#Chester Contemporary

[themancorialist]

The Groves, Chester.

[buildoblivion]

really REALLY loving the creepypasta/ something awful vibes in the chester statements so far 👀👀👀👀

[migueldelaguila]

Miguel del Aguila MILONGA for clarinet and piano Boston Chester Brezniak Yelena Beriyeva Wellesley Library MA concert 2024 contemporary american composer

[warwickroyals]

Sunderland's Royal Jewel Vault (57/∞) ♛

↬ Queen Irene's Stillwater Sapphire Tiara

When Lady Irene Wynn married Louis, the Prince of Danforth, in 1968, the provincial government of Lakota gifted her 18 sapphires, one representing each year of her life. The brilliant blue sapphires were sourced from the Stillwater Gulch, located in the Rocky Mountains. Ranging in colour from cornflower blue to purple, Lakota sapphires were first discovered along the Missouri River in the 1860s. Since then, the gemstones have been sported by celebrities and politicians, first ladies and royal consorts across the globe, including Irene’s contemporaries Lady Bird Johnson, Queen Sofía of Spain, and Queen Sirikit. Irene’s sapphires were displayed with her other wedding gifts at St. Mary’s Palace, but she didn’t wear them until after she became queen consort in 1970. Queen Irene commissioned a sapphire tiara from Albemarle in the spring of 1973. Despite owning a range of tiaras of diverse colours and profiles, Irene lacked a sapphire diadem, as her mother-in-law, Queen Katherine, still had ownership over the Regal Circlet, which was typically reserved for current queen consorts. The need for a sapphire tiara was a question of fashion, but also diplomacy: blue was a national colour of many foreign countries, including St. George, which was a dominion of Sunderland at the time. When Katherine refused to fork the Regal Circlet over, Irene turned to her collection of Lakota sapphires. The resulting tiara featured a dramatic floral and foliate spray set on a series of diamond fleur-de-lys motifs, hinting at the Queen’s French ancestry. Queen Irene first wore the tiara on a state visit to South Korea in 1975. The tiara made future appearances during a 1979 state visit to Sweden and a 1982 visit from French president François Mitterrand. During this time, the tiara was paired with the Herring sapphire necklace, which Irene purchased in 1974. Throughout the 1990s, he tiara became a staple at state banquets and galas from republics, notably France and the United States of America. In 1995, the tiara was worn along with Queen Alexandra’s Sapphires for Irene’s Silver Jubilee Portrait with her St. George Honours. More recent appearances of the tiara include diplomatic events with the heads of state of Kuwait (2001), Japan (2004), and Estonia (2008). The Queen last wore the tiara in 2018 for the highly publicized (and criticized) American state banquet at Chester Palace. The tiara complemented a white dress, and the Queen’s Order of Brandenburg sash: red, white, and blue. Earlier that year, Queen Katherine passed away, and the Regal Circlet finally entered Irene’s possession, although she has only worn it once since. The Stillwater sapphire tiara remains unique to Queen Irene, with no other members wearing it in an official capacity—although it was “worn” by an infant Princess Jacqueline in a 1976 portrait.

[voxina]

The Brit Awards will be held in Manchester's Co-op Live in 2026 and 2027 after nearly five decades in London at the city's O2 Arena

Manchester has deep and rich roots in music; producing scores of iconic and contemporary artists and bands from Oasis, The Smiths, Harry Styles, The Stone Roses, Joy Division, New Order, Happy Mondays, Take That, The 1975, Aitch, Blossoms and Courteeners. The city has created cultural moments from Mad-chester to the Haçienda and Factory Records, and has a thriving independent music scene to support emerging and new talent. This makes The BRIT Awards a welcome addition to its music legacy and the event marks another milestone in the journey of Co-op Live, the UK’s newest live entertainment arena, drawing acclaim from fans and artists alike since opening in May 2024.

As the world gears up for the highly anticipated tour this summer from Manchester’s prodigal sons Oasis, this groundbreaking new bond between one of the UK’s most industrious and thriving metropolitan cities and the biggest night in UK music and entertainment will continue to showcase the very best in not only British, but global music, creativity and talent, and evolve what The BRIT Awards can be as it nears five decades of championing new music.

2026 will be the first of three years under the stewardship of Sony Music UK, who spearheaded the move to Manchester. The Chair of the BRITs Committee, who oversees all aspects of the show including performer bookings, hosts, show creative and categories, will be announced at a later date. 

Jason Iley MBE, Chairman and CEO, Sony Music UK & Ireland said: “This is a very exciting time for The BRIT Awards. Moving to Manchester, the home of some of the most iconic and defining artists of our lifetime, will invigorate the show and build on the BRITs legacy of celebrating and reinvesting in world-class music. Hosting the show in Manchester, with its vibrant cultural history, perfectly captures the spirit and energy of the BRIT Awards. I can’t wait to see the show at the amazing state-of-the art Co-op Live venue.” 

Andy Burnham, Mayor of Greater Manchester said: "For The BRIT Awards to move out of London is a massive coup for Greater Manchester. After 48 years, it is great that this prestigious global event is about to arrive in the UK capital of music and culture.

Greater Manchester has an unparalleled music heritage known around the world, and this summer will play host to some of the biggest gigs on the planet. That was only made possible by our strong commitment to new talent and giving emerging artists the opportunities to make their name.

