#But also I would like to learn in general

[hylianengineer]

I fell down a research rabbit hole about this - I got the 970s, and I'm in North America. I realized I had no idea what was happening here then, other than that there were Indigenous peoples with super variable ways of life.

More specifically for my geographic area, that would land me in the Mississippian culture. That's the same cultural group that included Cahokia, although not for another 30 years after my assigned time period. But I might live long enough to see it which would be really cool!

Other things Wikipedia informs me I might encounter include: maize agriculture (yay! i love corn), massive trade networks spanning almost the entire continent (cool!), increasing social inequality (boo! probably not worse than today though), and stuff made out of copper (it's funny how colonialism hid that fact from public knowledge).

Oh, and BISON! This is way before settlers almost wiped them out and I'm very excited about the idea of bison roaming the plains. And also kind of scared. They're really big wild animals and I don't want them to step on me. I want to admire them from several hundred feet away, please.

My allergens are almost exclusively native to Eurasia and Africa so I don't have to deal with them! That's really nice. Not thrilled about being hundreds of years before the development of vaccines or antibiotics, but if I have to be in this time, I can think of way worse places to spend it.

I wanna know what the ecology of my hometown is up to before the introduction of Old World species. Also pottery. I'd like to learn more about pottery. Wikipedia informs me they were using shells as tempering material in this time and place, so that's fun.

The decade you’re given is the decade to which you’re transported. Your geographic location doesn’t change; only the time period changes. “Equivalent QOL” means a qualify of life that approximates the life you have now and anticipate being able to have in the future.

[thankskenpenders]

The mystery of that random magenta-haired Sonic woman: solved?

For almost three years now, there's been a little mystery in the Sonic franchise: who the hell is this lady?

Well, it seems like fans have collectively pieced together the answer. And it's more interesting than I expected.

For those who don't keep up with Sonic lore minutia like I do, this is a screenshot from the very first episode of TailsTube, released on YouTube back in March 2022. When Sonic and Tails were explaining the basics of their Earth and the fact that humans and anthropomorphic animals coexist, Tails showed a slide of some human NPCs from Sonic Unleashed. But the slide also included this never-before-seen character design, drawn in a conspicuously different, more anime-influenced art style from the Pixar-esque Unleashed characters. So... where's she from?

At the time, it was assumed that she was probably from an upcoming project. She looks like she could be an explorer of some sort, so maybe she's just an NPC from Frontiers, I thought. And then she wasn't in Frontiers. Sonic Prime, maybe? Nope, no humans in Prime. Okay, well maybe the IDW comics are going to start incorporating humans, now that the "two worlds" thing has been undone and humans once again canonically exist on the same planet as Sonic and friends. Well, if she's gonna show up in the comics, it's been almost three years and we still haven't seen her. That'd be a hell of a lead time for comics, where production cycles are typically a matter of months, not years. Time continued to pass, and we still hadn't seen her. We just had Ian Flynn teasing us with a #KnowingSmile, assuring us that she existed for some reason, just one that he couldn't talk about yet.

Fast forward to late 2024, and she suddenly makes an appearance in the last place anyone would have expected: the third live action movie, via an electronic billboard in Shibuya.

At this point it almost felt like the lore team was trolling us. Is this just a scrapped character design that's become fodder for inside joke cameos or something? Surely all of this teasing couldn't have been for a throwaway character design on a billboard in the background of a movie.

But actually, this billboard gives us an important piece of information: her name! She's labeled here as "Professor Tori." This is important because it connects her to a previous release. In Shadow Generations, Gerald's journal is prefaced with a note from the person who recovered it, addressed to the GUN Commander. In the English version, it's simply signed "T," but in the Japanese version... it's signed "Tori"!

This gives us some actual info about Professor Tori. For one, she seems to work for GUN in their Archival and Requisitions Department. She's apparently also interested in learning about Gerald and Maria's lives, like their old friend Abe is.

Jump forward again to the New Year's episode of TailsTube, and this appears in the background.

Her full name is officially given as Professor Victoria, and she's a historian. So, that seems to confirm everything we've pieced together so far.

As far as things we can reasonably assume to be correct go, this is everything we know for certain about Victoria. She's a historian working for GUN. Cool! But that's not what really fascinates me about her. For that, we have to do a little more speculation based on conjecture.

See, Shadow Generations also establishes information about the Robotnik family tree. Gerald had two sons. One of them took after Gerald's love of technology and became an expert in the field of robotics, and would go on to be Eggman's father. The other son took after Gerald's love of archaeology. This man would go on to be Maria's father. But, as Maria mentions in Shadow Generations... she also happens to have a little sister we've never met before.

So now, the question is: is this Maria's sister, Victoria Robotnik?!

We can't be 100% certain right now, but honestly, until proven otherwise I'm assuming that Victoria is Maria's little sister, now all grown up and working for GUN. It all lines up too neatly. The conspicuous reveal that Maria has an unseen and unnamed little sister, in the same game that establishes her dad was a history guy and also that there's this new historian working for GUN who just so happens to be really interested in her life. And also their names both end in "-ria." Come on!! Putting her in the Robotnik family would also explain all these cryptic clues about her identity. If she was just some random GUN agent, why be so coy and make fans piece it together?

I guess the most odd part here would be, y'know, Victoria working for the organization that killed her sister and grandpa. But Sega's been pushing the idea that GUN is trying to do better for 20 years now, ever since they established that the GUN Commander was Maria's childhood friend on the ARK and had him make amends with Shadow. Hearing that Maria's sister had joined GUN to try and gain access to information about her family history and undo the elaborate coverup of the previous administration would make sense to me, personally. And lest we forget, this would also make Victoria Eggman's cousin, giving him a family member in GUN. And that's a pretty cool storytelling tool to have on hand!

So, that's where we're at now. We have no idea where Victoria will pop up next, whether it's a game or a comic or another TailsTube episode or something else entirely. But it seems like she's fairly important, even if this speculation about her being a Robotnik somehow ends up being wrong. (But I'm pretty damn sold on this theory, personally.) Either way, it's exciting to see the human cast get fleshed out in fun ways again. If we're gonna have humans in Sonic stories, I'd rather they have anime-style designs and interesting connections to the narrative, rather than just being generic humans for the sake of having humans. I'm looking forward to seeing whatever the lore team's been cooking up here.

[flowersforthemachines]

Some facts about Lucanis (and also Spite and the Crows) gathered from the banters

I went through all companion banters on DanaDuchy's channel after playing the game to write down all facts about companions/the world that I haven't seen brought up anywhere in the game as a writing reference (and for funsies).

Note: This list may not be exhaustive. I might have missed some something or didn't write it down because I considered it common knowledge. If you have anything to add, please DM me or send an ask! (do specify what banter the information is coming from, though)

Note 2: Posts from this series (mostly) don't include information from banters specific to quests or between companions and faction members. I plan to do another playthrough to capture more of those and will add any relevant info to the character posts.

Other characters' posts: Bellara, Davrin, Harding, Emmrich, Neve, Taash to be added tomorrow (or on Monday Jan 5th)

About Lucanis: 

Family and the past:

Lucanis learnt to cook while helping the kitchen staff at the villa when he was a little boy. One of his motivations was learning how to make churros

Side note: Lucanis mentions that cioccolata calda was his favourite drink when he was a baby, and he serves churros to a romanced Rook who picks cioccolata calda as their favourite drink. It’s all coming together! 

