#But if I don't who knows what entirely different sentence I am going to get accused of saying?

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[thebiballerina]

Cousin of the guy who was misinterpreted once and now only ever makes statements which include "this is not a suggestion", "I don't mean to imply", "this isn't intended for".

guy who was wrong once and now only ever makes statements which include “I think” “it seems to me that” “but I’m not sure”

[utilitymonstermash]

In California due to prison over crowding and a policy called realignment, many sentences are now served in county jail. Recently I came across this very funny jail memoir in The Newsweek.

On race:

I knew that I had to join the Peckerwoods, a notorious white supremacist gang. But I am by birth half-Jewish. I have a Jewish last name too, so I was fearful.

My plan was to pretend I was German since my last name is Yiddish, so pretty similar sounding. It's probably not politically correct to say this, but I also don't look like a stereotypical Jewish person, at least in the eyes of neo-Nazis.

I also think my image played into it. They saw a crackhead from Skid Row who weighed 130 pounds and just didn't connect that with a Jewish guy. So I got away with it. They believed I was just a German-American. They had no suspicion whatsoever.

For about three or four weeks, I played along. But I soon realized there was no need to. I never heard anything really racist or antisemitic.

There was another man named Lou. He was probably 50 years old, and every day, he would get a different meal than everyone else—a special meal in a blue box—and people lined up to buy it.

I was curious. I looked in the garbage and saw there was Hebrew lettering on this blue box so I knew Lou was probably Jewish. I asked Lou if he was, and he said yes, that's why he gets the kosher meal.

I said: "I'm Jewish too, actually." He didn't really care. I said I had told the shot caller—a kind of gang leader—and all the guys that I was German when I came in, and now I'm thinking about getting the kosher meal.

I asked what he thought the consequences would be of revealing that I was Jewish. He said: "Oh, well, they're not going to care that you're Jewish, but they are going to care that you lied. So, I would just go talk to the shot caller privately and work this out."

I expected a very violent repercussion for lying. There are violent repercussions for everything, from not washing your hands after using the bathroom to getting caught sharing food with another race.

I talked to the shot caller. He was pretty angry that I lied, but at the same time, he said: "Listen, I'm half Armenian. I'm not even fully white. We don't really care. These are just the rules and we have to follow them.

"As the shot caller, if it gets out that I'm not enforcing these rules, I'll get stabbed on the yard.

"You lied. You got to come clean to all the boys, and it's not a big deal. Just when you get the kosher meal, make sure that white guys get preference over buying it. If no one white wants to buy the meal, then you can sell it to the other races."

On managerialism:

Violence is highly organized in the California prison system. I was in county jail, but it's just as bad as prison, if not worse.

If you get into an altercation with someone, you're not allowed to fight them. You have to go to your shot caller, and he has to go to his shot caller, and the shot callers must decide whether you're allowed to fight in a very controlled environment.

[...]

I had to fight people for breaking very stupid rules, such as sharing food with a Black person—a rule that I think is ridiculous. To be honest, my shot caller thought it was ridiculous too. He told me personally that he shared food with Black people all the time; he just had to keep it secret.

[...]

It's Kafkaesque; there's some kind of bureaucratic overwatch going on and you don't even know if it exists or not, but you just have to follow these dumb rules.

A shot caller is your gang leader in jail. This is not the leader of the entire gang but the leader in your pod, meaning your dorm.

Every gang has a shot caller, and then that jail has a head shot caller, and then the whole prison system has a single shot caller somewhere at the top that is this Wizard of Oz-type overlord who no one ever really sees but somehow enforces the rules.

On yarmulke:

I'm not a practicing Jew; I never was, and no one in my family really is. But when you get the kosher meal, they also give you a yarmulke for some reason.

When the other inmates saw the yarmulke, they were mesmerized by this magical Jewish hat. The people who ran the world wore these hats, they thought, and now they were around one in a jail cell.

The Mexican shot caller would request to wear it when he gambled to bring him financial luck. This started sort of a buzz in the jail, and eventually, lots of people were requesting to wear it. Even neo-Nazis requested to wear it when they were gambling.

I asked them to treat it with respect, not because I am religious, but I thought: "My ancestors were religious. Don't be disrespectful."

The amount of respect they had for this yarmulke was actually disturbing; the fact that a Nazi with swastika tattoos would be so polite about a Jewish yarmulke.

On tolerance towards the Jews:

Once it came out that I was Jewish, I experienced zero antisemitic hate. It was more of a fascination. A lot of these people had never met a Jewish person. They pictured Jewish people as owning banks and companies and potentially even the jail.

So when they saw this Skid Row homeless addict who was Jewish, a lot of light bulbs went off about their preconceived ideas. Immediately, they asked: "What are you doing here? Can't you make a phone call? Don't you know a lawyer?"

I said: "No, I'm Jewish. My dad was a heroin addict carpenter. Not all Jews are what you think they are."

It opened up a lot of playful conversations with these people. They were fascinated with the concept that Jews were lawyers, so I started getting a lot of requests to consult people on their cases.

I had to tell them: "Listen, I'm a carpenter crackhead homeless guy. I'm not a lawyer."

They didn't care; they wanted to go over their cases with me. There was almost some soft antisemitism, but it mostly was playful and fanciful obsession and inquiry. They thought I had mystical powers.

[...]

I have stayed in touch with some of the people in jail. Not all white people were Nazis. In fact, a small minority identified as neo-Nazis; most just identified as Peckerwoods. I've kept in touch with both.

On demographics as destiny:

I talked to Lou about it, and he said that there used to be some problems for Jews, but in the end, the white gangs have such low numbers that they don't really care. They needed people.

[monsterlets]

conversation tip for autistic people, from an autistic linguist

if you've ever run into this dilemma:

you are telling someone a story or informing them about something. there is a piece of information that you are not sure if they already know or not, but they need to know it in order for the rest of what you're saying to make sense. you are now trying to guess based on nothing. if you tell them and they already knew, they might think you're insulting their intelligence (or just that it was weird that you thought they wouldn't know). if you don't tell them and they didn't already know, then they'll feel lost

you can get around this with presuppositions

a presupposition is a piece of information in a sentence that is not the main point of the sentence, but that must be true in order for the sentence as a whole to be true. this is very dependent on where in the sentence the information is

for example:

you're telling someone a story about a mutual friend. the only way this story makes sense is if the listener knows that the friend's dad used to be a doctor. you don't know if they know that

this is a direct statement: "her dad used to be a doctor"

the main point of this sentence is "her dad used to be a doctor", but more importantly it's obviously the main point of the sentence. if they think you should assume they already knew that, that is now at the front of their mind. and they might think you're implying that they're not close to your mutual friend

here is a sentence with a presupposition: "when her dad was a doctor, he saw this really weird thing"

the main point of this sentence is "he saw this really weird thing". "her dad was a doctor" is just background information. not only that, but including information as a presupposition implies that you thought they already knew it

if they did in fact already know, they might not even register the fact that you mentioned it again, or if they do it wouldn't seem out of place. they just breeze right past it and on to the rest of the sentence

if they didn't know, they likely won't think that much about it since you didn't call much attention to it, and even if they take note of it they'll at least think you assumed the best of them. at this point one of three things is likely to happen (from most to least likely):

they just quickly assimilate the information into their worldview and move on to interpreting the rest of the sentence

it blows their mind so much that they ask you to explain. which is a great outcome imo

it threatens their worldview so strongly that they cannot move past it. at this point they may get mad at you, but it's not because of what you implied they knew or didn't know - it's because they just strongly disagree with you, and they were gonna get mad regardless of how you said it. this will rarely come up unless you're talking about a particularly polarizing/emotionally charged topic

note: as I said, where you put the information in the sentence matters a lot. coordinating conjunctions connect two main ideas. the sentence "her dad used to be a doctor, and he saw this really weird thing" has two main ideas. and one of them is the one that you wanted to not be a main idea

if you want more examples of the forms presuppositions can take with more technical descriptions, wikipedia has a pretty good list

also note, this is a guideline, not a rule. it's hard to go wrong with it, but if you know what you're doing you can break it

for instance, if I am not talking about anything personal, just telling someone about a special interest, I'll do different things depending on how niche the information is

if I know something is common knowledge (ex: t rex was a predator) then I'll either not mention it, or if I think it's something they need to not only know but be actively thinking about for the rest of it to make sense, then I will remind them with a presupposition

if I know something is not entirely common knowledge, but I have at some point seen people who are not deep into the topic talking about it ("dimetrodon was more closely related to mammals than dinosaurs") then I might just straight up ask them if they know that, since it doesn't say anything about them as a person other than what random information they happened to come across

if it's something you almost certainly wouldn't know about without being deep into the topic, I just say it. if they do happen to know about it it's because they randomly heard it and they probably wouldn't think it's weird that I assumed they didn't know (note: in this situation do not say anything along the lines of "you probably wouldn't know this" "this is so niche". just say the information)

you might have noticed that I haven't been following the guideline in this post either. this is for a couple reasons

I'm not talking to specific people, I'm writing for a broad audience. generally when you say things people already knew in that context they're like "well I didn't need that spelled out for me, but I guess somebody does"

I am not aiming this at neurotypicals, and I assume that you'll appreciate me being as explicit as I can regardless of how much you already knew

[sebscore]

the other drivers finding a hickey on gen z driver! reader and trying to find out who gave it to her it would be so funny😭😭

WHAT HAPPENS IN MONACO, STAYS IN MONACO

pairing: f1 grid x driver!reader

warnings: hickey. innuendos. rushed writing (lol, I wrote this in the middle of the night so cut me some slack pls).

author's note: thanks for the request! I know this has been in my drafts for a long time so I'm very sorry that it took me a while!! hope you still see this <3 also thank you to @12-seconds-to-live for the title inspo!

masterlist

• • • • • • •

The Monaco Grand Prix was always one of the highlights of the season- the prestige and luxury it brought forward was matched by no other race.

It was also the home of many F1 drivers, including herself. So it wasn't too out of the ordinary for a bunch of them to get together and celebrate in one of the many clubs the city had to offer.

''Y/N, we're going out later tonight, wanna join?'' Pierre asked her, all of their media duties done for the day. Lando, Charles, Max, George and Alex amusingly looked at her, already knowing she would never pass the opportunity to party.

She scrunched her nose, feeling the teasing coming from a mile away. ''I, uh, actually have other plans.''

''What do you mean you have other plans?'' The frowns on the guys' faces didn't do their obvious confusion justice. ''You're seriously saying no to a party with us?'' George was flabbergasted, he had known her for years and in all that time she had never refused.

''I am saying no this time.'' Y/N chuckled, their faces too funny not to laugh at.

''Even the girls are coming,'' Lando said, referring to their girlfriends, ''you can say no to us, but you surely can't say no to them.'' He tried convincing her, knowing about her soft spot for their girls.

Y/N loudly sighed, glancing away for a moment. ''I already told Lily I wasn't coming so that won't be a problem.''

''She didn't tell me that.'' Alex argued, almost offended by his girlfriend not informing him.

The young woman glimpsed at him, a smirk on her face. ''Well, there are many things she doesn't tell you that she tells me, Albono.'' She ended her sentence with a wink to the Williams driver.

Her comment had temporarily taken the focus off of her dismissal to party as the drivers laughed and poked some fun at Alex, but Charles wouldn't let her get away with it just yet. ''But what are those other plans you have, Y/N?''

''I just have better things to do, guys.'' She said, making an advance to leave the paddock and go home for the day.

''Like what?'' Max asked, puzzled by her vague answer.

''I don't know, my friend didn't say his name.'' She grinned from ear-to-ear, quickly waving them goodbye before they could stop her and tease her for going on a blind date with someone.

Y/N could hear the commotion they made as she walked away, secretly smiling to herself. ''I can't believe she's dumping us for some guy.'' She swore it was Lando who said it.

Walking into the driver's briefing the next day hadn't been like the usual days. Normally, she walked in, greeted everyone and sat down on a random chair. However this time, it went a little different.

Y/N walked into the room and greeted everyone, nothing out of the ordinary. But instead of a symphony of excited and dismissed greetings back, she was met with smirks and chuckles from her fellow drivers.

''What is it?'' She asked them, not sitting down before she had an answer.

Yet, they continued acting like teenagers and giggled amongst themselves, not giving her an explanation for their weird behaviour.

Daniel was the first one to have mercy on her and spoke up. ''You had fun last night?'' The raised eyebrow didn't go unnoticed, the Australian referring to her blind date from the night before that the other must have informed the entire grid about before she arrived.

''It was alright.'' She merely said, finally sitting down on the chair next to Lewis who didn't seem to be very invested as he typed something on his phone.

''Just alright? Cause it seems like you were busy.'' Lando continued the teasing, weirdly putting his hand on the side of his neck.

Y/N frowned at his action. ''I have no idea what you're talking about and stop acting like an idiot.'' She awkwardly chuckled, unnerved by everything.

''You're the only clueless idiot in the room right now, I'm afraid.'' George commented, smiling a bit too bright in her opinion.

''I'm totally confused.'' She let out, not hiding her confusion any longer.

Lewis scratched his voice, not taking his eyes off his phone. ''We can see the hickey on your neck.'' He revealed to her, matter-of-factly.

Y/N's eyes widened, immediately hiding her neck into her sweater while she could feel her head heating up due to embarrassment. ''I just walked past all the reporters- oh my god!'' She exclaimed, angry at herself for giving them any kind of news they could gossip about.

''I'm so happy it's not me this time.'' Lando laughed, victoriously throwing his hands in the air.

''You're the victim of the week, kiddo.'' Valtteri ruffled her hair, sitting on the chair behind her and his former teammate. She weakly smiled at him, mortified at what her team's press officer was going to say about this.

A figure taking the space on the other side of her brought the woman out of her thoughts, glancing beside her, she found Mick's comforting smile. ''Don't listen to them,'' he whispered, ''so, tell me about it! Is he a nice guy?'' Mick couldn't help but be curious, they have been good friends for years.

Y/N snorted, quickly covering her mouth. ''I don't know, there wasn't much talking, to be honest.''

''Okay, gross.''

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[two-white-butterflies]

maybe this time

Description: Two old friends meet again, wearing older faces. Well, I guess you know how this works.

In which, you have a flawed relationship, a flawed breakup and a flawed reunion with the one that you love the most.

Pairing: lawyer!thranduil/fem!reader (ethnicity not specified)

Warnings: angst, age gap.

AUGUST 2012

It won't end just because I say no.

Three days ago, the worst thing happened. You found an engagement ring in your boyfriend's coat pocket. Gods, yes you envisioned a successful future with him inside of it - but getting married is too soon! "I think we need to talk," you keep your voice low.

You couldn't even look him in the eye, rather you were focused on the herringbone floors of your NYC apartment. His eyes light up at the sight of you. His girlfriend of five-years. His girlfriend who survived the hell of a law-school with him, and stood beside him while he built his law firm from ground up. His girlfriend. His future fiancee.

"What is it about?" He raises an eyebrow, patting the empty spot on the sofa - motioning for you to sit beside him. You reluctantly comply, burying yourself deep into his chest and inhaling his scent of - well, there is nothing that can describe his scent.

"I found something in your coat yesterday," his grip tightens around your waist. "- I don't think I'm ready to get married." you quickly add, not leaving enough time for him to respond.

There were still a million things you wanted to do on your own. "Oh," usually a very composed lawyer, but now unable to form a comprehensible sentence. "I-I," he stumbled in his speech, unaware that his grip loosened around your body and you now moved away.

"I'm sorry for not taking your feelings into account." He apologized. His eyes were watery, he had unbelievable restraint when it came to fighting in court battles but the thought of losing you makes him cry. "Is there any reason for that? If you are comfortable with sharing?" He asks taking unnoticeable deep breaths.

You stare at the floor again, playing with the rings on your finger. "I'm sorry. I don't think that I'm in a place where marriage is a choice yet." You breathed. "- I'm gonna finish med-school this year. I want to be a neurosurgeon. I don't think that I'll be able to balance that while being married and trying to build a family of our own." You explained.

Both of you unwilling to address the elephant in the room.

25 and 34.

It wasn't an age chasm per se, but you were in different points of your lives. Thranduil was already successful - known in his field as the thorn in every defendant's side, and you - well, no one even knew you in the university that you were studying in.

"I don't even know if I want to have children," your voice turns into a whisper at the last sentence. His features merge into something indescribable - sadness and frustration merged into one.

He's a good man. He's never forced you to do something that you didn't want to do with your entire heart, and it is because of that reason - you're mad at him. Because you know that he'll still stand beside you, make the sacrifice of never getting married or never having children if it meant being with you.

You are not God, for anyone to make that sacrifice for.

"That's alright. Children are annoying." He answers, and you chuckle. "You are so good at lying," you mused. "- but I know that kids are the only thing you want in this life." You read him like an open book.

He reaches for your hands, entwining it with his. "Hey, we're going to get through this. I'm glad that you were comfortable enough to talk to me about this. I completely understand and I am not disappointed." He informs, he cages you in an embrace, and you lean deeper into his touch until both of you were slumped on the couch.

"I know that you feel pressured because all your friends are getting married. I don't wanna be that bitch who sounds so selfish-"

"You are not selfish for being yourself. You don't owe me anything." He corrects, pressing a kiss to your forehead. A sigh escapes your mouth. "Remember in our first date, I asked you what your favorite color was." He reminded and you felt blessed to have a lawyer as a boyfriend, for he seldom forgets.

"Mine was magenta, and you didn't even tell me what your favorite color was that day. All you did was tease me about magenta." You chuckled, although that feeling still lingered on your chest.

"Well, I'd live in a magenta house if it meant living with you." Thranduil smiles, and you remember smiling in return. Phew, that worked out better than I imagined.

It's all going to be better in the end. You'll finish med-school, and deal with neurosurgery. Then hopefully, you do get married to him.

Six months later you were chosen to work in a hospital in Singapore. A country known for being a pioneer in Asian healthcare. It was a pleasure to be here, you made a lot of friends - and were able to learn how to do things on your own, without the help of Thranduil.

Thranduil Oropher Went out to grab some groceries. I got grapes but I remembered that you aren't here ):

You might be time to get over your grape-hate 🙏🏻

Thranduil Oropher Never. I gave them to Elrond.

You aww i bet the twins loved it Seen 4:52pm

A sigh escapes your mouth seeing that he was yet to reply to your message. It was 5am in the morning back in NYC.

He's probably asleep or getting ready for work.

The only difficult thing in working in Singapore was the IDL. When he's awake, you're asleep and vice versa. "Made you some coffee," Anchilee offers, placing the cup of joe on your desk. A sigh escapes your mouth. "Thank you," you mumbled taking a sip.

"Having relationship problems?" She asks, and you nod. "It's really tough since he's halfway across the world," you breathed. "It's pretty usual for couples to hit a rocky road especially because of distance. A lot of them break up, but I think your relationship is strong enough to stand against the test of time." She speaks.

Oh yeah, about that. You have doubts.