We thank our friends at the BPI for choosing Manchester and we will pull out all the stops to show they made the right decision. Celebrating the BRIT Awards right here in the home of 24 hour party people is the next chapter in its story and you can be sure that we will help them do it in style.”

Tim Leiweke, Co-Founder and CEO of Oak View Group said: “The BRITs are the most important music event in the UK and were always the highlight of the year, not only because of its immense cultural contribution, but because of their commitment to improving the lives of youth through music.  It is our honour to partner with our friends at BPI and Sony Music, alongside the great city of Manchester, to host the BRITs at Co-op Live and join in their mission to create opportunities for youth through music.  With Co-op Live, Manchester is embarking on another chapter in its rich musical journey, and others will soon learn what we know to be true, that  Manchester is one of the greatest emerging markets in the UK  for business, music and culture”.

Bev Craig, Leader of Manchester City Council said: “This is a massive boost for Manchester and we are delighted that The BRITs will be coming here for the first time in its history. Manchester is at the forefront of the UK music scene, from our iconic grassroots scene through to major events and this news is a major vote of confidence in Manchester.  We have got here through a great partnership between the BPI, Co-op Live, Sony Music as well as our own businesses in the city and we hope this is the beginning of a long and successful partnership.”

Dr Jo Twist OBE, BPI CEO and BRITs Committee member, said: “The BRIT Awards have helped to tell the story of British music in all its brilliant diversity, capturing some of its most memorable moments, and this groundbreaking move to Manchester will only add to its rich legacy.  This exciting new chapter celebrates not only the city’s exceptional musical heritage and its status as a powerhouse of British creativity, but the great depth of artistic energy and potential that exists all across the UK. I feel sure it will fire the imagination of fans, artists and the wider music community alike, and we look forward to sharing the experience with them.”

Yolanda Brown OBE DL, BPI Chair, said: "I believe that music touches everyone wherever they are and it is important that this is reflected by our industry in its strategy around a regional talent pipeline, touring, access to music education and more. So you can appreciate my delight at The BRIT Awards moving out of London for the first time ever, making that special connection with music fans in Manchester and the North of England. A city and region that has given us so much iconic music over the years and remains the home of such wonderful, diverse talent.  As we approach the 50th anniversary of the first ever BRIT Awards in 1977, it is hard to imagine a more fitting and imaginative way to celebrate this special landmark and to keep the music alive.”

Katie Rawcliffe, Director of Entertainment & Daytime said: "ITV is for everyone, no matter where in the UK you live. As someone who grew up in the North, I'm so excited that The BRITs is coming live from Manchester this year for the very first time in its 48 year rich musical history. Those Mancunians know how to throw a party, so don't miss it!"

The BRITs in 2026 and 2027 will continue to raise funds to support education and well-being for young people through The BRIT Trust, which supports the BRIT School in south London and nationwide music therapy charity Nordoff & Robbins, among other organisations adjacent to the music industry.

Mastercard will continue their long-standing headline sponsorship - which is now in its 28th year, and ITV will continue to be The BRITs’ official broadcaster, now going into their 33rd year, with both partnerships continuing to support and boost The BRITs’ vision and values. 

[x]

[ice-cream-writes-stuff]

⧱Appetency⧱

{At heart Wilson is truly a man of science. It's not in his nature to resist the call of the unknown...}

-

You side-eye the man a few steps away from the log you sat on, watching him eagerly re-reading through his blueprints on the makeshift table the two of you made, claiming it as a work desk.

You couldn't help but let your lips curl up at his fidgeting. Finding it oddly cute and rather funny when you notice him mumble a few words here or there. His face having a certain pink glow.. Myabe due to the lightning of the fire.

Glancing back at the small fire, the chopped bits of meat turn a darker color as you turn the skewers so the other side could crisp up.

You couldn't help but recall the few times he acted like this in front of you...

-

During your first meeting, the two of you were more different than... Well, many things!

Clothes for one! While you are dressed in more contemporary wear and fabrics. His was more, dignified, well.. As much as cloths could be in The Constance.

Wilson, ever the gentleman, glances away as you walk beside him. Clothes riding up slightly against your skin, heaving slightly as you drag back your kills together.

You try to strike up conversation and gain his attention, yet his milky-skin becomes a light pink as you do.

The way he spoke, too!

"My dear, are you alright?" You blink, the first time you've been called such a pet-name.

"Huh-? Oh, I'm fine! Don't sweat it!" You wave it off, a bit surprised at the warmth in your own face as you laugh it away.

""Sweat it"? Dearie, I thought we both concluded that the weather is rather too cold for such things."

He was an oddball, but.. You liked him all the same.

-

While you day-dreamed, Wilson peeked at your expression. Enamored by the sight of your far-away gaze, he tried to see if anything caught your eye. Though he couldn't find a single thing, what kind of lovely thought a beauty like you could have?

A small sigh left him as he turned back to his blueprints.

-

Meeting you was one of the strangest and most wonderful encounters he's had since being stuck on the wretched island.

You were quite.. What's the word.. Rather, many words could describe you! Or, actions spoke a bit louder to him.

During the winter season, more so Winters Feast. Wilson sat by the fire, shivering as he made a thermal stone. You and Chester arrive back to camp, you frown as you take a spot beside him.

His eyes held agitation, not bothering to wander his sights on your pitying look.

Kind could be one.. Maybe well-meaning.

You politely take a seat beside him, not too close as Chester happily barked and opened his jaw.

