#But this was a bit of a complicated answer?

[glypt0don]

So, this is quite a rant. You can skip to the bottom, if you want to know my opinion but don't want to read that much... But I worked hard on it and I think it's important, so it would make me very happy if you read through the whole text.

So this fits into something I wanted to post about anyway: a broader theme of why do we frame things as wars? Like, why is it culture war, specifically. First I liked the concept, I thought it described something quite complicated reasonably easily. But I pondered on it a bit more and I think there's more going on.

It's pretty trivial, that most societies went through a huge change over the last half century. It's not just feminism. I could make a whole list of things we as a people took on. Anti-racism and civil rights, religious acceptance, global trade, reinterpreting the meaning of peace, connecting the word through the world-wide web, etc. We ( or, as I am barely an adult and have no idea how to change things for the better, I should say you, or maybe chat) decided it was time for change, so change came. You brought it about.

And I agree. Change WAS and IS necessary. What that change should entail, well, we all have our ideas, right? And they have the ugly tendency to differ from each other. The question then is, how do we coincide our contradictory ideas on society? The answer is both worrying and very important.

To be fair, our race doesn't have a great track record on solving these kinds of issues. I dug into my historical knowledge, since, you know, those who don't learn from it, repeat it... The only thing I can compare to what's happening today would be the Reformation (which probably says a lot about my historical knowledge). That's the only time I know, where societal assumptions were altered so much in such a short time. That time it was specifically about the Catholic church (if you don't know, what I'm talking about, you really should, so Google it), and the result was a series of wars, that ultimately may have wiped out about a fifth of Europes population. The wars were of course led by powerful men, who capitalised on the divide to further their own goals.

As back then, now too, we can't rely on institutions to tame the public. Many media and political identities have a direct interest in polarising society. Because that's what happens. All these contentious issues about gender, class, or foreign policy become dividing lines between folks who are supposed to be parts of the same whole (call it community, state, nation or humanity, depending on how wide you can think). You know, how it works, probably saw it a few times, whatever your interests are. It's literally everywhere! We fight it out with the perceived enemy of the week sometimes, when there is an election, something notable happens, or it's simply Pride Month. Then everyone goes back to their respective corners, where they vehemently agree with themselves. We don't talk a lot, just throw words at each other, like Buggs Bunny, playing tennis with a dynamite.

I should say, this post is a notable and refreshing outlier. Thanks, @trans-androgyne , for starting a discussion for a change!

I know, it's a bit like nuclear armament. You can't just stop, because THEY won't, and then they win, and you can't allow that. It's life and death! And I don't have some magic pill to make it all go right, or believe me, I wouldn't sit here, typing this out at 3 in the morning Central European Time. But let me propose this: don't call it a war! Neither culture war, nor gender war, nor anything like that. Because this isn't a war. Just ask anyone in the middle east! They can tell you, what is war, and THIS IS NOT IT! And also, because it may not be guns and destruction yet, but nothing guarantees, that it stays that way. We already had multiple attempted takeovers of capital buildings since this cursed decade began, because our social reality became so fragmented, that you can't accept the results of a popular election anymore. That should raise alarm bells. I know it does, but it can be much worse! Learn from history, do not repeat it! Hit the Wiki page on the Huguenot war! On the siege of Magdeburg. Or, if that's not your cup of tea, watch Civil War! I genuinely think it's the best movie of the year.

Call it Social Discourse! That sounds much more manageable, doesn't it? Or you can come up with something else, as long as it isn't some warmongering bullshit. And maybe the next time you meet someone with sexist, homophobic, racist, or maybe radical left and anarchistic views (whatever you're opposing), don't attack them with your words! Those aren't weapons. Try to talk to them instead! Try talking about feelings! Listen to theirs, make them understand yours! I say feelings, because you both have those. Try finding a common ground, however small, and build up from there. Like Minecraft Skyblock. It can be hard in a challenging way, instead of making you want to shoot yourself in the head. Remember, you aren't fighting a war. You are having a discourse.

All of it is to say, the world and society are changing, wether you like it or not, and we have to change with it, to survive. That is the simple fact. If you call that change a war, that's just gonna make the whole thing unnecessarily painful for everyone involved.

This was sociopolitical advice from a giant armadillo.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[bonefall]

"How big should a Clan territory be?"

For the dozens of people who have asked this over the last couple of years!

This question comes in a lot of forms; "How big are the Clan territories?" "How much space does one Clan need?" "How much land should I give my Clans to exist in?" The answer is a bit complicated, and depends on the type of land, what you're going for exactly, the setting, so on.

But, broadly, there's TWO particular factors at play here; How anthropomorphic you're portraying your warriors, and how productive the land is.

Factor 1: The Anthro Scale

I'm starting with this one because it could you the simpler answer. The Erins write Clan cats like humans in cat bodies, with massive social units and communal living. Realistic feral cats don't act like Clan cats. They are only semi-social, due to domestication.

See, a Clan cat will "share" territory between all of its members, and some Clans have canonically hit populations of over 50 individuals. Real feral colonies consist of "overlapping circles" of somewhere between 2 - 15 cats, most of them related females.

This is relevant because, even in densely populated areas with as much food as they can eat, truly feral colonies will have about 2 cats per 5 acres, capping out at about 15 members. Queens will hang out together and raise their kittens communally, but they will hunt and patrol in their own "circle." These boundaries are violently enforced against outside cats, especially if it's too crowded.

(Toms have circles 5x as big as a queen's, overlapping several territories. They're also considerably less social.)

So, if you wanted to incorporate some cat behavior into your Clan's mindset about how big their territory should be, while still being willing to sacrifice a bit of "realism" for groups over 15-ish members, simply take Clan population and multiply it by 2.5 acres.

30 cats = 75 acres. That's a little under 57 football fields, if you're American, or 50 football fields, if you're European.

Extra reading: How realistic cat territories work. Contains the numbers I'm referencing.

It's also very important to know; feral cat density is completely tied to food availability, the big numbers numbers are for cats whose needs are met. Cats are solitary hunters, and when they feel like they have to work for their food, they become VERY territorial. The density of cats in rural areas can be as low as 1 molly per 15 acres, even lower for toms, and they will leave if hunting is not easy.

THIS IS WHY YOU SHOULD NOT FEED FERAL CATS. Please GOD they are SO invasive, please do not give colonies food, they still hunt when they're full so you just end up concentrating a ton of predators in one place. They are not warriors with a law against disrespecting food, they are just kitty cats with silly kitty instincts

I have a suspicion that most of the people who are asking the question aren't really looking for a "realistic cat" answer, though. We LOVE our big cat Clans with their complicated politics around here. You're probably wondering how much land you need to feed your population!

Factor 2: Land Productivity

The exact amount of space is going to vary a lot, because it's more about productivity of the land to sustain a prey population than it is raw size. Remember what we learned back in Warrior Bites: Dietary Needs; a 30-cat Clan will need approximately 3 pounds of meat (10,500 calories) per day, which is about 2 rabbits, or 105 mice.

Here's some visual examples of what I mean. This one (1) acre homestead...

Has 20 patches of high-value crops, plus an orchard, AND livestock pens. This territory alone could attract enough crows, mice, rats, rabbits, and sparrows to feed all those cats daily. That's not even counting the humans themselves, who may be friendly enough to the colony to toss them kibble occasionally.

(this is why cats domesticated themselves. Even without the free food from the humans, farms are extremely productive hunting grounds.)

Meanwhile, the Edmonton Mall, which is a whopping five (5) acres...

Would be utterly barren. Best food you're going to get out of this wasteland is the leftovers humans toss out, and maybe the rats and pigeons that scavenge as well. It's 5x the space, and yet, infinitely harder to feed the same amount of cats.

So, the most helpful bit of advice I'm gonna give you is this; DON'T ask yourself "how big should this territory be?" You're starting with the wrong question. Start with a real location, and think about how you'd find 3 pounds of meat a day in that area.

It will be a LOT easier to think about the logistics in those terms, and this will lead you to the waaay more productive (and fun) worldbuilding questions. Such as;

"Where would the good hunting spots be?"

"What kinds of animals would they be eating? What sorts of beasts can threaten them, here?"

"How many of these animals would my 30 cat Clan need to hunt a day to equal about 3 pounds?"

"Where would these animals be getting THEIR food?"

"Is there enough habitat in the area for the prey to breed and nest? If not, is there more land beyond the territory that the prey is coming from?"

"Where would infrastructure like dens, walls, and dirtplaces go? What would these be made of?"

"Are there any neat spots for the cats to casually hang out on?"

"What would make for a super cool arena for my climactic narrative boss fights?"

"Does this area have unique stage hazards that my cats would have to learn to deal with?"

"Which sorts of plants and herbs would they encounter?"

If your Clan is tool-using, like BB!Clans are, then you can ask even more advanced questions. Like, where you'd find kindle for fire, what objects you can use as crafting materials, and what might make for unique trade goods.

Think about other things related to your Clan's biome-- in a tundra or desert, there will be less for prey to eat, so the territory will be large to cope with the low density. If there's a major body of water, they might have a constant supply of aquatic prey from upstream. Hunting grounds might change based on the seasons.

Also remember not to underestimate how fast small animals breed, and how many of them there can be in one area. Even using low estimates, 1 female mouse has 6 pups, 7 x 6 = 42, 42 x 6 = 252, 252 x 6 = 1,452. It takes only 4 months for mouse population growth to get exponentially ridiculous.

Finally, remember that prey can vary. A well run Clan would be able to generally understand when they've been overhunting one particular species, and start shifting gears to lift the "pressure" off that population.

(In my cultural expansions series, this management task is assigned to one of the new roles-- the Head of Hunting.)

[runnning-outof-time]

“You Came.” “You Called.” | Tommy Shelby x Reader

Request: yes by anonymous

Pairing: Tommy Shelby x fem!Solomons Sister!Reader

Summary: Tommy Shelby and (Y/N) Solomons despise each other…….or do they?

Warnings: language, slight sexual situations, weapons, threats

Word Count: 1304

A/N: I’m sorry this isn’t as long as the others have been. I need to get these requests finished and this is what I was able to come out with. I hope you’ll still enjoy! Also I’ve tried something a little different at the end - hopefully you’ll participate and not be too mad at me for it! :)

A/N 2: Oh and this is the story where the Solomons!Sister won the poll — I’m not sure if it’s angsty enough…I tried my best with it. Also I’m sorry if Alfie seems ooc here…it’s been a bit since I’ve written him and I’m rusty.

COMMENTS & REBLOGS ARE APPRECIATED! — I’D LOVE TO KNOW WHAT YOU THOUGHT OF THE STORY!

comment/message me if you’d like to be tagged!

"You came," she sounded surprised.

"You called," his response was nonchalant.

"Yeah, but I didn't call you."

