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shoshiwrites · 1 year ago

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Band of Brothers Ages: IRL vs. Actors

Did you know that according to a 1947 study, almost half the men who served in WWII were still under age 26 by the end of the war?

What this is : A (very long) post comparing the ages of the actors in Band of Brothers vs. the IRL figures they are portraying.

Background: Did I need to do this? No. Did anyone ask for this? Also no. Did I do it anyway? Yes.

Disclaimers: This is SUPER approximate for the most part. I based IRL ages off of D-Day unless otherwise noted, and actor ages off of January 1, 2000, the year filming took place (the latter is where the most variation will be because I didn't try to figure out what month filming started). I also didn't fact-check birthdays beyond googling. Most are sourced from the Band of Brothers and Military Wikis on fandom.com, Wikipedia, and IMDb.

I broke them up into rough categories, which are, again, approximate. I know I often forget how young the real life people were here, and this was a good reminder of that. I also found it interesting to see which actors were actually younger than their roles!

Check it all out under the cut ⬇️

~10+ years older

Dale Dye (55) as Col. Robert F. Sink (39) (~16 years)

Michael Cudlitz (35) as Denver "Bull" Randleman (23) (~12)

Marc Warren (32) as Albert Blithe (20) (~12)

Rocky Marshall (33) as Earl J. McClung (21) (~12)

Frank John Hughes (32) as William J. Guarnere (21) (~11)

Neal McDonough (33) as Lynn D. (Buck) Compton (22) (~11)

Dexter Fletcher (33) as John W. Martin (22) (~11)

~5+ years older

Simon Schatzberger (32) as Joseph A. Lesniewski (23) (~9)

Richard Speight Jr. (30) Warren H. (Skip) Muck (22) (~8)

Jason O'Mara (30) as Thomas Meehan (22) (~8)

Ron Livingston (32) as Lewis Nixon (25) (~7)

Donnie Wahlberg (30) as C. Carwood Lipton (24) (~6)

Matthew Settle (30) as Ronald C. Speirs (24) (~6)

Nolan Hemmings (28) as Charles E. "Chuck" Grant (22) (~6)

Douglas Spain (25) as Antonio C. Garcia (19) (~6)

George Calil (26) as James H. "Mo" Alley Jr. (21) (~5)

Rick Gomez (27) as George Luz (22) (~5 year)

Scott Grimes (28) as Donald G. Malarkey (23) (~5)

Stephen Graham (26) as Myron "Mike" Ranney (21) (~5)

~less than 5 years older

Shane Taylor (25) as Eugene G. Roe (21) (~4)

Tim Matthews (23) as Alex M. Penkala Jr. (19) (~4)

Matthew Leitch (24) as Floyd M. "Tab" Talbert (20) (~4)

Peter O'Meara (30) as Norman S. Dike Jr. (26) (~4)

Tom Hardy (22) as John A. Janovec (18) (~4)

Rick Warden (28) as Harry F. Welsh (25) (~3)

Kirk Acevedo (28) as Joseph D. Toye (25) (~3)

Eion Bailey (25) as David Kenyon Webster (22) (~3)

Craig Heaney (26) as Roy W. Cobb (29) (~3)

Damian Lewis (28) as Richard D. Winters (26) (~2)

Robin Laing as Edward J. "Babe" Heffron (~2, 21/23)

Ben Caplan (26) as Walter S. "Smokey" Gordon Jr. (24) (~2)

David Schwimmer (32) as Herbert M. Sobel (33) (~1 year)

Michael Fassbender (22) as Burton P. "Pat" Christenson (21) (~1)

Colin Hanks (22) as Lt. Henry Jones (21) (~1) (age around Bastogne)

Bart Ruspoli (23) as Edward J. Tipper (22) (~1)

~Same age

Peter Youngblood Hills as Darrell C. "Shifty" Powers (21)

Mark Huberman as Lester "Les" Hashey (19)

Younger

Lucie Jeanne (23) as Renée Lemaire (30) (age around Bastogne) (~7)

Ross McCall (23) as Joseph D. Liebgott (29) (~6)

Simon Pegg (29) as William S. Evans (~33) (~4)

Philip Barantini (19) as Wayne A. "Skinny" Sisk (22) (~3)

James Madio (24) as Frank J. Perconte (27) (~3)

Stephen McCole (25) as Frederick "Moose" Heyliger (27) (~2)

Matt Hickey (~16) as Patrick S. O'Keefe (18) (~2)

Incomplete/not found

Phil McKee as Maj. Robert L. Strayer (34)

Rene L. Moreno as Joseph Ramirez (30)

Doug Allen as Alton M. More (24)

David Nicolle as Lt. Thomas A. Peacock (24)

Rebecca Okot as Anna (Augusta Chiwy) (24) (age around Bastogne)

Alex Sabga-Brady as Francis J. Mellet (23)

Mark Lawrence as William H. Dukeman Jr. (22)

Nicholas Aaron as Robert E. (Popeye) Wynn (22)

Peter McCabe as Donald B. Hoobler (21)

Marcos D'Cruze as Joseph P. Domingus (not found)

#ty mercurygray for that sweet sweet jstor access #band of brothers #uhh one more disclaimer it's entirely possible that i mistyped stuff here and that i switched ages/etc.#i did try to proofread though!#anyway. i apologize if anyone has already done this.#shoshi.txt #sort of #it's also very possible that i spent too much time online today

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alyygx · 1 year ago

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Easy Company Members Sorted Between Surviving and Not Surviving WWII:

Died During the War:

Company Commanders:

First Lieutenant Thomas Meehan III (July 8th, 1921 - June 6th, 1944)

Non-commissioned Officers:

