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#stop motion#claymation#opéra imaginaire#la traviata#noi siamo zingarelle#accademia nazionale di santa cecilia#guionne leroy#francesco molinari pradelli#giuseppe verdi#music#music video#animated short
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Opera on YouTube, Part 2
Le Nozze di Figaro (The Marriage of Figaro)
Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)
Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV
Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)
Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)
Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)
Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)
Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)
Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV
Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)
Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)
Tosca
Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)
Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)
Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)
Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)
Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)
Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)
Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)
Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)
Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)
Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)
Don Giovanni
Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)
Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)
Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)
Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)
Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)
Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II
Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)
Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)
Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)
Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)
Madama Butterfly
Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)
Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)
New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)
Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)
Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)
Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)
Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)
Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)
Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)
Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)
#opera#complete performances#youtube#le nozze di figaro#the marriage of figaro#tosca#don giovanni#madama butterfly#madame butterfly#wolfgang amadeus mozart#giacomo puccini
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The Barber of Seville Vienna State Opera
The Barber of Seville Vienna State Opera
View On WordPress
#Aurora Marthens Mezzosoprano#Cecilia Molinari Mezzosoprano#Cesare Sterbini Writer and Librettist#Count Almaviva#Don Basilio#Dr. Bartolo#Ernst Julius Hähnel Sculptor#Figaro#Giacomo Sagripanti Conductor#Herbert Fritsch Director#Il barbiere di Siviglia#Italian Composer Gioachino Rossini#Josef Gasser Sculptor#Levy Sekgapane Tenor#Marco Caria Baritone#Nikita Ivasechko Bass#Paolo Bordogna Baritone#Peter Kellner Bass#Pierre-Augustin Caron de Beaumarchais#Rosina#Ruth Brauer-Kvam#The Barber of Seville#The Vienna State Opera#Vienna Opera House#Vienna Ringstrasse
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Così, tanto per fare il punto ed evitare qualsiasi fraintendimento
Disegni di legge
Atto Senato n. 3240 XVI Legislatura
Ratifica ed esecuzione del Trattato che istituisce il Meccanismo europeo di stabilità (MES), con Allegati, fatto a Bruxelles il 2 febbraio 2012
Titolo breve: Ratifica Trattato Meccanismo europeo di stabilità
Seduta n. 764 del 12 luglio 2012 - Votazione elettronica
Oggetto: Votazione finale
L'Assemblea del Senato «vota normalmente per alzata di mano». È quanto detta l'articolo 113 (secondo comma) del Regolamento del Senato. Come specificato nel titolo, le votazioni elencate in questa pagina sono quelle avvenute mediante il dispositivo elettronico. Per tutte le informazioni sui sistemi di voto in vigore in Senato, vedi gli articoli del Regolamento dal 107 al 120 (Capo XIII)
<< Torna all'elenco delle votazioni
Presidente: Emma BONINO
Presenti: 229
In congedo o in missione: 13
Numero legale: 154
Maggioranza: 114
Votanti: 227
Favorevoli: 191
Contrari: 21
Astenuti: 15
Esito: Approvato
Hanno votato a favore:
(elenco)
ADAMO Marilena, PD
AGOSTINI Mauro, PD
ALBERTI CASELLATI Maria Elisabetta, PdL
ALICATA Bruno, PdL
AMATI Silvana, PD
AMORUSO Francesco Maria, PdL
ANDRIA Alfonso, PD
ANTEZZA Maria, PD
ARMATO Teresa, PD
ASTORE Giuseppe, Misto
AUGELLO Andrea, PdL
AZZOLLINI Antonio, PdL
BAIO Emanuela, Per il Terzo Polo:ApI-FLI
BALBONI Alberto, PdL
BALDINI Massimo, PdL
BARBOLINI Giuliano, PD
BARELLI Paolo, PdL
BASSOLI Fiorenza, PD
BASTICO Mariangela, PD
BENEDETTI VALENTINI Domenico, PdL
BERTUZZI Maria Teresa, PD
BETTAMIO Giampaolo, PdL
BIANCO Enzo, PD
BIANCONI Laura, PdL
BIONDELLI Franca, PD
BLAZINA Tamara, PD
BODEGA Lorenzo, Misto
BONFRISCO Anna Cinzia, PdL
BOSCETTO Gabriele, PdL
BOSONE Daniele, PD
BRUNO Franco, Per il Terzo Polo:ApI-FLI
BUBBICO Filippo, PD
BURGARETTA APARO Sebastiano, PdL
BUTTI Alessio, PdL
CABRAS Antonello, PD
CALIENDO Giacomo, PdL
CALIGIURI Battista, PdL
CARDIELLO Franco, PdL
CARLONI Anna Maria, PD
CARRARA Valerio, CN:GS-SI-PID-IB-FI
CASOLI Francesco, PdL
CASSON Felice, PD
CASTRO Maurizio, PdL
CECCANTI Stefano, PD
CERUTI Mauro, PD
CHIURAZZI Carlo, PD
COLOMBO Emilio, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
COMPAGNA Luigi, PdL
CONTI Riccardo, PdL
CONTINI Barbara, Per il Terzo Polo:ApI-FLI
COSENTINO Lionello, PD
D'ALI' Antonio, PdL
D'ALIA Gianpiero, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
D'AMBROSIO LETTIERI Luigi, PdL
DE ANGELIS Candido, Per il Terzo Polo:ApI-FLI
DE ECCHER Cristano, PdL
DE FEO Diana, PdL
DE LILLO Stefano, PdL
DE LUCA Cristina, Per il Terzo Polo:ApI-FLI
DE LUCA Vincenzo, PD
DE SENA Luigi, PD
DEL VECCHIO Mauro, PD
DELLA SETA Roberto, PD
DI GIACOMO Ulisse, PdL
DI GIOVAN PAOLO Roberto, PD
DI STEFANO Fabrizio, PdL
DIGILIO Egidio, Per il Terzo Polo:ApI-FLI
DINI Lamberto, PdL
DONAGGIO Cecilia, PD
D'UBALDO Lucio Alessio, PD
ESPOSITO Giuseppe, PdL
FASANO Enzo, PdL
FAZZONE Claudio, PdL
FERRANTE Francesco, PD
FERRARA Mario, CN:GS-SI-PID-IB-FI
FINOCCHIARO Anna, PD
FLERES Salvo, CN:GS-SI-PID-IB-FI
FOLLINI Marco, PD
FONTANA Cinzia Maria, PD
FOSSON Antonio, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
FRANCO Vittoria, PD
GALIOTO Vincenzo, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
GALPERTI Guido, PD
GARAVAGLIA Mariapia, PD
GARRAFFA Costantino, PD
GASPARRI Maurizio, PdL
GENTILE Antonio, PdL
GERMONTANI Maria Ida, Per il Terzo Polo:ApI-FLI
GHEDINI Rita, PD
GIAI Mirella, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
GIARETTA Paolo, PD
GIORDANO Basilio, PdL
GRAMAZIO Domenico, PdL
GUSTAVINO Claudio, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
ICHINO Pietro, PD
INCOSTANTE Maria Fortuna, PD
IZZO Cosimo, PdL
LADU Silvestro, PdL
LATORRE Nicola, PD
LATRONICO Cosimo, PdL
LAURO Raffaele, PdL
LEDDI Maria, PD
LEGNINI Giovanni, PD
LENNA Vanni, PdL
LICASTRO SCARDINO Simonetta, PdL
LIVI BACCI Massimo, PD
LUMIA Giuseppe, PD
MAGISTRELLI Marina, PD
MARCENARO Pietro, PD
MARCUCCI Andrea, PD
MARINARO Francesca Maria, PD
MARINO Mauro Maria, PD
MAZZARACCHIO Salvatore, PdL
MAZZUCONI Daniela, PD
MENARDI Giuseppe, CN:GS-SI-PID-IB-FI
MERCATALI Vidmer, PD
MICHELONI Claudio, PD
MILANA Riccardo, Per il Terzo Polo:ApI-FLI
MILONE Giuseppe, PdL
MOLINARI Claudio, Per il Terzo Polo:ApI-FLI
MONACO Francesco, PD
MONGIELLO Colomba, PD
MORANDO Enrico, PD
MORRI Fabrizio, PD
MUSI Adriano, PD
MUSSO Enrico, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
NEGRI Magda, PD
NEROZZI Paolo, PD
NESPOLI Vincenzo, PdL
NESSA Pasquale, PdL
ORSI Franco, PdL
PALMA Nitto Francesco, PdL
PALMIZIO Elio Massimo, CN:GS-SI-PID-IB-FI
PARAVIA Antonio, PdL
PASSONI Achille, PD
PASTORE Andrea, PdL
PEGORER Carlo, PD
PERDUCA Marco, PD
PERTOLDI Flavio, PD
PETERLINI Oskar, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
PICCIONI Lorenzo, PdL
PICHETTO FRATIN Gilberto, PdL
PIGNEDOLI Leana, PD
PISCITELLI Salvatore, CN:GS-SI-PID-IB-FI
PONTONE Francesco, PdL
PORETTI Donatella, PD
POSSA Guido, PdL
PROCACCI Giovanni, PD
RANDAZZO Nino, PD
RIZZOTTI Maria, PdL
ROILO Giorgio, PD
ROSSI Paolo, PD
RUSCONI Antonio, PD
RUSSO Giacinto, Per il Terzo Polo:ApI-FLI
RUTELLI Francesco, Per il Terzo Polo:ApI-FLI
SACCOMANNO Michele, PdL
SACCONI Maurizio, PdL
SAIA Maurizio, CN:GS-SI-PID-IB-FI
SALTAMARTINI Filippo, PdL
SANCIU Fedele, PdL
SANNA Francesco, PD
SANTINI Giacomo, PdL
SARO Giuseppe, PdL
SARRO Carlo, PdL
SCANU Gian Piero, PD
SCARPA BONAZZA BUORA Paolo, PdL
SERAFINI Anna Maria, PD
SERAFINI Giancarlo, PdL
SERRA Achille, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
SIBILIA Cosimo, PdL
SIRCANA Silvio Emilio, PD
SOLIANI Albertina, PD
SPADONI URBANI Ada, PdL
SPEZIALI Vincenzo, PdL
STRADIOTTO Marco, PD
TANCREDI Paolo, PdL
TEDESCO Alberto, Misto
TOFANI Oreste, PdL
TOMASELLI Salvatore, PD
TONINI Giorgio, PD
TOTARO Achille, PdL
VALDITARA Giuseppe, Per il Terzo Polo:ApI-FLI
VALENTINO Giuseppe, PdL
VICECONTE Guido, PdL
VIESPOLI Pasquale, CN:GS-SI-PID-IB-FI
VILLARI Riccardo, CN:GS-SI-PID-IB-FI
VIMERCATI Luigi, PD
VITALI Walter, PD
VIZZINI Carlo, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
ZANDA Luigi, PD
ZANOLETTI Tomaso, PdL
Hanno votato contro:
(elenco)
ADERENTI Irene, LNP
BRICOLO Federico, LNP
CALDEROLI Roberto, LNP
CARUSO Antonino, PdL
CASTELLI Roberto, LNP
DAVICO Michelino, LNP
DIVINA Sergio, LNP
FRANCO Paolo, LNP
GARAVAGLIA Massimo, LNP
LANNUTTI Elio, IdV
LEONI Giuseppe, LNP
MARAVENTANO Angela, LNP
MAZZATORTA Sandro, LNP
MONTANI Enrico, LNP
MURA Roberto, LNP
PITTONI Mario, LNP
RIZZI Fabio, LNP
TORRI Giovanni, LNP
VACCARI Gianvittore, LNP
VALLARDI Gianpaolo, LNP
VALLI Armando, LNP
Si sono astenuti:
(elenco)
ALLEGRINI Laura, PdL
ASCIUTTI Franco, PdL
BORNACIN Giorgio, PdL
CAFORIO Giuseppe, IdV
CAMBER Giulio, PdL
CARLINO Giuliana, IdV
DE TONI Gianpiero, IdV
LI GOTTI Luigi, IdV
MALAN Lucio, PdL
MASCITELLI Alfonso, IdV
MESSINA Alfredo, PdL
PEDICA Stefano, IdV
PINZGER Manfred, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
PISTORIO Giovanni, Misto
THALER AUSSERHOFER Helga, UDC-SVP-AUT:UV-MAIE-VN-MRE-PLI-PSI
In congedo o in missione:
(elenco)
BERSELLI Filippo, PdL
CHITI Vannino, PD
CIAMPI Carlo Azeglio, Misto
CIARRAPICO Giuseppe, PdL
DELL'UTRI Marcello, PdL
GAMBA Pierfrancesco Emilio Romano, PdL
MONTI Mario, Misto
MORRA Carmelo, PdL
MUGNAI Franco, PdL
OLIVA Vincenzo, Misto
PERA Marcello, PdL
SANGALLI Gian Carlo, PD
SCIASCIA Salvatore, PdL
#italia#mes#mes meccanismo europeo di stabilità#meccanismo europeo di stabilità#unione europea#parlamento italiano
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Le Siège de Corinthe ROF 2017 Producció de La Fura dels Baus (Carlus Padrissa)
John Irvin a Le Siège de Corinthe ROF 2017
Luca Pisaroni i NIno Machaidze a Le Siège de Corinthe ROF 2017
Le Siège de Corinthe ROF 2017 Producció de La Fura dels Baus (Carlus Padrissa)
Le Siège de Corinthe ROF 2017 Producció de La Fura dels Baus (Carlus Padrissa)
Nino Machaidze i John Irvin a Le Siège de Corinthe ROF 2017 Producció de La Fura dels Baus (Carlus Padrissa)
John Irvin, Sergey Romanovsky i Ninoi Machaidze a Le Siège de Corinthe al ROF 2017
Poder veure en un teatre una òpera com Le Siège de Corinthe, complerta i amb un repartiment i direcció musical de nivell, és un privilegi memorable perquè malauradament els tresors operístics de Gioacchino Rossini romanen “amagats” per al gran públic que en un desconeixement lamentable continuen pensant en la seva gran majoria, que és l’autor de Il Barbiere di Siviglia, unes quantes òperes còmiques més i de l’interminable Guglielmo Tell (ni tan sols en la versió original francesa).