Lucanis wanted to be a Crow when he was a child (at least most of the time)  

All of Lucanis's relatives were Crows as well, and all of them were killed by a rival Crow house

Lucanis says Caterina would be proud of Illario hiding his plans well, as well as killing her 

Lucanis says that the hard part about setting Illario free would be convincing Caterina 

Lucanis says that nightlife was more of Illario's thing, and he never got out as much

On Crows and Antiva:

Viago still stares daggers at Lucanis for throwing his (Viago's) pet snake out of the window in a dream

Lucanis doesn't like it when people confuse murder and assassination ("Murderers are hobbyists, we are professionals")

Lucanis has taken contracts in Orlais

Lucanis doesn’t know Treviso as well as he once used to 

Heir didn’t train Lucanis

Lucanis says he has never killed an innocent “by his count” (other people may disagree) 

Lucanis doesn’t think of the Crows as a “big organisation” (unlike the Inquisition) because they stab each other too much

Lucanis became a mage-killer at Caterina’s behest (she wanted to tap into new markets)

The nickname “The Demon of Vyrantium” came from Tevinter news-sheets, though Lucanis thinks Viago started it

Lucanis says that there aren't any special tricks to killing mages. Though, if nothing else works, you can try pissing them off, as that could attract a demon that would eat the mage

Lucanis once killed half a dozen venatori while stuck inside an elevator 

Lucanis doesn’t consider himself a gentleman assassin, manners are less important than getting the job done

Lucanis sometimes spares his targets. He mentioned letting go of a servant who killed her master, as well as a 14-year-old boy. He thinks it’s wrong to kill people so young because they still have time to change

Lucanis doesn’t accept contracts without merit, and the merit is decided by the talon of the house

General:

Lucanis can make bread

Lucanis has never been to Ferelden

Lucanis isn’t interested in killing wyverns, just looking at them :)  

Lucanis has a pet snake 

Lucanis stays awake at night by cleaning his gear, exercising, studying Orlesian and knitting ("it’s just another kind of blade work") 

Lucanis doesn’t understand a lot of things people find attractive

(In a conversation with Harding) Thinking about cooking was one of the things that helped Lucanis stay sane in the Ossuary (the other was thinking about killing his enemies) 

(In a conversation with Davrin) Lucanis survived the Ossuary by shutting down and not thinking about anything except escaping

These two points sort of contradict each other. Either an inconsistency or Lucanis describing his experience differently to different people. 

The Wetlands ruined at least one pair of Lucanis’s boots

(If Rook chooses to save Treviso) Lucanis offers to pay for any supplies the Shadow Dragons may need 

Lucanis doesn't get a better bed because he's afraid of accidentally falling asleep 

Lucanis can identify the killer’s weapon and the height difference between them and the target just through the blood splatter left at the scene

Lucanis considers Grey Wardens dangerous 

Lucanis doesn’t like necromancy, because bringing people back to life is a waste of hard work

Lucanis finds the ice coffee from Minrathous offensive (Harding describes it as “snow, but made of coffee, sweet, and with cream and toffee sauce on top”)

Lucanis had never been in a romantic relationship before Rook/Neve

Relationships with other companions: 

Lucanis gets into reading Bellara’s serials (very passionately - they chat about it a bunch)

Lucanis is outraged that the Veil Jumpers don’t get paid for their work and offers Bellara his contract negotiator

Lucanis made biscuits for Assan

Lucanis is sceptical that the griffons will be safe with the Wardens

Lucanis think that Assan shouldn’t go soft (referring to the time he took care of a halla) because he is a predator at heart

(If Emmrich becomes a lich) Lucanis offers to hold a funeral for Manfred

Lucanis and Harding talk a lot about dreams (mostly silly things like showing up naked for the job, getting chased by someone/something etc.)

Lucanis thinks Harding is deadly with her bow

Lucanis offers to pay Harding for being his lookout/aide at the rate of 6000 gold per contract

Lucanis offers the help of his contract negotiator to Neve after he finds out she doesn't have one

Lucanis made deep-fried peppers for Taash

About Spite: 

Emmrich can hear Spite even when he doesn’t take over Lucanis’s body (at least from a close distance)

Spite is impartial to Emmrich, believing him more than Lucanis

Emmrich says it’s impossible to separate Spite and Lucanis without killing them

Emmrich encourages Lucanis to read to Spite to bring them closer. Lucanis agrees to let Spite pick a book

(If Emmrich becomes a lich) Spite asks if he and Lucanis can get rid of their skin too 

(If Manfred is revived at the Necropolis) Spite asks Emmrich to teach him how to use fire magic. Lucanis isn’t thrilled by the idea

Emmrich sets up wards to prevent Spite from leaving the room when Lucanis is asleep

Spite no longer sleepwalks after “Inner Demons” because he apparently understood the concept of space

By the end of the game, Spite has agreed to stop sleepwalking completely

Spite controls the wings (confirmed in banter with Harding) 

Spite wants to try swinging off the astrolabe at the Lighthouse

Spite is very excited about Manfred having hands and feet (Curiosity. Has. Feet!)

Spite finds the wisps in Neve’s room unnerving (as do Lucanis and Neve)

Spite likes to play with whetstones Bellara got for Lucanis (Bellara got them from the Irelin who supposedly got them from somewhere in Arlathan) 

Spite wants to try eating self-lightning candles at Blackthorne Manor

About the Crows: 

Crows frequently visit Nevarra and have received 20 contacts to assassinate the king. The King has been poisoned 7 times

Crows get a lot of contracts for Divine Victoria

Some seers in Rivain are powerful enough that there are contracts on them as well

Caterina once killed a man with a thimble

When Crows kill someone, most of the time they want others to know it was them (rather than presenting the death as an accident) 

The crows buried six different Eight Talons and rarely take contracts in Ferelden after the Zevran fiasco

[muxshwriting]

a world of dreams

Feyd-Rautha Harkonnen x Atreides!reader

summary: Feyd’s wife was always branded as a dreamer, content to spend a day in her books. but her husband would always entertain her dreams, especially when they save her life /or/ basically the request || warnings: violence, haters gonna hate, death, blood || word count: 1658 || masterlist

REQUEST: I’ve always wondered how Feyd Rautha would handle having a wife like Helaena who speaks in riddles and flinches at loud noises and violence. Maybe an Atreides daughter they’re supposed to create the Kwisatz Haderach with? In a Universe where Jessica stayed loyal to the bene Gesserit. I’d love to know how someone like Feyd would react to her telling him he’s scared the way Helaena does to Aegon in hotd. Maybe he’d have very little patience for her but I could also see him bonding with someone like that. Also I think that someone with Helaena’s ability to retreat inside her own mind would be able to survive on Giedi Prime.

Your fate had been set in stone since your very conception, meant to mend the relationship between two houses that had been at war for centuries and bring forward the greatest mind the universe had ever seen. Jessica had trained you in the Bene Gesserit way since you were young, always believing that your bloodline would be famed for generations after.

But you didn’t want to be famed or revered or feared. You wanted nothing more than to be loved, completely loved. When you learned of your betrothed, there was a sadness that overtook you, an accepting that your husband may never truly love you. He was famed for his cruelty, his majesty in the arena and his fighting prowess. He was not known for his ventless and his love, no Harkonnen ever had been.

The first time you met eyes with your future husband, there was a silent understanding that passed between you two. He was a young boy, barely older than you and yet he looked as though he had the weight of the world on his shoulders. Perhaps there could be a connection between you two, despite your afflictions.

Your father called it dreaming, ignoring whatever technical explanation your mother held. There were things you saw that no sane man could explain and yet they were always true. They came to you in the silent moments of the day, when you read or sketched. You had loved it growing up, seeing glimpses of things yet to come but as you grew, they only ever turned darker.

The diplomatic visit to Geidi Prime was short and yet long enough for you to spend a few hours alone with Feyd. There was an itching under your skin from being on the planet, a discomfort that lingered as you pushed down any dreams that threatened to reveal themselves.

