#Call Me by Your Name

[vyhalia57]

💙💥🔥💚🎆❤️‍🔥❤️‼️👏💯

[estellaestellaestella]

fan edit of timothée chalamet. #tchalametedit #timmyonsnl

[hailturinturambar]

Timothée Chalamet as Paul Atreides

“Try your tricks on me, old witch. Where’s your gom jabbar? Try looking into that place where you dare not look! You’ll find me there staring out at you!”

Dune by Frank Herbert

[vyhalia57]

(You can tell that they ENJOYED doing this❗️😉; hence Armie looking forward to regular rehearsals for these scenes)

💙💥🔥💚🎆❤️‍🔥❤️‼️👏💯

[sweetpea1242]

“call me by your name and i’ll call you by mine”

[sweatyllamagladiator]

What's the colour of my pant?

Reblog and send a text of it

[vyhalia57]

That burgundy suit jacket looks WONDERFUL 《chef's 💋》 on him. 💙💥🔥❤️❗️👏💯

— Appearances 🌟

Armie Hammer // 90th Academy Awards 2018, March 4th. 🌹✨

[justalittlebitofblue]

“Oliver.” “Elio.”

[touchtillivomit]

my opinion on some of my fave films !

dead poets society :

dead poets society is a film that resonates with the fierce longing for individuality, freedom, and the courage to challenge societal expectations. set in an all-boys prep school in the 1950s, it follows the lives of a group of students who are deeply shaped by the rigid, traditional world around them. into this structured existence enters john keating, an unconventional and passionate teacher who awakens something inside his students—an invitation to think for themselves, to embrace the poetry of life, and to seek their own path, no matter the cost. the beauty of the film lies in its exploration of the tension between conformity and the desire to break free, embodied in the figure of keating, who teaches his students to "seize the day" (carpe diem) and embrace the present. through his lessons, he challenges the young men to look beyond the confines of their textbooks and to see the world as a place filled with possibility, beauty, and rebellion. his influence is magnetic, encouraging them to explore the depths of their emotions, to question authority, and to find their own voice amidst a world that would rather silence them. yet, the film also delves deeply into the heartbreaking consequences of this awakening. as the students start to embrace the ideals of keating’s teaching, they begin to clash with the deeply entrenched values of their families and the institution. the conflict between personal freedom and societal expectations becomes a painful and often dangerous struggle. the heartbreak in dead poets society is not just in the tragic events that unfold, but in the realization that true change often comes at a cost—whether it’s the loss of relationships, the crushing weight of disappointment, or the ultimate sacrifice of a life unfulfilled. the characters, particularly neil, & todd represent different facets of the struggle to break free from the expectations placed upon them. neil’s intense desire to pursue his passion for acting and escape his controlling father becomes the focal point of the film’s emotional weight, highlighting the devastating effects of repression and the longing to live authentically. todd’s journey is one of self-discovery, finding his voice in a world that has silenced him, while knox pursues a forbidden love, exemplifying the tension between following one’s heart and the societal norms that threaten to hold him back. dead poets society is a film about the transformative power of art, the importance of individuality, and the tragic beauty of following one’s own path. it is a reminder of the ways in which society seeks to mold us, often at the expense of our true selves, and the profound cost of finding the courage to resist. the film’s themes of freedom, youth, and the eternal struggle between passion and responsibility are underscored by its powerful performances, especially robin williams' portrayal of keating, whose presence serves as a beacon of light in the darkness of conformity. in the end, the film speaks to the quiet rebellion that lives within us all, urging us to live deeply, to love fiercely, and to dare to "stand on our desks" and view the world from a different perspective—before it’s too late.

call me by your name :

call me by your name is a film that embodies the poetry of love in its most tender and devastating form. set against the sun-soaked landscapes of northern italy, the film captures the raw, fleeting nature of a summer romance between elio, a young, introspective boy, and oliver, an older, confident graduate student staying with elio’s family. their relationship blooms in a quiet, almost languid way, marked by stolen glances and slow-building tension, each moment brimming with the intensity of unspoken desire. the film’s beauty lies in its ability to convey the language of longing without needing to speak it aloud. the camera lingers on small gestures—the touch of a hand, the shift of a gaze, the way elio and oliver's bodies move in close proximity—and in these moments, we feel the ache of a love that is as much about what’s unsaid as it is about the words they do speak. director luca guadagnino uses light, sound, and movement to immerse the viewer in the delicate, almost ethereal quality of their connection. the film’s score, with its hauntingly beautiful music, becomes a reflection of the love that builds between them, a melody that haunts long after the credits roll. the heartbreak comes not just in the eventual separation, but in the understanding that what they shared was always destined to be temporary. the film poignantly explores the idea of love that burns brightly and intensely, but is also ephemeral, fading as quickly as it arrived. oliver and elio's love is marked by a profound knowing—each moment they share is precious because they both know it cannot last forever. in the final scenes, the quiet devastation of their parting is palpable. elio’s grief is raw and aching, a beautiful, painful reminder of how deeply love can affect us, even if it is not meant to endure. call me by your name is a meditation on the bittersweet nature of love—how it can elevate us to the highest heights, only to leave us heartbroken and changed forever. it is about the beauty of youth, the vulnerability of being open to someone else, and the realization that some loves are not meant to stay with us, but rather, are meant to shape us in ways we never expected. it is a film that lingers in the heart, a poignant reflection on the ways love and loss are intertwined, forever captured in the golden haze of a summer that will never be repeated.