La feinada que ha fet el ROF i altres festivals de menys anomenada i ressonància però no menys insistents i importants, a l’hora de donar a conèixer tots els títols de l’extens catàleg rossinià és tan enorme com d’agraïment etern, però no deixa de ser un festival només apte per a “conaisseurs” d’arreu del món, que és reuneixen sense tanta pompa i circumstàncies com en els grans festivals centre-europeus, però amb més entusiasme i credibilitat artística d’un projecte sempre al voltant de l’estudi, la recerca i la pedagogia feta per la Fondazione Rossini amb tota la tasca entusiasta que va portar a terme el ja enyorat mestre Zedda en el seu primer festival sense la seva presència.
És una llàstima que per l’ocasió el ROF no hagi acabat d’arrodonir el cas amb un Mahomett més valuós i sobretot, no hagi encarregat la nova producció a un director/a que estimés i conegués l’obra de Rossini, i fos capaç de construir un discurs dramàtic coherent, entenedor i a ser possible bell, en lloc d’apostar per un director/grup (Carlus Padrissa i la Fura dels Baus) que viuen encara del shock inicial que varen produir amb la seva arribada al món de l’òpera, malgrat que la immensa majoria de coses que han fet després de la immensa Damnation de Faust a Salzburg, hagi estat una immensa enganyifa dramàtica per “Épater les bourgeoi” que es deixen “épater” i que vegada, sortosament, són menys. L’ocasió s’ha perdut però de la proposta queden coses importants i reeixides, de tot plegat us en penso parlar en aquest apunt.
Després de l’èxit assolit a Les Arts amb un fabulós Tancredi que vaig tenir la sort de veure i gaudir, Roberto Abbado, encara amb el braç immòbil, i protestat per un únic espectador després que abans de l’inici del tercer acte rebés un aplaudiment unànime i sorollós d’agraïment, corroborat al final de l’obra sense cap mena de contrarietat i dissidència, ha signat una direcció esplèndida i reeixida, vibrant i dramàtica de la bellíssima partitura, farcida de números concertants, grans escenes corals i inspiradíssims moments per als solistes, d’una òpera que com acostuma a passar amb Rossini, s’avança molts anys al seu propi temps i anuncia grans moments de la Grand Opéra, però també moments verdians, amb una orquestració que com tothom sap en les òperes destinades per a París, gaudien d’una privilegiada i nombrosa orquestra que permetia als compositors ser esplèndids en les orquestracions, i també en aquest cas Rossini va lluir el talent orquestrador que el caracteritzava i que res tenia a veure amb el dels seu compatriotes, anteriors i posteriors, fins l’arribada de Verdi.
En aquesta 38ª edició del ROF hi ha hagut un relleu important en l’orquestra, ja que l’habitual en els darrers anys, orquestra i el cor del Teatro Comunale de Bologna, darrerament en hores baixes, ha donat pas a l’esplèndida Orchestra Simfonica nazionale della RAI i al Coro del Teatro Ventidio Basso, que han aixecat el nivell de manera notable. L’aposta atorga molt bones esperances per un futur que amb l’anunci d’una nova seu estable i amb més condicions que l’actual Arena, albirar un pas endavant en un festival en constant evolució.
Per l’ocasió s’ha utilitzat una versió crítica a càrrec de Damien Colas per a la Fondazione Rossini i la Casa Ricordi, que inclou tota la música, inclos el bellíssim ballet del segon acte, imprescindible per a una òpera francesa que s’estrenés a París. Aquest Siège és la primera òpera escrita per a París i no és la traducció del Mahometto II estrenada l’any 1820 i que va servir per re-elaborar el llibret i la música per l’estrena parisenca de la “nova” òpera l’any 1826.
Abbado dóna una vitalitat, però també una magnificència a la partitura, del tot rellevant. Le Siège és una òpera spontiniana i que obrirà camí a l’elaboració del gènere anomenat Grand Opéra que no trigaria a sorgir de la ma de Meyerbeer i el mateix Rossini, conjuntament amb Auber i Halévy. La direcció del mestre Abbado és dramàtica però té molta cura en no desvirtuar els moments més lírics i elegíacs allunyats del fervor religiós que sovintegen la partitura.
Transparència orquestral, intervencions solistes de mèrit, equilibri, diferenciació de plans sonors i una concertació solemne van fer oblidar algun desajust notori amb l’escena, no sé si motivat per una precipitació de Pisaroni, que va haver de repetir dues vegades la mateixa frase, després d’un evident desconcert o per una entrada falsa del mestre, que amb un únic braç disponible al 100% no va estar prou atent.
El mestre, l’orquestra i el cor dirigit per Giovanni Farina, van obtenir al final un merescudíssim, sorollós i entusiasta reconeixement.
En general cal dir que el francès de tots els cantants vorejava, en aquells que s’entenia alguna cosa, el ridícul.
La protagonista de l’òpera és la soprano que interpreta el rol de Pamyra, i el ROF va encomanar el difícil repte a Nino Machaidze, que tot i no ser una soprano especialista en Rossini, malgrat aquella estupenda Fiorilla al Liceu, va fer una notabilíssima interpretació del rol. La veu de lírica ample que li permet abraçar l’ampli ventall de la vocalitat exigida, una pulcra coloratura i un cant ornamentat suficients tot i que no espectaculars, i una implicació dramàtica de gran intensitat tant en els moments de més bravura, com en l’elegíac final (Juste ciel!), van fer que quedés oblidada alguna nota al límit. És un rol dur que ella va treure amb una entrega admirable.
Mahomet II havia ser Lorenzo Regazzo i finalment va ser assumit pel baríton veneçolà Luca Pisaroni. Dic baríton perquè és el que la seva veu és malgrat que arreu parlin d’un baix-baríton o fins i tot baix. En una època lamentable on els tenors curts esdevenen barítons, és normal que els barítons siguin baixos. La part vocal resulta en molts moments massa pesada i insuficient en el registre greu, el que fa que el cant de Pisaroni no sigui lliure, còmode i espontani. La veu és bonica i té presència, però estem lluny de la vocalitat autoritària, potent i àgil que la part requereix. Digne sense més u enyorant el que Regazzo hagués pogut fer en una vocalitat en principi molt més idònia a la part.
Cléomène va anar a càrrec del jove tenor nord-americà John Irving. El rol és important, però no protagonista. Hi ha de ser i la veu ha de tenir presència i autoritat paternal. Crec que fer aquest rol amb credibilitat és massa jove. Va complir bé les exigències, sense la rotunditat desitjable. És un tenor destinat a donar-nos nits de glòria, caldrà però que treballi més la projecció i emissió vocal. La seva joventut ho permet.
Néoclès era el tenor rus Sergey Romanovsky, i aquest va estar espectacular en una part d’aquelles en les que Rossini mai s’hagués imaginat que els sobreaguts s’acabarien emetent de cap, sense el falset preceptiu. La veu és bona, el registre ampli, no és un baritenor però la seva joventut podria fer-nos creure que si treballa més l’extensió en la part més greu, ho pugui arribar a ser. La zona aguda és explosiva i la sobreaguda brillant. És valent en l’execució complicada de les exigències màximes, tot i que va passar de puntetes per algun passatge emmetzinat. Em va agradar moltíssim u con en a mi a la resta del públic que el va premiar amb ovació, cridòria i picada de peus a terra. Esplèndid i esperançador.
Ja en rols no tant rellevants, Carlo Cigni va obtenir una sonada presència com a Hiéros en l’estrafolària escena del tercer acte on ell esdevé protagonista. Va fixar la seva poderosa veu de baix de manera massa estentòria, en els atacs a l’agut, però va saber donar autoritat vocal i interpretativa a la part.
El jove tenor basc Xabier Anduaga (Donosti 1995) va fer front a la part d’Adraste. La part no permet gaudir d’una veu molt més que prometedora. Va estar segur i excel·lent en la projecció i emissió. Esplèndid.
El baríton ucraïnès Iurii Samoilov, també en un rol curt (Omar), va demostrar potencialitat vocal, amb emissió segura d’una veu no del tot definida que és possible que evolucioni a una vocalitat més greu, però ara per ara no sembla gaire baritonal, segons dictava la tradició fins fa poc.
Cecilia Molinari va acompanyà bé a Pamyra i en la seva intervenció solista, va resoldre dignament la part. És una mezzosoprano molt lírica a manca d’un color que l’acabi de definir.
De la proposta indigne de Carlus Padrissa no en vull parlar gaire. Ell ha demostrar masses vegades que quan s’ha de dirigir teatre no en té ni idea. La seva dramatúrgia es fonamenta, sigui quina sigui l’òpera ha dirigir, ha distreure el màxim al públic amb qüestions visuals, que segons el pressupost poden ser més espectaculars o no, però teatre amb una història per explicar i on s’hagi de treure rendiment dramàtic dels cantants, res de res. Per què doncs contractar a aquest senyor per fer una producció d’una òpera rossiniana? Ell no sap, i si no té diners, encara menys pot despistar al públic amb grans grues i cantants penjats des de les alçades.
La proposta és inútil, lletja i ridícula. Té el seu punt màxim d’estupidesa creativa en l’escena del ballet, on durant tota la primera part no passa res es escena, tret d’unes imatges de vídeo dissenyades, com els elements escenogràfics, pictòrics i vestuari per la pintora Lita Cabellut. En la segona part de l’extens ballet, surten els habituals “fureros” a fer una baralla que ni els membres d’una companyia d’amateur de teatre de barri hauria fet pitjor. Incomprensible la manca de professionalitat creativa que posa al descobert l’enganyifa d’una companyia (La Fura dels Baus) o un senyor (Carlus Padrissa) que fa massa temps que viu de la rifa.