The story of Tommy Shelby and (Y/N) Solomons is a long, complicated one.

To give a quick summary: they first met the day that Tommy showed up at Alfie's 'bakery. She was the first to greet him and instantly was able to realize that there was more to his motives than what he was letting on.

She was cautious when dealing with him at first, but his charm soon enough chipped away that hesitant exterior she'd put up.

Neither could help but cross the line one late evening after a successful business dinner.

She thought that that would be the end of Tommy Shelby. But now he'd shown up at her door...when she was expecting her brother.

"Where's my brother?" (Y/N) asked, looking to either side of the doorway, hoping that Alfie would be close by.

He wasn't.

"He's busy," Tommy answered.

"So he sent you?" she asked, her brows furrowed.

"Not exactly," he shook his head.

"I'm not understanding what you're saying. Ollie told me that he'd take a note down for Alfie and that he'd inform him as soon as he became available." (Y/N) was confused now.

"I saw the note," he began, "took it upon myself to see what was needed to be discussed."

(Y/N)'s jaw just about dropped. "Tommy, why did you...would you, you shouldn't, you..."

"My name was on the note, love," he cut off her attempt to string words together.

"Just because it was on the note does not mean you were to be involved!" she couldn't stop her voice from raising, her eyes widening as she spoke. Now she was wondering how Ollie had phrased his note to Alfie. A few beats passed before a sigh escaped her lips. She ran a frustrated hand across her face before asking, "what...what did the note say?" Her thoughts had gotten the best of her.

"It said that you needed to speak about Shelby...had some information you wanted to be made known," he answered her, his eyes boring into hers. (Y/N) opened her mouth to say something but he didn't let her, taking a step inside, making her back up in the process. "What is it you wanted to tell him, hmm?"

His close proximity made her heartrate increase. She was quickly losing her ability to think. "Tommy, I..."

"What really was your goal last night, (Y/N)?" he asked her, his brows raising.

The willpower to keep her hands by her sides and not reach out to take hold of him was leaving (Y/N) by the second.

"I thought your intentions aligned with mine..." he trailed off, raising his hand so that he could run it down her jawline in a slow, teasing manner, "at least it seemed that way when you brought me back here."

Instead of dropping his hand when he reached her chin, he grasped it; taking it between his thumb and index finger so that he could raise her fleeing eyes to match his. This action made the breath get caught in (Y/N)'s throat, and every valid argument left her mind the second her eyes locked onto his icy blue ones. All hope was lost now.

"What are your intentions with me, (Y/N)?" he asked her.

"You know them, Tommy, I.." she couldn't quite string a thought together.

"Tell me."

"I.." she paused again, interally freaking out. Think of something, anything, (Y/N), come on! "I wanted to tell him about you...about us," she decided on telling him a lie, hoping that he would take it as the truth.

"Yeah?"

She couldn't decipher what he was truly thinking from his one word response. His widened eyes didn't help either, other than making her fall deeper into his trap with each second that passed. Now she was wracking her brain to think of ways to sell this.

The last thing she wanted to tell him was that she was going to sell him out...to tell Alfie what she felt his true intentions were.

"Yeah," she breathed, nodding her head as much as she could with his fingers still holding her chin. Sell it, (Y/N)!, her mind screamed before she raised her hands up to grip his lapels. All coherent thoughts flew out the window as she leaned in and kissed him.

This wasn't a loving kiss. It wasn't a slow one, unlike the ones they shared last night. She kissed him hard, hoping that the passion she put into it would be enough to get his mind off of the damn note and seal her lie for good.

His hold tightened on her chin, but he didn't break the kiss. In fact, his other hand moved from his side to her hip, where he began bunching up her skirt in order to make contact with her bare skin.

Success.

(Y/N) also became absorbed by the passion that they both were showing. It was hard not to given the fact that he was Tommy Shelby. The night they shared was one of the best she'd ever had. Conniving business man or not, she would remember it for the rest of her life.

"What in the bloody fucking hell is going on here?!"

What (Y/N) did not remember before getting sucked into this situation was to shut the door to her home.

Her eyes shot open and she became frantic, trying to break the kiss and move away from Tommy as quick as she could. "Alfie!" she shrieked, surprise clear on her face.

"Why're you fucking kissing my sister, mate?!" Alfie asked Tommy, speaking with a seething anger.

While (Y/N) was just about shaking from the shock of her brother showing up, Tommy didn't seem to be phased.

"Alfie he...he was just..."

"No," Alfie cut (Y/N) off, shaking his head and stopping her attempt to cover for the man now standing beside her, "I asked him not you. He knows family is off-fucking-limits, so I want him to answer me why."

Tommy said nothing. (Y/N) shrunk into herself more and more with each passing second. She'd never seen Alfie this angry.

"I said fucking answer me!" Alfie bellowed, drawing the revolver he had tucked into his waistband. He wasted no time in cocking it and holding it in Tommy's face.

Tommy still didn't move; didn't even flinch.

"You're going to fucking answer me," Alfie demanded, his voice low and menacing, "yeah, you're going to fucking answer me or it'll be your fucking brains blown out all over (Y/N)'s fucking foyer."

"Alfie, don't," (Y/N) begged her brother, reaching a shaky hand out in hopes that he would see it and lower his weapon.

"She called for you," Tommy spoke, his voice level and stoic.

"She fucking what?" Alfie asked, his brows furrowing slightly, confused by why Tommy was saying this.

“She called your office. You weren’t around. But my name was on the note,” Tommy shared more details.

“And what does that have fucking anything to do with you fucking kissing my sister?!” Alfie’s anger had returned.

“It has everything to do with it,” Tommy was still level-headed. “You see, she was going to tell you about this, about us,” he then dropped the bomb, motioning between himself and (Y/N) to emphasize the point he was making.

“I can explain,” (Y/N) was quick to blurt out, her eyes trained on the gun in Alfie’s hand, which he’d - thankfully - lowered from being aimed at Tommy’s head.

She couldn’t read the look in her brother’s eyes. The seconds felt like hours as they passed. She stood frozen as Alfie rose the revolver again and…….

Ok I’m evil, I know but……..

Don’t fret, if the poll’s closed by the time you’re reading this, you’re still more than welcome (and I’d encourage you, actually) to share what you think would happen next!!

p.s….this story won’t be getting continued. I’m just curious as to what y’all think.

MASTERLIST

Tagged: @mystcldydrms @the-anxious-youth @cloudofdisney @look-at-the-soul @elenavampire21

@mrsalwayswrite @julkaamazing @evita-shelby @theshelbyslimited @peakyswritings

@just-a-blackhole @watercolorskyy @strayrockette @peakyduchesss @alexxavicry

@captivatedbycillianmurphy @yummycastiel @dark-academia-slut @mischievouslittlecreature @stevie75

@lyarr24 @signorellisantichrist @zablife @anotherblinder @cillmequick

@dandelionprints @letal-y-poetica @garrison-girl-08 @insanitybyanothername @depxiety

@justrainandcoffee @dragons-are-my-favorite @mrs-bond @cljordan-imperium @brummiereader

@red-riding-wood @everythingelseisextra @little-diable @thomashelbyswife @shaddixlife

@ryecosse @padfootdaredmetoo @novashelby

[lupinqs]

CHAPTER TWELVE ━━ State Championship

☆ ━ pairing: hopkins!paige x oc (dani callan)

☆ ━ word count: 6.4K

☆ ━ warnings: underage drinking, smoking

☆ ━ links: my masterlist, take me to church masterlist

☆ ━ author’s note: covid doesn’t exist in this fic yall. also… we only got like 2 maybe 3 more chapters left 😔😔 nearing the end

IT’S MARCH now, and Dani’s life feels as close to perfect as it ever has—though, like everything else in her world, it’s stitched together with careful seams, fragile and vulnerable to the wrong touch. She and Paige are inseparable, their relationship deepening with every stolen moment, every knowing glance, every night spent whispering beneath the glow of a shared secret. They’re in love, entirely and helplessly, in a way Dani never thought possible. They’ve built their own kind of sanctuary, a place where Dani doesn’t have to pretend, doesn’t have to hide, doesn’t have to pray for the version of herself she can’t force into existence. A place that’s home.

Her father is still blissfully ignorant. Somehow, he hasn’t pieced it together, hasn’t realized that the “Beau and Dani” façade is a flimsy excuse for Dani to avoid questions she can’t answer. All that matters is her dad hasn’t found out about Paige, and as long as Dani can keep it that way, she can hold onto this little slice of happiness a bit longer.

Her camera is still her refuge, the one place she can express everything she’s too scared to say. She photographs everything these days: the crackling electricity of Paige on the court, Thaliah and Jalen during their group hangouts, the fleeting, golden light of early spring as it kisses the Minnesota snow. Photography gives her purpose, and in a way, it’s her excuse to be near Paige without raising suspicion. At almost every game, Dani can be found on the sidelines, her lens trained on the girl she loves. Sometimes she’s there for the yearbook, sometimes just as a spectator, but she never misses an opportunity to catch Paige mid-layup, her form perfect, her expression fierce. Those photos always end up in a folder on Dani’s laptop, separate from the yearbook shots, and Dani finds herself scrolling through them late at night, smiling at the way Paige lights up the screen.

Dani’s friendships with Thaliah and Jalen are as strong as ever. The three of them and Paige have returned to normalcy, often found loitering at diners, driving aimlessly through town, or sprawled out in Thaliah’s basement watching movies and laughing about nothing. They’re her grounding force, her reminder that she’s not alone in navigating the chaos of being seventeen and confused about almost everything. Paige fits into their dynamic seamlessly, too, and on the rare occasion they’re all together, Dani feels like the world might actually be okay.

College acceptance letters have been rolling in, and Dani’s future is starting to take shape—though not without its complications. She’s been accepted into every school she applied to, but it’s her UConn acceptance that sends her heart racing. It’s not just the great program or the nearly full-ride scholarship they’ve offered her—it’s the fact that Paige will be there. That, for once, Dani might have a future that feels like hers, not one dictated by her father or her faith or the crushing weight of expectation. But she hasn’t told her dad yet. She can’t. He knows Paige is going to UConn, knows about her basketball career and the national attention it’s garnered, and Dani knows he’d connect the dots too easily. So she keeps it to herself, tucking the letter into the back of her desk drawer and avoiding the subject whenever college comes up at home.

Currently, Dani sits among Paige’s family, her camera resting untouched in her lap. It’s the state championship, and Hopkins is favored to take the title the second year in a row. The student section is a riot of blue, loud and chaotic, but Dani has chosen the quieter comfort of this row, surrounded by people who feel like home. Jalen and his family are nearby, and Paige’s parents and siblings flank her on either side, a reassuring presence amid the frenzy.

