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Mulgi Zali Ho - Star Pravah Marathi Serial
Serial : Mulgi Zali Ho| मुलगी झाली हो
Also Known As : Mulgi Zali Ho, Mulgi Zali Ho Star Pravah Serial, Mulgi Jhali Ho, Mulgi Zhali Ho Marathi Serial
Producer : Sujana Ghai, Hemant Ruprel, Ranjeet Thakur
Director : Shailesh Shirshekar
Studio : Panorama Entertainment Pvt. Ltd
Star Cast :
Sharvani Pillai as Uma (Aai)
Savita Malpekar as Sasubai
Kiran Mane as Vilas Patil (Father)
Divya Pugaonkar as…
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चित्रकार- पी.सरदार। 🎨 (१९३२-९४) )🎨
Indian Great Artist- P.Sardar ji. (1932-94)🎨
Khare Raje..
छत्रपती राजर्षी शाहू महाराज,
He Chitra kadhle Gele Suprasidh Chikrakar Mr. P.Sardar yani.
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28 Poets contributed to Kuch Sunni Kuch Ansuni Released at 6th GLFN
New Delhi: “What a marvellous collection of poetry by twenty eight known and unknown poets of the country. The collection has been covered under the roof of a book titled Kuch Sunni Kuch Ansuni projecting the correct meaning and expressing itself that these are poetry which are not spoken on many platforms. I wish all the poets a very successful launching of the book and a very bright future,” said Dr. Sandeep Marwah President of Marwah Studios and Chancellor AAFT University of Media And Arts while releasing the book on the third day of Global Literary Festival Noida 2020.
Sushil Bharti welcomed all the poets and spoke about the reason of launching Global Literary Festival. He also spoke about the Writers Club of India created by Marwah Studios to support literary events round the year. Writers Association of India is fulfilling its objectives by publishing books, creating festivals, inviting writers now and then on different platforms to be part of many art and cultural events and developing a powerful library of books,” added Dr. Sushil Bharti.
Amreeta Rai, Daisy Varun, Dr. Suman S Khare, Poornima rai, Alok Mishra, Shobha Saangwan, Komal Lado ,Manju Sharma, Rupam Lal , Dr. Amit Kaur Puri, Chitra Gupta, Shubhangi Goyal, Dr. Vaishali Sharma, Rahila Rahman, Dr. Indu Bansal, Neha Tikoo, Anju Handa, Avi Oberoi , Neena Gupta, Raksha Gupta, Sarika Singh, Dr. Jasbir Kaur, Ekta Sehgal, Mamta Godiyal, Ashish Trpathi, Anshu Pal, Dr. Anupama Bhardwajand Sushil Bharti all the poets attended the program.
Dr. Rama Singh conducted the program. AAFT University of Media And Arts,ICMEI – International Chamber of Media And entertainment Industry & World Peace Development And Research Foundation supported the event. The program was broadcasted on Facebook simultaneously.
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Gift of "Adda" and the Clock Tower to IIT-Kgp by 1970-batch alums
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Gift of "Adda" and the Clock Tower to IIT-Kgp by 1970-batch alums
KOLKATA: Gift of ‘ADDA‘ and Alumni Clock Tower to the campus by the Indian Institute of Technology – Kharagpur’s alumni batch of 1970 will change the social interaction at the country’s oldest IIT. Close to 150 members of the batch of 1970, congregated from all over the world to celebrate their 50th graduation anniversary in a grand celebration titled the ‘Golden 2020 Reunion’ and their gift to their alma mater is the “first-of-its-kind” social donation going beyond their contributions for academic excellence in the institution.
The alumni were lauded by MHRD secretary Amit Khare for their thoughtful gift to the campus community through the construction of the Alumni Clock Tower. “As the District Collector of Darbhanga, which had two clock towers, I often wondered about the need for them when people had their wristwatches to look at the time. I soon realized that they were great socializing points. Both ADDA and the Alumni Clock Tower would be places of interaction and exchange of ideas, which is what great institutions facilitate,” said Khare.
Celebrated alumnus Arjun Malhotra, a pioneer in the Indian software industry and co-founder of HCL who has been a top fundraiser among the Batch of 1970, suggested to bring out a commemorative postage stamp in honour of the first IIT next year on occasion of IIT Kharagpur’s 70th anniversary.