No hi ha idees, no ha hi ha concepte dramàtic, no hi ha treball amb els actors, els moviments poden vorejar el ridícul, i el seguit d’esdeveniments escènics no tenen cap coherència d’una escena a l’altre.
En una vergonyant entrevista en finalitzar la transmissió de la representació del dia 10, va dir que tota la trama original no importava res, que ara el conflicte que volia explicar ell, era el tema de l’escassedat d’aigua i la guerra que significa disposar d’ella. A partir d’aquí intenta sense èxit fer quadrar l’estupidesa durant les quasi tres hores de música, amb la presència constant d’un mur fet amb ampolles de plàstic de qualsevol marca d’aquestes que podem comprar a la botiga i que ben bé podrien haver esponsoritzat la producció, si no fos que un rave d’aquesta magnitud hauria estat un descrèdit per a qualsevol casa comercial.
A l’estrena, que jo sàpiga o apreciés en la transmissió de la RAI no hi van haver protestes, ahir si, després de l’escena del no ballet, el públic no se’n va poder estar. Ja n’hi ha prou!
ROSSINI OPERA FESTIVAL XXXVIII edizione Gioachino Rossini LE SIÈGE DE CORINTHE Tragédie lyrique in tre atti di Luigi Balocchi e Alexandre Soumet Edizione critica della Fondazione Rossini in collaborazione con Casa Ricordi, a cura di Damien Colas
Mahomet II, Luca Pisaroni Cléomène, comandante dei greci e padre di Pamyra, John Irvin Pamyra, Nino Machaidze Néoclès, giovane guerriero greco, Sergey Romanovsky Hiéros, vecchio, guardiano dei sepolcri, Carlo Cigni Adraste, confidente di Cléomène, Xabier Anduaga Omar, confidente di Mahomet, Iurii Samoilov Ismène, confidente di Pamyra, Cecilia Molinari
Orchestra Sinfonica Nazionale della Rai Coro del Teatro Ventidio Basso maestro del coro Giovanni Farina direttore Roberto Abbado Pesaro, Adriatic Arena 10 agosto 2017
Aquí a Pesaro es respira durant aquests dies un ambient rossinià engrescador, però si he de jutjar per l’edat mitjana dels assistents internacionals, la preocupació ha de ser enorme. Avui sessió doble, concert a la tarda i òpera per la nit, demà crònica a IFL
ROF 2017: LE SIÈGE DE CORINTHE Poder veure en un teatre una òpera com Le Siège de Corinthe, complerta i amb un repartiment i direcció musical de nivell, és un privilegi memorable perquè malauradament els tresors operístics de…
#Carlo Cigni#Cecilia Molinari#Gioachino Rossini#Iurii Samoilov#John Irvin#Le Siège de Corinthe#Luca Pisaroni#Nino Machaidze#Orchestra Simfonica Nazionale della Rai. Coro del Teatro Ventidio Basso#Roberto Abbado#ROF#Sergey Romanovsky#Xabier Anduaga
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Se viene MUTEK.AR en septiembre
Llega la cuarta edición de MUTEK.AR muy especial, haciendo foco en brindar mayor visibilidad al enorme talento local que, apremiado por las circunstancias adversas de los últimos años, ha sentido gravemente la falta de escenarios y oportunidades.
Con la Dirección de Gonzalo Solimano @gsolimano y la Curaduría General de Marianella Baladán @manchusbaladan , una selección de artistas nacionales, en diálogo con artistas internacionales, dirán presente del 7 al 10 de septiembre, en el Centro Cultural Artlab @artlabpro , el Planetario @planetarioba y Palacio Alsina @palacioalsina.buenosaires mostrando lo mejor de la música electrónica, el arte sonoro y la creatividad digital, con Live Sets Audiovisuales, obras de arte NFT, realidad virtual e instalaciones inmersivas.
Asimismo, gracias al apoyo de Fundación Williams, MUTEK.AR tiene el honor de recibir a Alain Mongeau, creador y actual director de @mutekmontreal , quien junto a profesionales y agentes activos de la cultura acompañarán en todas actividades del festival y ofrecerán una charla abierta acerca de la gestión cultural en la creatividad digital.
MUTEK.AR 2022 | ARTISTICA CONFIRMADA
Ana Heilpern (AR) - Anormal (AR) - Asdrubal Gómez (VE) - Aylu (AR) - Berenice Llorens (AR) - Camila Albarracin (AR) - Carola Zelaschi (AR) - Carol Santana (BR) - Cecilia Simone (AR) - CLON (UK) - Delforus (AR) - Efren Mur (ES/DEU) - Erin Gee (CA) - Federico Durand (AR) - Federico Lamas (AR) - Félix Sainz (AR) - Flabbergast (CA) - Forello (AR) - Frances Adair McKenzie (CA) - Franzizca (AR) - Fronte Violeta (BR) - Gabriel Latorre (AR) - GCRLL (AR) - GLOR1A (UK) - Gonzalo Messi (AR) - Guillermo Ueno (AR) - Jennitza (COL) - Joaquina Salgado (AR) - Jonas Kopp (AR) - Jorge Haro (AR/ES) - Juan Le Parc (FR) - Juliana Mujica (AR) - Keila Sankofa (BR) - Kermesse (AR) - Kren Orgánico (AR) - L41N_9 (AR) - Laura González (AR) - Laureano Solís (AR) - Lux Valladolid (AR) - Magdalena Molinari (AR) - Maotik (FR) - Mariela Bond (AR) - Martín Remiro (AR) - Microfeel (AR/ES) - Nait Saves (AR) - Nelly-eve Rajotte (CA) - NITTA (ES/DE) - Novilunio (AR) - OKTE x reginaceii x MAJA (AR) - Outro (AR) - Patti Schmidt (CA) - Paula Rebellato (BR) - PRIFMA (CU/AR) - Qoa (AR) - Qualia (AR) - Santiago Bartolomé (AR) - Sebastián Miño (AR) - Sebastián Verea (AR) - Sonya Stefan (CA) - Symi (AR) - Tolch (AR) - Venom (CA) - Verónica Balduzzi (AR) - Vincent Lemieux (CA) - Vlisa Music (AR) - VXN (AR)
Luego de una convocatoria abierta de adhesión multitudinaria, dos obras participantes serán seleccionadas para ser parte de la grilla y anunciadas el 22 de agosto por todos los canales de difusión del Festival.
En el Centro Cultural Artlab: actividades de Amplify D.A.I. + exposición de arte NFT
El 7 y 8 de septiembre, en el espacio del Centro Cultural Artlab celebraremos el fortalecimiento de Amplify D.A.I., el programa de desarrollo profesional para personas que se identifican como mujeres y disidencias, que trabajan con las artes electrónicas. Dos días enteros de programación, que incluirá talleres, workshops y charlas, performances en vivo e instalaciones inmersivas. Asimismo, presentaremos proyectos artísticos audiovisuales creados por artistas de Argentina, Canadá, UK y Brasil en el marco de la segunda edición del programa Artlab Residencias Artísticas x Amplify D.A.I. Cerrando la jornada, la emblemática curadora de MUTEK Montréal, Patti Schmidt, presentará su DJ Set, en colaboración con el dúo audiovisual PRIFMA (AR/CU).
Lanzado en 2018, AMPLIFY Digital Arts Initiative (Amplify D.A.I.) es una iniciativa conjunta del British Council en asociación con MUTEK Montréal, MUTEK.AR, Somerset House Studios, Artlab, Fundación Williams y Oi Futuro. El programa cuenta con el apoyo del Canada Council for the Arts.
El 9 de septiembre, Artlab desarrollará actividades durante toda la jornada. La mañana estará destinada a distintas charlas, a cargo de referentes locales e internacionales, con tópicos tan interesantes para la escena de las artes electrónicas como la web.3, las Daos y la gestión cultural en la creatividad digital. En el horario nocturno, continuaremos con una serie de con Live sets AV que tendrán entre otros protagonistas al dúo canadiense Flabbergast.
Estas actividades se completan con una exposición de la colección de arte NFT de Artlab, que será lanzada en el marco del Festival, con obras minteadas y disponibles a través de la plataforma argentina BAG. Esta exposición contará con trabajos de GCRLL, VXN, Federico Lamas, Laureano Solís, Joaquina Salgado, Qualia, Efrén Mur y Jonas Kopp.
Planetario y Palacio Alsina
El 8 de septiembre, de 20 a 21 hs, el Planetario servirá de contenedor espacial para dos obras fulldome. En primer lugar, Joaquina Salgado y Qoa, dos artistas argentinas del programa Amplify D.A.I., estarán presentando la obra de formato AV Hydrontes. A continuación, tendrá lugar Dynamics of Hiperespaces, una live performance AV del referente de sonido techno y ambient argentino Jonas Kopp junto al español con residencia en Berlín Efren Mur.
La última jornada, contará con una maratónica programación en Palacio Alsina con imponentes presentaciones que tendrán entre ellos al proyecto artístico argentino Forello, al reconocido artista multidisciplinario francés Maotik, y a NITTA, la artista española residente del club Tresor de Berlín.
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Journal Review: Diario de una Abuela
Journal Review: Diario de una Abuela
Diario de una abuela (Regalo por Abuela, Regalo por Día de las Madres): Memorias y recuerdos para mis nietosby Blue Streak, Cecilia Molinari (Translator) 5 out of 5 stars Este hermoso diario tiene secciones para que una abuela comparta con sus nietos todo sobre su infancia y juventud, las tradiciones familiares para compartir y los detalles de su historia familiar juntos. La abuela puede…
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#book#book review#books#diary#diary writing#espanol#how to journal#journal#journal writing#journalling#journals#libro#libros#libros en espanol#review#spanish#spanish book
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2 DE NOVEMBRO : RUMO A LISBOA PARA A ESTREIA DE ARIODANTE DE HANDEL NO S.CARLOS DIRIGIDA POR ANTÓNIO FLORIO : a ópera "Ariodante”, de Handel, estreia-se, em versão semi-encenada, esta terça-feira, no Teatro Nacional de S. Carlos, em Lisboa, com a soprano Ana Quintans, a meio-soprano Cecilia Molinari e a direção musical de Antonio Florio maestro e compositor italiano, que foi aluno de Nino Rota e é um dos principais investigadores atuais do repertório barroco. Está ópera transitou da temporada anterior do teatro lírico português, por impedimentos relacionados com a COVID-19.A soprano Ana Quintans interpreta o papel da princesa Ginevra e, em declarações à agência Lusa disse que, “apesar de um pouco frustrante a versão semi-encenada é, simultaneamente, um desafio”. Quintans manifestou-se “muito contente” por regressar ao palco do S. Carlos e por este teatro “fazer um repertório menos habitual, designadamente uma ópera do século XVIII”. “Melhor esta versão semi-encenada, mas que inclui um cenário, figurinos, adereços..., do que não fazer”, argumentou. Sendo uma versão semi-encenada (por Mario Pontiggia, antigo diretor de produção da Ópera de Monte Carlo), a orquestra de 27 músicos estará em palco e os cantores apresentam-se num estrado mais alto, explicou a cantora, referindo que se vai cantar nesta apresentação, "numa afinação moderna e não da época"."Vamos cantar no diapasão 442, isto é, meio tom acima” do que se cantaria quando Handel estreou a ópera em 1735, em Londres, no Covent Garden, inaugurando a sua primeira temporada nesta sala de espetáculos.A soprano realçou, todavia, o convite feito pelo S. Carlos ao maestro italiano Antonio Florio, que tem trabalhado este tipo de repertório, e que considerou “uma mais-valia nesta apresentação de 'Ariodante'”.O musicólogo, compositor e maestro Antonio Florio, fundador da Cappella della Pietà de'Turchini, em 1987, também conhecido por Ensemble I Turchini, e da Cappella Neapolitana, mais recentemente, pioneiro no resgate do repertório napolitano mais esquecido, estreia-se no Teatro Nacional de São Carlos, dirigindo esta produção.
