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niteshade925 · 8 days ago

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April 20, Beijing, China, National Museum of China/中国国家博物馆 (Part 4 – Chinese Historical Fashion Exhibition continued):

Alrighty, Ming and Qing dynasty fashion, here we go! Sit tight because this is an extra long post that took me a long time to research

First is this marvel, a replica of the phoenix crown/fengguan/凤冠 of Empress Xiaoduanxian of Ming (明孝端显皇后). The real artifact is in this museum, but it's probably not exhibited much for conservation reasons.

Phoenix crowns are the formal headwear for empresses, which according to etiquette rules set at the beginning of Ming dynasty (1368 - 1644), must have 9 dragons and 4 phoenixes (btw the original Chinese term is fenghuang/凤凰, which is a different mythological creature from the phoenix, but "phoenix" is the commonly used translation now), but this crown has 9 dragons and 9 phoenixes, indicating that etiquette rules have loosened and shifted by late Ming.

The phoenixes on this crown are blue because they were actually made with the iridescent feathers of kingfishers in a process called diancui/点翠. All species of kingfishers are now legally protected animals in China, so when buying hanfu accessories, you may come across "imitation diancui"/仿点翠, these are usually either made with enamel or dyed chicken or goose feathers. Another thing to note is the appearance of the jewels on this crown. Ming-era people liked keeping the jewels in a "natural look", so these jewels had no facets.

Recreations of Ming-era hanfu. Left is the semi-formal outfit of aristocrat women in mid to late Ming dynasty. Right is the casual outfit of late Ming scholars and literati. The woman's cone-shaped hairstyle is called a diji/䯼髻, and the set of hairpins that goes on a diji is called toumian/头面. She's wearing a type of top called an ao/袄 and a skirt aka qun/裙, specifically a mamianqun/马面裙, or "horse face skirt". Note that the bottom hem of an ao is not tucked into the skirt. The man is wearing a square-ish hat called a fangjin/方巾 and should also be wearing a wangjin/网巾 underneath (can be understood as a hairnet). He's wearing a daopao/道袍 and a hechang/鹤氅 on the outside.

Also I did make a mistake while dividing up the pictures for these two posts, some of the following artifacts are from earlier dynasties. Ugh if only I had time to take pictures of all the placards.

A pair of mojie/摩竭 shaped gold earrings from Liao dynasty (916 - 1125). Note that the placard says it's "摩羯形" or "Capricorn-shaped", but this apparently is sort of a misnomer? Sort of, because this representation should be of the makara (मकर; translated as 摩竭 in Chinese), a sea creature from Hindu mythology, but at the same time it is the equivalent of Capricorn in Hindu astrology. However since the name "Capricorn" stuck, it's now commonly referred to as "摩羯". 摩竭 and 摩羯 have the exact same pronunciation though.

A pair of phoenix (fenghuang) shaped gold hairpins from Liao dynasty:

After a lot of pulling my hair out researching, I finally found what time period this gold belt buckle came from. It's from Eastern Han dynasty (25 - 220 AD). The gold filigree and beads form the pattern known as panchiwen/蟠螭纹, where pan/蟠 and chi/螭 are both types of loong dragon in Chinese mythology.

The gold decoration on a xiapei/霞帔 (the V-shaped wide band in the diagram on the right) from Liao dynasty. Xiapei originated in Song dynasty (960 - 1279) as part of the formal attire of consorts, but later developed into a part of the formal attire for women in general. Xiapei also looked different at different time periods in history, but from Song-era to Ming-era, its structure didn't change by much.

Finally back to Ming dynasty. This is a gold cap inlaid with gems and pearls. From the size of this cap and the included hairpins, we can deduce that this cap is meant to encase the bun on the top of the head (the hairpins that go through the cap would hold it in place).

Like the gold cap above, the next few are all from the same tomb of a Ming dynasty noble, and they are all themed similarly--they all depict scenes in a heavenly palace. Of these, the first three that has miniature architecture in gold are parts of the toumian worn on a diji hairstyle. This first one is a pair of yanbin/掩鬓 (lit. "covering temples"), so called because they are worn on the sides, close to the temples.

