#Ciconia no Naku Koro ni Spoilers
Explore tagged Tumblr posts
levenlyne1 · 6 days ago
Text
Tumblr media
43 notes · View notes
chuunijianghuyuri · 2 years ago
Text
One of the wonderful things about When They Cry is not only how Ryukishi07 noticably improves as an author and builds upon his themes and ideas from his previous works, but also how each successive work gets more blatantly queer than the last.
Higurashi has quite a bit of plausable deniability on whether its characters are lgbtq. The most obvious ones are Furude Rika and Houjou Satoko for each other, but this can plausibly be denied by someone who doesn't see it without too much of a strech in the original eight episodes. Personally I'd argue that literally the entire main cast of girls are lgbtq of some kind except maybe Hanyuu, but each of those arguments do require interpretation. This is Higurashi from 2002.
Umineko gets more blatant with explicitly queer characters, more often on the magic side but there are some on the human side as well. It's a coinflip on whether Zepar or Furfur is trans (though some clowns will use real life voice actors to try to give a definitive answer). Bernkastel and Lambdadelta are notorious toxic witch lesbians. Furudo Erika and Dlanor are in a less explicit relationship that's a bit dicey at times and coming after Furudo Erika's unpleasant breakup with her boyfriend. Williard seems to be in a relationship with Ushiromiya Lion by the end even as Ushiromiya Lion explicitly states they're unsure of their gender and or don't want to say on the matter and Williard accepts that without hesitation and explicitly states that the audience should too. Ushiromiya Ange has a relationship with Mammon that can be interpreted as romantic as well, and with the open ended ending of her future, one can imagine Ushiromiya Ange as all sorts of sexuality and potentially still in that relationship with Mammon if not closer. And then of course there's Yasuda Sayo or as I'd like to call the queerest and most gender and sexuality character of all time. If I tried to count their potential queer identities, I'd probably miss at least one or two, but they ain't straight and they ain't cis even if their individual personalities might be. There's even more that you could say about the themes of Umineko overall that also tend to involve Yasuda Sayo to some extent, but I'll leave it there. By the latter half of Umineko or the answer arcs, some people reading at the time were wondering basically "Where'd all this gay shit come from?" among other things. Some people couldn't handle it at the time and many still can't, and some are somehow still in denial of Umineko's queerness to this day more than likely. This is Umineko from 2007.
Ciconia even with only one episode out and presumably an eighth of the way done by traditional When They Cry standards manages to be EVEN MORE explicitly queer within said one episode. This time, with no interpretation or any serious level of reading and understanding the text and characters needed, the main protagonists Mitake Miyao and Mitake Meow who share a body are either transgender one way or the other with Mitake Miyao being a boy and Mitake Meow being a girl. To this they're like Yasuda Sayo except they definitely know their sex, and like Ushiromiya Lion they'd rather not say at least yet. Mitake Meow's boyfriend Jayden respects this and that his girlfriend might be trans and that she can tell him and they can work whatever out when she's comfortable about it. There's a whole ass scene or so about this and is impossible to deny. Ciconia also mentions explicitly there being surgery to acquire a penis in the futuristic setting as well, and possibly even artificial wombs if I'm not mistaken too, things that are at the moment still medical hopes and dreams for so many trans people. There's also discussions about the struggles of lgbtq people as well as gay moments mostly among girls but even with a guy as well (not listing them partially because my memory of some of their names is fuzzy, lol). There's a pro yuri nun idol squad even who states that love has no bounds and yuri is the best thing ever essentially, you literally can't get more explicit and in the text than this unless your measure of gayness deems sex to be the epitemy and ideal of gayness at all times. I'm not even sure how you could be a queerphobic When They Cry fan without blatantly ignoring at least one work or malding about it constantly. This is Ciconia from 2019.
This post doesn't say much about Higurashi GouSotsu from 2020 because I haven't watched it myself, but that's pretty explicitly gay too and much more explicit than the original and makes the queer content in the original as well more blunt and obvious. Not necessarily recontexualization so much as a potential fragment that builds upon what was already previously alluded to for nearly two decades by that point.
To people who genuinely think any When They Cry work is definitively and undeniably straight...I really don't know what to tell you lol. Like there's room for intepretation for quite a bit of this including towards a cis or heterosexual explanation at times, but at some point you're just not reading the text very well to think that it's all just cis and straight and that the gays are just delusional somehow, lol.
154 notes · View notes
incorrecttowerofgodquotes · 2 months ago
Text
Alright, time for my big Jestress identity theory.
First, Jestress and Vier look almost indentical, which means they have to be related in some way.