On Dani’s left, Drew is practically vibrating with excitement, barely able to stay seated. Every few seconds, he glances over at her, his words tumbling out in bursts. “Did you see Paigey’s spin move?”

“I saw it,” Dani says, a small smile tugging at her lips. “She’s locked in.”

Bob, seated next to Drew, leans forward slightly, his voice carrying over the noise. “She used to practice that on me at the park. Couldn’t guard her then, can’t guard her now.”

Dani chuckles, turning to meet Bob’s grin. There’s an ease to him that she’s always appreciated—an unspoken acceptance. Bob has known about her and Paige for as long as she can remember, and though they’ve never had a direct conversation about it, the way he treats her makes it clear he’s always been on their side.

On Dani’s right, Amy is a comforting presence, quieter than Bob but just as attentive. She’d driven all the way from Montana with Ryan and Lauren to see Paige play, and Dani’s heart had softened the moment the woman exclaimed when she saw her, immediately engulfing her in a hug after over a year without seeing one another. Amy’s kindness is effortless, and Dani feels it in every question she asks—about school, about Dani’s photography, about her plans for college.

In front of Dani, Lauren, restless as ever, leans back against the Callan girl’s legs, her hands fidgeting with the hem of her Hopkins sweatshirt. She twists her head around to look at Dani, her eyes wide.

“Paige is so fast. I wanna be that fast,” she says, her voice barely cutting through the noise of the arena.

Dani stifles a laugh, glancing down at her. “Paige’ll train you if you ask her,” she tells Lauren, messing with her hair a little.

Ryan laughs at his younger sister. “You’ll never be as fast as P, Laur.” Lauren doesn’t say anything, just hits him a little on the shoulder.

And, true to their words of Paige’s quickness, the girl threads a pass through traffic to set up her teammate for an easy layup. The crowd erupts, and Dani’s heart swells with pride, even as she tries to keep her face neutral. Paige’s brilliance on the court always manages to take Dani’s breath away. It’s not just the skill—it’s the way she moves, like the game is an extension of herself, as natural as breathing.

Amy leans closer to Dani during a brief timeout, her voice soft so as not to disturb the boys’ running commentary on the game. “She loves having you here,” she says, her eyes fixed on Paige. “Plays better when you’re watching.”

Dani swallows the lump forming in her throat, her gaze fixed on Paige. “She doesn’t need me for that,” she murmurs, trying to brush it off, but Amy gives her a knowing smile.

“Maybe not. But she lights up around you, Dani. Always has.”

The words lodge themselves in Dani’s chest, warming her from the inside out. It’s moments like this—Paige’s family’s unwavering support—that make her feel like maybe, just maybe, she and Paige could have something not just real, but something lasting.

The game resumes, and Hopkins builds their lead, point by point, until victory feels inevitable. Paige is everywhere—driving to the basket, setting up her teammates, sinking jump shots with a precision that seems almost effortless. She makes it look easy, but Dani knows better. She knows the hours Paige spends on this court, the bruises and exhaustion she never complains about. And so Dani can’t help but beam every time Paige does something spectacular, her pride radiating from her in waves. Drew nudges her arm every few seconds, practically yelling over the noise.

Lauren shifts again, this time pulling on Dani’s sleeve. “Do you think Paige will win?”

“She will,” Dani answers without hesitation. “She always does.”

The final minutes tick down, and the crowd is on its feet, the noise swelling to a deafening roar. Paige drives to the basket, weaving through defenders, sinking the ball cleanly through the net. Dani can barely hear herself think over the cheers, but she doesn’t care. Her eyes are locked on Paige, her heart pounding in sync with the rhythm of the game. Victory is so close she can taste it.

And, when the final buzzer echoes through the gym, the crowd erupts in cheers, Dani screaming her throat raw, her grin so wide it aches. Hopkins wins, as everyone knew they would. On the court, the team jumps and screams, a chaotic tangle of joy, and in the middle of it all is Paige—beaming, her face radiant in the bright lights. She’s never looked more alive.

Dani can’t take her eyes off her.

Spectators flood the court, and Dani moves with Paige’s family and Jalen’s, weaving through the chaos. When Paige spots them, her gaze locks on Dani first, as if the rest of the world has faded away. Without hesitation, Paige rushes to her, weaving past her teammates and friends.

Dani doesn’t have time to react before Paige’s arms wrap tightly around her, pulling her close. Paige hunches slightly, burying her face in Dani’s neck. Her body is damp with sweat, and she smells faintly of effort and adrenaline, but Dani doesn’t care. She wraps her arms around Paige, steadying her.

“I’m so proud of you, P,” Dani says softly, her voice steady despite the lump in her throat.

Paige doesn’t pull back. Her lips brush against Dani’s hair, and she whispers so only Dani can hear, her voice a quiet tremor of affection, “Thanks, baby.”

Dani closes her eyes briefly, savoring the moment. Around them, the chaos continues—teammates screaming, parents cheering—but it feels like they’re standing in a bubble, untouched by anything outside of this.

When Paige finally pulls away, her parents are watching with fond smiles. Amy steps forward, already reaching for Dani’s camera. “You two, hold still. Let me take a picture.”

Paige grins and slings an arm around Dani’s shoulders, pulling her close. Her other hand lifts the gold medal hanging around her neck, the metal catching the light. Dani mirrors her smile, her own arm draped loosely around Paige’s waist. They don’t need to pose—the happiness radiates naturally, their closeness effortless.

Amy pulls back, glancing at the camera’s screen. “Oh, this is a good one. Come look.”

Dani leans in to see, and her breath catches. The image captures everything—the joy in their faces, the warmth in Paige’s gaze, the way their bodies lean toward each other as if they’re two halves of the same whole.

Paige and Dani meet eyes, sharing a grin.

The moment is brief but perfect before Paige turns to scoop Lauren into her arms, spinning her little sister in a circle. Drew tugs on her jersey, demanding his turn, while Ryan just hugs at Paige’s waist, proud of his older sister. Paige laughs, pulling them all into a huddle.

Dani steps back, giving them space but staying close. She does what she does best, taking her camera from Amy and getting a few candid shots—Paige holding Lauren on her hip, Ryan clapping her on the back, Drew trying on her medal for size. Joy radiates through every frame, and Dani knows these moments will stick with her for the rest of her life.

The state championship trophy gleams in the background, but to Dani, the real victory is right here.

IT’S THE NEXT night, a Saturday, and the house feels a little emptier now. Paige’s mom, Amy, had left earlier that morning to drive back to Montana with Ryan and Lauren in tow, their visit too brief but nice. Paige’s dad, Bob, had also left with Drew, heading to Paige’s grandparents’ house for a sleepover. Dani knows Paige had been invited too, but she’d turned down the invitation with a practiced excuse. “I’ve gotta lock in on my homework,” she’d said, a perfectly reasonable answer now that basketball season was over.

Dani, however, knows better. Paige had needed her house empty for a party in celebration of her state championship win. It’s not every day you lead your team to a perfect season and cap it off with a trophy. If anyone deserved to celebrate, it was Paige, and she wasn’t about to let the night pass without doing exactly that.

Now, the house is quiet but charged with anticipation. Everyone else isn’t supposed to arrive until 8:30, but Dani, Thaliah, and Jalen had shown up early, their small group finding an easy rhythm on the couch in Paige’s living room. Music hums softly in the background, a playlist already on shuffle as the three settle in, waiting for the night to kick off.

Thaliah sits in the middle, her legs crossed, the bottle of Pink Whitney balanced on her knee as she grins at the others. “Pregame!” she announces, her voice bright as she pours the syrupy pink liquid into four cups she’s pulled from her bag. She slides one toward Jalen, one toward Paige, and one toward Dani.

Dani hesitates, glancing at the cup in front of her. She knows the routine well enough—this isn’t the first time they’ve started a night like this. But tonight, the idea of drinking, of letting her guard down even a little, makes her stomach twist.

She shakes her head, gently pushing the cup back toward Thaliah. “Nah, I’m good.”

Next to her, Paige straightens, her arm slipping from Dani’s shoulders as she turns to look at her fully. “Why?” she asks, her tone light but curious, her brows pulling together in that way they do when she doesn’t understand something.

Dani doesn’t meet her gaze right away. Instead, she glances at the bottle of Whitney, at the three cups still sitting on the table, and then back to Paige. The truth hovers on the tip of her tongue, too heavy to say aloud: My dad’s next door. If he hears this party, if he figures out I’m here, it’s over for me.

She needs to be sober in case something might happen.

But she doesn’t want to ruin Paige’s night—not when Paige is practically glowing, her excitement infectious, her smile impossible to dim. So, Dani shrugs, keeping her voice casual as she says, “I’m just not really in the mood.”

Paige narrows her eyes, clearly unconvinced. Dani sighs, then adds, “Besides, we both know how you’re gonna end up tonight, so someone’s gotta babysit you.”

That gets a reaction. Paige gasps, clutching at her chest like Dani’s just insulted her honor. “I don’t need babysitting. I am a perfectly responsible drunk.”

Dani doesn’t even need to respond. Thaliah and Jalen both exchange a look, their silence loud enough to say what they’re all thinking: Paige is not a responsible drunk.

“Fine,” Paige relents, leaning back into Dani’s side with a dramatic sigh. Her arm finds its way back around Dani’s shoulders, her fingers drumming lightly against Dani’s collarbone. “As long as it’s you babysitting me, then I guess I’ll survive.”

Dani hums, a quiet sound of acknowledgment, and watches as the others down their drinks in quick succession. Thaliah pours herself another almost immediately, the bottle already half-empty, while Jalen laughs at something on his phone.

Paige leans closer to Dani, her weight warm and familiar. “You sure?” she murmurs, quieter this time, like she’s still trying to figure Dani out.

“I’m sure,” Dani says, her tone firm but not unkind. She offers Paige a small smile, hoping it’s enough to keep her from asking again.

The clock ticks toward 8:30, and the energy in the room begins to shift. Thaliah’s already scrolling through her phone, checking who’s on their way, while Jalen adjusts the playlist, turning the volume up just a little. Paige doesn’t move from her spot next to Dani, her leg pressed against hers, her head tilting to rest briefly on Dani’s shoulder.

The first wave of people start filtering in just past 8:30, the quiet hum of the house replaced by the buzz of voices, the bass of the music turned up to match the growing energy.

It’s not just close friends who show up—there are teammates, classmates, random people from their grade, and even a few who Dani swears she’s never seen before. Paige doesn’t seem to mind; in fact, she thrives on it. By now, Paige is already tipsy—not slurring her words or stumbling, but the telltale signs are there. Her laugh is louder, her smile wider, and her touch more insistent.

Dani feels Paige’s hand on her arm before she even sees her. Paige leans into her, shoulder bumping hers, her other arm draped casually across Dani’s waist like it belongs there. “You good?” Paige asks, her voice warm and loose, her words just slightly stretched out by the alcohol.

