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ichika27 · 5 years

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Winter 2020: Episode 1

I decided to check out some anime that came out for this season. I’m still not sure if I’ll be watching their entire series so I’m not gonna do the post reacts like I do with ‘Mairimashita! Iruma-kun’ so either I’ll do this kind of thing every week after seeing the episodes of each or would just post an individual overall reaction about each series after they finish or if I ever decide to drop them. I’ll be trying that ‘3 episode’ rule thing everyone does to make it easier for me.

First of all, Madoka Magica: Magia Record.

A ‘Madoka Magica’ spin-off based on the mobile game with brand new characters but the original cast would show up later on, too. The first episode is fun and interesting already with the mystery surrounding the main character’s wish she’d forgotten about and the girl appearing in everyone’s dreams. The feel of the first episode is kind of different from how I felt while watching the original series and not in a bad way. I think I would follow the entire series just because I loved ‘Madoka Magica’.

Next is Bofuri: I Don’t Wanna Get Hurt So I’ll Max Out My Defense.

About a girl named Kaede who isn’t really a gamer but was convinced by a friend to play her first VRMMO. Since she doesn’t like pain, she decided her first weapon would be a shield and that she’d put all of her starting stat points (and every point she’d earn from there on) into increasing her defenses. It proved to be a good idea when she gets achievements that make her stronger. It’s another ‘MC is OP’ but this isn’t isekai and the main character is female which is nice. Not sure if this will have a harem since male versions of this type of stories end up that way.

That said, despite the things I feel about how OP characters in stories like these are created, at least there’s a reason for how it happens to Kaede with many of the achievements being reachable by any player if they’ve played long enough and have good weapons and experience and it’s just Kaede’s defense is strong enough to help her reach those faster.

The Case Files of Jeweler Richard

Nice guy Seiji saves a guy named Richard one night and find out the latter is a jeweler. He asks Richard to appraise his grandma’s ring and this unravels the mystery behind it and Seiji’s grandma. Richard ends up hiring Seiji to work for him and his Jewelry Store.

I like the characters, the art style is good, and there’s hints of bromance that makes me wanna ship the main characters BUT I tried out this show because of the ‘Case Files’ part of the title. To me, if a detective/mystery show isn’t as fun or as good as ‘Detective Conan’ then I’d probably get bored of it and drop it. I can’t really say much about the first episode so I’ll see the next one to find out if this is worth watching to the end.

Socerous Stabber Orphen (2020)

I didn’t see this coming but an anime I watched when I was younger got a remake. The story was enjoyable so I had planned to check this out since I saw the trailer. It’s about a mage named Orphen whose trying to get his friend Azalie to turn back from being a dragon after she got herself cursed. The art is kinda similar to current anime which makes me miss the old art style (he looked better in the old one but everyone else feel like they got cuter). I also really, really miss the OP of the old one ‘Ai, Just on my Love’ as it felt like it fits the magic/badass feeling of the story.

Anyways, the first episode is way different from the old one (sorry if I’m doing comparisons) but here, Orphen meets his companions differently and Majic isn’t even his apprentice yet. The way he meets Claiomh is also different that it didn’t start out with a misunderstanding although this time. This also shows us Orphen’s backstory from the start unlike in the original series where it’s kind of like a spoiler. This first episode isn’t as interesting as the older one but hopefully, it gets there later on.

Toilet Bound Hanako-kun

Kept seeing this guy when playing mudae on Discord and I thought he looked cute and the title of the manga he came from is interesting and looked it up only to find out it’s getting an anime lol. I was planning on seeing this one, too and the first episode was cute and fun to watch! It certainly feels the same way it felt when I watched Iruma-kun. I’m also intrigued by ‘Seven Mystery’ stuff as it’s been a small plot/arc in some stories but this one is gonna have it as it’s actual story.

In this, a girl named Nene hears about the school’s 7th mystery and sought it out as it’s rumored to grant wishes. She meets the ghost ‘Hanako’ who, after several events gets bound to her to help her out of a curse in exchange for her being his helper. It’s really cute and I already ship them XD

Hatena Illusion

Kana comes from a family of famous magicians and secretly, of thieves. She’s very excited to see her childhood friend Makoto again as the latter would be living with them only for her excitement to be shattered once she realizes she has been mistaken all these years as Makoto isn’t a girl but a boy. Makoto on the other hand is happy to see Kana again whom he nicknamed ‘Hatena’ (but is surprised that she now dislikes him) and will also be an apprentice to Kana’s father which is something he’s always wanted.

This is like, romance with a magical girl transformation in it and all that. I think the art is cute and it seems like fun but Kana is uh... kinda annoying? I mean, she’s the one who misunderstood everything and it’s not like Makoto lied to her but she proceeds to insult him, nearly had him kicked out of the house when he had just arrived (she was thankfully persuaded not to), and is just mean to him and in the end wanted to steal something from him that was from her mom saying ‘She wants to help her mother’ and stuff when she’s just being petty. I’ll give this 3 episodes and if I still don’t feel it, I’ll drop this.

Lastly, A Destructive God Sits Next to Me.

Koyuki just wants a peaceful life but unfortunately for him, he’s classmates with chuunibyou Hanadori who wouldn’t stop bothering him as Hanadori thinks that Koyuki is also ‘reincarnated’ like he is. Determined to not let Hanadori’s antics ruin his life and his education, Koyuki strives to ignore the weirdness happening around him but he still ends up reacting and usually getting mad at the chuunibyou.

I wanted to watch this when I heard of it months ago - cute guys that look like I can ship them and the story seemed fun. Also, I needed something after the ending of ‘Chuubyou Gekihatsu Boy’ (still waiting for that ova...) and this seems perfect. Although this reminds me more of ‘Tonari no Seki-kun’ with the whole ‘MC tries to concentrate on studying but can’t ignore their classmate with the strange hobbies’.

The first episode is really funny for me so that’s good. It’s also got that secondhand embarrassment cringe comedy but surprisingly, it’s for the main character and not the chuunibyou (I feel so sorry for Koyuki). Unlike in Chuubyou, the other characters in this show either thinks Hanadori is annoying or weird. To be honest, as much as I’d like not to feel this way, Hanadori is kind of annoying. Hopefully either he gets better or he just ends up growing on me before episode 3 finishes or I may drop this. I mean, no matter how funny it is, annoying characters still kinda get to me.

Like I said, I have a lot on my plate now compared to the mere 3 last season and I’m still watching Iruma-kun as it’s still ongoing. Will I watch these all until the end or will I be dropping some? We’ll find out...

#anime #winter 2020 #magia record #bofuri #case files of jeweler richard #jibaku shounen hanako kun #hatena illusion #sorcerous stabber orphen #a destructive god sits next to me #sana_post

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yoshichao · 5 years

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the Smashers and their Host Ch13 Preview

Series: Super Smash Bros.

Characters: Reader, Literally Everyone In Super Smash Bros Ultimate

Summary: You're an inter-dimensional being that owns a huge estate situated on the cusp of spacetime. You've been asked to rent out your mansion for the upcoming Super Smash Bros. tournament. What could possibly go wrong?

Tags: Reader-Insert, Romantic & Platonic Harem, Comedy, Fluff, No Smut

Read the fic here!

[So after a year, I finally finished chapter 11... During my writer’s block, I actually started on what was then going to be chapter 12, but I’ve seen then squeezed another chapter between them in the plans. So, if all goes according to plan, this will be May’s update. Anyways, I feel like posting it so!! It’s not as meaty as the chapter 11 preview - this one is only about 2k words instead of a whopping 13k - but I hope you enjoy regardless!]

You can’t help but stare as the roller coaster above slowly reaches its peak before plummeting downwards, accompanied by a chorus of screams. Just watching the cars zip through loops and corkscrews makes your head spin, and you find yourself grateful that you aren’t on that particular ride. You don’t know if your heart could take it.

The repairs at the mansion finished with accompanying fanfare (well, in your head, at least) and you thought you’d be able to sit back and relax for a bit. Your new life had other plans, of course, and the Smashers were absolutely insatiable, so you had been invited to join them to an amusement park. Honestly, you should have declined - you wanted to! - but…

“Pleaaaaase?” Roy had been the one to ask you to join them, giving you puppy dog eyes as he held the brochure out. The park was in a place called Nimbasa City - recently expanded! grand re-opening! - which you recognized as a place in the Pokemon universe.

“You know you can go without me, right?” you tried, still feeling worn out from all the Social Activities and babysitting you’ve been doing lately. The other day, you found DK using Pac-man as a bowling ball to “prank” anyone wandering the halls. Then the following day, you’re pretty sure Villager and Toon Link had a slingshot competition with the mansions’ windows. And then the day after that, Leaf helped you play detective to find out who was stealing all the speakers throughout the mansion, just to find Diddy Kong using them to create a “gaming set-up fit for a king”.

Why.

Completely oblivious to your weariness, Roy’s expression remained enthusiastic, even when he gave you a mock-frown. “Sure, but, you said we would hang out together next time everyone was doing something!”

“I did?”

“Yeah, you did!”

Oh right, you did. You did say that after he wasn’t invited to the sleepover. Curse you and your desire to keep everyone happy! Now you have to go!

And so, after someone consulted Master Hand about building a temporary transporter directly to Nimbasa City, here you are.

“Whoa, it’s even cooler than in the pictures!” Roy, determined to take you up on your offer to spend time together, arrived via teleporter alongside you. While the mansion has been abuzz over another multiverse outing, you have no idea who actually intended on going. It’s already midday, so there are probably plenty of Smashers already here…

Pulling your gaze away from the roller coaster, you notice that your redheaded companion was also staring intently at the Rayquaza-themed deathtrap. His expression is strained, leading you to believe the both of you are thinking the same thing.

“Why don’t we start with getting something to eat?” you suggest, thinking of the safest option possible. Oh, but if you end up going on rides with a full stomach… Hm, maybe that’s not as safe as you thought. But Roy eagerly takes your suggestion and you have no choice but to follow him to the food court.

“That’s a great idea! I’m dying to see what kind of food this world has!”

You can’t help but agree, but his words have curiosity bubbling within you. “Have you never visited the Pokemon world before?”

“Only once, during Melee!” His grin is almost infectious, though it mellows out as he continues talking. “We never came out here during the last tournament season! ...Or at least, not while I was around.” Roy frowns a moment before putting on another smile, though this one seems a bit more forced. “Melee’s whole thing though was that we were travelling to a new universe for each round of the tournament. For the Pokemon world though, we took a blimp to the stadium, so we didn’t really get to explore…”

That’s right - you forgot Roy was technically only invited to one full tournament, so he wouldn’t have had as much time to relax and travel around with the others. It was only by popular demand that he was invited for the “extra” tournaments, appearing alongside Ryu as a secret opponent for the champions of the mini doubles tournament. They’d both go on to appear in the remaining tournaments and random matchups of the season. While that would have given him a few months to participate in fun activities with the others, you have to imagine a lot of that slows down during tournament season.

“But, a few Smashers and I snuck out between matches to check out the local town.” Roy continues his story sheepishly, smiling fondly at the memory. “And then we uh, went a bit too far… got lost in a cave… We made it back just in time for our next match, but Master Hand really gave us an earful…” He laughs awkwardly, and you find yourself snickering at the idea of Master Hand panicking when he discovered some of his hotshot superstars have gone missing.

“Who all went with you?”

He counts them off on his fingers as he lists everyone. “Me, Pichu, Young Link, Popo, Nana... oh, and Ness. Pikachu ended up being the one who found us lost in the cave.”

You can just imagine the six of them running in circles trying to find the exit, just to have Pikachu show up and use its familiarity of the region to lead them out in mere minutes.

...Huh. Funny, most of those six are Smashers that didn’t get invited back every year afterwards. And you remember there had once been rumours that Ness wasn’t going to be invited back to Brawl…

...Eh, probably just a coincidence. Master Hand wouldn’t exclude someone over an incident like that.

“I’m surprised Pikachu didn’t try to get you even more lost on purpose,” you say offhandedly. Roy’s expression is surprisingly contemplative.

“Nah, Pikachu used to be cool back then. Like, sure he liked to hype up the crowd, but outside of matches he was really chill.” He pauses. “I was surprised to find out he kind of became a jerk. Apparently he’s just been that way since the start of Brawl.”

“Really?” And here you thought the first tournament had been the catalyst to its inflated ego, where the electric rodent had won both the singles and the doubles tournaments that season. Pikachu’s record during Melee was pretty average… maybe something else happened between that and Brawl? An event none of the Smashers would have known about?

Roy shrugs - he’s just in the dark about it as you are - and you notice you’ve arrived at the food court, signalling the end of the conversation. You spot a Pansage, a Panpour, and a Pansear behind a long counter. Pansage takes orders and hands them to the other two monkeys, who then proceed to rush around unnecessarily chaotically to put the order together. This seems like the type of environment where mistakes are easily made, but a lot of people seem to be eating food from here, so apparently they know what they’re doing…?

You end up ordering a Rawst Burger and a lemonade, while Roy gets a corn dog and a soda pop. On your way to finding somewhere to sit, you spot Falco getting his hot dog stolen by the Duck Hunt Dog. You’re glad he’s too far to notice you laughing.

