#Chris Caldwell

[for-a-longlongtime]

[winterfieldfrontiers]

HAPPY PRIDE MONTH

[fortunethief]

I wish there were more peeps like us 😪

It's such a good movie. After watching it for the first time I couldn't stop thinking about it! I want moooore of it! I wanna explore the world(s), the planets, the lore! JUST GIMME!

I’m genuinely curious how many of us there are. Please reblog for a larger sample size and lmk if you create for Prospect 🤌🏻

[abs0luteb4stard]

🔸️W A T C H E D🔸️

First time watching (2-19-2024).

The closest I came to angsty teen was not watching cartoon or Disney movies 20 odd years ago. So I skipped this lovely little movie. Now I see why it is so beloved.

[oocstephenkingtv]

Haven 5x26 Forever (Original air date December 17th, 2015) Written by Matt McGuinness Directed by Shawn Piller

[moviehealthcommunity]

Lilo & Stitch (2002)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Lilo & Stitch has some rapid-fire sci-fi lasers early in the film. There are brief moments of flickering lights about 23 minutes in. One brief moment has cameras flashing from all directions. One brief display screen has a rapidly-blinking warning.

There are scenes of flight, including peril at extreme heights.

Flashing Lights: 5/10. Motion Sickness: 2/10.

TRIGGER WARNING: In the opening scene, a robot vomits nuts and bolts. There are brief scenes of schoolyard bullying.

Image ID: A promotional poster for Lilo & Stitch

[dangercat]

Props and design by Taka Collective for Prospect (2018).

[cultfaction]

Heathers: The Musical comes to UK cinemas for One Night Only on 28th March 2023

Kaleidoscope Entertainment is excited to announce that the stage recording of the award-winning, West End hit Heathers: The Musical will be coming to cinemas nationwide for a one-night-only special event on 28th March 2023. Based on the 1989 cult classic film starring Winona Ryder and Christian Slater, the musical adaptation follows Westerberg High student Veronica Sawyer, whose dreams of…

[i-am-the-oyster]

@anotherkindofmindpod

^^ Here's another perspective on Paul's relationship with Stuart that Lewisohn didn't use.

(There's also one source that claims that Pete Best said Paul wrote P.S. I Love You "to remember Stu Sutcliffe" which is really intriguing).

Iris Caldwell - sister of Rory Storm - who dated Paul in Liverpool 1962ish:

“Our house was an escape for him,” says Iris.  “My mother was so easy to get along with. So he’d escape back to our place and eat cheese sandwiches and drink tea, talking all night.  He’d idolised his own mother. It was like losing a limb when she died, and he’d had to rebuild himself.

He felt he had a responsibility to his mother’s memory, to say to her ‘I’m still me’.  He had to show her he was a survivor.  He couldn’t let his mum or dad or brother see him going to pieces.  He had to block her death out as a matter of self-preservation. It had been a bad age for him to lose her, because it’s a transition period: suddenly you are given responsibility, you realise there’s more to life than you thought and that the world is not a very nice place.  But you still need the reassurance of those parental figures in the background.

He hadn’t been able to put any pressure on his dad - in fact, his dad, for all his exuberance, was leaning on him.  So Paul had had to prove that he was strong.

I never heard him say a bad word about anyone. I know how much he liked Stuart. But what Paul had got was ambition; he wouldn’t have approved of Stuart going off with a girl and troubling their potential. Who wants to settle down with Astrid when there’s a world to conquer?  I don’t know of Paul ever stepping on anyone. The only person he was ruthless with was himself.  Even in the Pete Best situation, it was because Ringo was a better drummer.

He was terribly distressed by Stuart’s death - it was another ending of the life of someone near in spirit to him.  Why should he have to prove he’s very upset?  You live with yourself.

The difference between Paul and my brother was his total dedication, which all the beatles had: they lived it, they deserved everything they got.  And Paul and John were very talented boys.

