#ClyffordStill

[boywithflowersartgallery]

A collection of 315 high-resolution digital images of Clyfford Still ▶️https://boywithflower.gumroad.com/l/bwboa ▶️https://www.boywithflowers.com/product/clyfford-still/ ▶️https://www.patreon.com/posts/74762381 Get more digital paintings. https://boywithflower.gumroad.com/ https://www.boywithflowers.com https://www.patreon.com/boy_with_flowers_art_gallery

[andreahamiltonblog]

Clyfford Still

Clyfford Still had a unique artistic vision and was unwilling to compromise it for money or recognition. As he evolved as an artist, Still’s works transitioned from recognizable images and landscapes to more abstract shapes, colours, and lines to express ideas and feelings on huge canvases. He wanted people to get lost in his works and make their own interpretations of his art.

‘My paintings have no titles because I do not wish them to be considered illustrations or pictorial puzzles’, Still wrote. ‘If properly made visible they speak for themselves.’ 

📷

1. Clyfford Still, PH-247, 1951, Clyfford Still Museum

2. Clyfford Still at the Albright-Knox Art Gallery, unknown photographer, 1959, Clyfford Still Archives.

[peoplematchingartworks]

[abstracteddistractions]

Clyfford Still, PH-338 (1949-No. 2), 1949, 

Oil on canvas, 

91 3/4 x 68 7/8 in.

Jane Lang Davis and Richard E. Lang Collection

[matt-niebuhr]

Good morning Mr Still…. (PH-225, 1956 - oil on canvas - Clyfford Still)……………………………..#clyffordstill (at The Modern Art Museum of Fort Worth) https://www.instagram.com/p/CXG7F5tOsGm/?utm_medium=tumblr

[rolloroberson]

Nina Leen: American Expressionists, "The Irascibles", New York, 1950 Gelatin Silver print

Left to right, from back row: Willem de Kooning, Adolph Gottlieb, Ad Reinhardt, Hedda Sterne; Richard Pousette-Dart, William Baziotes, Jackson Pollock, Clyfford Still, Robert Motherwell; Bradley Walker Tomlin; Theodoros Stamos, Jimmy Ernst, Barnett Newman, James Brooks, and Mark Rothko

[lawrencefineart]

“The Call Home,” 1895, by Augustus Vincent Tack, is an impressive example of AMERICAN Impressionism by a man who studied with LaFarge and Twachtman and who visited Monet in Giverny. But what we found interesting is that this painter, so conventional in his early career, would transition to a kind of pre-abstraction in his later career. Indeed, many consider him a forbearer of abstract expressionism and colorfield painting and an influence on artists as diverse as Clyfford Still, Barnett Newman and the Washington Color School. There are 40 of his works in the Phillips Collection. @phillipscollection #augustusvincenttack #impressionism #paintingoftheday #clyffordstill #americanimpressionism #washingtoncolorschool #barnettnewman #abstractexpressionism #colorfieldpainting https://www.instagram.com/p/CNBqplIheln/?igshid=1w5wgg0r6b1xk

[tizianomazzilli]

AND IF YOU DON’T LIKE TECHNO YOU CAN GET THE FUCK OUT OF MY HOUSE⚫️ TECHNO WAS MY DREAM⚫️CLYFFORD STILL MEETS BASQUIAT ⚫️BOOTLEG PAINTINGS RECONSTRUCTED BY TIZIANO MAZZILLI FOR #dbodlondon🎯🎯🎯™️ ⚫️ALL ARTWORKS FOR SALE DM ME FOR PRICES & SIZES @tiziano_mazzilli #clyffordstill #techno #detroit #basquiat (at London, United Kingdom) https://www.instagram.com/p/CECWZAcH8Ew/?igshid=mh8epqysf90t

[conversationswiththelight]

Clyfford Still

[pwlanier]

Clyfford Still (1904-1980)

PH-1033

signed and dated 'Clyfford 11-29-76' (lower right); signed again and titled 'Clyfford PH-1033' (on the reverse)

oil on canvas

93½ x 83 in. (237.4 x 210.8 cm.)

Painted in 1976.

Christies

[itspabloconsuela]

[zatsu-media-blog]

Assignment #5: Individual Research on Abstract Art  & Artists.

Artist: Clyfford Still

Title: PH-489 (1944)

Medium: Oil on paper

Themes: Abstract, Color, Painting

Artist: Clyfford Still

Title: PH-929 (1974)

Medium: Oil on canvas

Themes: Abstract, Black and white, Painting

Clyfford Still’s works are very abstract and make you wonder what the image is supposed to represent and why. This is a very interesting take on oil paintings as many people are drawn towards making representational and noticeable images. Clyfford leaves the best port to your imagination. What your perception sees could be different from the person standing next to you looking at the same thing. In a way, these paintings could be compared to Rorschach tests. “what do you see here?” This connects to me because sometimes I couldn’t begin to explain what my art is, but rather leave it up to interpretation. Though Rorschach tests are a psychological test and this is art, I don’t think they’re far off from being one in the same. The abstract themes allow the viewer to see something that may be unique, but could also be seen by the vast majority of others - maybe even see nothing at all.

Artist: Bridget Riley

Title: Movement in Squares (1961)

Medium: Tempera on hardboard

Themes: Abstract, geometric, illusion

Artist: Bridget Riley

Title: Fragment 2 (1965)

Medium: Screenprint on perspex

Themes: Abstract, geometric, illusion

Bridget Riley, through her research on paintings, has created some amazing prints and paintings of her own. These two works demand the viewer to focus and take a deeper look into what they are seeing. Simple shapes like rectangles and crescents can trick the eyes when arranged carefully. These two works, in particular, give the illusion of movement. Of course, these are still pictures; one's vision may be tricked into seeing scale change, wave effects, and vibration. Due to her research, she has effectively made art that may not be what she was working towards but instead found another form. Her background of these pieces relates to me because sometimes when I study up on things, I find myself picking and choosing elements and turning them into something different than the research material itself. 

[andybnyc]

#occupywithart #detail #clyffordstill (at Clyfford Still Museum) https://www.instagram.com/p/BvU8dSzAZid/?utm_source=ig_tumblr_share&igshid=1ptgcwxhzgvwb

[peoplematchingartworks]

[abstracteddistractions]

Clyfford Still, “PH-399″, 1946,

Oil on Canvas,

53 3/4 by 44 3/4 in. 136.5 by 113.7 cm. 

[boomerangootan]

Painting PH-79 painted by Clyfford Still with oil on canvas in year 1935. The original dimensions are 109 x 155 CM

The painting is currently with Clyfford Still Museum in Denver