Tumblr media Tumblr media Tumblr media
Second, Jestress's lines about Toujirou hitting on her counting as cheating means that their relationship is a lot more than sisters.
Either Jestress is a CPP personality of Vier or she's a clone of Vier. Personally, I believe the latter and let me tell you why. But first, GouSotsu time.
In episode 21 of Gou, Eua refers to Satoko with three names: Vier, Mitsuyo, and LD3105. The lines specifically are as follows:
"Why the nonplussed expression, Vier? Ah, or was it Mitsuyo? Perhaps the name Anamalous Spinal Cord Specimen LD3105 is more befitting?"
These lines imply that Vier and Mitsuyo, which is Jestress's real name most likely, are the both the same yet different. At least different enough that Eua acknowledges it. And then there's the spinal cord thing. 3105, using funny letter logic, could be read as sa-to-ko. Now, where else in the game have we seen spinal cords. Thats right, the Factory scene.
Tumblr media Tumblr media Tumblr media
Jestress mentions a nightmare she has, one that she seeks to destroy and that destruction would be humanity's benefit as a whole. When we get to the Factory scene, we are put in the mind of what seems to be a girl. A girl with a brother, mother, and father.
From this information, that means the girl is either Jestress/Mitsuyo, or Meow, and since Meow is a CPP personality, then she can't be in a separate body from Miyao, so it's Jestress.
This means Vier created not only Miyao, but Jestress as well, and the two seem to be tasked with stopping the Factory world.
3 notes · View notes
thirty4miracles · 1 year ago
Text
rereading ciconia and omg i completely forgot how that first fight scene ended so it completely blindsided me i cant breath im laughin too hard he was too fucking short!! he couldn't fucking reach dhhdndnxnxnxbbshs
8 notes · View notes
junpeicindystories · 8 months ago
Text
CICONIA SPOILERS Utopia "Lyrical" Interpretation and Analysis
youtube
So I have seen people write lyrics for this song that is at the end of Ciconia, but I want to write my own interpreted lyrics its not finished but here is my interpretation and how it fits into Ciconia's themes:
Independent Colorful/less Rest in peace is everything and nothing we came before let it fall x2 I want to di/resolve I want to run away from everything distant love join another piece I'm missing myself I run away from my shadow run from my memory is afraid another place you'll b
first I skipped the lyrics from the beginning I didn't feel like forcing words I couldn't hear at first I only started to interpret at 0:33 of the song. I feel like my start of this one was the worst but it resonates with some themes of ciconia
its everything and nothing... we came before...." I choose to interpret at :40 like how ciconia probably like other WTC are a time loop? I'm just assuming sorry I haven't gone through data frags yet... but usually from "prophecy" etc from MIYAO is how I interpret
"let it fall let it fall" (I interpret this as some of the defeatist or fatalistic perspective within the story idk guys I'm an idiot) "I want to dissolve/resolve" either interpretation I think would work because some of the characters do want to fix things and others
want to dissolve themselves from their bodies being free from their flesh cage. "I want to run away from everything" obviously because all the kid characters are in a horrible situation where they want to escape from it esp at the Christmas scene
"distant love ????? join another piece" also I lied about not interpreting some of the first lines at 0:25 I hear "to sigh??? infatuation" sorry I had to force you away to go back to the beginning I'm like that. so obviously this might refer to miyao meow jayden
they are so close yet so far in that sense the war separates them. they are just starting to fall more and more in love and yet everything is falling apart around them the world. "joining another piece" I feel like you can interpret fragments or chess pieces idk
"I'm missing myself" I interpret here maybe from miyao's perspective cuz you know identity issues "I run away from my shadow" obviously maybe stemming from MIYAO... prollly idk and "run away from my memory" probably cuz whatever is going on with Miyao there's something unpleasant
like idk yet "is afraid" "another place you'll be" idk gusy you can try to interpret other characters perspective etc I'm an idiot and these are simply speculations. but I get the feeling there's is more escapist themes at the end or
I might be at liberty to interpret this from miyao's mother? her fear of being in the hell that she wants miyao to help her escape from? idk but obviously ciconia is a war story and the kids all have to put aside their bonds for this whether they want to or not.
stripped from their independence to be free to keep their bonds with others and put their time in staying together making more memories and being happy things like that... but of course the lyrics I feel iffy on the interpretation like resolve dissolve relating to koshka
characters who hate their own body. characters who were forced to live in dirty air fearing to go back to those cities that didn't have clean air. so... that's what I think so far... so... now you can see why my dumbass never writes analysis. I'm a rambling moron haha but ty
0 notes
saccharinescorpion · 5 years ago
Text
hmm... thinking about how Ciconia has a really nuanced presentation of people's increasing dependency on technology that is much more than "phone bad" and in fact highlights the positives as much as the negatives
(major spoilers for Ciconia Phase 1)
(thinks about how the same technology that allowed the kids to meet each other and become friends also allowed them to hear each other’s death cries as they slaughtered each other) aaaah. love this song (said while weeping)
41 notes · View notes
connan-l · 5 years ago
Text
Ciconia Phase 1 Ramblings
Well, it sure was a wild ride, but I enjoyed it quite a bit!