You pull out a few items, cautiously setting a small scarf down on his lap. "I know you don't prefer hats... So I thought this might be more.. um.. Ya' know? "Suitable"?" You test out the phrase on your tongue, smiling hopefully.

You were.. Unknown to him. Such as this daft place, his fate had now been resigned too!

Though.. You made grand company.

Helping him pick up crops, you sang a small tune under your breath. Bits of giggles leaving your throat at a few lyrics. A bit curious of the song, he spoke up.

Questions and inquiries left him as he rambled.

You only smiled, head tilting to the side a few times in confusion at a few proposals he had on the song.

"That's lot-" You huff out a laugh, Wilson could only smile back patiently. Waiting politely now, wanting to listen. You playfully bump his side, "Alright, I'll tell you."

-

You blink away your former thoughts after smelling the scent of something burning...

..!

Yelping, you grab the skewers. But it burns your hands! Causing you to drop them in the fire...

You groan unhappily, now staring at a worried Wilson as he moves to your side.

"Dear, it's alright, we're lucky to have made a few extra rations." Wilson states as he takes a seat, politely holding out his hand for you.

You slowly grin, nodding as you hand him your hand. Interlacing them together. The scientists eyes widen as he coughs awkwardly, glancing away. "I.. Wanted to see if you burned your hand."

Your own eyes widen as you let go quickly.

"I'm fine! See? Oh..." You glance at your hand and see a small cut.

Wilson gently takes your hand, encompassing it tenderly in his palms.

"A butterflies wing should fix it up." Wilson states, fixated on your hand. Lightly tracing it, the touch was kinda soothing...

Chester yips happily, bumping your leg as he opens his jaw. Wilson smiles happily at the chest, "Otto von Chesterfield, Esquire! You smart little lad!" Taking the items from the small critter, Wilson hands it to you as he pets the creature fondly.

The two of you laugh together as the sun slowly sets, the fire burning even brighter.

-

[Happy 11th Anniversary DS/DST! I had a big crush on Wilson when I was younger, so this needed to be made! Anyway, hearts and reblogs are appreciated! Let's see some comments too! Happy birthday Wilson!]

[ardenrosegarden]

Conan's victory greatly strengthened Raoul's position. And so, Jean de Dol, dying in 1162, entrusted him with guardianship of his only daughter and his land. What did Henry II do at this juncture? He took possession of the land and of the girl. Persuasion not sufficing, he mobilized an army of Breton and Norman soldiers. This hustle and bustle sufficed; Dol and Combour were delivered to him. As for Iseult de Dol, he married her to a gentleman from Avranchin, his faithful subject Hasculf de Soligné (modern-day Subligni). -B. A. Pocquet du Haut-Jussé, Les Plantagenets et la Bretagne

There is another possible, and extremely powerful, connection between Ranulf, Llywelyn and the kings of England: Ranulf’s second marriage to Clémence de Fougères was a significantly powerful move, where the political benefits to Ranulf were potentially great within Brittany and Lincolnshire. But was Clémence also Princess Joan’s mother? This has not been a possibility considered beyond oblique reference to date, where, according to one unreferenced secondary source, plans for Ranulf’s marriage to Clémence "were nearly scuppered by the King when rumours began to circulate that (King) John himself was showing an inappropriate personal interest in Clémence’ (Soden 2009, 38). In addition, the Tewkesbury annals, which were compiled after c. 1200, and thus notably contemporary to the event, refer to Joan’s mother as Regina Clementina (‘Queen Clémence’), the title of ‘Queen’ obviously considered appropriate at a time when Joan had then been legitimized. There are secondary sources that make reference to this entry in the annals, although disappointingly, Soden makes no reference to it at all. -Rachel Swallow, Gateways to Power: The Castles of Ranulf III of Chester and Llywelyn the Great of Gwynedd

[jackhkeynes]

Cambrick Codices

summaries of two twentieth-century works of writing which were originally written in one or another standard of the Welsh language.

Children of the Battle of Rexam [Wrexham, 1] is a sensation trevold [hit novel] written by Jon Paldreth and published in 1931. It is a fictionalised account of the orphaned children of the Duke of Chester in the decades following his death at the 1483 Battle of Rexam. By Paldreth's account, the children met practically every famous personage in contemporary western Europe, from General daus Sanz to King Andrew of Markland (in fairness, the eldest child was indeed briefly a hostage of the then-prince Andrew). Moreover, Paldreth contrives to have the children present at almost every significant historical event of the time; unlikely as this all is, the book has enjoyed much use in school history lessons as an approachable introduction to the politics of the time.

The Grimmer Hall [2] is a scholastic reference quire about developments in early methodics [programming]. It was published in 1999 and written by New Leudong methodist Cai Sonquo during his tenure at the University of Mehannin [Brisbane]. The work covers the use of algorithms from antiquity (for example Euclid's method for finding coarsest division), through the early modern period (e.g. the waveform display [Fourier transform] and its application to astronomy), and into the titular "grimmer halls" (rooms of many people—usually women—performing calculations longhand) of the early twentieth century. The work ends its account just before the invention of the entirely mechanical general-purpose grimmer [computer].

---

[1] released in Merch as Chulder oth Feight at Rexam /ˈt��ʊl.də‿ɾʊð fɛʃt ət ˈɾɛk.səm/, and originally published in Welsh as Pa Ðywdan y Plant Car Vantel /pa ðəuˈdɔn ə plant kaː vənˈtɛɬ/ "What the Children of Rexam Said"

[2] originally in Welsh as Łis y Grimrageð /ɬiːs ə ˌgɾɪm.ɾəˈgɛð/ "The Computing-Women's Hall".