You sat across from Feyd, your hands twisting in your lap.

“What do you like to do?” His voice was soft, always soft when he was with you but the sterness returned the moment someone else entered the room.

You wondered if someone had shared your condition with him. “I read. I draw.” Around him, you didn't feel the necessity to boast of your suitable talents your parents had raised you on. The itching had ceased, even if it was just for a moment. “You?”

“I fight- I'm good at fighting.” He corrected himself. For a moment it seemed like he was done talking, but then he met your gaze and continued. “I don't have much to time to do things I like.”

“Perhaps when we are wed, you will have time to explore things you enjoy.” You meant nothing by it, only that you hoped your husband could find a hobby not controlled or pushed onto him by his Uncle.

Feyd smiled in response and you got the distinct feeling that everything would be alright if you married him. But you could not marry him without guilt unless you told him yourself what you were.

“I dream.” You say, unsure of how to tell him.

Feyd was slightly amused, “You dream? I’m sure many do.”

“No.” You quickly reply. “I see things, visions almost. They are never truly clear, only glimpses of the future.”

“Ah.”

“I didn’t want you to marry me if you didn’t know. I only hope you understand and do not judge me for something beyond my control.”

Feyd’s expression softened as he took stock of the panicked breaking out of your being. “Then you have nothing to worry about.”

The hopefulness in your eyes glistened as you stood, offering Feyd a small bow before leaving the room and returning to your mother and father.

When your day of union arrived, it was a rather happy occasion. Your family smiled as you stayed by Feyd’s side, your hand twisted with his. There was a soft and genuine look of almost-love everytime he looked at you. All that look needed was time to evolve into true love that would pull him under without hesitation. Feyd would let himself be taken by everything you are and he would even beg for it. Your mother and father could see the affection you already shared and knew nothing would come between you.

The Baron, on the other hand, had indifference covering his face all day. This was not a joyous occasion, but a simple ceremony that had to be done in order to end the conflict he wanted to continue. However, this union would bring him more power than war would, and he would just have to accept that.

Feyd reached for two glasses and passed one to you, raising his in a toast. “To the rest of our lives?”

“To the rest of our lives.” You agreed, clinking your glass with his and taking a drink.

Once you had placed your glass back down, Feyd leant forward to capture your lips, letting his heart float like only you could make him. Your marriage was nothing more than picturesque. There was finally peace felt throughout the universe and yet there were some who were still not happy.

The Emperor, despite suggesting the match to weaken the houses and cause friction, watched as they came together in love and only grew stronger. The Atreides were a threat to his reign long before, but with the Harkonnens now as allies, there was nothing that could stop them if they desired his throne.

The final straw came when news of an heir flowed throughout the Imperium. The Atreides and Harkonnens would soon have an heir that would bind them with blood, for eternity.

Your husband had been even more protective of you since the beginning of your pregnancy, barely wanting to leave you alone. The dreams had shown you your daughter, a beautiful girl that was the mix of both you and Feyd. But there was one persistent dream that shook you to your core.

“Feyd?”

“Yes my love?” The nickname had never stopped, ever since the wedding.

“I'm afriad.”

Feyd's face flashed with confusion for a moment as his eyes darted around the room. “What are you afraid of my love? Our families are united, no one would dare stand against Harkonnens and Atreides united. The babe is well, she is growing stronger by the day.”

“There are snakes crawling through the city.” Your voice is a whisper, trembling with every word. You weren’t really aware of what your words meant, only repeating what your mind brought forward.

Feyd smiled at his wife’s words. “There are no snakes on Geidi Prime, my love. They cannot survive here.” He takes a seat next to you, pulling you closer to him as if to protect you.

“They will worm their way to our palace.”

“Then I will double our guard and order lockdown at the slightest threat.” He said it with such conviction that you were almost convinced.

“But-“

“What have I said?” Feyd asked you. “I would never let anything hurt you or our children. There is nothing that can get into our palace unless I will it.”

You let the dream sit in the back of your mind, pushing it away from thought but not forgetting. And it did you well not to forget when you couldn’t sleep one night and a echoing crash startled you. No one else awoke and you took the risk to glance outside your room, where your guards stood to attention.

“Is everything alright Na-Baroness?”

You forced a smile. “All is fine. Just… stay alert.” With nothing else to say, you turn and return to your bed.

Feyd was not disturbed but you found yourself reaching under his pillow to touch the knife he always kept there. It was a reassuring reminder that if your dream came true tonight, there was something Feyd could do. You lay, the blank ceiling taunting you and your ears hearing every footstep and breath people made.

It was only as you had begun drifting back to sleep that a muffled shout came from the hallway and your heart stuttered. You reached over, shaking Feyd awake as he quickly looked around before settling his eyes on your own frantic ones.

“What’s going on?”

Your breath trembled once more. “The snakes are here.”

At your words, Feyd reached for the knife and practically jumped out of bed, directing you to the corner of the room furthest from the door, furthest from harm. The thump of a body was heard and Feyd tightened his grip, activating his shield.

Two men, Imperial soldiers burst through the door and you caught sight of the bodies of two others as well as your guards. Terror gripped you, a hatred of blood instilled in you since you were a young girl. Your hand flew to your mouth as you shrunk into the corner even more, wishing the floor would swallow you up.

Feyd leapt forward, his body practised in fighting people at a moments notice. His knife carved flesh, splattering blood over the room. A small scream escaped your lips as the bodies crashed to the floor and your husband stood in the centre of your room, blood dripping from the knife still in his hand.

He turned to face you, throwing the knife across the room and rushing towards you. You practically threw yourself into his arms and he squeezed you close to his chest and rested his head on yours.

“You’re okay.” He said, letting you feel his steady heartbeat against your rapid one. “The snakes are gone.”

“The snakes-?”

“They’re gone. We’re okay.” He pulled away just enough to take your hand and pull it down to your stomach. “She’s okay, you’re okay. We are all okay. No one can hurt you.”

You let your panic settle and relax into his arms. Everyone’s alive. You can manage whatever comes next, you can let the snakes try but they will never be able to bite you.

HAPPY NEW YEAR!!!

[isa-ghost]

I fully agree with this (/genuine). And I do wish people would stop using it because of the historical-and-still-current context behind the phrase.

But I am curious about what OP's opinion is about a take I see a lot in defense of using the phrase as a quirky (perhaps even cringe) positive phrase. I've seen loads of people say "well over time words/phrases/images can get a new context behind them that overwrites (but doesn't erase) the previous bad one. It takes power away from the people who use [thing] in a derogatory way." Basically the same kinda logic we use when reclaiming slurs, I guess? Maybe that's too extreme of a comparison though, I dunno. Another example I thought of is how Tupperware is (was?) a company, but we call *all* plastic containers similar to that Tupperware, which completely diminished the company's sway over product competition since it became a blanket term. I'm probably oversimplifying that a bit but it was another interesting educational post I read on here ages ago. I tried looking for it on my blog but the only thing that came up was the post about how they went bankrupt.

Anyway, to an extent I agree with the idea of "new positive context," but like with basically everything, I think there's nuance to it. I think there are times where changing the context behind something simply doesn't work and/or shouldn't be the route people go down, period. And of course there are instances where people abuse the idea and use it as justification for shit they shouldn't. Same kinda deal as "death to the author."

But also the internet (and perhaps younger queers in general in this case?) has a terrible habit of completely disregarding important context or at the very least not acknowledging/respecting said context to the degree they should, if they do so at all. And I'm as sick of that as plenty of other people are.