“Look, there’s space at that table!” Your attention is brought back to Roy, who is pointing at a table with only one other person sitting at it. Coincidentally, the spiky blond haired dude there is someone you recognize as part of the Smash crew. Roy takes longer to recognize him - it’s not until you’ve both rounded the table to sit across from the swordsman that he addresses him.

“Oh hey, you’re that guy… uh, Rain, was it?”

When the blond looks up and you see his face, an involuntary snort arises from your throat as you try to hold back laughter.

“It’s Cloud. Cloud Strife.” Apparently they offer facepainting somewhere at the park, because Cloud’s face is covered in ink that resembles a bunny. When combined with his completely serious expression, you have to hide a smile behind your hand as you sit down.

“Right, that’s it. I knew that.” Roy sits next to you, raising an eyebrow at the swordsman across from you two. “What’s on your face?”

“It’s a rabbit.”

“I guess someone is offering facepainting somewhere?” you clarify helpfully, and Roy’s face lights up in recognition.

“Oh! That sounds fun.” He looks to you with enthusiasm. “Hey, what animal do you think I should get? Heh, probably something fierce, like a lion, or--”

“A puppy,” you reply without hesitation, interrupting his own ideas. Roy looked shocked at your suggestion - almost even offended. Whoops.

“A-A puppy? Not like… a bigger dog? A wolf, maybe…?”

“I think a puppy would suit you as well,” Cloud agrees. Roy’s jaw drops as he’s left struggling for an objection, but Cloud moves the conversation before he can say anything. “They also do portraits - look.”

He hands you a large rolled up piece of canvas paper that you’ve been curious about for awhile now before returning to picking at his funnel cake (mm, you gotta get one of those later). Roy leans into your personal space to take a look as you unroll it.

Oh my. That is certainly a caricature.

Roy almost immediately lets out a laugh. “Wo-ow! That would explain your face.”

The canvas blocks your vision so you can’t see Cloud’s face, but you can hear him exhale deeply. Rolling the portrait back up, you place it down on the table.

“I like the style! The art is very clean.” You’ve seen a lot of skill levels in the art found in your mansion, so it’s pretty easy to think outside of “bad” and “good”. Then of course, there’s your own art to consider… yeesh. “I think the artist really captured your character.”

“That’s what I thought,” Cloud responds with a nod, relaxing in the seat. Roy snorts beside you, and you refrain from elbowing him quiet in favour of shooting him a wry look.

“What, you think you could do better?”

Your challenge seems to actually take him off guard, and he fumbles to regain his confidence. “Uh… pfft. Of course. Anyone could do that.” He tries to laugh confidently, but there’s a clear nervous edge to it. Refusing to show him mercy, you play along by feigning amazement.

“Really? Wow, I’d love to see that. Maybe we should have an art show back at the mansion! Wouldn’t that be fun?”

“O-Ooh, I mean… You really think people would be interested in that…?”

Cloud recognizes the game you are playing and chimes in with an immediate “I would”. You do a gesture as if to say “see??”, smiling bright and devious until his resolve finally breaks.

“F-Fine! I’ll do it! But don’t say I didn’t warn you, cuz I’m… really good!!” His voice shakes with anxiety at the end, and it takes all you have not to burst out laughing. This is good. This is so good. You’ll have to file this “art show” idea away for down the road, so you can spring it on him again unexpectedly. Although, torture and humiliation aside, you actually suddenly are curious if any of the Smashers are secretly artists.

“Yes! I’m looking forward to it!” With a grin, you end the conversation by finally picking up your burger and taking a bite into it. Huh, it tastes… fruity. Bitter. Wait, that must be because there are Rawst Berries used in it. Guess you should have seen this coming. You don’t hate it, but the taste has definitely taken you off-guard and you’re not sure you like the mix of meat and berry.

You must have been making a face because Cloud slides his funnel cake plate halfway across the table. “Here. I probably won’t finish it anyways.”

Forgetting about his previous worries, Roy smiles and reaches for the plate. “Ooh, don’t mind if I do--” To his dismay, Cloud hits his hand away.

“I didn’t offer it to you.”

Roy looks torn. You’d feel bad for him if it wasn’t so funny. Likewise, you usually try to politely decline gifts so as to not seem greedy, but you are enjoying having fun at Roy’s expense. “Thanks!” You put down the burger and reach for a piece of the doughy, sugary treat. Ripping it off, you pop it in your mouth and audibly hum in delight. Hehe, you’re a real devil!! If you wanted to be really mean, you could mention how sad it is that Roy can’t know how good this is, but you are not that cruel. Not right now, at least.

Between stealing chunks of funnel cake and continuing to try finishing the burger (nnnnnope, still tastes weird!), you let your mind wander to thoughts regarding the swordsman across from you. Back in the day, Cloud was a popular request to join the tournament despite existing extremely far away from the bubble of universes Master Hand typically picked from. When he was announced as a surprise participant in the final Super Smash Bros. 4 season tournament, fans exploded with excitement. You were honestly surprised to see him on the list for the Ultimate roster - you hear that Cloud Strife is a tough guy to work with and that’s why he doesn’t make many multiverse appearances despite his popularity. Not even the heads of the more local Playstation All-Stars tournament could get him. Master Hand must have really pulled some strings to get him to participate in Smash not once, but twice.

[...and that is unfortunately all I have. See you next month for chapter 12!]

#tsath #the smashers and their host #super smash bros #fanfiction

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arecomicsevengood · 5 years

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Watching Movies In Self-Isolation, Part Two

L’Assassin Habite Au Rue 21 (1942), dir. Henri-Georges Clouzot. Clouzot is better known for directing The Wages Of Fear (the movie William Friedkin remade as Sorcerer) and Diabolique, but this is the first movie he directed. It’s a pretty effective comedy, as well as an Agatha Christie style murder-mystery thriller. It’s really cool to watch these things that feel like they are just “movies,” before a bunch of genre conventions got built up and put in place. This one’s also eighty minutes long, super-short. The premise of the movie is there’s a serial killer on the loose, leaving a business card on every dead body. A dude passes along to the police that he found a stash of the business cards in the attic of a boarding house, so the killer must live there. A police officer goes undercover as a priest moving into the boarding house to investigate the residents. His wife, an aspiring singer, has made a bet with him she can solve the crime first, and in doing so become a celebrity that will be hired to perform places, so she also moves into the boarding house, partly to annoy him. The stuff at the boarding house is basically the film’s second act, while the first and third act are more typical murder-mystery stuff, although the tone of comedy is maintained throughout, despite all the cold-blooded murders.

All These Women (1964), dir. Ingmar Bergman. Kind of dumb sex comedy directed by Ingmar Bergman, but with gorgeous Sven Nykvist cinematography, bright jewel-toned pastels, and sort of theatrical staging in spots seeming to foreshadow Parajanov’s The Color Of Pomegranates or eighties Greenaway stuff. About a critic who visits the palatial estate of a famous cellist to write a biography of him only to find a harem of women; the whole thing unfolding from the cellist’s funeral a few days later. The winking humor is both music-hall bawdy but in a way that feels self-aware or “meta” in the context of a sixties film.

The Touch (1971), dir. Ingmar Bergman. Bergman’s one of my favorites, many of his canonized classics resonate deeply with me, but he was also astonishingly prolific, with a bunch of movies of his blurring together in my mind, and even more that I didn’t know existed, like this English-language one, starring Elliott Gould. Gould’s another favorite of mine, being in a bunch of great movies in the sixties and seventies, but damn, he’s unlikable here. Unlikable characters “hit different” in older material because I’m not sure if you’re supposed to sympathize with them according to the sexist cultural attitudes of the day. Here he’s “the other man” Liv Ullman is cheating on Max Von Sydow (RIP) with, but he’s pretty emotionally abusive, just a shit to her, extremely demanding of her in a relationship he did nothing to earn, though it does feel like the movie is kind of treating him as a romantic lead.

The Anderson Tapes (1971), dir. Sidney Lumet. This is heist movie, starring Sean Connery as a dude fresh out of prison, planning to rob his girlfriend’s apartment building, costarring Christopher Walken in his first film role. It contains all the plot beats of a typical heist thing, all the satisfying “getting the gang together, planning things out in advance, chaotic elements interfere” stuff but also a totally superfluous bit of framing about like constant surveillance, video monitoring and audio tape. All this dystopian police-state stuff seems, implicitly, like it would make a crime impossible to execute, the criminals are monitored every step of the way, by assorted agencies. But then the punchline, after everyone’s arrested for reasons having nothing to do with that, is that all this recording is illegal and all the tapes should be erased as the high-profile nature of the case makes it likely the monitoring agencies will get caught. Sidney Lumet directs a good thriller, even though I don’t find Connery (or Dyan Cannon, who plays the girlfriend) particularly compelling.

The Testament Of Dr. Mabuse (1933), dir. Fritz Lang. I watched this years ago, after reading Matt Fraction praise it, particularly how skillful the transitions between scenes were, and I really enjoyed it, but didn’t remember much about it and was excited to rewatch it. It’s got a lot going for it: An exceedingly elaborate criminal plot whose only goal is to wreak chaos, low-level criminals caught up in something they’re morally unprepared to reckon with, a charismatic police detective interviewing a bunch of weirdos, Fritz Lang following up M by continuing to be a master of film and sound editing very early stitching it all together. The Mabuse character was previously the star of a silent film I haven’t watched, and here he’s mute, which is a clever choice I didn’t register until writing it out just now. He’s gone completely insane, but is nonetheless writing a journal filled with elaborate crime plots, and his psychologist is completely insane and following these directions, in a commentary on the rise of Nazism in Germany at the time.

House By The River (1950), dir. Fritz Lang. I watched this in the pre-Quarantine days, but it totally rules. Again, it feels sordid in part because of how old it is and my assumption you’re meant to identify on some level with the completely loathsome protagonist’s sexual desire and anger at getting turned down. It’s so creepy, he’s listening to the sound of his maid showering at one point. All the characters seem very fun to play, they’re all pretty cartoonish. This guy murder his maid, and then gets the idea that he should write a book about the murder when someone explains the idea of “writing what you know” to him, and he is then surprised when his wife reads the book and puts together that it’s a murder confession, saying something like “Really? I thought I disguised it pretty well.” The film functions as a dark comedy because every character is completely mortifying. Lang’s work becoming less ambitious and more reduced in budget during his time working in America is pretty sad but this movie feels legit deranged.

Midsommar (2019), Ari Aster. Heard good things about Hereditary, but haven’t watched it yet, having been put off by the plot summary of Aster’s preceding short film, about a kid who rapes his dad. This is like a longer version of The Wicker Man, basically, starring Florence Pugh, who I had heard was like the new actress everyone’s enamored with, but didn’t think was that compelling in this. A bunch of Americans go to a Swedish village, one of them (played by Chidi from The Good Place) has studied their anthropology extensively, but all are unprepared for the fact that their whole culture seems to revolve around human sacrifice and having sex with outsiders so they don’t become totally inbred. There’s a monstrously deformed, cognitively impaired child who’s been bred specifically so his abstract splashings of paint can be interpreted as culture-defining profound lore, which I took away as being comparable to the role Joe Biden plays within the death cult of the DNC.

Long Day’s Journey Into Night (2019), dir. Bi Gan. This got a lot of acclaim, but I am almost certain the main reason I watched it is because the director made a list of his favorite movies and included Masaaki Yuasa’s anime series Kemonozume on it. Does a sort of bisected narrative thing, where half of the movie is this sort of fragmented crime thing, a little hard to follow, and then you get the title card, and then the second half is this pretty dreamlike atmospheric piece done in a single shot, with a moving camera. I’m not the sort to jerk off over long shots, although I appreciate the large amount of technical pre-planning that goes into pulling them off. The second part is pretty compelling though, enveloping, I guess it was in 3-D at certain theatrical screenings? I’m a little unclear on how my fucked-up eyes can deal with 3-D these days and I was never that into it. The first half is easy to turn off and walk away from, the second half isn’t but I’m unsure on how much it amounts to beyond its atmosphere.

Black Sun (1964), dir. Koreyoshi Kurahara. This one’s about a Japanese Jazz fan and dirtbag squatter who meets a black American soldier who’s gone crazy and AWOL. He loves him because he loves Jazz and all Black people, but the soldier is pretty crazy and can’t understand him anyway. Jazz is, or was, huge in Japan and this is a cooler depiction of that fandom than you get in Murakami novels but it’s a fairly uncomfortable watch, I guess because the black dude seems so crazy it feels a little racist to an American audience? Maybe he wasn’t being directed that well because there would be a language barrier but it’s weird.

Honestly the thing to watch from sixties Japan on The Criterion Channel is Black Lizard (1962), dir. Umetsugu Inoue, which I watched shortly after Trump’s election in 2016, when all the Criterion stuff was still on Hulu, and it cheered me up considerably in those dark days. It feels a little like The Abominable Dr. Phibes, but with a couple musical numbers, and is about a master detective who thinks crime is super-cool and wishes there was a criminal who would challenge his intellect. Then the Black Lizard kidnaps someone. It’s a lot of fun, with a tone that feels close to camp but is so knowing and smart it feels more genuinely strange and precise. One of those things you get fairly often where the Japanese outsider’s take on American genre stuff gets what it’s about more deeply and so feels like it’s operating on a higher level. I really love this movie.