Your phone rings. Thranduil Oropher is calling... you slide to answer. "Hello?" You ask. "Hi, sorry I'm in the middle of driving." You hear his voice on the other line. "Drive safe, you shouldn't be calling me," you gently scolded him but he responds with a silence - probably focusing on the road. "How are you?" He asks.

Even after all these years, his voice still brings warmth to your soul. "I'm okay, I'm in the middle of my lunch break and I have to shadow an operation later. How about you? You're a little early for work." You make an observation, and he hums. "Early bird gets the worms. But seriously speaking I want to focus on this high-profile case, anyways, you are free next week right?" He strangely asks.

"Yep, I might spend the entire week playing DOTA, which I do not have an addiction to, an intern just recommended the game to me." You put out a quick disclaimer before he could scold you about the dangers of addiction to online games. "Well, put your computer away because I booked tickets to go there. Let's have fun, maybe look around the city since you tell me you've never done." He says.

You wanted to feel happy, but the smile doesn't reach your eyes. I love him, but I'm starting to love being alone by myself. The life that you built here in Singapore. It is lonely, and you like it.

"That's amazing, do you want me to pick you up at the airport?" You inquired, concern still dripping from your tone. "No, I'll take the train and I'll stop by to buy some iced coffee and fries." He narrates his game plan. You don't doubt his ability to navigate a foreign country.

"Ohh, please grab the ones from McDonalds. It'll be better if you buy the McDonalds from there, the fries here don't hit the same." You requested, and he chuckles. "Okay, I will smuggle American fries to Singapore." He promised.

"Thank you, I love you."

"I love you too, goodbye."

"Bye."

(DECEMBER 2018)

Thranduil never came to Singapore. You had a fight a day before his flight. You won't go into the details, but it was horrible - for the lack of better words. There were two types of fights: one that can be fixed by a few hugs and kisses, and some that are much better unresolved.

Six years later, and you want to believe that you've forgotten about him. My December is sad, because I miss you. You hear the music sing from outside of your door, damn, your neighbor always has that speaker on. A sigh escapes your mouth and you opt to put headphones on, "I swear to god," you mumbled while opening your gmail account to check for any important emails.

thranduiloropher@oropherlaw.ol sent an email! Just Now

"What the fuck!" You close your laptop shut.

You open the laptop slightly, as if the email was going to leap out of its feet and jump at you. "Holy fuck, why would he email me?" Your throat suddenly felt dry. You click on the dash and the email appears.

thranduiloropher@oropherlaw.ol

Good evening.

I have a confession to make, the first time I saw you, I liked you.

I've spent a lot of time with people, both men and women, and I've taken them to fancier restaurants than the restaurant you took me on our first date, the only difference was - I liked you, I hated them.

Out of all the people I saw you were the only person to have ordered a pain au chocolat during breakfast. The only person who'd order an iced coffee the first thing in the morning. I told myself, I like this girl. She's going to be my wife.

You have something special inside of you. You have that spirit. You are by far the bravest girl I've ever met. Days, weeks, and months passed. I don't know if it's because you opened your heart to me, but we became lovers. I don't know if it's because I'm good at praying, or if it's just because I'm the lord's chosen. I never thought that love could be this exciting. I love every moment. I love every bit of you.

Your love. Your kindness. Your gentle disposition.

We bared our souls to each other. Because of you, I started believing in myself. I survived through law-school and the struggle of ensuring that my law firm wouldn't fail. Because of you, I found the beauty in law, I started to fight for what I believed in. I began to be a better person. I started to be brave.

Five years together, and I thought we were good. More than five years going on forever, or so I thought. What happened? Why did we break up? I'm writing this email a few weeks after our breakup. Elrond has been scolding me as I've only been staring at my flight tickets for the entire week. I've been calling your phone.

But today, I decided to stop bothering you.

I have decided to let you be, and give you the space that you need. That's why I'm sending this email, six years from today. You'll be thirty-one years old by then. I hope that you are happy. I hope that you were able to do everything that you wanted to do, everything that I stopped you from doing because I wanted you to marry me, because I wanted to chain you to me, unable to comprehend that I was doing the opposite of what you did to me.

I hope that after six years, you're able to decide if you want to be with me forever. I'll wait, knowing that one day, I'll be back. I will do everything it takes to bring you back. I will never lose hope that we will have our second chance.

Yours, Thranduil.

"Shit." The first words that escaped your mouth once you realized that you had been crying. You silently wiped the tears from your eyes. If only you knew that he felt this way back then.

Tauriel hands you a glass of champagne. "Thank you for attending my party. I've been begging you for years now." She places a hand on your back, guiding you to navigate the sea of people in the living room. "I'm really busy in the hospital, and this is my only real weekend after months of waiting." You chuckled, taking a sip of the fizzing champagne.

Honestly, you needed this party after the whirlwind of emotions that you felt last night. "It must suck to be a surgeon, but then again with that paycheck, I'd lick a Walmart bathroom." She whispers the last part in a hush, and a slight giggle escapes your mouth.

"What are we celebrating anyways?" You ask.

"My dad is retiring." She informs, and a chill runs down your spine. Right, her dad works for Thranduil. I hope that he's not here.

"Congratulations, finally the beginning of a well deserved vacation." You forced yourself to speak, finally catching a glimpse of a familiar figure in the crowd. Thranduil, the man that loved you.

He sees you too, and your eyes momentarily meet.

31 and 40.

Tauriel sees your lingering stare. "Oh, that's my dad's boss. Justice Thranduil Oropher, he's single. I think he used to have a girlfriend, but he was too heartbroken and he never dated anyone again." She whispers again, moving you into a more secluded space.

Tauriel is your best friend (in the whole world).

"He's my ex," you blurt out and she almost chokes on her piña colada. "What the fuck!" She yells, her face suddenly red at the sudden reveal of the truth. "Why did you break up with him?" She interrogated.

Obviously, no one in their right mind would ever break up with him. He was everything that a woman desired, tall, handsome, intelligent and rich - and things wouldn't have ended the way it did, if the circumstances had been different. "I get it that you're this beautiful hotshot surgeon, but he's seriously the only man who fits your standards. Correction, the only living man." Tauriel glares at you.

She was going to give you another monologue about how you 'fumbled the bag', but alas you will not give her that chance. "It's a long story. We just had really wrong timing," you shook your head.

It could have ended differently.

You should have said yes to his proposal, regardless of the feelings of sadness you felt at first. "Maybe this time?" Tauriel raised an eyebrow, teasing you. "Maybe not," You giggled.

"Hello," a voice from behind you greets.

This better be -

You are greeted with an unfamiliar face. "I'm Aragorn. Nice to meet you." He greets and you introduce yourself while shaking his hand. He was quite an eccentric looking figure, he had a clean shaven face, and he had a tattoo on his pointer finger.

"Oh you're that guy in the band." You smile, remembering the nights you spent singing his songs. "Yeah, the Fellowship." He confirms.

"- I'm sorry for ambushing you, but I felt alone in a sea filled of distinguished professionals dressed to the nines, and I don't mean to offend but.."

"I'm alone." You cut him off with a chuckle. "- it's alright, I basically have no social life as my work takes up the majority of time." You explained. To other people, being on the call 24/7 was hell, but to you it was the good type of hell - if saving people can be called that. "You are the surgeon friend of Tauriel." He remembers.

"Are you friends with her too?" You inquired and he shakes his head. "A friend of a friend," he corrects.

Before you could reply to him, he glances at the man behind you.

You turn around, and see Thranduil.

"If you will excuse me," Aragorn pats your shoulder.

The sight of him still brings such warm feelings to your heart, filling your body with joy. There was silence between you. A silence that seemed to speak louder than words.

"You still look the same," he breaks the silence. "You look different," you answered. He had a different hairstyle. He wore a black suit instead of the dark blue that he always wears. He smelled like powdery flowers instead of after-shave. He is different.

"I hope that that's a compliment," he cracks a smile.

Wow, you're beginning to sound like two old friends, but he doesn't want to be friends. He doesn't even want to talk to you unless it all goes back to normal. "How you've been?" You asked, mirroring his smile, attempting to navigate a conversation with him. "I've been worst, how about you?" He answers vaguely, no longer able to speak random flowing sentences about small occurrences in his daily life.

His response was a generic response now.

Something that flows languidly out of his tongue.

How are you? I'm okay. Are you alright? Yeah.

"I think I am worst," your nose scrunches up.

He stares at you, the same indescribable look that he wore when you first fought. How about now? His eyes said. Let's try again. His silence said far louder than words. "Do you think that things could have ended more differently?" You inquired, and he is bitterly reminded of your bluntness (a feature he still adores.)

"You got the email," he smiles bitterly.

"I managed to read through it, and I don't really know what to do." You shrugged, the distance between you becoming closer and closer. "You can delete the email." He jokes, "- I felt really guilty when we called things off. I felt like I was losing the love of my life, and I was. I did. But I was also really thankful that it ended, because being alone taught me a lot of things. I'm not the same person anymore." Your teeth burrows into the insides of your cheeks.

"It was the wrong time. We've never good timing," he comments, and you are thrown back into that video you made during New Year's Eve 2010, where you were both a minute too soon in celebrating the New Year. "I'm miserable." You admit.

Five friends. A million dollars in your bank account. A real estate portfolio, and you were miserable.

His features softened.

And you knew that he was miserable too.

"When you're a judge, you learn how to look at life in a different perspective. They say that criminals are vital to society because without them there wouldn't be cops, or lawyers or Justices like me. When you left, I figured that heartbreak is vital because it means that there is more room for love. But despite that, my heart still didn't have room for anyone - no other love other than yours, no other sadness." He takes a step forward, and you were thankful to have been in the secluded part of the gardens.

"- but if you love me just because you love me, that is not an enough reason. Love in its essence cannot feed a starving mouth. There needs to be respect, and kindness. Respect and kindness that was there between us, six years ago, but wasn't strong enough to fight against the test of time." He places his hands on your shoulders.

"Let's start again, as stronger people, and maybe this time it'll be the right timing." You proposed, your eyes having a conversation of its own. Love is always a beating risk, but that is part of the thrill.

A bird falls from its nest to learn how to fly.

"Let's try again, then." He agrees, pressing a kiss to your forehead.

And somehow, that forehead kiss was more intimate than any kiss to the lips.

A/N: will always stand on the fact that if Thranduil was in the modern era he'd be a lawyer or a businessman. I always end up choosing lawyer cuz of personal opinions.

If you love my Thranduil fics just follow me and turn the notifs on. I unfortunately don't have enough time to do tags :((

Inspired by Starting Over Again (2014) although, I am not a Toni Gonzaga defender.

[a-kaash-me-outside]

not fair - ch1

in which your boyfriend is perfect in every single way... except for one and kei can't just sit back and watch you suffer... ch1 | next [masterlist]

// "i don't know if you could handle me" ~ ᴛsᴜᴋɪsʜɪᴍᴀ ᴋᴇɪ x ʀᴇᴀᴅᴇʀ ~ 9731 ᴡᴏʀᴅs

a look into this chapter/tw: 18+ super nfsw!, cheating (seriously, major plot point), use of character first names (idk what got into me when i wrote this 3 years ago), degradation, choking, face-fucking, dom/sub undertones, face slapping, stop light system, squirting, dirty talk, mentions of unconscious fucking, the smallest amount of plot that becomes more prevalent as the chapters continue on, soft after sex kei, cross posted from ao3, afab reader she/her pronouns

send an ask and i’ll add ya to the taglist! ~ ♡ ʀᴇʙʟᴏɢs ᴀɴᴅ ɪɴᴛᴇʀᴀᴄᴛɪᴏɴs ᴍᴇᴀɴ ᴛʜᴇ ᴡᴏʀʟᴅ ♡

It wasn’t unusual for Kei to be over while Tadashi was out of town. It happened quite frequently, actually. You two were best friends, even before Tadashi was in the picture. You never let anything come between you two, not even Tadashi. Tadashi understood too. He was never jealous of the time that you spent together or accusing towards the two of you and flirting remarks you would pass. You and Kei were just… well, you and Kei.

But tonight was different. Tonight, you were in yours and Tadashi’s bedroom, which wasn’t the unusual part. Tonight, you were both on the bed, which also wasn’t the unusual part. Tonight, you were sitting with your chin on Kei’s chest and your leg between his legs, your knee resting on his crotch. This wasn’t even an unusual position for the two of you, who often would press yourselves together in intimate positions. Tonight, you finally admitted to Kei that Tadashi has only made you come twice in the entire time that you’ve been together. 

“What? Like, dating? Or?” Kei asks, his eyebrows furrowed together, looking thoroughly disgusted and confused, “because it could just be that you’re both too soft n-.”

“Like, ever, Kei,” you interrupt, looking just as confused and disgusted as Kei was. 

“That’s horrible,” he scoffs, “You just let that happen?”

“I don’t let it happen, Kei. It just happens.” You rest your head completely on his chest, sighing dramatically. “He’s amazing. He’s incredible. He’s so nice and he’s kind and he’s pretty and he’s everything that I need!” 

Kei scoffs again at your words, “but he can’t make you come?”

“But he can’t make me come,” you repeat, shaking your head against Kei’s chest and then look back up at him. “I just, I haven’t gotten off from someone else in so long. Only me, alone, in the bathroom.”

“That’s so sad,” Kei says, the disgusted look still lingering.

“What else am I supposed to do about it?” you groan, frustrated. 

“Get someone else to fuck you,” Kei shrugs. He doesn’t laugh or hint at a joke. He’s being serious.

“Wha- What? I can’t do that…,” you hide your face from Kei, ensuring that he doesn’t see the redness on your cheeks.

“Sure you can. Look, you have needs, okay. He can’t satisfy them. You just have someone else do it.”

“I don’t trust anyone enough to do that.” You feel horrible even contemplating the option. A terrible light bulb goes off in your head. 

“You…,” you start, hesitantly. Kei’s eyes widen immediately at the start of your sentence. 

“No. No, absolutely not. He’s my best friend,” Kei shakes his head.

“You’re my best friend,” you say, softly. “I don’t trust anyone else! You said it yourself. I have needs, Kei. He can’t satisfy them. I have to find someone else to do it.”

“You’re really going to use my own words against me?” 

“Yes,” you state so matter-of-factly. 

“No. I won’t,” he shakes his head, looking away from you, but not moving you from on top of him.

“Kei, please! I couldn’t do this with anyone else, but I’m just,” you take a deep breath, ready to lay all of your shame out on the table. “I need this. I’m so desperate, please.” Kei introduced this idea to you and so quickly you needed it to become a reality. You needed it to become a reality with Kei. 

Kei looks you over, your chin pressed against his sternum as he breaths. “Fine. You want to know the real reason?” Your interest is piqued. You tilt your head, curiously. 

“Hm?” You can’t believe you’re even having this conversation, but now you’re in too deep. 

“I don’t know if you can handle me,” Kei pushes you off of him and promptly gets off the bed. 

“Wha- What do you mean?!” You’re offended. He’s acting like you’ve never had sex with a condescendingly cold person before. You scoff at this statement, rolling your eyes dramatically, and standing up with him, following him.

“I mean, I don’t think you can handle me,” he repeats himself, not wavering his tone or message. He adds after a second of your angry face, “You’ve been with Tadashi for almost 2 years. You guys have probably been having vanilla, missionary sex, maybe doggy style if you’re feeling extra spicy, the entire time you’ve been together.” He waits for your objections before continuing, interrupting them, “I know I’m not wrong and I know Tadashi. He’s just as nice and “sorry, (y/n)!” in his day to day as he is in bed.” You’re silent. You know he’s not wrong. 

Tadashi has always been so accommodating and kind in every aspect of your relationship. He tries so hard in bed, he really does, but he’s made you cum maybe twice in your entire relationship with the help of yourself, though he would probably claim many more times than that seeing how often you fake it. You hate yourself for it, but you’ve tried so hard to teach him, to show him, to tell him exactly what you want and how to do it, but he never gets it. It’s exhausting and has been way easier to just to fake it and then finger yourself later in the bathroom after he’s gone to sleep.

You want Kei so badly. You want to come so badly and you know that right now is your only chance. “I- I can handle you.” Your voice is much more timid and much less convincing than you anticipate it being. 

“I don’t think you can.” Kei’s voice, in contrast, is steady and low, already causing your core to feel warm. 

“I can, Kei, I can. Please,” you hold onto his arm, looking up at his face, pleading, “please.” You sound much more confident, and also much more despairing as you whine for him. He looks at you for a few moments, his eyes trailing up and down your body and finally stopping on your eyes, searching for the overwhelming excitement and consent that he needs to move forward.

“Are you sure you want this?” he asks. This is the final time he’s going to ask or question you. He needs you to be absolutely positive because he’s not going to hold back. You nod desperately. “Verbal consent, (y/n), I’m serious.”

“Yes, fuck, yes, Kei, please. I need this. Please, I can handle it, anything, please.” The string of words leaves your mouth quickly. Kei waits another few seconds after, giving you plenty of time to change your mind before closing the gap between you both. His lips are on yours and his tongue is in your mouth so quickly. He’s holding your jaw as he tastes every inch of the inside of your mouth. He sucks your tongue into his mouth, hard, allowing you to explore his mouth. His tongue is harsh against yours, but it feels so good. He pulls away abruptly, already lifting your shirt over your head and running his hands down your body, his hands sculpting around every curve. 

“If at any time this gets too much for you,” he presses kisses into your neck, nudging your chin upwards as he starts to softly roll the skin between his teeth. “Yellow means we’re moving to somewhere you’re uncomfortable with.” He licks your neck, pressing his entire tongue against your skin. When he pulls away, the air is cool against the freshly wet flesh. “Red means that you’re uncomfortable and you want to stop immediately.” He moves down to your collarbones, nibbling on them and breathing heavily against them. 

“If you can’t speak,” he grabs your hand and taps 3 distinct, hard times against your skin with two fingers. “3 taps, hard so that I can feel them without a doubt, and two fingers to know it’s intentional.” His eyes are on yours, his look stern and serious. “Do you understand?” You nod, overwhelmed with all of this information.

“(y/n), verbal consent. I don’t fuck around,” he says, his eyebrows raised expectantly. 

“Yes,” you nod confidently, despite the questions forming in the back of your mind. Maybe you couldn’t handle him. You weren’t expecting this level of safety precautions, maybe just a safeword considering how he made out that you couldn’t handle him. Maybe he was right. 

“Repeat.” Kei’s lips are back on your throat, sucking the skin so hard that you feel the bruises forming almost instantly. His hands are reached around to your back, one hand sliding down over your ass and the other unhooking your bra before you notice what he’s doing. He tosses it to the side and presses himself against you, your nipples dragging against the fabric of his shirt as he massages into the flesh of your ass. 

You can’t exactly think straight, but it’s important that you remember these even when you can’t think. “Y- Yellow means caution, that I’m starting to f- feel uncomfortable about something.” Kei digs his fingers into your flesh as he moves his head down, capturing your nipple in his mouth and twirling his tongue around it. “Fuck,” you moan, tilting your head back. 

He pulls away from your nipple, the cold air feeling even colder on your spit sheened nipple, causing it to get even harder. “What else?” 