[theyellowmistress]

It’ll be interesting to see if Augustus ends up somehow being the actual voice of Jonah Magnus

and if the voices of Norris, Chester, and Augustus read cases that are like.. contemporary to them? Kinda? I dunno. Too early to tell really, but fun to speculate.

[mariacallous]

There’s a nasty not-so-secret secret no one likes to talk about, so it’s best to start there: Black women are among the most hated demographic worldwide. In America especially, anti-Blackness is the air. It’s everywhere even when you can’t see it. From the ivory halls of Washington to C-suites at Fortune 500 companies, Blackness is treated as less than. And because that is how it works and how it has worked generation after generation, not even Beyoncé, currently the most commanding force in music, can escape the fangs of misogynoir.

Tell me if you’ve heard this one before: A Black woman was told she did not belong, that she was not welcome in a certain space, so she paved a path all her own. That’s the story Beyoncé recounted in an Instagram post in March, the day she announced her new country album, Cowboy Carter. “The criticisms I faced when I first entered this genre forced me to propel past the limitations that were put on me,” she wrote. Unlike other musical genres, country is infamous in who it chooses to exclude. The genre’s history is rife with allegiances to the old ways of American prejudice, and no bearing or social position can change that.

The sweet irony, of course, is that now we have Cowboy Carter, the second installment in a three-act project of historical and musical restoration that Beyoncé began in 2022 with Renaissance, her dance-floor tribute to house music. She is on a mission to reclaim her time. The rare artist who can pull off such a canny move, Beyoncé now represents something bigger than music. She’s an industry unto herself: swaggering and audacious in reach, with a built-in fan base that anticipates every album drop, Instagram post, and product release. Whether you agree with the motivations behind her work or not (and there are valid criticisms to be made for artists who create at such a grand scale as her; mass influence in all arenas of life necessitates questioning, there’s no denying that), no other contemporary Black musician will bring more awareness to country’s gated meadowlands—its past, present, and possible futures—than Beyoncé. If nothing else, she gets people talking.

“I’d like to actually thank the CMAs for pissing her off,” X user @gardenoutro wrote Friday morning, just past midnight, in the hour following the album’s official release, calling attention to Beyoncé’s 2016 performance with the Chicks that was later shunned by Country Music Association members. Where Lemonade was scorned memoir and Renaissance flirted with fantasy—a disco-lit dreamscape where freedom and love have no inverse—Cowboy Carter unravels like autofiction, blending biography with novelistic flair on songs like “Daughter” and “Spaghettii.” It takes country into uncharted terrain. “It’s easy to listen to 27 tracks when they’re all good,” songwriter Rob Milton wrote on X.

That’s the other thing about the Beyoncé Effect: There is no room for dissent in her universe. Online, and particularly across social media, new albums of hers are given billboard status. It is cause for celebration but rarely one for challenge or sharp inquiry.

“A lot of people still want to join in with something larger than themselves. Fandom offers them a way to do that. It is not, though, entirely a utopian space,” says Mark Duffett, a professor at the University of Chester who researches fandom. “The concerns and issues that society has are mirrored in fan communities. They do not escape from being part of the wider social world.”

As powerful as her music can be, the release of a Beyoncé album exposes the fiction of a shared internet. There is not one but many. In its most intense form, fan logic thrives in isolation. On Beyoncé’s internet, as with comparable fan cultures, logic finds comfort in the sideways geometry of the echo chamber. Its reasoning animorphs into blind zealotry, wagging its finger in the face of disagreement. Fan logic butts against balanced judgment. It has led Barbs (Nicki Minaj fans), Beliebers (Justin Bieber fans), Hive members (Beyoncé fans), and the like into a cycle of heated confrontation, and sometimes wild irrationality.

Brittany Luse wasn't expecting death threats when she commented about a Cowboy Carter ad that was projected onto the front of the Guggenheim Museum, but she also knew “the Hive can be so intense in their defense of any criticism of Beyoncé, let alone any perceived slight. So I wasn't expecting nothing to happen.” Luse is the host of NPR’s pop culture podcast It’s Been a Minute and a fan of the singer. “I maintain a pretty low-key presence online, so over the years, I’ve only dealt with wild social media attacks a handful of times, with the Swifties or the manosphere, but never death threats. They probably should have stressed me out, but they mostly just confounded me. I said I didn’t like an ad, and now you want me to choke? That’s too much.”

That, more than anything, is the tenor of fandom on the internet today: Perceived disloyalty is met with Tony Soprano–style intimidation. The rise and permanence of social media has led, in part, to the decomposition of fan culture. Facebook, Twitter, and Instagram brought us closer together. Platforms that prized connection boosted the careers of artists from burgeoning to box office stars. But it had costs, Luse says. Instant access to celebrities rewired our relationships entirely.

“You can find seemingly endless content from your fave and befriend other fans more easily than ever before. Of course that would bring people joy,” she says. “But that constant, instant access also at least partially fuels an us-against-them mindset that puts some people into attack mode over their favorite artist.”

But perhaps the problem is not that such intense fandoms exist, but where they take root and make a home. “Another thing that has happened is that fans might be talking on social media to each other in ways that they do not necessarily anticipate nonfans will seek out or understand,” Duffett says. “It raises the question of whether a community can keep to itself and yet communicate in a public space.”