I had this larger point I wanted to make about just feeling repulsed by genre stuff that self-consciously attempts to mimic its canonical influences and that might not be all the way present in this post. Still, something that really should be implicit when talking about movies from the past is that they are not superhero movies, and how repulsed I am by that particular genre’s domination of cinema right now, and how much of cinema has a history of something far looser and more freewheeling in its ideas of how to make work that appealed to a broad audience, and how much weird formal playfulness can be understood intuitively by an audience without being offputting, and the sort of spirit of formal interrogation connects the films I like to the comics I like (as well as the books I like, and the visual art I like), this sense of doing something that can only be done within that medium even as certain other aspects translate.

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ryuutchi · 5 years

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Dearest Yulegoat [Mirrored Yuletide Letter]

[General]

To start with, if you're writing fic for me, I love you. I'm going to be happy just to be able to share my fandom love with someone. You'll notice I throw a lot of ideas out-- feel free to take one, take many, take none. I know how hard it can be to settle on an idea once the assignments come in. So I'm offering a bunch of options that I will enjoy. None of these suggestions are hard and fast requirements. They're here to give you an idea of what's going on in my head and what my preferences look like. My current blog is ryuutchi, over on Tumblr. I can't promise it will be helpful, but in the interest of helping with the stalking process, feel free to check me out over there. I like: Plot, adventures, banter and dry humor, happy endings, over the top AUs (steampunk, noir, organized crime, rum-runners, harems...), casual physical intimacy, emotional interdependency, bad decisions and poor coping mechanisms, hurt/comfort and whump-with-comfort, loyalty and morality confusion, worldbuilding, identity porn, questionable healthy attachments, seeking out physical affection, accidentally caught feelings, power-play, porn, gen, slash, femslash, het, any rating you feel comfortable with (for violence and/or sex), bittersweet things that are heavy on the sweet, Happily Ever After/Happily For Now endings I don't like: Deathfic, gratuitous angst, character-bashing, introspective character pieces, five times fics, mommy/daddy kink, A/B/O universes, contemporary social issues as the main focus/issuefic, sad or hopeless endings. (Also the standard DNWs: scat, watersports, necro, mpreg, homophobia, transphobia, etc) No Game No Life - Kamiya Yuu: Sora, Shiro The Series: They are both NEETs and Hikikomoris… but on the internet, the genius gamer siblings Sora and Shiro are known as the undefeatable “__” (blank). Sora and Shiro’s talents and skills are so abnormally good they are considered as urban legend. One day, they are challenged by the god of games to chess and are victorious. As a result, the god summons them to Disboard, a reality which revolves around games. Intent on maintaining their reputation as the undefeated gamers, Sora and Shiro plan to conquer the sixteen ruling species and to usurp the god of games... NGNL is a series of light novels, of which 6 have been translated (PDFs can be found here, or bought legally at any online bookstore). The No Game No Life anime can be found on Crunchyroll here. Request: The fact that Shiro and Sora literally cannot be separated from each other is one of the dynamics that I like about the series. I really enjoy codependent siblings as a Thing. So I would be happy if you played with that dynamic. Plotty gen for this series would be great-- it's always fun when one of them is much better than the other or they have to separate and execute plans while relying solely on the intuition of what their sibling will do. Alternately, someone kidnapping Sora and Shiro having to play a game to get him back while they both battle their inability to get anything done alone... I'd love background on them, where they tried to separate or were forced to separate and failed to function, or where one or the other tried to interact with other people (maybe a gamer who tracked them down) but were either terrible at it, the other one quietly sabotaged the budding relationship, or the third person got way too freaked out by the way Sora and Shiro act around each other. Future fic would also be great-- King/Queen Blank or even the Gods Blank, after they've beaten Tet. What does that look like? What kind of world are they making for themselves and each other? I ship them, but do not expect other people to, so if you want to write shippy fic (with aged up Shiro!!!) for them, I will be surprised but happy. I will happily admit to wanting kinky sex games. Extra Details: For reference, I've read through volume 8 of the light novel, watched the anime and the movie. I am not precious about spoilers for this series, so feel free to use later information. I know this series isn't everyone's cup of tea, with the sheer amount of fanservice and Sora's utterly otaku personality and the pseudo-incest thing with the 12 year old. Personally, as is probably obvious from the request, I'm less interested in the fanservicey characters, and much more about the dynamics of Shiro and Sora's relationship. I love the way they know exactly what the other is capable of and trust each other completely and whole-heartedly. Whether you write something small and domestic or big and plotty, for me the core of NGNL is that they love, care and respect each other in a way that is beautiful but also extremely unhealthy. If you want to go the shippy route, again, Shiro needs to be aged up appropriately-- it's always been interesting to me that Sora understands that it is inappropriate to sexualize his underage adopted sister, while Shiro goes out of her way to help sexualize other women for Sora's entertainment. There's a part of me that wonders if she's planning ahead for when she is old enough to be an "appropriate" (in age, if nothing else) sexual partner and is trying to get Sora to lose his virginity ahead of time. selector infected WIXOSS: Aoi Akira, Igarashi Rumi | UlithThe Series: WIXOSS is a popular trading card game in which players battle against each other with fighters known as LRIGs, using cards to support them. Certain LRIGs are able to communicate with their owners, and the girls chosen to wield them are known as "Selectors". Selectors are given the chance to have any wish granted by winning battles against other Selectors, but should they lose three times, their wish will be reversed into a curse instead. The main series, selector infected WIXOSS, follows a girl named Ruko Kominato, who becomes a Selector after receiving an LRIG that she names Tama. As she and various other Selectors battle it out for the sake of their wish, Ruko finds herself drawn into the dark, sinister world of WIXOSS, discovering that, win or lose, there is always a price to pay. The anime can be found on Funimation here Request: So, you know how in my "general likes" I said I don't like "gratuitous angst"? In this fandom, there is no such thing as "gratuitous". Darkfic is absolutely welcome here. The thing I am most interested in here is the manipulative, awful relationship that Akira has with Ulith-as-Iona. Like, I love them all, and for some reason in this fandom, that comes out to "please break them". Exploring their adult lives and how their relationships and the Wixoss game affected them in the future would be amazing. What else happened to them? What are their careers like? What are their home lives like? Are they... living together? Does some sort of magic continue to be a theme in their lives? Feel free to write in-universe plot or no-powers universe, or some horrible Madoka or Yurikuma Arashi or other magical girl thing, where they can all be horribly manipulative lesbians together because that's magical and wonderful. OTOH, if you want to write codependent-but-vaguely-functional adult Akira and Iona/Ulith being horrible assholes and having adventures of some sort (magic, detectives, idk) that is ALSO A+. I mean, I like happy endings, and if you can come up with something heartwarming (or "heartwarming") I'm not going to complain. Extra Details: Evil lesbians are Problematic, I know. But Akira was one of my favorite characters from the word go and (if you're paying attention to my fandoms as a whole) I really really like codependent or unhealthy relationships. I love her love/hate relationship with Iona and with Ulith, and the way those two characters sort of get mixed up for Akira specifically. If you want to play with Iona and Ulith's personalities and interactions as well, that would also be pretty fun. I'm also down for other types of AUs, like they have to get their shit together and track down someone who is killing Selectors, or they become selectors as adults and not girls. I know they're young, but given that this is a super-fucking dark canon, I am totally cool with dubiously consensual sex either on or off-screen. FANDOM: Yoroiden Samurai Troopers | Ronin Warriors (Shuu Rei Fuan | Kento Rei Fang, Mouri Shin | Cye Mouri) The Series: Ronin Warriors, known in Japan as Yoroiden Samurai Troopers (lit. "Legendary Armor Samurai Troopers"), is a Japanese anime series and manga adaptation created by Hajime Yatate. It's the story of five teenage boys, given mystical armor to protect the world from the evil Arago. 1000 years ago, Arago nearly succeeded in taking over the human world when Kaosu managed to defeat him. Although Arago's soul is banished to the demon world, his armor is left intact. Kaosu divided the armor into nine separate armor suits. Each armor will choose its bearer, and together they will fight Arago. At least that was the original intent... Although Arago manages to corrupt four sets of the armor, the last five remain safe. It's a bit like Power Rangers, only grounded in more serious traditional Japanese cultural trappings. Being created in the 80s, the art style is a little wonky, but it's an enjoyable thriller and is somewhat more focused and serious than a lot of sentai shows. The anime can be found on Crunchyroll here Request: I love Shuu/Shin with Shin being snarktastic and Shuu being smug and solid and dependable. I used to frequent the Minkland archive back when this fandom still kinda existed, and was forever disappointed that the skinny pretty boys got tons and tons of fic and Shuu was just sort of there in the background. (If you used to read Mink and Jink's fic, I will be so happy I could cry if I got that sort of cracked-out porny fic with Shuu, okay. Due to that formative influence, if you want to GO FOR THE AU, GO FOR IT WITH GUSTO. I've always wanted nanshoku/samurai AU. Or, you know, hooker fic, or dark!troopers fic, or harem fic or something like that. I also like found-family fic, gen-ish mysteries and adventures-- more fighting Massive Cosmic Evil, and curtainfic. Futurefic is also awesome, where they get on with their lives, maybe together or maybe trying to keep their friendships intact when there's no massive Cosmic Evil to keep them close. Extra Details: If you used to read Mink and Jink's fic, I will be so happy I could cry if I got that sort of cracked-out porny, possibly AU fic with Shuu, okay Fics I especially enjoyed from that archive: The Grand One The Clit Club Chronicles The Harem Vinyl Wagashi Cherry Zima Threesome Theater of Magic Due to that formative influence, if you want to GO FOR THE AU, GO FOR IT WITH GUSTO. I've always wanted nanshoku/samurai AU (see this image). Or, you know, hooker fic, or dark!troopers fic, or harem fic or something like that. My usual ships are Shin/Shuu, Shin/Ryo, Touma/Seiji and Ryo/Nasuti. But I multiship and am willing to run with anything-- I'm a Sex With All Teammates sort of person, so fivesomes and alternate pairings are not a problem for me. Dragon Prince Trilogy - Melanie Rawn: Ianthe of Princemarch, Sioned of River Run The Series: To blatantly steal someone else's review on Amazon: "Melanie Rawn created a world and a people that gives everything you could possibly want in a fantasy world. It gives love, hate, peace, war, magic, royalty, commoners, children to take over the next generation and best of all; dragons." I want to say "if this wasn't the matched fandom you should go out and read them right the fuck now', because I have read these books So Many Times. They're high fantasy novels about politics and the prince of a desert and magical people who communicate via sunlight and can conjure fire. AND DRAGONS. Also a lot of interpersonal and romantic maneuverings. It's a high fantasy politics and romance romp of somewhere ~550 pages. If that sounds interesting to you, pretty much every used bookstore I have ever been to has at least one copy of these books. I think they spawn on bookshelves or something. The books are also available in ebook form here (Kindle) and here (Nook) for 3 bucks. Please read them. (TW for rape in the first book) The Request: I love everything this series chooses to be. It's fun and cheesy and fantasy, which the best thing in the world. I've always thought that Ianthe had a serious hate-crush on Sioned and part of the reason she was so vicious and fucked up was that whole "you must marry a guy and expand the empire or your useless" thing when maybe she didn't want to do that. Ianthe's always been one of my favorite characters because she's brilliant and ruthless and clearly takes joy in clever plans that go well. Of course, being the villain in a cheesy fantasy, she got no depth whatsoever, aside from that whole sexually liberated, taking male consorts thing (which is AWESOME, okay.) Sioned is also awesome and brilliant and kick ass. Her hesitance in the first book while she decided what she really wanted to do was pretty great, as was the fact that she promptly made friends with Tobin and pretty much every character not designated "villain". It seems like up through Ianthe's death, they're playing a game of brinkmanship. (Which isn't to say I don't like Sioned and Rohan together. They're bookTP and totally awesome.) As for prompts, I normally prefer plotty fic to introspection. I feel like the whole sunrunner thing lends itself well to espionage, so political thriller, or murder mysteries or something would be great. If you want to do plot-what-plot involving these two-- either sex or just the sort of dancing around/pigtail pulling that would be great. Threesomes with Rohan-- also acceptable! Hell, if you want to do an AU where they end up together instead of Sioned marrying Rohan-- or alternately, an AU end to the trilogy, where Ianthe never died in the fire and ends up taking over as High Princess and making the Desert monarchs' lives hell and discovering her powers. Or something where she knew about her powers all along. Or Sioned, I don't know, realizing she kind of did think Ianthe was attractive. I also really enjoy Pandsala, but I didn't find her dynamic with Sioned and Rohan quite as engaging, even though she also did some bad-ass stuff in the long run. Her weird push and pull backstabby, politicized sisterly thing was interesting, though. Extra Details: Okay, like I said, I think this series is the cheesiest fantasy series in the WORLD and in a lot of ways it's one of my first nostalgia fandoms. If you haven't read them, they are kind of ridiculously long (Like, GRR Martin-long), but they're quick reads despite that and rather less depressing than a lot of high fantasy. It's silly in the way that "adult fantasy" that takes itself way too seriously can be. A lot of the main protagonists actively enjoy each others' company and that's as much integral to the book as the politics and dragon-slaying. That said, I kinda asked for a semi-serious plotty story. But if you want to run with the "it's cheesy fantasy" and want to write about Ianthe rescuing princesses or Sioned running away to be a knight and abducting Ianthe away from her toxic father, or something silly, I say get down with your nerd self and run with it. I've only read parts of the second trilogy, and the second generation aren't really very interesting to me. If you want to write future-fic, I would prefer that it continues to focus on the original generation (no matter how much I love Andry, Pol just seems like kind of a jerk).