The whole thing was very Heavy and Intense and Long and a lot of stuff happened. I’m not sure I really digested everything yet, but I have Thoughts.
GOD I spent so much time writing all of this... At first I just wanted to make a short Twitter thread about it, but it ended up a lot longer than initially... 😔
Those are just some messy ramblings and I don't think I said any more new or interesting stuff than what other people have already said, but I still felt the need to write it down, so...
Ciconia spoilers for Phase 1 and the tips:
So I thought overall it was pretty good and interesting! As someone who didn’t play the demos, I went in completely blind, and it was a nice read. (As such the flood of Okonogi memes some time ago were kinda confusing to me at first lol.)
It was radically different from Higurashi and Umineko, but that was something I expected (Umineko was radically different from Higurashi, after all.)
I’m not sure if it’s going to hit me as personally as Higurashi and Umineko did yet, or even if I’m going to like it as much — I enjoyed Phase 1, and the story is really intriguing, but it’s not quite on the level of its predecessors for now. Then again, it is only the first part of the story so it’s a bit unfair to compare them now, and I remember I was far from being into Higu and Umi by just their first installments too. So I guess I’ll just have to wait for the other phases and see!
On a technical level, this is definitely ones of Ryukishi’s most sophisticated visual novels — with the big animations and sound effects during the battle scenes, of course, but also with the numbers of different backgrounds and the visuals for the Kizuna thing. The sprites are also my favorites from all of Ryu’s games, they have the uniqueness of his artstyle all while being more polished and with really pretty coloring. And the character designs are SUPER GOOD — the best of 07th Expansion works to me (well, I was still a bit disappointed in Vier’s design, though. I mean. She’s just Takano with a lab coat. You could’ve at least changed her clothes or something, Ryu.) The music was the only thing that was... pretty average. It wasn’t bad, there was a lot of neat OST in it... but there wasn’t really anything memorable either (Alright, except for Apocalypsis Ciconia II. This one was dope as hell and it gave me chills.)
I was pleasantly surprised by how good and compelling the worldbuilding was too, as personally I find this peculiar part of Ryukishi’s writing has always been one of his weakest points. I don’t know much about sci-fi stuff admittedly, so I’m not sure how that would be perceived by fans of the genre, but Ciconia’s world is still quite fascinating — the different factions, the technology and selcom stuff, the way childbirth is managed or the history of World War III, all of that was good. Although to be honest, some stuff felt kinda contrived too (like, sure, let’s say the entire history of WWIII is entirely erased, like that we don’t have to deal with the political issues of our current real world lmao), and I don’t know all of the histories of the countries mentioned, so I can’t really tell if some things were insensitive (for example, how Africa was “unified” by a single king felt a bit off to me, but, er... I don’t know...)
The more absurd elements like the conspiracy theories, the chivalric orders or the freaking ILLUMINATI KINGS were pretty hilarious, honestly. I’m... not sure what to make of them. Obviously none of Ryu’s stories were ever going to be realistic (and well, the entire premise of Ciconia is about children soldiers who have the strength of an entire army in one gauntlet, which is ridiculous enough), but knowing him I wonder how much of this is going to be played straight and how much of this is meta stuff. Especially with all the religious/spiritual references (the blue bodies of Evil Miyao and of the gauntlet girls alluding to the Hindu god Shiva, Seshat being a Egyptian goddess, etc.)
I have more mixed feelings about the plot, and especially the pacing. Most of it was okay, but some scenes were really dragging and redundant. Which, isn’t really something new with Ryukishi’s writing, but here especially with the political stuff and the long blocks of exposition it was... kinda boring and hard to focus on it, and after a while it even felt quite egregious. Some of those parts weren’t needed, or at least didn’t need to be that long. Especially given that after the first hours, there were not a lot of more peaceful moments that would give the player time to breath. 