So I guess that is to say I can see both sides of the argument and am curious to hear if OP (or anyone else) has some additional info that I lack? If there's things about this I can be taught beyond "hey this is an ongoing issue, stop enabling the people who seek to use it to harm us by using it like it's something cute and quirky," I'd really like to learn what those points may be. Especially because then I could take those myself and further spread the word by educating people just like OP.

I think once upon a time I was actually a "we can reclaim this with a new positive context and take the power away from the people who use it to do harm" person myself but then I came across posts like this one and actually put some real thought into the topic and changed my mind? (I say that with uncertainty because I don't actually remember ever explicitly agreeing with takes in favor of the positive context use). Which is another reason I'd appreciate further discussion about why this is a case where "new positive context" shouldn't be the way people go about it. The stronger the argument for it, the better or whatever, right?

Also I'd like to provide a precautionary clarification that I'm asking OP/anyone else here if they have additional insight instead of "googling around" or something myself because I personally tend not to trust stuff like that since misinformation is so rampant, especially with how common the use of ai-generated bullshit is. It's also, in my opinion, better to hear things directly from people you Know for certain are from [group] or have experience with [thing]. I digress.

i fear the battle is lost at this point but i still flinch every time i see "gay panic" used as a cute positive phrase. Like let's go on say wikipedia.org for a second and try typing that one in folks

edit: i caved and looked in the notes and my god you people are stupid. Stop talking about this like it's ancient history. The gay/trans panic defense is quite literally still legal in the majority of the US. Look at this map since you apparently don't have wikipedia or like any kind of search engine on your computers

[lavenderangeltarot]

𝓌𝒽𝒶𝓉 𝑜𝓉𝒽𝑒𝓇𝓈' 𝒻𝒾𝓃𝒹 𝑒𝓃𝒸𝒽𝒶𝓃𝓉𝒾𝓃𝑔 𝒶𝒷𝑜𝓊𝓉 𝓎𝑜𝓊𝓇 𝒶𝓅𝓅𝑒𝒶𝓇𝒶𝓃𝒸𝑒 🪞🪷✩ // pick a card!

hey angels! 👼🏼 this will be a general pick a card reading on what people find enchanting about your appearance/how people view your appearance (physically & generally- usually these things naturally overlap). It's of course, not healthy to fixate on these things, however I think it can be uplifting to hear the nice things people might've thought of us. It's natural to be a bit curious! Pick the image you're most drawn to, proceed to your reading & take what resonates! If you're interested in a personal reading from me, check out my Etsy Store :) // https://www.etsy.com/shop/LavenderAngelTarot

#1 #2 #3

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

#1 - the Moon, Page of Swords & Knight of Wands 🌙

With the Moon card coming out first, I see people being heavily captivated by a sense of mystery surrounding you- you come across as introverted or at least, initially reserved. In your presence people are not so sure what you are thinking, but your demeanour remains peaceful and possibly very feminine. Dreamy & vaguely moody too, but with the Moon card it's like everything is a little concealed. I think for some of you, people can sense you're going through something heavy right now too since the Moon relates to psychological turmoil in some cases, but you hold yourself very gracefully. Physically I feel like you have very immediately pleasant features, people might find there's this 'beautiful darkness' to you- maybe some of you dress in a sort of gothic inspired aesthetic, or perhaps it's this mysterious/contemplative look in your eye.

With the Page of Swords (especially combined with the Moon) people immediately see you as intelligent. Very sharp minded and skilled at communicating (even if you're not a big talker, your speech or vocabulary is clear). Since in this reading we're focusing on appearance, despite the softness illustrated with the Moon card, you may also have some features that are slightly sharper. Like for example, having a very soft, rounded face but a sharp/edgy haircut, or piercings. Pages are also associated with youth, so people may see you as youthful in your appearance. A lot of you who picked this pile are very young too I'm getting- not sure if it's the reading, or just me talking but I have this urge to remind you guys to be safe online!

Finally, the Knight of wands to me shows that people see you as healthy, athletic or just generally physically capable & attractive! You may look strong or agile- I'm getting some of you are dancers (or you look like you would dance, especially ballet!). Despite your calm, intellectual energy, you come across like you live a very active and adventurous lifestyle in some way. I also see that while you might not lead with it when you meet people (initially people noticing that mysterious, intellectual, perhaps shy aspect of you)- you have a very spontaneous and passionate nature that people reallyy love :)

2# - 3 of Pentacles, The Star, 9 of Wands 🌿

Immediately, this group is really emanating 'it girl' energy to me.

With the 3 of Pentacles, I see people being quite in awe of you and viewing you as a very hardworking, competent person. You inspire others in some way, people feel they have something to learn from you. Since the 3 of Pentacles is traditionally related to collaboration & learning, you could be someone who's always around other people, or maybe are a positive representation of your school/work out in public (like for example, often being out and about in your uniform, or being seen as part of a collective like a band or a certain friend group). Appearance wise, to me the 3 of Pentacles feels as though there is something artistic & skillful about your appearance- maybe you're really skilled at makeup, or your clothing is very beautiful and well coordinated.

The Star card speaks for itself! You stand out appearance-wise and garner attention whether you realise it or not! The Star card to me, especially combined with the 3 of Pentacles tells me that you inspire people a lot with your appearance alone but also in other ways. People feel there is something aspirational and 'untouchable' about you- it's sort of Gossip Girl 'Serena Van Der Woodsen' adjacent lol. Again, it could be that there's something about the way you dress that's very skillful and others are in awe of, it could also be that you're very popular or seem as though you would be from the way you carry yourself. A lot of you are very talented or just 'different' in some way and people notice that. (I wish I could specify a bit more but since it's a general reading it could be a variety of reasons people view you this way, follow your gut) :)

The 9 of Wands to me shows that you come across brave and ready for anything, very resilient. Maybe slightly wary or mistrusting too. It also shows that people can tell you're tired/exhausted- not necessarily in a bad way but it's like people can sense in the way you carry yourself that you're trying to keep strong despite struggles you are facing. Maybe you're not getting as much sleep as you need, or just work super hard. For some of you, it's as though people can sense in your expressions/posture/etc that despite being this abundant, inspiring person; you're not totally happy right now and there's something or many things getting to you. I see for some, what's going on is that you have a lot of expectations on you to be this 'perfect', skilled, hardworking, 'golden girl/boy' aspirational person and it is wearing you out deep down. I definitely do see things getting smoother for you with time 🤍

#3 - King of Cups, The Chariot, The Hierophant 🌊

The King of Cups as the first card tells me that you appear to people as somebody who is very in touch with their feelings & emotionally authentic. I don't see an obnoxious person who is always bawling their eyes out (lol), but I see someone who is very warm, welcoming and jovial. When you laugh, you laugh for real. When you smile, it is genuine and sweet. You may not always feel relaxed, but overall you do come across as a very relaxed and mature person and it's really attractive to people. The way you move could be very flow-y and sensual, you might prefer to wear flowing fabrics/styles rather than stiff or sharp ones. Whatever your age or gender is, I see you also come across very parental in the sense that people immediately feel they can trust you, like you're the person a little kid would want to come up to for help if they were lost 🥹

The Chariot tells me that something about the way you appear has a very positive and change-agent energy about it. It could be that you dress very bohemian, or wear very bright colours, or perhaps you do something different with your hair that really subverts expectations and inspires positivity in others. It's as though you stand for something- a certain cause or mentality that shines through in your demeanour. You come across very confident in your style, who you are and what you stand for- you're not afraid to look unique or be 'over the top' and that really makes people happy to see whether you notice it or not! As though you're the one person who wears a beautiful colourful dress/shirt in a sea of people wearing black and grey + looking 'done' with life. Again I'm seeing that the way you move stands out as attractive! While many walk kinda sluggish & dispassionately, you have a bit of a spring in your step, or appear very in command and in tune with your body.