The Clock Tower has been designed by renowned architect and alumnus of the institute, late I.M. Asthana, for whom this tower was the last project. Director of IIT Kharagpur, V.K. Tewari, said, “The Clock Tower may be made to display more features in the future, such as digital display of the temperature, humidity or announcements of major events.” The IIT Kgp residents added that this Clock Tower will emerge as an iconic spot in the institute.
‘ADDA’, the batch’s gift to the campus on their golden anniversary, is an expansive area with a sculpted garden and varied seating arrangements. Renowned architect Abin Chaudhuri designed the gigantic red emblem that marks out space.
Earlier, the alumni from the 1970 batch have set up iconic Schools and Centres – G.S. Sanyal School of Telecommunications, Ranbir and Chitra Gupta School of Infrastructure and Design, PK Sinha Centre of Bioenergy, MN Faruqui Innovation Centre, an endowment of Rs 1.1 crore, chair professorships, various flagship programs of the Institute, workshops, advanced tech labs, for yet to be instituted schools and academies and have also pitched in, together with other alumni, to reach internet connectivity to the hostels.
Ranbir Gupta, President of the IITKGP Foundation USA and reputed US-based architect, pointed out that ‘ ADDA’ – which reads the same from left to right and right to left – means different things to different people, but it belongs to the IIT Kharagpur’s alumni, its students, its faculty, the staff and the entire community of IIT Kharagpur. “This beautiful piece that sits at the crossroads on the campus is a small token of our appreciation for the Institute. This is going to serve as a beacon for the entire campus,” said Gupta, who has led the fundraising efforts. On behalf of his batch, Gupta also promised to fund a ‘Center of Happiness’ and a ‘Hall of Fame’ in the premises of the Technology Students’ Gymkhana.
“The Center of Happiness, to be established in association with the Rekhi Centre for the Science of Happiness, will be a huge space at the Gymkhana devoted to students’ wellbeing where they can pursue their individual interests, be it listening to music or practising yoga,” said Prof. William Mohanty, President of Technology Students Gymkhana. The Hall of Fame at the Gymkhana will record the major extracurricular achievements of the students.
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Interests of Homebuyers in Insolvency: Pre- and post-Ordinance
[Pulkit Khare is a 4th year B.A., LL.B. (Hons.) student at The National University of Advanced Legal Studies, Kochi]
Homebuyers knocked on the doors of the Supreme Court under Article 32 of the Constitution on grounds that the corporate insolvency resolution process (CIRP) ignored the interests of vital stakeholders in building projects floated by Jaypee Infratech Limited (JIL) under the Insolvency and Bankruptcy Code, 2016 (the Code) as it stood prior to the Insolvency and Bankruptcy Code (Amendment) Ordinance, 2018 (the Ordinance).[1]
In Chitra Sharma v. Union of India (decided on 9 August 2018), the three questions before the Supreme Court in the pre-Ordinance stage, in light of default by JIL and the need for protection of interests of homebuyers, were:
to set aside the order of Moratorium under Section 14 of the code made by the National Company Law Tribunal (NCLT), Allahabad and a direction to notify exclusion of consumers under Section 14(1)(a) in the larger public interest.
Liquidation vis-à-vis interests of the Homebuyers following the lapse of the CIRP period.
Exercise of power under Article 142 as regards position post Ordinance scenario?
Facts
JIL was a special purpose vehicle created by its holding company, Jaiprakash Associates Limited (JAL). IDBI Bank claimed that JIL had committed a default in the repayment of its dues and initiated CIRP against it before the NCLT.
On 9 August 2017, the NCLT ordered for proceeding under section 14 for a moratorium and prohibiting the institution of suits and the continuation of pending proceedings, including execution proceedings. Submissions of claims by creditors were called for pursuant to that order.
Homebuyers moved the Supreme Court under article 32 for staying the NCLT proceedings. The order of stay was issued but remained prejudicial to the petitioner’s interests and thus was needed to be revised by an order of 11 September 2017. The revised Order highlighted three elements for protection of interests of homebuyers:
First, the interim resolution professional (IRP) was permitted to take over management of JIL and to proceed to formulate an interim resolution plan within a 45-day period, as stay of the proceedings would lead to control of JIL with the erstwhile management prejudicing the interests of consumers and homebuyers;
Second, the IRP was directed to ensure that necessary provisions were made to protect the interests of home buyers. Court also nominated a senior counsel practicing before the Court to participate in meetings of Committee of Creditors (CoC) under Section 21 of the Code;[2]
Third, JAL as the holding company of JIL was directed to deposit a sum of Rs 2,000 crores on or before 27 October 2017.[3]
After 12 February 2018, the IRP had invited for resolution plans in accordance with section 30 of the Code, which were to be approved within the CIRP period (about to end on 12 May) lest JIL would go into liquidation. Out of the ten plans received, only three were eligible (others being disqualified under various provisions of the Code) for voting[4], where the CoC rejected the plans put forth. The Code now mandated for liquidation when the resolution plans were not approved within the CIRP period.