Dani nods. “Yeah, I’m good.”

Paige grins, her fingers giving Dani’s side a small squeeze before she turns her attention to someone else who calls her name. Even as Paige moves to greet them, her hand doesn’t leave Dani’s waist, her thumb brushing absentmindedly against the fabric of Dani’s shirt.

It’s not unusual for Paige to be affectionate, but the alcohol has made her even clingier than usual. Dani feels the weight of her touch constantly—Paige’s hand at her back, her arm slung over Dani’s shoulders, her knee pressing against Dani’s as they sit on the couch. It’s both comforting and a little overwhelming, especially when the house starts to fill with more and more people.

Eventually, Dani manages to slip away. Paige is busy chatting with Jalen and a couple guys on his team, and Dani uses the distraction to excuse herself, heading toward the bathroom for a moment of quiet.

When she emerges, the noise hits her again—laughter and music and the occasional sound of someone yelling in victory or frustration. Dani spots Thaliah near the kitchen and makes her way over, grateful for the familiar face.

Thaliah grins when she sees her, holding up a drink. “Surviving?”

“Barely,” Dani jokes, though there’s some truth to it. She’s still nervous about her dad, what probably won’t—but could—happen, a pit in her stomach.

She and Thaliah end up standing together near the makeshift beer pong table in the dining room, watching as Paige and Jalen take on two of their classmates. Paige is a little unsteady but clearly having the time of her life, laughing and leaning against the table as she lines up her shots. She’s unsurprisingly good, sinking cup after cup while Jalen cheers her on. It’s not long before Thaliah’s getting bored of spectating, mumbling something about needing another drink and walking away.

When Paige and Jalen win, the aformentioned throws her hands up in triumph, her laugh echoing above the rest of the noise. “Let’s go!” she yells, her voice bright and slurred, and Jalen high-fives her enthusiastically.

Then Paige turns, her eyes scanning the room until they land on Dani. Her entire face lights up, and before Dani can brace herself, Paige is weaving through the crowd, heading straight for her.

“Did you see that, baby?” Paige exclaims, throwing an arm over Dani’s shoulder, her weight pressing into her side. Her lips brush against Dani’s cheek as she leans close, her breath warm against Dani’s ear. “I won!”

Dani can’t help but laugh, steadying Paige with a hand on her waist. “Yeah, you did, P. Nice job.”

Paige beams, her cheeks flushed, and leans into Dani even more, her head briefly resting against Dani’s shoulder. For a moment, they just stand there, Paige sipping from her cup while Dani tries not to think too hard about how Paige’s hand is now resting on her hip.

“Dan,” Paige says suddenly, her voice softer now, almost contemplative. “If you don’t wanna drink, that’s fine, but…” She pauses, fumbling with her pocket before pulling out a sleek vape pen. She holds it out to Dani, her grin lopsided and playful. “At least take a couple hits of this. You’re sooooo tense.”

Dani blinks, caught off guard. “I’m not tense.”

“Yes, you are,” Paige insists, nudging the pen closer to Dani. Her other arm tightens around Dani’s shoulders, as if to emphasize her point. “Come on, baby. Chill out, we’re supposed to be havin’ fun!”

Dani rolls her eyes, a small smile lifting her lips as she takes the pen from Paige’s hand. She supposes she is a little tense. “Fine,” she mutters, earning a victorious cheer from Paige.

She takes a couple hits, the smoke smooth and warm in her lungs. It’s not much, but it’s enough to take the edge off, the tension in her shoulders easing slightly.

When she glances at Paige, she finds her already staring, her gaze heavy and a little glazed over. Paige leans in closer, her eyes locked on Dani’s mouth as she exhales, the smoke curling between them.

“Gimme some,” Paige murmurs, her voice low and slightly rough.

Dani starts to hand her the pen, but Paige shakes her head, a drunken smirk tugging at her lips. “Uh-uh,” she says, her tone teasing as she nods toward Dani.

It takes Dani a second to understand, but when she does, her cheeks warm. Still, she doesn’t argue. She takes another hit, holding it briefly before leaning in, her lips just barely brushing Paige’s as she exhales, the smoke passing between them.

The moment stretches, charged and intimate, and then Paige closes the distance, her lips soft and insistent against Dani’s. The kiss begins softly, almost tentative despite the alcohol in Paige’s system. Her lips are warm and slightly parted, brushing against Dani’s like a question she’s waiting for Dani to answer. Dani freezes for a moment, caught off guard, but then Paige presses closer, her hand cupping Dani’s cheek, and Dani lets herself fall into it.

Paige’s lips move against hers, slow and searching at first, but as the seconds stretch, the kiss deepens. There’s a quiet desperation in the way Paige tilts her head, her fingers sliding into Dani’s hair as if anchoring herself there. Her breath is warm and faintly sweet, carrying the tang of the vodka she’s been drinking, and it mixes with the sharp taste of smoke lingering on Dani’s lips.

Dani’s hand comes up instinctively, resting on Paige’s waist to steady her as she kisses back. Paige melts into the touch, leaning her entire body weight into Dani like she’s afraid to let go. Her other hand moves to Dani’s jaw, her thumb brushing over the edge of her cheekbone in a way that sends a shiver down Dani’s spine.

It’s messy, uncoordinated in the way that drunk kisses often are, but it’s also charged with a kind of raw emotion that makes Dani’s heart ache. Paige’s movements are eager and insistent, her lips sliding against Dani’s with just enough pressure to make Dani feel like she’s on the edge of something big, something she’s not sure she’s ready for.

Paige tilts her head again, deepening the kiss further. Her teeth catch lightly on Dani’s bottom lip, and Dani feels a quiet gasp leave her mouth, barely audible above the noise of the party. Paige takes the opportunity to slip her tongue past Dani’s lips, tasting her.

Dani doesn’t mean to respond so strongly, but her fingers tighten on Paige’s waist, pulling her closer until there’s no space left between them. Paige responds with a soft, almost needy sound, her nails lightly grazing the nape of Dani’s neck as she presses closer still.

The world around them blurs completely—Dani is vaguely aware of the music, the distant hum of voices, but it all feels far away, like a dream she’s not ready to wake up from. All she can focus on is Paige: the warmth of her mouth, the way her breath hitches every time Dani kisses her back just a little harder, the way she clings to Dani like this kiss is the only thing keeping her grounded.

Paige pulls back just slightly, enough to breathe but not enough to break the moment. Her lips are red and slightly swollen, her breath shallow and unsteady as she whispers, “God, Dani…”

Her forehead rests against Dani’s for a beat, her eyes fluttering open to meet Dani’s as she catches her breath. But then Paige is leaning back in, capturing Dani’s lips again with a hunger that takes Dani’s breath away. The kiss is deeper now, more urgent, and Dani finds herself gripping Paige’s waist harder, her other hand sliding up to rest against Paige’s back.

Paige’s fingers thread through Dani’s hair, tugging gently as she angles her head, and Dani feels her knees wobble slightly. Paige must notice, because she shifts, pressing Dani back against the wall for support without breaking the kiss. The cool surface against Dani’s back contrasts sharply with the heat radiating from Paige, grounding her even as the kiss makes her head spin.

Paige’s lips trail down Dani’s jawline, the kisses wet and clumsy but full of a drunken intensity that leaves Dani breathless. By the time Paige reaches her neck, her lips part, pressing open-mouthed kisses against the sensitive skin there, her breath warm and uneven. Dani feels herself shiver despite the heat radiating between their bodies, her hands reflexively gripping Paige’s hips to steady her.

Paige hums low in her throat, the sound almost like a purr, vibrating against Dani’s skin. “Dan,” she murmurs, her voice desperate and slurred, “need you so bad.”

Dani lets out a soft laugh, unable to hide her amusement at Paige’s sheer neediness. She tilts her head slightly, giving Paige a bit of space while teasing, “Uh-uh.”

Paige immediately protests, her lips brushing against Dani’s collarbone as she pulls back just enough to grumble, “Yes, huh.” Her voice is petulant, like a kid arguing over bedtime, and it’s so quintessentially Paige that Dani can’t help but chuckle again.

“P,” Dani says, still laughing softly, “you’re so drunk.”

Paige finally pulls back, her lips swollen and her cheeks flushed, and she pouts at Dani, her big blue eyes glassy with alcohol and indignation. “No, I’m not,” she insists, her tone petulant but her words slightly slurred, betraying the lie.

Dani raises a brow, smirking as she tucks a stray strand of Paige’s blonde hair behind her ear. “Yeah, babe, you are,” she says, her voice soft but firm. “And we aren’t doing anything here tonight.”

Paige groans dramatically, throwing her head back like Dani just told her Christmas was canceled. “You’re no fun,” she mumbles, before collapsing forward and leaning all of her weight into Dani.

Dani stumbles slightly, pressed fully against the wall as Paige rests her head against Dani’s shoulder, her arms wrapping loosely around Dani’s waist. Dani pats Paige on the back, still laughing at her dramatics. “You’ll survive.”

“No, I won’t,” Paige grumbles into Dani’s shoulder, her voice muffled and childlike. “You’re so mean.”

Dani shakes her head, her grin widening. “Yeah, yeah. I’m the meanest girlfriend in the world.” She shifts her weight, trying to stand upright despite Paige’s clinginess.

Paige nuzzles into Dani’s neck, her lips brushing her skin again, though it’s less intentional now and more out of sheer drunken affection. “Still love you, though,” Paige murmurs, her words slurred but earnest, and it makes Dani’s chest tighten in spite of herself.

“Love you too, P,” Dani says softly, smoothing a hand over Paige’s back. “Let’s go sit down, ‘kay?”

Paige groans again, half-protesting, but she doesn’t resist as Dani gently guides her toward the couch. She’s still clinging to Dani, her steps unsteady and her grip loose but insistent, and Dani knows it’s going to be a long night. But she doesn’t mind—not when it’s Paige. Never when it’s Paige.

Paige slumps against the couch cushions, her head lolling to one side, her legs sprawled out in a careless, almost exaggerated manspread that makes Dani roll her eyes, though she can’t suppress the small grin tugging at her lips. Paige looks completely gone—her eyelids heavy, her cheeks flushed, and her movements languid.

“I’m gonna get you some water,” Dani says, brushing her hand over Paige’s shoulder.

“Nooo,” Paige whines, her hand shooting out to grab at Dani’s wrist. It’s a clumsy effort, her fingers barely wrapping around Dani’s arm. “Don’t go.”

Dani lightly swats at Paige’s hand, shaking it off gently. “I’ll only be a second. Be patient.”

Paige groans, letting her head fall back against the couch dramatically, but her grip loosens. “Fine,” she mutters, dragging the word sulkily.