Which is another one of my complaints: a lot of intense things happened, but the narrative rarely give you the time to actually digest those things, especially in the second part of the story. It often pretty much felt like “X event happen > Discussion of X event between the characters > Y event happen > Discussion of Y event between the characters,” and this without any breaks (with the exception of some exposition here and there in between, of course). The events, discussions and characters were interesting enough to more or less keep my attention, but it still felt like too much at times. Part of this may be volunteer, as it put a stressful and opressive feeling on the reader (God, the clock and quotes between each chapters stressed me out a lot lol), and after a while I really felt like I was kinda suffocating with all of this like the characters — but even so I think it would’ve been better to give us some pauses here and there. Which is something we could have had with, say, the tips. I thought it was a shame all of the sixteen tips could only be read once the main story was over, because the narrative could have really benefited from having them fit into the plot or in-between chapters, like in Higurashi.
Also, I know Ciconia wasn’t exactly marketed as an horror story unlike the other WTCs, but hoo boy, I think some of the sequences in it are honestly among the most gory and disturbing things Ryukishi wrote? I haven’t read Iwaihime or TRianThology, so I can’t really say for sure, but damn, those human factories really are big nightmare fuels...
Now, I think the most tricky parts and the ones who are gonna get the most criticisms are, likely, the whole political and military stuff. Ciconia is probably Ryukishi’s most political and provocative work so far, maybe on par with Rose Guns Days — not to say Higurashi and Umineko are not political, they definitely are, but here it truly is in-your-face. Which is not a bad thing, per se, but... let’s say it all depends on how Ryukishi handle and criticize all those stuff down the line in the other installments, when so far it’s been... meh?
Like, the whole military stuff, specifically, was... shaky, at best. The thing with fiction that portray militaries with soldiers as their main characters is that they walk a thin line between just portraying this thing and actively glamorizing it. The narrative was definitely critical of some of it (lol the whole massacre at the end was very obviously there for a reason), and I appreciate Ryukishi often makes a point in his stories to frame a problem with different persepectives... but the whole “healthy military balance” and “Walls of Peace” thing was still iffy, and I’m... unsure about how much of it is going to be criticized within the narrative in the end. Now, again, it is just the beginning of the story, and Ryukishi has always been good at presenting a thing at the start for later on tearing it down to pieces, so... I don’t know.
It’s way too early to decide what kind of themes and messages Ciconia is going to have, so here too I guess we’ll have to wait and see, but I’m just a bit wary given some things that were in RGD were... definitely questionable. Now I actually think Ciconia got to a better start than RGD, but... well. I’m also not really someone who know much about these stuff, so I’m not the best placed to talk about it, but it’s definitely something worth to be under scrutiny.
On the more positive side, there were times where some things felt really, really real, as well as pretty in tone with some of today’s social issues. Like all those news about the terrible things going on in the world and that a war can happen anytime, the military propaganda to recruit young people who “want to fly” in the army but who just end up killing each other, or the feeling that these kids have about how in the end they’re just powerless pawns  who can’t do anything used by selfish old men... I saw someone said Ciconia was basically Fuck Boomers: The Game, and... yeah. Yeah, that’s basicaly it lmao. All of the adults being assholes is not new in WTC or even in Ryukishi’s works in general, but here it was definitely a big theme. God even the whole thing at the end about how the planet is dying and that everyone knows it but people just don’t care about it... lmao, if that wasn’t directly referring what we’re living right now with climate change, I don’t know what is.
I just really loved too the way the game was sort of sold as this “cool sci-fi battle royal,” but in the actual story all of those kids are desperately trying to not kill each other, until the very end where everything just goes to hell.
I said it before, but there really was a huge feeling of suffocating and being powerless the more and more you reach towards the end, and the way everything culminated in this huge massacre truly sent shivers in my back. I know at some points I could really feel for the kids who were like “Well, fuck it, let’s just let all those awful people kill each other and the world get destroyed.” The final scene with the Christmas party was really powerful and also so uncomfortable to read, it was really well done.
Otherwise, if there was one work I wasn’t expecting to scream “LGBT+ rights,” it was Ciconia, but here we are I guess lmao. Honestly, that entire conversation was super neat, not just in a “Oh it’s great they acknowledge gay and trans people exist in a positive way,” but also because it really adds a lot to the worldbuilding. I remember some people talking about it when a similar thing happened in the comics of The Legend of Korra, and honestly more stories should do that, not just in term of representation but because, well, it’s just good writing to put this much thought in your fictional world. The conversation in itself was a bit clumsy (GAYS DON’T FUCK), but it also felt very sincere and a pretty believable discussion a bunch of teenagers with very different backgrounds could have on the subject (and I really loved the narrative acknowledge how different cultures and religions feel about those topics, without it being judgemental.) I’m also thankful it was here at all because of the, uh, gay jokes made about Miyao and Jayden early on that were a bit tasteless to me.
(Now it would be even more great if we could have actual canon gay and trans characters too. Ryukishi... please...... I beg you........)