Beyoncé represents a monoculture at a moment when monocultures have gone all but extinct. For her, extreme fandom is both anchor and ascendence. There are downsides, unquestionably so, but the people who power Beyoncé’s platform provide a necessary function too: When the door has been slammed in her face and she’s told she’s not welcome inside, or when the Recording Academy twice overlooks her for Album of the Year, it is her fans who give her the authority to reboot country music in her image, and perhaps, in doing so, chart a new course altogether. “It would be cool if she never mentioned the Grammys again,” Luse said on X. “When you can do all this, who cares?”

[valkyries-things]

MARY ARTHUR MCELORY // HOSTESS OF THE WHITE HOUSE

“She was an American woman known as being the sister of the 21st president of the United States, Chester A. Arthur, for whom she served as a hostess (acting as the first lady) for his administration (1881–1885). She assumed the role because Arthur's wife, Ellen, had died nearly two years earlier. As acting first lady, McElroy ended the tradition of suspending social events during Lent, and she held large weekly receptions. She was a popular hostess, and contemporary Washington social life celebrated her for her lively receptions. She handled her brother's affairs during his illness and after his death, taking responsibility for his funeral and his presidential legacy.”

[mybeingthere]

Chester Arnold is a California Bay Area painter whose visual narratives combine the cataclysmic and the sublime. Born in 1952, Chester Arnold received his MFA from San Francisco Art Institute in 1987.

https://www.elizabethleach.com/.../chester-arnold...

"Concerned about the increasing impact of human interventions in landscapes on a densely populated and deeply consumer-driven planet, Arnold's work questions the nature of human beings' relationship to the world, offering cautionary implications that all of us share complicity in unbridled cycles of production and consumption on an industrial scale."

– COLIN M. ROBERTSON, CURATOR OF EDUCATION, SOME UNCOMMON AND GRIEVOUS CALAMITY: CHESTER ARNOLD AND THE CONTEMPORARY SUBLIME

[hanacarolina]

Hana Carolina Writing Masterpost

Welcome to my page!

Here's a list of my published stories so far (all available for free):

I wrote this at 19 in Polish, then translated and revised it in my 30s - so proud that this became my first ever publication!

Set in Lodz, Poland, in the 1990s, it's a creepy horror story exploring the atmosphere of a crumbling post-industrial city and the feeling of entrapment it creates. People are as neglected as the stray cats turned nightmarish monsters. Then again, are these creatures even real? Perhaps it's all in your head, there's no threat, and you're making a fuss for no good reason.

Published in Crow & Cross Keys in April 2022, chosen by wonderful and talented Elou Carroll (@keychild on Twitter) - check out her writing too if you have a chance!

Once Chance in a Million

The end of 2022 was a busy time for me so I started writing very short stories - this one is just 100 words long. This Sci-fi micro about a faulty AI-generated report, was written right before discussions about AI started in earnest. Set at a hospital, and intended as satire, feels a little less fun now.

Published in Everyday Fiction in November 2022, it was my first paid publication (whole $3), and an a gateway to a big, established audience - this journal has existed since 2007 and has a lot of subscribers. However, their page appears to be down.

We Aced Colonisation

Another 100-word Sci-Fi story, this time about aliens invading the Earth. It was a bit of an experiment - I played with language a bit, trying to write as an alien would, if they've just learnt English.

Published in Issue 3 of The 100 Word Project in February 2023, it got such a warm and supportive welcome from Jay Chesters, the Editor and Designer. You can find the issue here. It's all free to read.

Winter Blooming Daphne

Daphne Odora is a poisonous shrub, which finds its way to many gardens because of its sweet smell and beautiful flowers. My first published flash fiction was inspired by this plant - I used it to explore the two understandings of death, one symbolised by the cold and impersonal city, where any thoughts about dying are repressed, and the country, where death exists as a part of everyday life.

Published in Five on the Fifth in May 2023, it felt extra special, because I had no success with literary journals before I wrote this. I've submitted Daphne to many publishers and felt like I finally found the right system - submit until you drop. You can find the story here.

My latest publication is a horror story again - the theme is being trapped between ambition and tradition. I was thinking about a twist on a haunted house story and decided that what I have in mind, instead, is a haunted home. This is my first story with a LGBTQ+ main character, and an exercise in compact storytelling - you can trust me that there's a lot squeezed into those 2000 words!

Published by the Chamber Magazine in July 2023, it's my first story which got accepted twice (a shock, considering how these things usually go), because my withdrawal email got lost. What a feeling to receive an acceptance on a publishing day! Here's the story.

Thank you for reading! You can also find me on Twitter.