This next one has some confusion regarding the naming. According to an article by the Chinese Academy of Social Sciences Institute of Archaeology, the top artifact is a fenxin/分心 and the bottom artifact is a tiaoxin/挑心, but according to 撷芳主人 (if you are a hanfu enthusiast you have probably heard of this person or seen their works, they are the one who drew the cute illustrations of Ming-era fashion), the top one may be a manguan/满冠, and the bottom one should be called fenxin/分心. Note that 撷芳主人's conclusion is mostly based on Ming-era records and novels. Regardless of the naming, the top one here should be worn on the base of the diji, and the bottom one should be worn at the front center of the diji.

This one also has some confusion in the naming, the Institute of Archaeology calls it a dingzan/顶簪, while 撷芳主人 calls it a tiaoxin/挑心. Again, regardless of the naming, this one is worn on the very top of the diji, so the hairstick portion goes straight down through the diji. If you look closely, you can even see people and animals in the details.

Left: a pair of gold phoenix (fenghuang) hairpins made in the 22nd year of the Yongle Emperor of Ming. Right: gold filigree bracelets inlaid with gemstones.

Ming-era portrait of a scholar official. Before cameras were introduced in late-Qing dynasty, portrait paintings were the most realistic depictions of what people looked like back then. Such portrait paintings mostly began in Song dynasty and continued through to Qing dynasty.

Illustrations of the different buzi/补子 (also known as "mandarin square") used by different ranks of officials in Ming dynasty. All ranks are organized from highest on the left to lowest on the right, top row is for civil officials, bottom row is for military officials, and bottom right is for nobility. All illustrations here come from the Ming-era illustrated encyclopedia Sancai Tuhui (《三才图会》). For those who are interested, a scan of Sancai Tuhui is available on Internet Archive for free (link goes to first chapter, most chapters are available).

Also from Sancai Tuhui Chapter 62 (all pictures here come from Ch. 62-64), illustrations of the twelve ornaments (called shierzhang/十二章) on a mianfu/冕服, which is the highest level of formal attire for an emperor in Ming dynasty. These twelve ornaments depict things including celestial bodies (note that sun contains the three-footed sun crow, and moon contains the moon rabbit), elements of nature, mythical creatures, and representations of life, and are supposed to represent the values and traits that an emperor should possess:

And wrapping up the section on Ming-era hanfu, here are the headwear of different classes of people in Ming dynasty, from commoners to the literati to important government officials.

Note the net-like hair accessory on the left. This is a wangjin/网巾 during Ming dynasty (illustration from Sancai Tuhui), and is worn by all men regardless of social class. However, wangjin is worn almost like an "undergarment", so it's almost always covered by something else. Which means all those historical cdramas set in Ming dynasty that have their characters wear only a wangjin in public are, in fact, inaccurate.

Some hats of commoners and scholars in Ming dynasty. Note the left one on the second row, that is the same hat worn by the Fox Scholar in the episode Goose Mountain of the animated series Yao Chinese Folktales (《中国奇谭》).

Some of the formal headwear of government officials in Ming dynasty. These are called liangguan/梁冠, lit. "beam crown", where the liang/"beam" refers to the metal arches that go over the top. The more liang there are on the hat, the higher the rank of the official.

And last but not least, Qing dynasty (1616 - 1911) fashion. Left is Qing-era men's outfit for horseback archery and hunting, called xingfu/行服. His hat is composed of two parts, the actual hat called dingdai/顶戴 (here it's specifically the winter version) and the back decoration made of horsehair and feathers that signifies status is called hualing/花翎. Back is the casual outfit of late-Qing Manchu noblewomen, with the characteristic hairstyle called dalachi/大拉翅, a vest called kanjian/坎肩, and a robe beneath called chenyi/衬衣. These are all considered part of qizhuang/旗装, or traditional Manchu clothing. On the right is the late-Qing casual outfit of upper class Han women, with an ao/袄 top and a langanqun/阑干裙 skirt (a type of mamianqun/马面裙), and a headband decorated with pearls called mo'e/抹额. Note that although the exact origin of the modern qipao/旗袍 is disputed, it definitely has elements from at least one of the following: the Manchu chenyi, the Han ao, and the late Qing and early Republic era men's changshan/长衫.

A little historical background on why this particular display is arranged in this way. In early Qing dynasty, the Manchu ruling class enforced the policy of 剃发易服 (lit. "shaving hair and changing clothing") specifically on Han men in order to force conformity to Manchu traditions in terms of hairstyle and clothing, but Han women were not included in this policy. So in early Qing, Han women still wore the same clothing as they did prior in late Ming, but over the time the fashion of Han women absorbed many elements of Manchu fashion. However, this wasn't a one-way influence. By late Qing, many elements of Han fashion were adopted by Manchu fashion as well, so this influence really went both ways. Today, Manchu people is one of the 56 officially recognized ethnicities in China (4th largest ethnicity by population), and the traditional fashion of Manchu people is a part of the diverse culture of modern China.