Paul was so determined, with a total belief in himself to an extent that some would think he was self-centred and in love with himself. But he wasn’t - it was just that he wasn’t ordinary, and knew that he wasn’t.  He wasn’t thinking ‘I’m getting ten pounds a week for being in a band - better than working’.

He wouldn’t run with the crowd. If he liked a record or a group you weren’t supposed to like, he’d say so.  If he wouldn’t join in for a whipround in the pub, or go off pulling birds all the time, maybe it was because he had other things to do instead; he had to get on with it. He was very correct and liked people around him to be correct.  He never swore, he never told a dirty joke. Paul was the whole driving force in the group, he was the clever one. And he was all right, Paul, he worked for everything he got.”

McCartney the Biography, by Chris Salewicz

[perotovar]

Here's what is going to happen. You will lead me to your ship and fly me into connection orbit for the freighter slingback. In exchange for this, I will not kill you. This is a good deal. You killed my father, so I'm being very generous. I suggest you take it, because I will kill you otherwise and don't think that I won't. Get me a kit and we can talk.

PEDRO PASCAL as EZRA Prospect (2018) dir. Zeek Earl & Chris Caldwell

[pedgito]

PEDRO PASCAL as EZRA Prospect (2018) dir. Zeek Earl & Chris Caldwell

[not-so-mundane-after-all]

Now this is something I have never seen in all my time in the Green. A little girl.

PROSPECT (2018) - written and directed by Zeek Earl & Chris Caldwell, starring Pedro Pascal & Sophie Thatcher

[oneminutefiftysixseconds]

VENTOUX, THE GIANT OF PROVENCE

fear and the mountain // mt ventoux by Chris Auld // st bernard of menthon // mt ventoux summit by Chris Auld // the tragedy of Marco Pantani // Wout Poels by Chris Auld // Jonas Vingegaard via Getty Images // Marco Pantani via Getty Images // Tadej Pogacar via Getty Images // Tour de France 2021 via Getty Images // The Road Home by Gillian Allnut // mt ventoux and gruppetto by Chris Auld // Temptation by Nina Cassian // Wout van Aert by Chris Auld // Matthew 14:23 ESV // Genesis 8:4 ESV // Tour de France schedule 2023 // ‘Ascending Ventoux’ a letter from Petrarch to Father Diogini da Borgo, 1336 // elevation profile of Alto de L'Angliru // elevation profile of the Col de la Loze // elevation profile of the Passo del Mortirolo // Tadej Pogacar and Marc Soler via Getty Images // a rider is helped up the Angliru via Getty Images // Psalm 121:1 ESV // Passo de Stelvio by Chris Auld // Egan Bernal by Chris Auld // Tadej Pogacar via Getty Images // The Push by Tommy Caldwell // Salvation Mount, CA

[thecraftyacademic]

♱𝔡𝔞𝔯𝔨 𝔣𝔞𝔫𝔱𝔞𝔰𝔶 𝔞𝔯𝔱 𝔯𝔢𝔣𝔢𝔯𝔢𝔫𝔠𝔢𝔰♱

I created a Pinterest board for dark (mostly medieval) fantasy references because I enjoy the genre so much. Upon putting it together, I've unfortunately been noticing a lot of AI-generated artwork which is really upsetting to see. :( I've been struggling to find a solid, collective batch of references from actual artists and human-made media so I'm making this post just so that there's something digitally to refer to.

Artists Reza Afshar Juan Miguel López Barea Zdzisław Beksiński Clyde Caldwell Frank Frazetta Piotr Jabłoński Chris Nazgul Keith Parkinson Luis Royo Justin Sweet Keith Thompson Boris Vallejo (and Julie Bell) Michael Whelan Takato Yamamoto Andrej Z.T.

