#Chanel no1

[yibo-wang]

Yibo and Zhou Xun holding hands when skating 🥺 via Chrison's Weibo

[intergalactic-garbage]

octavian wet cat headcanons

@odysseus-crewmate-number38 and i have decided that there has been enough of rick's writing which transparently only made octavian an object onto which to project hate, rather than a character. because i am the sexiest and smartest person on the planet, i understand octavian better than rr, and know that what he is actually meant to be is a traditionally queer-coded, camp, homosexual villain, who enjoys being a villain immensely. the following are a compilation of ody and mine's absolutely true and fully verified octavian facts (he told me):

his little augur rituals are like drag performances

in which i don't means he dresses up in drag but rather that he's exaggerated and dramatic

he does the thing where he rubs his grubby little hands together

he's the type to say "well well well look what the cat dragged in"

light in the office opens dramatically as octavians spinny chair turns to the door

’i’ve been expecting you’

he’s done this 12 times already

he says the same name of. the person who hes been expecting. he eventually is right

WHY does octavian's wiki page say his ancestors are VENUS, JUPITER (also apollo obviously) and. a bunch of mortal guys like hercules? what the fuck. guy must be so inbred

his ancestory is just the olympus family tree

but i mean he's a legacy of venus so that explains everything. he's just suffering from a terminal amount of prettyboy syndrome

octavian would wear so much gold. 90 pounds soaking wet 138 pounds with all his robes and jewelery on

he'd get things covered in gold leaf just because he can

his closet takes up the space of like three entire barracks of the cohort

‘where did the funding for the new buildings in camp jupiter go’ . new suspiciously closet shaped building implemented:

BRO COMMITS EMBEZZLEMENT JUST SO HE CAN BUY NEW OUTFIT

not that he doesn't already have enough money. he just likes doing it like this

nobody else is allowed to touch his clothing though. high treason actually

one of his henchmen (bryce) can bc he knows exactly how to handle it and which setting on the washing machine to use with which detergent

oh he’d watch the devil wears prada and base his personality on the boss from that movie

his room has a shrine dedicated to meryl streep actually .reyna accidentally walks in on him once and sees him praying to her. they never talk about it

octavian could deify miranda if he tries hard enough

oh my goddd. do you think his biggest internal conflict during hoo would be "can a girl like me really have more than ONE evil henchman?"

how is he going to strut down the halls in an iconic triad formation if he only has ONE henchman . he has to follow in his ancestors footsteps (heather chandler, chanel oberlein, regian george-)

his henchman no1 is michael kahale, son of venus, who's canonically fit as fuck and pretty close to octavian, headcanonically a gayboy who rolls his eyes and sips his starbucks drink waaaay too loudly when people he doesn't like are talking (he does this in the senate meetings)

his henchman no2 is bryce lawrence, legacy of orcus, god of punishment, who was canonically banished from camp jupiter bc he killed someone, but in boo, octavian takes him back. he's supposed to be really big and burly, with some "traditionally unattractive" traits (which i've decided to allow, as long as michael and octavian call them pretty in a totally infatuated way)

edit: someone said that since he doesn't have a last name, it should be octavian gallo (since it means rooster), and i'm making that canon now

[t1003x]

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[mistyhoney]

‘Goodmorning sluts’

Chanel Oberlin icons

[reikofujishima]

という事で早速、ドウ　シャネルのロールージュのボディミストをバスルームに振りまいてスキンケア。 まるでホテルステイを楽しんでいるかのような空間に早変わり（目を閉じれば）笑。優しい香りはフレグランスとして使えるほどでリッチな気分にさせてくれます！ #chanel #シャネル#ボディミスト#ロールージュno1ドゥシャネル #コスメ#大人の美容 https://www.instagram.com/p/CcpNHzeLE-K/?igshid=NGJjMDIxMWI=

[crossingtherunway]

Chanel Cruise 2020/2021 Collection #36

🌞 Digital Capri Sun

��� #36 skin tone no1 (pictured): MO-6WR0-B72X-VHRP

[housewifehotspot]

Hi guys I just wanted to share with you this awesome recipe videos uploaded in my youtube Chanel. Please watch, like and share. And if you want more interesting videos go to my YouTube channel

#housewifehotspot!!! Thanks so much for your help and I look forward to see your comments and most of all your subscribe to my YouTube.