House of M - New X-Men: Academy X: Any The Series: I'm surprised it took me so long to nominate and request this fandom. I love New X-Men and was GUTTED when Decimation forced them into killing off so many of the characters. If you've never read it, New X-Men: Academy X was an X-Man title in the mid-00's, focusing on entirely new students at Xavier's Academy, being taught by the more established characters. Some of the New X-Men have managed to escape and become general Marvel characters in their own rights (David Alleyne, for example), but for the most part, they were just teenagers at school who rarely got caught up in larger plots. 616 New X-Men were about teenagers fighting, and coming to grips with the fact that they're being raised and taught to go sacrifice themselves for a Greater Goal. They're all wonderfully, horribly traumatized teenagers with powers. The plots were fleshed out and realistic, and when they weren't they were still interesting or fun. This request isn't technically for that. It's for the House of M megacrossover from 2009. Wanda Maximoff, mutant reality shifter and sometimes-crazy-lady, decided that mutants should run the world. SO THEY DID. And suddenly the lives of our young students become very different. Half of them after still "New Mutants", working towards peace, and the others are "Hellions", SHIELD trainees in a violently anti-homo-sapien state system. I've always felt that House of M as a narrative concept has been dismissed too easily by Marvel fans, because there are so many pieces of worldbuilding left unbuilt. I'm most interested in seeing it from the eyes of younger participants who are being trained or have been trained for their places. What does that world look like? New X-Men: Academy X can be found online here: https://viewcomics.me/comic/new-x-men-2004. The House of M crossover runs for issues 16-19. The Request: There's a lot here to play with because the authors never really got to play in either the Academy X OR the House of M sandboxes long enough to do all of their ideas justice. So I'm going to lay out some of the stuff I liked most about NXM in general and HoM in particular. The nom is for HoM, but I think HoM is most interesting in conversation with the standard 616 universe, alongside having the fun YA action stuff and the complicated interpersonal relationships. For example: in 616 Josh joined the Reavers and pretended not to be a mutant until he was confronted with Laurie nearly dying. I can imagine a bunch of different scenarios for House of M that would lead to where we see Josh and Laurie in the HoM comics (Laurie undercover with the New Mutants, and Josh working as an interrogator alongside Kevin). Laurie's introversion in 616 juxtaposed against her brazen treachery and clear control over her skills in HoM. HoM shows Kevin in a full decontamination suit, but we know in 616 that his ability is blocked by wearing synthetic fibers (I imagined this to be a interrogator scare tactic, but it could be any number of other things). Kevin and Josh's relationship in 616 is fraught, especially with Josh's previous experiences with anti-mutant activists and the fact that Kevin killed his father when his powers manifested. But they seemed to work together well in HoM. And speaking of Kevin-- how did his powers manifesting actually pan out in a universe where mutants aren't seen as a threat? I have to wonder whether there's some concept of "acceptable casualties" because some peoples' powers clearly manifest first in dangerous situations. Alternatively: Fluffy Josh/Kevin with a backdrop of torture, murder and state violence. I ship mostly Josh/Kevin because rivals-to-lovers and boy-who-kills-anything-he-touches/boy-who-cannot-be-killed is Great For Me. I also love the abuse of powers and manipulation involved in being interrogators/torturers(/murderers?) for the House of Magneto. They work together, they hurt people together, but maybe they also... smooch? THAT SAID! Adding Laurie to that ship is always a great way to fuck up and destabilize them! Especially in HoM, where we know she's already keeping secrets and can and WILL use her pheromones to fuck with people. And David! OH, DAVID. The only real New Mutant in this request. Does he have previous relationships with Josh and/or Kevin? I don't mind David/Noriko, but I also ship David with Kevin and Josh, and also Tommy and Teddy from Young Avengers, if you feel like exploring other parts of the HoM world. I have never considered David/Laurie before, but if you want to give it a whirl, I'm down. As for David-- His responses to state violence (as evidenced by the Hellions and SHIELD) are clearly different from the rest of the requested characters, and it would be interesting to explore David and his experience of this universe. Are his powers still restrained the same way? I know he supposedly dies at the end of the HoM mini-arc, but we never see them die, so feel free to write David managing to crawl off and plan to take down everything and everyone. A specific DNW for this fandom is Josh/Rahne. I don't mind the relationship having existed and impacting the characters, but only as a past relationship.

Extra Details:

SENSORY DETAILS. When it comes to magic and meta powers-- especially ones that aren't battle-oriented-- is what they feel like. What does it MEAN for David to be able to know anything someone else knows? What does the emptiness and fullness of it do to him? Josh's powers are all tactile and his body actively changes after trauma (in 616, first by turning him gold, then by creating black spots on his skin after he kills someone for the first time). Does his power always alter him, but usually in unnoticeable ways? What can he know and feel from a touch? Same for Kevin-- does withering sate a hunger, or make him feel worse? What would it feel like if he touched Josh? And Laurie... I'd love both her thought-process and the sensory details of what she's doing. Can she smell her own pheromones? Do they ever affect her? What does she feel like when she's manipulating people so subtly that they barely notice a passing smell? If you want to bring in other 616 knowledge and see what it looks like in HoM, that's cool. So is bringing in other HoM storylines. There's a throw-away line in Luke Cage's HoM crossover that the Runaways are known as an organized crime group. Cage himself runs a resistence cell (and given the end of the NXM crossover, David seems like he'd be willing to throw in with that lot). Young Avengers, the other New X-Men who weren't given much screentime in the HoM crossover-- I'd love any of that. Young Justice (Comics): Match, Tim Drake

The Series: Comics are confusing! This request is for the late-90s version of Young Justice by Peter David, which consisted of Robin, Impulse, Superboy, Arrowette, Secret, and Wonder Girl, along with others. It's very much a young-heroes-trying-to-make-their-way. Unlike the newer show, this Young Justice tended to be left on their own without much of a guiding hand. It was a very 90s comic, with very 90s fashion and a lot of nod-nod-wink-wink in-jokes. I love it because it's a series that always wore its humor on its sleeve. It's an affectionate look at young superheroes, and allowed them to react to teen problems alongside the more standard superhero tropes. There's the possibility for angst and darkness (and once they graduated to Teen Titans especially, that came up more), but they were allowed to be both hurt and upset AND fun and cheerful. The comics weren't available collected until last year (it took them TWENTY YEARS JFC), and it's well-worth buying from your local retailer, but you can also find them online here. The character I'm requesting first appeared in Superboy's solo series (starting in issue #35), which can be found here and again in the first volume of Young Justice: Sins of Youth. The Request: SO! I have always loved Match in the original YJ and Superboy comics, and the writers gave him really short shrift. We have a clone of Kon, who is as smart, if not smarter, can pretend to be Kon for extended periods of time— but every time he tries, people get hurt or die. I’ve always wondered how Tim felt that he literally couldn’t tell his best friend from an imposter. And then Match went and ran off and disappeared and no one ever seemed to consider what he was doing, after thousands of his/Kon’s siblings/clones were murdered essentially in front of him and the Agenda fell apart. (I’m not entirely surprised that Kon didn’t pay attention to all of those clones of him dying, but think about it from the standpoint of someone for whom those were supposed to be an army of his siblings. What a way to get survivor’s guilt.) Did Match go to Lex? It doesn’t seem like it, but given that as Kon’s clone, he’s technically Lex’s son too, it’s a possibility. Or alternately! He got himself out of the superhero game and did something else! What was it? I’d also love for a story about him wanting to be a super and have that family that Kon and Clark have, but being shut out of that world because he’s a “villain”. Or him getting that family after so long. Or him showing up at the Kents’ place because “fuck it, if Kon can have this, so can I” and it goes… well or poorly, depending on you. Or him finding his own family in a place that is separate from the who superhero thing, and Kon or Tim or Clark stumbling on him. Or Lex trying to use him— whether or not it works is up to you, although I’d love for it to touch on Match’s need to be part of something larger— after all, he was built and trained to be the vanguard for an army that was summarily murdered in front of him. Tim's refusal to even vaguely hint about his real identity during this time is fun too-- we have two boys who are both hiding their identities in different ways. It makes me wonder if Tim COULD have figured Match out, if the Sins of the Youth plotline didn't happen or was delayed somehow, because he seems to have all of the pieces of information. Or maybe Match-as-Kon was the only person Tim revealed part of his real name too, and has to deal with the ramifications of trust. Actually, Tim and the Issues Of Trust is the YA novel that I'd love to see Tim and Match (and Kon and the rest of YJ) star in. Bring back Mr Sarcastic (PLEASE bring back Mr Sarcastic) and Alvin Draper. Bring back the way that Tim hides by burrowing under identities and performances, and collects information on everyone he knows. I love detective stories and, out of all the Bats, Tim has always struck me as one of the best actual detectives, rather than crime-fighters. So Tim getting lost in a mystery will always make me happy. There's also something interesting about a group of young teens fighting for their own autonomy and identity. At this point in Tim's story, I think he was still thinking of the Robin thing as almost an extracurricular, and probably grappling with how hard it is on him physically, as well as mentally. So, I guess struggling for a coherent snse of self and agency are really interesting touchstones in this fandom. ALSO, MY DEEPLY HELD RARE PAIR FROM THE 90s: Tim/Match! See above, re: Match being present for Identity Crisis instead of Kon. I’d love Match to be trying to follow Kon’s footsteps re: Cassie, and being way more into Tim, which leads to Tim being confused and into Kon. Also any of the above prompts can include Tim (maybe Tim tries to help cushion a meeting between Match and Kon or Clark! Or maybe he just ends up Match’s sugar daddy. I’m down.) Although this request is ripe for dubious identity weirdness with Match pretending to be Kon, I'd really prefer that you focus on Match getting to be his own person, even if there's some pretending-to-be-Kon in there. Extra Details: This has been a lowkey love of mine for literally decades. My absolute favorite gift of all time was original pages from one of the Superboy issues where Match appears for the first time. And as I've grown older, my love for this rare, obscure character has deepened. Also, as I've grown older, I've begun to want more adult!Match, or growing up!Match just because the idea of growing up in the margins of superhero culture after everything that happened to him is really interesting. He was straight-up groomed and brainwashed, and then the Agenda was gone, so how did he cope? What is he doing now? What kind of adult does he make? This request is specifically for the mid-90s comic, so feel free to stick to that. But if you read the 2010-era Teen Titans and want to explore some later story choices-- like Match becoming Bizarro-like, Slade making him part of Titans East, or his fear that Jericho would hurt the Titans in his body, or save Match from Superboy-Prime, I'm not going to complain. (Personal headcanon time: I think Slade was trying to mind control Match with the same stuff he used on Rose, and it caused the Bizarro-like symptoms). I also love Elseworlds and mirror!verse stuff too. As I've said elsewhere in the letter, I really prefer Happily Ever After/Happily For Now stuff, and I prefer my bittersweet fics heavy on the sweetness. Please give Match the love and affection he's always deserved. But also, please feel free to make both Match and Tim HURT first.

#yuletide #dear yuletide author #no game no life #selector infected wixoss #wixoss #yoroiden samurai troopers #dragon prince #young justice #new xmen

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recentanimenews · 5 years

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Skyward: How Alicization Upends All Previous SAO Arcs

Lately I've been playing Final Fantasy XIV to prep myself for Shadowbringers. It’s a fantastic game, filled with intricate storylines, character development, and dramatic cliffhangers. It’s been a kind reminder of how fun and cool MMOs can be, and how it brings people together to enjoy each other’s companionship and efforts. It’s also been a great callback to the emotional journey of the recently ended Sword Art Online: Alicization, which is to be continued in just a few months time.

Sure, you say, Sword Art Online is an “MMO” story, but to what extent? And I would argue, you’d be right, up until Alicization. But what separates Alicization from any of Sword Art Online’s previous arcs is how grand in scope and storytelling it is. Whereas each arc was distilled into about twelve episodes or less, Alicization is a whopping two full cours—that’s nearly 50 episodes of content! It’s this kind of length that can seem daunting at first, but upon closer look, adds lofty support to the MMO narrative I think the series always tried to be. After all, a MMO does stand for massive multiplayer online, and Alicization’s depth and length matches the kind of audacious storytelling an MMO can have.

Part of this can be seen in Alicization’s concept. Unlike Phantom Bullet or Fairy Dance, where Kirito was entering the game to save a specific individual or investigate a terrorist, Alicization has the hallmarks of the first arc: Aincrad. He’s trapped in a game against his own will, and dying in the game definitely means suffering death in real life. Time also passes quite differently in the game as opposed to the outside world. While this sounds like a duplicate setup, Alicization however, adds a twist: Kirito has none of the support he’s developed in the past four to five arcs. He is completely and utterly alone, without any solid contact or connection to anyone in the world outside.