[jazzreloaded]

Screenings

18/06/25 Picturehouse Central - 19:00 BST

20/06/25 Finsbury Park Picturehouse - 18:15 BST

20/06/25 Institute of Contemporary Arts, London- 20:40 BST

21/06/25 - Institute of Contemporary Arts, London- 20:40 BST

22/06/25 Institute of Contemporary Arts, London- 16:40 BST

23/06/25 Epsom Picturehouse - 19:30 BST

24/06/25 Institute of Contemporary Arts, London- 16:15 BST

24/06/25 Cambridge Arts Picturehouse- 18:00 BST

25/06/25 Institute of Contemporary Arts, London- 16:15 BST

25/06/25 The Phoenix Picturehouse, Oxford - 18:00 BST

26/06/25 Institute of Contemporary Arts, London- 16:15 BST

29/06/25 The Cameo, Edinburgh- 20:00 BST

02/07/25 Chester Picturehouse - 18:20 BST

04/07/25 Fact Liverpool Picturehouse- 18:00 BST

05/07/25 Hackney Picturehouse - 17:30 BST

09/07/25 Harbour Lights, Southampton - 18:00 BST

10/07/25 Duke's at Komedia, Brighton - 18:00 BST

11/07/25 Bertha DocHouse, Bloomsbury, London 18:20 BST

15/07/25 Palace Cinema, Broadstairs - 19:30 BST

21/05/25 The Manchester International Crime and Justice Film Festival 17:30 BST

29/04/25 Hot Docs (Canada) 10:45 EST - TIFF Lightbox 3

27/04/25 Hot Docs (Canada) 20:45 EST - TIFF Lightbox 3

15/10/24 London Film Festival 16:05 BST - BFI

[aquariusseafoodrestaurant]

Fresh, High-Quality Seafood for Every Occasion at Aquarius in Sydney 

Aquarius Seafood Restaurant is where quality and flavor meet to deliver an unforgettable dining experience. Located in some of Sydney's most vibrant neighborhoods, this restaurant is a name synonymous with fresh, high-quality seafood and exceptional service. Dedicated to offering the finest array of seafood dishes, Aquarius has built a reputation for delighting every guest who walks through their doors.

At the heart of Aquarius Seafood Restaurant is a passion for creating dishes that celebrate the best of the ocean's bounty. The chefs expertly craft each plate using fresh, locally sourced ingredients, ensuring every bite bursts with authentic flavors. Whether you're indulging in a hearty seafood platter or savoring lighter, refined options, their menu caters to both traditional tastes and contemporary trends. Known for its delightful ambiance and outstanding culinary offerings, Aquarius has firmly established itself as the best seafood restaurant Sydney has to offer.

Taste the Ocean’s Best at Aquarius - Chester Hill’s Premier Seafood Destination 

For those in Liverpool, Aquarius Seafood Restaurant provides a wide range of flavorful dishes to satisfy your cravings. Their commitment to freshness and quality makes them a standout destination for seafood Liverpool, serving up meals that leave a lasting impression on diners.

Their offerings extend to Cabramatta, where locals know Aquarius as a go-to spot for mouth watering Cabramatta seafood. The freshness, variety, and expertly prepared dishes ensure that every visit is a feast for the senses.

Aquarius Seafood Restaurant also proudly serves Chester Hill with their delectable Chester Hill seafood menu options. Whether it’s a casual evening out or a special occasion, their seafood creations are guaranteed to elevate your dining experience.

With their commitment to quality, innovation, and customer satisfaction, Aquarius Seafood Restaurant invites you to enjoy fresh, expertly prepared seafood in a warm and welcoming environment. Experience the taste of the ocean like never before by visiting any of their locations today!

[arts-dance]

Permanent Art and Monuments

Permanent Art and Monuments

The monuments and permanent art collection in New York City's parks constitutes the greatest outdoor public art museum in the United States. A veritable “who's who” of American art, it includes the work of nineteenth-century masters such as Augustus Saint-Gaudens, Daniel Chester French, and John Quincy Adams Ward, as well as contemporary subjects and conceptions by the likes of Louise Nevelson, George Segal, Alice Aycock, Robert Graham, and Allison Saar. More than 800 monuments, about 250 which are sculptures (including 125 statues honoring historical figures), grace our most prominent civic spaces as well as the many localities which constitute the greater metropolis. Ranging in size from commemorative tablets to triumphal arches, they honor people and events that helped shape our city, nation, and the international community. It is this cultural and aesthetic legacy that we wish to preserve.

Monumental New York

New York City is full of famous places, huge monuments, amazing skyscrapers, and important memorials. On your next visit, make sure you see at least a few of these iconic places, as all of them should be on your must-see list. From the Statue of Liberty to the Empire State Building, these landmarks have become famous through film and television, as well as having historical stories on their own. They create a sense of wonder and awe in every visitor not just because they are famous, but because they emote a story, a history, and an emotion in everyone. These monuments and memorials are unique to NYC, so check them out on your next visit.

The Vessel

The Vessel at Hudson Yards in Manhattan was completed in 2019 as part art installation and part observation tower. The elaborate honeycomb-like structure rises 16 stories and offers views from the top of the surrounding area, along with some amazing views from within the structure itself. With 154 flights of stairs, 2,500 steps, and 80 landings for visitors to climb, there's an interesting view and photographic angle from every platform. Even though it's only been around for a few years, it has quickly become one of the most interesting and visited sites in New York. Tickets are free the first hour of opening, and then an admission fee is charged for the rest of the day.

20 Hudson Yards, New York, New York, 10017 Website

New York Stock Exchange

The famous New York Stock Exchange is located on Wall Street, and it is, by far, the world's largest stock exchange.

Wall Street, NYC, New York, 10005

Website

Planning a trip to New York City? You might also be interested in The Most Instagrammable Spots in New York City and New York City for Music Lovers.

9/11 Memorial and Museum

This memorial commemorates the tragic loss of life felt on September 11, 2001 when suicide-piloted planes flew into the two towers of the World Trade Center. More than 3,000 people were killed as a result of the attacks on that day. The memorial is designed with a series of cascading waterfalls, recessed pools, and bronze panels that show the names of those killed during the attacks. The museum shows photos, videos, and artifacts from the events. It is recommended you purchase tickets in advance to visit the memorial. You can also visit for free on Mondays between 3:30 and 5:00, but reservations are still required.