#housewifehotspot #Curry #delicious #dinner #favorite #no1 #best #amazing #chickenCurrys #yogurt #healthy #yummy #awesome

[michaladamski1987]

N°1 DE CHANEL L'EAU ROUGE

Czerwona kamelia jest łagodna i delikatna, lecz jednocześnie wyjątkowo silna i odporna. Stanowi niezwykłe źródło witalności, dodaje młodzieńczego blasku.

W rewitalizującej mgiełce zapachowej L'Eau Rouge Olivier Polge inspirował się jej obydwoma wymiarami: świeżym, musującym i dynamicznym, a także łagodnym i delikatnym. Ton nadają zapachowi już pierwsze nuty: kompozycja otwiera się owocowym (cytrusy i czerwone owoce jagodowe) przebłyskiem energii, która wzbiera w jaśminowo-różanym sercu, legendarnym atrybucie CHANEL Fragrance. Zapach wieńczą delikatne nuty piżma i irysa.

Formuła L'Eau Rouge zawiera 97% składników pochodzenia naturalnego.

Mgiełka L’Eau Rouge zawiera ekstrakt z czerwonej kamelii, aktywny składnik, który stymuluje witalność komórkową, a także wodę z kamelii. Jej formuła perfumuje, odświeża i energetyzuje. Sprawia, że skóra wygląda promiennie i czuje się nawilżona.

#uroda #chanel #beauty #chanelbeauty @chanel.beauty #no1 #n1dechanel #beautyaheadoftime #pielęgnacja #chanelcare #makijaż #chanelmakeup #czerwonakamelia #redcamellia #kamelia #camellia #kosmetyki #cosmetics #chanelcosmetics #douglaspolska @douglas_polska #mgiełka #leaurouge #leau #rouge #chanelleaurouge

[t1003x]

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[overbandofficial]

31/5/2027

GIÁ TRỊ THƯƠNG HIỆU VÀ THÚ CHƠI CỦA GOLD DRAGON.

Với World Tour Concert tới đây, GD sẽ tiếp tục làm tăng thêm khối gia sản kếch xù của mình. Là 1 trong những "Cỗ Máy Kiếm Tiền" bậc nhất của VPOP, GD đã cán cột mộc 1,5 tỷ đô. Với các đại gia khác, đó là bình thường, nhưng với 1 ca sĩ, con số này thật sự kinh khủng. Ngoài ra, còn những nghi vấn về việc GD đứng sau 3NA Group ( tập đoàn tài chính lớn nhất thế giới ).

Mức Cachet mà thủ lĩnh OVER Band nhận được, theo thống kê của BBC, tối thiểu là 1 triệu $ để GD góp mặt tại 1 sự kiện nào đó. Thậm chí, Good Morning America đã bỏ ra 25 triệu $ để có sự xuất hiện trong 1 tiếng. Và tất nhiên, con số này hoàn toàn không vô ích. Hôm đó tại Mỹ, Rating của chương trình đạt cột mốc 15%, cao nhất trong lịch sử.

Sự kết hợp với các thương hiệu lớn của GD, mang lại nguồn lợi nhuận khổng lồ. OVER Band là thương hiệu tỷ đô, và GD cũng như vậy. Để xuất hiện trong 1 bài post của giọng ca CÚC HOẠ MY, 1 công ty sẽ mất khoảng 2-3 triệu $. Các hãng như Chanel, Nike, Gucci, Supreme, Pepsi,... kết hợp với GD mang lại cho họ nguồn lợi nhuận khổng lồ vì luôn cháy hàng ( cơ hội tiếp cận tới 2,03 tỷ tài khoản Follow GD, và khoảng hơn 1 tỷ lượt xem sau 2 ngày ).

Những sản phẩm đối đầu với OVER Band và GD, đều thất bại thảm hại. Mới đây, có 3 MV VPOP ( ngoài M-TP Entertainment ) ra mắt, họ vẫn không thể loạt Top Trending ( TOP1 vẫn là CÚC HOẠ MY ). Ngay cả nhóm nhạc toàn cầu BTS vẫn thất bại khi mất No1 Bilboard khi họ thất bại trước COLOUR và B.L.O.C.K.

