#Cathy Tagnak Rexford
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rodspurethoughts · 2 years ago
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Check out the trailer for True Detective: Night Country
True Detective: Night Country | Official Teaser | Max True Detective: Night Country is a compelling and captivating crime drama that centers around the disappearance of eight men from the Tsalal Arctic Research Station in Ennis, Alaska. The detectives, Liz Danvers (Jodie Foster) and Evangeline Navarro (Kali Reis), must dig deep into the darkness within themselves and the secrets hidden beneath…
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ineedtoreadmorepoetry · 3 years ago
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The Ecology of Subsistence by Cathy Tagnak Rexford
No daylight for two months, an ice chisel slivers frozen lake water refracting blue cinders.
By light of an oil lamp, a child learns to savor marrow: cracked caribou bones a heap on the floor.
A sinew, thickly wrapped in soot, threads through the meat on her chin: a tattoo in three slender lines.
One white ptarmigan plume fastened to the lip of a birch wood basket; thaw approaches: the plume turns brown.
On the edge of the open lead, a toggle-head harpoon waits to launch: bowhead sings to krill.
Thickened pack ice cracking; a baleen fishing line pulls taut a silver dorsal fin of a round white fish.
A slate-blade knife slices along the grain of a caribou hindquarter; the ice cellar lined in willow branches is empty.
Saltwater suffuses into a flint quarry, offshore a thin layer of radiation glazes leathered walrus skin. 
Alongside shatters of a hummock, a marsh marigold flattens under three black toes of a sandhill crane.
A translucent sheep horn dipper skims a freshwater stream; underneath, arctic char lay eggs of mercury.
Picked before the fall migration, cloudberries drench in whale oil, ferment in a sealskin poke.
A tundra swan nests inside a rusted steel drum; she abandons her newborns hatched a deep crimson. 
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librarianswithattitude · 4 years ago
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The Ecology of Subsistence
by Cathy Tagnak Rexford
No daylight for two months, an ice chisel slivers frozen lake water refracting blue cinders. By light of an oil lamp, a child learns to savor marrow: cracked caribou bones a heap on the floor. A sinew, thickly wrapped in soot, threads through the meat on her chin: a tattoo in three slender lines. One white ptarmigan plume fastened to the lip of a birch wood basket; thaw approaches: the plume turns brown. On the edge of the open lead, a toggle-head harpoon waits to launch: bowhead sings to krill. Thickened pack ice cracking; a baleen fishing line pulls taut a silver dorsal fin of a round white fish. A slate-blade knife slices along the grain of a caribou hindquarter; the ice cellar lined in willow branches is empty. Saltwater suffuses into a flint quarry, offshore a thin layer of radiation glazes leathered walrus skin. Alongside shatters of a hummock, a marsh marigold flattens under three black toes of a sandhill crane. A translucent sheep horn dipper skims a freshwater stream; underneath, arctic char lay eggs of mercury. Picked before the fall migration, cloudberries drench in whale oil, ferment in a sealskin poke. A tundra swan nests inside a rusted steel rum; she abandons her newborns hatched a deep crimson.
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