You answer quickly, just wanting to feel his tongue on your nipples again. “Re- Red means that you- that I- I want you to stop because I’m- I don’t like it- I’m uncomfortable.” Your nipple is back in his mouth. He’s sucking on it with such purpose, the suction sending waves of pleasure through your body. 

“A- And, I’m going to, ta- tap on you to- to show you, but please, please don’t stop, Kei.” You grab onto his shoulder and tap with two fingers against his back, 3 times with enough force for him to feel them. He listens to you, nodding as you tap against him, but keeping your nipple in his mouth. He rolls it between his teeth, bringing his hand up to pinch the other one between his fingers. “Fuck,” you breath. 

He stops, coming back up to face you. “Good.” His fingers are making quick work of your button and zippers and are quickly in the waistband of your jeans, pulling them to the ground, but leaving you in your underwear. On his way back up, he runs his hand up the inside of your leg, following your ankle to your calf to your inner thigh leading to your pussy as he uses one finger to rub once between your slit, pressing harder into your clit, rubbing two circles before stopping and stepping backward. You can’t help but moan at this tiny, delicate touch. He’s still fully dressed and you’re suddenly aware of what you probably look like. Your instinct is to try to cover yourself up from Kei’s hungry eyes, but he starts rubbing his cock through his pants. Your eyes are drawn to the bulge in his jeans. You feel your panties get even wetter as you see how big the bulge is. You’re almost positive that Kei could see how much wetter you got, how the dark spot on your panties grew when he started rubbing himself. 

He pulls his own shirt off and you marvel at how toned his body is, how perfect his skin is. He takes a step towards you, his hard bulge only inches away from your thigh. Your breath stills. “Take them off, baby,” he encourages. You listen to him, beginning to lower yourself to your knees, but he holds your elbow, not allowing you to drop. “From here.” You’re confused at first until he uses his hand to rub in between your lips through your panties. “I want to be able to touch you.”

You nod, your breath skipping as you try your hardest to focus on undoing his buckle. It seems like such a difficult task right now, your mind completely infatuated with the feeling of Kei’s long finger rubbing against the doused fabric of your panties. You seriously can’t figure out how to undo his stupid buckle, but he just lets you struggle. You think that he’s being nice as he pulls his finger away, allowing you a moment to think straight, but he brings the finger up and sticks it into your mouth. “Suck,” he says, low. You listen, sucking on his finger, trying to multitask and undo his buckle. “Sloppier, baby,” he coerces. You listen again, your fingers on his buckle stilling and focus on the spit drooling out of your mouth. He pulls the finger from your mouth and places it back between your lips, pressing harder into your clit and moving faster, pushing your panties in between your lips until your bare lips are exposed and your panties are bunched up between them, completely hidden. Kei’s finger slips past the panties, dipping into your flood for just a moment before running his finger back down the strip of your panties, pushing at your hole. Your moans are fluttering as you try to sink onto his fingers. He holds on in place harshly. 

He starts counting down. You’re confused, so confused. You don’t know why he’s counting down or what will happen when you reach the end of it, but you’re hoping for the finger to enter you. “3… 2… 1…” You close your eyes in anticipation, but he pulls his hands away completely. 

“I- Kei- No, please, why?” you beg.

“I told you what to do and you were too busy and concerned with what you wanted. Now I’m not going to touch you,” he says so matter-of-factly. You wanted to laugh. You thought it was a joke. You needed it to be a joke, but now Kei is taking off his own buckle, which he does in 10 seconds, might you add. He’s taking off his own belt, throwing it gently to the side and undoing his zipper and button. 

“Kei,” you whine, “It’s… It’s not fair.” You’re pouting. You know he doesn’t find it cute and amusing when you see his facial expressions. “It’s just… You were making me feel so good.”

He scoffs, “Just from that? Tadashi must be treating you worse than I thought.” Your cheeks burn at the mention of your boyfriend’s name. You want to tell him to stop saying his name, but you know he won’t listen to you anyways. Instead, you just nod at him. He laughs.

“Please, Kei. I couldn’t focus,” you complain, trying to excuse yourself, but he’s not listening or he doesn’t care or maybe both. He pulls down his jeans, only the thin fabric of his boxers are covering his hard, long member. You swallow, hard, looking at how big he is. Tadashi isn’t necessarily small, but he’s definitely not big, and more so, he’s definitely not this big. Your eyes are glued to Kei’s boxers as he pulls them down, releasing his cock. A gasp escapes your lips, a sharp inhale into your lungs as you truly take in how big he is. He’s not just long, but he’s thick. You’re getting even wetter as you think about everything you want to do to him and what you want him to do to you. 

“Can you listen this time?” he asks, condescendingly, a disgusted look on his face. You nod excessively, so quickly that your vision blurs. You’re ready to do anything that he asks you to do. You just want to touch his cock. He smirks at how eager you are. “Take your panties off for me, baby. Nice and slow. Turn around when you do it.” He knows exactly what he wants. 

You start pulling your panties down, slowly, like he’s asked of you. You want to have them completely off, but you know you have to listen to Kei especially after last time. When the panties are to your knees, you’re facing completely away from him. “Bend over.” His words are so commanding and harsh. You do as he says, bending over to pull your panties all the way down to the floor. You can feel how exposed your pussy is from behind in between your legs, can feel the air highlighting every inch of wetness.

You hear Kei step closer to you as you stand their frozen, your panties around your ankles. You can feel his cock graze in between your legs just briefly before he controls it, ensure that no part of you is touched. He leans forwards, pressing his hips against your ass and brushing his cock between your lips for the smallest fraction of a second. “What does Tadashi call you while he’s fucking you?” The question stuns you, your knees buckling and your heart beginning to race. You know that you’re almost fucking his best friend, but you don’t need to be reminded of him every few minutes. Still, you know that Kei wants an answer and you want Kei to be good to you, so you answer. 

“H- He calls me sweetheart,” you stutter. Kei actually laughs, stepping back away from you and holding his stomach as he repeats it. 

“He calls you sweetheart when he’s fucking you?” he asks, trying to make sure he heard that right. 

“Yes.” You suddenly feel more embarrassed at this admission than you do at the position you’re in. He grips onto your hips and you want him to enter you so badly, but instead he turns you around to face him and gently pushes you onto the bed, lying flat on your back, your head propped up against a pillow. 

“Spread em,” he gestures towards your legs as he spits into his own hand, slicking his cock as you spread your legs open, exposing yourself to Kei. 

Kei is towering overtop of you, a knowing smirk on his face as he moves the fist he’s made around his cock, stroking slowly, squeezing his hand as he gets to the head and letting the pressure off as he returns back to the base. You know how desperate you look underneath him. You don’t need to see it in his glasses to know, but you do, and it makes you even wetter. Your legs are spread apart, the breeze from the fan making you painfully aware of how warm and flooded you are and how erect your nipples are. Your hands are beside each retrospective hip, gripping onto the sheets, waiting for him to enter you, but he doesn’t move, doesn’t even get closer. 

“Touch yourself,” Kei sneers. You don’t know what to do. You heard his words clearly, but your body isn’t making any move to do what he’s asked of you. You wanted Kei to touch you, you didn’t want to do it yourself. He takes a step towards you, his hand around his cock moving faster. “Let me see you play with yourself, sweetheart. Show me,” he coos, his tone changing to endearing in such a short amount of time. Hearing Kei call you what Tadashi calls you shakes your entire soul. You feel so conflicted but so hot. You want to hear it again. It sounds so much better coming out of his mouth. It makes you want to please him. You want to make him proud. 

You nod at him, timidly moving your hand down to clit and rubbing small, diffident circles into it. Your fingers don’t feel nearly as good as Kei’s did a few minutes ago. It doesn’t help that he’s watching you so intently either. It’s embarrassing to be completely open and on display like this, lying underneath someone who wasn’t your boyfriend, but, rather, your boyfriend’s best friend, your best friend. You have to shake the thought out of your mind before your body doesn’t allow you to get off. You close your eyes, trying to focus on the sensations of your fingertips brushing against your swollen clit. Your eyes are only shut for a few seconds before Kei is clearing his throat. 

“Eyes open. Look at me,” Kei clarifies. His hand hasn’t stopped moving as he’s scanning your body, evidently very happy with what he sees. Even with this gorgeous sight in front of you, it’s hard for you to lose yourself in the moment being stared at so eagerly. “Both hands.” He tilts his chin up at you, gesturing at your hand that’s still gripped onto the sheets. 

With your other hand, you cup your tit, rolling your hard nipple in between your fingers while maintaining your pace with the other hand. “Good girl,” he says under his breath. A moan escapes you. He raises his eyebrow, cockiness seething from his smile. “Yeah? Are you my good girl?”

You nod obnoxiously, a strangled noise coming out of your throat as you move your attention from your nipples to your wet hole, teasing yourself with your fingertip. You’re getting into it now. The situation is weighing on you but in the best way possible. You look up at Kei and your mind is still screaming that he’s not your boyfriend, but the louder the voice gets inside your head, the wetter your desperate pussy gets. He’s not your boyfriend, but he’s here, watching you tease yourself and torture your own clit as he jerks off above you, because your boyfriend can’t get you off like Kei can; no one can get you off like Kei can. He knows it too. Even when you would try to get off in the bathroom after having sex with Tadashi, it never felt this fucking good. 

“Do you want to be a really good girl?” he asks, his hand now gently rubbing on your inner thigh. 

You know that he’s just using those words, that phrase, to get exactly what he wants, but it only makes you want him more. You would do anything to be good for him. You want him to use you, to satisfy his every need with any part of you that he wants to. “Please, please, Kei. I’ll do anything.” Your own voice surprises you at how desperate it sounds. 

“Sit up.” His tone has switched back to the harsh, commanding asshole that he was before as he grabs onto your arm right as you’re about to insert your finger fully into yourself. You let out a defeated sigh before sitting up, looking at him innocently. “Stay still,” he demands. Kei walks over to you, getting closer and closer until the tip of his head is pressed up against your lips. You go to open your jaw to take him into your mouth, but he stops you, holding your head still. 

“What did I say?” he growls at you, grasping a fistful of your hair as punishment. “Repeat it.” 

“Stay still,” you repeat, your lips opening slightly around his head, allowing some of the precome to line the inside of your lips. You want so badly to lick your lips, but you know that Kei wants you to just sit there, so you don’t move. Your head is still as he swipes the spongy head across your lips, stroking the length as he does so, causing more precome to drip out of the slit and onto your lips. He pushes forwards, but you keep your mouth still, the tip only entering into your mouth when he nestles it in there. It touches your closed teeth and you shutter, trying to keep as still as you can.

Kei moans as he drags his sensitive head across the fronts of your teeth, your cheek bulging as he slides it into the side of your mouth. The combination of his grunts, his hands in your hair, and the thought of him using you for his pleasure all have your pussy aching to be touched. You want to touch yourself so bad, but you know that Kei will be angry. 

“Open,” he finally tells you. You let your jaw fall open as you look up into his eyes, fluttering your lashes at him, but he doesn’t look at you like you’re adorable or cute or pretty, he looks at you like he’s starving. “Tongue out.” You instantly stick your tongue out. “Good girl.” Your pussy throbs. That’s all you wanted to hear from him. You want to hear it again. 

“Lick the precome from my slit, sweetheart.” There’s that name again, shaking your being. Kei positions his cock at the tip of your tongue. You’re not expecting the name and the specific language has you blushing. You do as you’re told, focusing the tip of your tongue to lick the precome from his slit. The salty sensation on your tongue makes your mouth water for more. Kei drags his head down your tongue before taking a step back. He hasn’t told you to move your head or your tongue, so you don’t, despite everything in your body telling you to whine and pout at how far away his cock is from your mouth now. You’re so focused on where his cock is that you don’t notice that he’s bent over towards you or the glob of spit that falls onto your tongue until it’s already coated it. 

You barely have any time to react, only savoring the taste for a moment, before Kei stands back up and rests as much of his cock as he can on your tongue without actually entering your mouth. The slickness of his spit on your tongue and your warm breath from panting causing Kei’s cock to pulse. You can feel it. Kei looks down at you and lets more spit drop from his tongue. You’re not sure if he missed or if this is where he was aiming, but the spit lands right beside your mouth, dripping down your chin and onto your chest. 

He’s thrusting his hips slowly, gliding the underside of cock across your tongue. Your jaw is already starting to ache from staying open so wide, but you don’t dare relax. It’s like Kei can read your mind. “Wider,” he grunts, angling the tip of his cock down. You force your jaw to open uncomfortably, but the smirk that Kei gives you is worth any amount of discomfort that you feel.

Kei gives you no warning as he forces his entire length down your throat in one swift movement, groaning as he feels how tight your throat is around him. You try to gasp in surprise, your gag reflex triggering as his cock slides down your throat, but he’s blocking your airway. You take in air from your nose, but it’s not enough. Kei doesn’t budge in the slightest, just strokes your hair as he mutters “good girl” over and over again. You focus on his words and your breathing and the fact that you’re making him feel good right now. 

“Tongue out,” he demands, his hands grabbing your hair now instead of stroking it. Your nose is pressed up against his stomach and your tongue is sticking out as far as you can force it out of your mouth. You can feel it grazing his balls, every time you flick your tongue, his grip in your hair gets tighter and his groans get more guttural. 

Drool is leaking out of the side of your mouth as Kei’s cock pulses in your throat. Your head feels light and you’re pushing back into Kei’s hands, desperately trying to get air. You need to get a good breath or you’re going to pass out. He pulls you off of his cock. You’re coughing and inhaling deeply several times trying to recover. Kei gives you these few seconds of reconciliation before starting to get annoyed. 

“Open,” he nods down to the spot that you were in before. You assume the same position, chin tilted up, tongue so far out that it’s painful, jaw aching from forcing it open so wide, your lips swollen and sheened with spit and precome. “Good girl. Fuck, you’re such a good girl.” You love to hear the praise coming out of his mouth. It’s making you drip. 

You’re expecting his cock, but see his eyes close to yours and now you can’t breathe for another reason. He spits in your open mouth, but not on your tongue this time. The spit goes directly down your throat and you let it slide all the way down. His fingers are wrapped around your throat putting pressure directly on your airway, quickly getting so tight that you can’t breathe again. “But I decide when I’m done with your throat. I decide when you get to breathe again. I decide when I pull your pretty fucking mouth off of me. You don’t get to make those decisions. If I want to fuck your throat until you pass out and keep fucking your throat when you’re unconscious on the floor, I’ll do that.” You want to moan at these sentences, at the thoughts that are now flooding your head, but you can’t. No noise comes out of your throat at all, it can’t. Your hand comes up and wraps around Kei’s wrists, your eyes roll back into your head as his grip gets tighter. He’s waiting intently to see if you want to tap out, but when he doesn’t feel any pressure against his wrist, he tightens even harder, his fingers shaking. “Do you understand?” he commands. You nod as best as you can. When he pulls his fist away, you take in so much air that your head starts to pulse. Your breaths can’t be large enough. “Now open.”

You assume the same position. Your breathing finally slows when he rests his balls on your tongue. You’d never done anything this dirty with Tadashi. This was foreign territory for you. “Suck.” You can feel him above you, stroking his cock as you take one of his balls into your mouth. The entire situation feels so dirty , but you can hear Kei’s moans and grunts and you never want to stop. You continue sucking, focusing on the ball in your mouth and your tongue against it. 

“Take both in your mouth, you fucking whore,” Kei says, getting into this very quickly. The degradation makes your clit throb and pussy clench. You open your mouth wider, taking the other ball into your mouth. Your mouth has never been this full before. Your nose is pressed against the underside of his cock, but you can barely focus on that. “Stop,” he grunts. You release both balls from your mouth with a pop , your tongue still sticking straight out, waiting for whatever he wants to do with you next. 

“Good girl. Deep breath” You listen to him. He slides his cock into your mouth as soon as you’ve taken a good breath, grunting at every inch that slides down your throat. He holds it there again. You close your eyes, focusing on your breathing, and making sure that you make it through. Then you feel a sting on your cheek, startling you. Kei’s palm had made contact with your cheek. Your eyes snap open. “Eyes on me. Look up at me, sweetheart.” You moan around his cock and he inhales at the vibrations around his length. A single tear rolls down your cheek as the residual sting lingers. Your breathing is okay, manageable this time until Kei plugs your nose. 

“You better open your throat wider or I’ll have to fuck your unconscious body and you won’t be able to cum. It’ll be just like Tadashi, huh?” Your eyes open even more so at this sentence. Kei pulls his hips back, taking most of his length out of your throat before slamming back in. You missed your small window for air. You sit, patiently waiting for him to start moving again. You breathe as much as you can as soon as he pulls back. You’ve forced your jaw open even wider and have allowed your throat to open, allowing the smallest bit of air in. 

Kei’s thrusts into your throat get more and more frequent each time until he’s pistoning into your mouth. His hips are thrusting into you, abusing your poor throat, at such a fast speed. Every few thrusts, he buries his cock as deep in your throat as he can, holding it there until he feels you starting to fall, your eyes rolling back, and your jaw relaxing. 

“Gag on my cock,” he commands, continuing, “I want to feel you gag on my cock. It feels so good when I feel your abused throat constrict around my cock. I’m too big for you, aren’t I? You’re so used to small cocks, aren’t you, sweetheart? You can barely handle how fucking big I am.” It’s true. It’s all true. 

He hits the back of your throat, your body convulsing slightly as you gag. You can feel the muscles in your throat tighten around his cock. He loves the feeling so much that he does it again. And then again. Your stomach is twisting as he hits it for the 4th time. He glides his cock down your throat. The noises that he’s making are magical. 

“Swallow.” You swallow whatever liquids you can. “Yes, fuck,” he groans, “again.” You swallow again, significantly less fluid in your mouth. “Again.” You swallow again. “God, your throat feels so good, I might not even need to fuck you.” You can’t help but to whimper, swallowing again around his cock. “Fuck, I could just cum down your throat right now and leave you on the bed for when Tadashi comes home. Maybe he can help you.”

You want to shake your head no. You want to beg for him to stay, to touch you, just to tell you to cum. If he just told you to cum right now, you think you could. You’d do anything for him right now, but you can’t. You can’t do anything except let him use your throat for whatever he wants to use it for. He laughs at the panic in your eyes as he pulls out of your throat, stroking his cock above you. “Or maybe I won’t even use you to cum, huh? Maybe I’ll just make you watch as I blow my load onto your pretty face. Tadashi would love coming home to that, wouldn’t he?” 

You don’t know how to answer that, so you don’t. Kei doesn’t like that. You feel a sting across your cheek, harder this time. “I asked you a question.”

“I- N- No. No, he wouldn’t like that,” you answer truthfully, even though you don’t think it’s the answer that Kei wanted. It’s exactly the answer Kei wanted.

“But would you like it?” he smirks, waiting for your answer. He hasn’t stopped stroking his cock, moaning as he swipes his thumb over the head. “Don’t lie to me…,” he pauses, “sweetheart.” His smile is pure evil.