Sergeant Warren Harold "Skip" Muck (January 31st, 1922 - January 10th, 1945)

Enlisted Men:

Corporal Donald B. "Hoob" Hoobler (June 28th, 1922 - January 3rd, 1945)

Private First Class Alex Mike Penkala (August 30th, 1924 - January 10th, 1945)

Survived the War:

Company Commanders:

Captain Herbert Maxwell Sobel (January 26th, 1912 - September 30th, 1987)

Major Richard Davis "Dick" Winters (January 21st, 1918 - January 2nd, 2011)

First Lieutenant Frederick Theodore "Moose" Heyliger (June 23rd, 1916 - November 3rd, 2001)

First Lieutenant Norman Staunton "Foxhole Norman" Dike Jr. (May 19th, 1918 - June 23rd, 1989)

Captain Ronald Charles Speirs (April 20th, 1920 - April 11th, 2007)

Junior Officers:

Captain Lewis Nixon (September 30th, 1918 - January 11th, 1995)

First Lieutenant Lynn Davis "Buck" Compton (December 31st, 1921 - February 25th, 2012)

First Lieutenant Edward David "Ed" Shames (June 13th, 1922 - December 3rd, 2021)

Second Lieutenant Robert Burnham "Bob" Brewer (January 31st, 1924 - December 5th, 1996)

Second Lieutenant Clifford Carwood "Lip" Lipton (January 30th, 1920 - December 16th, 2001)

Non-commissioned Officers:

Technical Sergeant Donald George "Don" Malarkey (July 30th, 1920 - September 30th, 2017)

Staff Sergeant William J. "Wild Bill" Guarnere Sr. (April 28th, 1923 - March 8th, 2014)

Staff Sergeant Herman "Hank, Hack" Hanson (January 3rd, 1918 - May 15th, 1971)

Staff Sergeant Denver "Bull" Randleman (November 20th, 1920 - June 26th, 2003)

Staff Sergeant Darrell Cecil "Shifty" Powers (March 13th, 1923 - June 17th, 2009)

Staff Sergeant John W. "Johnny" Martin (December 8th, 1921 - December 31st, 2012)

Staff Sergeant Floyd "Tab" Talbert (August 26th, 1923 - October 10th, 1982)

Staff Sergeant Charles E. "Chuck" Grant (March 1922 - October 12th, 1982)

Staff Sergeant Joseph John "Joe" Toye (March 14th, 1919 - September 3rd, 1995)

Sergeant Robert Emory "Popeye" Wynn Jr. (July 10th, 1921 - March 18th, 2000)

Sergeant James H. "Moe" Alley (July 20th, 1922 - March 14th, 2008)

Sergeant Wayne "Skinny" Sisk (March 4th, 1922 - July 13th, 1999)

Corporal Walter Scott "Smokey" Gordon Jr. (April 15th, 1920 - April 19th, 1997)

Enlisted Men:

Technician Fourth Grade George Luz (June 17th, 1921 - October 15th, 1998)

Technician Fourth Grade Eugene Gilbert "Doc" Roe Sr. (October 17th, 1922 - December 30th, 1998)

Technician Fifth Grade Joseph David "Joe" Liebgott (May 17th, 1915 - June 28th, 1992)

Private First Class Edward James "Babe" Heffron (May 16th, 1923 - December 1st, 2013)

Private First Class Edward Joseph "Tip" Tipper (August 3rd, 1921 - February 1st, 2017)

Private First Class David Kenyon Webster (June 2nd, 1922 - September 9th, 1961)

*This is not all of Easy Co. just some of the more recognizable names. If I missed anyone that you would like to see listed please message me and I would be glad to add him.

**I was also thinking about adding more info to this list and/or making a separate post with additional details like awards/medals, how and where they were wounded (if at all), and maybe some personal details like where they were born/died, their family (parents, siblings, spouse, children), what they did after the war (if they survived) stuff like that (though that might be a separate list idk yet). I would love to hear your opinion and if you'd like to see something like this. Basically just one large masterpost! Message me and tell me your thoughts!!!! I'm open to ideas!

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yatescountyhistorycenter · 9 days ago

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Are we there yet?

By C.J. Hartman Thompson

(The following article originally appeared in Bluff & Vine, a literary review featuring work created in and around the Finger Lakes region of New York State, and is published here with the permission of the magazine. This article also appeared in three parts in Yates Past, the bi-monthly newsletter of the Yates County History Center).

I vividly recall growing up in the 1960s and ’70s, as if it were yesterday. Two of my younger siblings, our parents, and me, sitting upon red padded chairs, separated as if by seniority around the outskirts of our chrome-legged Formica top table. There, as with most nights before, we conversed over our day’s events, with my mother monitoring our consumption, occasionally reminding us three kids, “Children in China would be grateful to have half the food we had on our plates!” This, a likely response to me chasing nasty whole beets about on my plate with a fork, while my sister pretended she liked the venison steak that she would eventually conceal in her napkin and later place in the trash. My brother, forever innocent, and the youngest at the time, would proclaim that my sister and I were staring at him, knowing full well that it would get us in trouble again.

We were all expected to clean our plates and leave the kitchen spotless or forfeit going for our nightly ride out on Bluff Point. Exiting our home toward the driveway, as if in response to the slam of our screen door, I recall yelling, “I have the middle,” as we piled into our 1972 green Pontiac Catalina in reckless abandon, absent of all regard for the use of seatbelts. None of us wanted to sit behind our father, because when he smoked his pipe, he would periodically empty it against his outside driver’s door handle, sending the ashes back into the rear window. Adorned with his corn-cob pipe, our father preferred a tobacco named Sir Walter Raleigh, which came in a variety of red and black tins. Back then, there wasn’t any consideration given to children purchasing tobacco products, and so I remember biking to either Loblaws or Charles Bollen’s Super Duper to purchase tobacco, filters, or pipe cleaners for Dad. Our dad, having grown up on Pepper Road, could tell you about every nook and cranny on Bluff Point there was to know. My siblings and I never knew where we would end up on these nightly adventures, as we called them.