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Maximo Shopping Center Roma
Aura Valle Aurelia Roma, Italian Capital Shopping Center, Retail Italy, Interior Photos
Maximo Rome Shopping Centre
Centro Commerciale: New Italian Retail Architecture by Design International
30 Nov 2020
Maximo Shopping Center Rome
Architects: Design International
Address: Via Laurentina, 865, 00143 Roma RM, Italy
Phone: +39 06 6934 5797
Photos by Paolo Cammillucci
English text (scroll down for Italian):
Maximo Shopping Center in Rome
3C + t Capolei Cavalli and Design International celebrate the opening of Maximo Shopping Center Rome
Rome, 30 November 2020 – MAXIMO, the brand new destination dedicated to Rome and its surroundings for shopping and leisure, has been inaugurated.
Maximo presents itself as a real “destination” for shopping, leisure and socializing, with the ability to attract a large catchment area estimated at 3.5 million inhabitants in the 40-minute journey. With over 65,000 square meters of GLA distributed over three levels and 160 points of sale, including shops, restaurants and activities related to entertainment. UCI Luxe, a cinema with seven screens and 550 seats, McFit, Joy Village with bowling halls, billiards and gaming arena which, in the desired post-covid, will remain open to the public until two in the morning.
In the shopping center there is also the Cà Zampa veterinary clinic, where it is also possible to make toilets for dogs. Inside the Maximo there are also 38 restaurants with a path dedicated to street food, bars, cafes, wine bars, 17 craft businesses and the renowned Primark store, often featured in the projects signed by Design International.
The large open square overlooked by the restaurant will not only lend itself to hosting cultural, recreational and commercial events – on a total area of over 10,000 square meters – but will represent a real meeting and junction point between Maximo and the neighborhood. Laurentino in the south east quadrant of Rome.
Design International began working on Maximo in 2007, the year in which the group, after consolidating the European market from its London office, opened the Milanese studio a stone’s throw from the Duomo. Arch. Roberto Sibiano, followed the development of important Italian projects from Milan, including the Campania Shopping Center, MAXIMO, Nave de Vero, Centro Sicilia, La Cartiera, and more recently Il Centro di Arese, the da Vinci Retail Park and Hubtown at the Fiumicino airport, to name a few.
However, the path to get to the cutting of the Maximo ribbon was anything but linear. From the early stages, Design International collaborated with the architect Fabrizio Capolei of Studio Romano 3C + t Capolei Cavalli Architetti Associati and, as always happens between professionals, the meeting was immediately fruitful.
From the very first sketches and ideas, the architectural firms involved shared the fundamental pillars on which to base the project: natural light, great visibility of the windows, a complex and enveloping internal space. Everything has been imagined and designed always starting from the visitor’s experience, according to a scale of values that puts man at the center, surrounding him with visual fires (the windows) in a perspective sequence, creating the maximum contrast between full and empty spaces, thanks to the texture of skylights that bathe the space with natural light.
Architects discard a self-referential architecture, on the contrary they make it social because it belongs to the community and generates that sense of meeting, defined by Davide Padoa, CEO of Design International, as “people building & meeting place”, a place for social enrichment, sharing and the growth of common sense.
The fall of Lehman Brothers in 2008, the rise of e-commerce and the most recent perfect storm caused by the 2020 pandemic were not enough to block the birth of Maximo, a “resilient” project that was able to withstand the challenges of the market and adapt to a world in constant radical change.
Maximo Shopping Center Roma – Building Information
CREDITS: Ownership: Parsec 6 s.p.a. Project manager: Luca Mangani, Roberto Zandonella
Urban and architectural project: 3C + t Capolei Cavalli a.a. Fabrizio Capolei Antonio Molinari
Interior design: 3C + t Capolei Cavalli a.a. Design International Roberto Sibiano and Davide Padoa
Works direction: Michele Dal Prato
Artistic direction: Fabrizio Capolei
Works Manager and High Surveillance: Mariano Galante
Supervision and coordination: Elisabetta Mapelli Stefano De Leo
Property manager e Marketing strategy: Francesco Sirello
Breeam Certification: Deerns Consulting Engineers
Structures: Studio Agamemnon and Cera
Plant project: Enetec s.r.l. _ Studio Mattiucci Beta Progetti _ Cefla Soc. Coop.
Road project: I.T. s.r.l. _ Sonia Briglia
Vv.ff.project: Studio Nozzi _ Cecilia de Bartolomeo
Light design: Beta Progetti _ Light and Design
Cse / Rspp: Studio Leoni
Technical Area: Francesco di Carlo Roberto Ceccarelli Costantino Rasori R.u.p. Public works: Giovanni Genga Biagio Avolio Companies involved:
Civil works: Colombo Costruzioni S.P.A. Coiver Contract / Centro / Sign & Color S.r.l. Imprecom s.r.l.
Prefabricated Structures and Panels: General prefabricated s.p.a.
steel structures: Naldi Carpenterie_AGV metallica
special mechanical electrical systems: Cefla Soc. Coop – Panzeri s.p.a.
lifts: Schindler S.p.a.
Lighting: Lucifero’s _Bega _ IVela
Doors and windows: 3EmmeGi_Schucko_ Stahlbau Pichler
Titanium Zinc coatings and mesh: Stahlbau Pichler Global Construction s.r.l. Agv Metallica
Floors: Mirage Spa _ Porcelaingres GmbH
Furniture contract: Coiver Sign & Color s.r.l._ Ferlegno s.r.l. Fi.ma s.r.l.
Photographs by Paolo Cammillucci
Italian text:
Maximo Shopping Centre Roma, Italia
3C+t Capolei Cavalli e Design International celebrano l’apertura di Maximo Shopping Centre Roma
Roma, 30 novembre 2020 – È stato inaugurato MAXIMO, la nuovissima destination dedicata a Roma e dintorni per lo shopping e il tempo libero.
Maximo si presenta come una vera e propria “destination” per gli acquisti, per il tempo libero e la socialità, con la capacità di attrarre un ampio bacino di utenza stimato in 3,5 milioni di abitanti nei 40 minuti di percorrenza. Con oltre 65.000 mq di GLA distribuiti su tre livelli e 160 punti di vendita, tra negozi, ristoranti e attivitá legate all’intrattenimento.
UCI Luxe, un cinema con sette sale e 550 posti, McFit, Joy Village con sale bowling, biliardi e gaming arena che, nell’auspicato post-covid, rimarranno aperti al pubblico fino alle due di notte. Nel centro commerciale è presente anche la clinica veterinaria Cà Zampa, dov’è possibile effettuare anche toilette per cani. All’interno del Maximo sono presenti inoltre 38 ristoranti con un percorso dedicato allo street food, bar, caffetterie, wine-bar, 17 attività artigianali e il rinomato store Primark, spesso presente nei progetti firmati da Design International.
La grande piazza aperta su cui si affaccia la ristorazione non solo si presterà a ospitare eventi culturali, ricreativi e commerciali – su una superficie complessiva di oltre 10.000 mq – ma rappresenterà un vero e proprio punto d’incontro e di congiunzione tra Maximo e il quartiere Laurentino nel quadrante sud est di Roma.
Design International ha iniziato a lavorare su Maximo nel 2007, anno in cui il gruppo, dopo aver consolidato il mercato Europeo dalla sede di Londra, apriva lo studio milanese a due passi dal Duomo. L’Arch. Roberto Sibiano, ha seguito da Milano lo sviluppo di importanti progetti italiani, tra cui il Centro Commerciale Campania, MAXIMO, Nave de Vero, Centro Sicilia, La Cartiera, e più recentemente Il Centro di Arese, il da Vinci Retail Park e Hubtown presso l’aeroporto di Fiumicino, per citarne alcuni.
Il percorso per arrivare al taglio del nastro di Maximo è stato però tutt’altro che lineare. Fin dalle prime fasi Design International ha collaborato con l’architetto Fabrizio Capolei dello Studio Romano 3C+t Capolei Cavalli Architetti Associati e, come sempre accade tra professionisti, l’incontro è stato da subito fecondo. Già dai primi schizzi e idee gli studi di architettura coinvolti hanno condiviso i pilastri fondamentali su cui basare il progetto: luce naturale, grande visibilità delle vetrine, una spazialità interna complessa e avvolgente.
Tutto è stato immaginato e disegnato partendo sempre dall’esperienza del visitatore, secondo una scala di valori che mette l’uomo al centro, circondandolo di fuochi visivi (le vetrine) in sequenza prospettica, creando il massimo contrasto tra pieni e vuoti, grazie alla tessitura dei lucernari che immergono di luce naturale lo spazio. Gli architetti scartano un’architettura autoreferenziale, al contrario la rendono sociale poiché appartiene alla comunità e genera quel senso di ritrovo, definito da Davide Padoa, CEO di Design International, come “people building & meeting place”, un luogo per l’arricchimento sociale, la condivisione e la crescita del senso comune.
La caduta di Lehman Brothers del 2008, l’ascesa dell’e-commerce e la più recente tempesta perfetta causata dalla pandemia del 2020 non sono bastati a bloccare la nascita di Maximo, un progetto “resiliente” che ha saputo reggere le sfide del mercato e adattarsi a un mondo in costante a radicale cambiamento.
CREDITS:
Proprietà: Parsec 6 s.p.a. Project manager: Luca Mangani, Roberto Zandonella
Progetto urbanistico e architettonico: 3C+t Capolei Cavalli a.a. Fabrizio Capolei Antonio Molinari
Interior design: 3C+t Capolei Cavalli a.a. Design International Roberto Sibiano e Davide Padoa
Direzione lavori: Michele Dal Prato
Direzione artistica: Fabrizio Capolei
Responsabile Lavori e Alta Sorveglianza: Mariano Galante
Supervisione e coordinamento: Elisabetta Mapelli Stefano De Leo
Property manager e Marketing strategy: Francesco Sirello
Certificazione Breeam: Deerns Consulting Engineers
Strutture: Studio Agamennone e Cera
Progetto impianti: Enetec s.r.l. _ Studio Mattiucci Beta Progetti _ Cefla Soc. Coop.
Progetto viabilità: I.T. s.r.l. _ Sonia Briglia
Progetto vv.ff.: Studio Nozzi _ Cecilia de Bartolomeo
Light design: Beta Progetti _ Luce e Design
Cse/Rspp: Studio Leoni
Area Tecnica: Francesco di Carlo Roberto Ceccarelli Costantino Rasori R.u.p. Opere pubbliche: Giovanni Genga Biagio Avolio Imprese coinvolte:
Opere civili: Colombo Costruzioni S.P.A. Coiver Contract/Centro/Sign&Color S.r.l. Imprecom s.r.l.
Strutture e Pannelli Prefabbricati: Generale prefabbricati s.p.a.
strutture in acciaio: Naldi Carpenterie_AGV metallica
impianti elettrici meccanici speciali: Cefla Soc. Coop.- Panzeri s.p.a.
impianti risalita: Schindler S.p.a.
Illuminazione: Lucifero’s _Bega _ IVela
Serramenti: 3EmmeGi_Schucko_ Stahlbau Pichler
Rivestimenti in Zinco Titanio e rete: Stahlbau Pichler Global Construction s.r.l. Agv Metallica
Pavimenti:Mirage Spa _ Porcelaingres GmbH
Contract arredo: Coiver Sign&Color s.r.l._ Ferlegno s.r.l. Fi.ma s.r.l.