This kind of danger presents two fantastic opportunities. The first is that no one knows Kirito and his history. To other characters in the game, he’s just another poor farmers boy. This rips Kirito of the ridiculous and often overbearing list of achievements that made him so desirable (and hated), which led to weaker parts of the story, like his harem building. There is almost none of that in Alicization, and it is incredibly refreshing. It’s this erasure of already established heroics that reduces Kirito to a relatable human, making his emotions feel earned and natural rather than structured and inauthentic triggers for a more dramatic reveal or battle.

The second opportunity, and perhaps the most distinctive part about Alicization, is the development of two secondary characters, Eugeo and Alice. One of my biggest issues with Sword Art Online was how little depth the supporting cast often had. They were often created as checkpoints for Kirito to progress through a game, only to be sidelined as a harem-like addition. This improved in certain arcs (Rosario’s Yuuki for instance, is a compelling character that stands outside of Kirito’s heroic narrative, and I think Sinon’s recovery from trauma in Phantom Bullet is definitely more compelling than most), but it’s really Alicization where secondary character development shines. Alice originally starts out as a captive of the corrupt system, and is even brainwashed to fight her own childhood friends. But through her own determination and strength, she breaks out of it and comes to make decisions for herself. She’s also on par with Kirito, and expresses no romantic inclinations towards him so far, just simple friendship.

And Eugeo. Eugeo is easily one of Sword Art Online’s best decisions: he’s a fantastic foil to Kirito’s bravery and determination. Eugeo is kind, and with that kindness comes weakness, vulnerability, and honesty: things Sword Art Online have lacked in spades for a long time. What starts off as a journey with Kirito transforms into a story where we also travel with Eugeo, and nothing shows this better in the arc where they’re split off from each other and we see where that contrast in character leads to two very different developments.

We see Eugeo fall (and it is so important that we do, in a franchise where heroes only rise). We see him pick up his weapon against his most beloved friend, and we see him cast it away again so easily, to defend that same friend. It’s dramatic, but it works so well: we’ve walked with a character completely different to Kirito for twenty four episodes, and we watch him end in tragic and heartfelt manner as he dissipates into pixels in Kirito’s arms. It’s a brutal reminder that despite how human he was (and he was probably the most human character in the franchise), Eugeo is ultimately a product of a game, and his life is only given so much meaning—as much as we can ascribe to it.

From there, stakes rise further. Sure, Administrator is finished, but there’s still a whole another war to survive, and we have lost a dear friend. Kirito’s life hangs in the balance, with this, Alicization reminds me so very well of the end of an expansion in any MMO: emotional catharsis, but at a great cost. I couldn’t be more excited for War of Underworld.

That’s not to say the first half has had its faults. Sword Art Online still relies on domestic and sexual violence as a case for heroism, and its long winded dialogue for world building could do with a lot more trimming and diversity. Despite these issues, Alicization has consistently proved itself to be a compelling story about MMO-style adventure, encompassing many of the traits that I feel make an MMO worth getting into. And no one better encapsulates this than Eugeo, a boy that started off as just another NPC, only to gradually develop into one of the franchise’s best characters.

We may not know what’s in store for us without him to aid Kirito and Alice in War of Underworld, but it’s safe to say that his death has paved a far more interesting story with higher stakes as Kirito must not only navigate out of the game, but also save it: a more exciting, complete story than any of the ones from before. If you feel like Sword Art Online has lost its emotionally affecting touch that it might have once had, I can confidently say that Alicization is a perfect place to jump right back into.

Are you looking forward to War of Underworld? Do you have any theories for what will happen next? Let us know in the comments!

____________________________________________________________________________

When not finding ways to doom all her ships, Natasha can often be found on her twitter as @illegenes, or writing more about anime on the blog Isn’t It Electrifying! Feel free to swing by and say hi.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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toonstarterz · 6 years

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BECAUSE I’M NOT POPULAR, I’LL READ WATAMOTE: CHAPTER #147

In today’s chapter, Watamote goes back to its roots as we find Tomoko hankering for some alone time. But you’d be wrong if you think it’s going to be that simple. Because underneath all the nostalgia moments lies what may just be the most crucial development that Tomoko has ever undertaken, and it’s the type of growth that could’ve only been realized by taking a quick trip down memory lane.

Chapter 147: Because I’m Not Popular, I’ll Wander Around Alone

Oh hey, it’s that one male teacher who’s made periodic appearances throughout the series. Thank you for being there during Tomoko’s character establishing moment.

So Wada is pretty good at English, huh? So not only do they both like manga, but Tomoko and Wada are also knowledgeable in the same subject. How nice.

Better break out the pitchforks.

A common social “rule” in Japan is the emphasis on being able to read the room and reciprocating that atmosphere, or at the very least, not rock the boat. Tomoko has never really supported or condemned that notion, though unlike Yuri, is more likely to go with the flow. As someone who lives in a culture that discourages group mentality, it’s nice to see a character like Tomoko benefit from it.

Cliques? What high school cliques? All I see is a group of distinctly unique girls organically enjoying each other’s company.

This first-person POV shot looks straight out of a harem manga, only more authentic and devoid of cattiness.

Let it be known that in this moment, Tomoko actually does break the mood. For the first time in as long as I can remember, Tomoko finds herself in a social situation with little risk, but actively breaks away from it in favor of alone time.

With that, the seed of Tomoko’s greatest epiphany has sprouted.

Not in the mood to binge through twenty volumes this time, huh?

Boy does this take me back...

Compared to Tomoko’s first solo trip to Not-McDonald’s, it’s amazing to see the way she’s changed alongside the ways she hasn’t. Her anxiety is 95% gone, with the remaining 5% accounting for general uncertainty, hence the very brief stuttering. Embrace that 5% Tomoko–that’s all you.

Introvert Problems #051: Activities that are individual in nature double as recharging opportunities, but can come off as unfriendly if openly pursued.

Okay honestly, this is the type of growth I’ve been low-key hoping for since the very start of the series. Tomoko has finally realized that a desire to be alone is not something she needed to fix, but to accept. For the longest time, she didn’t realize a large part of her alone time was because she craved it. It brought her comfort, even if she didn’t want to believe it. And it took having a considerable amount of friends (whose companionship was definitely necessary) for her to understand that she didn’t want to get rid of being alone.

She wanted to get rid of being lonely.

Professional slacking. Otherwise known as, putting in the bare minimum effort to avoid future hardships.

Nom.

I’m sure there are various theories for both perspectives, but I think the main takeaway is that food tastes the best when you’re in your comfort zone. Whether that includes company for not is based on your personal preference.

Indeed, it is. This is none other than the class representative of Tomoko’s second year, Girl-With-Awesome-Hair. Naturally, taking up two whole panels is a clear sign that this isn’t the last we’ll see of her.

Ah, yes, the classic “normies suck” self-fulfilling prophecy–other people are jerks, and that’s why I’m alone. Tomoko was guilty of having this perspective, but she didn’t really recognize it until the first cafeteria chapter with Nemo. That was the point she realized that all those “popular” people are genuinely nice people. It was jarring at first, but once Tomoko got used to people being nice to her, she stopped perceiving that kindness as some kind of exception, and just took it as normal behavior. While alluding to the possibility of getting shit-talked behind her back is more of her realism at work, it thankfully doesn’t fall too deep into self-destructive cynicism.

Could it be that Tomoko’s recent friendships are subconsciously making her pursue more public activities even on her loner vacation? You better believe it.

Tomoko’s become quite financially savvy lately, don’t ‘cha think? It certainly beats spending $150 on a whim for a Vocaloid.

I cannot think of any other nickname that suits her better.

For a girl with the single most stylized face in the series, her entrance in this chapter sure makes an impact with the way she strikes such an alluring pose. Of course, that’s the joke, ain’t it?

It would seem that we’re getting a “doesn’t-care-what-anybody-else-thinks”-type of character for her. Well, she’s a competitive gamer as we soon learn, so not giving a shit about her social status is kind of a prerequisite.

I honestly did a double-take at this, as it’s the first time Tomoko has addressed Yoshida in her mind by her real name instead of “the delinquent”. We’re just a hair’s length away from reaching official “friend” status with these two.

Aw, that’s adorable. Tomoko actually sort of cares about Yoshida’s financial wellbeing. I’ve also noticed a bit of a trend with Tomoko in that she gets “terrified” of her friends breaking her expectations of them, even if they’re not doing anything that terrifying. In Yoshida’s case, I think that’s partly because Tomoko has a bit of a superiority complex that would get broken if Yoshida was a better person than she likes to believe.

Tomoko’s nicknaming game is on point today.

It was hinted before that Futaki may be popular with the boys what with being a “gamer girl” and all. While it’s still a little too early to confirm or deny that, the fact that most of the onlookers here are guys has to count for something.

I remember when fans gave her the name “Potential-san”. Given where this chapter is headed, I think that name fits even more with Futaki’s blooming characterization.

It’s amazing how much of their personalities you can see in this single panel. Yoshida is all easygoing, grasping her drink from the top all aloof-like. Reina is the toughest, taking a quietly aggressive stance with her elbows on the table like a boss. And Anna is the most inviting, smiling with a crêpe in her hand to signify her (relative) sweetness.

I find it fascinating that Anna can say some pretty rude things that borderline on mean, but it never really comes off as malicious (or is it just me?). She gives off that vibe of someone who mercilessly teases people in a way that’s “all in good fun”, and I hope to see more of that side to her.

First off, Tomoko being a full table’s length away from the scary delinquents is gold.

Second and not to beat a dead horse, Anna’s a cool chick.

I think I’m gonna need to call upon the Council of WataMote Fans with Too Much Time On Our Hands for this. Why exactly is that name so unusual?

Of course, Anna wouldn’t be part of the delinquent squad if she didn’t shit-talk every now and then. But as I said before, she has this style of going about it that feels more like brash innocence than deliberate antagonism. Maybe it’s the heroin eyes...

Other than that, she does imply that she’s the smartest of her group, though whether that perception is actually reflective of herself isn’t certain yet.

More of Tomoko’s superiority complex at work here. All she really knows about Futaki is that she plays games, and is assumedly a slacker. That fact that she still managed to outscore her must’ve been quite the blow to Tomoko’s insecurity. The only thing “worse” is if even Yoshida managed to rank higher than her.

I love dialogue gags like this, though usually the characters’ inner words are in parenthesizes in-between their actual spoken words. If Tomoko actually lowered her voice at the word “lower”, that’d be humorously sad.

It got “worse”.

Because a superiority complex actually requires a deep-seated sense of inferiority, Tomoko must be hella blown back right now. Grades were one of the only things she could feasibly claim dominance over, but now that she’s about to be usurped by the supposedly dumb delinquents, she only has her otaku interests to fall back on, which...isn’t always something to brag about.

Also, I especially like how Tomoko has started to compare delinquents to the yakuza. You know both would beat the tar out of her if they heard her compare them to the other.

You know, it makes perfect sense that Tomoko would be a top scorer in Japanese, English, and History. Since she’s such an avid reader (even if it is only manga and light novels), all that extra literature has most certainly been indirect study material, even if the actual course material isn’t nearly as lewd.

Additionally, slackerism loves company.

Yeah, if it wasn’t already abundantly clear than Reina is the delinquent among delinquents...

...she is.

Rekt to infinity.

But you know, this is actually an ingenious way to develop a gag character like Futaki. Her apparent gaming skills have always been played like a joke, but by having it be her long-term goal, it restructures that “quirk” of hers into a fleshed out personality. It doesn’t invalidate anything we’ve already seen from Futaki, and it neatly sets up a direction for her character to take.

I imagine Tomoko must feel pretty betrayed right now. She herself entertained the idea of being a gamer, but discarded that dream likely because it wouldn’t be a “proper” job. Now that she sees this girl she hardly knows who apparently has the luxury of making that dream a reality, Tomoko’s envy levels just skyrocketed. Sure, Futaki has no loyalty to Tomoko, so that sense of betrayal has no basis, but like how Akari felt about “angelic” Komiyama in chapter 108...

“...this just isn’t fair!”

I’m getting a Crazy Rich Asians vibe from this girl.

So Reina’s the competitive type, huh? I can dig it. It generally fits with the whole “eyes-must-not-be-seen” aesthetic, but it also explains why she and Yoshida have that “vitriolic best buds” relationship going on. I’d imagine that Reina’s the type to bet high stakes if she can get away with it...

Just ice cream? Eh, no big loss. Unless it’s chocolate chip mint, then it’s a very big loss.

I wouldn’t exactly have these rankings as indicators of their skill level, since mahjong does involves a bit of luck and certainly reading your opponents. While it’s surprising that Futaki ended up in last place, I think it does help to nerf her power level somewhat. Shiro from No Game No Life she is not.

Careful, Futaki. That’s no excuse when you’re looking to be a professional gamer.

I must say, having Futaki unofficially join the delinquent crew is the last thing I would’ve expected, but it’s a delightful surprise nonetheless. They have some pretty good chemistry what them all being slackers/gamers. Plus, Futaki’s strange, but odd cuteness adds a dynamic that the delinquents were lacking until now.