Dani steps away quickly, navigating through the still-buzzing crowd of teenagers in the house. Music thumps in the background, but it feels like white noise compared to the task at hand. She reaches the kitchen and pours a glass of water, the sound of liquid filling the cup drowned out by distant laughter and chatter. Dani moves fast, threading her way back to the couch.

When she returns, Paige is still slumped where Dani left her, looking half-asleep. Dani hands her the glass. “Here. Drink.”

Paige takes it reluctantly, holding the cup like it’s some kind of punishment, but she starts sipping. Her free hand tugs at Dani’s arm until Dani sits down beside her again, and Paige immediately leans into her, her weight warm and heavy against Dani’s side. Dani sighs, wrapping an arm loosely around Paige’s shoulders to keep her upright.

By now, it’s well past one in the morning, and the party has started to blur into a sluggish haze. Dani glances around the room, noting how many kids are still there, laughing, drinking, some making out in corners. It’s chaos, but a controlled kind—the kind Dani knows Paige thrives in, especially when she’s drunk and her walls are down.

Thaliah appears suddenly, stumbling over to them with a grin. She eyes the glass of water in Paige’s hand and giggles. “Mmm, good idea,” Thaliah slurs, nodding approvingly. “Sobering up so you can go drink more later. Maybe I’ll do that.”

Dani watches, wanting to bang her head against the wall as Paige’s eyes light up at Thaliah’s word. “That is a good idea—”

“No,” Dani cuts in sharply, shooting Thaliah—and then Paige—a pointed look. “No more drinking.”

Paige whines, turning her face toward Dani. “Why not?”

“Because you’re already—” Dani starts, but she doesn’t get to finish.

A shadow falls over them, and Dani’s heart drops. She looks up, and there he is. Bob Bueckers, standing in front of the couch, his face a mix of fury and disgust as he takes in the scene before him: his house packed with drunk teenagers, music blaring, solo cups that are undoubtedly filled with alcohol littering every surface. Clearly, he decided not to spend the night at his parent’s house with Drew.

Thaliah freezes, her eyes wide as she immediately begins tiptoeing away from the couch, leaving Dani and Paige to fend for themselves. Paige, still leaning heavily against Dani, looks up blearily, her expression slow to register what’s happening. When she finally recognizes her father, her reaction is painfully on-brand.

“Uh-oh,” she mumbles, blinking up at him with an almost childlike innocence.

Dani closes her eyes briefly, resisting the urge to facepalm. Paige’s drunken state is painfully obvious, and Dani already knows this is going to be a disaster.

“Uh-oh?” Bob repeats, his voice low and dangerous. Then, louder: “Uh-oh?”

Paige straightens slightly, though her movements are still slow and uncoordinated. She raises her hands in a sloppy gesture of surrender, smiling hazily. “It’s… it’s a party! We’re… ce-celebrating.”

Bob stares at her, his jaw tightening as his face flushes with barely contained anger. “A party?” he repeats, his voice sharp. “What the hell, Paige?”

Paige just shrugs, looking far too pleased with herself for someone caught red-handed. Dani feels like she might melt into the couch from secondhand embarrassment.

Bob doesn’t wait for an answer. He looks around the room, his voice booming as he yells, “The party’s over! Everyone out, right now! If you’re not gone in two minutes, I’m calling the cops!”

The reaction is immediate. Teenagers start scrambling for the exits, grabbing their coats, phones, and friends as they rush to leave. Dani watches the chaos unfold, spotting Thaliah and Jalen slipping out the front door together. She sighs, about to stand and leave too, assuming that Bob will want her out of the house as well.

But before she can move, Paige’s arms tighten around her waist.

“No!” Paige protests, pulling Dani back onto the couch with surprising strength for someone so drunk. Dani sighs again, her back stiff as Paige clings to her like a lifeline.

“Paige, let go,” Dani whispers, glancing nervously at Bob.

“No,” Paige mumbles, burying her face in Dani’s shoulder.

Bob, meanwhile, is still ushering the last of the partygoers out the door, his voice firm and unyielding. Once the house is empty, the silence feels deafening. It’s just the three of them now—Bob, Dani, and a very drunk Paige.

Dani swallows hard, her pulse thudding in her ears. She braces herself, waiting for Bob to unleash whatever wrath he’s been holding back. If she’s lucky, she’ll escape this with just a scolding. If she’s not… well, she doesn’t want to think about that. She really hopes he doesn’t end up hating her after this—he’s the closest thing she’s got when it comes to the good father figure department.

Paige, oblivious to the tension, tightens her hold on Dani and sighs happily. “Love you,” she mumbles into Dani’s shoulder, and Dani wants to disappear entirely.

Bob finally comes back over to stand before the two teenage girls on the couch, massaging his temple with the heel of his hand. Dani sits stiffly, her back ramrod straight and her knees pressed tightly together. Paige is draped against her side, unbothered by the tension crackling in the air, her head lolling lazily against Dani’s shoulder. Dani can feel the warmth of Paige’s skin through her sweatshirt, a stark contrast to the icy knot forming in her stomach.

Dani has never seen Bob angry before. He’s always been the calm dad, the fun one, the nice one. But there’s something in his posture now—the way his shoulders slump under an invisible weight—that reminds Dani of her own father. And if it’s anything like that, she’d prefer to run now.

But she doesn’t. Her legs feel glued to the couch, her posture rigid, fingers drumming anxiously in her lap. She fights the urge to bite her nails, her gaze darting nervously between Bob and the floor. The silence stretches on, unbearable, until Bob finally looks up.

His eyes flicker over Paige first, scanning her flushed cheeks and half-lidded eyes, before shifting to Dani. His gaze lands on her like a weight, making her squirm despite herself.

“Are you sober?” Bob asks, his voice low and steady but with an edge of exhaustion.

Dani nods quickly, her throat too dry to speak. Before she can even think of a follow-up, Paige chimes in, her words slow and slurred. “She is,” Paige announces proudly, as if Dani’s sobriety is some kind of personal achievement. “Said she wanted to be reeeesponsible.” The word stretches out into a lazy drawl, and Dani winces.

Bob’s gaze sharpens as it shifts back to Paige. His jaw tightens, and when he speaks, his voice is harder now, disappointment cutting through every syllable. “I wish that responsibility would’ve reflected onto you.”

Paige shrugs one shoulder, an exaggerated, floppy movement. “Lighten up, Dad,” she mutters, reaching for the hem of Dani’s shirt and fiddling with it absentmindedly.

Bob doesn’t lighten up. Instead, he launches into a quiet but firm tirade, scolding Paige for the party, the drinking, the sheer lack of judgment. The words spill out like a steady stream, but Dani can tell they’re bouncing off Paige, who isn’t even trying to follow along. She’s too busy twisting the fabric of Dani’s shirt around her fingers, her head tilted back against the couch cushion like this is just another ordinary night.

Dani can’t take it anymore. She clears her throat, shifting forward on the couch as she tries to catch Bob’s attention. “We’re really sorry about all of this,” she says, before flickering her gaze over to Paige who looks like she couldn’t care less. “I’m really sorry about all of this. I shouldn’t have let her drink so much. I should’ve kept everyone else more in check since I was the sober one. I’m really sorry.”

Bob rubs his temple again, his eyes closing briefly as he exhales through his nose. “I appreciate that, Dani,” he says finally, his tone softening just a fraction. “I just—look, I think you should go home, okay?”

Dani’s stomach sinks. She knows it’s the right thing to do, knows she probably shouldn’t even be here right now. But guilt claws at her, and she can’t help but offer, “Are you sure you don’t want me to stay and help clean up? I don’t mind.”

Bob gives her a tight, strained smile, the kind that doesn’t quite reach his eyes. He shakes his head, saying, “It’s okay. I—I gotta with her.” He gestures to Paige.

Dani nods again, swallowing the lump in her throat. She starts to shift away from Paige, untangling herself from her girlfriend’s grip, but Paige immediately grabs at her arm, her fingers curling tightly around Dani’s wrist.

“No,” Paige protests, her voice suddenly sharper, though still slurred. “Dad, she’s not leaving.”

Bob’s eyes narrow, his patience clearly wearing thin. “Yes, she is,” he says, his tone leaving no room for argument. “No more arguments, Paige. I swear to God.”

The words hit Paige like a bucket of cold water. For a moment, she’s silent, blinking up at her dad with a look that’s almost confused. Dani uses the opportunity to slip out of her grasp, standing quickly and smoothing down the front of her sweatshirt.

She turns to Bob, her voice soft but earnest. “I’m sorry again for all of this, Mr. Bueckers.”

Bob’s expression softens slightly, and he gives her a small nod. “Thank you, Dani. And you know to call me Bob.”

Dani manages a faint smile, relief washing over her. At least he doesn’t hate her. She taps Paige gently on the shoulder—a silent goodbye—before turning and heading toward the door. Paige doesn’t say anything, just watches her leave with a glazed-over look in her eyes.

As Dani steps out into the night, the cool air hits her like a slap, and she pulls her jacket tighter around herself. She spares one last glance at the house before setting a quick pace to her own next door, needing to get out of the cold.

[kafus]

hey, thanks for asking! i tend to play on original carts the most so i completely forgot to document this. i’ll add it this info to the webpage as well in a bit, but essentially:

1. yes! save files from cartridges and virtual console are nearly identical. if you upload a VC save file, the machine should work with it

2. the answer to that is a little more complicated: yes, but with some drawbacks. because these event pokemon were never actually distributed to VC, they are technically not legal event pokemon for VC. some pokemon can still be sent through bank anyway though, just with these restrictions:

- pokemon with special moves they can’t usually get, AKA the majority of the egg events, need to have the special move removed from their moveset before they can be transferred. bank flags the illegal move and doesn’t let them through otherwise

- celebi specifically needs to be leveled to 30 or above, like the actual legal way to get celebi from ilex forest, which is a level 30 encounter

- mew cannot go through at all, the only mews allowed out of the VC versions of these games is the official VC “GF” mew

otherwise you should be good to go! i’ve put a bunch of photo examples of transferred pokemon straight from my machine below the cut so you can see for yourself

please keep in mind that even though bank lets these pokemon through, that does not mean they are “real” event pokemon and i am not responsible for anything that may happen in the future if gamefreak decides to update their legality testing for these! the risk is small but still there when doing anything of this nature.

my PCNY distribution station remake is complete!

13 years after the original machine's debut in the now-defunct Pokemon Center New York store, you can distribute the "Gotta catch 'em all! Station" pokemon to your generation 2 games! i've recreated the machine's functionality all in browser!

you can use it here on blue moon falls!