We would leave our home on the lower West Lake Road, which was behind Race’s Willowhurst Garage. Our grandfather Alton owned and operated the garage after being discharged from the Army, having served in World War II. We would head south to Keuka Park, and on the lake side going toward Keuka Park, Dad and Mom told us that this larger red brick building in Brandy Bay was once the electric generating plant for the Penn Yan, Keuka Park and Branchport Railroad. One of our great-grandfathers, Ray Kenyon, had been a conductor on one of the trolley cars.

Brandy Bay had been the hot spot back in the day, as just behind the tracks, closer to the lake, there had been a place called Electric Park, where folks would spend summer evenings listening to music and dancing in a community pavilion. Our parents were quick to mention that the railroad and Electric Park were way before their time, certain that the passenger service had stopped in 1927, while the railroad continued to transport freight for some years afterward.

In the early ’60s, the lower West Lake Road ran directly from Indian Pines to the Brandy Bay trolley stop, passing scattered family-owned cottages along the way. Remnants of the original track lie east of today’s Central Avenue, which wouldn’t be constructed until many years later. Minutes from Brandy Bay, we would be at the stop sign with the main entrance of Keuka College on our left. Ball Hall, Hegeman Hall, and Harrington Hall looked very impressive to all of us. An all-female college at the time, Keuka College became co-ed in 1985. Both my sister and I agreed that we would attend there following our graduation from high school, and the college would later graduate five members of our immediate families.

Turning right after stopping, our parents, pointing left, acknowledged the location of a general store and café owned by the Johnson family close to where the former Keuka Park Fire Department building stands, now a storage facility for Keuka College. A gazebo has been constructed nearby, a gift from a Keuka College alumni. Further up the road on the right was the community center, which is now the location for the Branchport and Keuka Park Fire Department. By this point in the ride and yet only minutes from home, one of us kids would ask, “Are we there yet?” to which Dad likely replied, “Pipe down, sit back, and enjoy the ride.”

Once out of Keuka Park, we headed southwest up Skyline Drive, where we were encouraged to look for deer, be they in a field or hedgerow, coming to a stop the moment any of us saw one. I kid you not, it wasn’t out of the norm to spot herds in excess of 60 deer milling about the fields of the bluff near dusk. If the deer were standing close to the road, Dad, placing two fingers in his mouth, would send a loud whistle their way, scaring them back into the impenetrable woods. In truth, I think he enjoyed watching them hop and dart back to the safety of the trees, while telling us how the motion of their tails would signal to the other deer in the herd if danger were nearby. I laugh now as I could not tell you the number of times we would stop, each of us pondering, “Are we there yet?”

The Herrick Cemetery, an old cemetery associated with the Bluff Point community, is soon pointed out to us, as our fourth-great grandparents, Elisha and Charlotte “Latchie” Knickerbocker Kenyon are both buried there. The cemetery itself sits back maybe 50 yards from Skyline Drive and looks majestic, as it sits higher than the fields surrounding it. I have in recent years gone there and walked around. Numerous markers made from old limestone have either toppled over or are not even marked. Elisha and Charlotte’s markers looked to have been repaired. It is a beautiful and tranquil spot, as one can overlook the valley, the rolling hills, and surrounding vineyards. Now the trees, once saplings 60 years ago, are large deciduous trees with the exception of a lonesome pine, all offering shade to those who rest in peace beneath them.

This particular day had been a hot one, and thankfully it was slowly cooling down. The evening sun was hesitant to disappear, and from our vantage point it looked to be like a red orange balloon in the sky way off in the distance. We knew tomorrow would also be another sweltering day. The smell of Coppertone Sun-tan Lotion, applied earlier in the day, still lingered, having been outside all day. Still near the cemetery, Dad might then point out the Pinnacle, which is about the same elevation of 1,400 feet above sea level as Bluff Point. The Pinnacle is a peak that overlooks Bluff Point and Branchport.

The Esperanza Mansion, in the distance, was perfectly placed close to the tip of the Pinnacle and was completed in July of 1838 by John Nicholas Rose, a wealthy farmer from Virginia. Upon further research, the Roses for the most part had many of the early indigenous people known to inhabit Bluff Point along with a retinue of enslaved people provide much of the labor in construction of the mansion. It is believed that they transported the limestone from near the end of the Bluff by canoe to the shores currently in care of Keuka Lake State Park. The limestone provided necessary support in the construction of its 11- to 14-inch thick walls, complete with internal shutters to cover the windows, given the potential for rogue arrows to be directed at them.

Unbeknownst to me, the Esperanza Mansion was also part of the Underground Railroad during the Civil War. Mind you, as kids, Dad was simply pointing to a huge hill beyond the cemetery that had a huge house on it. We were impatient of course to get to wherever Dad was taking us. Even with all windows down, just sitting next to one another we were weary of the heat and our knees and elbows bumping into one another for what we thought had been a monumental amount of time. One of us again asked, “Are we there yet?” Mom turned around and gave us the look as if to say, you best not ask that again.