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Opera on YouTube 3
Il Barbiere di Siviglia (The Barber of Seville)
Mario Lanfrachi studio film, 1965 (Sesto Bruscantini, Valeria Mariconda, Ugo Benelli; conducted by Alberto Zedda; no subtitles)
Jean-Pierre Ponnelle studio film, 1974 (Hermann Prey, Teresa Berganza, Luigi Alva; conducted by Claudio Abbado; English subtitles)
New York City Opera, 1976 (Alan Titus, Beverly Sills, Henry Price; conducted by Sarah Caldwell; English subtitles)
Arena Sferisterio, 1980 (Leo Nucci, Marilyn Horne, Ernesto Palacio; conducted by Nicola Rescingo; no subtitles)
Teatro Real de Madrid, 2005 (Pietro Spagnoli, Maria Bayo, Juan Diego Flórez; conducted by Gianluigi Gelmetti; Arabic subtitles)
Teatro la Fenice, 2008 (Roberto Frontali, Rinat Shaham, Francesco Meli; conducted by Antonino Fogliani; Italian subtitles)
Royal Opera House, Covent Garden, 2009 (Pietro Spagnoli, Joyce DiDonato, Juan Diego Flórez; conducted by Antonio Pappano; English subtitles)
Vienna State Opera, 2019 (Rafael Fingerlos, Margarita Gritskova, Juan Diego Flórez; conducted by Evelino Pidó; English subtitles)
Arena di Verona, 2022 (Leo Nucci, Nino Machaidze, Dmitry Korchak; conducted by Daniel Oren; English subtitles)
Garsington Opera, 2023 (Johannes Kamler, Katie Bray, Andrew Stenson; conducted by Douglas Boyd; English subtitles)
Rigoletto
Wolfgang Nagel studio film, 1977 (Rolando Panerai, Franco Bonisolli, Margherita Rinaldi; conducted by Francesco Molinari-Pradelli; Japanese subtitles)
Metropolitan Opera, 1977 (Cornell MacNeil, Plácido Domingo, Ileana Cotrubas; conducted by James Levine; no subtitles)
Metropolitan Opera, 1981 (Cornell MacNeil, Luciano Pavarotti, Christiane Eda-Pierre; conducted by James Levine; no subtitles)
Jean-Pierre Ponnelle film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly, English subtitles)
English National Opera, 1982 (John Rawnsley, Arthur Davies, Marie McLaughlin; conducted by Mark Elder, sung in English)
La Monnaie, Brussels, 1999 (Anthony Michaels-Moore, Marcelo Álvarez, Elizabeth Futral; conducted by Vladimir Jurowski; no subtitles)
Arena di Verona, 2001 (Leo Nucci, Aquiles Machado, Inva Mula; conducted by Marcello Viotti; Italian subtitles)
Zürich Opera house, 2006 (Leo Nucci, Piotr Beczala, Elena Mosuc; conducted by Nello Santi; no subtitles)
Paris Opera, 2016 (Quinn Kelsey, Michael Fabiano, Olga Peretyatko; conducted by Nicola Luisotti; English subtitles)
Teatro Massimo, 2018 (George Petean, Ivan Ayon Rivas, Grazia Schiavo; conducted by Stefano Ranzani; English subtitles)
Così Fan Tutte
Vaclav Kaslik studio film, 1969 (Gundula Janowitz, Christa Ludwig, Luigi Alva, Hermann Prey; conducted by Karl Böhm; English subtitles)
Jean-Pierre Ponnelle studio film, 1988 (Edita Gruberova, Delores Ziegler, Luis Lima, Ferruccio Furlanetto; conducted by Nikolaus Harnoncourt; English subtitles) – Act I, Act II
Teatro alla Scala, 1989 (Daniela Dessì, Delores Ziegler, Josef Kundlak, Alessandro Corbelli; conducted by Riccardo Muti; Italian subtitles) – Act I, Act II
Théâtre du Châtelet, 1992 (Amanda Roocroft, Rosa Mannion, Rainer Trost, Rodney Gilfry; conducted by John Eliot Gardiner; English subtitles)
Vienna State Opera, 1996 (Barbara Frittoli, Angelika Kirschlager, Michael Schade, Bo Skovhus; conducted by Riccardo Muti; English and Italian subtitles)
Teatro Comunale di Ferrara, 2000 (Melanie Diener, Anna Caterina Antonacci, Charles Workman, Nicola Ulivieri; conducted by Claudio Abbado; no subtitles)
Zürich Opera House, 2000 (Cecilia Bartoli, Liliana Nikiteanu, Roberto Saccá, Oliver Widmer; conducted by Nikolaus Harnoncourt; no subtitles) – Act I, Act II
Opera Lyon, 2007 (Maria Bengtsson, Tove Dahlberg, Daniel Behle, Vito Priante; conducted by Stefano Montanari; French subtitles)
Salzburg Festival, 2009 (Miah Persson, Isabel Leonard, Topi Lehtipuu, Florian Boesch; conducted by Adam Fischer; English subtitles)
Zürich Opera House, 2009 (Malin Hartelius, Anna Bonitatibus, Javier Camarena, Ruben Drole; conducted by Frans Welser-Möst; English subtitles)
Aïda
San Francisco Opera, 1981 (Margaret Price, Luciano Pavarotti; conducted by Luis Garcia Navarro; no subtitles)
Metropolitan Opera, 1985 (Leontyne Price, James McCracken; conducted by James Levine; English subtitles) – Act I, Act II, Act III, Act IV
Teatro alla Scala, 1986 (Maria Chiara, Luciano Pavarotti; conducted by Lorin Maazel; English subtitles)
Metropolitan Opera, 1989 (Aprile Millo, Plácido Domingo; conducted by James Levine; English subtitles)
Teatro Comunale di Busseto, 2001 (Adina Aaron, Scott Piper; conducted by Massimiliano Stefaneli; Italian subtitles)
St. Margarethen Opera Festival, 2004 (Eszter Szümegi, Konstantin Andreev; conducted by Ernst Marzendorfer; English subtitles)
Metropolitan Opera, 2012 (Liudmyla Monastyrska, Roberto Alagna; conducted by Fabio Luisi; Russian subtitles)
Tbisili State Opera, 2017 (Maqvala Aspanidze, Franco Tenelli; conducted by Marco Boemi; Russian subtitles)
Teatro Colón, 2018 (Latonia Moore, Riccardo Massi; conducted by Carlos Vieu; Spanish subtitles)
Teatro la Fenice, 2019 (Roberta Mantegna, Francesco Meli; conducted by Riccardo Frizza; French subtitles)
#opera#youtube#complete performances#il barbiere di siviglia#rigoletto#così fan tutte#aida#gioachino rossini#giuseppe verdi#wolfgang amadeus mozart
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“Fragilità e Distacco / 70 Years Ruggero Maggi”
COMUNICATO STAMPA
SPAZIO OPHEN VIRTUAL ART GALLERY
“Fragilità e Distacco / 70 Years Ruggero Maggi”
a cura di Sandro Bongiani
Dal 29 agosto al 28 novembre 2020
Inaugurazione: sabato 29 agosto 2020, ore 18.00
S’inaugura sabato 29 agosto 2020, alle ore 18.00, la mostra collettiva internazionale a cura di Sandro Bongiani dal titolo: “Fragilità e Distacco / 70 Years Ruggero Maggi” che lo Spazio Ophen Virtual Art Gallery di Salerno dedica all’artista italiano Ruggero Maggi, uno dei più interessanti artisti contemporanei nati negli anni cinquanta. Una importante mostra collettiva internazionale in concomitanza anche della speciale ricorrenza del suo settantesimo compleanno, presentando 289 opere di 295 artisti presenti su un totale corpus grafico di ben 388 opere arrivate da ogni parte del mondo.
Ruggero Maggi inizia la sua attività di artista negli anni '70 con lavori incentrati sulla poesia visiva, sulla mail art, copy-art, laser art e olografia caratterizzati anche dall’inserimento di “estratti” di vita reale. Con il passare degli anni queste strutture “interferenti” all’interno dell’opera sono diventate sempre più evidenti, in un rapporto di intensa “osmosi”, in cui a partire dal 1989 gli arcaici elementi naturali convivono con componenti tecnologici, fino alle opere recenti dove il concetto “Artificiale /Naturale” tra ”sincronismo concettuale e emozionale” assume un ruolo predominante consegnandoci una realtà in cui l’azione umana coincide con quella morale, in un complesso intrico di rimandi e di sollecitazioni. Sandro Bongiani nella presentazione a questa rassegna scrive: “un continuo interesse verso la natura e la dimensione umana in un complesso rimando di sollecitazioni e interferenze, di sottintesi e nascosti richiami in cui l'azione coincide sinteticamente con il tempo provvisorio e oscuro dell’uomo. In questa particolare condizione, la sua ricerca marginale di confine “più vera di natura” ha saputo prendere corpo e manifestarsi in una sintesi poetica accorta che condivide le urgenze estreme della vita ed i contrasti inquieti della nostra malandata società contemporanea”.