Và cũng vì danh tiếng như vậy, khối tài sản của GD càng lúc càng tăng. Cũng vì thế, GD cũng có thú chơi rất riêng.

GD không có thú sưu tầm xe, gia đình của GD cũng sở hữu 2 chiếc xe của 3NA Speed, sản xuất riêng cho GD và em gái, với giá mỗi chiếc lên tới 30 triệu bảng. Ngoài ra, GD còn sở hữu 2 chiếc trực thăng ( 1 chiếc đã sử dụng để biểu diễn BigBang ), 1 chuyên cơ riêng. Đây là 1 chiếc máy bay AirBus A380 giá hơn 500 triệu đô. Đây là 1 biệt thự trên trời của GD, có cả phòng ăn, ngủ, phòng tắm, phòng chiếu phim, có hệ thống Wifi.

GD thích thời trang, tuy nhiên, GD lại không bỏ tiền để mua quần áo đâu, vì GD thường dùng hàng mà mình tham gia quảng cáo và của S.T.A.R.M.I.N.U.S.O.N.E. GD thường mặc hàng free bạc tỷ vì anh không có thời gian đi shopping.

GD có thú chơi giày. GD có thú sưu tầm những đôi giày. Với 1 Fashinista như Gold Dragon, thì việc chi đậm cho những đôi giày hiếm là rất bình thường. Đôi giày đắt nhất của GD có giá hơn 100000$.

Ngoài ra, GD rất thích nuôi động vật, nhất là mèo. Tuy nhiên, mèo nhà GD lại là mèo bình dân. Chú mèo nổi tiếng Jiyong là 1 con mèo con mang về từ nhà ba mẹ GD. Còn với cô mèo Jisoo ( món quà mà My Mốc tặng ) cũng chỉ là 1 con mèo dân, thậm chí nó còn có thể bắt chuột, và có giá chỉ 100000 VNĐ ( và GD cũng mua tặng lại cho My Mốc nàng mèo MeoMeo giá cũng chỉ 100000 VNĐ ). Có thể thấy, GD nuôi mèo không phải để phô trương, mèo nhà GD không ăn đồ ăn riêng của loài mèo, mà thức ăn thừa sẽ được để cho chúng, thậm chí chúng sẽ đi bắt chuột hay nhưng con khác để ăn. Ngoài ra, GD cũng nuôi 1 cặp Sư Tử Trắng, đó là Leo và Emil. Đây là quốc bảo của Đan Mạch và "Thái Tử Đan Mạch" cũng sở hữu 1 cặp, và khi chúng sinh sản, các con non sẽ được GD gửi vào khu bảo tồn hoàng gia Đan Mạch. Cùng với đó, GD nuôi 1 chú báo Cheetah mang tên Flash, 1 con đại bàng tên Phoenix, cùng với nàng thỏ Chichu ( món quà mà GD tặng cho My Mốc ), căn Penthouse ở Manchester của GD như 1 sở thú vậy.

GD cũng thích sưu tầm những món đồ bé bé như nhẫn, huy hiệu, bút, kính, móc chìa khoá, ... Những món này chẳng hề đắt, mà ai cũng có thể mua được, điều đó khiến bộ sưu tầm đó không đặc biệt, nhưng GD lại là 1 kẻ kì dị, và chẳng có gì anh không thể sưu tầm.

GD cũng mê hội hoạ, anh đang là 1 trong 100 nhà sưu tầm nghệ thuật dưới 30 tuổi. Anh đã sưu tầm đủ 7 bức Hoa Hướng Dương của Van Gogh. Ngoài ra, GD còn sở hữu nhiều những bức tranh quý khác. Bức tranh Mona Lisa giá 1 tỷ đô đang chuẩn bị được GD mua về ( chắc anh ta chạy Concert này kiếm tiền mua tranh đấy ).

Và thú chơi kinh dị nhất của GD đó chính là sưu tầm các căn nhà. GD sở hữu hàng loạt các căn Penthouse ở các thành phố lớn như New York, LA, Paris, Manchester, London, và đỉnh cao là toà lâu đài 235 triệu bảng ở Barcelona.