You nod timidly before verbalizing it. “Yes. I would like that a lot, Kei.” 

He laughs again, shaking his head. “Tch. Pathetic.” Your entire body feels warm and embarrassed. He leans over you, getting so close to your ear that his low whisper sounds like a scream. “It sucks that I want to ruin you, then, huh?” A shiver disperses through your entire body as you shake your head no. No, it definitely doesn’t suck that he wants to ruin you. 

“I want you, now.” Kei finally decides. He pushes you back on the bed again. “On your side.” You’re conscious of how little you know about sex positions, particularly ones where you lay on your side. He pulls you to the edge of the bed, laying almost completely on your right side, save for the small parts of your back that are touching the bed. He positions himself between your legs, lining himself up with your throbbing pussy. It hasn’t been touched since you didn’t listen to Kei. You know your hole is tight, but so lubricated that it’ll swallow him just as easily as your throat did. He takes your leg and rests it on his shoulder. 

He rubs his head in between your lips, pressing up against the hole. “Please.” It slips out of your mouth, but you’re not going to apologize for it. Kei rubs his thumb against your clit, using your own wetness to lubricate your swollen nub, his finger moving effortlessly against it. You can’t stop whimpering. 

He doesn’t stop to ask if you’re ready, or prep your hole with fingers, he just starts sliding into you. He’s not even halfway inside of you when you decide that you’ll never be this full again. It takes your breath away. You can’t breathe, but you’re trying. You’re gasping for air as he inserts his entire length into you. “Kei, Kei, Kei, fuck, Kei.”

“I haven’t even started fucking you, sweetheart.” He presses a kiss into your leg next to his face as he slides completely into you, not stopping until his hips are pressed up against you. You’re waiting for him to let you adjust to how thick he is inside of you, but he doesn’t. He starts moving almost instantly, rocking his hips backwards and then thrusting into you completely. You’ve never had anything so deep inside of you before, not even your own fingers or a dildo. 

Kei picks up the speed, rocking his hips into you repetitively, in such a rhythmic pattern that you’re already almost there. You know, and he does too, that all he has to do is angle just a bit down and he would be obliterating your g-spot. Even without it, you can feel your arousal heightening so high. His thumb is still rubbing circles into your clit. “Kei- Kei, I think, I-,” you breathe, stuttering over your words, so filled with cock and pleasure that your head is foggy. 

“Already? You’re already going to cum? God, you really are starved of some good cock, aren’t you?” he teases, picking up speed even more. “I’m not even hitting your g-spot. I’m not ready yet. You’re going to cum without me even trying?”

You know you should feel embarrassed, but you’re not. You have no shame in letting yourself go. “Fuck, Kei, I’m coming, fuck.”

Your eyes squeeze shut. Your head presses back so far into the bed that you know how messy your hair is going to be. Your toes curls and your knuckles are white against the sheets. The entire time, no noise comes out of you, despite your mouth being completely agape. The pleasure is obliterating you. You can’t think of anything at all except for the pleasure. How good everything feels. Kei hasn’t stopped fucking you. He’s slamming into you as you ride your orgasm to completion. As soon as you’ve stopped cumming, you want to cum again. You need him to make it happen again. 

“I’m not stopping until I’m finished. If that means that you’ve cum so many times that your orgasms hurt by the last one, then so be it,” he thrusts into you again and again. His hand has moved from your clit and is instead wrapped around your leg, using it as leverage to fuck into you even harder. Every time you think he can’t fuck you harder, he proves you wrong. He’s almost growling at this point, fucking you so deep and hard that you exhale every time he pounds into you. 

“You’ll never cum from anyone else again,” he slams into you, “Every other guy that you ever take will never compare to me, will never be as good as me. Their cocks won’t fit inside you like mine does. They won’t fill you up as much as I can. I’m ruining you. I don’t even think you’ll be able to make yourself cum after this. Every time you want to feel pleasure, real pleasure, you’ll have to call and beg for it. When you’re in bed with Tadashi, so late at night, and he’s sleeping next to you, you’re going to have to call me and beg to meet up with me so that I can get you off.” His words are just making you get closer again. You know that he’s just talking dirty to you, but you know how much truth weighs in those words. He’s right. 

“You know that, don’t you?” he asks, breathless from how relentlessly he’s fucking into you. 

You nod at the sentence, still thinking repetitively over the words he said to you and how true each of them is. Kei reaches down to start rubbing your clit again. He can see you’re close. He can feel that you’re close. Your pussy is gripping his cock, the rigid, wet walls milking him as you have your second orgasm.

“Yes, yes, Kei, fuck. I’ll never feel this full ever again. Please, please, will you fill me after this time? Please, I can’t imagine never fucking you again. Please,” you moan through your orgasm. You want confirmation of something to look forward to. You need him again. 

He laughs at how unapologetic you are at begging for him again before he’s even finished with you. He doesn’t answer but instead asks a question. “Tadashi fucks you doggy style, sometimes, doesn’t he?” He fucks you through the end of your orgasm. 

You nod, hesitantly, still blown away by cumming twice already. “Sometimes,” you reply. Kei snickers. 

“On all fours,” he directs you. “I was serious when I said I wanted to ruin you, baby.”

You assume the position on all fours, a position that Tadashi will sometimes have you take him in. You’ve never understood the hype around this position, but you’re hoping Kei teaches you. A sting spreads from your ass as Kei spanks you. You’re already feeling the hype. You whimper. 

“Again?” he asks, smirking. You nod, wanting to feel the pain but knowing that he’s going to do it regardless. He spanks you again, harder this time. He doesn’t ask if you want it again, just spanks you for a third time, even harder. You won’t be able to sit tomorrow if he continues on. You kind of want him to continue on. You’re not met with another sting, but Kei’s cock thrust completely inside of you until his hips are pressed against your ass in one motion. You choke on your own breath, coughing in surprise. 

He brings his hands up and snakes one into your hair, grabbing a fistful, and the other on your shoulder, using it to pull you back onto him. You hear your skin slap against his, hard. You can feel the sting on your ass from where Kei spanked you as it smashes against his thigh. He’s so deep inside you, you think you can feel him in your stomach. 

Kei’s chest goes flush against your back. He whispers into your ear, “The next time he’s fucking you, you’re going to say my name.” It’s almost hypnotic, how low and intriguing his voice is. “You won’t be able to get me out of your mind,” he tells you, each thrust into you punctuating his words. He straightens back up, gripping your hips as he fucks into you. His fingertips are going to leave bruises. “Do you know why?”

You shake your head no. You want him to tell you why. You want him to say anything to you, anything at all. 

“Because you’re my bitch,” he says so seriously, moving quicker as your wetness grew, slicking him even more at the sentence, “and Tadashi has never hit this…” Kei thrusts, angled into your g-spot. The sensation makes it feel like lava has erupted in your stomach. “and it’s all you’re going to think about when you’re in this position.” He knows exactly where it is and he won’t stop smashing the head of his cock into it repetitively. “How this is what it could’ve felt like, but he’ll never make you feel like this. So you’ll be thinking of me the entire time and you’re going to say my fucking name.”

It’s too much. Everything about this situation is too much. You’re speechless. You’re aware of every part of your body that Kei has gripped onto or smacked. Your eyes roll back into your head. You don’t even know what’s happening, only that Kei’s cock feels so good against your walls and slamming into your g-spot. You feel a warm sensation run down your legs slowly at first, but then explode onto the sheets beneath you and Kei’s cock and his lap as you scream for him. “Kei! Fuck! Yes, Kei. I won’t ever think of anyone else. Only you. Only you, Kei, fuck. Oh fuck.”

“Fuck, you just squirted all over my fucking cock, fuck.” For the first time tonight, Kei sounds like he can barely speak. He can’t think of a witty retort about how good he made you feel, he can only keep repeating those words. “Fuck, you squirted so fucking much all over me, baby. Fuck, good girl. Fuck.” He pulls himself out of you. If it weren’t for the mind-blowing orgasm you just had that you need a minute to recover from, you would’ve whined endlessly until he was back inside of you. Kei looks so focused right now and you’re realizing that his hand is on his cock, wrapped around right where his head meets his shaft, squeezing, not stroking. His chest is heaving and he’s swallowing excessively. He had to stop himself from cumming too early. (Define too early?) He’s made you cum 3 times already, feeling your pussy tighten around him as he didn’t even stutter, and has fucked you for over an hour, not even mentioning the abuse your throat went through.

You think he’s waiting for the sensation to pass before entering back inside you, but he drops to his knees, pulling your hips towards him. “You’ve earned this, sweetheart,” he murmurs into your skin. You feel his nose press up against your ass, his tongue sticking out and licking from your clit to your hole. He doesn’t use the tip like Tadashi does, he uses the flat side of his tongue, exploiting every part of the surface of his tongue. Your arms shake as he sticks his tongue into your hole, fucking it, moving his face back and forth. “Fuck, Kei.” 

He moves back down to your clit, flicking it with the tip this time, fast, before sucking it into his mouth and running his tongue over it again and again as he suctions onto it. “Holy fuck. Oh my God.” Your face is down in the bed, your arms refusing to support you anymore. The sounds that are coming from behind you are almost enough to make you cum on their own. Kei is slurping all of the juices that he’s created since he first started touching you.  You can’t see him, but the sounds are incredible. You can’t see him. 

“Kei, Kei, can I lay on my back? Can I see your face? I want to see your face.” You know you’re not in any position to ask him for anything, but you hope he listens to you. You want to watch him eat you out so badly. He hums into your pussy, nodding as he flips you over, spreading your legs even further. He looks up at you, his mouth completely clamped over your entire pussy, his tongue working particularly hard, creating an insane amount of pressure on your clit, swirling around it, in between your lips and slit, fucking into your hole as deep as he can. His eyes never leave yours. You try to keep up with him, but it’s too fucking much. Your head falls backward, staring up at the ceiling. Kei’s arms reach up, grabbing onto your tits, rolling both of your nipples between his long fingers.

“Look at me,” he mumbles into your pussy quickly before continuing his expertise. You listen to him. It’s the least you can do. You look at him, your eyes watering at the pleasure that he’s creating for you. It sounds so messy, so sloppy, so fucking good . 

“Don’t- Don’t stop. ‘M gonna-,” you moan so loudly that it scares you as Kei works even harder, sucking your clit into his mouth and nibbling it softly before using his entire mouth, his lips, his nose, his chin to rub against your pussy, spitting on it repeatedly to slick it up. “Fuck!” you’re screaming now and you can’t help the sensation release from you again, the clear liquid spraying from between your legs onto Kei’s face. You can’t even feel apologetic, but you don’t think he wants you to. He doesn’t stop rubbing your clit through your orgasm, you clench your thighs together, completely overstimulated, but he doesn’t stop. He keeps rubbing your clit through the pain and into another wave of pleasure that quickly crashes into another orgasm. You’ve never come that quickly together before. There’s no squirt this time, only insane pleasure washing over you as you pant and scream Kei’s name. 

You’re out of breath. You can barely move. You’re so tired from all of the times that you’ve come, but you know how hard Kei is and you know how badly you want his fucking cum. 

“I want to be all the way inside of you,” Kei states. You’re confused and he can see the confusion on your face as he cleans his glasses with the blankets on the bed. 

“How? I mean, like, weren’t you… already all the way inside me?” you ask him, innocently.

“Deeper,” he says, laying down on the bed next to you and flipping you on top of him so your soaked pussy lips are wrapped around his length. He grunts at the feeling. You lift off of him as much as you can muster with how weak you’re feeling right now. He helps you, grabbing onto your ass and lifting gently until you’re up high enough for him to line himself up with your hole. 

“Sit,” he commands. You listen to him for the millionth time tonight, lowering yourself onto his cock. His cock hasn’t grown since he fucked you doggy style, but it feels so much bigger. It’s so much deeper inside of you as you’re seated on his cock. Your walls grip him on the way down.

“Fuck, you’re tight. How does Tadashi last so long in you?” he asks, genuinely wanting to know. 

You laugh for the first time all night, “He doesn’t.”

He holds onto your hips, looking up at you and how breathtaking you are. Your tits are out, moving with every breath that you take. It makes Kei’s cock twitch inside of you. “Bounce on my cock, baby.” He’s asking so much of you with the state that you’re in right now, but he knows you’ll listen to him. “Be a good girl. Bounce on my cock. I’ve done all the work tonight, sweetheart.” That’s all it takes. You get a sudden surge of energy as you nod, using your knees in the bed as springs to slide up and down his cock. 

“Fuck,” he mutters under his breath. His fingernails dig into you again, bruising the already bruised skin. How are you going to explain all of these marks to Tadashi? You don’t even care at this point. You want Kei to keep making more. He’s guiding you up and down, though you’re doing most of the work. “Faster, baby, fuck.”

You listen. You bounce up and down on his cock faster, getting higher before slamming down against his lip. Your tits are bouncing just as wildly. He moves his hands from his hips to your tits, grabbing onto them and massaging them as you milk his cock. You purposefully tighten around him on the way up and relax on the way down. Your tight pussy desperately gripping at each inch of his length, coaxing the cum out of his cock. “God, fuck. Milk my cock, baby, yes.” Kei’s lines are becoming less demanding and more appreciative. They’re still commanding, but less harsh. He moves his hands back to your waist, lifting you almost completely off his cock, your head only tightly squeezing his head. 

“Ready?” he asks. The bliss on his face is still there, but there’s so much devilish intent now too. You don’t have time to ask questions or to even tell him yes as he fucks up into you. His hips are moving so quickly up that even though your body isn’t moving, the ripples of energy are tearing through you, shaking them violently. 

“Fuck. Fuck. Fuck, Kei.” You’re already there. You’re already ready to cum just from penetration alone. 

“Not yet.” This is the hardest demand yet for you to listen to. “You can only cum when you feel my load fill you up.” You swallow hard, but nod frantically. 

He’s grunting so loudly as he claps into your pussy from underneath you. He’s getting so deep inside of you with every thrust. You’re speechless. You’re so on the edge the entire time that he’s fucking you like this that you can’t focus on anything else. He pulls you down completely on his cock and stops thrusting for a second. He’s breathing heavy as he snakes his arm around your waist, pulling you onto his chest, his cock still just as deep inside of you, but this time when he fucks into you, he hits you g-spot on the first thrust. “Kei, Kei, Kei,” you can’t stop saying his name, “I can’t- I can’t hold it.” You barely even notice the tears running down your cheeks as the pleasure is so built up inside of you. 

“Fuck, baby, fuck, almost.” His thrusts are getting sloppy, his cock is pulsating, you feel so fucking good wrapped so tightly around his cock, but he needs to feel you cum. He needs to feel your pussy tense up as he drills into you, knowing that he’s the reason you look so pretty, your face contorting from pure pleasure. He wants to feel you milk him, coaxing his big fucking load out of his balls and deep inside you. He can make you cum. He doesn’t have to ask you. He can just make you cum, even despite you trying to be such a good girl and listen for him. 

He holds your hips steady, slowing down for a few seconds, catching his own breath, letting himself relax. You’re both grateful and so sad about this. You’re grateful because you would have cum just then, but you’re sad because you wanted to cum so bad it hurt. He stills for a second and then he’s fucking into you again, but differently this time. His arms are shaking from holding you down against him so tightly, not letting you move, despite your numerous attempts to squirm, as he thrusts up into your tight, aching pussy mercilessly. You’re sobbing into his shoulder.

“I- I- I can’t hold it, Kei, please.” You’re trying to be so good for him. It’s making his balls tighten, but he doesn’t want to come yet. He can’t come until you milk it out of him. Do it. Cum, he thinks as he picks up speed, like sprinting the last half mile of a marathon. It’s as much as he can give and he wants it to be enough to push you over the edge without having to ask. You’ll feel so much better tightening around him while you apologize to him for not listening. 

“I’m going to cum, Kei, please, please, please, I’m sorry, fuck. I can’t hold it any longer,” the string of words come out so fast that they practically overlap each other. You cum around his cock, your pussy throbbing, gripping so tightly onto his cock as he keeps up the intensity of his thrusts. “Fuck, fuck, fuck!” you scream out. You start repeating his name over and over again, unable to think of anything else in the world. 

With your pussy clamping so hard down on his cock, it’s exactly what he needs. He feels his balls tighten, his cock throbbing inside of you as his hips start to stutter messily. “Fuck, sweetheart, fuck, you’re making me cum, fuck,” he grunts, snapping his hips into you as hard as he can as he unloads inside of you, strings of cum filling up your insides, squeezing out of your pussy as he tries to fuck them deeper into you, but has already overfilled your abused pussy. He’s still cumming, feeling it leak out of his cock, when he pulls his cock from your pussy, letting it land on your ass and back down on his own cock. He slides his cock back into your pussy, going as deep as he can as before exhaling a final breath. 

You’re both quiet for a second, not talking about anything that just happened, just breathing. You’re still pressed up against his chest, cum dripping out of your pussy and onto Kei. You know that you should both clean up, but you’ve never been this tired in your life. You can’t even roll off of him and you don’t think he could push you off. 

“When will Tadashi be home?” he asks, panting, trying to regain himself. 

“He doesn’t get back until tomorrow morning,” you hum happily, listening to his accelerated heartbeat. You don’t move, but he doesn’t ask you to move. Your breathing is more irregular than his is as you close your eyes. “Can we nap? I need to nap. That took so much out of me.”

Kei’s quiet for a moment. There’s no laugh or retort, he just nods, wrapping his arms around your waist and stroking your hair. He grabs the cleanest blanket that he can from where he’s pinned to the bed, draping it over top of both of you. You hum at the warmth. He knows that this is a part of the whole degradation thing, the comforting at the end. That’s why he’s doing it.

“Goodnight, Kei,” you smile up at him lazily, kissing his chest before laying it back down. “Oh, wait, Kei,” you look back up at him. 

“Hm?”

That’s why he’s doing it. 

“Thank you,” you smile at him, blinking slowly. You’re so tired that you don’t even notice his heart skip a beat as you thank him. 

Right?

[incognit0slut]

Right Kind of Wrong (11)

She ever thought she would be involved in a murder investigation and encounter her one-night-stand again, the awkward guy who isn’t exactly that good in bed—Or is he? Offended by the sentiment, Spencer is determined to prove her wrong… But as he gets tangled with the beautiful stranger, he realizes there is more to her than what meets the eye.

Part Summary: Her involvement in the case becomes more crucial than she lets on. wc: 2.7k

Series Warnings: 18+ explicit content, graphic details of murders, mentions of suicide

a/n: I know this part is long overdue, I've been very busy lately and I can't seem to write anything good for me to post. But do not fret, I am back and better than ever before (lol) Also, thank you for patiently waiting for this update🤍

Other parts: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

"I WOULD HAVE STRANGLED HIM IF I WERE YOU."

Y/n frowned as she watched the slight furrow on her friend's brow, adding an element of emphasis to her words.

A moment of silence passed between them before Sandy rolled her eyes, leaning against the plush couch in the living room with a tall glass in her hand. "I'm just saying," she explained. "He was being a total jerk."