Below is a real example of a chenyi, chenyi were popular among Qing dynasty imperial consorts as informal dress:

The hairstyle of Manchu women (called qitou/旗头) at different times during Qing dynasty. The one at the far right was what early qitou looked like, while the one on the far left appeared in late-Qing. The two hairstyles on the left frequently appear in period dramas set in Qing dynasty.

A belt called jifudai/吉服带 with pouches and decorations. Jifudai is so named because it's supposed to be worn with the semi-formal jifu/吉服 outfit. This particular jifudai is yellow, a color reserved for the emperor.

Real examples of Qing-era Han women's outfit, with an ao on the left, and a langanqun on the right. Langanqun is a type of mamianqun, but the construction is different from Ming-era mamianqun, in that langanqun is made from numerous rectangular and trapezoidal pieces of fabric sewn together into two larger pieces, whereas Ming-era mamianqun are simply two large pleated pieces of fabric. The way these skirts are decorated are also somewhat different. Visually speaking, Qing-era langanqun have woven and/or embroidered patterns that are arranged vertically, creating a "paneled" look, whereas Ming-era mamianqun have woven and/or embroidered patterns that repeat and extend horizontally as to wrap around the entire skirt.

Aaaaand that's it for this exhibition! Phew. I highly recommend everyone go visit the free virtual exhibition (link here), partly because when I visited the National Museum of China, I was in a huge hurry (I only had one day to see everything), and so the task of taking pictures of the exhibition was split between me and a family member, but I'm not sure they understood how many pictures I wanted....so what's in my posts here are only a very small portion of the actual exhibition. The actual exhibition doesn't just have artifacts and replicas of artifacts, but also have paintings and real articles of clothing from Qing dynasty, which were all amazing to look at.

#2024 china #beijing #china #national museum of china #historical fashion #historical clothing #chinese historical fashion #hanfu #chinese hanfu #manchu fashion #fashion history #chinese history #chinese culture #history #culture

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rabbitpaws · 7 months ago

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Smoky Quartz Deer Antler Tip Hoop Earrings ✨️

Featuring gold hoops that are adorned with faceted Smoky Quartz, tiny brass beads, and deer antler tips. The hooks are gold plated

They hang 2.75 inches

All deer antlers utilized in our pieces are ethically sourced and cruelty free

Buy them here

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avaantares · 1 year ago

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Shen Wei's pendant - now for ears!

After nearly a year of trying to source the right components, I finally managed to find all the pieces I needed to put these together!

Everything was chosen to fit Hei Pao Shi's aesthetic: The ear wires are black steel, the faceted black beads are coated so they have a faint silvery sheen, and of course the flame-look sphere is self-explanatory. (The one he wears in the drama is mostly transparent, but I always liked the idea of the novel pendant containing actual flame, so I went with something a bit more fiery instead.) The bail is a bit more dragon-y than the original, but considering how obsessed parts of this fandom are with Tiny Dragon Shen Wei, I figured it wasn't too far off the mark. 😂 (Also smaller ones just don't have enough surface area to support a bead of this size.)

I filled the "soulfire" square on my @guardianbingo card earlier this year, but I just realized I never actually did anything for the "Shen Wei" square (how did that happen?? that's the easiest one on the whole card!), so I'll use these to tick that box.

(And because I've already had some interest, I do have a few of these up in my Etsy shop. I had to buy the findings in multipacks, so I had enough materials to make several pair. There's also a shorter version if you don't like long earrings.)

#guardian #zhen hun #guardian bingo #guardian bingo fest #fandom jewelry #antares versatile arts #shameless self promotion

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life-of-a-rat · 1 year ago

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so when I made that poll, the top result was stickers (I’m working on it don’t worry) but the second option was “crafts/trinkets”, and I was thinking about what I could make for that, and since I make a lot of chains for my glasses, I figured I would start with something I’m familiar with. Here are some of the patterns I’ve made over the last few days, I’ll rb with more later, but ya know ten pic limit (not sure on the names? Might change them)

Bunny rabbit (glass, plastic (maybe? I forgot to write down if the facet beads were glass or not)