Tumblr Accounts (includes artists) @buriedknight @darkartfinds @descendinight @godivaghoul @jakubrozalski @lowstrear67 @madcat-world @plastiboo @saprophilous @vane-sya @vyrosk @wolfhidewinter @yehuoji

Movies (not a lot, I know, I'm not a big movie person) Dragonslayer (1981) Excalibur (1981) Legend (1985) The Dark Crystal

Reference Books Castlevania: The Art of the Animated Series Demon's Souls (Black Phantom Edition) Artbook Dracula X ~Nocturne in the Moonlight Dark Souls Design Works Magic and Dark Fantasy Coloring Collection Santa Lilio Sangre - Ayami Kojima Artworks Art Book Sketching from the Imagination: Dark Arts Substrata: Open World Dark Fantasy The Art of Castlevania: Lords of Shadow

Other/Miscellaneous Resources Dark Fantasy Resource Pack - RPG Maker MV Demon's Souls Concept Art Diablo Concept Art Symbaroum Shadow of the Demon Lord World Anvil Royalty free Dark Fantasy music

I hope that this may be helpful to others too. Feel free to add on to this!

[justinspoliticalcorner]

Zack Beauchamp at Vox:

The Republican party is going in two directions on race at the same time. Electorally speaking, the modern GOP has never been so diverse. Each of the past two elections, and most available 2024 polling, reveals the GOP making real inroads with Black and (especially) Latino voters. These gains shouldn’t be overstated — Democrats still dominate among non-whites as a whole — but they are real. But at the elite level, conservative intellectuals and operatives are developing a new doctrine of white identity politics. And it’s already shaping the Trump administration’s plans for a second term. A new book on “anti-white racism” — The Unprotected Class, by Claremont Institute fellow Jeremy Carl — illustrates this trend clearly.

Its April release went unheralded outside conservative circles, but it received laudatory attention inside them. Tucker Carlson praised it as “outstanding”; leading activist Chris Rufo described it as a “must-read.” Nate Hochman, a former speechwriter for Florida Gov. Ron DeSantis, called it “the most important thing you read this year.” Carl got friendly interviews on Donald Trump Jr.’s web show and on Fox News during primetime. Carl’s book centers on the claim that “anti-white racism is the most predominant and politically powerful form of racism in America today.” What mainstream scholars of race call “white privilege” is, in his view, a series of “informal evanescent cultural legacies.” By contrast, anti-white discrimination “is increasingly legal and formal.” This discrimination is, for Carl, primarily the product of a pernicious ideology popular among elites (nonwhite and white alike). “Anti-white racism is the all-but-official ideology of our ruling regime,” he writes — and they have acted in such a way as to ensure that whites are increasingly shunted to the bottom of America’s social hierarchy.

Carl’s arguments for this view resemble a funhouse mirror version of American racial history: roughly the same series of events, but with the roles of victim and perpetrator reversed.

[...]

Carl’s version of white identity politics is hardly isolated on the intellectual right. He cites two other prominent book, by New York Times contributor Christopher Caldwell and think tanker Richard Hanania, to argue that the legal roots of anti-white racism were created by the legislative victories of the civil rights movement. Their accounts align on the idea that the basic structure of anti-discrimination protections — including the Civil Rights Act of 1965 — needs to be overhauled or repealed entirely. Of course, conservatives have complained about “reverse racism” for decades. What’s new is not just the aggressiveness of Carl’s claims and others like them, but their direct connection to radical policy proposals — and the fact that people in positions of power appear to be listening.

The MAGA movement is based on White victimhood and entitlement that plays up the “anti-White racism” while ignoring other forms of racism that have historically dominated American society (anti-Black, anti-Latino, anti-Asian, etc.).

[vievecorcityevents]

Another day has passed. The high emotions the day before caused the death of an innocent man and it is weighing on the hearts of Phantom Creak's residents. When dawn breaks again the next day, 3 more bodies have been discovered...

These victims were all found with deep injuries on their bodies that are exactly the same as the ones on the murder victims before. Just like the victims from the night before, as well as the murder suspect, these ones appear to be fully human.

The list of victims are as follows:

Chris Elkar (near the hotel)

Judas Samara (outside the brothel)

Sarah Caldwell (outside Sarah's home)

OOC:

3 murders took place instead of 4, which means that a murderer tried to kill another one. These two murderers now know each other's identities.