Artisti presenti:
Christian Alle Dino Aloi Antonio Amato Lutz Anders Leslie Atkins Paola Baldassini Franco Ballabeni Calogero Barba Fabiola Barna Donatella Baruzzi Pier Roberto Bassi Umberto Basso Keith Bates Elisa Battistella Lutz Beeke Giacomo Beffa Lancillotto Bellini Milena Bellomo C. Mehrl Bennett John M. Bennett Luisa Bergamini Mariarosa Bergamini Pedro Bericat Carla Bertola Diane Bertrand Rita Bertrecchi Massimo Biagi Gabriele Bianconi Lucia Biral Manuel Xio Blanco Antonio Bobò Rovena Bocci Norbert Bockmann Kika Bohr Giovanni Bonanno Adriano Bonari Anna Boschi Rosa Bosco Maria Cecilia Bossi Marzia Braglia Hans Braumüller Rossana Bucci Joachim Buchholz Anna Maria Buonapace Viviana Buttarelli Fulgor C. Silvi Mirta Caccaro Alfonso Caccavale Glauco Lendaro Camiless Loretta Cappanera Guido Capuano Lamberto Caravita Cascadia Artpost Bruno Cassaglia Antonia Mayol Castello Gianpiero Castiglioni Renato Cerisola Bruno Chiarlone Simonetta Chierici Silvia Cibaldi Cosmo Cinisomo Circulaire132 Maria Antonietta Claretto Anna Maria Cognigni Ryosuke Cohen Mabi Col Francesco Cornello Enzo Correnti Carmela Corsitto Crackerjack Kid Maria Credidio Anna Maria Crescenzi Laura Cristin Carla Crosio Rosa Cuccurullo Crescenzio D'Ambrosio Nicolò D’Alessandro Diana Danelli Marc De Hay Ko De Jonge Mario De Leo Antonio De Marchi Teo De Palma Adolfina De Stefani Albina Dealessi Michel Della Vedova Antonio Di Michele Debora Di Bella Elena Di Felice Maura Di Giulio Fabio Di Ojuara Franco Di Pede Marcello Diotallevi Giovanna Donnarumma Mike Dyar Eart Art Mimmo Emanuele Rita Esposito Ever Arts Cinzia Farina Fernanda Fedi Gretel Fehr Domenico Ferrara Foria Ivana Ferraro Luc Fierens Giuseppe Filardi Anna Finetti Alessandra Finzi Aaron Flores Maurizio Follin Roberto Formigoni Kiki Franceschi Nicola Frangione Piet Franzen SIDAC Giglio Frigerio Ivo Galassi Daniele Galdiero Rosalie Gancie Antonella Gandini Attilia Garlaschi Claudio Gavina Ombretta Gazzola Roberta Ghisla Roberto Gianinetti Mario Giavino Ed Giecek Gino Gini Guglielmo Girolimini Lino Giussani Coco Gordon Bruno Gorgone Daniela Gorla Claudio Grandinetti Elke Grundmann Paolo Gubinelli Giovanni Gurioli _Guroga Karl Friedrich Hacher Hanrahan Peter Hide 311065 Uwe Hofig Slanye Huang Carlo Iacomucci Ibirico Gennaro Ippolito Robert James Benedetta Jandolo Janus Edition Isabel Jover Magda Lagerwerf Felipe Lamadrid Giusi Lazzari Ettore Le Donne Nadine Lenain Pascal Lenoir Alfonso Lentini Marialisa Leone Giovanni Leto Pino Lia Pierpaolo Limongelli Pietro Lista Oronzo Liuzzi Serse Luigetti Ruggero Maggi Olga Maggiora Nadia Magnabosco Mailarta MailArtMartha Loredana Manciati Antonio Mancini Antonello Mantovani Angela Marchionni Renzo Margonari Patrizio Maria Dorian Ribes Marinho Laura Marmai Max Marra Calogero Marrali Maria Grazia Martina Maribel Martinez Gianni Ettore Andrea Marussi Anna Maria Matone Anja Mattila Michelangelo Mayo Monica Mazzone Pierluigi Meda Massimo Medola Myriam M. Mercader Miche Art Universalis Monica Michelotti Virginia Milici Gabi Minedi Antoni Mirò Annalisa Mitrano Henning Mittendorf Mauro Molinari Domingo Sanz Montero Maya Lopez Muro Museuvofmailart Keiichi Nakamura Giuliana Natali Katerina Nikoltsou Aldo Nodari Pierangela Orecchia Clemente Padin Lucia Paese Franco Panella Katia Paoletti Linda Paoli Paola Pareschi Sjoerd Paridaen Enzo Patti Giuseppe Pellegrino Remy Penard Walter Pennacchi Mariella Perani Marisa Pezzoli Riccardo Pezzoli Tarcisio Pingitore Horvath Piroska Valentina Poli Veronique Pozzi Painè Nadia Presotto Daniele Principe Tiziana Priori Gina Pritti Giancarlo Pucci Fabrizio Randini Cesar Reglero Gaetano Ricci Angelo Ricciardi Isabella Rigamonti Carla Rigato Ina Ripari Costantino Rizzuti Ilaria Rizzuti Jaume Rocamora Gian Paolo Roffi Claudio Romeo Piero Ronzat Giovanni Ronzoni Lorenzo Rosselli Manuel Ruiz Ruiz Marialuisa Sabato Hikmet Sahin Piero Sani Sergio Sansevrino Antonella Sassanelli Antonio Sassu Anna Maria Saviano Roberto Scala Duccio Scheggi Peter Schubert Lars Schumacher Jörg Seifert Cesare Serafino Lucio Serafino Tiziano Serafino Domenico Severino Noriko Shimizu Maria Josè Silva – Mizè Pietro Silvestro Cecilia Solamito Luigino Solamito Alberto Sordi Cristina Sosio Lucia Spagnuolo Celina Spelta Ciro Stajano Honoria Starbuck Giovanni e Renata Strada Rod SummersVec Elisa Taiola Franco Tajariol Nello Teodori Ernesto Terlizzi Gian Paolo Terrone Elsa Testori Roberto Testori Thierry Tillier Paola Toffolon Renata Torazzo Micaela Tornaghi Horst Tress Alan Turner Stefano Turrini Mikel Untzlla Sigismund Urban Valdor Generoso Vella Silvia Venuti Ada Vera Verbena Daniele Virgilio Alberto Vitacchio Antonio Zenadocchio Rolando Zucchini.
RUGGERO MAGGI / Biografia
Dal 1973 si occupa di poesia visiva e libri d'artista (Archivio Non Solo Libri); dal 1975 di copy art e arte postale (Archivio Amazon); dal 1976 di laser art, dal 1979 di olografia, dal 1980 di X-ray art e dal 1985 di arte caotica sia come artista - con opere ed installazioni incentrate sullo studio del caos, dell’entropia e dei sistemi frattali - sia come curatore di eventi: “Caos italiano” 1998; “Caos – Caotica Arte Ordinata Scienza” 1999 – 2000; “Isole frattali” 2003, “CaoTiCa” 2004, “Attrazione frattale” 2006, “Caos e Complessità” 2009, “Caos, l’anima del caso” 2010, “Caotica.2014” Lodi e Jesi.
Tra le installazioni olografiche: “Una foresta di pietre” (Media Art Festival - Osnabrück 1988) e “Un semplice punto esclamativo” (Mostra internazionale d’Arte Olografica alla Rocca Paolina di Perugia – 1992); tra le installazioni di laser art: “Morte caotica” e “Una lunga linea silenziosa” (1993), “Il grande libro della vita” e “Il peccatore casuale” (1994), “La nascita delle idee” (1993) esposta nel 1995 al Museo d’Arte di San Paolo (BR).
Suoi lavori sono esposti al Museo di Storia Cinese di Pechino ed alla GAM di Gallarate. Ha inoltre partecipato alla 49./52./54. Biennale di Venezia ed alla 16. Biennale d’arte contemporanea di San Paolo nel 1980.
2006 realizza “Underwood” installazione site-specific per la Galleria d’Arte Moderna di Gallarate.
2007 presenta come curatore il progetto dedicato a Pierre Restany “Camera 312 – promemoria per Pierre” alla 52. Biennale di Venezia.
2008 presenta come curatore il progetto “Profondità 45 – Michelangelo al lavoro” sul rapporto Arte -Tecnologia. Nel 2008 a Villa Glisenti (BS) ed all’Art Centre della Silpakorn University di Bangkok, per un simposio artistico italo-thailandese dedicato alle problematiche del riscaldamento globale, realizza l’installazione “Ecce ovo”.
2009 cura l’installazione site-specific collettiva “Prima o poi ogni muro cade” all’interno di PLAZA: OLTRE IL LIMITE 1989-2009 XX Anniversario della caduta del Muro di Berlino in Galleria del Corso a Milano; evento successivamente presentato a Villa Pomini a Castellanza (VA) e Spazio Luparia a Stresa.
2010 “GenerAction – un promemoria per le generazioni” progetto di Mail Post.it Art presso la Galleria di Arti Visive dell’Università del Melo - Gallarate.
2011/2013/2015/2017 presenta a Venezia con il Patrocinio del Comune di Venezia Padiglione Tibet, progetto presentato successivamente alla Biennale di Venezia, al Museo Diotti di Casalmaggiore (CR), palazzo Ducale di Genova e presso la Biblioteca Laudense di Lodi.
2014 PadiglioneTibet partecipa alla Bienal del Fin del Mundo in Argentina.
2016 “TERRA/materiaprima” progetto di Mail Art presso la Galleria di Arti Visive dell’Università del Melo – Gallarate.
2016 presenta Padiglione Tibet al Castello Visconteo di Pavia.
2017 presenta la 1 Biennale Internazionale di Mail Art a Venezia – Palazzo Zenobio
2018 Padiglione Tibet partecipa alla Vogalonga (Venezia)
2018 installazione “Erosioni in pinzimonio” - Poetry and Pottery Un’inedita avventura fra ceramica e poesia visiva - CAMeC centro arte moderna e contemporanea La Spezia
2018 installazione CaraPace - Museo Tecnico Navale - La Spezia
2019 “Onda Sonora” libro collettivo – V Biennale del Libro d'artista - Napoli
2019 ARTNIGHT Venezia – Padiglione Tibet - videoproiezione 2011.2019. Storia di un padiglione per un paese che non c'è - Magazzini del Sale, Reale Società Canottieri Bucintoro
2019 riceve il Premio alla carriera - PREMIO ARTE IN ARTI E MESTIERI 2019 – XIX EDIZIONE - Fondazione Scuola Arti e Mestieri "F. Bertazzoni" - Suzzara (MN)
2020 “#GlobalViralEmergency / Fate Presto” L’arte tra scienza, natura e tecnologia - Spazio Ophen Virtual Art Gallery – Salerno
“Fragilità e Distacco / 70 Years Ruggero Maggi”
SPAZIO OPHEN VIRTUAL ART GALLERY
Via S. Calenda, 105/D - Salerno, Tel/3937380225
e-mail: [email protected]
Gallery: http://www.collezionebongianiartmuseum.it
Orario continuato tutti i giorni dalle 00.00 alle 24.00
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In 1924, in Roma, Ottorino #Respighi’s “Pines of Rome” was premiered at the Augusteo Theatre with Bernardino Molinari conducting the Augusteo Orchestra, now known as the Orchestra dell'Accademia Nazionale di Santa Cecilia. Meanwhile, in Morioka, Iwate, #ChuumonnoOoiRyouriten #restaurantwithmanyorders, written by #kenjimiyazawa, was published by a Brandnew publishing company called #kogensha (at 光原社) https://www.instagram.com/p/BzDlc6oAuXI-C3ZfZ2AdbBAZ0G23EpVbT-gwb00/?igshid=cdzkpiccoj4e
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#NowPlaying Pagliacci, Act 1: "Recitar!... Vesti la giubba" de Ruggero Leoncavallo, Mario del Monaco, Francesco Molinari-Pradelli, Orchestra dell'Accademia Nazionale di Santa Cecilia
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(via Bernardino Molinari Conducts The Orchestra Of The Santa Cecilia, Rome In Music Of Debussy - 1947 - Past Daily Weekend Gramophone - Past Daily)
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New Post has been published on https://fitnesshealthyoga.com/2nd-case-of-rare-paralyzing-illness-confirmed-in-douglas-county-the-5th-for-nebraska-health/
2nd case of rare paralyzing illness confirmed in Douglas County, the 5th for Nebraska | Health
A second case of a rare paralyzing illness this season has been confirmed in a Douglas County resident, health officials said Friday.
The child confirmed to have acute flaccid myelitis has been released from the hospital.
The case is the fifth in the state this season.
The latest case is the final one in Nebraska that had been under review by the federal Centers for Disease Control and Prevention, said Adi Pour, the Douglas County Health Department’s director.
A previous Douglas County case was confirmed by federal investigators in December. Two cases were confirmed late last year in the Sarpy/Cass Health Department’s jurisdiction, and one was corroborated in northeast Nebraska late last month.
“It is important to remember AFM remains extremely rare,” Pour said.
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The condition mostly affects children and as of yet has no clear cause.
Symptoms tend to occur about a week after a child has had a fever and respiratory illness. They include sudden muscle weakness, including in the face, neck, back or limbs.
CDC officials say at least half the patients do not recover from the paralysis and some have serious complications.
It’s not believed to be transmitted from person to person. The condition has occurred at a rate of one to two children per million, according to the CDC, and fewer than 500 cases have been confirmed in the five years that it has been tracked.
Each year that the number of cases has run higher — 2014 and 2016 — the illnesses have spiked in September and tailed off significantly by November.
The Nebraska Department of Health and Human Services began surveillance for the condition in 2014, after cases appeared in Colorado. Nebraska health care providers were required to begin reporting it to the state in 2016.
Some tips:
If parents see potential symptoms in their child, they should contact their health care provider promptly. While there is no treatment for the condition or proven prevention strategy, washing hands, covering coughs and staying home when sick can help prevent illness. People seeking information about the condition can find out more at cdc.gov/acute-flaccid-myelitis.
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Nebraska’s Isaac Copeland Jr. (14) takes on Penn State. Nebraska played Penn State in a men’s basketball game at the Pinnacle Bank Arena in Lincoln, Nebraska.
Nebraska’s Glynn Watson Jr. (5), right, fights for a rebound with Penn State’s John Harrar (21). Nebraska played Penn State in a men’s basketball game at the Pinnacle Bank Arena in Lincoln, Nebraska.