She let out a sigh. A slight confusion weaved itself whenever she contemplated him. She thought that voicing out her emotions on what occurred these past few days could ease her, yet thinking of him was only making her question her sanity. It was as if her mind was attempting to decipher a language it didn't fully comprehend, leaving her caught between curiosity and apprehension.

She honestly didn't know what to think anymore. One minute she felt like she was head over heels for the guy, and the next minute strangling him didn't seem like a bad idea after all.

She could even list all of the things about him that riled her up, yet somehow the thought of having her hands wrapped around his throat reminded her of something entirely different, which was why she found herself saying, "You know, he would actually enjoy that."

Sandy raised her brows. "What? Getting choked to death?"

She scoffed. "No, not to that extent. But like, in another context." She then narrowed her eyes. "If you know what I mean."

The subtle innuendo didn't go unnoticed as Sandy's eyes widened in surprise. "No way."

"Way."

"Damn," her friend mused before taking a sip of her drink. "Smart and kinky. If only he wasn't such an ass to you."

Smart and kinky weren't exactly words she considered using in one sentence, but the sound of them put together surprisingly sounded enticing. It sounded enticing enough that her mind was starting to play tricks on her. It sounded good enough that she found herself starting to miss him, even when logic dictates that she shouldn't.

And now it sounded compelling enough that she couldn't help but weigh in the pros and cons when it came to the man, putting the cons on his ability to switch attitude in a span of seconds into a completely different person—not to mention his tendency to assume biased reasonings based on poor judgment.

On the other hand, the pros were very hard to ignore. There was a certain charm in his awkward demeanor, especially in his shy and uncertain smile every time it was directed her way. Then there was also his intelligent mind she was definitely drawn to.

But above all that, he was, without a doubt, a certified freak in the sheets.

And that was on top of her list.

A subtle sigh escaped her lips, revealing a hint of her internal struggle. "I mean, he did have a good point, don't you think?"

"Y/n," Sandy warned disapprovingly.

"What? He was only doing his job..." She glanced at her. "...right?"

"This is the alcohol talking," Sandy dismissed before standing up. "You would never forgive a man this easy if you were sober."

"It's Margarita Night, what's the point of being sober?" She proved her point by finishing the last drop of liquor from her glass, the vibrant notes of freshly squeezed lime and tequila playing across her taste buds.

Sandy simply scoffed as she took her glass and disappeared into the kitchen, the sound of utensils clinking together following behind as she started making them a refill. 

Y/n leaned back and closed her eyes, her body poised for a moment of relaxation. But just as the first tendrils of calm began to envelop her, a sharp interruption pierced through the air—the sound of the doorbell ringing.

A grin tugged at the corners of her lips as she rose from the couch. "Our pizza is here!"

Light steps carried her to the door as her stomach grumbled in anticipation, the scent of cheesy goodness already wafting through her imagination. She slowly wrapped her hand around the doorknob and swung the door open, but instead of being greeted by the delivery guy clad in his familiar uniform, the last person she thought would be on the other side of her door stood right in front of her.

Her eyes widened, capturing the shock that rendered her momentarily speechless. Time seemed to slow as her heart raced with caution while she attempted to process on what was happening.

What were the chances of seeing him again right at the moment when she had her friend coming over just so she could rant about the guy?

It was as if the universe was playing a trick on her, presenting a twist she could never have anticipated. As the seconds ticked by, she then finally found her voice, a mix of caution and confusion lacing her words as she muttered, "You're not the delivery guy."

"I'm not," Spencer—god, she still couldn’t believe he was here—responded, his eyes scanning along her features. "Sorry to disappoint you."

There was a fleeting moment where their gaze met, an unspoken wariness passing between them. The memory of their last meeting surfaced with a wave of tension that tugged at the corners of her mouth. She watched as his expression shifted, the space between them seemed to shrink, the air heavy with the weight of their unspoken words.

Then a throat being cleared cut through the silence, a soft disruption that broke the spell of their locked eyes. Startled, her gaze broke away from his, shifting to the source of the interruption. And there, standing beside him was another figure—a woman she hadn't noticed until that very moment.

Recognition flashed in her eyes as she glanced at the familiar face, recalling the blonde-haired lady as one of the agents she met at the bureau the other day. Agent... Jareau, was it?

Yes, that was definitely her name. She was one of the few agents who actually treated her without judgment, checking in on her from time to time, which was why she focused her attention on her instead.

"Agent Jareau, what brings you here?"

"Sorry to barge in this late," she replied with an apologetic smile. "But we'd like to have a few words with you."

"It's fine." Y/n stepped aside and pulled the door wider. "Do you want to come in?"

"No, it's alright, we'll be quick—"

"Yes."

Her gaze turned back to the other man and narrowed her eyes.

"I think it’s better to have this conversation inside."

She studied him for a moment before nodding, letting the two agents step inside her home. There was a clatter coming from the kitchen as she closed the door before walking down the hallway, expecting them to follow behind. "We can talk in the living room but—"

"We're putting you on protection."

She abruptly turned on her heels. "What?"

Agent Jareau sent a disapproving look towards Spencer as if trying to say this was not how they usually handle things in this situation. The woman turned back to her and gave her a reassuring smile before explaining, "We've been investigating the situation thoroughly, and it appears that the Unsub we're dealing with might have developed an unhealthy obsession with you."

Her heart slowly raced, a mix of fear and disbelief coursing through her veins as the words finally sink in. "Obsession?” Her brows furrowed deeper. “What do you mean?"

"As you may know, all of the victims were related to you in one way or another, where you received some kind of mistreatment by them all. We believe the Unsub might be doing this out of his way to protect you."

She felt a knot tightening in her stomach, a growing sense of vulnerability she had never experienced before. "P-Protect me? But why?"

Agent Jareau's expression softened as she continued, "We're still working to understand the motives behind their actions. But given the escalating behavior and the potential danger it poses, we've decided it's best to put you under protection."

Her mind was a whirlwind of confusion and fear. "Protection? Like... witness protection?"

Spencer, who had been quietly observing, spoke up. "Something similar. We're proposing a protective measure—having an officer discreetly follow you during your daily routine."

Her eyes widened in disbelief. "You want me to be followed?"

Agent Jareau interjected, "It's for your own safety. We believe that having an officer close by could deter any potential threat and give us a better chance of identifying the Unsub."

Her mind raced as she considered the implications. "But how will I know? Will the officer be obvious?"

"Officer Anderson is currently outside in a separate car. He's trained to blend in while keeping a watchful eye on your surroundings."

"I..." she trailed off, then shook her head. "Will he be there all the time?"

Spencer nodded. "Yes, but we'll do our best to be inconspicuous. You won't even know he's there most of the time."

The idea of having an undercover officer tailing her sent a mixture of emotions coursing through her veins. Safety, yes, but also an unsettling feeling of being under constant scrutiny.

"Is this really necessary?"

"Yes, it is."

Her thoughts suddenly spun like a whirlwind, torn between disbelief and grim realization. She had always taken her daily routines for granted, the simple act of going to work or meeting friends devoid of apprehension. Now, each step she took seemed laden with an invisible weight, as if unseen eyes were tracking her every movement.

And to top it all, was she actually the sole reason behind these murders? She wasn't exactly the one acting out these gruesome crimes, yet it might as well happened because of her. Who could harbor such an unhealthy fixation on her? What had she done to attract this unwanted attention?

The unanswered mysteries gnawed at her.

Agent Jareau reached out and placed a reassuring hand on her shoulder as she read the familiar look in her eyes, it was the same look whenever a witness was starting to blame themselves. "This isn't your fault, we're here to support you through this. Your safety is our priority.”

With a deep breath, she nodded, silently accepting the protection they offered. The blonde-haired woman then gestured for her to open the door, which she did, and pointed towards a car parked a few blocks away with its window down, revealing a normal-looking guy sitting behind the wheel.

"That's Officer Anderson, he'll be trailing behind you at a safe distance. You won't even notice he's there."

The officer caught them staring and lifted his hand, a gesture of his greeting. Y/n waved back at him. "Great, I've always wanted a personal bodyguard."

Unfortunately, none of the two agents standing beside her caught the sarcasm in her voice. Agent Jareau turned back to her. "You have our number, right? You can call us anytime if you need assistance."

She did have her number, she also had Agent Prentiss' number who constantly assured her to call if she ever found anything new that could help with the investigation. But surprisingly, out of all the agents she met, the one agent she didn't have their number was the one she had been sleeping with all along.

Not that she was ever going to call him. She simply nodded out of politeness, and as she did, she could feel watchful eyes staring at her intently. Agent Jareau's keen eyes also caught the subtle interaction unfolding before her. She caught the way Spencer's gaze fixed with unwavering intensity on Y/n, who seemed determinedly oblivious to the weight of his stare, or rather, she was purposefully attempting to ignore his scrutiny.

Sensing the tension in the air, she took a step back, offering a fleeting glance to Spencer before turning to leave. "I'll wait in the car."

Her footsteps softly echoed in the night as she disappeared, and Y/n wasn't sure whether being left with him was a good idea.

She could feel the subtle shifts of his movements, the barely perceptible rise and fall of his chest, as they stood just inches apart. She could also feel the warmth radiating from his body, a tantalizing contrast to the cool breeze that brushed against her skin.

"You okay?"

The air felt charged with tension as he spoke, his voice carrying a mix of nervousness and sincerity.

"It's safe to say I'm far from being okay," she decided to say.

He shifted his weight from one foot to the other, his fingers curling and then relaxing by his sides. His lips parted slightly as if he were on the cusp of forming the words he had carried within him for so long. His gaze, intense yet searching, traced the contours of her face as if trying to find the right entry point into a conversation that had been left untouched.

And then he finally spoke.

"I'm sorry."

She finally dragged her gaze on him with an expression that betrayed little emotion. "Are you sorry because a serial killer out there has an unhealthy obsession with me or are you sorry about your misconception of me?"

"Both." He seemed to search her eyes for a reaction, his uncertainty palpable. "But you must understand I was doing my job, it was never my intention to hurt you."

"But you did hurt me," she answered, her gaze dropping momentarily before returning to meet his. "Whether it was intentional or not."

He seemed to struggle for words, a mix of emotions playing across his features "I know. I'm sorry."

She tilted her head slightly, her expression remaining impassive. After hearing the new update on the case and how much she was actually involved, she wasn’t in the mood to be having a serious conversation.

"It's getting late,” she mumbled, crossing her arms. “You should probably leave."

Spencer let out a sigh. "Listen, I—"

"It’s getting late,” she repeated, her voice sounding severe. “We can have this conversation another time.”

His shoulders slumped, the weight of his remorse heavy on his chest. He had hoped for a reaction, a sign that his apology had made a difference. Instead, her indifference left him feeling adrift, as if it was a barrier that he couldn't breach, a shield that rendered his efforts to make amends ineffective.

There was nothing else he could do as she turned to face him fully again, her eyes meeting his with a calm finality.

"Good night, Dr. Reid."

He reluctantly took a step back.

"Good night," he murmured.

Then with a nod, he slowly turned away, leaving her standing there all alone. Her gaze remained fixed on his receding figure, his form gradually blending into the night.

Doubt suddenly gnawed at the edges of her consciousness—Had she made the right choice? Was her choice to distance herself a shield to guard against potential heartache, or was it a missed opportunity to rebuild what had been lost?

She shook her head and went back inside, closing the door behind her before leaning against it. It wasn't until she heard footsteps emerging from the kitchen that she realized Sandy was still here.

"What was that all about?"

Y/n glanced at her friend. The two freshly filled glasses in her hands were calling out to her and drowning herself in heaps amount of alcohol seemed like a good idea, even when she was probably going to regret it tomorrow morning. But she needed to feel numb by all of these emotions.

She watched as Sandy offered her a glass, waiting for her reply. There were a lot of things she could answer with, but the only matter that stood out to her was the new revelation on her involvement on the case. So she took the glass from her and pressed her lips around the rim as her mind drifted toward the disguised officer sitting right outside her house.

There was no other way than to explain it as it was.

"I think I might be in danger."

>> NEXT PART

.

taglist #1

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PLEASE READ: If you already asked me to be added but you're not on the list OR you want to be added in the future, please comment on this post so I can see it. But make sure your blog can be searched or I can't tag you. Or if you want to be removed you can also tell me. Thank you :)

Don’t forget to interact with the story!

[peachesofteal]

*me sliding into your ask box to tempt you to write the AU about Simon and Johnny getting Darling pregnant* 👀🤭😈

Sighs… same, friend. Same. 🩵

Dead Disco AU - this is not canon.

Warnings-tags: 18+ Minors DNI. Oral sex - fem receiving. Breeding kink, praise kink, pregnancy sex. Look away from me I am writing filth.

"Such a good girl." Simon whispers into your hair, mouth grazing along while breathes his praise into your body. His fingers card across your breasts leisurely while you seize and twitch, Johnny's mouth working diligently between your legs, hell bent on pulling the first orgasm from you.

"You taste different." He groans into your cunt and you tense, embarrassed, like you've done something wrong. His hands fold around your thighs to still you, half sitting up to peer at you over your rounded belly. "Sweeter, love. 's a good thing." His thumb presses to where your clit is swollen, throbbing and desperate for his tongue again, and moan.

"Feel good?" Simon hums and you nod, hips jerking greedily. "Want Johnny to make you come, darling girl?" You nod again, more frantically, and Johnny smirks into your pussy, mouth devouring you while his fingers push into your silken walls. Simon rubs your belly, unable to keep his hand away, mesmerized by it, and you, their darling, who's carrying their baby.

"Please." you whine, and Johnny pulls back to shush you.

"Shhh. You don't need ta beg." His tongue flicks over your clit between sentences and you whimper. "Give ya anything you wanted darling, everything you need." You make a desperate noise, one that sounds choked, and Johnny presses the flat of his tongue against you in a rhythmic motion.

"Ah- fuck. Johnny, please-" Simon can feel your entire body going rigid, muscles locking down, and a niggling fear eats away at the back of his brain, the words from your doctor last week, telling the three of them that you shouldn't be straining or pushing your body too harshly. Johnny, who's always operating on the same wave length as him, recognizes it too, and pulls away sharply, very much to your dismay.

"You need to relax, darling." Simon soothes you, still rubbing a pattern over your skin, down your belly, up to your breasts, tracing fingers across your neck and collarbone. "Just relax for us, let Johnny get you there." You huff, but nod, fingers uncurling from the sheets.

They both know what you need. With your emotions dialed up 100 fold, you're so much more sensitive, so much more emotionally dependent on them now. Simon would be lying, if he said they both didn't love it. Didn't dream about the way you clung to them, didn't love that you needed them nearly every second.

"Good girl, darling. Doin' so well for us." He massages your skin while staring down at where Johnny works, watching the way your hips jerk like you're being zapped with electricity. "So perfect. Making us a baby, keepin' her safe and warm, being such a good mum already." You shake in his arms, and he knows it's not from exertion, but from something else, something overwhelming that's building in your heart. He notices the way your thighs tremble with a smile, and he kisses your temple. His fingers float down to where Johnny's mouth is, unable to resist feeling where you're soaked, the sloppy sounds of Johnny working you boneless echoing in the bedroom. "You're doing beautifully. We're so proud of you." Your head rocks backwards, eyes slipping closed in bliss, and he knows you're close, almost there, all the while still relaxed, still at ease. Johnny pushes one of your knees up and the out, spreading you open, giving him easier access to press his tongue directly against your clit, the contact making you squirm and thrust against his mouth while he moans. "There you go, just like that. Be good and come for us darling, that's it." He encourages and you gasp a moment later.

"Ah, ah- I- I'm coming, I'm-" you cry, and Johnny eats your through it, unrelenting until you're gasping for air. Johnny can't resist playing with you, once he pulls away, keeping a hand on your hip to steady you, and bending forward to blow on your overstimulated clit, the cool air making you squeal breathlessly.

"Johnny!" you hiss and he laughs, before padding his thumb against the swollen nub lazily.

"I think you can give us another." He challenges and you blink up at Simon, blissed out and slack jawed.

"Can always give it a shot." He nods, and Johnny smirks, before pinning you back to the bed.

[antiphilosophia]

Crowley's pre-fall name is BARAQIEL (THEORY)

THIS POST MAY CONTAIN SPOILERS OR RATHER CLUES FOR GOOD OMENS SEASON 2 CONTENTS, PROCEED WITH CAUTION 🤍

Very well. Who doesn't love the Crowley is the Archangel Raphael theory (I am certainly of those people who do). During my first watch of Good Omens S2 I was even somehow almost confident that that was the case.

However, my second, more careful, viewing of this lovely (but equally heartbreaking) season made me change my mind, likely for good. In episode 4, Furfur's book "Demon's Guide To Angelic Beings Who Walk The Earth" shows us a name of a certain angel Baraqiel. (see photo below) Knowing Good Omens that can hardly be a coincidence.

Unfortunately, the very text is quite unreadable. One thing, other than the name, which is pretty clear is the subheading "Angel of the Sky" and since the episode 1 lets us take a look at how Crowley did indeed take part in creation of what is to be seen in the night sky, one can hardly find that entirely non-fitting. One other sentence I was (at least I think) able to read is "Often draped in red."

(On a different note but certainly worth noticing are scribbles that generally just roast Crowley – his suspiciousness, hair and name (though I am not absolutely sure of the latter) "His hair is bad!" Wow, Furfur really does hate Crowley.)

Then there is something written above the name of Baraqiel, unfortunately in none of the picture frames does it get a bit readable. I wonder though, couldn't it be "former"? Since it comes precisely after mention of Crowley to whom should one report on Aziraphale.

Crowley is very powerful. Dominion

A word that is not exactly readable but can be deduced from its placement (it is situated just as Aziraphale's "Principality") is Baraqiel's rank – Dominion Angel. It should be noted here that I very much lack proper knowledge of either Jewish or Christian mythology and I would hate to provide any incorrect claims. I therefore think it is better for me not to overly state things, even more so since everyone can look into it on their own and figure out what that might mean for our beloved demon. What I will say, however, is that they are (as I understand it) very powerful and, placed within the 2nd triad in the angel hierarchy, ranked higher than the Archangels. This would go well along with the emphasis that was in my opinion laid on Crowley's powers quite a lot this season.

For example: "A miracle of enormous power happened last night. The kind of miracle only the mightiest of archangels could've performed," said Shax to Crowley, to which he replied: "How'd you know I didn't do it?" He didn't get an answer.

What I think (and I may be very wrong, obviously) is that a miracle of this vastness wouldn't have happened simply because of a regular angel and a regular demon did together half a miracle each. What is also worth noticing is that the tool with which Crowley created the Nebula is the same as the one he used to temporarily stop time at the end of season 1 right before Satan's arrival. So much to the size of his powers.

Baraqiel, lightning of God. Fallen angel

Finally, to Baraqiel himself. My lack of knowledge concerning this matter still stands and frankly I don't even know where to find valid information about angels and such on the internet. Baraqiel should, however, stand for "lightning of God" and is also regarded as the angel of lightning. In season 2 there are (as far as I remember) two occasions where Crowley is put in correlation with lightning. (1) His poor anger management issues in episode 1 and (2) his not at all better matchmaking in episode 3 ("I haven't done weather in ages"). Furthermore, Baraqiel is considered to be the one who taught astrology to people. Nevertheless, what points to Crowley and Baraqiel being one even more is that Baraqiel is indeed a fallen angel.