Further up the road from the cemetery, we take a right turn at the “V” intersection, remaining on Skyline Drive. Should one choose the road to the left, you are on Vine Road. At this junction stands a small house, formerly a two-room schoolhouse my father attended. With additional research, I found the original structure was built in 1860 for $395. Its location was known as Jerusalem District No. 4, Fingar District. Several improvements were made between 1861 and 1903; a coal stove replaced the wood-burning unit, walls were plastered, a wire fence was built, new student seats, an entrance hall was added, new floor installed, and shade trees were planted in 1903. The salary for one teacher for the winter and summer terms was $5 per week.

My siblings and I were astonished to think that the little house could be a school and that Dad had to walk to school with his siblings. Dad smirks when he tells us that he along with some of his buddies would tip over the outhouse when other students were in there. Though the distance seemed like miles to us, it was less than a half-mile from his Pepper Road home, absent concern for the weather. My siblings and I make eye contact across the large backseat, grateful to hop on a bus only minutes away from our home, transported to a larger school complete with running water and plumbing.

Still on Skyline Drive, we have now gone by the northwest entrance to Scott Road, as we still call it today. There is a house that looks to be half in the ground on the left. Mom mentions the property the house now resides upon was once left to my dad’s mother when her father had passed away, and for whatever reason, my grandparents relinquished their ownership, though the cost of additional taxes may have been motivation at the time.

If we were lucky, some nights we would see the occasional flock of turkeys trot across the road, as they like to roost just before sunset. Tempted by the possibility of an ice cream cone from Seneca Farms, we were all encouraged to increase our focus out the windows, in search of wildlife running amuck. We were rubbernecking, as competition grew to spot the next animal or feathered friend.

Just down the road a piece is the John Hall Road, which was and still is a dead end. The only things we could see from Skyline Drive were a huge barn and a house down over the hill surrounded by vineyards that looked as though they may well go all the way to the lake. Our ride proved to be more interesting and fun the further we went out on the bluff.

Arriving upon yet another old schoolhouse, which I have researched as being District No. 5, the Kenyon District, Scott Settlement District, Bluff Point District. This schoolhouse is located near the southern entrance of the Scott Road and Skyline Drive intersection. Today, the most recent owner of the schoolhouse has taken the roof off of the building and placed a huge telescope in its place, making it the perfect spot for an observatory.

Fewer houses embellish our views out of the Pontiac, as we make our way to the end of the bluff, soon approaching the home of Marland (Dutch) Griffith and his wife, Izzy (Isabelle Walrath) on the left.

They were both dear friends of our parents. I believe Dutch and Izzy owned around 210 acres out on the bluff, which had two houses and multiple outbuildings. One of the homes, not visible from the road, was in fact Dutch’s childhood home, complete with a working hand-pump above its dug well and a three-holed outhouse east of the dwelling. A large red barn to the south stored his wooden bobsleds and countless wooden beer lugs used to harvest grapes by hand, prior to modern convenience.

The house visible from Skyline Drive also had a pole barn where firewood, tractors, and implements were stored, while a wood framed hangar lay tucked away in the corner of a hardwoods, secreting Dutch’s single-engine plane, complete with canvas wings and but one seat.

An avid private pilot, Dutch was a member of the Penn Yan Flying Club, having earned his license by bicycling once a week to Penn Yan and back in his teens. Our mom, more curious than our father, once went for a brief ride in the plane. She recalls sitting upon a turned over 5-gallon bucket for a seat.

Before takeoff, Mom recalls asking Dutch if the door handle was secure enough. There was what looked to be a water hose going out onto the upper edge of the windshield from within the plane, transferring fuel to the engine. Dutch took Mom as far as Bath and back, she having a death grip on Dutch’s shoulder during the flight’s entirety. Liking the ride, she was no less happy to be back on the ground, and still the three of us begged to ask, "Are we there yet?”

The Scott family lived across from Dutch and Izzy, while the Disbrow family home and property lay to the south and east side of Skyline drive, separated by a vineyard retained by the Scotts. The Disbrow family still owns much of the land on both sides of Skyline Drive, running all the way to the Garrett property on the east side of Skyline Drive but ending somewhat sooner on the west side.

Mom excitedly tells us when Dad and she were first dating they walked down over the hill near Disbrows and carved their initials into a tree. The slanting rays of the setting sun gave the surrounding landscape a stunning panoramic view. We felt as though we were on top of the world. One could see only the tops of other hills, Barrington to the east and Pulteney to the west. We could see deer everywhere in the fields on both sides of the road.

We pulled over on the east side near the little old stone spring house that still today feeds water to the Garrett Chapel. We all got out to stretch our legs and gazed in the direction of the Wagener Mansion, built by Abraham Wagener in 1833 on the southern tip of Bluff Point. Dad mentioned the stones used to build the foundation of the mansion were rumored to have come from the early indigenous ruins on Bluff Point. The mansion is not only intimidating by its size, but the grounds around the residence were well taken care of.

Dad was like an encyclopedia, full of information that he wanted to share with us. He then mentions our great-grandfather, Ray Kenyon, had been the manager of Paul Garrett’s vineyards for a time. Dad, along with his father and brother, all worked for the Garrett family, tending to their vineyards and fields, often using work horses to complete many tasks up and over the steep terrain, better suited to billy goats.

In writing this story, I interviewed my brother, who spent countless hours hunting with our dad on the bluff. I inquired as to whether I had forgotten any significant locations we may have heard tell of during the course of our rides, and he had several: Besides knowing the whereabouts of abandoned wells of grave importance to hunters, he mentioned places like the Hogpen, the Hole, and the Hairpin. The latter two, still visible on Google Earth, each name assigned to trails forged for farming or logging, all located on the west side of Skyline Drive.

Conversation momentarily turns to ice cream, and the debate ensues as to who wants what, with many, “I changed my minds,” in between. Both Dad and Mom settle on splitting a banana split. Returning North on Skyline Drive, Dad decided to take the first left going down Pepper Road.