2. Sour candy (basically everything)

3. I literally can’t think of a name for this one but something space-themed ig (reconstituted hematite, glass)

4. Honeybee (glass)

5. Court jester (glass)

I’ve only made one or two of each of these bc I want to know which ones will actually sell so I’ll know what beads to stock up on, so if you’d be interested in buying any, please let me know which ones, or make suggestions for new patterns :]

#beadwork #crafts #for sale #coming soon

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kolibribeads · 2 years ago

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4 mm Czech Superior Crystals MC Faceted Bicone Beads - Blue Zircon (24, 48 or 72 Beads) #czech #beads #CzechBicones #glass #crystal #handmade https://etsy.me/41CabgW

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folkmarketgems · 2 years ago

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Attention all gemstone lovers! Check out our latest offering: 20 kg of raw Rhodolite garnets for faceting at cheapest price. These gorgeous stones are perfect for faceting and beadwork, and we have cutting results available online for your convenience.

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Don’t miss out on this incredible deal and add these stunning Rhodolite garnets to your collection. #rhodolitegarnet #redgarnet #garnetjewelry #garnetstone #lapidaryrough #facetingrough #lapidaryartist #gemstonecutter #mineralcollecting #crystalcollection #gemolog

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thegemjournal · 7 months ago

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WHAT ARE THE BENEFITS OF USING FACETED GEMSTONE BEADS IN JEWELRY MAKING?

Faceted gemstone beads are a popular choice among jewelry makers for their unique and eye-catching appearance. These beads are cut and polished in a way that creates multiple flat surfaces, also known as facets, that reflect and refract light, giving the gemstones a dazzling sparkle. This makes them an excellent choice for adding a touch of elegance and glamour to any piece of jewelry. But the benefits of using faceted gemstone beads go beyond just their aesthetic appeal. In this blog post, we will explore the various advantages of incorporating these beautiful beads into your jewelry making projects. From their durability to their versatility, there are many reasons why faceted gemstone beads have become a staple in the world of jewelry making. So let's dive in and discover what makes these beads so special and why you should consider using them in your next jewelry creation.

ELEVATING AESTHETIC APPEAL WITH EVERY FACET

One of the most immediate benefits of incorporating faceted gemstone beads into your jewelry creations is the remarkable elevation in aesthetic appeal they provide. The intricate cutting and polishing process these beads undergo result in numerous flat surfaces that catch and play with light in mesmerizing ways. For instance, faceted ruby beads can imbue a piece with a deep, radiant glow, turning a simple bracelet into a statement piece. Similarly, faceted emerald beads can add a touch of lush, vibrant green, offering a luxurious and fresh look. The angular precision of faceting not only enhances the inherent beauty of the gemstones but also adds a dimensional depth that flat or smooth round beads simply cannot achieve. You can check here the difference between faceted beads and smooth beads for better understanding.

This unique characteristic of faceted gemstone beads ensures that even the simplest jewelry designs stand out, catching the eye and captivating the imagination with every turn. The ability to transform light into a spectrum of color and brilliance makes faceted gemstone beads an invaluable asset for anyone looking to elevate the aesthetic appeal of their jewelry creations.

VERSATILITY IN DESIGN POSSIBILITIES

Faceted gemstone beads bring an unparalleled versatility to jewelry design, allowing creators to explore a myriad of styles, from the classic elegance of traditional pieces to the boldness of modern aesthetics. The variety of cuts, including micro faceted beads, introduces a level of precision and detail that can cater to intricate designs demanding subtlety and finesse. The faceted rondelle shape beads, in particular, offer a sleek and sophisticated option, ideal for creating layered beads necklace or charm bracelets that require beads of uniform shape but varied color. This versatility extends to the use of these wholesale gemstone beads across different types of jewelry, such as gemstone earrings, gemstone rings, necklaces, and bracelets, enabling designers to mix and match for cohesive collections or standout pieces.

The adaptability of faceted gemstone beads ensures that they can be seamlessly incorporated into both high-end, luxurious creations and more casual, everyday wear items. This broadens the creative horizon, encouraging designers to experiment with combinations of texture, color, and form. Ultimately, the versatility of faceted gemstone beads opens up a world of design possibilities, inviting jewelry makers to push the boundaries of their creativity.