•

So... That is probably it. I usually tent to theorize about stuff in quiet, in fact, this is the first time I've used Tumblr for anything other than reading Neil Gaiman's posts. I didn't even think that I would actually post it but then I've searched on Twitter, TikTok and here on Tumblr if anyone else has already come up with this theory. The only post I could find (hopefully I haven't missed anything) was by @valaza_04 on Twitter (click here) where they refer to the same frame shot as I do here.

Now I know, we are still recovering from heartbreaking (but if you ask me, absolutely amazing) finale and the main thing currently on our minds is figuring out why would Aziraphale choose as he did and the many wonderful theories that come with it. However, considering the utterly virulent look that Metatron shot at Crowley before walking out of the bookshop with Aziraphale and also his "Well, [Crowley] always did want to go his own way. Always asking damn fool questions, too." makes me think that he absolutely does not care for Crowley and whichever angel he was before the Fall. And I reckon it won't remain unnoticed in season 3 and might even be really important (or that is just me wishing for more pre-fall Crowley scenes). Hence I decided that I will post this. And it doesn't matter if no one will see this in the end, it was quite fun to write. However, if there is someone who will read this all the way through, I hope they will accept my apology for the mistakes I have most possibly made (English is not my first language) and also for the ridiculous length this post has come to gather. It turns out, I am just as chatty of a writer as I am speaker.

Well maybe I will come around to write one more post about this theory, only with a proper research this time. Till then thank you and, please, support this season by streaming as much as you can so we can have season 3 of this masterpiece of a show. And be kind to those bringing it to us in your comments regarding the ending, even though it is very frustrating and heart-shattering, it is also maybe the best ending we could have hoped for with the prospects of season 3.

Thank you for letting me talk my heart out, Tumblr.

[ask-train-trio]

~.~.~𝐀𝐒𝐊 𝐓𝐇𝐄 𝐓𝐑𝐀𝐈𝐍 𝐓𝐑𝐈𝐎 ~.~.~

INTRODUCTION MASTERPOST!!!!!

(ᴛʜᴇʀᴇ ɪs ɴᴏ ᴀᴜᴅɪᴏ ɪɴ ᴛʜᴇ ᴠɪᴅᴇᴏ, ɪᴛ ᴡᴀs sᴜᴘᴘᴏsᴇᴅ ᴛᴏ ʙᴇ ᴀ ɢɪꜰ ʙᴜᴛ ᴛʜᴇ ꜰɪʟᴇ ᴡᴀs ᴛᴏᴏ ʙɪɢ ᴏᴏᴘs)

This is an askblog for @lunozapp 's Indigo Park OCs! This post contains everything you need to know about this ask blog/AU and its characters! Context, boundaries, references etc. Asks are contextualised a little differently here, so check the blog description for the tl;dr on the context.

Check out issue 1 here!

CONTEXT:

This is DappleTilez24, also known as Tilez. He's a relatively small streamer in his universe's indigo park community, and is known for tirelessly completeing run after run, trying to beat his personal records (with.... varying sucess).

One day, he tries to speedrun a build of the game that he's never seen before...

...and stumbles across 2 MORE Rambleys than usual, much to the surprise - and confusion - of the Rambley we know and love!

Naturally, our hero Tilez is pretty damn confuddled... so he (mistakenly) asks his live chat for an explaination.

This is where YOU fantastic askers come in!

You act as Tilez's live chat. This means you don't even have to answer his queries, just say whatever you want to this interdimentional triplet of trash pandas, just like a REAL insufferable livechat would!

...within reason, of course (jokes aside, please read the boundaries)

[updated as of 04/07/24] CHARACTER REFERENCES: (in the animation i forgot twimbly's GT badges lol)

CHARACTER BOUNDARIES:

I want to make it entirely clear that i see the raccoon trio as brothers, especially with their very similar origins.

This is to say that I would not feel comfortable with any of them being shipped with eachother and I forbid the public sharing of that kind of content. If you see that kind of stuff around, please just mention this to the OP and block them if they refuse to respect it.

FURTHERMORE, please keep in mind that I ( @lunozapp ) am a MINOR. SO DON'T PUBLICLY POST NSFW/FETISH ART OF MY CHARACTERS, PLEASE AND THANK YOU.

However, shipping Twimbly, Ranglore, Rambley and Tilez with other characters that aren't related to them is fine by me (e.g. any of the original indigo characters x any of them, since they're not related)!

Again, please just keep it sfw.

ASK BOUNDARIES:

Pretty basic criteria, really. Just please don't spam the same ask over and over, I will guaranteed see them all unless this thing gets an explosion of attention out of nowhere lol

if i don't answer, its probably because either the question doesn't really fit the kind of story i have in mind for these characters or i just don't feel comfortable answering it. please respect that.

If you have a question for me specifically, start your ask with '[OOC]' (Out Of Character) or just ask me directly: @lunozapp

FURTHER INFO:

Asks are moreso used here as a prompt for conversation rather than the basis of an entire issue. More often than not there will be more than 1 ask in an issue, so going forward I'll make sure to tag everyone who asks without annonymity.

Also, please TRY to keep them as actual questions and not goofy 1-word sentences, the asks help me actually formulate a coherent premise for an issue

I don't OWN the concept of making ocs based off lore.mp4 and the GT thumbnail. if u see someone doing the same, try not to be all like 'OMG TWIMBLY/RANGLORE!!!! THEY ALREADY EXIST THIS IS PLAGARISM YOU CAN'T DO THAT!!!!!11!!11' unless it is blatant plagarism. Just use ur common sense ig

In terms of fanart/other fanworks, A MILLION THANKS IF YOU FEEL CALLED TO MAKE THAT!! The stuff i've gotten so far is genuinely so awesome, make it all you want if you feel called to do so. I'll try to reblog any fanart I find on here. If you want to go straight to asks, just click on the tag '#train trio asks'

alright, that's everything. Now what are you still doing here? Throw 'em a question! Or a compliment!! Or an insult.

or don't idrc just have fun here haha

fun fact!! putting everything together for this took a WEEK

[toxicpineapple]

writing tips masterpost

hello to my loyal tumblr followers... i am often asked to give writing advice but usually when people ask me this i'm nooooot completely sure what to say despite having a ton of advice to give. it's such a broad question when there are so many different things i can advise on, right? so i thought i'd make a sort of writing advice masterpost where i can compile the tips that i think people specifically in fandoms could benefit the most from hearing, OR that i wish someone had told me when i was still finding my footing as a writer.

hopefully this will be helpful to you. i am putting all of the advice under a read more since this is going to be a long one. let's roll!

✬ paragraph breaks are your friend

the fastest way to get me to stop reading a fic is if i click in and see that there are NO paragraphs made and the entire piece is in a huge block of text. no matter how good your work is, i just can't read it at that point. the giant paragraph makes me get lost, i can't focus on anything... it's a huge no.

the trick is you want your paragraphs to sort of act as a guide for your reader, taking them through the story, keeping them engaged. do not be afraid to do short paragraphs! i can understand wanting to shy away from one or two sentence paragraphs for fear of not having "enough substance" in your work, but the truth is, a thousand short paragraphs is ten times easier to read than a huge block of text.

realistically, you want to have a good amount of variety in your paragraph length. variety is key. readers will notice when your work gets formulaic, and some people will like that, but for others that can turn people away from your work. but don't force it! a paragraph should end at the end of a statement, or if the paragraph is getting too long then cut off the thought and continue in the next paragraph with a transitional phrase.

as a general rule of thumb, you want lines of dialogue by different speakers to be put in separate paragraphs. you also want to avoid doing huge chunks of narration or exposition in the same paragraph as you introduce a new speaker. just make a new paragraph! no big deal. i guarantee you your reader will be way more engaged and nobody is going to come at you for doing more rather than less.

✬ make sure the reader knows who is speaking and when

you don't have to end off every line of dialogue with "she said" and in fact i would really recommend you don't. but you ALWAYS need to have some kind of indication in the text as to who is speaking, otherwise the reader can get lost.

this doesn't necessarily mean that you always have to explicitly say who is saying what, though. if it is obvious in a scene who is saying something -- so for example, a scene where there are only two characters talking OR the dialogue has some kind of phrase, statement, etc that makes it obvious who the speaker is -- then in that case you can just let the dialogue speak for itself. sometimes in writing less can be more. you disrupt the flow of a scene if you start to exposit unnecessarily when the reader could reasonably work something out for themself.

✬ "said" is your friend too

related to the last piece of advice, here's another note: don't shy away from using the word "said".

don't overuse it, either. obviously, you don't want every single line to be "he says" "she says" back and forth, especially when they might be asking questions or shouting, in which case the word "said" probably isn't all that applicable at all. but it's a nice default. if you catch yourself busting out the thesaurus, my recommendation? quit it. just use said. it's not going to hurt you and the reader isn't going to mind.

but yeah, in the event that a character is raising their voice, whispering, inquiring -- there are tons of other words you can use in lieu of said and then an adverb. it's just context-dependent, and also, you don't really want to lean too far one way or another. like i said, variety is key. too much of the same breaks immersion.

✬ if you wouldn't say it yourself, probably don't use it in writing

another related tip. look, i get it. you want to spruce up your writing with synonyms. but the fact of the matter is that a lot of these words that "mean the same thing" on paper actually have wildly differing connotations and if you don't understand what those are you're going to look kind of silly whipping out a word you just found off the internet. we can usually tell, too.

your vocabulary will naturally grow and expand as you continue to read and learn. you don't have to try and force it to seem smarter in your writing. people who can write compelling prose and dialogue without throwing in fancy words they barely understand look a lot more intelligent than people who have a thesaurus at the ready 24/7.

✬ if there's a simpler way to say it, take it

this one can be sort of style-dependent, so if it's not your cup of tea then feel free to take or leave this tip, but in my opinion, taking a whole seven-line paragraph to describe a simple action wastes both your and the readers' time.

how many times have you read a fic where the main characters are having a conversation with these long rambling paragraphs between lines of dialogue? sometimes this makes sense! if you were writing a death note fic it would absolutely make sense for light or L to be pausing every few seconds to carefully analyse their opponent's move... but that's not always the case. sometimes characters are just making small talk.

i'm not saying you can't show off. you should show off where applicable. but there's a time and place. sometimes a scene benefits more from you taking the easy way to describe something and moving on. flowery language is great, but if you're meandering too much the reader will lose interest and attention.

✬ a metaphor is useless if nobody knows what it means

writing is subjective and highly personal. write for yourself first and foremost, and use the metaphors that feel right to you -- but the best metaphorical pieces, to me, are the ones that people can understand and identify with.

you've read a story like that, haven't you? with a reoccurring theme or motif that comes back into play at the end in a way that makes you feel so satisfied and complete? THAT'S what you aim for with literary devices like that. if you write a story that nobody can understand, with metaphors that just don't make any sense -- then you haven't really successfully told a good story, have you?

i understand wanting to have a magnum opus. i think it's easy to fall into the "misunderstood writer" mindset where you want your pieces to be so magnificent that only the likeminded will get it -- but writing is a form of communication. metaphor is just another means with which we can illustrate how we feel. you WANT your readers to understand what you're doing with the metaphors, you WANT the people who step away from your story to know what you were trying to say. you don't have to be obvious, just make it good. make it something that can be reasonably drawn from the text.

at the end of the day flowery language is just flowery language. that doesn't actually make your story good.

✬ grammar intermission

(.) period/full stop: used at the end of sentences. oftentimes not used at the end of sentences in dialogue, because lines of dialogue are considered a fragment of a larger sentence. use a period/full stop at the end of a line of dialogue if the dialogue is followed up by another complete sentence. example:

"i just went to the store," he said, scratching his head.

"i just went to the store." he scratched his head.

(,) comma: used in the middle or to separate different clauses (parts/sections) of sentences. used for incomplete clauses, AKA sections of the sentence that could not function as individual sentences. also used to indicate a slight pause. example:

she reached for the ripest banana, plucking it from the bunch.

a comma can also be replaced by a conjunction like "and" or "but". example:

she reached for the ripest banana and plucked it from the bunch.

(;) semi colon: used to separate different complete clauses in sentences, AKA sections of the sentence that are related but COULD function individually as their own sentences. example:

he sighed as he looked out the window; it had been so long since he stepped outside.

not to be confused with

(:) colon: used at the end of a line that leads into or introduces another line. example:

his fingers drummed restlessly against the window sill. it was finally happening: he was finally leaving this place.

(-) hyphen: used to connect compound words like three-years-old or hyphenated surnames like jones-smith.

(–) en dash: used to indicate ranges of time or distance, like 3–4 hours.

(—) em dash: a girl's best friend. slash j. but an em dash is used to indicate a few different things: an abrupt end to a thought or sentence, a "cut-in" where you interject something tangentially or unrelated before returning to the original thought, or a diversion in the sentence/thought. examples:

"no, listen, you don't understand—"

he scowled—an ugly look on his usually handsome features—and told her to be quiet.

it's not like she had wanted it to go that way—but when had it ever mattered what she wanted?

(()) parentheses: used to add additional context, information, or a semi-unrelated thought that would break the flow of an ongoing sentence without completely taking the reader out. example:

"no, i'm sorry. i just forgot to call you this morning," he said, looking away. (in truth, he'd sat by the phone for fifteen minutes trying to psyche himself into it, but hadn't been able to muster the courage.)

✬ show don't tell, and tell don't show

show don't tell is one of the classic pieces of writing advice that i do, often, think is correct -- but it's a little more nuanced than just never telling your readers what a character is thinking. you want the work to speak for itself without you implanting messages or themes into the reader's brain. at the same time though you don't want them to be doing too much work because it breaks immersion.

this ties into what i was saying above about simpler being better sometimes. you want to be concise especially in scenes that might call for it. a fight scene should be quick and snappy. no need to dig into the physical sensation of being enraged -- just say the character is pissed! but if a character is having a meltdown or panicking, you can get SO much more out of describing how that feels than just outright saying it.

✬ remember your perspective

another huge thing with show don't tell is that you don't want your character to be able to objectively say what everyone else is thinking and feeling -- unless that makes sense for them within the context of the story. really dig into it. DOES the character have a reason to know what their opponents, friends, etc are thinking? how well do they know the other characters? how attentive are they to the emotions of those around them?

it's better to focus on descriptions than labels in that case. say what face a character is making, describe their body language or tone. your character can have impressions, just make it clear that those ARE their impressions. and let your character be wrong! they do not have to be a completely objective source of information.

✬ when it comes to representation, if you aren't confident you can do it well, don't do it at all

i'm one of those people who's kind of of the opinion that white or cishet or otherwise systemically advantaged people have no place being the loudest voices in conversations about representation, least of all AS the representatives. if you are someone with systemic privilege and you choose to portray someone who is oppressed -- that's not necessarily a bad thing. but you need to be willing to do your research and have a sensitivity reader, and you have to be ready for people to say you did it wrong.

not much else to be said about that. your voice on the matter isn't actually all that important. there are people from the demographics involved who DO have stories to tell about themselves that will be MUCH more valuable than your perception of them, so it's honestly better to just let them tell it. that's how i feel.

✬ don't break the rules unless you know how to follow them. in other words, your rebellion should be obvious

a lot of times i see people breaking grammar or other rules and citing "stylistic" choices as their reasons why. which is all good and well, to an extent -- but you want it to be very clear that you ARE breaking the rules on purpose in a way that adds to the artistic merit of your piece.

if you don't know the rules, then it really just comes across like messy work. you both have to know how to apply the rules, and also how to break them in a stylistically significant way. if it doesn't make sense for the rules to be broken, if it says nothing... it's honestly better to just follow them. that's my take.

✬ don't be scared of names and pronouns

i said before that you want variety in your work, and that is very very true -- but it's also true that certain words like names, pronouns, etc will sort of blend into the background in writing. people don't notice them. that means if you're using a name or pronoun a lot in a scene to make it clear who exactly is being referred to...

hey. look into my eyes. breathe. it's okay. you do not have to resort to highlighting arbitrary characteristics of the characters. i know. just breathe. it's okay. use their names. they have them for a reason. it's all good.

this isn't to say that you SHOULDN'T do that, just do it when it makes sense to. if height is something the characters are noticing then use "the shorter boy". if age is relevant, eye colour, hair colour, whatever -- go ahead and use them. but don't be excessive with it. i should not be having to read the bluenette more than i'm reading shuichi's actual goddamn name.

✬ read

this is the huge one. reading other works informs your writing. it teaches you skills and tricks you can use. it helps expand your dialogue and your world view. it might even highlight to you things you do too much of in your own writing. read, all the time, whenever you can. it doesn't have to be books. it can be fanfic, articles, whatever -- just keep reading, because you will be passively absorbing knowledge during that time and it'll help you grow as a writer.

✬ practice

BOOOOOO TOMATO TOMATO TOMATO! SHE SAID THE THING SHE SAID IT!

but listen, it's literally just true. i write almost every day for at least a couple of hours and i have been on a trend of consistent growth for the past five years. go read my fics from 2019 if you don't believe me. i've grown fast and i've grown constantly. you just DO grow through constant practice, even if it doesn't always seem that way.

not only that, but you start to build confidence too. writing a lot helps develop those muscles to a point where you start to realise that you ARE that good and you DO have that dawg in you. or whatever. you just have to keep at it. you're not going to magically improve thinking for six months about how you want to be a better writer without practicing anything about it.

✬ yeah, betas are good

you want to have a good editor. i know that that can feel like having someone ELSE be the reason your piece is good, but that's genuinely not it. a beta reader is a second pair of eyes on your work, someone who can tell you about the issues and mistakes you're missing. they'll tell you when something doesn't make sense. they'll point out your punctuation errors. you don't NEED to have a good editor for every crummy little oneshot... but it's good to have one.

✬ numbers are fine and all but don't compare yourself to other people

i think almost everyone in some kind of creative pursuit wants to get some kind of acknowledgement for it. we want to be the best we can be, and it can be discouraging to receive utterly no validation along the way! i get it!!

just don't get caught up in crunching the numbers. you are not as good as your fanbase is. you alone know your skillset and you absolutely should not say "well this other writer got THIS much attention" because that'll just wear you down. it really will. external validation will only keep you going for so long, and you'll always end up needing more. you HAVE to build your own personal confidence first or you'll crash and burn.

✬ read your writing out loud

there is no quicker way to see if something is wonky in your prose than reading it out loud and seeing if it makes sense verbally. i highly recommend this to anybody who struggles with sentence flow. it's a good one.

✬ yippee hooray!