I have found in old articles that Pepper Road had also been called Pepperville Road. The property immediately on the west side of the road had once belonged to the Pepper family. John William Pepper and Ruth Annie Kirk had immigrated from Leicestershire, England. They raised their family on Bluff Point. Dad went into great detail describing how the farm was huge, with a great big white farmhouse and a barn. He had never been in the house but was told by other Pepper family members that there had been a wood kitchen stove, and water needed for the kitchen was brought up by the pail from a pump down the hill in the gully. There was also an outhouse.

They owned several animals: cows, horses to pull the plow, rabbits, chickens, and pigs. Best known for their Concord grape vineyards, they also had assorted apple, cherry, and pear trees as well as black and red raspberries and strawberries. This property is now part of Keuka Lake State Park. Sadly, the Pepper home perished in a fire.

Our ride down Pepper Road continued, and we only had to cross over West Bluff Drive, which was perpendicular to Skyline Drive. This next property belonged to Herb Valentine; he owned around 114 acres, with his property adjoining the Gridley property. Both Pepper and Valentine properties went down the hill from Skyline Drive to Keuka Lake.

Dad and his father had been out hunting deer on a cold December morning when they heard cries for help coming from the Herb Valentine property. They found Herb lying on the ground near the wood pile. He had gone out to get wood for his stove the night before and fallen. Unable to get up, he had laid there overnight. Thankfully, Mr. Valentine didn’t suffer any great harm.

The Finger Lakes State Park, as it was known then, filed notice of acquisition and transfer of deeds, dated November of 1961 after the death of Herb Valentine. The Pepper and Valentine property totaled close to 500 acres.

I remember Dad parking the car at the top of West Bluff Drive in the winter, as the road was and still isn’t plowed in the winter. My parents, my siblings, and I would trudge through the snow part way down West Bluff Drive with our sleds in tow. We would be exhausted just going sledding down the hill two or three times.

#historyblog #history #museum #archives #yatescounty #american history #us history #local history #newyork #jerusalemny #bluffpointny #keukalake

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fibula-rasa · 1 year ago

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(Mostly) Lost, but Not Forgotten: A Thief in Paradise (1925)

Direction: George Fitzmaurice

Scenario: Frances Marion (learn more at the Women Film Pioneers Project)

Original Novel: Leonard Merrick’s “The Worldlings”

Camera: Arthur C. Miller

Set Design: Anton Grote

Studio: Goldwyn (production) & First National (distribution)

Performers: Doris Kenyon, Ronald Colman, Aileen Pringle, Claude Gillingwater, Alec B. Francis, John Patrick, Charles Youree, Etta Lee, Lon Poff

Polo Players: Nita Cavalier, Virginia Jolly, Martha Wing

Premiere: 25 January 1925 at the Strand, New York

Status: presumed lost, save for a trailer

Length: 7, 231-7,251 feet, or roughly 71 minutes. (8 reels)

Synopsis (synthesized from magazine summaries of the plot):

While pearl diving off the coast of a remote South Seas island, Philip Jardine (Youree) and Maurice Blake (Colman) have a vicious fight underwater over the possession of a valuable pearl. In the struggle, Jardine is cut and subsequently attacked by a shark and killed. Blake manages to escape to shore.

Aileen Pringle & Ronald Colman in A Thief in Paradise from Exhibitors Trade Review, 10 January 1925

Rosa Carmino (Pringle), Jardine’s common-law wife, reveals to Blake that Jardine came from a wealthy family back in the United States. A letter and money has arrived to carry Jardine back home to San Francisco to reunite with his long-estranged father (Gillingwater). Carmino convinces Blake to assume Jardine’s identity. Blake Has doubts, but the promise of a fresh start leads him to accept the proposition. Blake and Carmino travel together to California.

The deception is successful and Blake begins running in high society where he meets Helen Saville (Kenyon). Saville is the daughter of a Bishop (Francis), who happens to be the elder Jardine’s best friend. The old men are keen on the relationship, but Blake is held back by guilt over his deception. Additionally, as part of the identity theft scheme, Blake is bankrolling Carmino’s luxurious bohemian lifestyle.

Top: Bathing Beauties in A Thief in Paradise from Exhibitors Trade Review, 10 January 1925 | Bottom: Bathing Beauties in A Thief in Paradise from Screenland, February 1925

On the grounds of the Jardine estate, a bevy of bathing beauties decide to put on a polo match—blondes vs. brunettes. Saville is also spending the day riding, and her horse gets startled and bolts headlong toward a cliff. Blake springs into action and manages to save Saville at the last moment. Overwhelmed by the situation, Blake confesses his love for Saville. The exchange is overheard by Jardine and the Bishop.

Alec Francis, Claude Gillingwater, Doris Kenyon, & Ronald Colman in A Thief in Paradise from Exhibitors Trade Review, 10 January 1925

Jardine throws an extravagant party where he announces the youngsters’ engagement. Unfortunately, Carmino is one of the entertainers hired for the party. Carmino performs a dramatic under-the-sea dance number that creatively retells the story of Blake and Jardine’s underwater battle. As it turns out, Carmino is in love with Blake and she is unpleasantly surprised with the engagement announcement. Carmino threatens to expose Blake. Blake attempts to pay her off.

Under-the-water dance sequence in A Thief in Paradise from Exhibitors Trade Review, 10 January 1925

Blake and Saville are married and head off via airplane to Del Monte Beach for their honeymoon. Blake is overwhelmed with guilt and is working up the courage to make a full confession to Saville. Unbeknownst to Blake, Carmino has followed the couple. Carmino goes straight to Saville, but rather than revealing the deception, she claims that she is Blake’s mistress and that he has been keeping her. Carmino uses the pay-off check Blake gave her as evidence. Saville is heartbroken and immediately returns home.