Finally, The Hierophant tells me that you appear spiritual, religious or just having a very strong moral conviction in some way to others. For some of you it could be your facial expressions & the way you react to your environment that leads people to think this. For others, it's more overt things like perhaps adorning yourself in religious or spiritual symbols. The Hierophant also speaks of traditionalism, so you could be someone who prefers slightly more traditional dress styles and values in a way- for a lot I'm seeing dressing in vintage fashion :)

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Thankyou !! 💞🔮

[hellothisisangle]

I am in love with Cae's character design. Please tell me literally anything more you want to share about them!!!

All present day observations:

He has freckles/moles on his body too, they just don’t stand out as much as the facial area.

His body temp runs a lil’ hot, about 5 degrees more than the average. Anyone he sleeps with might complain that he makes them sweat (besides species/races where temperature does not affect them). But he’s such a cuddler, like always has to have at least one limb over the partner in bed. He fights to be big spoon even though he is shorter than the rest (except Lae’Zel, hc that she’s the shortest)

He is extremely flexible, almost to the point of contortion. And he’s got a lot of energy. While on the road he’ll be doing little flips/cartwheels, making most of the party exhausted just watching him.

His drink of choice is a tequila equivalent. He recovers from hangovers quickly despite the low constitution (lucky him, especially because I don’t think he drinks a lot of water).

He does get hurt often, bruises and scrapes in places where he wasn’t careful enough/clumsy are apparent on his body. He might not heal them right away because he likes the feeling of the pain slowly fading.

When he learns a new word or phrase (often from Gale or Astarion) he’ll tend to overuse it for a while.

He could be extremely competitive, but as long as the most important person/people think he’s the best then that’s enough (mostly).

Cooking is not a proficiency of his, he’d sooner accidentally give you food poisoning.

He is a nail biter. He generally sticks a lot of stuff in his mouth, just to see what it tastes like. Because what’s the worst that could happen? And he’d rather experienced it and hate it than be left wondering.

He surprises the party by having decent plans. When it comes to predicting how to influence/control people in their way he can give a detailed run down of how they would react and what to do next after having observed the target(s) for a short time. He’s also the second or third (behind Minthara and Astarion) to suggest the worst war crimes, but not at all out of malicious intent- simply because it might be the most efficient. I imagine he’s also good at impressions/impersonation.

Regardless of his seemingly flippant personality, he does brood from time to time, and he does hold grudges. Besides the whole canon memory loss, his memory is actually very good for remembering very specific details- like the exact time, place, what you were wearing, words used etc. if you hurt his feelings.

thank you for liking this scamp!

[avelera]

Was wondering if you had any theories about Viktor's childhood experiences and how exactly that shapes his politics?

I agree that Viktor is largely apolitical and pacifist, and I'm getting the sense that perhaps he believes politics/the council is incapable of solving the issues. After all, they haven't so far, and Viktor does respect Heimerdinger, so rather than Heimerdinger choosing to look away, Viktor perhaps believes it is impossible to solve the problems in the undercity through the council.

When I first watched season 1, I truly had no clue how they were going to be able to resolve the political conflict. The council kind of sucks, but so does Silco, and I don't think Ekko was powerful enough to fully take over.

I can picture Viktor also having no clue. He refuses to make weapons because he knows they'll be used against innocent people in the undercity (and I think he's also opposed to violence as a solution in general), but at this point he doesn't have an alternative solution. He refuses to side with the council, but he doesn't have an alternative. I doubt he even knows Silco is in charge or that he's someone they might negotiate with at this point (I think the council only learns about Silco when Caitlyn returns), so instead he chooses to stay out of it.

And with his cult, I'm getting the sense Viktor still had no clue how to end the conflict between Zaun and Piltover, so he doesn't try, but instead tries to create a safe place for people who, like him, want to escape the violence. It obviously doesn't work out the way he intends, but I do think that was the idea, and perhaps he hoped because of the remote location and his peaceful seperation from society, no one would really bother him. And when they do, he concludes mass hive mind is the only answer to the violence (because he still had no clue how to resolve any of these conflicts)

And all this gives me the idea that Viktor really is desperate to escape that violence, and makes me wonder what he lived through during his time in the undercity that inspires his actions, since we know so little apart from the time he met Singed.

This got a little long, sorry about that, but wondering what theories you had.

I think there's a core assumption to the question that I'd like to isolate out in the hopes it helps me explain how I see Viktor's views.

There's an assumption inherent here that in political times, everyone must be political. But let me point out, most people are not. All you need to do is look at voting turnout numbers to see most people are not political, especially not at the local level where direct action happens. When was the last time anyone reading this voted in their local, municipal election? Do you even know when the next one is?

Now let me add another aspect to this: Piltover is not a democracy. It is by definition an oligarchy, in which power is held in the hands of a small, elite group.

So, in such a world, why would anyone like Viktor think it's even possible for an individual to impact politics? Which is why I think Viktor always saw the only way of impacting the world for the better as being through where his own gifts lay: in science.

But I do think it's more complicated than that. And I want to take the chance to further explore the political landscape as Viktor would have seen it throughout Arcane and why that would be enough to make him take zero interest in politics and have zero hope for its efficacy at solving the problems he wants to solve for people, and that he wants to solve for people regardless of their political background or national identity, because Viktor is shown to be colorblind when it comes to those concepts.

As far as we can tell, the only people with political power in Piltover are the 7 Councilor. The major Houses have some influence, but that's it. Minor Houses, like House Talis, can't even trade upon their meager levels of influence in their own son's trial. Ximena, the presumed matriarch of House Talis in the absence of any extended family for Jaye being shown, has to trade on sentiment. That's how little political power is spread around.

One thing that Vander and Silco were almost certainly pushing for in their protest at the bridge was for "Zaun" to have a political voice at all. This effort was ruthlessly quashed. The undercity doesn't have a representative on the Council, they don't have any Houses, they are effectively voiceless except through riots and protests.

And, as they say, those who make peaceful revolution impossible make violent revolution inevitable.

Furthermore, organized crime tends to spring up and flourish in places that don't have a law of their own, or a law that common people can rely on. See the Italian mafia in the US, which in part sprang up from the fact these communities needed to be self-governing and self-protecting because the official law of the land wouldn't protect them. But then, of course, the criminal forces that stepped into that power vacuum may gain wide acceptance for keeping the peace and providing other social services, but then in order to hold onto power, they're going to prevent the actual authorities from stepping into their territory. Once they have a hold there, there's no elections either, there's no way to cast out a malfunctioning organized crime unit that's providing those social services.

This is more or less what I think happened with Silco. He stepped in and created a society in the undercity, one that he was able to run because Piltover turned its attention outward with the Hexgates, it no longer needed to rely on the labor of the underclasses in the undercity so they left them to their own devices.

But Silco's government was corrupt. I think that gets lost in a lot of Zaun vs. Piltover debates. Silco's Zaun was just as much an oligarchy as Piltover, they had their own Council with the chem-barons who are directly paralleled in the "Sucker" sequence in 2.02. There is no "Piltover is better" or "Zaun is better" they are both corrupt.

Where in the world would Viktor get the idea that the solution to the political problems between Zaun and Piltover would be solved by handing more political power to people like Silco? Why in the world would he reach the conclusion that two oligarchies would be the solution?

And even in such a world where maybe, self-governance would help some people in the undercity, why in the world would Viktor believe he would personally be able to make that happen?