And of course, the characters were also really good! 
It was so nice to have such a big diverse cast all constituted of likeable characters, and I was honestly impressed Ryukishi managed to handle it. That was something I was wary of when the game was first released, but in the end I think he did a good job so far. Of course, that’s only from my point of view, so I can’t say if other people found there were some things he did badly or that was offensive...
But personally, I honestly love all of the Gauntlets kids so much. They’re all so good and charming! And I kinda want to adopt them all lol.
I think my favorites for now are Miyao, Gunhild, Naima, Rethabile, Chloe, Koshka, Rukhshana, and Lingji... But like I said, they are all really good it’s hard to choose!
However... when it comes to their writing I felt Ciconia went in the continuity of Rose Guns Days and concentrated more on the plot than the characters, and that’s something that... honestly bother me a bit. I liked RGD, but Ryukishi’s writing is still at its strongest when it comes to very human, character-driven narratives, like Umineko and Higurashi. Like I said, I love all of these kids a lot, and some of them have pretty solid characterization and screentime... but in the end a part of me still feel like we didn’t really... get to know them much, if that makes sense? Even with the main ones, like Miyao, Jayden or Gunhild — most of their scenes were principally focused on the Plot Stuff, and not much about them as people.
I know there are a lot of folks who criticize the slice-of-life parts of Higurashi and Umineko, where there are lots of scenes of just the characters spending time with each other or goofing around and that don’t do much to advance the plot — and in a way I understand that, because yeah, some of these scenes can be pretty long to get through and drag the pacing. But personally, I always thought those sequences are very important. Even if some of them are admittedly unnecessary or are a bit too long, they’re really needed to humanize the characters and make you invest in them  — which was something that was a bit lacking in Ciconia. Basically I guess I’m saying the VN needed more slice-of-life stuff, and that rejoin with what I said earlier — that including some of the tips in the plot here and there instead of putting all of them at the end would have really helped with that.
Now, that said, again I’m aware this is just the first part of the story. I understand Ryukishi needed to have all of those exposition blocks and truly pose the basics of his story first and foremost. So I’m really hoping that after that he’ll be able to focus more on its characters  — especially on those who got almost no screentime, like the Yeladot Shavit and Cairo Squad girls. Having characters and human grounded moments is especially important in a story where war is a big focus like Ciconia.
Now, on the characters themselves... 
Miyao was a really charming protagonist, and I love him a lot! He was so endearing to me during the whole story. He was instantly more likeable as a male protagonist than Keiichi and Battler, where it took me some time for them to grow on me — principally because, well, Miyao don’t have the shtick of sexually harrassing the female characters around him, which was profoundly annoying in the other WTCs. I loved his serious but caring and friendly personality, his friendship with Jayden and Gunhild and with all the other kids, and his anger against the adults trying to use him and the others. His relationship with his father too was interesting. His interactions with Evil Miyao were also pretty intriguing, even if I’m not sure yet what to think of him being a “murder program” or about what even is Evil Miyao. 
Now, the only thing I am on the fence about him is... his whole DID thing and Meow. Like, on one hand, I think it is neat to have a likeable protagonist with a named mental illness, and the narrative felt sincere on not wanting to present this as a bad thing and just a part of who Miyao is... but on the other hand, there were all the jokes made as a result of this, which made the whole thing pretty awkward to me. Furthermore, there’s the problem that this “CPP” thing is not really DID, as if I recall it doesn’t actually seem to come from any trauma-related reason, and is almost a made-up condition? It kinda gave me Kara no Kyoukai flashbacks, in which Shiki, the protagonist, also has an alter, but it is not as a result of trauma or anything — it has a fantasy explanation. And, I mean... An author taking an actual, real condition that a lot of people have to bend it at their will to fit a story isn’t super cool, especially if you’re going to make some jokes at its expense... The other kids calling out Jayden on how he didn’t act properly with Miyao about this was nice though. (Also, now that I think about it, did Miyao just... randomly told all of the other gauntlet knights about it? Wasn’t it said that “CPPs” were something most people didn’t like to talk about? It’s a bit odd.) Plus there’s also the fact Miyao is possibly a “program” and it adds another layer of not-so-great stuff... So I’m just really wary of how Ryukishi is gonna handle this going forward...
Those problems aside, Meow herself was... fine. She’s cute, but she doesn’t really have much going on for her. She and Jayden are dorks together and their scenes definitely made me smile, but their relationship still felt kinda shallow so I don’t have much feelings about them as a couple (like, it’s just that to me Miyao and Jayden have a lot more chemistry and have been friends for quite some time, so it’s just odd that he instantly decides to date Miyao’s sister whom he just met. And, also, he was definitely flirting with Miyao before meeting Meow, too.). It was also pretty jarring the way she just... almost disappears once the war stuff began, so in the end I had this disagreeable impression that she really was just here to be Jayden’s girlfriend, and not as a character on her own or to develop Miyao more...