Blake follows Saville back to San Francisco, where he confesses to both the elder Jardine and Saville. The old man’s heart is also broken as he has accepted Blake as his son and loved him as such. Blake is despondent and shoots himself.

Miraculously, Blake survives and Saville has chosen to stand by him and nurse him back to health. Jardine has accepted Blake as his true son, forgiving the deception. Carmino returns home.

Miscellaneous stills from A Thief in Paradise from Motion Picture News, 26 December 1925 [L to R: John Patrick, Aileen Pringle, Ronald Colman, Pringle, Pringle, Etta Lee, Colman, Doris Kenyon, Kenyon, Colman, Pringle]

Additional sequences featured in the film (but I’m not sure where they fit in the continuity):

Another dance sequence by Pringle as Carmino staged in her studio apartment

Aileen Pringle in A Thief in Paradise from Exhibitors Trade Review, 10 January 1925

The Bishop Saville and Jardine play chess and the Bishops cheats, is caught by Jardine

Claude Gillingwater & Alec Francis in A Thief in Paradise from Motion Picture Magazine, March 1925

Four old men are left to care for a baby and are at a loss

Four old men (Alec B. Francis & Claude Gillingwater to right) in A Thief in Paradise from Exhibitors Trade Review, 10 January 1925

A snafu regarding a taxicab losing its wheel, driver is upset

Taxicab snafu in A Thief in Paradise from Exhibitors Trade Review, 10 January 1925

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Points of Interest:

Contemporary blurb that describes the under-the-sea dance sequence in more detail:

“By a combination of photography and set design, gigantic fish swim about among the coral trees and huge sea shells. Even the human participants in the under-sea dance make their entrance as divers swimming down from the surface to the immense shell on the ocean’s floor which serves as the hiding place of the stellar feminine dancer who is clad in a symbolic costume of pearls. “In order to enhance the brilliancy of the picture, the entire set, including coral, shells and floor of the sea, was finished in bright silver and the costumes of the dancers were made entirely of especially constructed luminous silver and gold cloth. Even the natural flicker of light and shadow which characterizes scenes actually filmed under water was reproduced by the technicians. “The marine dance tableau constitutes a play within a play in “A Thief in Paradise.” It is the entertainment provided by the host at a lavish engagement party given in honor of two of the principals and also has an important dramatic value in developing one of the many dramatic moments of the story.” - Moving Picture World, 10 January 1925

Based on some of the stills, I think it’s possible that Aileen Pringle may have had a double for this dance sequence, but no other dancers are credited. There is also no credit I could find for a choreographer.

The amount of pure spectacle packed into a mere seventy-one minutes is astounding to me! Knowing how skilled Frances Marion was as a scenarist, I don’t doubt that A Thief in Paradise managed to deliver plot just as well as it (according to contemporary reviews) delivered the spectacle. Film historians have been working for years to restore Marion’s rightful place as a crucial figure in American film history, so examples of her work being lost sting just that much more.

Despite the fact that A Thief in Paradise was a huge success and a top box-office draw of 1925, comparatively little digitized material exists online. Most notably absent are stills from the South Seas portion of the film.

This Ronald Colman fan website has some screenshots from the extant trailer as well as a digitized copy of a program from ATiP’s German release.

Hawaiian actress Etta Lee also appears in this film as Carmino’s maid. I ended up going down a bit of a rabbit hole reading about Lee and will probably end up doing a spin-off of this post about her career. You may recognize Lee from her roles in The Untameable (1923), The Toll of the Sea (1922), or The Thief of Baghdad (1924)

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Transcribed Sources & Annotations over on the WMM Blog!

#1920s #1925 #Ronald Colman #Aileen Pringle #Doris Kenyon #Etta Lee #george fitzmaurice #silent cinema #silent film #lost film #classic movies #classicfilmblr #american film #Goldwyn #silent movies #film history #history

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byneddiedingo · 1 year ago

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James Cagney and Anita Louise in A Midsummer Night's Dream (Max Reinhardt and William Dieterle, 1935) Cast: Dick Powell, Ross Alexander, Olivia de Havilland, Jean Muir, James Cagney, Joe E. Brown, Victor Jory, Anita Louise, Mickey Rooney, Frank McHugh, Hugh Herbert, Dewey Robinson, Ian Hunter, Verree Teasdale. Screenplay: Charles Kenyon, Mary C. McCall Jr., based on a play by William Shakespeare. Cinematography: Hal Mohr. Art direction: Anton Grot. Film editing: Ralph Dawson. Music: Erich Wolfgang Korngold, adapted from works by Felix Mendelssohn. Costume design: Max Rée. Choreography: Bronislava Nijinska The spirit that animates this version of A Midsummer Night's Dream is not that of William Shakespeare but Felix Mendelssohn. Shakespeare's text has been trimmed to a nubbin and hashed up by the "arrangers," Charles Kenyon and Mary C. McCall Jr., and it's gabbled by the all-star cast. Strangely, Olivia de Havilland and Mickey Rooney are the worst offenders, since they are the only members of the cast of Max Reinhardt's celebrated 1934 Hollywood Bowl production who made it into the movie. De Havilland delivers her lines with heavy emphasis on seemingly random words and with odd pauses, while Rooney punctuates every line with giggles, chortles, and shrieks that affect some viewers like fingernails on a chalkboard. Nobody in the cast seems to be aware that they're speaking verse. Fortunately, the decision was made to use the Mendelssohn overture and incidental music (along with snippets of other works by Mendelssohn), and to have it orchestrated by Erich Wolfgang Korngold. The result is an opulently balletic version of the play, taking advantage of what can be done in movies that can't be done on stage. Is it good? Maybe not, but it's much more fun than the stodgily reverent version of Romeo and Juliet (George Cukor, 1936) that MGM came up with the following year. Casting James Cagney as Bottom/Pyramus and Joe E. Brown as Flute/Thisby was a masterstroke, and if they had been directed by someone with a surer sense of American comic idiom than Reinhardt, the Viennese refugee from Hitler who spoke very little English (co-director William Dieterle, a German émigré, acted as interpreter), the results would have been classic -- as it is, they're just bumptious fun. Much of the design for the movie is reminiscent of the work of early 20th century illustrators of children's books like Walter Crane, Arthur Rackham, and John R. Neill, though with a tendency toward the twee. But there is a spectacular moment in the film when Oberon gathers the fairies, gnomes, and bat-winged sprites to depart, under a billowing smoky black train. The cinematography by Hal Mohr won the only write-in Oscar ever granted by the Academy.