In a society with no democracy, when the one attempt to gain a voice for the undercity was ruthlessly quashed most likely while Viktor was still a student in the Academy, where in the world where Viktor have developed a sense that he could have impact on politics or wouldn't simply die in the attempt if he joined a political movement, thus improving nothing? And if you can't buy into politics in any meaningful way, why pay attention to it?

Viktor has found his keys to the kingdom in science. He has one avenue to excellence, which is solving the material difficulties facing the undercity like cleaning up the air and making the labor there less backbreaking and difficult. He has a narrow focus. Indeed, one of his flaws is that it's kind of "his way or the highway" he doesn't appear to even seriously entertain other avenues besides science for improving lives in the undercity.

This is particularly interesting because he was an assistant to Heimerdinger, albeit in his role as Dean of the Academy I believe. Yet Viktor doesn't see Jayce's role as a Councilor as an avenue towards meaningful change, why?

I genuinely can only speculate there. Why doesn't Viktor ever try to advocate for the undercity when he has access to Heimerdinger? Or, as two scientists, do both just see it as the role of science to better lives down there, rather than political action? Heimerdinger does seem remarkably politically disinterested for someone who is the nominal head of the government. All the wheeling and dealing happens behind his back. Perhaps Viktor is just as oblivious, who knows? Maybe Viktor's lack of political interest is what made Heimerdinger like him enough to employ him as his assistant in the first place.

Now to further answer your question, I'd say Viktor isn't even trying to politically solve anything because it's unthinkable that he would be able to. That's why the undercity independence play I think makes him cautiously optimistic, if you see his face during the vote right before the rocket hits. He never really thought politics could solve this but maybe it can. Maybe the key is to just let the undercity go its own way. I'd argue Viktor seems a bit skeptical when he announces that Jayce brokered a peace with Silco, I don't think Viktor likes Silco, or likes the idea of handing the reins of power to him. But he does appear optimistic when the vote begins to go that way, in I would argue is one of the rare positive political moments for Viktor (the only other that I can think of is when he speaks favorably of Vander's vision for Zaun).

Then the rocket hits, which must be a gut punch of further disillusionment. It's not just Piltover that's preventing Zaun's independence, it's Zaun, it's the cycle of violence, it's the fact that the conflict has gone on for so long and is so ugly that a solution is no longer possible without more bloodshed.

This inevitable bloodshed includes Jinx and Cait's forces wiping out the remaining chem barons, thus in my opinion making the conflict a moot point, because there's no one on the other side to negotiate with anymore. There is no potential Zaun government anymore if there's no one to hand power to, there's no democracy to set up (not in Piltover either, so there's no example of one). Zaun dies with Silco and goes back to being the undercity, an impoverished community within Piltover. Its Shimmer economy dies, which was the only technology that gave it a prayer of competing with Piltover on the battlefield too.

Quick aside, I get that people are mad there isn't more Zaun vs. Piltover in S2, but that's already dead as a conflict in 2.03. Zaun gets decimated as a political player. It has no leadership, no weapons, nothing that allows it to act as an independent state anymore. Piltover won and it did so because Jinx's rocket gave them the motivation they needed to cut off the head of the snake, the snake Jayce was willing to negotiate with to give them their independence.

That's gone now. There is no Zaun. There's no one to give power to. There's no military, no forces, no money. It is not a state anymore. Sevika is trying to rally the various disaffected factions in 2.04 and even that is slow going because of the old internal hatreds. And even if everyone did rally, all Sevika is hoping for is to make enough of a cohesive Zaunite identity to be able to bring grievances to Piltover. She can't even organize that. Zaun doesn't have an identity anymore in 2.04, and not enough internal organization to begin to form anything resembles a town council let alone the government of a nation.

So in that backdrop, where in the world would Viktor have any notion that he can impact events with politics? Or any desire to when the most promising political hope Zaun had, which he had a hand in, was destroyed the second it arrived by a Zaunite who didn't want the deal? This is a difficult, intractable problem.

Of course Viktor would see the best way to "solve" this problem is to not engage with it at all. It's to sidestep it entirely. Go back down to the individual level, help those in need, give them a place away from conflict in which to flourish and live peaceful lives. He essentially starts a monastery during the political Dark Ages of the collapse of order in the undercity, a very natural human response.

Then, he decides the best way to solve this problem is just to stop it. Get everyone on the same side, even if it's into a hivemind. That's why he's willing to take poor shimmer addicts from Zaun like Huck and rich Councilors like Salo from Piltover.

I also think his view is informed by his parallels in the real world in that he's apolitical because he's a scientist, and to a scientist all these lines of caste and creed and nation are meaningless on a biological level, we are all people. That's how I think Viktor sees it. It's part of why I think too, somewhat speculatively, that Viktor only talks about being from the undercity as a place of origin for him, not as an identity, because I think he thinks all such identities are nonsense, they're missing the point of the general advance of humanity, something many scientists around the world feel. I'm more quick to ascribe an attitude I see amongst scientists, engineers, and astronauts to Viktor than I am to ascribe a political identity to him. I don't think he sees political identities are relevant.

For example, besides noting Jayce's privilege when they first meet, he never denounces Jayce as being from Piltover or sees it as a barrier to them working together. He never singles out details of Jayce's identity by birth as being relevant. Because such details are meaningless in science. He only even brings up Jayce's background, I think, the one time when they first meet to point out to Jayce that while he has lost the benefits of his patron and House Talis name, there's still a path forward for him, the one Viktor started with. He mentions it as a reason that Jayce doesn't need to commit suicide when he loses those things. But he doesn't blame Jayce for having them.

At no point, even when Jayce is othering the people of the undercity, does Viktor other him right back as being from Piltover. In my view, Viktor's response is actually, "Hey, a member of your in-group is also from the undercity, stop framing everyone from there as outgroup/other, you know better than this." And Jayce immediately acknowledges that Viktor is right. They are immediately back on the same page that political identity lines are meaningless when it comes to improving lives (aside, real world people who play identity politics do realize we're all aiming for a world where everyone can flourish regardless of their identity, right??).

However, he does admire those like Vander who imagined a peaceful end to the conflict by establishing a nation of Zaun, however it should be noted, I think Viktor saw Vander's effort as inspiring but tragically doomed to failure. Hence, the need for Glorious Evolution, when the most well-intention dreams have no hope of ever happening. Seeing people like Vander fail is part of the disillusionment that makes Viktor further decide to disregard and supersede all politics through his own scientifically endowed magical power.

So anyway I hope this very long, involved essay helps explain a bit better how I view Viktor's politics, specifically his lack of them.

Edit: I just realized you also asked about Viktor's childhood. I have less to say there because we know so little but I would add:

Viktor was othered by people in the undercity as well as people from Piltover. I think that would lend to his view that people are just people, there are no real lines of politics or point of origin that matter. People will isolate him for his disability in both. No one is better than anyone else. It's just that people in Piltover by and large have more resources than those in the undercity, but both will look down on someone like him and avoid him.

You also have the fact that Viktor emigrated to Piltover presumably while still fairly young, either a teen or a young man, one would guess, based on his intellectual ability. I don't think he inherently sees the two cities as being separate, more like just two different areas of town, one of which is disadvantaged. Like moving from a poor neighborhood in Brooklyn to Manhattan. If Brooklyn began to lobby to become its own city or state, separate from Manhattan, some would see that as a good thing from self-governance perspective, others might see it as nonsense, which is where I think Viktor would mostly fall, but more importantly, I don't think he has faith that Brooklyn and Manhattan becoming separate states would really solve anything that matters, when the issues are things like air filtration systems, which can be solved with science.

As for things like, did young Viktor face violence? I think if he did, it would just add to his sense that a lack of resources breeds violence and the undercity needs prosperity to flourish, prosperity brought by scientific innovation. Politics again isn't going to solve these problems.