A passenger in a car waits for help after sliding into the ditch near 204th Street and Blue Sage Parkway in Omaha, Nebraska.
Isabella Orsini, 10, right, gives her brother, Jacob, 6, a push as they ride sleds in their yard in Omaha, Nebraska.
Sam Person of Papillion clears snow in the Eagle Hills neighborhood near Castle Pine and Franklin Drives in Papillion, Nebraska.
Nate Miller, CEO of Proving Ground, works at his company’s office in Omaha, Nebraska. Miller said the company has been affected by the government shutdown and that waiting to be paid for work has been difficult.
Joel Green leads a tour of Robber’s Cave underneath Blue Blood Brewery in Lincoln, Nebraska. A new book looks into the truths and legends of Nebraska’s man-made cave.
Joel Green leads a tour of Robber’s Cave underneath Blue Blood Brewery in Lincoln, Nebraska. A new book looks into the truths and legends of Nebraska’s man-made cave.
Elephant Keeper Abbe Dickson takes a breather while cleaning up poop and hay at Henry Doorly Zoo and Aquarium’s elephant herd room in Omaha, Nebraska. Cleaning up after elephants can be a big job.
Ian Murphy, canvases the nearly 90 snow people which are on display at the Leavenworth Park in Omaha, Nebraska. Neighbors such as Murphy say the snow people didn’t exist yesterday and claim it happened over night or possibly early this morning.
Kenze Messman, 17, spends time with her service dog Makki at their home in Lincoln, Nebraska. At the age of 14, Messman, was diagnosed with a handful of syndromes that combined can leave her with an elevated heart rate, seizures and twitches. She is also allergic to an abundance of things. Makki helps Kenze avoid or combat incidences.
Kenze Messman, 17, trains her service dog Makki at their home in Lincoln, Nebraska. At the age of 14, Messman, was diagnosed with a handful of syndromes that combined can leave her with an elevated heart rate, seizures and twitches. She is also allergic to an abundance of things. Makki helps Kenze avoid or combat incidences.
Kenze Messman, 17, spends time with her service dog Makki at their home in Lincoln, Nebraska. At the age of 14, Messman, was diagnosed with a handful of syndromes that combined can leave her with an elevated heart rate, seizures and twitches. She is also allergic to an abundance of things. Makki helps Kenze avoid or combat incidences.
Nebraska’s Tanner Borchardt (20) tangles with Michigan’s Kenny Goins (25) as Nebraska’s Isaiah Roby (15) looks on in the first half as the University of Nebraska-Lincoln men’s basketball team hosts Michigan State at the Pinnacle Bank Arena in Lincoln, Nebraska.
Husker fans rock The Rock and corn hats in the first half as the University of Nebraska-Lincoln men’s basketball team hosts Michigan State at the Pinnacle Bank Arena in Lincoln, Nebraska.
A woman is seen through an art piece called “Fire in the hole” as winter storm condition arrive in Omaha, Nebraska.
Passengers are loaded off a Southwest airplane a few at a time as firefighters help them down the portable stairs in Omaha, Nebraska, at Eppley Airfield. The airplane had slid off the runway as freezing drizzle hit the Omaha area.
Icicles form along 16th Street as winter storm conditions hit Omaha, Nebraska.
North Dakota’s Cole Smith (26) is upended in a collision with UNO’s John Schuldt (5) in the third period as the University of Nebraska at Omaha Mavericks Hockey team loses to North Dakota 3-4 at Baxter Arena in Omaha, Nebraska.
An allosaurus appears to be eyeing a tasty, 19-month-old morsel named Austin Haseltine as he is lifted from the shoulders of his grandpa, Greg Fasano, by his mother, Amy Haseltine, with his father, Jim Haseltine looking on. The Dinosaur UpROAR exhibit at Lauritzen Gardens, 100 Bancroft Street in Omaha, Nebraska, features 20 life-sized installations as well as discovery stations and educational activities set throughout the gardens.
Diane Nash speaks at the luncheon about her participation in the nonviolent movement that began in 1959 while she was a student at Fisk University. African-American civil rights leader Diane Nash was the keynote speaker during a Martin Luther King Jr. luncheon hosted by the Interdenominational Ministerial Alliance at the Hilton Omaha in Omaha, Nebraska.
Omaha firefighters fight a blaze at the Hope of Glory Church at 3402 Burt Street in Omaha, Nebraska.
Traffic makes tracks on West Center Road during a recent snow.
Naomi Bybee, 17, of Omaha, Nebraska, braves the snow and wind with a group of teenagers sledding at St. Robert Bellarmine Catholic School as winter storm conditions hit Omaha.
A group of ten teenagers link together while sledding down a hill at St. Robert Bellarmine Catholic School as winter storm conditions hit Omaha, Nebraska.
A squirrel eats a walnut as snow falls at Walnut Grove Park in Omaha, Nebraska.
Ian Zachary, 14, center, and Kody Hatcher, 14, right, drink hot chocolate while sledding downhill alongside Fletcher Kelly, 14, left, all of Omaha, at the St. Robert Bellarmine Catholic School as winter storm conditions hit Omaha, Nebraska.
Justin Van Buren catches a bluegill while fishing at a catch-and-release pond near 146th and Ida Streets in Omaha, Nebraska, as winter weather dropped snow on the area.
Looking east from 156th Street onto F Street, the sun rises behind winter traffic in Omaha, Nebraska.
The setting moon is framed by some dried flowers at Lake Zorinsky in Omaha, Nebraska.
The sun rises on a snow covered Lake Zorinsky in Omaha, Nebraska.
A person goes for a run along the snow covered trails at Lake Zorinsky in Omaha, Nebraska.
From left: Jan Cochran, Mary Clemens and Kate Bradley decorate St. Cecilia Cathedral in Omaha, Nebraska. This weekend, the Cathedral Arts Project will host the 34th annual Cathedral Flower Festival, which will feature floral displays from more than 30 area florists.
Michele Kiefer decorates behind the alter at St. Cecilia Cathedral in Omaha, Nebraska. This weekend, the Cathedral Arts Project will host the 34th annual Cathedral Flower Festival, which will feature floral displays from more than 30 area florists. Kiefer said this was her third year volunteering with the decorating. She said she loves learning from the other florists.
From left: Maureen Baines, Marilyn Havel, Liz Beckman and Carolyn Arkfeld decorate an arbor in the center of the nave at St. Cecilia Cathedral in Omaha, Nebraska. This weekend, the Cathedral Arts Project will host the 34th annual Cathedral Flower Festival, which will feature floral displays from more than 30 area florists.
Billy the Bluejay waves the Creighton flag before the start of the first half as the Creighton University men’s basketball team hosts Butler University at CHI Health Center Arena in Omaha, Nebraska.
Butler’s Jordan Tucker (1) scrambles for the ball against Creighton’s Martin Krampelj (15) in the second half as the Creighton University men’s basketball team defeats Butler University 75-61 at CHI Health Center Arena in Omaha, Nebraska.
Creighton’s Ty-Shon Alexander (5) steals the ball from Butler’s Jordan Tucker (1) in the second half as the Creighton University men’s basketball team defeats Butler University 75-61 at CHI Health Center Arena in Omaha, Nebraska.
Pink and blue balloons float past the Sower statue on the Nebraska State Capitol after balloons were released for the 45th annual Nebraska Walk for Life in Lincoln, Nebraska.
Jean Bailey, 98, works as a volunteer at Methodist Women’s Hospital in Omaha, Nebraska. Bailey has been a long time volunteer.
Milliner Margie Trembley designs, constructs and sells hats from her shop called Margie Trembley Chapeaux in Springfield, Nebraska.
Angel Leon Perez, 3, walks with his mother, Beatriz Leon Perez at Gomez Heritage Elementary School in Omaha, Nebraska.
Tad Badje, 49, right, and wife Shelly Badje, 48, pepper Title Boxing Club’s general manager, Chris Gerhardt’s mid-section during a two-on-one body shot race as part of their work out at Title Boxing Club in Omaha, Nebraska.
Two-year-old Hannah Bonnot of Denver, Colorado, stands in awe before “Mountain Outlaw” taken at Grand Teton National Park, Wyoming, on display at Tom Mangelsen’s “Life in the Wild” exhibition at the Durham Museum in Omaha, Nebraska.
Pedestrians stroll down the 10th Street bridge toward Jackson Street as snow blankets the downtown area of Omaha, Nebraska.
A deer walks through the tall grass at Chalco Hills Recreation Area in Omaha, Nebraska.
A woman is seen through an art piece called “Fire in the hole” as winter storm condition arrive in Omaha, Nebraska.
Omaha firefighters fight a blaze at the Hope of Glory Church at 3402 Burt Street in Omaha, Nebraska.
From left: Jan Cochran, Mary Clemens and Kate Bradley decorate St. Cecilia Cathedral in Omaha, Nebraska. This weekend, the Cathedral Arts Project will host the 34th annual Cathedral Flower Festival, which will feature floral displays from more than 30 area florists.
Pink and blue balloons float past the Sower statue on the Nebraska State Capitol after balloons were released for the 45th annual Nebraska Walk for Life in Lincoln, Nebraska.
Steam rises over north downtown Omaha, Nebraska, as morning lows were below -10 degrees.
Xiang Fang, right, and his son Ethan, 10, walk along the shoreline at Chalco Hills Recreation Area in Omaha, Nebraska. Fang said he and his son come to the lake often to watch the Canada geese and to see where the birds find open water.
T. Scott Marr and his daughter, Preston Marr, left, break down as Preston describes visiting her father before he’d made a miraculous recovery. T. Scott Marr and family attended a press conference held in Methodist Hospital’s physical therapy space in Omaha, Nebraska. Thought to be brain dead, doctors took former Creighton Bluejays play-by-play announcer T. Scott Marr off life support. Before his family settled on a funeral home, they decided to see their dad one more time. When they got there, he was awake and speaking.
The evening light gets low on Nebraska’s State Capitol in Lincoln, Nebraska.
Steve “Stever” Hansen takes a photograph as crews from the Omaha Neon Sign Co, Inc. install the Charlie Graham Auto sign at its new location called Great Plains Auto Body near the intersection of S. 43rd Street and Leavenworth Street in Omaha, Nebraska. Hansen is a friend of Charlie Graham who now lives in California.
Omaha Creighton Prep student Mark Mausbach leads the schools student section in cheer. Omaha Creighton Prep played Bellevue West at the Ralston Arena in Omaha, Nebraska, in the boys championship game of the Metro Holiday tournament.
Omaha Creighton Prep’ coach Josh Luedtke, left, gives direction to player Spencer Schomers, right, as he defends Bellevue West’s Louis Fidler. Omaha Creighton Prep played Bellevue West at the Ralston Arena in Omaha, Nebraska, in the boys championship game of the Metro Holiday tournament.
Canada geese fly over Flanagan Lake at sunset in Omaha, Nebraska.
The sunset is reflected in some open water at Flanagan Lake in Omaha, Nebraska.
Richard “Vince” Vincent of Omaha works out at West O Fitness, 18132 Emiline Street in Omaha, Nebraska.
Nebraska’s Nicea Eliely gets pumped up for the game. Nebraska played Maryland in a basketball game at Pinnacle Bank Arena in Lincoln, Nebraska.
Nebraska’s Ashtyn Veerbeek was electric during halftime warmups. Nebraska played Maryland in a basketball game at Pinnacle Bank Arena in Lincoln, Nebraska.
Sen. Lynne Walz of District 15 embraces Graham Pansing Brooks of Lincoln prior to the start of the first day of the 2019 Legislative Session at the Nebraska State Capitol in Lincoln, Nebraska.
Sen. Patty Pansing Brooks of District 28 kisses her husband Loel Brooks as family members depart form the floor during the first day of the 2019 Legislative Session at the Nebraska State Capitol in Lincoln, Nebraska.