Delinquents may be delinquents, but they always know how to have a good time.

Ho ho! So Nemo has officially been indoctrinated into their group? That poor, poor girl.

Council! I require your guidance! Is Haruna the last name for Anna? Or did Tomoko just get her name wrong! I must solve this conundrum at all costs!

If you try to tell me that Yoshida isn’t absolutely gorgeous in this shot, then you’re a big, fat liar.

Looking back on this chapter, Yoshida didn’t actually have many notable lines until this moment. But this single bit of dialogue greatly makes up for it. This is the very first time that Yoshida has personally offered to hang out with Tomoko without any sort of coercion or reluctance. It’s the most damning evidence we now have that says Yoshida now openly views Tomoko as her friend. As a long-time reader, I couldn’t feel any more proud.

In comic book terms, we call this The Negative Space of Melancholy.

And really, wasn’t that the “goal” of this series all along? Making friends wasn’t the real endgame. If it were, it very well could’ve betrayed what makes the series so special, hence why Tomoko’s growth was so agonizingly slow. Tomoko is, was, and always will be a loner. It was just a matter of time before she could make the most out of that status.

It wouldn’t be a chapter about Tomoko’s growth if she didn’t wax lyrical about her current situation.

Even if self-satisfaction about being a loner is the “goal” of this series, reality is hardly so linear. As this chapter shows, Tomoko finds herself inexplicably drawn to social situations even when trying to avoid them. Not intentionally, but out of a natural, subconscious attraction to them. Tomoko’s life is a series of circular ebbs and flows. She’ll gain something at the cost of losing something else, only to regain a variation of what was lost once what was gained becomes stagnant. Such is it the path to making connections. While the hoops in Tomoko’s development appear drastic close-up, her life is a slow, naturalistic mountain climb when viewed from on top.

#watamote #watamote review #chapter 147 #no matter how i look at it it's you guys' fault i'm not popular!#tomoko kuroki #yoshinori kiyota #wada #asuka katou #mako tanaka #kotomi komiyama #yuri tamura #hina nemoto #akane okada #futaki shiki #masaki yoshida #anna haruna #rena #review

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forthegothicheroine · 6 years

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Kamigami no Asobi recap, episode 5: Yui, Fighter of Gods

I’m resuming my recaps, now that I’m thinking about dating games/anime anyway! For those of you just joining me now, Kamigami no Asobi (which seems, from my investigation, to translate to “Mischief of the Gods” or “The Gods at Play”) is about Zeus abducting a teenage girl and forcing her to go to high school with a bunch of classical gods (whom he has also abducted with the help of Thoth.) She’s been doing her best to make friends with all the grouchy deities and have tender moments with as many as possible, even though Balder and Apollo have somehow decided they’re dating her based on only a couple conversations.

As a reminder, the following are features in these recaps:

Ragnarok Clock: How much closer is each episode getting us towards the flash-forward to Ragnarok in the first episode? Represented by the Watchmen clock with an extra snake hand.

Where is Odin? I feel like Odin should be here, but he’s not. Thus, I guess each episode what he’s doing instead.

Team __: Which heavenly consort I think Yui should go for in this episode.

Does Thoth push Yui up against a wall? It’s a thing.

Ready now? Good.

This is a Takeru episode, and I know very little about Japanese mythology, so I’m running off to wikipedia before this recap. Turns out he’s more widely known as Susanoo-no-Mikoto, god of storms and the summer, which explains his tiny speedo in the beach episode. He feuded with his sister, goddess of the sun, and was banished to the Earth where he had a series of heroic adventures. In this show, he looks like green Naruto.

Anyway, green Naruto doesn’t want to join any after school clubs in this farce of a high school combined with an existential prison, but Apollo thinks he needs a good dose of school spirit. Dionysus correctly points out that clubs are more fun than actual school- come to think of it, why isn’t Dionysus president of the drama club? That should be his whole deal! Anyway, moving on.

In the library, Thoth is doing what he loves best- pushing Yui up against a wall and demanding to know why she, a mortal shrine maiden, is not making a bunch of gods bow to her will. He refers to “the bimbo” (Balder), “the idiot” (Apollo), “the gloomy one” (Hades), “the imbecile” (Tsukito), “the drunk” (Dionysus), and “the dunce and the beanpole” (one of which is Thor and one of which is Loki, but they’re both skinny so I’m not sure who he means by which insult.) Come on, Thoth, not everyone can be the god of being brilliant. You don’t have to condescend.

Takeru is practicing EPIC HERO SWORDFIGHTING in the forest with a stick when Yui finds him. He engages her in some standard tsundere ‘you don’t actually care about me’ banter, but at least she finally tells him to stop calling her Weed. Yui’s horrible Zeus-given ragdoll abomination tells her to keep trying because the more a guy hates her, the more exciting it will be when they finally get together!

Don’t take advice from ragdolls given to you by Zeus, people.

Bad advice aside, Takeru and Yui actually do bond when he finds out she can use a sword. (It was one of the first shrine maiden things we saw her do back in the first episode, and she keeps periodically practicing throughout the show.) Specifically, she’s practicing the art of drawing out her sword, which as I understand it is the key mechanic in the game Bushido Blade. Plus the old guy in The Seven Samurai killed his sparring partner just by drawing his blade faster, so I believe it. Again, all this seems much more useful for Ragnarok prepping than high school shenanagins.

Takeru agrees to join a club if Yui beats him in a duel, which is a very anime way to resolve things. Yui agrees to hold an EPIC BATTLE against a LEGENDARY MYTHOLOGICAL SWORDSMAN to get him to join a SCHOOL CLUB and this is actually kind of awesome. I can see why people label Yui as one of the best reverse harem genre protagonists; she’s not just a blank slate, she has her personality and her pride. How many other reverse harem protagonists would duel a god to make him join a club?

He wins the first round because, again, legendary swordsman, but he’s also impressed that she didn’t run or show any signs of fear. He demands that she train more in order to fight him, and what if this show just turned into Dragon Ball Z as of this episode? It feels like a real possibility.

He runs her through some Rocky Balboa/Tonya Harding endurance and strength excercises as Hades watches jealously. Too bad, Hades, you got your shippy episode already. At least he’s not kidnap-prone in this adaptation. It’s a cool scene, even if a lot of it is static shots, and if I had video editing softward I’d want to do an old school AMV of this scene set to I’ll Make a Man Out of You.

They even go running in the rain, leading to her slipping and pitching off a freaking cliff. Takeru dives to save her Spiderman style, and it works out a lot better for Yui than it did for Gwen Stacy.

And then he has a flashback of his sister and explodes. What?

Suddenly, Takeru is super buff and dressed like Conan! It’s an improvement, even if his hair still makes him look like green Naruto. He’s earned back the divine powers that Zeus and Thoth stole from him, now that he has learned to empathize with humans. (Did I already mention that’s a weird moral for Zeus of all people to be teaching? Because it is weird.) Zeus is nothing if not inconsistent, however, and punishes Takeru for doing exactly what he was supposed to do. He gets put in a floating energy ball and there’s a pun about him being “suspended.”

Zeus threatens to expel Takeru from the school-prison, which is...exactly what Takeru wanted at the beginning of the episode, so it’s not much of a punishment. Loki is the only one who picks up on this, asking if he can also get out of this by flunking everything. But no! Those who are expelled get turned into eternal statues! This is bizarre, but at least it leads to a great imaginary moment for Loki

And woah, are we calling the guy Zeus-san now? What happened to Zeus-sama? I’d be polite and deferential as all freaking get out around Zeus if I were Yui.

Yui and Takeru get an angsty scene where they both try to shoulder the blame for what happened. Tsukito pops in to explain Takeru’s PTSD from having once seen a goddess fall off a cliff and then got unjustly blamed for it. I don’t know this myth, but we are starting to set up the idea of explaining away the gods’ most heinous actions, which I’ll be able to talk about with (slightly) more authority when we get to The Great Cassandra Retcon. But that isn’t for another couple episodes.

“Everyone always judges us based on the outside appearance”, laments the guy who looks like green Naruto.

Apparently Zeus didn’t actually know that the gods could break their shackles if they felt sufficient emotion, which seems like a pretty big thing to have overlooked. Turns out Takeru having that flashback and exploding caused an earthquake and destroyed part of this pocket dimension, which I’ll grant is a big problem, but still not justification for punishing the guy for doing what he was supposed to be doing. And did I mishear, or did Zeus just refer to himself as -sama?

Takeru tries to swallow his pride and apologize, but Yui (correctly) interrupts and says he has nothing to apologize for. Right to Zeus and Thoth’s faces! Wow! Yui should be starring in the next God of War game! She makes the same point I’ve been making, that learning to care about humans and feel their emotions is exactly what they’re all supposed to be doing. The other teen gods rally around her as she yells at Zeus that he’s the one who needs to learn about humanity and control his emotions, and I think Yui is about to actually overthrow Olympus (Hades makes it clear she’d have his backup) when Zeus finally backs down.

For a Japanese show involving Greek and Norse gods, that was a very Abrahamic episode.

Ragnarok Clock:

Same as last time, as the Norse gods were pretty quiet this episode.

Where is Odin? Odin is on an artisinal mead-tasting tour of craft breweries during this episode.

Team __: Team Takeru, surprisingly. That sword training montage was hot.

Does Thoth push Yui up against a wall? Yes, against a bookcase!

#anime #kamigami no asobi #mythology

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animereviewsandotherstuff · 6 years

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Top 5 anime of 2018

Pop Team Epic

Anime as a medium is something that allows for great experimentation and artistic expression that not every delves into, and that is ultimately okay. Not every show has to be something new and exciting. But then there comes a show like Pop Team Epic. A 4-koma manga that takes the slice of life genre and plays with it by adding absurdist ideas and a healthy dose of meta humor. A manga like that is not something I would ever expect to see adapted into anime. The jokes are super quick and sometimes work on anti-humor, the art is simplistic on purpose, and there is no story just gags. But I am very happy someone had more foresight then I did and just adapted it whole hog. This anime takes what it means to be an anime and turns it on its head. The first episode started on a completely different generic anime about a guy and idols and a possible harem and immediately swerves into the show proper. Every show ended with a preview for that fictional show. The ending theme was sung by different people every episode. The who was only half the run time and then it would run again with a different set of voice actors, swapping from an all woman pair to an all guy pair. Sometimes this would change whole jokes as the voice actors would make different choices. They would swap between different art styles and redo whole segments between episodes swapping between Pop Team Epic proper and Bob Epic Team. They had a segment all in french, animated in a third completely different style from the previous 2 which cost a ton of money to make and was written by a french intern who never read the series or something. The last episode had a live action pop singer bring the one of the main characters come back to life. This show was beautiful. It was a true work of art with layers of meaning and references, an experimentation of what an anime could be. Not every show should be this, but more shows should be able to just go wild with what an anime could be. Or maybe I was just thinking of Hellshake Yano.

Yuru Camp

There is a genre of anime I like a lot even though I usually know the return on investment for watching them is not super great. The best way to describe this genre is “the author has a very specific hyper-fixation and wants to write about it but doesn’t know how, so makes moe girls talk about it instead.” This is a very hit or miss genre but sometimes a show will come out of it that will stick with me forever. And Yuru Camp is one of those shows. Yuru Camp is a show all about girls camping. The authors love of camping really comes through, as the characters talk about the rules of camping and how to do it safely, and about how expensive the gear for camping is. The conversations the characters had felt surprisingly natural. Some of the back and forth the characters had felt like a conversation I could have with my friends. The best part about this show was how relaxing it was. This show was a calming breath. It was a show that knows how to set back and let a scene breath, like you are one with nature, fitting for a camping show. There is another genre of anime I like that can be hit or miss, known as healing anime. Healing anime are soft, kind, relaxing shows that are like chicken soup for the soul. Yuru camp is like that. It is relaxing and kind and made my day every time I watched it. But the most impressive thing this show did was make me, someone who hates nature and being in nature, actually consider camping for a few seconds.

Cells at Work

I am not someone who enjoys the intricacy of the human body. It is a gross thing we are all forced to live in. so when this show was first announced I had a bit of trepidation about this show. I don’t like watching the workings of the human body, it makes me uncomfortable. But this show was really was able to get past my initial discomfort and make the human body something interesting and more fun. The story of the human body as told from the perspective of the cells who help run the body was perfectly told. It makes you sympathetic for your blood, fighting against the germs and diseases we come into contact with, rooting for the red blood cells who deliver your oxygen and the white blood cells who protect you, and makes you intimately familiar with your lymph nodes, and sweat glands. I really appreciated the small arc involving cancer of all things. Cancer as told from the perspective of the cells is really interesting, watching there fellow cells not become infected but born so, and the necessary need to kill them coupled with the inherent want to protect the body is an interesting perspective to take. It is not saying cancer is good or anything ridiculous like that, but it is just a perspective I was not expecting and one that led to an interesting story. The anthropomorphizing of the body and its cellular interactions was clever and engaging and made this a show I was glad to watch.