On the first question:
Affected by the decision in Innoventive Industries v. ICICI Bank, where the Supreme Court held that the non-obstante clause in section 238 of the Code shall override any other legislation whenever there is a conflict between the provisions of the Code with the respective legislation. The issue arose since the Innoventive Industries judgment did not settle the position regarding conflict between the Code and a central legislation, since it only dealt in conflict between the Code and a State legislation.
The conflict arose with regard to the rights conferred upon the homebuyers by special enactments including the Consumer Protection Act 1986 (COPRA) and by the Real Estate (Regulation and Development) Act, 2016 (RERA) which would be divested since, under section 14(1)(a) of the Code there was a suspension of the right to seek redressal before an adjudicatory forum, leaving the home buyers without a remedy. Section 238 of the Code will provide an overriding effect over other laws in existence.
In this regard the Supreme Court chose to balance the provisions of the Code and the reduction of the prejudice to the homebuyers. The Court can be understood to have applied the jurisprudential principle of utility propounded by Bentham, as it tried to reduce or avoid the pain suffered by the homebuyers, while still upholding and harmoniously reading the provisions of the Code.
Therefore, instead of ruling over the moratorium and setting it aside, the Court in exercise of inherent powers ordered on 11 September 2017 for appointment of a representative for the homebuyers in the CoC in the pre-Ordinance stage. It did so while staying the proceedings of NCLT against JIL and directed the IRP to retain control and formulate the resolution plan (in line with protecting homebuyers interests) and not to revert the control to the erstwhile management.
On Second Question:
Section 12(1) of the Code envisages that the CIRP has to be completed within a period of 180 days from the date of admission of the application. However, the resolution professional can seek an extension of a further period of 90 days upon a resolution from the CoC. The extension can be provided only once.
In the case of JIL, the period for completing the 180 day CIRP was to end on 6 February 2018. Based on the approval of the CoC an extension of 90 days was granted by the NCLT which was to end on 12 May 2018.
In meeting of the CoC on 8 May 2018 the plan was not approved by the threshold of three-fourth majority which was then needed under section 30(4) of the Code in the pre-Ordinance stage.[5] Accordingly, no resolution plan was approved within the deadline of CIRP.
In terms of the provisions of section 33(1), where the resolution plan has been rejected under section 31, the NCLT is required to pass an order for the liquidation of the corporate debtor. Supreme Court again faced the question of balancing the interests of the homebuyers and the Code. According to the strict adherence to the Code, the homebuyers would be left to an uncertain future on liquidation. Moreover, according to the amicus curiae only 8% alone out of all homebuyers demanded refund. Therefore, it was essential to find a just recourse in a situation that proposed liquidation enhancing more uncertainty and prejudice.
On Third Question:
In the aforementioned analysis of the first two questions it can be safely relied that the Supreme Court had been trying to jurisprudentially balance the provisions of the Code with interests of the homebuyers during the CIRP period and following its expiry. It can be inferred that the Court had hence restricted itself to two options:
One, whether in exercise of Article 142, an independent committee of experts should be constituted by the Court to evaluate the financial capability of JAL/JIL to continue executing the ongoing projects, and hand over the reins back to JAL/JIL; or
Second, whether to revive the CIRP by extending the time period of 270 days specified in the IBC in order to enable fresh, taking into account the interests of the home buyers under the amended IBC.
The first option was rejected. Since JAL was disqualified under section 29A of the Code, it does not have the capacity to deliver the flats. Also, upon the objections by the RBI, the Supreme Court was apprised of JAL’s resolution proposal for JIL which aimed at the twin benefits of avoiding insolvency of JAL and regaining control of JIL, thereby defeating RBI’s application for insolvency proceedings of JAL as well as section 29A of the Code.