bones and all :

bones and all is an achingly poetic exploration of love, identity, and the monstrous hunger that lives within. at its core lies maren, a young woman whose life has been shaped by an unrelenting appetite—not just for connection, but for flesh. born a cannibal, maren struggles with the shame and isolation that her nature imposes, forced to leave behind everything and everyone she touches. her hunger is both a curse and a necessity, an act of survival that consumes her emotionally as much as it does physically. when she meets lee, a fellow eater burdened with his own scars, maren begins to understand that she is not alone in her darkness. together, they traverse the desolate backroads of america, seeking answers and a sense of belonging in a world that has rejected them. their shared cannibalism becomes a grotesque but undeniable bond, a manifestation of their inner turmoil and the secret they must carry together. every meal they share is a paradox—an act of survival that deepens their shame while simultaneously tying them closer to one another. the story does not shy away from the horrors of their condition. the act of consuming human flesh is presented with visceral, unflinching detail, making it impossible to ignore the grotesque reality of their lives. yet, within that darkness, there is tenderness—a yearning for redemption and the hope that love can bloom even among the ruins of their humanity. bones and all forces us to confront the line between the monstrous and the human, asking whether we are defined by our worst impulses or by our capacity for connection and love. it is a brutal yet strangely beautiful tale, a reminder that even in the depths of horror, the hunger for love and acceptance remains universal. the cannibalism, raw and unflinching, becomes both metaphor and reality—a physical manifestation of the lengths we go to fill the emptiness inside.

the perks of being a wallflower :

the perks of being a wallflower is a poignant, heartfelt exploration of the complexities of adolescence, identity, and the quiet struggles that shape us. through the eyes of charlie, a shy, introspective teenager, the film captures the raw and often overwhelming experience of navigating the turbulence of growing up. as charlie enters high school, he finds himself caught between the darkness of his past and the hope of finding true connection in the present. the beauty of the film lies in its ability to convey the overwhelming feeling of being an outsider, of searching for a place where you truly belong. charlie’s journey is not just about friendship and first love; it is about the painful, sometimes difficult process of understanding who you are and coming to terms with your past. his connection with sam and patrick, two misfit siblings, becomes his lifeline, offering him a sense of community and acceptance he has long been missing. together, they share moments of pure joy, but also moments of vulnerability and pain, each of them wrestling with their own hidden scars. at its core, the perks of being a wallflower is a film about finding the courage to feel, to embrace the moments of happiness and heartache that shape us. charlie’s relationships with sam and patrick are filled with tenderness, the kind of deep, unspoken understanding that only true friendship can bring. sam, with her free-spirited charm, and patrick, with his bold yet tender heart, offer charlie something he has never had—people who see him for who he truly is, beyond his quiet demeanor and past trauma. their connection is a quiet kind of poetry, built on moments of laughter, shared secrets, and the freedom of being loved for exactly who you are. the heartbreak in the film comes not just from charlie’s struggles with his own inner demons, but from the painful realization that growing up often means confronting parts of yourself that are hard to face. charlie’s past is marked by deep trauma, and his journey toward healing is messy, imperfect, and full of setbacks. yet, through the love and support of his friends, he begins to understand that it is okay to feel broken, to not have everything figured out. the film’s closing moments, with charlie’s emotional breakthrough, are a quiet reminder that while we may never fully heal from all of our wounds, the love and acceptance we find along the way can help us move forward. the perks of being a wallflower is a celebration of the messy beauty of being human—of the friendships that save us, the first loves that change us, and the heartaches that shape us. it is a reminder that we are all just trying to find our place in the world, and sometimes, the most important thing we can do is to allow ourselves to truly feel—no matter how painful, no matter how fleeting. the film captures the bittersweetness of youth, of being on the cusp of something more, and of learning that the only way to really live is to embrace the joy and the heartbreak that come with it.

Pt 1 !

[parlapina]

"How would you describe most of your favorite shows/books?"

Like this:

[vyhalia57]

💙💥🔥❤️❗️👏💯

There are few things in life that make my heart as happy as this mans smile!

[heateron]

timothée chalamet in call me by your name (2017) dir. luca guadagnino

[learnelle]

A bookshop and some cats in Venice, my new favourite city for aimless wandering ⭐️

[filmreveries]

“If you only knew how little I know about the things that matter.”

Call Me By Your Name (2017) dir. Luca Guadagnino

[malusokay]

⋆˚࿔ you got mail… 𝜗𝜚˚⋆

!! You can click on the pages to make them bigger :) !!

hi hi, Angels… It’s that time of the month again, YOU GOT MAIILL <3

This edition is one of my favourites this far and I hope you guys love it just as much as I do!! Let me know how you guys like the little outfit page and don't forget to follow my insta @ malusokay

love ya ･:*₊‧౨ৎ

[ammascrellin]

And when I'm back in Chicago, I feel it Another version of me, I was in it

lady bird (2017) / the bear (2022–) / frances ha (2012) / past lives (2023) / good will hunting (1997) / lost in translation (2003) / fleabag (2016–2019) / normal people (2020) / la la land (2016) / moonlight (2016) / sharp objects (2018) / the worst person in the world (2021) / call me by your name (2017) / shiva baby (2020)