🥰 and that's what i've got for now. thank you if you made it this far, please take all these tips as you will, it is all subjective of course, these are just the tips that help Me the most when i sit down to write something.

please feel free to ask me for additional advice (on specific topics if you could!) at any time, i love encouraging new writers and i am passionate about writing so i will gladly offer support in any way i can, including beta reading works for anybody who might need that.

take care now 💖

[darkcircles4lyfe]

This doesn't have anything to do with anything, but i had a talk with a friend a few days ago, about shonen biasis and the way this shapes our expectations, and mha came up so i remembered how so many people apply those biasis HEAVILY into the manga, to the point that they sound like they're looking for a different story.

And one of those things that it seemed to be MOST talked about is exactly bkdk's relationship.

I have seen many times people from the fandom (sometimes really angrily) point out how in most cases Katsuki seems to basically take up not one, but four roles in Izuku's life and this includes putting him in situations that people associate with the MC's love interest, and it is weird that, despite Izuku "having a girl" for people to make assumptions about, he seems to completely repulse any female character that could be the counter part to Izuku's.

And this made us wonder if Katsuki's placement in those roles and lack of interest was made specifically because the author precisely did not want the actions that both do for each other as romantic but a whole another thing entirely, as a subversion for the these classic tropes, as he did by making the conflict between Ochako and Himiko not a "rivals fighting for the affection of a boy" but something that is connected to the plot of these characters instead.

Oh you bet! I am always down to talk about this, because I think about it a lotttt.

This reminds me, recently I remembered a funny habit I used to have with books I read. Like, back in middle school. I used to start by flipping directly to the last page and reading the final sentence. Usually this did not spoil anything whatsoever, but sure enough, by the time I read through the whole book, that sentence would take on new meaning.

So I started musing about what it would be like if only I could do this with bnha, if everything was already out. It made me feel so nostalgic…

Will the last panel be something grand, or something small? Hopeful or sad? Distant? Intimate? A parting message to the reader? Will it look like almost nothing of consequence to the unknowing eye—yet burst with hard-hitting subtext?

Of course I wonder about all the twists and reveals that might be still ahead of us, but it’s kinda soothing to think about how the whole thing could be put to rest. Because then I realize I’m not worried.

For once, this is not because the story is following so many tropes so predictably that I know exactly, in so many words, how it will end. It’s more like the story is a close friend who I’ve gotten to know well enough that everything they do is so “them” it makes me smirk. I'm often marveling at how Horikoshi has managed to pull all this off. How is it that (at least here in the west) people who aren't really paying attention call it basic and cookie-cutter. Even a Japanese animator called it "classic," and this interview shows such obvious dissonance between Hori and the interviewer, just... wow. But it's so clear that bnha has broken just about every rule in the book at this point, so much so that I struggle to condense it into words. I'm like--*gestures broadly at everything*--why haven't more people picked up on it??

Yet we still get bombarded with people saying "it's a shonen, c'mon, we all know how this will end." Um. No you don't. I KNOW there has to be a bunch of people who are secretly frustrated by Kacchan taking up all the roles and getting all the moments. It's not even in a mysogynistic way, because Kacchan is the most anti-dudebro character imaginable. Bkdk's relationship isn't intended for them and they know it... and you know what, I'm starting to ramble. You've heard all this before. The thing I should really be focusing on in your ask is the part where you mentioned how you and your friend were speculating about bkdk ending up as "a whole other thing entirely" rather than simply romantic.

Well, fuck it, I've been biting my tongue, but now might as well be the time I talk about this. I got into a bit of a disagreement with someone over it once and then I shut up. Because it's very difficult to approach the subject without being lumped in with those people who see bkdk as "brotherly" (ew) or otherwise try to push some "crisis of male friendship" agenda, or at the very least without being accused of enabling people to make excuses against bkdk being canon ad infinitum. So let me be clear that I do NOT want bkdk to have an ambiguous or open ending. I want their complexity and importance to be acknowledged. I want them to use their words. I think we may have created a bit of a false dichotomy there.

I am aromantic, and to suggest romantic relationships are inherently the most important and intimate goes against every fiber of my being. I also reject the idea that cut-and-dry gay representation is more desirable just because it is more easily understood by the masses than aspec representation or representation of relationships "beyond" both romantic and platonic. We recognize how ridiculous it is for people to expect Izu*cha at this point, right? Well, the reason they're so confident anyway isn't just because of heteronormativity. It's also because of amatonormativity, the assumption that romantic attraction trumps all: no matter how much focus bkdk get, Izuku blushed at Ochako, so that automatically makes them more "important." THAT is the notion that I want to challenge most. More than anything, I want bkdk's relationship to be fully acknowledged because they have so much more going for them than just attraction.

You and your friend make an excellent point, that it would be very much in line with Horikoshi's taste and the patterns of his writing so far if he chose to subvert the shonen romance trope not just by giving it to two boys, but also by disregarding its premise entirely. It's unlikely he'd try to stuff them into such a copy-paste ending right at the end.

So maybe they won't get the blushy confession, the obligatory kiss, the wedding, the 2.5 kids and a white picket fence. That's fine, we shouldn't pretend those tired tropes are suddenly revolutionary just because they're gay. But don't be disappointed! Without them, we have more room for things that are actually personally meaningful to bkdk to stand out and receive the nuance they deserve: talking through their feelings openly, building each other up like no one else can, understanding each other like no one else can, smiling at each other, embracing, holding hands, rushing to the other in the hospital, being glued at the hip (or even closer), healing mutual trauma, putting each other first in all things. Maybe we'll also get confirmation on Ochako's side as she moves on from her crush on Izuku. You know what other shonen manga took this exact angle as a way of subverting tropes and presenting genuine complexity? Blue Flag! There are so many ways to do bkdk justice.

Even a kiss isn't out of the question, if the right opportunity comes along. A perfect example of what I'm talking about is Good Omens (major season 2 spoilers) because the kiss between Crowley and Aziraphale was not at all about canonizing them. It was an expression of pain and desperation that just made sense at that particular moment. Neil Gaiman was adamant that if it took that kiss to understand the context of their relationship, you really weren't paying attention. I respect the hell out of that.

Recently I was even daydreaming about bkdk getting something similar to the sort of uh, shall we say tasteful nudity, that togachako got, because of how Izuku appears in the vestige realm.

Ya know like not in an nsfw way but in like a "this is so deeply intimate and soft that I feel like I'm intruding" kind of way... yeah. Because it represents vulnerability and openness and acceptance of someone as they are. And I don't care if people call that bait. It's not. It's beautiful. It’s honest.

[flowerandblood]

The Prince and The Fox

[ modern! • Aemond x friend! • female ]

[ warnings: sexual abuse, violence, trauma, panic attack ]

[ description: After the events of her childhood, despite her best efforts, her neighbor and the younger brother of her friend Helaena, Aemond, does not want to know her. This state lasts until a house party organized by his older brother, Aegon, during which an incident occurs that will change their relationship forever. Slow burn, angst, toxic ex-Alys, rough Aemond. This is several anon requests combined into one fic. ]

WARNING: The main plot between the characters takes place in high school. Yes, in high school. The belief that teenagers wait with an intimacy when they are in love in high school is ridiculous to me. Aemond and the character here are the same age. Don't ask me how old they are, in my country you are of the age of consent in your first year of high school and an adult in the last year of high school, so if it is more convenient for you, think about it that way and decide for yourself. In this story, I am not following the trail that they are magically friends right away, but how they become friends and what that even means. I'm writing this fic to give the perspective of young, lost people, not adult women who want to see exactly themselves in everything they read. If that's all you expect, this isn't the fic for you.

I don't want whining about this in my comments or asks. I will delete these and block you. You have been warned.

Aemond + Evans Series Moodboard

This is my first story that has its own playlist, but yes! Get in the mood! Story Music Playlist. Song used in this chapter: Feuer Frei! (Rammstein)

* English is not my first language. Please, do not repost. Enjoy! *

Next chapters: Masterlist

_____

She wasn't sure how they became friends. Before she met him she played often with Helaena, they lived in the neighbourhood, and there wasn't much of an age difference between them. They often visited each other to play with their dolls, while her brothers existed for her somewhere in the back, busy with their serious, boyish affairs unavailable to girls.

One day when their mother called Helaena home she was sitting on a blanket on the grass in their garden, pretending that her teddy rabbit had just been drinking tea from her pink plastic cup, when their whole elaborately choreographed scene was destroyed by a dog bumping into her and licking her.

"Vhagar! No! Bad dog!" She heard the growl of a young boy, running up to them and grabbing his happy, shiny labrador with big eyes, who just licked her face, panting loudly, pulling her by the collar, trying to drag her away.

She giggled, wiping her face, and it was only when she looked at him that she noticed a large white bandage on the left side of his face, covering his entire eye and part of his cheek, taped up with plasters. She blinked, curious, and cocked her head.

"What happened to you?" She asked lightly, and he threw her an angry, murderous look, tightening his lips and furrowing his brow.

"Fuck off." He hissed, and she turned all red, close to tears, devastated that he had used such ugly, vulgar words towards her that her parents had forbidden her to use, shouting at him that he wasn't allowed to talk like that, that she didn't like him and for him to go away.

This is exactly what he did, dragging his dog behind him with difficulty, and she took her rabbit and ran to her house across the street, no longer waiting for Helaena to return, distraught.

Her father tried hard to get anything out of her, but he understood little of her loud sobbing and babbling, she could see nothing through her tears, she stood and stammered out mere fragments of sentences from which her parent had by some miracle put together a whole. Her father sighed heavily, running his hand over his face.

"Listen. Helaena's brother, I think his name is Aemond, had a very serious accident. I was told about it by his mother when I met her in the supermarket recently, the whole family is going through a lot. He will have to wear an artificial eye and will be left with a big scar. He feels very bad about it and that is why he is behaving like this. Your question was very tactless." He said finally.

She felt a squeeze in her heart and burst out sobbing even louder, this time because she had offended him, that surely this boy now hated her when she wanted everyone to like her.

"− I didn't − after all − uh − I didn't mean to − I just −" She mumbled in despair, not knowing herself what she wanted to say, breathing hard, almost choking from her sobs, her face all red, she was hot with emotion.

"Come here." Her father said to her, so she walked towards him. He embraced her and stroked her head, saying that she should ask her mother to help her bake cakes for him and bring them to him, wishing him a speedy recovery and apologising so they would both feel better.

She decided that this was indeed a good idea and did exactly that.

The next day she knocked on their front door standing with a box of cakes and was opened by their mother, a beautiful, long-haired woman with a warm smile, she was wearing a thick green jumper.

"Good morning, dear, Helaena is just in ballet class." She said to her in a soft, calm voice, and she shook her head.

"No, ma'am, I've come to see Aemond, I've baked cakes for him and I want to wish him quick recovery." She recited with difficulty what her mother had told her to say, hoping she hadn't forgotten anything, waiting with a pounding heart for a response.

The woman smiled broadly with some kind of gratitude and called out loudly to her son asking him to come downstairs, saying he had a visitor.

Her son came down reluctantly, furrowing his brow, having no idea who might want to see him and when he spotted her he immediately pressed his lips together, furious.

He approached his mother, looking at her distrustfully, and she swallowed loudly feeling a tightening in her throat and tears of shame gathering in her eyes again.

"I'm so sorry for asking you about it at the time, in the sense of what happened to you and that I upset you and that you were sad and that I yelled at you afterwards because I was sad too and − and −" She mused, forgetting for a moment what she was getting at in that sentence, swallowing her saliva loudly and suddenly remembering. "− and − and I brought you cakes that I baked with the help of my mother to wish you a speedy recovery."

She said quickly and held out a cardboard box tied with a ribbon in front of her. Aemond looked uncertainly at his mother, who nodded at him to accept the gift. He did not look at her as he reached out for the package and murmured under his breath, nodding. His mother sighed quietly.

"What should you say now?" She asked him expectantly, and he pressed his lower lip together, looking somewhere sideways, discouraged.

"Thank you." He muttered, turned and headed up the stairs.

"Goodbye." She said quickly, turning and running towards her house, feeling relieved that now she had put things right and now he would surely like her a lot.

She was wrong.

When she came to their house to see Helaena, he immediately locked himself in his room. When they passed each other at primary school he did not respond to her greeting by pretending not to see her even though they were neighbours.

When their parents met each other in the supermarket and started talking to each other, he would approach the shelves and pretend to look at some products, doing everything he could not to talk to her.

He never spoke to her in a bad way again, never shouted at her again, but simply pretended that she didn't exist.

Everything changed when they went to high school and it turned out they would be in the same class. They would then get on and off at the same bus stop, but instead of talking to her he preferred to put his earphones in his ears and browse through the apps on his phone, pretending not to see her.

She tried to talk to him, but he shunned her, treating her like air. She had the painful feeling that from that moment, from the day she asked him the wrong question, she was already crossed out as a person in his eyes.

And then their literary history teacher gave them a homework exercise to do in pairs. Assigning a person to each, when he looked at her he waved his hand as if realising something.

"Ah, Evans, you and Targaryen live nearby, it will be easier for you to work. Next couple −" He said, and she froze, looking at him over her shoulder, his eye wide open, pointed in her direction, he was playing with his pen between his fingers, his lips clenched into a thin line.

He was furious.

She swallowed loudly feeling a tightness in her throat and turned back towards the board, feeling only the loud pounding of her heart.

She ran after him off the bus, seeing him walking towards his house with his backpack thrown over one shoulder, the hood of his dark sweatshirt pulled over his head, earphones in his ears. She grabbed his sleeve to make him stop, and he flinched and looked back, surprised.

"Wait, can we talk?" She asked, breathing fast, and he furrowed his brow, taking the earpiece out of his ear, she could hear some loud heavy metal music coming from it and recognized the song Feuer Frei! by Rammstein.

"What?"

She blinked, understanding that he hadn't heard completely what she'd said. She grunted quietly, letting him go, looking at him expectantly.

"I asked if we could talk."

He looked ahead, letting the air out loudly through his nose with impatience, pulling the other earpiece from his ear, looking everywhere but at her. She guessed he wouldn't say anything, so she started quickly, not wanting to irritate him unnecessarily.

"I know you don't like me and I promise not to annoy you with anything. Let's just go to your place or mine, do this homework and get it over with. Okay?" She asked in a trembling voice and he licked his lips, indecision and frustration in his eyes, something was going on in his mind that she didn't understand completely.

He snorted, shrugging his shoulders and nodded at her.

"Come."

They entered his house greeted by the smell of dinner just being cooked. Their mother welcomed her presence in the company of her son with joy and surprise.

"Will you eat something? The meatballs in sauce are warm and ready." She said warmly, hoping they would stay down, guessing that they were both hungry after many hours of lessons.

She wished he would agree, feeling a burbling in her stomach.

"No. We're going to go do our homework." He said in a low, slightly hoarse voice. He pulled off his shoes, slipped the hood off his head and walked up the stairs without looking at her.

He walked into his room, throwing the clothes and books lying on the floor into the wardrobe, clearly wanting to do a quick tidy up, his whole walls covered with posters of various bands, Rammstein, Electric Light Orchestra, Deep Purple, Guns N' Roses, Led Zeppelin, his bookshelves heaving with books.

"Sit." He said lowly, pointing to the chair he'd set up by his desk, himself sitting down in a comfortable high-backed leather player's chair, spreading out on it comfortably.

She walked over to him, pulling her pastel soft backpack off her back, pulling out her notebook and the book they had just reviewed.

The Little Prince.

She felt that he was looking at her expectantly, so she opened her notebook in which she had written down the exact assignment the teacher had given them. She decided to read it aloud so they could reflect on it together.

"The Little Prince is a metaphorical story. Talk together about a few scenes from the book that moved you most and compare your thoughts, writing down similarities and differences. Analyse at least two scenes in this way."

She glanced at him, tightening her lips, feeling her heart pounding hard. For some reason she was terrified, he was sitting next to her, resting his elbows on his desk, leaning forward, seeming even bigger and taller to her than usual.

She felt strange thinking that he smelled nice, that he used some ordinary, cheap men's perfume.

He sniffed with his nose, not even looking at her, taking a pen in his hand.

"Have you read this book?" She asked, wanting to make sure he knew what they were going to talk about. He threw her a look like he thought she was an idiot.

"Do you have any more stupid questions, or can we get started?" He asked lowly, and she pressed her lips together, humiliated, feeling for some reason that she wanted to cry.

She felt like asking why he couldn't forgive her at last, but decided it was pointless, that he obviously didn't like her because he had such a whim.

She shook her head and he hummed, taking her copy of The Little Prince in his hand and began looking through it.

"Which scene do you want to talk about?" He asked coldly, dispassionately, and she swallowed loudly.

"About the Little Prince and the Fox." She said quietly, feeling him give her a brief glance.

He grunted under his breath, apparently agreeing with her choice, waiting for her elaboration on the matter. She swallowed with difficulty, licking her lips.

"What moved me most was how true this scene is. That the greatest enemy of friendship, or any close relationship, is haste. That only by respecting someone's barriers, only by approaching someone slowly and with understanding, can you really look at them from a distance.

By taming someone, by making that person grow attached to you, you take partial responsibility for that person's feelings, for making them trust you enough to believe that you won't intentionally hurt them with your behaviour. Until we really get to know someone we are just a crowd of people passing each other on the street."

She said in a trembling voice, feeling for some reason tears under her eyelids and a tightness in her throat, her eyebrows arched in pain, her lower lip began to tremble, she played with the material of her white daisy dress in a nervous gesture.

She felt him watching her, an awkward silence fell between them.

She couldn't look at him.

She thought he was going to say something cruel, that he was going to tell her to stop wailing, but he said nothing. After a while he spoke up.

"I see this scene differently. They're both moving towards each other because they're determined to do so. They are both going their separate ways. There is a balance. The Little Prince doesn't force the Fox to approach him, just as the Fox doesn't force the Little Prince to approach him. They do it of their own free will. They tame themselves because that's the decision they made. You can't tame someone who doesn't want it." He said lowly, and she looked up at him feeling tears begin to run down her face.

Was he talking about himself?

Was she the Fox who wanted to tame him even though he didn't want it?

"I'm sorry." It burst out of her chest before she had time to think about what she was doing.

He pressed his lips together and swallowed loudly, clenching his hands lying on the desk into fists, his nostrils moving restlessly in accelerated breathing.

She covered her face with her hand, embarrassed that she just couldn't stop crying, feeling pain in her heart and feeling sorry for herself that she just wasn't able to give him a break, that she kept seeking his attention and interest when he just clearly wanted her to leave him alone.

She couldn't bear the thought that she wasn't liked by every man she knew.

She felt ashamed at the thought that she had been so selfish.

"I can't stand that you don't want to talk to me. That you don't like me, that you pretend not to see me. I think it's driving me crazy and you're right to think that I'm an attention-seeking girl. I'm ashamed and I apologise to you for that because it's not your problem. I promise I'll stop." She said between laboured breaths, shrugging her shoulders, lowering her gaze.

He just looked at her.

"You exaggerate everything too much. You care too much." He said finally, his voice calmer as was his gaze.

She saw him fidgeting involuntarily with his fingers in a nervous gesture, the cuticles around his fingernails peeled and red, they must have caused him pain, but he plucked them nonetheless.