An exercise of power under Article 142 was warranted with regard to the second option, since in the post-Ordinance scenario the Code warranted the inclusion of a representative of homebuyers in the CoC which was similar to what the Court had decided while answering the first question. The Court therefore allowed for commencement of the process under the Code afresh in all respects, with the CoC to be constituted afresh particularly in respect of financial creditors and transferring CIRP to the NCLT to be considered afresh. The Court thus avoided liquidation, thereby serving substantial justice.
The Supreme Court in this judgment has therefore gone beyond statutory language of the Code to protect interests of the homebuyers. But, such powers shall be exercised in the rarest of the rare cases since it could cause serious prejudice to the interests of the creditors, thereby subjecting the CIRP to extensive litigation and negating speedy resolutions under the Code.
– Pulkit Khare
[1] The Ordinance amended the definition of ‘financial debt’ under section 5(8)(f) of the Code wherein ‘any amount raised from an allottee under a real estate project shall be deemed to be an amount having the commercial effect of a borrowing’. This resulted in homebuyers being considered as ‘financial creditors’ under section 5(7) of the Code.
[2] At that stage, it must be noted, the CoC as constituted under section 21 of the IBC did not include a representative of the home buyers. Nor were the home buyers regarded as financial creditors under the IBC.
[3] Even though not a party to the insolvency proceedings, this was primarily done in the interest of homebuyers.
[4] On 8 May 2018, a three fourth majority was required under section 30(4) of the Code as it then stood.
[5] The present requirement is of two-thirds vote for adoption of the resolution plan under section 30(4), following the amendment to the Code by the Ordinance which has taken effect from 6 June 2018.
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Khajuraho Dance Festival Begins with Kathak Dance Bhopal. 43rd Khajuraho dance Festival was inaugurated on open sky dais near West Temples Group by the guests by lighting a lamp at Khajuraho. The festival was begun with the Kathak dance of Shri Anuj Mishra of New Delhi followed by Odissi dance presented by Sanchita Bahttacharya, an artist of Kolkata. Group Kathak dance was presented by Jaishree Acharya of Gudgaon in the end. Ten artists of Madhya Pradesh were awraded with Rupankar Kala award carrying a reward of Rs. 21 thousand to each artist. As every year the festival will be organised from February 20 to 26. On the second day of the festival, Odissi dance will be presented by Sagun Bhutani of Gurgaon followed by Kathak duet dance by Yasmin Singh of Raipur and Odissi group dance by Daksha Mashruwala of Mumbai. On February 22, Bharatnatyam by Lavanya Shankar of Coimbatore, Kathak group dance by Rachna Yadav of Gurgaon, Mayurbhanj Chhau dance by Sadashiv Pradhan of Bhubaneshwar and Kathak dance by Shinjini Kulkarni will be presented. Moreover on February 23 Kathak dance by Sandeep Malik of Kolkata and Shikha Khare of New Delhi, Mohiniattam group dance by Pallavi Krishnan of Trichur and Kathak group dance by Rita Mitra Mustafi with Kathak dance theatre of U.S.A. will be showcased. On February 24 Kathak dance by manjiri Kiran of Jaipur and Rasmani of Bhopal, Bharatnatyam by Rukmani Vijay Kumar of Bengaluru, Kuchipudi group dance by Vanshri Rao of Delhi. Similarly on February 25 Odissi dance by Somya Bose of Bhubaneshwar, Kathak by Nilakshi Roy of New Delhi, Maniupuri duet dance by Mansi Thiyam of Imphal and Suchitra Harmalkar of Indore will be presented. On the concluding day of festival i.e. February 26, Bharatnatyam by Amit Chowdhary and kalpatru of Bangladesh, Kathak duet by Vidha Lal and Abhimanyu Lal, Odissi dance by Gori Diwedi and Bharatnatyam by Jyotsana Jagannath of Chennai will be