Planet With

I am not the first person to say this but this was the best show to come out of 2007. Everything about this show felt like a throwback to a very specific era of anime. A story about giant physic armors controlled by young teens and young adults fighting against aliens, the reversal of who were truly the good guys and truly the bad guys. The larger themes of why one should fight and shouldn't fight, of growing up and reality being greater then any passive but beautiful fantasy, all fit into a show from a decade ago. Even the maid girl and the giant cat alien and the high school club for people who like supernatural stuff, the transfer student with amnesia being the main character, all of it fits a show that could have been a 52 episode series with slow reveals and mysteries and filler beach episodes. But instead this show was a tight 12 episodes. Each episode packed so much information and plot and action, it feels like watching more then your actually getting. It is concise but the emotional impact of every reveal and every hit is perfectly done. The best show of 2007 was also one of the best shows of 2018.

SSSS Gridman

Tokusatsu and anime are two great tastes that seem to rarely come together. It might be that there is something lost when live action goes to animation, at least when tokusatsu does so. Something intrinsic about tokusatsu, something that is fundamental to it, doesn't always survive the jump. This cannot be said about SSSS Gridman. This show captures the spirit and heart of tokusatsu shows and takes it to another level. It is a love letter to tokusatsu as a medium and to the original Gridman. The fact that the title of the show is a reference to the American adaptation, Super Human Samurai Syber Squad, alone shows a knowledge and love of the material. But at the same time I never felt the show was bogged down by references and external knowledge. Yes there were millions of references to other tokusatsu series, mainly Ultraman but not Ultraman alone, but you didn’t need to have an encyclopedic knowledge of Japanese live action shows to enjoy the show. They enhanced but never detracted in my opinion. Same with the fact that the show itself is a sequal to the original Gridman series while still standing entirely on its own. If you never watched the original you are fine, but it is enhanced so much with that knowledge. And the ending had me in tears. I don’t want to spoil anything for these shows but like many tokusatsu series finales this one too made me tear up slightly. Truly a show I will carry with me into the future.

And those were my thoughts on the year of anime. This of course isn’t counting tokusatsu I watched but I love Kamen Rider and Super Sentai enough that they would be a permanent place on this list, so its only fair I keep them off. There was a ton of good shows other then these five, but I am looking forward to the new year ahead. So until next time, keep on watching.

#ssss gridman #yuru camp #pop team epic #year in review #anime review

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emritcheson · 6 years

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Is Mortimer Beckett and The Book of Gold Really That Bad?

(Full disclosure: this post contains mild spoilers for discussion’s sake.)

So I am a big fan of the Delicious series and the many spin-offs that have launched from its universe, now formally known as GameHouse Original Stories. Yes, they sometimes seem like they’re hyper-marketed at that Hallmark Channel crowd, but they are the cream of the crop of modern casual games, I promise. That said, not every game that comes out of GameHouse Studios is a masterpiece. But just because it’s not a masterpiece doesn’t mean there isn’t good to be found or fun to be had.

Enter Mortimer Beckett and The Book of Gold, released in 2017. For those unaware, Mortimer Beckett was not originally a GameHouse IP, instead starring in his own series of hidden object games developed by Paprikari from 2007 to 2012. I played the first in the series, Secrets of Spooky Manor, and dabbled with others, but I am by no means an aficionado on Mortimer Beckett lore. Actually, I’m not big into the hidden object genre period. I can tell you, though, that this game feels very different to the traditional Mortimer Beckett series. Paprikari still worked as the developer for Book of Gold, but the overall style and flavor is extremely influenced by GameHouse.

I can only assume GameHouse acquired permission to use Mortimer’s character around the same time they acquired Sally from GamesCafe’s Sally’s Salon series. These were two fairly well-known faces in casual gaming for many years, and for those characters to suddenly be picked up by a new company and breathed new life was a strange move to witness.

Not to say it was a bad one. I was an am a dedicated Sally fan and Sally’s Salon - Beauty Secrets blew my expectations out of the water.

Book of Gold on the other hand...well, that’s why we’re here.

Before I even played the game, the first things I noticed were the consistently negative ratings it received across distributing websites. Now all things considered, I wasn’t expecting perfection, but these scores were abysmally low. I thought, “it can’t be as bad as that, right?”

And after playing through the whole thing in one night, I will proudly go on record to say that this game does not deserve these low ratings.

Buuut it’s not perfect, either.

So let’s talk.

First, the elephant in the room - the gameplay itself. As previously stated, Mortimer Beckett is a hidden object series. GameHouse is best known for their time management games that occasionally have hidden object mini games sprinkled through the levels. Mini games and main gameplay mechanics are two very different things, mind you.

That said, I think the translation of the gameplay went very well. Better than I was expecting, at least. You’re given a scene in which you must find pieces of different objects that will help you in your current situation. Then, once those pieces are put together, you can use those objects in the scene to complete small puzzles. Even with my limited hidden object experience, I can tell that this style of finding pieces of things is quite unique.

In fact, this was my biggest complaint back in Secrets of Spooky Manor: the pieces that some objects broke into seemed arbitrary and unnatural, making it harder to find what I was looking for. In Book of Gold, the objects are broken up where they naturally have different “sections” (for example, if you’re looking for a screwdriver, it would be in two separate pieces: the handle and the bit) and gameplay is smoother as a result.

There are also three different kinds of challenge levels throughout the game in which you have to complete certain tasks within a time limit. These provide a nice sprinkle of adrenaline rush as the main levels have no time limit and you’re welcome to stare at and contemplate them as long as you wish. So all in all, the gameplay is pretty solid.

Let’s discuss the plot. Mortimer Beckett moves to Snuggford after inheriting a museum from his Uncle Jerome (a staple character of the series until now, I understand). In his last letter, Uncle Jerome mentions something called the Book of Gold which apparently possesses mystical qualities, and warns Mortimer to keep it safe.

Even as someone with very little preexisting attachment to this character, I found Mortimer very charming and enjoyable, in that “I don’t really know what I’m doing but I’m going to make the best of it anyway, and probably embarrass myself in the process” kind of way. It was also refreshing simply to play as a guy, as GameHouse Original Stories pretty much exclusively feature women protagonists.

Speaking of which, while this is happening, Kate O’Malley (Delicious Emily’s sister-in-law) is having something of a life crisis and desperately looking for some kind of adventure to get her out of her “boring” hometown.

This is good for two reasons. One: Kate is a character seen very little of in the Delicious series. Other than she’s Patrick’s sister and she used to work as a perfume salesgirl, we didn’t know much about her until Book of Gold. The writers really gave her some agency this time around, where previously she felt kind of cardboard. And two: Snuggford is often viewed as a very idyllic small town with emphasis on supporting local businesses and fostering community with others. It’s oddly refreshing to see a protagonist character have a negative view of this place.

Anyway, the two run into each other, shenanigans ensue, and an adventure does indeed begin.

Now if GameHouse is known for anything besides time management gameplay, it’s their heterosexual romantic subplots. And as much as I was hoping for a platonic partnership this time around, I have to say I ended up liking Kate and Mortimer more than I expected. It is a bit tropey and shoved down your throat at times, but I think their personalities play off each other quite nicely - Mortimer the somewhat bumbling scholar and Kate the confident risk-taker. In the end I was genuinely rooting for them.

The story itself as a whole is...fine. Not amazing, not terrible, but fine. It has good intentions but, as I said, falls into tropes and shenanigans rather than raising the stakes. And when the stakes are raised, it fails to explain why and generally lacks urgency.

The best parts of the story in my opinion are the more character-driven scenes. Stemming from Kate’s desire for adventure, there is an underlying emotional theme about whether or not you’re satisfied with your life and where you are in it. I think this is handled better than the immediate plot, but could still use some tweaks. Overall, the writing has the same wonkiness I would expect from any story that hasn’t truly found its groove yet, but it does enough to keep you intrigued.

I absolutely cannot knock GameHouse for trying to do something new, especially in this cash cow of a universe they’ve built for themselves. They’ve been using basically the same formula for the past ten years or so, and it makes sense that they would want to branch out into other things while still attracting their core audience.

Unfortunately, this game has some very apparent growing pains.

My biggest issue without a doubt is the art. It’s inconsistent, there’s no other word for it. Some sprites are completely 2-D, others are completely rendered in 3-D. Sometimes it’s 2.5-D. Sometimes it’s 2-D heads stitched onto 3-D bodies. Some characters look very disproportionate when standing next to others. Not to mention a lot of reused assets from other games. I can’t show it for spoiler reasons, but there is a scene near the very end of the game where the character cutting-and-pasting is so painfully obvious and so sloppily done that I almost had to close my computer and take a lap around the house to compose myself.

Also, this game has far less music than I expected. Despite a swingin’ noir-style theme song written by Adam Gubman, most cutscenes carry out with only generic background white noise for company. And let me tell you, when a dramatic scene is going down and the only thing you can hear is the muffled voice of an airport intercom? It feels wrong. And also lends to that lack of urgency I mentioned earlier.

And as much as I hate to, we have to talk about the “exotic” themes.

For the most part, I would describe GameHouse as having “lukewarm sensitivity” to cultures that are not North American or European. They have good intentions and for the most part their characters are pretty well rounded, but their research still leaves a little bit to be desired. I think the Inuit tribe from Delicious - Emily’s Hopes and Fears is the best example of what I’m talking about.

However, I would not put Book of Gold in that same sensitivity tier. During the third chapter, Mortimer and Kate travel to South America (it’s never specifically stated but since Machu Picchu is clearly visible in one of the scenes, it’s pretty safe to say they’re in Peru) and end up getting lost in the jungle. Kate is more or less kidnapped by a group of natives, whose leader speaks what can only be described as “cave man English” and invites her to join his harem. When she refuses, he threatens to kill her if she doesn’t complete the puzzles set before her. Then, when Kate manages to escape, the tribe leader leans over to one of his guards and says, “Those tourists are so gullible,” indicated that it was all an act. I still have no idea what to think about this entire section.

There’s also a great deal of Arabian influence in the second half of the game, as the main villain claims to be a sheikh, but I would say that it’s more there for visual interest than anything else. The side characters you meet in this arc aren’t particularly memorable, and aside from avoiding a sandstorm and racing camels at one point, the desert setting is just kind of...there. It’s not as bad as it could have been, but it certainly wasn’t doing the game as a whole many favors, either.

To wrap this up with a bow, if you disliked this game simply because it was different and not the “signature GameHouse experience” you’ve come to expect, I feel sorry for you. If you disliked this game because it doesn’t feel as polished as it could have been and the graphics are a bit of a train wreck? Yeah, I get you. But I still found this game enjoyable despite its flaws. And if you’ve been avoiding this game because the bad ratings scared you off, pull on your big girl panties and manage your expectations.

I really hope that GameHouse sees Book of Gold as a learning experience and not a failure, because I think there’s some genuine potential here. With some tweaks and polish (and clearer art direction), I would happily accept another game like this.

#mortimer beckett #gamehouse #gamehouse original stories #hidden object games #game review #original article

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childofaura · 5 years

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Rating the anime I’ve watched in 2019: A really short list

Kinda just felt like doing this, 2019 has been a REALLY interesting year in anime. I didn’t watch a whole lot of stuff, but I wanted to kind of go over what I did watch. So I’ll talk about what I thought and rate it 1-10.

PLEASE KEEP IN MIND: THEY’RE RATED SOLELY ON MY OPINIONS, IF I DON’T FEEL STRONGLY ABOUT ONE PLEASE DON’T GET MAD. ALSO ALL OF THESE WERE WATCHED IN SUBS. ALSO SPOILERS AHOY.

1. Dororo.

The OP was AWESOME. The animation in the first half of the series was really smooth, but there was a slightly noticeable dip in animation later on. Not huge, but still there. Actors were FANTASTIC, and the little girl who plays Dororo is so cute! Characters were incredibly well written and varied, Hyakkimaru still struggled despite his honed reflexes and training, and Tahomaru was so morally divisive, it was great. Somber tones really bring out the nasty forbidden underside of the Shogunate’s “lasting peace”. Though the ending with Tahomaru, Hyakkimaru’s mother, and his father figure all dying in the fire was rather... disappointing, Hyakkimaru forgiving his father and Dororo deciding what to do with the large sum of money left behind, to use it for the greater good, wraps everything up.

Dororo’s a solid 8/10.

2. Rising of the Shield Hero

I ended up checking this one out after hearing all the controversy it was stirring up, because I wanted to see what it was. Like always, the “controversy” was a big tepid pile of nothing, and I got to experience an isekai that operates under a different mood with different dynamics. Animation quality is consistent and good, and there’s a LOT of female characters that are well rounded and strong, like Raphtalia, Melty, the Filolial Queen, Glass, etc. Scenery is beautiful, and Naofumi’s growth into trusting again is nice to watch. Also the soundtrack is so enjoyable, Kansas is my favorite song. Cons, though few, are still there: the pacing can be a little funky at times (Mainly what comes to mind is that AWFUL filler episode where they fight the Church from the molten pit, and don’t move AT ALL. Worst episode ever), the physical growth of some of the characters like Filo is jarring (In two days she grows horse sized, after they had that montage of taking care of her) even with an explanation. The last thing that rubs me the wrong way (It’s not really a con in general, just a con for me) is Raphtalia’s crush on Naofumi. It’s simply that they spend the first few episodes building their relationship as a father/daughter, then they try to shift to romance after establishing that first familial relationship.