THE ALLURE OF UNIQUENESS AND EXCLUSIVITY

In the world of jewelry, the quest for pieces that reflect a sense of individuality and uniqueness is unending. Faceted gemstone beads cater to this desire, offering an exclusivity that mass-produced jewelry simply cannot match. Each bead, with its distinct cut and inherent characteristics, brings a unique story to the table. This is particularly evident in handcrafted jewelry, where the natural variations in color, size, and shape of faceted gemstone beads mean that no two pieces are exactly alike. For collectors and fashion enthusiasts alike, this adds an irresistible allure to jewelry pieces, making them not just accessories but personal statements. The meticulous process of faceting also ensures that each bead maximizes the gemstone's natural beauty, making every piece feel bespoke and luxurious. This exclusivity is especially appealing to those who prize individual expression in their style, making faceted gemstone bead jewelry a sought-after addition to any collection. In essence, the uniqueness and exclusivity offered by these stone beads transform simple jewelry pieces into treasured keepsakes that reflect the wearer's personal taste and style.

ENHANCING DURABILITY THROUGH CRAFTSMANSHIP

The process of creating faceted gemstone beads is not just an art; it's a meticulous craft that significantly contributes to the durability of jewelry pieces. The faceting process involves precise cutting and polishing, which not only reveals the beauty of the gemstone but also enhances its structural integrity. Gemstones are naturally hard materials, but when they are expertly faceted, they are shaped in a way that reduces the likelihood of chipping and breakage. This means that jewelry made with faceted gemstone beads can withstand the wear and tear of daily use better than those with untreated stones.

Additionally, the facets themselves are designed in a manner that distributes stress across the bead's surface, making them less prone to cracking. The careful selection of high-quality loose gemstones and the expertise of skilled artisans in faceting contribute to creating beads that offer both aesthetic appeal and long-lasting durability. Jewelry makers who choose faceted gemstone beads are thus investing in the longevity of their creations, ensuring that their beauty endures as much as their structural soundness.

THE PSYCHOLOGICAL IMPACT OF WEARING FACETED GEMSTONES

Beyond their undeniable beauty and versatility, faceted gemstone beads carry profound psychological effects for those who wear them. The meticulous craftsmanship and radiant glow of these faceted gemstones can significantly influence emotions and mindset. Many people believe in the healing properties of these natural gemstones, attributing to them the power to affect mood, energy levels, and overall well-being.

For instance, the vibrant sparkle of faceted amethyst beads may instill a sense of calm and clarity, aiding in stress relief and promoting mental balance. Similarly, beautifully faceted citrine beads, gleaming with the sun's warmth, are often associated with joy, encouraging a more optimistic outlook on life. Wearing jewelry adorned with these carefully crafted gems can serve as a personal talisman, offering not just a visual delight but also a psychological boost. The act of choosing a piece featuring a specific gemstone for its perceived benefits underscores the intimate connection between the wearer and their jewelry, making the experience uniquely personal and profoundly impactful. This deep emotional engagement adds another layer of value to faceted gemstone beads, making them not just a choice for adornment but also a means for emotional and psychological enrichment.

FACETED GEMSTONE BEADS AS A SUSTAINABLE CHOICE

Choosing faceted gemstone beads for jewelry making not only elevates the aesthetic and emotional value of a piece but also aligns with a growing commitment to sustainability. The process of sourcing gemstone beads often adheres to ethical mining practices, ensuring minimal environmental impact and fair labor conditions. Additionally, the durability of faceted gemstones promotes longevity in jewelry pieces, reducing the need for frequent replacements and, consequently, diminishing waste. Many gemstone beads are obtained from small-scale mining operations that prioritize the preservation of local ecosystems and communities.

This sustainable approach extends to the artisans who meticulously cut and polish each bead, often using traditional techniques passed down through generations, thus supporting cultural heritage and reducing the carbon footprint associated with mass production. By choosing faceted gemstone beads, designers and consumers participate in a cycle of responsible consumption and production, contributing to a more sustainable future in the fashion and jewelry industry. This choice reflects a conscious decision to embrace beauty and craftsmanship without compromising the well-being of our planet.

CONCLUSION: THE TIMELESS CHARM OF FACETED GEMSTONE BEADS

In wrapping up our exploration of faceted gemstone beads, it's clear that their appeal goes far beyond mere aesthetics. These gems offer a unique combination of beauty, versatility, and durability that is unmatched in the jewelry-making world.

The journey through the multifaceted benefits of these beads hopefully inspires you to embrace their potential in your next jewelry project, elevating your work to new heights of elegance and expression.