Jayden was pretty neat too! He’s a character that could be “yikes” pretty easily, but in the end he really did come across as a awkward but kind teenage boy who may be clumsy at times but is still trying his best. In fact, I really wish Ryukishi had wrote Keiichi and Battler more like Jayden. It was nice in general that none of the guys in Ciconia acted inappropriately towards the girls (with the exception of Toujirou, I guess. The way he acted towards Valentina especially made me go “ehh dude please no.” Like I know the LATO girls are said to be older than the other kids so they’re probably 18 or something, but still, it was a bit ugh... But even then it wasn’t something that was too overt, so it didn’t bother me too much), because some of Keiichi and Battler’s antics towards the female characters was something that annoyed me greatly. Don’t get me wrong, I did end up liking Keiichi and Battler despite this, they’re both good kids at heart — but it’s possible to write horny teenage boys without them ~comically~ sexually harassing the girls around them, if you feel me? Aside from that, I like that the story made a point to show that Jayden is actually a pretty lonely and kinda socially awkward kid just like Miyao, and that’s why their friendship work so well. On the other hand, though, his character mostly only turned around Miyao and Meow, and so we didn’t get much of him as a person? Which is a bit disappointing as he is meant to be one of the main kids, so I’ll hope he’ll get more interesting later on.
I ABSOLUTELY LOVE GUNHILD, she really intrigue me! I wasn’t expecting to love her so much — for the most part I thought she was okay but nothing more... though now that I finished the story, she’s probably my favorite character for now? Her scene in the restaurant with her sibling, and especially the tips focused on her, really got to me. I loved her cool personality and her backstory was really interesting, as well as her relationship with Miyao and Jayden. She seems to honestly like and care for both of them, but at the same time resent them, and the way she obviously have a lot of pent-up anger towards the world and some self-hatred make her a truly compelling character. I’m pretty intrigued by Maya and her relationship with her too. She’s honestly one of the characters towards who I look forward the most, and I really hope Ryukishi will deliver on her. 
Chloe has definitely a lot of Rena Vibes, so of course I was going to love her lol. Although honestly for now I find her mostly... confusing. She’s obviously really fucked up (CHLOEVIL), and she made me pretty nervous during the entire story because there was this “Okay so when is she going to snap?” kind of tension with her. And her last scene with Lilja gave me chills... At the same time, her kindness and caring nature as well as her friendship with Koshka, Lilja and the  others felt genuine, so it was an interesting contrast. Other than that I wasn’t a fan of the running gag of Okonogi hitting her whenever she mess up (or do not mess up, for that matter)... Like obviously Okonogi is meant to be a Bastard, but the thing being presented as comical made me go :/ I really wish it’s going to stop.
Koshka was cute and also Extremely Relatable in a lot of ways (I, too, would rather spend my time playing silly games on my phone rather than socialize lmao). I love her a lot, and like Gunhild she really fascinate me. I like the fact that she’s meant to be an asocial, cold person but that at the same time it’s pretty easy to see glimpses of the affection she has for Lilja, Chloe or Miyao, and how she’s actually a deeply traumatized and angry teen. I’m pretty intrigued by what kind of “crime” she must have committed and how she ended up being an “equipment”... Not sure what to think about her super brain or the thing about her being some sort of “chosen one” lol. It sounds really shady.
For Lilja, I have to say I wasn’t exactly fond of her at first, but then the small moments we got with her where she obviously care a lot about Koshka and Chloe still got to me. That scene in the tips where she fiercely defends Chloe made me go “awww.” She really give me the impression of being the sort of person to hide her vulnerability behind a tough façade and her odd tics, and in that way she’s pretty similar to Koshka, which is how their friendship feel really special. The revealation at the end that she’s probably faking a lot of her personality and of her friendship with Koshka because it’s an assigment made her and her relationship with Koshka a lot more interesting to me, and I hope it’s going to result in a lot of compelling character stuffs.
Lingji was great! She’s pretty cool. I liked her optimism  and her will to do the right thing, and how that actually cover the fact she’s a pretty fragile and sheltered person. Her scene where she break down after her grandfather’s death is really illustrative of this especially, and where I really felt for her too. I think she’s the most interesting character in term of possible development. I quite enjoyed her friendship with Miyao too, but here again I wish these two had gotten more moments together. Like, how much more impactful the scene where Miyao kill her would have been if we had actually seen these two have some intimate moments before? But, oh well...
