” he says, after a sip of tea, “where would you like to begin?”

[Part Thirty-Four]

[quietwingsinthesky]

i really do think the desire to paint ten as unambiguously The Worst™️ when it comes to his relationship with martha is out of this desire to uncomplicate their relationship. to decouple them as friends and people who profoundly impacted each other’s lives. it’s just an easier narrative to swallow: that ten was Awful to her and then martha kicked him to the curb when she realized she was too good for him. easier, maybe, then dealing with the troubles of unrequited affection don’t have to be anyone’s fault, or that ten shut martha out in a lot of ways but let her in in others that he wouldn’t let any other companion near, or that they were still friends, they still wanted to see each other and be around each other, even though it was messy and sometimes hurt. you know?

[daily-hanamura]

[noirineverysense]

tbh didnt really like how bisma's arc about her relationship to her headscarf was handled. Her braider was completely out of line and not challenged on it. There was this constant idea that being black and being muslim were separate. That she was exploring other parts of herself when being muslim and black isnt an experience that you can take apart like that. It seems to indicate that theres one way to be black and it involves being visibly less muslim and i think if we were shown more of a black muslim community around bisma and better rep of black muslims in we are lady parts this idea would be very obviously shown to be wrong in the show.

to be clear i dont think bisma having an arc around showing her hair more is bad, or even tieing it with wanting to wear braids like the black women around her or for any other reason, but the way its set up 'tobi, i'm muslim' 'yeah but we're black too', just sets up this idea of two parts of an identity in conflict with each other which doesnt speak to the way black muslim communities have tied their religion and culture together in such beautiful ways and i wish that was being represented on this show.

[crescentfool]

graduation day 🌸

[bittasol]

clarazz are so strong if i was (vaguely in love with and) slightly possessive of my best friend and the whole world was obsessed with him (like i was) id crash out 😭

[girlmetalsonic]

something that is like the baseline of amys entire character to me is that shes lonely. shes clingy and physically affectionate in a way none of her friends really are, shes always getting pushed aside and left behind. yeah, she helps out people she doesnt know because shes a nice person, but also, she sees part of herself in them. she wont leave someone else behind because she knows the feeling —and more importantly, hates the feeling. if she doesnt have somebody to stand by her and be there for her, then shes going to be that person for everybody else. something something her obsession with sonic is really just like a manifestation of that desire for closeness with someone, and she thinks that romance is the only way to get that. idk... this hedgehog can have so many abandonment issues.

[xxplastic-cubexx]

valentines day special comic? 👀👀

i HAVE to correct myself i dont know why i said it was a valentines day special (hint: incredibly inebriated) cause it was released in AUGUST but it is centered around love so thats gotta count for something right

anyway the comic i was thinking about was Secret Wars: Secret Love and its the one famously with this lil snippet

[s0fter-sin]

i have no stake in this whatsoever since i’ve never even watched good omens and absolutely 100% unequivocally think it’s a good thing that an abuser is seeing the consequences of his actions but i don’t really see the point in shortening the 3rd season? rewriting it so he doesn’t get money from it? yes absolutely, but if that’s the reason, why not delay the season and do a full six episode rewrite? or just cancel it altogether instead of an inevitable disappointing finale. he’ll still be receiving royalties from the first two seasons and whatever ideas they use for the episode plus whatever he’s already contracted to receive so making a short season feels like it’ll impact the cast and crew more than him; they won’t be paid for a full season of work that they were expecting to have in an increasingly unstable industry