"Stop." She whispered and placed her hand over his, his fingers froze in mid-motion. She heard him swallow loudly, completely taken aback, his healthy eye open wide, his whole body concentrated. She stroked his palms with her thumb, and he didn't push her away.

"I'll leave you alone." She said softly and took her hand away, not believing she had dared to do so, and he just nodded and grunted, looking in her book for the quote he wanted to talk about.

They wrote down silently next to each other what they had talked about, and when they had finished she took her books, packed up and left without saying goodbye to him.

She no longer sought his gaze when he stood next to her at the bus stop, when he sat behind her in class, when she passed him in the school corridor. She realised that she had been conceited and vain in thinking that she would make him like her. She thought there was nothing wrong with someone not fancying her, not wanting to talk to her.

She had to get over it.

She attended extra volleyball classes, loved this sport and had good results at inter-school competitions. The captain of the men's team was Cregan Stark, a tall, well-built, funny black-haired boy who caught her eye from the start.

He would occasionally wink at her from afar seeing her gaze, and she would blush, lowering her eyes.

They were good mates, chatting sometimes during breaks and laughing. Cregan often approached her between classes, throwing in any topic, sometimes accompanied by his colleagues who were also fond of her. She felt butterflies in her stomach when he invited her to a house party that Aegon was organising.

She knew that Aemond would certainly be home at that time, but she figured that he would lock himself in his room and not go downstairs to them anyway, so she readily agreed, glad to see Helaena there as well.

She dressed in her favourite suede black dress reaching mid-thigh with a boat neckline, not revealing her breasts but showing her shoulders, and she wore her favourite shiny black boots. She let her hair down, deciding that she looked the prettiest this way, and literally ran out of the house when she heard a knock on the door.

She and Cregan hugged each other as if they were friends and moved arm-in-arm across the street hearing the loud music in the distance. When they entered she saw a crowd of people, most were her friends from the estate, so she greeted everyone around her, one of the guests handed her a cup with probably the cheapest wine possible.

She took a sip, glancing at Cregan and he winked at her as he always did, this time embracing her, pulling her close.

She felt the heat in her lower abdomen and the flush in her cheeks.

For most of the time they sat together on the couch, talking about everything and nothing, she saw no one around him but him, looking into his big dark eyes as if enchanted. She swallowed loudly when she felt his hand on her thigh, trailing up and down, and pressed her lips together, unsure if she liked it or not.

However, she didn't reject his hand, not wanting to offend him, some part of her happy that he reciprocated her interest, that he liked her too, that he found her attractive too.

"Shall we go to the garden?" He asked loud enough for her to hear him, and she nodded with a smile, feeling her own heart beating fast, happy that he wanted to be alone with her.

They walked out into the garden through the kitchen, through a back entrance she knew very well, on the way she felt him grasp her hand in his, she had a feeling her heart would leap out of her chest. They sat down on the terrace bench, he embraced her and hugged her close, and she snuggled into his chest.

She wondered with a blush on her cheeks if he would want to kiss her.

She swallowed loudly and a shudder went through her as, from her shoulder, his hand slowly began to move up to her neck, slipped under the material of her dress and touched her bare breast. She squeezed his wrist, terrified.

"N-no." She mumbled, but instead of stopping, he tightened his fingers on her flesh.

"No, stop." She said terrified, aggressively pulling at his hand, feeling tears in her eyes, cold sweat on the back of her neck, her whole body screaming for him to let her go, wanting to run away, but he wouldn't release her.

"Didn't you hear?" She heard a firm, low voice beside her, and Cregan jumped away from her suddenly, rising from the bench.

Aemond stared at him with his lips tightened, an expression of disgust on his face, his healthy eye wide open, his hands clenched into fists.

"Don't you fucking understand what 'no' means?" He asked him again, louder this time, furious.

She was just sitting and shaking, breathing hard, looking down at her shoes, tear after tear running down her cheeks, she was unable to move or get anything out.

Cregan grunted back.

"Fuck off." He growled, wanting to get past him, but Aemond grabbed him by his shirt and pressed him against the door frame with all his strength.

She stood up quickly, terrified, and covered her mouth when Cregan hit him on the forehead with his head and he took a few steps backwards, Aemond's fist hit his face in return, Cregan half-curled and coughed. They moved away from each other, panting heavily.

"Fucking bastard." He hissed, holding his red cheek with his hand and walked back out into his house, loud music, screams, laughter and conversations of people inside around them.

She sat down on the ground, feeling her whole body shaking, clenching her eyes shut, a strange, high-pitched sound and a sob came from her throat as it finally dawned on her mind what had actually happened.

That he touched her in a way that made her uncomfortable and made her unable to breathe, that she had asked him to stop and he hadn't, how bad it made her feel, how frightening and humiliating it was.

She felt so dirty.

She wasn't sure if what came out of her mouth could be called crying, she felt like she was whimpering and howling, holding her hand to her mouth as if trying to shield herself from what was happening, to no avail.

She heard the rustling of the grass beneath his feet, she felt the gentle touch of his large, warm hand on her back, casual, tender, friendly, comforting.

She snuggled into his black sweatshirt and cried out loud, disappointed, distraught and devastated that she had trusted him, that she had believed him and he did something like this to her.

Why?

Was it because she didn't push him away when he touched her thigh, that she went out with him alone?

Did he think that was what she wanted?

"Shall I go and find Helaena?" He asked in a trembling voice clearly not knowing what to do, how to help her, horrified by what he had seen and her condition. She shook her head quickly, feeling ashamed, she didn't want anyone to know.

She heard him swallow loudly.

"If you want I'll go with you to his parents tomorrow. I'll tell them what I saw. He's been groping you all evening." He said low with some kind of tension, and she froze, drawing in the air loudly at the thought that he must have come downstairs, that he must have seen them as they sat on the sofa, watched them.

Follow them out.

She wondered if he had done it to make sure he wouldn't do anything to her against her will.

It was her fault.

She did not push him away when he touched her thigh.

She went off with him herself.

"No. They won't believe me. He'll say I wanted it myself." She mumbled in a trembling, weak voice between one shattered breath and another.

She could feel his heart pounding hard, that he was nervous too, that he didn't know what he should do. He put his arm around her in a friendly manner, feeling subconsciously that she needed it, that she was terrified.

They both stood up quickly when they heard some girls come out for a cigarette. They raised their eyebrows, looking at them with amusement, one of them waved at them.

"Hey, Cyclops, do you have a girlfriend now?" She asked, the second girl laughed out loud, the third looked at the others disapprovingly, lowering her gaze, pretending she hadn't heard this.

"Fuck off, you stupid bitch!" She growled at her so loudly and with such fury that the girl froze, it seemed to her that she had never called anyone that out loud before in her life.

In a frenzy of desperation, anger and humiliation, she pulled her boots off her feet and, one by one, started throwing them at them until all three of them fled inside the house screaming that she was insane.

"Fuck, calm down! Jesus." He called out to her in shock, grabbing her by her arm. She raised her eyes at him, breathing loudly, his gaze softening a bit.

"Do you want to go home?" He asked lowly, almost indifferently, and she nodded, feeling that she wanted to cry again at the thought of Cregan's touch on her chest.

His hand tightened on her bare breast, refusing to let her go.

An unpleasant shiver ran through her, she felt like she was going to vomit.

First, though, she had to find her shoes, one of which had ended up in the bushes, the other behind their barbecue, all dirty from the coals. She put them on anyway, she was already indifferent to everything.

He didn't even ask if she wanted him to walk her away.

He just followed her.

On the way out they came across Cregan and his mates smoking a cigarette on the road, some of his friends whistling at them, laughing out loud.

"Are you guys going to fuck?" He called from a distance in amusement, she felt that her whole body was shaking, that she was afraid of them and she thanked God that he had gone with her, that he had not left her alone.

She wondered if this was what he experienced all the time at school.

Humiliation.

He stood with her in front of her door with his hands tucked into his black trousers, his face turned in profile.

She knew she shouldn't do this, but she needed it.

She walked up to him and hugged her face to his sweatshirt, standing in front of him like that. She could feel his warm breath on the top of her head, she knew he was looking at her.

She swallowed loudly as she felt his forehead pressed against her hair, he let out a loud breath, something in his voice that she could call sympathy.

"Try not to think about it. If you change your mind and want to go to his parents, I'll go with you. Hm?" He asked lowly, and she nodded.

"Are you going to keep seeing him?" He asked coolly after a moment, and she shook her head, feeling that it made her sick at the thought.

"Good." He muttered, raising his head. She pulled away from him and looked at him, swallowing loudly.

"Gonna give you my phone number. In case you decide to do it." He added quickly, wanting to make sure she didn't understand his proposal ambiguously. She nodded her head.

He dictated a string of numbers to her, which she typed into her phone and added him to her contacts under the name 'Prince'. He saw this and lifted his gaze to her, but made no comment.

They looked at each other for a moment in silence.

"I'm sorry." He said finally. She nodded her head in understanding.

"Thank you for everything. That you… you know. Have a good night." She said softly, without looking at him anymore, and disappeared behind the front door of her house.

_____

Aemond Taglist:

(bold means I couldn't tag you)

@its-actually-minicika @notnormalthings-blog @nikstrange @zenka69 @bellaisasleep @k-y-r-a-1 @g-cf2020 @melsunshine @opheliaas-stuff @chainsawsangel @iiamthehybrid @tinykryptonitewerewolf @namoreno @malfoytargaryen @qyburnsghost @aemondsdelight @persephonerinyes @fan-goddess @sweethoneyblossom1 @watercolorskyy

[openphrase123]

hey hi hi i've read everything of curtain call (except, obviously, what hasn't been posted yet) and i HAVE to ask you to share your lost country/skywatcher language thoughts so i can devour them immediately please.

hiiiiiiii so like 90% of the language worldbuilding i did for curtain call was like. very simple sentences and words since i didn't want to make an entire conlang for this fanfiction. what i have written in-fic would fall apart in two seconds if i tried to expand it to any of the lines outside of what i wrote. HOWEVER i have a lot of thoughts about how it WOULD work if it had the capacity to expand outward

putting under a readmore both for curtain call spoilers and because this is going to get long and insufferable for anyone except ME

also if you're not reading curtain call. this is still a fun little analysis about how siffrin's native language influences their behavior. you might have fun with it wheeeee just know that the actual language i'm talking about is not canon. i made it up.

disclaimer: i speak a couple of languages but my knowledge of languages is VERY limited to what i know. so you're going to see a lot of instances of me calling back to japanese or other english dialects. other languages exist and also have these features but i'm just not gonna say anything if i'm not sure of what i'm saying. if you are interested in these concepts in a more academic setting i am NOT the place to find that

second disclaimer: in curtain call, the name for qilaksut comes from greenlandic/kalaalisut which is an endangered indigenous language. this is an open invitation to go learn who, historically, lived in and supported the land you're living on. consider supporting them whatever way you can.

number ONE. dude is it that serious??

nah.

again, i built this for like ten sentences out of a 100k+ fic. so like. there's some inconsistencies, there's some weird stuff. and i know i could have just written all of the curtain call qilaksut in english but italicized, there would have been nothing wrong with that. but i did not because i thought it would be a good exercise in character exploration

because the language you speak has some measure of how you act and carry yourself in the world. (sorry elizabeth if you're reading this. i'm not going full noam chomsky i swear i don't believe in linguistic determinism i'm using this as a literary device) and since siffrin is the only speaker of the forgotten language we see (loop never engages with that in-game as much) and i was a little bit like. okay. why is he like that. how much of that is siffrin and how much of that is the home they don't know

in odile's friendquest she remarks that she only finds similarity in herself within vaugarde because vaugarde is so welcoming to travelers. however odile never went to vaugarde until she was an adult - siffrin presumably lived on the island until he was a teenager, and your personality is fairly Formed by then (at least enough for people to put iterations on it in adulthood) so as much as i could have gone the route of "siffrin it's okay that you don't see yourself in your past" i thought for the themes of this fic it made more sense to go "oh THAT'S why siffrin is Like That"

so as you're reading through this: yes i'm worldbuilding language. but MOSTLY as a siffrin character study. okay! okay.

number TWO. situational meanings.

so ✦‧₊ is "you" and ✧‧₊ is "me/i". but "hello" is ❇✧ which - hang on, isn't that the word for universe and me? no, actually, there's no pronoun suffix (‧₊ denotes when a person is being talked about) so in this context ✧ means "inside". which means ✦ means "outside" in some contexts.

(but harrie, why does "hello" mean "inside universe"?? well i imagine it's the difference between older medieval greetings and the modern "hi". languages morph and drift. this kind of just suggests that without me having to write an Entire Language Family Background. probably a shortening of some corny shit like "within the universe i find you" or whatever. semantic drift.)

and part of the reason i did that was for unicode constraints - there are only unicode characters that look like stars. but the other half is because in japanese and i THINK also in chinese each character has a few different meanings. take 本, in japanese. it has a lot of meanings on its own but let's look at it in situational context. 本棚 is bookshelf. 本物 means real. 本土 is mainland.

so in qilaksut i think these kinds of multi-use words are common. ERGO. why siffrin has trouble thinking of very situational words in vaugardian. if your native language is built up of tangential mnemonic connections, of course you're going to have trouble remembering the word kiln!!

number THREE. reduplication and repetition

take the phrase "✦‧₊ »»⟢" from ch10. in my head, » means "fast" and doubling it gives you "really fast". this happens in AAVE (e.g. "he's RICH rich") and japanese (there is an entire kanji expressly used as a repetition mark so that you don't have to draw complicated kanji twice, it's 々(noma) and as an example, person is 人 but people is 人々)

reduplication is slightly different from this but i think it shows up for words like »», where you're not literally saying the word twice but the vowels double themselves. kind of in a trilling way. i actually say this in inutile and not curtain call but i think the Siffrin Accent wavers a lot and feels like a twinkling star. because i think it's cute

alsooo repetition. wish craft. do u see the vision

number FOUR. pronouns and clusivity

i don't get into the he/she/they or any other third person pronouns in the fic because. well i think the lost country would go so hard on pronouns. there are child pronouns. adult pronouns. pronouns denoting somebody's job or status. hell loop is SO casual about offering to use the "royal we" i genuinely think pronoun usage in the lost country is more tied to interpersonal relationships than gender. but of course that plays a role too

because i think there's a huge amount of gender concoction you could brew in there. i think it would be really fun if siffrin uses he/they because in qilaksut siffrin is mainly referred to as the neutral pronoun mashed together with the masculine one. i think that would be fun.

and then for funsies. clusivity. i definitely think there is a difference between "we" (me+one other person, excluding you) and "we" (me+others+you) in qilaksut. would be fun if this is why siffrin automatically assumes they're getting excluded from things. "where is the vaugardian inclusive we and why has nobody said it to me???"

number FIVE. structure

i don't have a lot of Full Sentences in qilaksut in the fic but in general it follows the pattern place - > noun - > adjective - > verb. and you might be going "harrie, you weeb, that's japanese again" well. i didn't want it to be like french or english. and that's the one i know. so. shut up!!!!

"well why can't it be the same syntax as vaugardian then?" i'm glad you asked. i wanted it to feed again more into the idea that siffrin is more susceptible to getting "lost" in a conversation. hard to focus when your normal syntax anchors are not there!!

but at the same time. i write siffrin as a polyglot in curtain call. they're pretty equipped to learn and absorb new languages. once you learn a second language, in general, your third/fourth/fifth gets easier

number SIX. things i can't do in the fic except for once or twice because of unicode restrictions

well i could do it ONCE. with two sentences that are coming up in tomorrow's chapter: but i think in qilaksut writing, changing the rotation/orientation of the word also changes the meaning. slight spoilers for tomorrow's chapter but siffrin has two ways of saying "love you" for two different people - for odile, it's ❥✦‧₊ and for isabeau it's ❤✦‧₊

this isn't for any particular reason, i just think it's neat in the context of how i do names and titles for the rest of the fic. getting called different names based on your relationship to somebody, using altered terms of endearment for someone. two extra rotations of the heart could exist in theory so one of them is probably "loving your kid" and the other issss i dunno. maybe a closer platonic love nearer to a qpr or something. or what you use for your parents/guardians or your betters. i didn't think that far!!

also word opposites. ✷ doesn't have another version with just the lines, but that means "yes" and i think a hollowed out version of that would mean "no." obviously the ✦/✧ shift goes here too. and i think the inverse of ✪ (little) would mean big. but i couldn't find those in unicode so they do not exist in this fic oops

if you made it this far into the post. hi. thank you for reading :) that was probably a lot more than you were asking for. i won't apologize. anyway this post doesn't even TOUCH how i do name stuff in the fic but that also feeds into this. (and the name stuff was something i took out of an old dnd campaign anyway) (of which i have a DIFFERENT altered version for my original fiction but shhhh)

[ernmark]

I just stumbled across somebody saying how editing their own novel was too exhausting, and next time they'll run it through Grammerly instead.

For the love of writing, please do not trust AI to edit your work.

Listen. I get it. I am a writer, and I have worked as a professional editor. Writing is hard and editing is harder. There's a reason I did it for pay. Consequently, I also get that professional editors can be dearly expensive, and things like dyslexia can make it difficult to edit your own stuff.

Algorithms are not the solution to that.

Pay a newbie human editor. Trade favors with a friend. Beg an early birthday present from a sibling. I cannot stress enough how important it is that one of the editors be yourself, and at least one be somebody else.

Yourself, because you know what you intended to put on the page, and what is obviously counter to your intention.

The other person, because they're going to see the things that you can't notice. When you're reading your own writing, it's colored by what you expect to be on the page, and so your brain will frequently fill in missing words or make sense of things that don't actually parse well. They're also more likely to point out things that are outside your scope of knowledge.

Trust me, human editors are absolutely necessary for publishing.

If you convince yourself that you positively must run your work through an algorithm before submitting to an agent/publisher/self-pub site, do yourself and your readers a massive favor: get at least two sets of human eyeballs on your writing after the algorithm has done its work.

Because here's the thing:

AI draws from whatever data sets it's trained on, and those data sets famously aren't curated.

You cannot trust it to know whether that's an actual word or just a really common misspelling.

People break conventions of grammar to create a certain effect in the reader all the time. AI cannot be relied upon to know the difference between James Joyce and a bredlik and an actual coherent sentence, or which one is appropriate at any given part of the book.

AI picks up on patterns in its training data sets and imitates and magnifies those patterns-- especially bigotry, and particularly racism.

AI has also been known to lift entire passages wholesale. Listen to me: Plagiarism will end your career. And here's the awful thing-- if it's plagiarizing a source you aren't familiar with, there's a very good chance you wouldn't even know it's been done. This is another reason for other humans than yourself-- more people means a broader pool of knowledge and experience to draw from.

I know a writer who used this kind of software to help them find spelling mistakes, didn't realize that a setting had been turned on during an update, and had their entire work be turned into word salad-- and only found out when the editor at their publishing house called them on the phone and asked what the hell had happened to their latest book. And when I say 'their entire work', I'm not talking about their novel-- I'm talking about every single draft and document that the software had access to.