Còn 1 thứ hơi đặc biệt, nhưng GD không mua mà được tặng. 3NA Group mua quyền đặt tên 1 ngôi sao có thể nhìn thấy được và đặt tên Gia Long.

GD rất chiều bạn gái. My Mốc chia sẻ GD sẵn sàng mua những gì mà cô muốn ( tuy nhiên, My Mốc lại đòi mua ... 1 con mèo giá 100000 VNĐ, 1 cuốn sách giá 128000 VNĐ, nhẫn Minions của S.T.A.R.M.I.N.U.S.O.N.E gúa 15000 VNĐ,... ) tuy nhiên, những món quà mà GD tặng thường là đồ Handmade.

Thật không hiểu nhà họ Đoàn kiếm nhiều tiền làm gì, vì quần áo dùng hàng free, vật nuôi thì đi xin hay mua mèo ta giá rẻ. Bỏ tiền ra mua những căn nhà nhưng 1 năm ở được khoảng 2-3 ngày.

[mytravisssworld-blog]

2018年トレン���NO1 シャネル品質も良きｓ級アイテム CHANEL2018新作 3色可選 ローヒール

CHANEL コピーの大人気ローカットスニーカーが入荷しました。スーパー コピー 安心ジーンズからスカートまで合わせやすいスタイルでこれからの季節に大活躍します。人気定番低価のシャネル スニーカー コピーで、大人可愛いカジュアルをお楽しみいただけます。シャネル コピー完売前にお早目にどうぞ。        ブランド：シャネル CHANEL    獲得予定ポイント：118    品　　番：TD2018GGX-CH013-1    商品番号：TD2018GGX-CH013    ご選択： サイズ、カラー        規格リスト»»    サイズ：        35        36        37        38        39        40    カラー：        A1        A2        A3    市場価格： 35400円    販売価格： 11800円 kidying通販サイトへようこそ。 ▲新規会員登録された方に色々な割引サービスを差し上げます。 ▲ご注文完了後、翌営業日までにお送りする当店からのメールをもって注文確定とさせていただき。 ▲翌営業日を過ぎても「確定メール」が届かない場合はまず迷惑メールフォルダーをご確認ください。 ▲本当に届かなかった場合にはhttp://www.kidying.com/gallery-660-grid.html までご連絡 ください. ブランドスーパーコピー  

[crossingtherunway]

Chanel Cruise 2020/2021 Collection #12 & #36

🌞 Digital Capri Sun

👉 #12 (Right) skin tone no5 (pictured): MO-QBRF-T76G-RDK8

👉 #36 (Left) skin tone no1 (pictured): MO-6WR0-B72X-VHRP

[andreahamiltonblog]

T H E   C O L O U R   P R O J E C T

Through the lens of a single colour, Scarlet, from Andrea Hamilton’s Sea Chroma colour system, we explore the underlying structures and cultural reference points which determine how we see. By journeying into the monochrome, we discover how colours cue our emotions, memory, senses and the world around us, and provide us with unexpected and meaningful connections.

Chiharu Shiota, Me Somewhere Else, Image No1

“When my feet touch the earth, I feel connected to the world, to the universe that is spread like a net of human connections,” said the artist Chiharu Shiota, describing her expansive, site-specific installation, Me Somewhere Else, held at Blain|Southern, London in January 2019. Standing in front of this powerful piece, I was transfixed. The Osaka-born artist fills empty spaces with vivid scarlet yarn, in a distinctive triangular schematic; Me Somewhere Else featured an otherworldly lattice delicately touching ghost-white feet, defining how consciousness spreads beyond the tangible, the way arteries spread through a body. Shiota’s work features immersive, networked environments spun out of yarn, often tangled with vehicles like boats, or used possessions, haunted with memories. Her work is imbued with a longing for her motherland and the loss of her future life blood through ovarian cancer. My mother also had cancer and I immediately understood that feeling: when you are willing every cell in your body to win its war against the disease.