[idrellegames]

Hiya! I was just thinking about eisaraths approach to age. Does every race have an age that separates their childhood and adulthood? What about mixed people who age uniquely? What about traditions related to birthdays? And laws on drugs? (I guess they wouldnt have ids tho) Thanks ^^

This is a bit of a complicated question to answer since it is not consistent throughout the world, and regional culture is far more important than ancestry in most places (the outliers are cities like Aos and Maira, which are aeda and melusine metropolises respectively). But generally adulthood is considered somewhere between 16 and 20 years depending on where you are.

Rhesainian countries do not celebrate birthdays; birth year is far more important in terms of marking age. In some regions where Lyrana (the god of love, family, music and the arts) is the regional deity it is tradition to give the mother or parent who gave birth a small token in remembrance of their labour.

Most celebrations in Rhesainia are community-based or religious in nature. Some Meissandic nations may view children born during the month of Harrowmere (the seventh month) as an ill omen. This is the only month where the primary moon goes dark and the secondary, shattered moon is visible.

Drugs and alcohol are not legally regulated in this world. It likely wouldn't even occur to them.

[zekescherries]

﹒ LEFT BEHIND! ﹔ ft ＃ zeke yeager ﹐ 🍒 ﹒　　 ׅ 　

CONSPECTUS﹕a living reminder of what he sacrificed, of what he left behind in pursuit of a "saving" opportunity for the eldian people.

PAIRING﹕zeke yeager × female!reader ﹒ post-rumbling

CHAPTER(S)﹕next

CONTENT WARNING﹕pregnancy & childbirth (mentioned) + grieving + single-parenthood + slight ptsd + dead!zeke + dark themes + pet names (zeke calls you peach) (i know not everyone is for pet names) + intentional lowercase & more as the story progresses

"what's your name, little one?"

"veil."

"ah. . ." mrs. annelie's gentle hand reaches out, her slim fingers weaving through the soft waves of veil's blond strands. the girl almost looks like a doll, the older woman can't help but admire her.

"you look just like your father, with those. . ." she falters. "pretty eyes." as the woman speaks veil blinks, her words come as a confusing mishmash of speech to her.

annelie remembers that gaze all too well, first belonging to that man.

this time, it's softer. curious and innocent.

the wooden floorboards creak, announcing your presence before you can verbally. "mrs. . .annelie," a sigh escapes your lips. seeing her familiar face lifts a weight off your shoulders, weight you didn't even know you were holding onto. she steps forward, bringing you into a hug. one that reminds you of your late mother.

"how are you, dear?" she asks.

you chuckle, glancing down at veil who returns your numerous tired look. "i'm doing better." you answer truthfully.

grieving while being a single mother was a challenge, nothing could've prepared you for that.

"oh, sweetheart. . ." mrs. annelie's hand grifts over to your face, cupping your cheek in her hand. "you have people who will support you." you know she's right. "don't be afraid to ask for any help."

you didn't even know you needed that reassurance until now.

"thank you, i really do appreciate everything." you give her a slow nod.

the evening has passed and as you wave mrs. annelie goodbye veil stays by your side. now that you think of it, it's nearing her bedtime.

"ready for a bath, peach?" you ask, the nickname rolling off your tongue.

veil nods, watching you close the door. her clothes are a stained mess from the food she ate earlier. you scoop your little girl up, her hair brushing up against your chin.

stepping over toys and pieces of paper you make it to the bathroom. hopefully the water runs properly this time around, house appliance complications weren't rare; especially with how the world looked.

but for right now, you focus on the little gremlin whom you've grown to adore. even while she was still inside the womb.

.

.

.

his lighter finally flashes, trying to catch a small flame. it's clicking is one of the only sounds in the room. when the cigarette is finally lit he brings it up to his lips.

maybe he should kick this habit, but not now.

his shoulders rise, then they fall and ease into a relaxed position while he exhales a cloud of smoke. "zeke," he turns around, the dim lamp providing you with light. enough light that his hair shines gold in your eyes.

you pat your lap, a gesture that tells him to lay his head in your lap. "making room for me, peach?" zeke crawls across his bed, the mattress dipping at his weight.

you smile, welcoming him with open arms. "of course. . ."

.

.

.

.

the sun's warm ray shines on your back, you adjust, sitting up in your bed only to look over and see veil sleeping next to you. her bed is only a few steps away in the other room yet she finds comfort in sleeping in your bed.

"another one of those dreams. . ." you ponder for a moment, stretching your arms above your head. reoccurring dreams of the past haunt you. reminding you of what used to be.

what you could've still had if things had been different.

". . .mama," veil calls out to you, her voice a bit gruff, laced with tiredness. "i'm right here." you lay a hand on her head, petting her hair and bringing her close.

you feel yourself on the brink of tears, yet you shake the feeling off. not wanting veil to witness her mother in such a state. it's been so long since you've let yourself grieve, veil will never know her father. she'll never experience what it feels like to have her father at her side. your heart breaks for her.

"how about we visit uncle levi?"

veil nods, her head tucked into your shoulder.

"okay, mama."

© zekescherries , 🍒

[chiropterx]

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"Oh, Mr. Flannegan? You know, I am just dying to put him under my microscope... no, not like that! Just... it would be so enlightening to look at his abilities from a more scientific perspective, you know?" Kirk chatters animatedly as he busies his hands with his work. Rats weren't the same as bats - in fact, they were completely different species but as a social one, they were more alike than most people gave them credit for and Kirk would be a liar if he didn't admit he had a vested interest or three in learning how Otis managed to communicate with them. Did he have any other interest in Otis Flannegan? It started off on purely academic terms, Kirk's brain itching to learn things other than what heavy textbooks could teach. There wasn't anything at all like the young man in recorded history, his abilities explained away as merely being good at training rats and maybe that was so, but Kirk wanted - no, needed to know more and even if there was little chance of it furthering his own research, it was still fascinating as an onlooker.

"Of course, that rather depends on what Mr. Flannegan thinks about the whole thing. He has every reason not to trust me or anybody else when it comes to matters like this but he of all people should know that I would never put him nor his rats in harm's way for the sole purpose of research. As much as I'd love to learn more about him and what he can do, his rights as a person comes first." It couldn't have been very reassuring as a wanted man that Otis couldn't even go to the police if he felt threatened or exploited. Laws in Gotham were muddy at best and even law enforcement had more than it's fair share of crooks.

[canmom]

This an interesting angle. I've never been particularly taken with trying to determine True Art from False Art on the basis of specific qualities of the piece.

(I did ok-ish but not exceptionally on the AI art quiz, probably with a slight bias for misattributing human pieces as AI ones - like many other respondees, I found the Impressionist pieces hardest to distinguish, since they very much play to the AI's strengths.)

There are many different ways you could describe "art" as a human activity, I'm sure there's a post somewhere where I make a list, but a really big one is its communicative function - one purpose of art is to somehow pass on some aspect of our 'inner world' to another person, through a lossy and limited channel.

That a signal can be easily imitated doesn't mean it doesn't carry contextual information. For example, I could ask a yes/no question of enormous emotional importance - "should I take the shot", "has the baby been born", "will you go out with me", "am I a good girl" - and be answered with either "yes" or "no". It would be trivial to generate a machine which randomly substitutes for this communication - that's basically all a magic eight-ball is.

The amount of information that can be contained in an image of a given size and colour depth can also be calculated. For example, the number of fullscreen images that would fill my current monitor at 8 bits per channel would be 2^(3440 × 1440 × 24) ≈ 3 × 10^35788372 - about 15 megabytes uncompressed. It's a number that seems astronomically huge, though effectively the amount of information is much less than you'd calculate since all the likely pixels are correlated. The same goes for other art forms, like novels (encoded as, say, UTF-8 strings or PDFs) or pieces of music (encoded as sound files, MIDI, MuseScore files, etc.). The exact number is complicated, you end up getting into Kolmogorov complexity and shit like that, but the point is that it's finite.

If we want to claim that all the information about a human life that Hofstadter describes (grief, despair etc.) is in there somehow, we're claiming that this finitely many bits is adequate to capture all the nuances of a human life. I don't know that that's true!

This, however, doesn't really seem to align with how we interact with art. Human production and exchange of "art" is a social act - I would describe it as being continuous with "play". When we observe a piece, we are opening a communications channel - at least a one-way channel. The person on the other side sends some information into the channel, and we process it somehow.

Since it is a lossy channel with limited information, we must infer various things about the other mind on the opposite side of it. If I show you an artwork that I made, we might have a conversation about how I did it, why I made the choices I did. If I feel something looking at the work, I might imagine that you felt something similar, and designed the piece to evoke it intentionally (a guess that will often be wrong but sometimes still productive). I might also look at what specific choices you have made, compare them to the choices others have made in the same medium, etc etc.

We form these inferences on the basis of experience - the more you learn about making art, the more you learn to appreciate other peoples' art and vice versa. And we project these experiences, usually plausibly, onto other artists.

(Perhaps I am saying all art is in a sense performance art? Seems like a tasty soundbite, though I'm not fully sure I wanna commit to it.)

I'm not meaning to claim that a computer couldn't simulate this kind of 'how did you make it' interaction too. This line of argument was anticipated by Turing in his original 1950 paper on the 'imitation game' that someone links in the comments above, where he describes a poet undergoing a viva voce test interrogating their word choices, and argues that a computer might be programmed to give convincing answers to such a test. I imagine he's right - for a paper written in 1950 he makes some surprisingly sharp predictions for how future AIs might be made, such as the idea that an AI could be built to be 'educated' like a child. (He also thought the evidence for ESP is 'overwhelming', but hey, can't win 'em all).

A lot of the context around art would be quite easy to forge, had you a mind to. For example, suppose I go to a film screening, and someone is introduced as the director so we can all clap them. Did they really direct it? I don't know! You could totally send an actor. Less conspiratorially, if someone says they made an artistic choice for x or y reason, they could be lying about it, or misremembering, or most likely oversimplifying a complex and inscrutable process down to a simpler story.

At some point you have to take something like that on trust, or else simply accept that being lied to about it is part of the game you're there to play! (c.f. Oshi no Ko.)

Anyway, the sudden arrival of a new process that can produce, at least sometimes, near-indistinguishable output to various types of communication, throws a spanner in the process. If we're feeling uncharitable, we could call it something like a DDOS attack, stuffing the channels with spurious inputs that don't fit our design assumptions. I think that goes too far, though. AI gen doesn't preclude communication, but it does need we need to think differently about what is being communicated.[1]

So to consider that last question, if art is like a game, could you train an AI art to produce art that is meaningful to humans only by 'playing against' itself, like AlphaGo Zero? I don't think this is so likely. The rules of Go are strict and well-defined; the rules of what humans find meaningful are inseparable from the history of interacting with other humans, which is why art constantly evolves. Training an AI on existing human artworks is training it to compress and interpolate/extrapolate that dataset; training it to optimise for "making novel art that expresses something in a form that its interlocutor could understand" requires it to be interacting with someone.