180 Greenwich Street, NYC, New York, 10007 Website

Washington Square Park

Washington Square Park in the Greenwich Village neighborhood of Lower Manhattan is one of the city's most famous public parks. Visitors here can find the huge Washington Arch which is a large, marble triumphant arch which serves as a landmark and honors the nation's first president. In front of the arch is a nice fountain. The arch also serves as the terminus for 5th Avenue. Also located in the square is a monument to Alexander Lyman Holley, along with some walking paths, benches, and shaded tree areas which make for a nice and relaxing picnic spot.

Washington Square Village, NYC, New York Website

Irish Hunger Memorial

This memorial and park is dedicated to raising awareness of the Great Irish Famine, also known as "The Great Hunger", during which more than one million people starved to death.

NYC, New York, 10282 Website

Federal Hall

This is one of the first two historic buildings to be located on Wall Street. It once served as New York's City Hall and after the American Revolution it was the meeting place of the Congress of the Confederation.

Pine Street, NYC, New York, 10005

Hamilton Grange National Memorial

The Hamilton Grange National Memorial is the home and burial site of U.S. Founding Father Alexander Hamilton. The mansion showcases the restored historical rooms of the house, along with an interactive exhibit showcasing the history and life of Hamilton.

160 Convent Avenue, NYC, New York, 10031

Statue Of Liberty

The Statue of Liberty is an iconic symbol of American freedom, and it's a must-see for all visitors to New York City. The statue was given as a gift to America by France, and it is one of the world's largest statues, standing 152 feet tall from the base to the torch. You can get views of the statue from Battery Park, but the best way to experience it is to take a boat trip to Liberty Island and see it up close. Many tours also stop at Ellis Island where you can explore the Immigration Museum.

NYC, Liberty Island, 07302-4522 Website

New York City has plenty more to offer, so see also our other articles: New York City: What to See and Do in the Spring and What to Do in Queens.

Blackwell Island Light

This is a stone lighthouse that was built in 1872. It's located at the northeast end of Roosevelt Island in the East River.

NYC, New York, 10044

Gay Liberation Monument

The Gay Liberation Monument, created by American artist George Segal, is located in Christopher Park along Christopher Street in the West Village.

Christopher Street, 204 West 4th Street, NYC, New York, 10014

One World Observatory

One World Observatory is located at the top of the One World Trade Center building. It is an observation deck that makes up the 100, 101, and 102nd floors, 1776 feet above the city. The glass building is a beautiful sight and the elevator ride to the top offers a changing scene of how New York City has changed and grown over the years.

NYC, New York, 10048 Website

Ulysses S. Grant's Tomb

Formally known as the General Grant National Memorial, this is the final resting place of Ulysses S. Grant (1822–1885), the 18th President of the United States, and his wife, Julia Dent Grant (1826–1902). Construction was completed in 1897, and the tomb and monument is located in Riverside Park in the Morningside Heights neighborhood.

501 Riverside Drive, NYC, New York, 10024 Website

Roosevelt Island

Roosevelt Island is a great place to hang out with a family. There are two miles of waterfront that you can explore with impressive views of Manhattan and Queens. There is also plenty of green space, parks, and a playground. For a picnic, head to the southern tip of the island and grab a spot at Franklin D. Roosevelt Four Freedoms Park, which has views of both Manhattan and Queens.

Manhattan

Staten Island Ferry

The Staten Island Ferry travels between downtown Manhattan and Staten Island. Along the route it offers breathtaking views of the Manhattan skyline and the Statue of Liberty. The ride is free, and it's particularly nice at sunset when the colors are bright and the setting is stunning.

If you're looking for more information about New York City, read The Best Iconic Skyscrapers to Visit in New York City and Famous Squares and Plazas to Visit in New York City.

The Rockefeller Center

New York's iconic Rockefeller Center is a must-see for visitors. It is a large complex that includes 19 commercial buildings and spreads out over 22 acres in Midtown Manhattan. There's an observation deck called Top of the Rock that offers beautiful views from a tower that stands 70 floors high. It has been the home of NBC Studios since 1933 and is open for public tours. The Rockefeller Center is a quintessential destination during the Christmas season when the iconic Christmas tree is lit and the ice skating rink is opened in the plaza.

45 Rockefeller Plaza, New York, NY, 10111 Website

Governor's Island

Head to this island between the months of May and October (it's closed other times of the year). In addition to fountains where kids can play, there's a zip line, rock wall, and even a mini golf course. The national park service also offers educational programming, so it's fun and informative. The island spans 172 acres and it's the perfect place for walking, running, or cycling. There's also a lot of history here. As you arrive on the island, the first thing you'll likely notice is the breathtaking views of the city. Bring your camera and enjoy your day!

New York Harbor

Queens County Farm Museum

This fun and family-friendly museum lets kids and adults explore everything about life on a farm, including getting to know the animals. They have pigs, alpacas, sheep, goats, and chickens, as well as hay rides, a bush maze, and a variety of education events. They also have seasonal activities such as pumpkin picking in the fall and more. Most days are free, except during special events.