presented. In the seven day festival the Madhya Pardesh State Rupankar Art Awards and exhibition (Alankaran), art journey of Indian dance style Chhau (Nepathya), fair of Fine Arts (Art mart) fair of indigineous art tradition (Hunar), deliberation of artists and art critics(kala varta), films focussing artists and art traditions (Chal Chitra) and kala gatha of Bangladesh (Atithi Devo Bhava) will become centers of attraction. MLAs Shri Pushpendra Pathak, Shri R.D. Tripathi, President Nagar parishad Khajuraho Smt. Kavita Singh and Commissioner Culture and Secretary Shri Rajesh Mishra were present on the occasion. Visionmp.com News Service http://www.visionmp.com
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Disco Sannya (2016) Marathi Movie Songs
Disco Sannya (2016) Marathi Movie Songs
Disco Sannya (2016) Songs Album : Disco Sannya (2016) Cast : Parth Bhalerao, Sanjay Khapre, Chitra Khare, Umesh Jagtap Singers : Shabab Sabri, Nandesh Umap,Aadarsh Shinde, Rishabh Purohit, Rucha Bondre,Avadhoot Gupte, & Asawari Godbole Music : Abhijeet Kawthalkar – Sachin Purohit Year : 2016 For More Movies Songs, just like our Official Facebook Page.. Songs Download Links 01.Chinga Bunga…
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#Aadarsh Shinde#Abhijeet Kawthalkar#Asawari Godbole#Chitra Khare#Nandesh Umap#Parth Bhalerao#Rishabh Purohit#Rucha Bondre#Sachin Purohit#Sanjay Khapre#Shabab Sabri#Umesh Jagtap
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Movie : Nude (2018) | न्युड
Producer : Zee Studios and Meghana Jadhav (Athaansh Communicaions)
Director : Ravi Jadhav
Studio : Zee Studios and Athaansh Communicaions
Star Cast :
Kalyanee Mulay
Madan Deodhar as Laxman
Shrikant Yadav as Bassappa
Neha Joshi as Maanik
Chhaya Kadam
Om Bhutkar
Kishor Kadam as Dean
Naseeruddin Shah
Story : Ravi Jadhav
Screenplay and Dialogues : Sachin Kundalkar and Ravi Jadhav
Singers : Vidya Rao (Yeh Tan Thaat Tambure Sa) and Cyli Khare (Dis Yeti)
Lyrics : Cyli Khare (Dis Yeti)
Sound Design : Anmol Bhave
Background Music : Saurabh Bhalerao
Music Arranged by : Chinar and Mahesh (Dis Yeti)
Mixed At : Dawn Studios
Cinematography (DOP) : Amalendu Chaudhary
Editor : Abhijeet Deshpande
Art Director : Santosh Suresh Phutane
Costume : Meghana Jadhav
Make-Up : Santosh Gayke
Executive Producer : Rohan Godambe (Athaansh Communicaions)
Production Manager : Vinod Choudhary and Ganesh Landge
Distribution : Sadik Chitalikar (Zee Studios)
Colourist : Makarand Surte
Color By : RedChillies.Color
Overseas Distribution Head : Vibhav Chopra (Zee Studios)
Finance : Vinay Agrawal (Zee Studios)
Chief Assistant Director : Shivkumar Parthasarathy
Associate Editor : Sourabh Prabhudesai
Associate Art Director : Mahesh Mohan Salgaokar
Post Production Supervisor : Takshit Pradhan (Athaansh Communicaions)
On Location Sound Recordist : Rashi Butte
Dubbing Supervsor : Mandar Kamlapurkar
Publicity Design : Athaansh Communicaions
VFX : Yogesh Dixit
Visual Promotions : Just Right Studioz
Online Promotions : Vizual Junkies
Genre :
Release Date : 27th April 2018
Synopsis :
Nude Marathi Movie Poster/Photos :
Nude Marathi Movie Teaser/Trailer :
Nude (2018) - Marathi Movie Movie : Nude (2018) | न्युड Producer : Zee Studios and Meghana Jadhav (Athaansh Communicaions) Director :
#2018 Marathi Movies#Chhaya Kadam#Kalyanee Mulay#Kishor Kadam#Madan Deodhar#Marathi Movie Cast & Crew#Marathi Movie Details#Marathi Movie First Look#Marathi Movie Official Promo Video#Marathi Movie trailer#Meghana Jadhav#Naseeruddin Shah#Neha Joshi#Nude Marathi Movie#Om Bhutkar#Ravi Jadhav#Shrikant Yadav#Upcoming Marathi Movies