You could imagine a training process with an "artist" AI and a "critic" AI (a sort of more sophisticated GAN, where the adversary is optimising not to distinguish human/AI art but to judge it on aesthetic grounds) - but how would you get the "critic" AI? Whose taste would it express?

Admittedly, the developers of image generators are constantly refining their models in response to users, so they are being optimised to appeal to someone, not just interpolate existing artworks. But I think it would be very hard to remove humans from the equation entirely. And the present means of providing feedback to the AI are very crude.

For an AI to learn from interacting with other AI (and the world), I feel like you'd need a whole new process that isn't about minimising loss against input-output pairs. Romantically, I imagine it would be closer to how humans learn from life, but I don't really know what will 'work' in the end.

below: some other remarks that were excised from the main post.

[1] We can view AI image gen as another channel for communication between humans, with its own set of inferences to make. If someone shows me a picture they've generated with AI, there's no point asking why they painted this bit that way, but I might approach them more as a curator and ask why they chose this generation over others, or how they went about prompting it.

The AI artists who go to the trouble of finetuning their models with LoRAs for a specific end goal, or using more involved processes with multiple stages of generation, probably have most to 'say', either through the work they generate or how they'd discuss it. (I find it very endearing when someone trains an AI to serve up a hyperspecific fetish.) And the more I know about how AI images are generated, the more I can probably have a productive conversation.

In this light, the "problem" of AI is mostly one of deception, insofar as it tries to look like something else and thereby tell a misleading story. That's probably a big reason why why it brings the rancour it does, although it doesn't explain all of it. It's not (usually) a forgery of a specific human's work, but it is designed to forge spurious communications in this channel in general, so the channel is 'noisier' - and this could be thought to undermine many of the contexts, i.e. the operating narratives and social games, which are why we exchange art in the first place. Over time, we'll presumably end up renegotiating the 'games', and spawning new ones, as humans always have.

And of course, the issue of provenance and plagiarism in art - particularly when prestige and money get involved - long predates AI and is full of all sorts of bizarre contortions when you look at it closely.

More intriguing is whether there is some possibility for "real communication" between humans and AIs - that is, could there be an AI output that does respect the 'rules of the game' in some way. This is harder to imagine! Like, if you ask why we aren't solipsists, we could point to how much we resemble other humans and say, all things considered, seems very unlikely we aren't the same type of entity. But I only know 'what it's like to be' a human. Conversely, while I know a reasonable amount about how AIs work, the attention mechanism and latent-space vectors and so on (thanks 3blue1brown), the analogy isn't so clear anymore, so I don't even know how I'd determine whether there even is a 'what is it like to be' under all the 'noise' of communications aggressively optimised to fit the patterns of something a human might say. If there is, it's probably very alien to all of my experience.

Ironically I feel like the current model of 'AI', which teaches us to regard any generated output with suspicion of having 'nothing behind it', would make it harder for any 'real', agentive, subjective-experience-having AI to make itself known to us. But perhaps it's good that we're forced to sharpen our criteria of what we're looking for out of these things.

Anyway, all of this is probably just idle imaginings, because nobody can figure out how to make anything like enough money to justify the exorbitant costs of training and operating AIs, so at some point this whole speculative bubble will go up in smoke and whatever AIs continue to be in use will likely remain about as good as they are today, or stupider - at least until the next 'AI summer' when a new paradigm emerges.

Thinking about that that "slop accelerationism" post, and also Scott's AI art Turing test.

I also hope AI text- and image-generation will help shake us loose from cheap bad art. For example, the fact that you can now generate perfectly rendered anime girls at the click of button kindof suggests that there was never much content in those drawings. Though maybe we didn't really need AI for that insight? It feels very similar to that shift in fashion that rejected Bouguereau-style laboriously-rendered pretty girls in favor of more sketchy brush work.

But will we really be so lucky that only things that we already suspected was slop will prove valueless?

As usual with AI, Douglas Hofstadter already thought about this a long time ago, in an essay from 2001. Back in 1979 he had written

Will a computer program ever write beautiful music? Speculation: Yes, but not soon. Music is a language of emotions, and until programs have emotions as complex as ours, there is no way a program will write anything beautiful. There can be "forgeries"—shallow imitations of the syntax of earlier music—but despite what one might think at first, there is much more to musical expression than can be captured in syntactical rules. There will be no new kinds of beauty turned up for a long time by computer music-composing programs. Let me carry this thought a little further. To think—and I have heard this suggested—that we might soon be able to command a preprogrammed mass-produced mail-order twenty-dollar desk-model "music box" to bring forth from its sterile [sic!] circuitry pieces which Chopin or Bach might have written had they lived longer is a grotesque and shameful misestimation of the depth of the human spirit. A "program" which could produce music as they did would have to wander around the world on its own, fighting its way through the maze of life and feeling every moment of it. It would have to understand the joy and loneliness of a chilly night wind, the longing for a cherished hand, the inaccessibility of a distant town, the heartbreak and regeneration after a human death. It would have to have known resignation and world-weariness, grief and despair, determination and victory, piety and awe. In it would have had to commingle such opposites as hope and fear, anguish and jubilation, serenity and suspense. Part and parcel of it would have to be a sense of grace, humor, rhythm, a sense of the unexpected and of course an exquisite awareness of the magic of fresh creation. Therein, and therein only, lie the sources of meaning in music.

I think this is helpful in pinning down what we would have liked to be true. Because in 1995, somebody wrote a program that generates music by applying simple syntactic rules to combine patterns from existing pieces, and it sounded really good! (In fact, it passed a kind of AI turing test.) Oops!

The worry, then, is that we just found out that the computer has as complex emotions as us, and they aren't complex at all. It would be like adversarial examples for humans: the noise-like pattern added to the panda doesn't "represent" a gibbon, it's an artifact of the particular weights and topology of the image recognizer, and the resulting classification doesn't "mean" anything. Similarly, Arnulf Rainer wrote that when he reworked Wine-Crucifix, "the quality and truth of the picture only grew as it became darker and darker"—doesn't this sound a bit like gradient descent? Did he stumble on a pattern that triggers our "truth" detector, even though the pattern is merely a shallow stimulus made of copies of religious iconography that we imprinted on as kids?

One attempt to recover is to say Chopin really did write music based on the experience of fighting through the maze of life, and it's just that philistine consumers can't tell the difference between the real and the counterfeit. But this is not very helpful, it means that we were fooling ourselves, and the meaning that we imagined never existed.

More promising, maybe the program is a "plagiarism machine", which just copies the hard-won grief, despair, world-weariness &c that Chopin recorded? On it's own it's not impressive that a program can output an image indistinguishable from Gauguin's, I can write such a program in a single line:

print("https://commons.wikimedia.org/wiki/File:Gauguin,Paul-Still_Life_with_Profile_of_Laval-_Google_Art_Project.jpg")

I think this is the conclusion that Hofstadter leans towards: the value of Chopin and the other composers was to discover the "template" that can then be instantiated to make many beautiful music pieces. Kind of ironically, this seems to push us back to some very turn-of-the-20th-century notion of avant-garde art. Each particular painting that (say) Monet executed is of low value, and the actual valuable thing is the novel art style...

That view isn't falsified yet, but it feels precarious. You could have said that AlphaGo was merely a plagiarism machine that selected good moves from historical human games, except then AlphaGo Zero proved that the humans were superfluous after all. Surely a couple of years from now somebody might train an image model on a set of photographs and movies excluding paintings, and it might reinvent impressionism from first principles, and then where will we be? Better start prepare a fallback-philosophy now.

[aueua]

people with siblings: how do you feel about them?

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[fascinationstreetmp3]

i need daniel to be overcompensating for his insecurities so bad. 100 times more cocky and rude and aggressive and insensitive than he was as a human, falling back into old dangerous habits and vices, not just because now he has new energy and power and wealth to flaunt but because it's ALL he has, and he needs to cling onto it. play it up and revel in it so no one sees that underneath, he feels like a botched fledgling in the body of a sick, faded old man who maybe has no real idea why he was even made. that armand might think he failed in making him. that his maker didn't even really want him.

[drawnfamiliarfaces]

How do Jake and June get along?

its... complicated? <;D

They are friends, don't get me wrong, but their friendship is definitely one of the more bumpier ones amongst the group.

There are some aspects of their relationship that are heavily influenced by some plot points of this AU that I dont want to reveal rn, but I can explain some other reasons why its complicated in broader strokes for now (in a bit of yapping under cut) but the short answer is probably that they get along maybe just a little better than Jenny and Ben. xD

As you know, both of their shows are very similar in many aspects, but also different in others and those differences are actually what makes those two clash more often than not.

Despite both being of magical world, and both being chosen as respective guardians of it - their positions in it are different.

Jun, was chosen by Magical Elders, or basically be magic itself, as Te Xuan Zhe, while she was very young. And while she comes from magical line, its clearly that aside of that she is human. Also, her position is not something she can just abandon, not until a suitable replacement can be chosen at least, and that can take decades until she or her brothers (or maybe other relatives) have more descendants. So she more or less has no choice at being Te Xuan Zhe, and while she doesn't necessarily resent the position itself, she really doesn't like all the restrictions that come with it.

Jake, on the other hand, comes from a line of magical creatures. And yes, not everyone can manifest this hidden magical part of them, like his mother, but they are still considered as part of magical community, since they are still aware of it (unlike Jake's dad who is human). So, while Jake awakened his draconic abilities that are inherently part of him now, his position as protector of New York/USA - is not inherent. We saw him train for that position, we saw Hailey being considered for it, we saw him lose it too! And while, yes the Dragon Council apparently has the power to seal someone's dragon side away if they fire them from that position, but it still doesn't inherently change the fact that he is from dragon line.

The reason why I brought up this seemingly not big of a difference between their positions in the magical community - is the freedom of choice that Jake has and Jun lacks. If it comes to it, Jake can resign from his position as American Dragon, but it would not mean that he would stop being a dragon or being a part of the magical community (I mean just look at retired Lao Shi). While Jun on the other hand doesn't really have a choice at being Te Xuan Zhe. Sure, she can probably return the title to her poor aging Ama, Jasmine or even find a way to pass it to Ray Ray, since their whole entangled magic thing - but it doesn't change the fact that she was chosen by The Magical Elders - by the highest magical authority there probably is - to be Te Xuan Zhe. And if she hadn't, she probably would have not access to magic and knowledge about it - she would have essentially been like the rest of their family - their parents and Dennis (before he learned about magic). This freedom of choice is not necessarilly something Jake and Jun discussed directly and openly very often, but it's a thing that is an almost palpable tension current in their interactions.