#A Midsummer Night's Dream #Max Reinhardt #William Dieterle #James Cagney #Anita Louise

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bboyplankton · 11 months ago

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2023 Playlist

2 Chainz & Lil Wayne – Long Story Short

38 Spesh – Crowned King

38 Spesh & Conway the Machine feat. Benny the Butcher – Speshal Machinery

38 Spesh & Conway the Machine feat. Pharohe Monch & Che Noir – We Outside

Adi Oasis – Serena

Adrian Dzvuke feat. Myx Quest – EGO

Ama Lou – Silence

Armani White feat. A$AP Ferg – Silver Tooth.

Austin Millz feat. Duckwrth – Familiar

Biako feat. Peyton – Holy Matrimony

BiC Fizzle – Loaded

BiC Fizzle – Where U From

BigXthaPlug - Mmhmm

BigXthaPlug – Rush Hour

BJ the Chicago Kid – Who Cares

BLK ODYSSY feat. Grace Sorensen – LET ME GO

BLK ODYSSY – ODEE

Boldy James & ChanHays – Trust Issues

Casper Sage – Flow State

Chase Shakur – x’s n o’s

Chiiild – Into The Deep End

Chris Brown – Feel Something

Chris Brown – Stutter

Ciara – Type A Party

Conway the Machine & Jae Skeese – The Chosen

Conway the Machine feat. Sauce Walka & Juicy J – Super Bowl

Curren$y & Trauma Tone – All Fucked Up

Curren$y & Trauma Tone feat. Maxo Kream – Cheat Code

Daniel Caesar – Do You Like Me?

Dave East – Letter to Kobi

Dave East – Like A Rose

Deanté Hitchcock feat. Big K.R.I.T. & Westside Boogie – Callin’

Dende – Nightmares

Destin Conrad feat. Masego – Super Paradise

Devon Gilfillian – The Recipe

DJ Drama feat. Jeezy – I Ain’t Gon Hold Ya

Doe Boy – Rhude Boy

Doja Cat – Agora Hills

Doja Cat – 97

Domo Genesis & The Alchemist feat. Tyler, the Creator – No Idols

Domo Genesis & The Alchemist feat. Freddie Gibbs – Till The Angels Come

Don Toliver – Leather Coat

Don Toliver feat. Kali Uchis – 4 Me

Ebony Riley – Draws

Elli Ingram – Heavy

Elmiene – Mad At Fire

Elmiene – Someday

Emotional Oranges – Lies You Tell

Fall Out Boy – What a Time To Be Alive

FNF Chop – Shooting

Forest Claudette – Two Years

Gucci Mane & B.G. – Idiots Worst Nightmare

Gucci Mane feat. Young Dolph – Pretty Girls

Hamzaa & 1srael – Borderline

IDK feat. Jucee Froot & Saucy Santana – Pinot Noir

Jack Harlow – They Don’t Love It

Jacob Latimore – Sorry

Jai’len Josey – Southern Delicacy

Jane Handcock – Layin Next to Me

Janelle Monáe – Water Slide

Jastin Martin – S.O.M.S. (Still Owe Me Something)

Jean Deaux – Dog

JMSN – Soft Spot

Jordan Ward feat. Lido – Pricetag/Beverlywood

Jorja Smith - Lately

Jozzy – Alone

Juicy J feat. La Chat – Deadbeat

Jungle – Back On 74

Justine Skye feat. Timbaland – Intruded

Kali Uchis feat. Don Toliver – Fantasy

K Camp – Spin the Block

Kenyon Dixon feat. Alex Isley – & Then Some

Kenyon Dixon – Lucky

Key Glock – Pop My Shit

Khamari – Doctor, My Eyes

Killer Mike feat. El-P & thankugoodsir – Don’t Let the Devil

Killer Mike feat. Curren$y, 2 Chainz, & Kaash Paige – Spaceship Views

KXNG CROOKED & Joell Ortiz – No More

Kyra – Sweet Mahogany

Larry June & The Alchemist feat. Slum Village – Orange Village

Larry June & Cardo feat. ScHoolboy Q – Pop Out

Leonard Charles feat. Reality Jonez – Get Out

Leon Thomas – Breaking Point

Lloyd Banks – Onyx AMG

Lloyd Banks feat. Method Man – 101 Razors

Logic feat. Norah Jones – Paradise II

Mac Demarco – Chicago

Machel Montano – Night Shift

Machel Montano feat. Destra – Shake the Place

Maeta feat. Ambré – Control Freak

Mahalia – Isn’t It Strange?