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uniquejewel · 1 year ago

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Elegant Golden Feldspar Faceted Tyre Beads Collection

#buy beads online #gemstone beads #golden feldspar faceted tyre beads

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hrtsmom · 3 days ago

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Little Owl necklace

Sections of braided leather cord surround a center piece of deep red poppy jasper and faceted bronze-colored glass, accented with tiny rose-gold beads. The necklace is completed with a copper tag charm stamped with a picture of a little owl. A great accessory for fall!

Buy it here.

#jewelry #handmade jewelry #ooak jewelry #necklace #owl #I made this

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kailasharudrakshdelhi · 1 month ago

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7 Mukhi Rudraksha Mala

₹2,800.00

7 Mukhi Rudraksha Mala :- The 7 Mukhi Rudraksha Mala 108 Beads is a type of prayer beads or rosary made from 7-faced Rudraksha beads. Rudraksha beads are considered sacred and are commonly used in Hindu and Buddhist traditions for spiritual and meditative purposes.

The term “Mukhi” refers to the number of natural divisions or facets found on a Rudraksha bead. In the case of the 7 Mukhi Rudraksha Mala, each bead has seven distinct faces or Mukhis.

The 7 Mukhi Rudraksha is associated with the deity known as Goddess Mahalakshmi, who is revered as the goddess of wealth, abundance, and prosperity. Wearing or using the 7 Mukhi Rudraksha Mala is believed to bring blessings of financial stability, success, and overall prosperity.

In addition to its association with wealth, the 7 Mukhi Rudraksha is also believed to have a positive impact on the wearer’s overall well-being. It is said to enhance intuition, promote clarity of thought, and improve concentration. Some also believe that it helps in overcoming fear, anxiety, and stress.

Wearing or using the 7 Mukhi Rudraksha Mala is a personal choice and depends on an individual’s beliefs and spiritual practices. It is important to note that the benefits and effects of Rudraksha beads may vary from person to person. It is advisable to acquire Rudraksha beads from reliable and authentic sources to ensure their quality and authenticity.

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shinjito · 2 months ago

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youtube

Cultivating Good Relationships with Different People

Nowadays, relationship between different people becomes a difficult matter. Conjugal relationship, leadership and subordinate relationship, friendship, all kinds of relationship needs to be taken care of. It is extremely common to see that lots of couples get divorced. Many people are on bad terms with their friends, boss and even their parents. However, in current situation, good relationship with different click here people plays an important role in our daily life, no matter for our work, family or life.

As a consequence, how to get along with people becomes a university. In addition, it also becomes a standard to measure whether you are successful or not. Good relationship with different people can also be conductive to you. In the current society, if you want a decent job, you need to have good relationship with those important officials; you have difficulty, you need others to help you, then you need to have good relationship with your friends. Anyway, relationship plays a critical role in all respects of our life. If you are a leader, you need to take great efforts to handle proper relationship with your staff; if you are a businessman, you need to get well with all kinds of people; even if you are a student, you need to get on well with your classmates; despite you are close husband and wife, you also need to learn to build a harmonious relationship with each other.

While if you are not good at handling relationship with people, the possibility to failure is very large. You can’t get your boss’s attention, you can’t enjoy the trust and respect of your staff, you can’t grow up healthily if you are not on good terms with your classmates, and you will have a bad marriage and so on. As a matter of fact, the problem existed in the bad relationship is that people are not willing to care about others; people can’t put themselves in other’s shoes. As we live in an ear characterized by freedom, democracy, people pay much attention to individuality and freedom. “Me first” is the most common perception of the majority of people. Most young people only think of themselves, they can buy anything they want at any cost, but they can’t even buy a cheap Buddhist beads necklace for their mother. The divorce rate increases at an extremely high speed. In marriage relationship, both sides should care more about each other.

Sometimes, a small gift can make your lover happy, all women like jewelry, and a kind of cheap wholesale jewelry signifies you care about your wife. Besides, every people should shoulder due responsibility, and be courageous to face any problem. For one thing, people should learn to care about others. For another, mutual trust is a significant part in human relationship. If a person always lies to others, he won’t get any trust. His relationship with friends, boss, wife and parents cannot be sustainable. His boss will not believe in him, may lay off him soon. His friends won’t help him when he is in trouble. His family also won’t enjoy everlasting happiness. From social news, we can see those sly businessman always loses both friends and money. Through the experience of successful people, only honesty people can get great achievements. Since relationship is indispensable from all facets of our life, good relationship with different people is much more important. So learning to cultivate good relationship with different people is the forever lesson for every person.

#Youtube

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