And I would finally add, Viktor found success and a sense of belonging in Piltover. I don't think he's as down on the place as people make him out to be sometimes. Jayce is from Piltover. Heimerdinger is too, these are two people who accepted Viktor and arguably who have loved him. I think as a result, Viktor would just see Piltover and the undercity as two places of origin within one city, a city he belongs to and wants to help improve by focusing on those in need.

[genderqueerdykes]

I promise this is just coming from someone who wants to learn, and I apologize if it sounds hateful or rude for what I'm about to ask that is not what I want at all,

but when it comes to systems, DID, plurality, from what I have heard, it is something extremely extremely rare, and something that most people under the age of 25 the body isn't even supposed to like "reveal" until older. I'm just confused and I would really like to hear from someone who actually is plural and not just from like Google

is being a system, DID, and plurality even the same? And the only plural people I have met irl have like 25,000+ alters of dsmp characters (I ofc know not everyone who is plural isnt just fictive and it's all different)

just a very confused person who isn't plural and I would really like to learn and be educated !! I would really like to understand more and hate unreasonably for something I don't understand

hello there!

you can be plural without having DID. there's not really much else to it. DID is one form of plurality. it's not the end all be all of plurality. there are even other dissociative disorders like OSDD that get cast by the wayside when people adopt this kind of mentality. there's so much more to plurality than DID. also, there is no set age at which the symptoms at DID become apparent on the outside. i've been having dissociative symptoms since i was a kid. my alters were active and present even as a teenager!

relying on medical statistics alone for DID is a bad idea because most professionals who are capable of diagnosing someone with a mental health condition don't even know what dissociative disorders are or what they entail. my own therapist has known that I have DID the entire time i've known her, but she has told me that currently, she can't help me with it, because she has not received training for it. dissociative disorders are nowhere near as rare as we think they are, one has to consider that a number even as low as 1% - 2% of the global population is an absolutely massive number of people!

saying that DID is "extremely rare" in this case in order to discredit non dissociative plurals is an appeal to authority. it's appealing to the medical industry who refuses to take it seriously in the first place. the amount of professionals i've had who pointed out that i have dissociative disorders vs. the ones who never commented on it at all is pretty staggering. this is due to a lack of proper research due to lack of funding, not because DID is genuinely that rare. the reason there isn't more research into plurality in general is because of a lack of funding. medical studies and organizations require funding. if they don't see money in it, they won't do it.

DID is still a heavily stigmatized condition. things haven't gotten much better since it was renamed from Multiple Personality Disorder. people with dissociative disorders are still treated like shit in medical settings, so to me, it makes no sense at all whatsoever to pit dissociatives against other plurals because no one takes ANY of us seriously, it's not non-dissociative plurals' faults that we're not taken seriously. it's the medical industry. there are no medications to push for DID. DID does not respond to medication. this already makes a lot of doctors not want to interact with it at all, because there's no commissions for medications prescribed.

"And the only plural people I have met irl have like 25,000+ alters of dsmp characters."

i'm pointing this out gently, i don't think you're a bad person, but this is sooooo mean, please don't be that mean and judgmental about other people, plural or not. please consider how those people would feel if they heard you talking about them like that. even if you don't view them as plural, you shouldn't think it's okay to discredit their lived experience. what are you getting out of phrasing it like that? even if that person turns out to not be plural, please do not judge other people based off of things like this. you don't live inside of their head. you don't know what's going on in there.

i'm not entirely sure why people think this way about introjects and fictives, but they're an extremely normal part of the plural experience! one of the most well known DID systems of all time, Truddi Chase and The Troops, had not only fictional alters (Elvira) but also factual ones as well (Mean Joe Green). this is not new, nor is it isolated to non dissociative plurals. introjects and fictives are extremely normal. it doesn't mean someone is faking just because they've introjected someone, or someones.

hope that helps, in general, please understand that the only lived experience that you are the arbiter of is your own and you cannot tell someone else what they're experiencing, no matter what. plurality will look different for every person, system and so on that experiences it! the sooner you accept that the easier your own life will become. it's not hurting you for someone to have headmates that you don't like. that's their business, not yours, and that's actually a very freeing thing!

great addition from the tags:

[fangdokja]

:D oooh, I love those things where Scara isolates the reader so that she becomes reliant on his ass. So basically, psychological torture, please?

Your body is chained, but your mind? Still free. Or is it?

❤︎ Synopsis. Trapped in a mind game where love is a weapon and escape is impossible, you’ll learn that survival means surrendering to his twisted obsession. But as his control tightens, you’ll wonder: Are you his prisoner, or his willing prey?

♡ Book. World Ablaze (WA): For You, I'd Burn the World.

♡ Pairing. Yandere! Scaramouche x Fem. Reader

♡ Novelette. #1 - Lover or Captor?

♡ Word Count. 10,821

♡ TW. dom + top + older yandere, non-con, psychological torture, manipulation and conditioning, suggestive themes, fear play, emotional manipulation and abuse, hints at rough play and sex, psychological and emotional trauma, isolation, monitoring, lack of boundaries, non-con kissing and/or touching, forced relationship, threats, BDSM, psychological torture, Stockholm Syndrome, force feeding, uncomfortable food descriptions, control over food and water, implied kidnapping

♡ A/N. No problem. I genuinely enjoy writing all forms of torture. I’d say this is soft Scaramouche to be honest. But that’s just me. Since manipulation of circumstances pre-kidnapping is a classic (but also a traditional cliche at times), I decided to make some small fun facts on how psychological torture works in general. Also, do note that this has a different writing (especially formatting and plot progression) style from my usual works, but that’s the point… And, low-key got sick of editing this haha. But that’s nothing new. Either way, hope you guys enjoy :))

He watches you with an intensity that burns hotter than the static hum of the electro mist surrounding the enclosed space he calls home—your prison. His eyes, sharp like the edge of a newly forged blade, track every movement you make, every twitch of your fingers, every shallow breath you take. There is no escaping his scrutiny, no moment where his gaze isn’t a weight you carry as if he’s carved himself into your very existence.

“You’re trembling again,” he murmurs, his voice a lilt of mockery wrapped in silk, carrying an undercurrent of something darker. He’s closer now, the faintest scent of ozone and metal clinging to his presence. He’s always so near, yet somehow never close enough for you to strike—not that you have the strength anymore. His manipulation has bled you dry, turned your once vibrant spirit into a pale echo of itself.

“Have I scared you that much?” he continues, his tone like an echo of thunder in a storm, half-amused and wholly cruel. He kneels before you, tilting his head as if studying a particularly interesting experiment, and you wish, not for the first time, that he would lose interest in his obsession. But you know better than to hope; hope is a fragile thing here, something he’s crushed beneath his heel more times than you can count.

Your legs are bound, wrists tethered together with some unbreakable material that bites into your skin when you move too much. Not that movement helps. He’s seen to that too. The chains are just as much a part of his games as the room itself: walls painted in endless monotones, no windows, only a single dim light that flickers faintly, threatening to plunge you into complete darkness at any moment. He’s told you before that he’d like to see what the dark does to you—what he could do to you while you’re blind and helpless.

“Tell me,” he says now, his hand reaching forward to brush against your cheek. His touch is deceptively gentle, a lover’s caress that belies the brutality hiding beneath the surface. “Have you learned to appreciate me yet?”

You flinch but don’t answer. Words are a dangerous currency here. Silence earns punishment; speech earns worse. You’ve been caught in his web long enough to know the rules of his game are meant to ensure one thing: total control. But your defiance—the last ember of it—makes you cling to the belief that your silence is an act of rebellion, however small.