Shiota works in scarlet more than any other colour, and for good reason: it’s a hue that has an extraordinary resonance. In the western world its deep religious associations are entwined with displays of power and wealth. In China the colour represents happiness and good luck, and today, Chinese New Year, you’ll see an explosion of scarlet and gold throughout the country and enclaves around the world: exuberant dragon dances ushering in joy, peace and prosperity for the coming year. In Japan it is the hue of life: the scarlet double-T torii (gates) at the threshold of Shinto shrines ward off demons. It is also a red that signals danger, anger and of course, passion. It’s fascinating that one shade of red should carry the weight of so many – and contradictory – signals. It is laden with symbolism: from the umbilical cord at birth and the neural pathways in the human brain, to the familial and cultural connections that bind us together, scarlet is the colour of life: the colour of blood.

Blood cells are made from protein, iron and oxygen. Within red each cell is a protein called haemoglobin, with sub-units called hemes which bind oxygen with iron. So, the more we inhale, the more oxygen mixes with iron and the brighter our blood becomes. This mixing of elements is the very core of our existence. Derek Jarman, diagnosed with HIV, wrote Chroma the year before he died in 1995. I think that perhaps when you explore the prospect of imminent death, you feel more fully alive. With his own senses about to be extinguished, he tried to capture the essence of this experience.

“Each victory of the red cells brings death…for the virus is red. The dance of death. Red plague cross. Red as scarlet fever – the small pox. Red has always embraced the hospital. The tenth-century physician, Avicenna, dressed his patients in red clothes. Red wool tied around the neck protected. Like for like. Colour for cure. Red moved the blood. Avicenna made medicine from red flowers. If one gazed intently at red the blood would flow……RedStopRedStopRedStop”

Chroma, Derek Jarman. Vintage Classics 1995. ISBN: 9780099474913

Iron is the heart of our existence on a planetary level too: Earth’s core is a solid ball of iron, giving us magnetic poles and the ability to navigate. Thanks to iron, humans could explore and, crucially, get back home again. Mars has so much iron oxide – the same compound as our blood – that it appears as a rusty-red. As if to make this connection very clear, the first lunar eclipse of the year rose low on the horizon, cloaked in scarlet. This ‘Super Blood Wolf Moon’ was caused by the moon’s unusual proximity with the earth. In passing through earth’s shadow, our planetary companion acquired its reddish tint and for a moment, all of us were linked in wonder.

Blood Wolf Moon © Andrea Hamilton 2019

Scarlet is central to the Judeo-Christian story: the colour of sacrifice and atonement, of Christ’s blood. In 1464 Pope Paul II decreed that all his cardinals wear robes of scarlet, as they do to this day, both a reminder of Christ’s sacrifice but also a display of power and wealth. Scarlet dye was achingly expensive – in fact the word scarlet comes from the Arabic siklāt, meaning cloth dyed red. The original scarlet dye came from a tiny grub-like insect called kermes ilices, known in biblical times as the crimson worm: 80 kermes were needed for just one gram of dye. The insect’s fascinating life cycle is central to the faith: it parallels the Passion of the Christ, life out of sacrifice. When the female comes to lay her eggs, she forms her body into a hard shell around them and attaches herself to a branch. So firmly attached is she in fact, that this is her last act. The moment of birth is the moment of her death: as the newly-hatched kermes emerge from her shell/body, they are coloured red by her self-sacrificed remains and remain so for the rest of their lives, wearing their bloodline like a cloak. In the last, as her body disintegrates, the waxy white shells fall from the tree, leaving a snowy, woollen effect around the evergreen oak, like little sins forgiven. It’s beautifully illustrated in Isaiah 1.18:

‘…though your sins are like scarlet, they shall be as white as snow; though they are red like crimson, they shall become like wool.’

Repairs in the Sky, no. 3 of 9, from the series What Is the Shape of This Problem? 1999. Louse Bourgeois. Image © The Easton Foundation/VAGA at ARS, NY.

If scarlet represents the Passion of the Christ and the blood of martyrs, one of the strangest contradictions is that it is also the colour of lust and adultery – the scarlet woman. This was fictionalised in Nathaniel Hawthorne’s masterwork, The Scarlet Letter. Written in 1850, and set in a 17th century Puritan Massachusetts Bay colony, it tells the story of Hester Prynne who conceives a daughter, though her husband is presumed dead, and for this shame she is required to wear a scarlet ‘A’ (for adulteress) on her dress. Hester’s innocent daughter Pearl is also stigmatised, which becomes the central question: how one can create a new life of repentance and dignity? It examines the notion of redemption �� both personal and societal.