Nebraska’s Stanley Morgan Jr., left, poses for a picture with former Husker running back Johny Rodgers during the Outland Trophy Banquet at the Double Tree Hotel in Omaha, Nebraska.
Former Nebraska coaches Frank Solich, left, and Tom Osborne pose for a photograph during the Outland Trophy Banquet at the Double Tree Hotel by Hilton in Omaha, Nebraska.
Sitting on the lap of her mother, Melissa Murante, Natalia Murante, soon be two-years old, applauds for her father, John Murante after he was sworn in as state treasurer in a ceremony held in the Norris Legislative Chamber of the State Capitol in Lincoln, Nebraska.
Nebraska assistant coach Jim Molinari, left, watches the play on the court. In the background is Nebraska head coach Tim Miles. Nebraska played Penn State in a men’s basketball game at the Pinnacle Bank Arena in Lincoln, Nebraska.
Nebraska’s Thomas Allen (12) scores a three-point basket. Nebraska played Penn State in a men’s basketball game at the Pinnacle Bank Arena in Lincoln, Nebraska.
Penn State head coach Patrick Chambers gestures to his players on the court. Nebraska played Penn State in a men’s basketball game at the Pinnacle Bank Arena in Lincoln, Nebraska.
Nebraska’s Isaac Copeland Jr. (14) takes on Penn State. Nebraska played Penn State in a men’s basketball game at the Pinnacle Bank Arena in Lincoln, Nebraska.
Nebraska’s Glynn Watson Jr. (5), right, fights for a rebound with Penn State’s John Harrar (21). Nebraska played Penn State in a men’s basketball game at the Pinnacle Bank Arena in Lincoln, Nebraska.
A passenger in a car waits for help after sliding into the ditch near 204th Street and Blue Sage Parkway in Omaha, Nebraska.
Isabella Orsini, 10, right, gives her brother, Jacob, 6, a push as they ride sleds in their yard in Omaha, Nebraska.
Sam Person of Papillion clears snow in the Eagle Hills neighborhood near Castle Pine and Franklin Drives in Papillion, Nebraska.
Nate Miller, CEO of Proving Ground, works at his company’s office in Omaha, Nebraska. Miller said the company has been affected by the government shutdown and that waiting to be paid for work has been difficult.
Joel Green leads a tour of Robber’s Cave underneath Blue Blood Brewery in Lincoln, Nebraska. A new book looks into the truths and legends of Nebraska’s man-made cave.
Joel Green leads a tour of Robber’s Cave underneath Blue Blood Brewery in Lincoln, Nebraska. A new book looks into the truths and legends of Nebraska’s man-made cave.
Elephant Keeper Abbe Dickson takes a breather while cleaning up poop and hay at Henry Doorly Zoo and Aquarium’s elephant herd room in Omaha, Nebraska. Cleaning up after elephants can be a big job.
Ian Murphy, canvases the nearly 90 snow people which are on display at the Leavenworth Park in Omaha, Nebraska. Neighbors such as Murphy say the snow people didn’t exist yesterday and claim it happened over night or possibly early this morning.
Kenze Messman, 17, spends time with her service dog Makki at their home in Lincoln, Nebraska. At the age of 14, Messman, was diagnosed with a handful of syndromes that combined can leave her with an elevated heart rate, seizures and twitches. She is also allergic to an abundance of things. Makki helps Kenze avoid or combat incidences.
Kenze Messman, 17, trains her service dog Makki at their home in Lincoln, Nebraska. At the age of 14, Messman, was diagnosed with a handful of syndromes that combined can leave her with an elevated heart rate, seizures and twitches. She is also allergic to an abundance of things. Makki helps Kenze avoid or combat incidences.
Kenze Messman, 17, spends time with her service dog Makki at their home in Lincoln, Nebraska. At the age of 14, Messman, was diagnosed with a handful of syndromes that combined can leave her with an elevated heart rate, seizures and twitches. She is also allergic to an abundance of things. Makki helps Kenze avoid or combat incidences.
Nebraska’s Tanner Borchardt (20) tangles with Michigan’s Kenny Goins (25) as Nebraska’s Isaiah Roby (15) looks on in the first half as the University of Nebraska-Lincoln men’s basketball team hosts Michigan State at the Pinnacle Bank Arena in Lincoln, Nebraska.
Husker fans rock The Rock and corn hats in the first half as the University of Nebraska-Lincoln men’s basketball team hosts Michigan State at the Pinnacle Bank Arena in Lincoln, Nebraska.
A woman is seen through an art piece called “Fire in the hole” as winter storm condition arrive in Omaha, Nebraska.
Passengers are loaded off a Southwest airplane a few at a time as firefighters help them down the portable stairs in Omaha, Nebraska, at Eppley Airfield. The airplane had slid off the runway as freezing drizzle hit the Omaha area.
Icicles form along 16th Street as winter storm conditions hit Omaha, Nebraska.
North Dakota’s Cole Smith (26) is upended in a collision with UNO’s John Schuldt (5) in the third period as the University of Nebraska at Omaha Mavericks Hockey team loses to North Dakota 3-4 at Baxter Arena in Omaha, Nebraska.
An allosaurus appears to be eyeing a tasty, 19-month-old morsel named Austin Haseltine as he is lifted from the shoulders of his grandpa, Greg Fasano, by his mother, Amy Haseltine, with his father, Jim Haseltine looking on. The Dinosaur UpROAR exhibit at Lauritzen Gardens, 100 Bancroft Street in Omaha, Nebraska, features 20 life-sized installations as well as discovery stations and educational activities set throughout the gardens.
Diane Nash speaks at the luncheon about her participation in the nonviolent movement that began in 1959 while she was a student at Fisk University. African-American civil rights leader Diane Nash was the keynote speaker during a Martin Luther King Jr. luncheon hosted by the Interdenominational Ministerial Alliance at the Hilton Omaha in Omaha, Nebraska.
Omaha firefighters fight a blaze at the Hope of Glory Church at 3402 Burt Street in Omaha, Nebraska.
Traffic makes tracks on West Center Road during a recent snow.
Naomi Bybee, 17, of Omaha, Nebraska, braves the snow and wind with a group of teenagers sledding at St. Robert Bellarmine Catholic School as winter storm conditions hit Omaha.
A group of ten teenagers link together while sledding down a hill at St. Robert Bellarmine Catholic School as winter storm conditions hit Omaha, Nebraska.
A squirrel eats a walnut as snow falls at Walnut Grove Park in Omaha, Nebraska.
Ian Zachary, 14, center, and Kody Hatcher, 14, right, drink hot chocolate while sledding downhill alongside Fletcher Kelly, 14, left, all of Omaha, at the St. Robert Bellarmine Catholic School as winter storm conditions hit Omaha, Nebraska.
Justin Van Buren catches a bluegill while fishing at a catch-and-release pond near 146th and Ida Streets in Omaha, Nebraska, as winter weather dropped snow on the area.
Looking east from 156th Street onto F Street, the sun rises behind winter traffic in Omaha, Nebraska.
The setting moon is framed by some dried flowers at Lake Zorinsky in Omaha, Nebraska.
The sun rises on a snow covered Lake Zorinsky in Omaha, Nebraska.
A person goes for a run along the snow covered trails at Lake Zorinsky in Omaha, Nebraska.
From left: Jan Cochran, Mary Clemens and Kate Bradley decorate St. Cecilia Cathedral in Omaha, Nebraska. This weekend, the Cathedral Arts Project will host the 34th annual Cathedral Flower Festival, which will feature floral displays from more than 30 area florists.
Michele Kiefer decorates behind the alter at St. Cecilia Cathedral in Omaha, Nebraska. This weekend, the Cathedral Arts Project will host the 34th annual Cathedral Flower Festival, which will feature floral displays from more than 30 area florists. Kiefer said this was her third year volunteering with the decorating. She said she loves learning from the other florists.
From left: Maureen Baines, Marilyn Havel, Liz Beckman and Carolyn Arkfeld decorate an arbor in the center of the nave at St. Cecilia Cathedral in Omaha, Nebraska. This weekend, the Cathedral Arts Project will host the 34th annual Cathedral Flower Festival, which will feature floral displays from more than 30 area florists.
Billy the Bluejay waves the Creighton flag before the start of the first half as the Creighton University men’s basketball team hosts Butler University at CHI Health Center Arena in Omaha, Nebraska.
Butler’s Jordan Tucker (1) scrambles for the ball against Creighton’s Martin Krampelj (15) in the second half as the Creighton University men’s basketball team defeats Butler University 75-61 at CHI Health Center Arena in Omaha, Nebraska.
Creighton’s Ty-Shon Alexander (5) steals the ball from Butler’s Jordan Tucker (1) in the second half as the Creighton University men’s basketball team defeats Butler University 75-61 at CHI Health Center Arena in Omaha, Nebraska.
Pink and blue balloons float past the Sower statue on the Nebraska State Capitol after balloons were released for the 45th annual Nebraska Walk for Life in Lincoln, Nebraska.
Jean Bailey, 98, works as a volunteer at Methodist Women’s Hospital in Omaha, Nebraska. Bailey has been a long time volunteer.
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18 DE FEVEREIRO ,DIA DE TEMPESTADE ,FECHADO EM CASA SOFRI UM INSULTO FEITO A MOZART PELO ENCENADOR DA LA CLEMENZA DE TITO EM GENEVE ‘ UMA PORCARIA SUÍÇA’ PARAFRASEANDO A IMPERATRIZ MARIA LUÍSA ! (2):Continuação ...Milo Rau divide a cena em duas partes: de um lado a elite na “Casa da Arte” e, do outro, refugiados num acampamento de caravanas, em plena miséria onde como de costume nos seus projectos teatrais estão amadores no palco genebrinos e imigrantes.
“Le metteur en scène reste fidèle à lui-même. Le résultat est authentique et brut, radical et critique. Avec cette version de "La Clémence de Titus", il livre une critique de l'art engagé, de l'intellectuel engagé et du pouvoir de l'élite "pseudo-engagée". "Un véritable engagement, ce serait la révolution. Je crois que depuis 1791 et jusqu'à aujourd'hui, l'élite a compris que la vraie révolution, il faut l'éviter. Il faut faire semblant d'être du côté du changement, mais ne rien changer. C'est ce qui se passe dans cet opéra d'une manière presque absurde", explique le metteur en scène dans l'émission "Vertigo" de la RTS.”.Quem assistiu à ópera considera -a “ irreconhecível “ . Rau ficou espantado .
Como saem disto Rau e Mozart para mim ? Rau deve voltar aos seus projectos teatrais e a Amadeus peço perdão por culpa alheia . Kunst und Macht mas é o da tua arte .
Salvou-se a música e os meus agradecimentos vão para o talento do jovem maestro russo Maxim Emelyanychev que dirigiu com brilho o Coro e a Orquestre de La Suisse Romande . ( Lembro que deveria ter estado na Gulbenkian em Maio de 2020 dirigindo Il pomo d’oro no concerto cancelado de Joyce di Donato ) . Cantores de segundo plano cumpriram
Orquestre de la Suisse Romande Coeur du Grand Théâtre de Genève , Maxim Emelyanychev (maestro ) Milo Rau (encenador ) ,Bernard Richter (Tenor): Tito, Serena Farnocchia (Soprano): Vitellia, Anna Goryachova (Mezzo-Soprano): Sesto, Marie Lys (Soprano): Servilia , Cecilia Molinari (Mezzo-Soprano): Annio , Justin Hopkins (Baritone): Publio
CLEMENZA DI TITO Opera Seria em dois Atos por Wolfgang Amadeus Mozart (1756 - 1791) Libretto por Pietro Metastasio .Estreia em Praga, Teatro Nacional, 6 de setembro de 1791 ( continua ...
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