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Khajuraho Dance Festival Begins with Kathak Dance Bhopal. 43rd Khajuraho dance Festival was inaugurated on open sky dais near West Temples Group by the guests by lighting a lamp at Khajuraho. The festival was begun with the Kathak dance of Shri Anuj Mishra of New Delhi followed by Odissi dance presented by Sanchita Bahttacharya, an artist of Kolkata. Group Kathak dance was presented by Jaishree Acharya of Gudgaon in the end. Ten artists of Madhya Pradesh were awraded with Rupankar Kala award carrying a reward of Rs. 21 thousand to each artist. As every year the festival will be organised from February 20 to 26. On the second day of the festival, Odissi dance will be presented by Sagun Bhutani of Gurgaon followed by Kathak duet dance by Yasmin Singh of Raipur and Odissi group dance by Daksha Mashruwala of Mumbai. On February 22, Bharatnatyam by Lavanya Shankar of Coimbatore, Kathak group dance by Rachna Yadav of Gurgaon, Mayurbhanj Chhau dance by Sadashiv Pradhan of Bhubaneshwar and Kathak dance by Shinjini Kulkarni will be presented. Moreover on February 23 Kathak dance by Sandeep Malik of Kolkata and Shikha Khare of New Delhi, Mohiniattam group dance by Pallavi Krishnan of Trichur and Kathak group dance by Rita Mitra Mustafi with Kathak dance theatre of U.S.A. will be showcased. On February 24 Kathak dance by manjiri Kiran of Jaipur and Rasmani of Bhopal, Bharatnatyam by Rukmani Vijay Kumar of Bengaluru, Kuchipudi group dance by Vanshri Rao of Delhi. Similarly on February 25 Odissi dance by Somya Bose of Bhubaneshwar, Kathak by Nilakshi Roy of New Delhi, Maniupuri duet dance by Mansi Thiyam of Imphal and Suchitra Harmalkar of Indore will be presented. On the concluding day of festival i.e. February 26, Bharatnatyam by Amit Chowdhary and kalpatru of Bangladesh, Kathak duet by Vidha Lal and Abhimanyu Lal, Odissi dance by Gori Diwedi and Bharatnatyam by Jyotsana Jagannath of Chennai will be presented. In the seven day festival the Madhya Pardesh State Rupankar Art Awards and exhibition (Alankaran), art journey of Indian dance style Chhau (Nepathya), fair of Fine Arts (Art mart) fair of indigineous art tradition (Hunar), deliberation of artists and art critics(kala varta), films focussing artists and art traditions (Chal Chitra) and kala gatha of Bangladesh (Atithi Devo Bhava) will become centers of attraction. MLAs Shri Pushpendra Pathak, Shri R.D. Tripathi, President Nagar parishad Khajuraho Smt. Kavita Singh and Commissioner Culture and Secretary Shri Rajesh Mishra were present on the occasion. Visionmp.com News Service http://www.visionmp.com
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Movie : Disco Sannya (2016) (डिस्को सन्या)
Producer : Abhijeet Kawthalkar, Sachin Purohit
Director : Niyaz Mujawar
Studio : Vakav Films
Star Cast : Parth Bhalerao, Sanjay Khapre, Chitra Khare, Umesh Jagtap, Gauri Konge, Suhas Shirsat
Writer : Niyaz Mujawar, Abhijeet Kawthalkar, Sachin Purohit
Screenplay : Niyaz Mujawar, Abhijeet Kawthalkar, Sachin Purohit
Dialogues : Niyaz Mujawar
Music : Sachin Purohit Abhijit Kawathalkar,
Lyrics : Niyaz Mujawar
Singers : Avdhoot Gupte, Reeshabh Purohit, Nandesh Umap, Adarsh Shinde and Shabaab Shabri
Cinematographer : Sandeep Patil
Art : Siddharth Tatooskar
Editor : Milind Damle
Sound Designer : Abhijeet Kawthalkar
Executive Producer : TrilokSingh Rajput
Genre : NA
Release Date : NA
Synopsis : Shreyas Kale is an arrogant millionaire while Disco Sannya is a 15 year old slum kid raised on the streets selling variety of products at the signals. The story of the film DISCO SANNYA is woven around these two individuals and the collision of their disparate worlds, arising out of a small spat between two.
Disco Sannya Marathi Movie Posters
Disco Sannya Marathi Movie Trailer
Disco Sannya (2016) – Marathi Movie Movie : Disco Sannya (2016) (डिस्को सन्या) Producer : Abhijeet Kawthalkar, Sachin Purohit Director : Niyaz Mujawar…
#2016 Marathi Movies#Chitra Khare#Disco Sanya Marathi Movie#Featured#Gauri Konge#Marathi Movie Cast & Crew#Marathi Movie Details#Marathi Movie First Look#Marathi Movie Official Promo Video#Marathi Movie trailer#Parth Bhalerao#Sanjay Khapre#Suhas Shirsat#Umesh Jagtap#Upcoming Marathi Movies
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