Aysha was really cool too, and I especially loved the way her sharp and down-to-earth personality contrast to Lingji’s idealism. The moment where she calls out both of her teammates was super good. Momotake was okay, and I love his intense admiration for Lingji (I’m a sucker for male characters really looking up to cool female characters lol)... but otherwise I felt he was honestly the most stereotypical character of the bunch — especially compared to Lingji and Aysha.
NAIMA IS THE BEST, SHE’S MY BABY I LOVE HER SO MUCH. She was my favorite before I even start the game because of her design alone (SHE’S THE CUTEST CHARACTER RYU EVER DESIGNED OKAY), and I wasn’t disappointed from seeing her actual personality. She’s not especially complex or anything for now, but she has a lot of potential. I loved her relationship with Naomi and Stan too — it kinda felt like two older siblings looking after their annoying youngest one reluctantly, but who still have a lot of affection for them. Also she’s such a little badass, I literally cheered out loud during that rescue scene or during the last battle scene where she screams she wants to protect all of her people. I want more of her in Phase 2 pleaaaase!
Naomi was really overshadowed by Naima and Stan, so as a result I don’t have much to say about her. I think she’s cool, and her backstory about how she apparently lost a lot of her memories and emotions is interesting, but again I can’t say much given we barely see her at all. Stanisław was a good boy, but despite the fact we see him a lot during the story, I... don’t really have a lot of thoughts on him? I liked his implied friendship with Gunhild as them being death metal buddies, but we didn’t actually saw them interacting at all, which was a shame.
Rethabile was the coolest character of the cast, I love her dearly! I like how she can be so adorable and such a dork but at the same time she’s probably the one who has her shit together the most out of all the kids. I feel she really has a good grip on politics and how the adults just want to use them compared to the others — which, well, isn’t all that surprising given she’s literally a princess. The scene with her brother’s death was pretty harsh, and I’m sad they didn’t really... put much attention to her reaction to such a traumatic event. I know the plot hadn’t time for that, really, but I feel even Lingji got more focus when her grandfather died, so I wish we had more of that with Rethabile too.
Ishak and Abdou... well, they didn’t really get much time for them either. They seem like nice dudes, and I really love their relationship with Rethabile, how they tease her quite a bit but there’s still obviously a lot of complicity and respect among them. So I hope we’ll get to know them more, especially on an individual level — as for now they were only present as a duo.
The LATO girls were... interesting too. I especially love Valentina, because she really give me Bad Bitch vibes and I love bitchy female characters lol. It’s pretty clear she has some Secrets and I’m really curious about her goals. As for Maricarmen, I thought she was mostly going to be comic relief like the Yeladot Shavit, but towards the end she actually showed some interesting depth so she did grew on me quite a bit.
And then there was just the teams no-screentime lol. Alright, I guess Suparṇa did get some time, and Rukhi is ones of my faves, but they still were really sidelined. I liked Sujatha, she’s such an uptight idiot, and her scene towards the end where she says she was aware that Miyao’s plan was doomed but still played along for Lingji made me kinda emotional. Rukhshana is the cutest and the greatest — I really liked her personality, how she can be extremely shy but then also completely goof around when she actually trust the people around her. And that moment at the end where she just say to her superiors to fuck off was glorious and one of my favorite scenes. Her relationship with Sujatha and Andry is adorable too. Andry himself was also... not present at all, but I really love the small glimpses of him we have seen, he’s pretty cool. I like how he sincerely seems to care a lot about his teammates despite his aloof character (him protecting Rukhi when their superiors try to hit her at the end was sweet.)
Still, Suparṇa wasn’t sidelined as much as Yeladot Shavit and Cairo Squad, though. I mean, I do like those girls — I adore Gannet because she’s cute as hell, Noor seems cool and Mariana intrigue me, but I can’t actually say much about them. Leah, Fatma and Stephania were also mostly comic relief except for one or two scenes towards the end. So I really hope Phase 2 will remedy to this, ‘cause I want more of these six, definitely!
I’m not sure I have a lot of thoughts about the adults characters quite yet — GERMAN TAKANO cracked me up, but she’s just as great as her Higurashi counterpart for now, and I always trust Ryukishi to write good Terrible Women. Especially Terrible Mothers, which is one of my personal weaknesses. Though I guess it’s not actually been confirmed she’s Miyao’s mom? It’s heavily implied, but we all know Ryukishi love to troll his audience so I wouldn’t put it past him that it is in fact just a red herring, but well, we’ll see I guess. 