Mahalia – Plastic Plants

Marc E. Bassy – Change My Ways

Mannywellz – Be Alright

Masego – In Style

Masego – Remembering Sundays

Moneybagg Yo – Ocean Spray

Nas – Slow It Down

Nelccia – Options

Noah Guy feat. Amaria – Stay Here

Nonso Amadi – Foreigner

Omarion – Alkaline Drip

Paramore – Running Out of Time

Phabo – Casamigos

PinkPanthress – The Aisle

Preemo Rice – DEEP in my bag

Queen Naija – Soul Tied

RAAHiiM – Friend Zone

RAAHiiM – Lonely

RAAHiiM – Outside Freestyle

Reason – Gang Shit!

Rican Da Menace feat. Moneybagg Yo – Dumb

Rory feat. DRAM & Alex Isley – I Want You But You’ll Never Know…

Roy Woods – Don’t Mind Me

rum.gold – AM/FM

Sabrina Carpenter – Read Your Mind

Sabrina Claudio – Tastes So Good

Saint Harison feat. Tiana Major9 – homies

Saleka – Fantasy

Saleka – Séance

Sam Smith – No God

Sampha – Inclination Compass (Tenderness)

Sampha – Only

Sebastian Mikael feat. Flwr Chyld – It’s You

Selah Sue – When It All Falls Down

Shy Glizzy feat. 21 Savage – Slime-U-Out

Sy Ari Da Kid & Paxquiao – No Rules (Slut Me Out)

Tay Iwar feat. Knucks – Juice

Terrace Martin & Alex Isley – 2 Step in the Living Room

THEY. – Blu Moon

TOBi – Move

Tone Stith – Girls Like You

Tone Stith – Whoa

Travis Scott – I Know?

Travis Scott feat. James Blake & 21 Savage – Till Further Notice

Vedo – Consistency

Vedo – Deep (Hold You)

Vedo – You and Me

Victoria Monet – Smoke (Reprise)

Wale the Sage – Bleue

Wiz Khalifa – Tail Money

Yung Bleu – Can’t Help Who You Love

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steampunkenglish · 1 year ago

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World Dracula Day, Folk Horror, and Renn Faire After Party

World Dracula Day (bleh bleh)

May 26 is indeed World Dracula Day. For those of you not in the know, this is the publication date (May 26, 1897) of Bram Stoker's novel, Dracula. In the over 100 years since this character's introduction, the Count and vampires in general have been swooping around most of Western society's corporate psyche in one way or another. I'm not sure if Stoker had any idea that his story of supernatural betrayal, invasion, and ultimate heroics would catch on and still be popular after so long, but here we are in 2023 still talking about the character and still writing stories that link back to the world he created.

If you celebrate, as I do, please lift a glass...but not of wine because we do not drink...wine to Stoker and to Count Dracula!

Folk Horror and a Bit of Self-Promotion

Since we're on a bit of a horror bend today, I'm also going to talk a little about a specific niche of horror and do some promotion for a new anthology produced by Pavane Press and edited by Cliff Biggers and Charles Rutledge.

Some of you may be familiar with the above image. It's from the original Wicker Man (1973). If you haven't seen this movie, get thee to your Amazon Prime or Roku Channel and view it henceforth. Do not watch the abomination that is the Nicholas Cage version from 2006 unless you enjoy watching Nicholas Cage screaming in that weird way he does in his horror movies. The 1973 version is an excellent introduction to the folk horror genre, which is having a resurgence in the horror community both for written works and on film. Midsommar is another good example although, like a lot of folk horror films, has mixed reviews (I liked it. It disturbed the hell out of me, but I liked it.).

I enjoy folk horror because my own horror stories brush close to it. Elements of this sub-genre include a sense of isolation, communities with rituals, an outside element coming into the closed community, and an event of some sort. I feel like Southern Gothic horror is a kissing cousin to this sub-genre. I love exploring all of these things because I feel like we experience these things or are only one or two steps away from these elements here in the South, especially if we live on the edges of rural communities (and a lot of us still do).

If you are curious or if you already have a love for this sub-genre, let me recommend the brand new anthology, Lonely Hollows.

Cliff and Charles gathered 15 of some of the best horror authors in the business and asked that we write folk horror stories. Some of these names you may recognize, like James A. Moore, Jeff Strand, Leanna Renee Hieber, and Amanda DeWees. Others of us are newer voices, including me and Darrell Z. Grizzle. The cover art is by Lynne Hansen, whose cover art is well-known and loved in the horror community. My story, "Renewal," involves werewolves, a community cult, and one young man with a very large decision that needs making.

You can get this in paperback, hardback, or on Kindle. I will be at the Crazy Book Lady bookstore on Saturday, June 10 as well. I hope to have paperbacks there, ready to sell and sign! It's an awesome anthology. Renn Faire After Party

We had a fantastic two days at the Georgia Renaissance Festival last weekend despite the fact that it was overcast both days (that seemed to make it better). There were eight authors at three tables, and I think we all did pretty well. I sold nine books, which I consider a complete win. I also got to hang out with a bunch of folks who were just awesome, including Sarah Sover, Sarah Madsen, Milton Davis, Nancy Dunne, Jen Guberman, and Sherrilyn Kenyon (yes, THAT Sherrilyn Kenyon).

I'm hoping we do this again next year because as much as it was work (and it was), I had a blast. Patrons were really excited to see us (especially Sherrilyn) and a lot of them expressed that they wanted to see more books and authors on site.

I also learned how to use TikTok finally and have opened an account. You can find me at @steampunkenglish1883. So that was my weekend! I can't wait until my next event. #writing #writinglife #georgiarenaissancefestival #folkhorror #booktok #lonelyhollows #southerngothichorror #hwaatlantamember #falstaffbooks #fantasy

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