The Scarlet Letter, Nathaniel Hawthorne, 1850. Enhanced Media Publishing, 2017. ISBN: 9781387064564

Even in this day and age, wearing scarlet as a woman is to make a striking statement about sexuality and desire. Statistically, waitresses who wear red get more tips: a smear of Chanel’s Rouge Allure lipstick is a come-hither – and Jessica Rabbit’s scarlet dress, split to the thigh, a walking promise. As Derek Jarman wrote in Chroma, “Red protects itself. No colour is as territorial. It stakes a claim, is on alert against the spectrum”. It all comes back to the power of blood – that is the sensual promise of red after all, that a woman is sexually mature. Yet our relationship to the hue is mediated and controlled: women must not be flowing, open hearted, and passionate, to only ever allude to the workings of the body.

To Unravel a Torment You Must Begin Somewhere, no. 8 of 9, from the series What Is the Shape of This Problem? , 1999. Louise Bourgeois. Image © The Easton Foundation/VAGA at ARS, NY.

For artists like Frida Kahlo and Louise Bourgeois, the use of blood red is empowering. Known for her exploratory, sexually explicit works, Kahlo’s cathartic response to finding her lover Diego Rivera in bed with her sister was to paint a riotous bloody scene, red paint spattered garishly all over the frame. Bourgeois painted whole rooms with it, sewed stories with it, and then made a lullaby out of red. Red is affirmation at any cost, it rises above the danger or contradiction of fighting for what we love.

Scarlet © Andrea Hamilton 2012.

In the end, scarlet is most truly the colour of joy – of being alive, of the rich panoply of human existence, from sacrifice to passion, from anger to love. As fashion designer Valentino said, “Red has guts… deep, strong, dramatic. A Goya red… to be used like gold for furnishing a house, it is strong like black or white.” My meditations on scarlet led from a surreal dawn on 11 April 2012, when after a long exposure I was lucky to capture a mirrored sea and sky of the warmest of light. I thought about how quickly red can be a deep pleasure or a pain, and ringing in my ears from generations of naval DNA was: “Red sky at night sailor’s delight, red sky at morning, sailor’s warning.” If you feel barely alive, listless and rigid – especially in these cold and dark months – harness the power of warm, rich scarlet to bring out your inner warrior. Refuse to be like others driving down the same road, and spring onto your own.

Explore Further:

Exhibitions: Now until 24 March: Louise Bourgeois, Artist Rooms, Kettle’s Yard, Cambridge. Now until 20 March: Chiharu Shiota: Lifelines. 100 Jahre Revolution, Berlin 1918/19. Podewil, Berlin. 22 February-27 April: Ken Currie, Red Ground. Flowers Gallery Kingsland Road, London. 16 March-18 August: Anish Kapoor. Pitzhanger Museum & Gallery, London. 11 May-24 November: Melissa McGill, Red Regatta. Venice Biennale, 2019, Venice. 20 June – 27 October: Chiharu Shiota, The Soul Trembles, Mori Art Museum, Tokyo.

Other Projects: Wondrous Strange

Wondrous Strange No. 2 © Andrea Hamilton

“These photographs aim to capture the fragile, the innocent emotions and developing identities of the adolescent models. In a way, they speak about something akin to a delicate but persistent memory that cannot be fully restored. Images that are enigmatic fascinate me, where there is an intriguing, disturbing feeling that reflects life’s challenges. Wondrous Strange’s photographs trigger within us a sense of something irredeemably lost yet still present.”

Colour Combinations: Scarlet/violet

No. 301 (Reds and Violet over Red/Red and Blue over Red) [Red and Blue over Red], 1959. Mark Rothko. Image © Museum of Contemporary Art.

When I think about rich reds, the combination of scarlet and violet comes to mind, because I see it frequently when gazing out to the sea at sunset. Towards the end of his life, Mark Rothko painted in rich, resonant colours: deep reds, bruised purples, sombre magentas, as if foreshadowing Jarman’s meditation on red at the end of his life. No. 301 [Red and Blue over Red] deep scarlet with a cool band of purple, keys into the beauty of floating fields of pure pigment, and reminds us that how colour is both deeply personal and also a shared experience – colour feeding emotion in the purest way.

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