Toujirou is obviously a bastard, but he’s an interesting one, and I have no fucking idea what is going on in his head. Like it’s interesting that on the one hand he seems to genuinely care about his son, but on the other hand he has no problem manipulating and screwing him over (and the implication of Miyao being maybe just a program is... ooof.) Okonogi was... a bit less worse than in the other WTCs, I guess? He obviously care about the kids in his own way, and him defending them at the end was nice... but I still can’t really feel anything but contempt towards him. He’s still a pretty bad instructor, and like I say, I’m really not a big fan of the way he treats Chloe at all, even if it’s meant to be “comical.”
The Three Kings mostly made me laugh to be honest, and they’re more plot devices than actual characters for now so I really don’t care about them (a part of me even wonder if they “exist” at all, because, you know, meta stuff). I absolutely LOVED Jestress on the other hand! I have no idea what’s the deal with her, whether she’s Lambda or whatever, but she’s really intriguing and her design is top notch and I want more of her. Seshat was so fucking cool and I don’t have much thoughts about her yet other than I wanna marry her.
And that’s pretty much it!
I’m not really good at predictions or at throwing theories around (sorry, Ryukishi), so I’m not sure what to expect for the rest of the story. I guess my only thoughts are that the moles are probably Gunhild and/or Chloe, but then they seem like obvious candidates, so I don’t know. I kinda suspect Valentina too, because, er, I do not trust her at all and she just have that traitor vibe. 
I really hope too that we’ll have time loops here again instead of a linear story because... well... I don’t wanna these kids to die okay... I also know that Ryukishi said Ciconia is only going to have four parts, and that’d make sense given how long Phase 1 was... but a part of me still kinda hope we’ll have a bit more... I guess it’s just that only four phases seems really little compared to the density of the story, and I’m really hoping he’ll have the time to develop well all of his narrative points and characters...
In any case, I think my thoughts on Ciconia for now pretty much get down to: it’s interesting and it has the potential to be a really great story, even if it’s far from being flawless and that I’m still very wary about how Ryukishi is going to handle some elements in the future.
But I’d definitely recommand it to people who love 07th Expansion stuff and sci-fi stories, and am very much looking forward to Phase 2!
13 notes · View notes
toastedslugg · 2 years ago
Photo
Tumblr media
redraw
45 notes · View notes
when-they-meow · 2 years ago
Text
39 notes · View notes
xehanortsreport · 4 years ago
Photo
Tumblr media
sure, tokyo may not be the most well loved part of higurashi, but im honestly deeply fascinated by the bullshit secret society intrigue part of the plot
114 notes · View notes
cynthiaandsamus · 4 years ago
Text
Featherine you can’t just drop Ciconia references like that what the fuck, establishing a Nakuverse in one sentence
35 notes · View notes
levenlyne1 · 5 days ago
Text
Tumblr media Tumblr media
11 notes · View notes
incorrecttowerofgodquotes · 2 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
This is one of the most intriguing mysteries in Ciconia so I'll try to crack it.
When GouSotsu was originally coming out, my theory was that the 1000 years in the future was actually Hinamizawa, and Jestress (who I believe is Satoko/Lambda's original form) was put inside the time capsule. Or to be more accurate, her soul was. This soul was then split into two: the human Satoko Houjou and the witch Lambdadelta, and GouSotsu is when the two finally converge and then Lamda leaves Satoko's body to the human Satoko while she becomes a witch.
Overall, I think this theory has some merit to it, but I'm a bit more hesitant to say its true.
From Vier's explanation, the time capsule seems to work either as a cryofreeze or perhaps a digital simulation, where the mind is transferred to the digital realm and is kept there for thousands of years before being spat back out. I think its safe to say that the gods who made this are probably Seshat's species, the same ones who want to perform the harvest festa.
Another theory to throw out, if the game does have a looping mechanic, is this the source? Do either Jayden or Miyao go into this chamber to restart the loop cycle?
2 notes · View notes
bitchboi63 · 4 years ago
Text
Tumblr media
me after making the whole wtc fandom go insane by just mentioning a number in german
26 notes · View notes
giritina · 3 years ago
Text
I haven't read anyone else's interpretations of Ciconia, but mine is that it's going to be about conspiracies. I think all the league of geniuses stuff is basically the meta world for the story, that all the magic stuff is about being able to assign responsibility for the end of the world to specific intent. I think the reality will be that it is a complex web of things, that they're happening for no reason besides that everyone is heavily relying on them, and finding meaning even at a meaningless end of the world
6 notes · View notes
beefbulgogi · 5 years ago
Photo
Tumblr media Tumblr media Tumblr media
here’s some higurashi and ciconia stuff i doodled a while back loll (+meme.. )
156 notes · View notes