Rising of the Shield Hero’s an 8/10.

3. The Promised Neverland

AAAAAAAH HOT DAMN I LOVED THIS ONE. It was completely out of my range of what I normally watched at the beginning of 2019, BUT I LOVED IT SO MUCH. The animation is eerie, especially the facial expressions and how smoothly they move. The children are so darling and thinking about how they might have possibly died in S1 broke my heart, as well as me hoping they didn’t, lol. Every episode leaves off on this wonderfully tantalizing cliffhanger, so binging the episodes are a must. Characters like Mama and Sister Krone are terrifying, though in the latter’s case I love how clever she was, and was sad when she died. Her Japanese actress definitely blew it out of the water and had a lot of fun with the character. I’d say the only (not really a con, but) thing that weirds me out is how close the characters’ mouths are to their faces, but that’s a stylistic thing and I won’t fault them for that. The children are strong and resilient and I can’t wait for the next season.

The Promised Neverland’s a 9/10.

4. Demon Slayer

I got into this one late, and I hate myself for getting into it late. But nonetheless, I’m so glad I watched it and I can say with confidence it’s up there with FullMetal Alchemist: Brotherhood’s level of excellence. Tanjiro is such a kind-hearted boy who constantly puts himself through physical torture for his only remaining family; Nezuko’s “hypnotism” to see humans as family feels more like placebo because she just genuinely has compassion for people, especially when she looks at Ms Tamayo and Yushiro as family when they’re also demons. All the characters are deeply involved in this story with either known or hidden (Zenitsu) strengths that allow them to conquer their struggles. The style is unique and the character designs are pretty, and HOO BOY THE FIGHTING ANIMATIONS, THE STYLIZED TECHNIQUES. MWAH! MUCH LOVE! I love the soundtrack so much, it almost reminds me of the Pokemon movies’ orchestra pieces. The story is well paced, and no issues with filler. Showing how even demons deserve compassion is a beautifully unexpected twist in this show.

Demon Slayer’s a 10/10

5. To the Abandoned Sacred Beasts

I do love this series dearly, and while the good outweighs the “meh”, I still have to address the issues. BUT FIRST, THE GOOD THINGS: Characters in this show are incredibly in-depth, even the soldiers. The designs of the Incarnates are fantastic, terrifying and imposing. Schaal is a strong young girl who sets off with just a suitcase and a rifle and, after meeting Hank, decides to get inside his mindset to see why he’s doing what he does, and why he had to kill her father. Hank is a man in constant suffering who has to see his best friends losing themselves to insanity, knowing that they’re not the people they used to be but questioning whether he’s really doing the right thing regardless. All the soldiers have their own focal point in the episodes they show up in, showing their unique traits and attitudes, and how it links to the monsters they are now. The concept of Incarnate soldiers is parallel to veterans with PTSD. While Liza’s a bit of a ridiculous fan-service character, there’s really no complaints because the fan-service in this show is balanced; they show Hank unnecessarily shirtless a LOT (Though honestly I’d be fine if they let him wear his shirts more). But the cons. There are a decent amount of them. Animation is clunky and lower budget. Pacing is not easy to keep up with, as the split between Hank’s mission and the main conflict with Cain interrupt each other quite jarringly. Schaal’s father seemingly rises as a zombie again to serve no other purpose other than Schaal’s character growth, as we could assume that a LOT of the other monsters like Keynes, with the fire of justice, would also come back to life. Liza doesn’t really seem to do much or contribute much as a character; she came close when she volunteered to take up the Incarnate Extermination Squad’s equipment by saying she knew how it worked but she literally. Just. Held up a shield for the commander (forgot his name, Cain’s little bro) to jump off of. She needs to do more. Love the series and I love watching it, but it’s a mixed bag.

To the Abandoned Sacred Beast’s a 7/10.

6. Fire Force.

Well... this one is definitely gonna be tough to deal with, because I only got maybe 8 or 9 episodes in before I had to break away. So I’ll break it down simply.

Pros: Animation is SOLID. ABSOLUTE. FLUID AND DYNAMIC. It’s literally Midoriya vs Todoroki, but in EVERY EPISODE. Some characters are fascinating and enjoyable like Shinra, Maki, Joker, and Hibana. The concept of Infernals, people who just burst into flames without warning, are a solid idea to run on. The OP is a banger. The soundtrack fits the mood perfectly.

Cons, and a lot of them: There isn’t a whole lot going on in terms of variety, it’s mainly fighting Infernals in the city. It picks up eventually, but slowly. While some characters were enjoyable, others were either flat or downright unbearable to deal with; flat characters like Obi (He’s not a bad character, but he feels... generic) and Iris (Also not bad, she’s strong in what she’s had to deal with and being kind regardless, but it’s just standard quiet girl.). Unbearable character is really just two so far: The lieutenant, who gets borderline abusive (both mentally and physically) with Maki (Like I get it dude, you had trauma with fire and Infernals but you don’t need to be an abusive shit), and Tamaki, ESPECIALLY Tamaki. She’s rude, screechy, treated Shinra like utter shit when they first meet, and respects almost no one outside of her district for no real reason. And she also falls into the next con: The one-sided fan-service. Now I will defend the right to fan-service with everything I believe in, but I’m still allowed to have my opinion on it, and the way it goes in Fire Force is just... so awful. Fan-service jarringly interrupts what are supposed to be heavy emotional or important scenes (Iris sitting on the ground with nothing but a towel, Iris getting her clothes burned off by Hibana, Tamaki sticking her butt out after getting hurt by her district partner, Tamaki’s clothes being burned up and being against the wall with that weird-ass kitty pose with her wrists, etc.), Tamaki’s “lucky lechery” is supposed to be funny somehow but it makes literally no sense, and oh cool she ends up sexually harassing the dudes with it, too. I could understand this level of fan-service if it was like a harem anime or a cheese-cake-ish anime or whatever, but it’s- it’s a shounen. There’s nothing that really shows you there’s gonna be this weird level of fan-service.

I respect everyone who loves Fire Force, but it’s just not my cup of tea. That’s all.

Fire Force’s a 6.5/10.

7. Vinland Saga

THIS ANIME. THIS ANIME IS PERFECT IN EVERY WAY AND YOU WILL NEVER CHANGE MY MIND. The first OP PERFECTLY encapsulates just how much of a hellish live Thorfinn is about to live. The animation (Being from the same company as Attack on Titan and Kabaneri of the Iron Fortress) is SUPERB where the characters move with weight and purpose. Seriously, have you seen how the characters jump forward? With their legs and arms forward? It’s a little detail but it’s so great. Characters are multi-faceted and it gives me strong feelings about how awful they are but how clever or strong or brilliant they are. The pacing of the anime is perfect; something plot-important happens in each episode, the characters travel long distances to give you a feel of movement, and there’s not a single episode that could really be considered “filler”. Dynamics of these characters work in fascinating ways at times. The actors absolutely own their roles; Askeladd’s actor nails that perfect nonchalance where he seems surprised but you know he’s truly not, Thorfinn’s older actor knows how to scream his lungs out in anger. The main star, though? Thorkell, hands down. That guy is absolutely having fun with his character.

Vinland Saga’s a solid 10/10.

#anime #spoilers #Dororo #Rising of the Shield Hero #The Promised Neverland #Demon Slayer #To the Abandoned Sacred Beasts #Fire Force #Vinland Saga #Vinland Saga's easily the best anime of 2019 for me and I'm sad that it doesn't have as much traction as other shows like Fire Force

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mokomodukedom · 7 years

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My history with One Piece

I already wrote about my history with One Piece on this blog some time ago, but since it's the 20th anniversary I guess it won't hurt to repeat some of it.

I first discovered One Piece when I was in middle school, around... 2005-2006 I'd say. In my year group there was only one pupil besides me who read manga whom I didn't see all that much (because she was in a different class). But one time we talked about Ranma ½, which was one of the first manga series translated into Finnish. A few years earlier I had bought the first seven volumes, but at that age I didn't know how to deal with Happosai's pervy antics, so I stopped following after his introduction. But this other girl had continued buying the volumes, and I was excited to get the chance to borrow them. She also threw in the first volume of One Piece which I didn't really care about at first, but I took it anyway. I remember Shanks' death glare from the first chapter and Luffy's similar expression from a bit later making a big impression on me, and I think I got hooked by Baratie despite not really liking the art style. And Arlong Park was what really sealed the deal.

I obviously had to return the borrowed volumes at some point, and I can't remember properly what I was doing with One Piece for a while or how intensive my relationship with it was. But I know I was still very much into it, and whenever I visited my relatives in a bigger city they'd let me borrow One Piece volumes from a library with their card. The volumes had been used a lot so their covers were all sticky and gross, but it was the only way for me to read the physical volumes. The scrap books I filled with cool fanart I printed from the Internet started to get more and more One Piece content. And I know I also watched the anime up till the sea train/Aqua Laguna episodes, but with the pacing problems in the anime I couldn't go further.

At some point I discovered that I could also read the manga scanlations on the internet. Back then we didn't have these cool manga reader sites with handy layouts and a billion series kids these days use (or I was just too dumb to find one); the site I used looked more like Windows file system with yellow folder icons for each chapter. The first "newest" chapter I read was luckily a memorable one for archival purposes, ch 431 (Garp's introduction) in October 2006. It took me a while to get the hang of One Piece being a weekly series so checking the site in the hopes of a new chapter was a bit sporadic, but ever since then I've been following the series regularly. Whoa, it's been over 10 years! Unfortunately I don't care for Halloween stuff so Thriller Bark was probably the worst theme for me to jump in, but the overall quality kept me returning.

Meanwhile the aforementioned manga reader from my school had lost interest in One Piece, and I bought the 17 first volumes she had for a good price. Then I started buying the most recent published Finnish volumes from the store starting from #37 (the one with Franky & Iceburg on the cover that contains Franky's flashback), which was in April 2008. Then I had to hunt for the missing 20 volumes from internet auction and second hand book shops. It was a lot of fun to get a new book, and I remember I would regularly arrange the volumes I had managed to get in a grid on the floor to see the the holes close up.

One the fandom side my first published fanart is from May 2007, and the dress ups started in January 2008. I remember playing Alinajames' OP girl dress ups (which I sadly can't find any more anywhere) at that time, can't remember if they were up before mine or after, but regardless they played a big role in inspiring me to continue making new dress ups myself, and certainly had a part in my second dress up ever created, Nami dress up v2. Later I've made a v3, and I'm sure a v4 will appear eventually. It feels like going back to my roots.

When it comes to pairings I've always been pretty disinterested, usually I'm simply fine with the obvious main guy + main girl couple and don't think about it much, but now that I think of it, I did have a rather rare occurrence of actually hoping that Luffy and Hancock would become a couple. I wrote plenty of fanfiction of their wedding where all the friendly characters we had seen were invited and Shanks super enjoyed the party, and then they had a daughter or two, but thankfully the fanfic only existed inside my head so there's no proof of it. And that ship has faded by now and nowadays I find Hancock a really boring character, though she'd still be my #1 choice if I really had to pair Luffy with someone (followed by Vivi). But definitely not Nami, I've always disliked the idea of Luffy/Nami and it's a little strange, since usually when I hate a pairing it's because I hate one of the characters involved or find the fans really annoying, but in Luffy/Nami's case I just find their interaction so platonic that somehow the thought of them being a couple has always made me cringe. So Nami's only ok as a part of Luffy Harem which I've enjoyed in an ironic way ever since I saw someone post about it on APforums.

One Piece has also the honour of having been one of the works that have put me into a major long-lasting fangasm mode, as in I consume plenty of media and may rank various works really high in terms of quality, but only a select few manage to get into the "daydreaming about new stories for my favourite characters" phase that lasts for months. And while as of now it has been dethroned (there can be only one at a time), OP has been the only one that has managed to make a big comeback after having fallen once.

Overall reading One Piece on a weekly basis for a decade has been a really important experience for me. It has been a regular friend who visits weekly for a large part of my life, and the fact that my earliest OP memories are from pretty long ago makes the OP world feel a lot larger than it probably would if I had marathoned the whole thing just recently. I also have a lot of fun memories of the (then) most recent big events, like the shocking mood whiplash when after a week of waiting for the outcome of the tragedy at Sabaody instead we got penis jokes on Amazon Lily or feeling the presence of a legend when Rayleigh was introduced (I could totally relate to the Straw Hats' excitement and respect). During Impel Down and Marineford arcs I visited Pixiv's D兄弟 tag daily and read all the Japanese mini comics I couldn't understand. And then there was the Arlong Park April fools joke where someone drew a pretty convincing fake spoiler where Ivankov had turned Luffy into a girl to infiltrate as a prison guard... I was so disappointed when that wasn't the case.

Since waiting for the new chapter every week has been a big part of my life, the thought of One Piece coming to an end one day makes me sad. But I suppose all good things must come to an end (and I can't blame Oda for wanting to get done with the series), and there will be new series to take its place. And on the other hand I really want to see what's up with Raftel; Crocus' description of it being a legendary island still gives me as big chills as it did when I read it for the first time.

#one piece #whoa this got long #there would be a lot more #but if I try to write every OP memory long there would be no end

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