73-50 Little Neck Parkway, Queens, Floral Park, New York, 11004

Website

St. Vincent's Triangle Park

This triangular plaza is in the middle of Greenwich Village and is the location of the New York City AIDS Memorial. The park also has beautiful vegetation and plenty of seating where wanderers can rest their weary legs. Whether you want to watch the people passing by or just take a moment to reflect to yourself, this is a nice space to spend some time.

Verrazano Narrows Bridge

The Verrazano Narrows Bridge is the longest suspension bridge in the United States, measuring just over 2.5 miles in length. It crosses "The Narrows" and connects Staten Island to Brooklyn. This is a double-decker bridge that is named for the Italian explorer, Giovanni da Verrazzano.

Times Square

Times Square is one of the most famous areas in New York City. It's known for its brightly lit billboards which really brighten the city at night. But even if you visit during the day you'll find the area filled with energy, activity, and people. If the crowds get to be too much, there are bleachers set up on one side where you can sit and take a break. Times Square is also recognizable as the location of the iconic ball drop on New Years Eve. It's also an entertainment center for the city. Times Square is in the Midtown Manhattan neighborhood at the junction of Broadway and Seventh Avenue. Website

If you're looking for more information about New York City, read A Nature Lover's Guide to New York City and The Best Outdoor Activities in New York City.

Brooklyn Bridge Park

Sitting on the edge of the water between DUMBO and Brooklyn Heights, this park offers a number of great facilities and recreational activities. There's a bouldering wall, a roller skating rink, a pop-up pool during the summer months, and bocce courts. This is the perfect park to enjoy a run or a bike ride. The park also offers stunning views of the Manhattan skyline as it meanders along the waterfront, with the most spectacular spot being by Jane's Carousel, between the Brooklyn Bridge and the Manhattan Bridge.

Brooklyn

New York Life Building

This Gothic Revival style building serves as the headquarters for the New York Life Insurance Company.

Williamsburg Bridge

Spanning the East River, the Williamsburg Bridge connects the Lower East Side of Manhattan to the Williamsburg neighborhood in Brooklyn. It was built between 1896 and 1903 and is made of steel towers and four steel cables. At the time of its completion, the Williamsburg Bridge was the longest suspension bridge in the world. Today the bridge has 3 subway lines, a bike path, a walkway, and eight lanes of traffic that go across it. This is also a popular photography spot in the city.

The Flatiron Building

This triangular shaped building received its name because it looks like an iron. The surrounding area is named the Flatiron District, after this iconic building.

George Washington Bridge

The George Washington Bridge connects New Jersey to Manhattan, crossing over the Hudson River. This is a double-decker suspension bridge that's the busiest motor vehicle bridge in the world. It has two towers that are held by four main steel cables. There are 14 lanes for cars and two sidewalks on the upper level.

Empire State Building

The iconic Empire State Building has long been a symbol of New York City. It's one of the most famous skyscrapers in the world and the Art-Deco tower has been called one of the Seven Wonders of the Modern World by the American Society of Civil Engineers. The Empire State Building was the tallest building in the world from 1931 to 1970 and, at 102 stories, it is currently the 2nd tallest in New York City. A highlight for many visitors to New York is the ride and view from the Top Deck observatory, which offers breathtaking views in every direction.

20 W 34th St, New York, NY, 10001 Website

New York City has plenty more to offer, so see also our other articles: Things to Do In New York City on a Rainy Day and An Art Lover's Guide to New York City.

Queensboro Bridge

The Queensboro Bridge crosses the East River connecting Manhattan to Queens. It is a very recognizable bridge with its distinct design and two levels. The bridge has vehicle traffic as well as a pedestrian path. It was completed in 1909 and it remains a popular attraction with tourists today.

The Chrysler Building

This Art-Deco skyscraper continues to be considered one of the New York City's greatest sites. It has 77 floors and a beautiful lobby that is open to the public, although there is no public observation deck.

405 Lexington Ave, New York, NY, 10174

Union Square

Union Square Park is a popular place to tourists and locals alike. The park is a hub of activity and there always seems to be something going on. Locals are often in the park playing chess, and there are performers that entertain tourists and those passing by. The park also has lots of public artwork as well as the Metronome and Countdown Clock, which shows 24 hour time from left to right and also counts down the time that's left in the day. Various markets are also held here at different times of the year, such as Christmas.

Louise Nevelson Plaza

Located by William St. and Liberty St., this plaza is where you'll find the seven sculptures called "Shadows and Flags." You'll likely pass by it on your way to catch a boat to see the Statue of Liberty. There are several glass benches in the area as well where you can relax for a bit before continuing to explore Lower Manhattan.

Edge Observation Deck

Located at Hudson Yards, this viewpoint sticks out from the 100th floor of one of the tallest buildings in New York, and offers views of all of Manhattan, as well as a glass floor area so you can look down at the streets below (if you have the courage). Enter on the 4th floor of the shops and restaurants at Hudson Yards opposite of the Vessel. And don't forget your camera!

Hudson Boulevard at Hudson Yards, Manhattan, New York City, New York Website

Metropolitan Life Tower

Don't confuse this building with the MetLife Building at Grand Central Terminal. This tower faces Madison Square Park and has 50 floors. A premiere feature of the tower is the clocks on all fours sides of the tower. Each clock has a face that's 27 feet and each number is four feet tall.

How much does it cost to visit the monuments in New York City?

Prices for activities, things to do, and tours range from $15 to $950. The average cost for a tour or tickets is $96. A few of the best options are below.

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