So, the second point that kinda spirals from their positions is about the authority and power. Jun, is essentially a boss of herself. It might not seem like it, but its kinda true - because she works mostly under her own power, without the Magical Elders directly breathing down her neck. Sure, Ama, Monroe and others help in guiding her, but more often than not she is not working necessarily under any orders, but on her own decisions. (It's actually a lot like Danny operates, but, well, with a lot more assistance than poor Phantom lol) In comparison, Jake, like I said, is essentially hired/chosen into his guardian position by the Dragon Council, and he is mentored by his grandfather and trained in some aspects by the Council. And while, sure, largely he also operates under his own power and makes his own decisions in regards of doing his job, there is also this constant watching from the Council and the threat of beings 'sacked' and have his powers restricted or completely sealed, like I mentioned before. It seems like such a small difference, since essentially they operate the same, but its another thing that kinda comes up in their interactions.

When it comes to less magical aspects tho, their families play a role in how they interact too. We all know that Jake has a little sister - Hailey, who seems like a perfect youngest child and often is shown to trying to one-up her older brother in the eyes of their parents. And we all know that while Jake and Hailey love and care for each other, the both clearly have sibling issues (like rivalry and feeling of inadequacy) between them. Jun, on the other hand, is a middle child, with a bossy teenaged older brother Dennis, and a chaos gremlin of younger brother Ray Ray. Jun constantly sqwabbles with Dennis (a little less after he learned about magic) and as Ray Ray's older sister, she constantly have to keep him in check. With those close relationships its no wonder that sometimes interactions between Jun and Jake can descend into similar sqabbles - it really doesn't help that Jake and Dennis have a few similarities, and that Jake has just a tiny bit of similar chaos gremlin energy that Ray Ray has; and that Jun is fiercely independant and very self-sufficient, which would remind Jake about how Hailey can be.

And when it comes to their parents, well, there is one super obvious glaring difference. Jake's mother always knew about magical side of the world, presumably that while she did not awaken her own dragon abilities she still possessed some inherant magic - and she had always been a stauch supporter of Jake's position as American Dragon (does not mean she was necessarilly happy about Jake being in danger, but since he awakened as dragon, there probably was little she could do), while Jake's father finally learned about it in the finale and accepted it and his family. Jun's parents on the other hand... are still very much oblivious, and very much human. And while its clear that they both love their kids, its inevitable that there would be some sort of distance between them, especially after all three kids learned about magic. And I feel like for Jun, being a middle child is not easy in general, but while also being a magical protector and staying close to her parents is probably twice as hard. Though, I guess to balance it out, Jake and Hailey are not really that good at getting along, at least compared to Jun, Ray Ray and Dennis, who got a lot closer ever since Dennis learned about magic.

But in conclusion: not only Jake gets a freedom of choice and the open support from his family, while Jun is literally caught in her position, and still prohibited from revealing about magic to her parents.

And I know it sounds a bit bleak for Jun when I put it all like this. I know it seems as a very solid ground for a relationship where Jun resents Jake and etc. but BUT!!!!! Those plot points that I mentioned before come in play, and it changes that relationship dynamic a bit, and while SURE there are some resentment from Jun about Jake, its not as strong, due to those PLOT POINTS THAT I CANT REVEAL BECAUSEEE AAARRRHH SPOILERS

it would be much more fun to reveal in stories ;)

But, so yeah, their relationship is just kinda really complicated??? It's the best I could give you rn. TTwTT

[whilomm]

oh okay heres one:

"sleepaway camp"= you go there for at least a few days, a week, sometimes several weeks, and sleep there, as opposed to a """camp""" where you go for the day and your parents or whoever picks you up afterward (those arent really camps, but like. idk when i went to "space camp" it was a weeklong but not sleepaway). in the U.S. at least, the typical image of a sleepaway camp involves staying in cabins, dunno how common it is/what it looks like in other countries.

for the first few i just mean like. not necessarily a stealth church camp, just like. idk, a camp where theres also an Assumption Of Christianity and just general vibes without being actually church camp. So, there might not be daily services and jesusy dedicatwd activities, but maybe theres still a prayer said over meals and shit. Which i assume might exist...

(oh and @reblogforsamplesize if u wanna)

[starcurtain]

What do you think Aventurine would be like as a boss?

Aventurine's first character story tells us that people both outside the IPC and internal to the Strategic Investment Department are explicitly racist toward him, so I would say first that I suspect Aventurine's team is much, much smaller than other Stonehearts like Topaz. For example, we constantly see Topaz's dumb "support squad" following her around in most of the events she shows up in, while we've never been introduced to a single "Aventurine support squad" member.

My suspicion is that, between the rampant racism and the undoubtedly common rumors about Aventurine's dangerous behavior, very few people are even willing to be put on his team in the first place. I suspect he's much more likely to be paired up with one or two "strategic partners" (like Ratio) and sent to handle things that way, rather than actually having a large group of underlings he directly supervises.

But just logistically speaking I'm sure he does have a few underlings, and I think... He's probably a very difficult person to work for, for a couple reasons:

He will almost certainly beat assholes to the punch. If a majority of the people who have been assigned to work with him don't want to be there, you can bet he's not going to wait around for new people to prove they are racist garbage. I imagine that, for the most part, he's off-putting and offensive to new people from the get-go. You ask which desk is yours and he just goes "Oh, feel free to set your things anywhere!" then turns around like: "Wowwww. Jim, this rookie is trying to steal the desk you've had for ten years! How inconsiderate our new friend is proving to be~!" New people on his team probably have the worst few weeks of their lives. (Because... If people are going to hate him on principle alone, he might as well give them a reason, right?) However, this has the effect of weeding out most of the people who are incapable of dealing with Aventurine's antics, so I imagine that the few who persevere through the hazing are probably genuinely decent folks. Those that make it past the initial "Let's see how much you hate Sigonians and disrespect me personally" vibe check probably end up on Aventurine's good side, and I think he eventually eases off his newbies after a while. (Not before they've proven their exceedingly high tolerance for shenanigans and even higher ceiling for shock factor, though. If a new employee makes it past the first month of working for Aventurine, literally nothing else will ever phase them. An elephant-sized Warp Trotter could warp them all six galaxies over and they'd just be like "Anyone got a working cell? I need to tell my babysitter I won't be back by 9.")

I think he's just never there. Absentee boss in the extreme. It's not that he ever slacks or doesn't do the work--it's just that he's constantly going off and doing the missions all on his own. It doesn't matter how many times the higher-ups assign him to do a team task, tell him he has to take the full squad... He just scampers off and does the deal entirely on his own, comes back covered in blood, and is like "Hey guys, I took care of the problem; enjoy some comp time on me!" I don't think he drags his average-level underlings into his dangerous gambles; I think he just does all the work with their clients by himself or with a high-caliber partner. You would think this would make him a great boss to work for, but I implore to put yourself in such an employee's shoes: You go into the office every morning only to see your to-do list is empty. Your boss isn't there to give you any new direction. After twiddling your thumbs for four hours, you find out the reason he isn't in the office this morning is that he's recovering from betting he could take an entire pack of Borisin in a fist fight. He's not in the hospital because of the fight (which he won). He's in the hospital because he was then promptly shot in the back by the guy he was betting with. Why is your life like this? Why must you be subjected to the soap opera of your boss's own self-destructive spiral?

Even when he's around, he's probably weirdly awkward. Don't get me wrong, I bet when he's in a good mood he throws all kinds of extravagant parties in the office, and his employees would never lack for bonuses and perks. But I think he has never really bothered to learn--or perhaps simply does not care--about normal managerial behaviors and boundaries. Like, you slip up and tell him your mother-in-law is in the hospital. He comes back five minutes later to tell you he's just bought six bouquets (sent from your address), commissioned a personally embossed card for her with your monogram, and contracted the services of the best-reviewed individualized medical team in Pier Point under your name. He's patting himself on the back for being an incredibly thoughtful boss. You don't know how to tell him that you haven't spoken to your mother-in-law in years, not since her last attempt to poison you. Every six months he buys the whole team new cars. You have no idea what to do with all these cars. It's too many cars. Put some cars back. He calls everyone his "friend," but even after working for him for years, you still have absolutely no idea about his likes, dislikes, or hobbies outside of the IPC. You could not name his favorite food if someone put a gun to your head. Does he exist outside of the workplace? You literally can't imagine him anywhere but on a mission or at a poker table. He's constantly bringing an "I am the party!" vibe to the room, but everyone else is a bored 8-5 worker who doesn't have a drop of enthusiasm left in their veins. It's like when a singer asks the audience to cheer along with a song, but nobody in the audience makes a peep. Absolutely no one in the IPC cubicles can match his particular freak. Aventurine's a smooth-talker and a street-smart cookie for sure, but something about the way his smile looks like it's made out of plastic when anyone tries to engage him in chitchat at the water cooler gives you the vague impression that he's probably never had an actual friend in his life. If "uncanny valley" was a vibe a workplace could have, Aventurine's office would have it.

Long story longer, I think Aventurine has very few people willing to tolerate him as a boss, whether because they are racist or simply because his quirks are just too quirky. However, I like to imagine the few who have hung in there are ride or die. You know they have an "Aventurine Protection Squad" group chat. They probably all wear peacock-teal and gold accessories in solidarity. They have definitely disappeared people for talking shit on their boss before. Aventurine has no idea how much they actually like him.

[gazspookiebear]

Thinking about waiting for Ghost to be ready for a relationship (kind of continued from this post

(Kinda angsty, self doubt/depreciating thoughts)

When you ask 'What are we?', he panics. He doesn't know. He isn't ready to be a boyfriend, to meet your parents, to open up about his life-

His internal monolog is interrupted by your hand on top of his own. He hadn't realized how anxious he must have appeared- sweaty, hands trembling, shallow breaths, the works. He felt like he was being strangled, and all of this was over a simple question. Why did he ever think he could do this?

You tell him it's okay. You tell him you don't need an answer now if he's not ready. You say that you're fine with the way things are, and if he isn't ready to move forward yet, you'll wait for him.

You tell him you'll always love him regardless.

The world might as well have stopped spinning, because you love him?

He wants to tell you he loves you too, but he's scared. He's still waiting for you to leave. For him to lose feelings. For this to all have been a huge waste of time, or for you to realize you deserve better as soon as he confesses how he really feels.

For a split second, he thinks about leaving. About ghosting you. Maybe even breaking up with you- but that would require him to admit there was something there in the first place. It felt like you had snaked your way around his heart and were squeezing with all your might.

God, he couldn't imagine himself without you. He felt like a fool, naive and childish all over again. Why were you so patient with him? Couldn't you see there was something rotting inside of him?

Once again, he's dragged out of his mind by your presence. You look worried. He can't fathom why you would be worried about him. Nonetheless, he squeezes your hand in return. A simple gesture, but it means the world to you. You know he's trying. You know he's fighting with himself and losing half the battles.

You're determined to win the war.