He chuckles lowly, the sound reverberating through the empty room. “Still so stubborn,” he muses, fingers now tracing the line of your jaw. “I admire that about you, you know. That fight in your eyes. But it’s exhausting for you, isn’t it? Fighting me? Fighting this?” He leans in, so close that you feel the ghost of his breath against your ear. “Do you think anyone’s coming for you? That they even remember you?”

Your stomach twists, a sick knot of despair and anger. His words are poison, injected carefully and methodically into your psyche.

“I erased you,” he whispers, his voice soft but cold enough to freeze your blood. “From their memories, from their lives. Your friends? Gone. Your family? They don’t even remember your face. Isn’t that a kindness, though? Sparing them the grief of losing you?”

He pulls back just enough to look into your eyes, searching for the cracks he’s so meticulously created. “Do you hate me for it?”

You do. You hate him with a depth that frightens you. But you say nothing, your lips trembling as you refuse to give him the satisfaction of hearing it aloud. His expression shifts, a flicker of annoyance crossing his otherwise perfect features, but it’s gone just as quickly as it came.

“Hate me all you want,” he says, his tone growing harder, sharper. “But you will love me. In the end, you always will.”

He stands, his shadow towering over you as he looks down, his smirk returning like a blade pressed to your throat. “I’ll give you some time to think about it,” he says, turning and heading toward the door. “But don’t take too long. I’m not a patient man.”

The door closes with a deafening finality, and you’re left alone in the dim, flickering light. Alone with your thoughts, your fear, and the suffocating realization that he’s right. He’s always right. The world has forgotten you, and all you have left is him.

And isn’t that the cruelest truth of all?

────────────

The room is a void—a cage designed not to hold your body, but to unspool your mind held by fragile thread. The walls are stark and featureless, smooth metal panels that offer no hint of escape. There are no windows, no visible doors, just the cold hum of fluorescent lights that seem to dim and brighten at random intervals, casting shadows that twist and crawl.

The air is heavy, oppressive, suffused with his presence even though he’s nowhere to be seen. You can feel him, though—lurking in the corners of your mind, a phantom stitched into your every thought. His voice crackles through the static-filled speakers embedded in the walls, sharp and invasive, like glass scraping against your skull.

“Lonely yet?”

You flinch at the sound, your knees drawing tighter to your chest. His voice is smooth and mocking, curling around your mind like barbed wire.

“I told you this is for your own good,” he continues, each word laced with a venomous sweetness. “Out there, the world would devour you. I’m saving you, little fool. But gratitude? That’s too much to ask, isn’t it?”

You press your hands over your ears, as if that could block him out. But his voice doesn’t come from the speakers anymore. It comes from everywhere. From nowhere. It vibrates in your bones, coils in your gut, whispers in the back of your skull until you’re certain it’s your own thoughts betraying you.

The silence that follows is worse. It’s his silence—calculated, suffocating, a predator’s patience as it watches its prey wear itself down. Hours stretch into days, or maybe longer. Time is meaningless here. The lack of human contact gnaws at your sanity, leaving only the relentless pounding of your heartbeat to fill the void.

Then, finally, his voice returns, and despite the fear it brings, a twisted part of you clings to it like a lifeline.

“Look at you,” he purrs, his tone dripping with mock sympathy. “So fragile. So desperate. Do you see now? No one else will come for you. Only me.”

The words settle over you like ash, suffocating and final.

And then he’s there.

The walls don’t open. He doesn’t step through a door. He’s just there, as if he’s always been there, a seamless extension of the room’s nightmarish design. The dim, artificial light casts a sickly glow over his features, making him look less human and more like a living doll—perfectly crafted, flawlessly sculpted, and utterly devoid of warmth. His smile is delicate, a razor-thin line that glints with malice beneath its veneer of sweetness.

“You’re quiet today,” he murmurs, his voice a low, velvety hum that sends shivers racing down your spine.

He moves closer, his boots clicking sharply against the metallic floor. The sound is deliberate, each step a calculated reminder of his control, his dominion over this place, over you. His presence fills the room, overwhelming, suffocating.

“I wonder,” he continues, stopping just short of where you sit, “is it silence out of submission? Or defiance?”

You don’t answer. You can’t. Words catch in your throat, strangled by the weight of his gaze.

He crouches before you, his movements slow, fluid, and predatory. His violet eyes gleam in the half-light, shimmering with something dark and unreadable. They lock onto yours, pinning you in place, and the room seems to shrink further, the walls pressing closer until there’s nothing but him.

“Look at me,” he commands softly, his voice a velvet glove hiding an iron fist.

Your head moves of its own accord, your body betraying you as your eyes meet his. The corner of his mouth lifts into a smirk, and the sight of it is both intoxicating and nauseating.

“That’s better,” he murmurs, his gloved hand reaching out to cup your face. His touch is achingly gentle, a cruel mimicry of tenderness, but his grip tightens just enough to remind you of his strength. Of your helplessness.

“You’ve been imagining things again, haven’t you?” he whispers, his tone almost pitying. “Seeing shadows where there are none. Hearing whispers in the dark. Poor little thing.”

He tilts his head, studying you like a scientist dissecting a specimen. The artificial light casts eerie reflections in his eyes, making them glint like shards of broken glass.

“Do you know what isolation does to the human brain?” he asks, his tone conversational, almost curious. “Deprive it of stimuli long enough, and it starts to turn on itself. Hallucinations. Paranoia. A complete collapse of the psyche.”

He leans closer, his breath brushing against your lips, his eyes boring into yours.

“But you’re not imagining me,” he says softly, his smile widening into something sharp, something cruel. “I’m as real as the blood under your nails, the bruises on your wrists.”

Your breath catches as his thumb brushes over your temple, the motion deceptively soothing. But then his fingers tighten, his nails digging into your skin.

“And do you know what the best part is?” he whispers, his voice dropping to a chilling hush. “You’ll beg for more. For me. Because I’m all you have left.”

The walls seem to close in entirely, the air growing colder, heavier, until it feels like you’re drowning in his presence. And through it all, his smile remains, a grotesque mockery of kindness, as he whispers again,

“Lonely yet?”

────────────

The camera in the corner of the room stares at you, its red light pulsing steadily like a heartbeat—like his heartbeat, if he had one. You can feel it watching, a cold, unblinking eye that absorbs every movement, every shallow breath. It’s not just the camera, though. The walls themselves seem to hum with an unseen energy, a constant reminder of the wires and devices hidden just beneath the surface, all tuned to you.

“You’ve always had a penchant for dramatics,” his voice crackles through the speaker embedded high above, sudden and sharp. You flinch, instinctively shrinking against the edge of the bed, the metal frame digging into your spine. “But let’s not make this more unpleasant than it needs to be. You know I’m only doing this for your own good.”

The static lingers, like the ghost of his presence, before dissolving into the oppressive silence that dominates your world.

———

Later, you find it—a book, an old one, its spine cracked and worn. A piece of the life you once had. The familiar weight of it in your hands brings a flicker of warmth to your chest. You don’t know how it got here or why he would allow you something so small yet so meaningful, but you don’t question it. You simply clutch it to your chest, savoring the moment.

But then, he arrives.

He stands in the doorway, his expression unreadable, his silhouette framed by the dim, flickering light. His eyes—those violet pools of cruelty and calculation—narrow as they land on the book in your hands.

“Where did you get that?” he asks, his voice calm, but there’s a cold edge to it, like a blade hidden in velvet.

“I—I found it,” you stammer, clutching the book tighter as if it might shield you from the inevitable.

He doesn’t move, but the air around him seems to shift, thickening with something unspoken. “Interesting,” he murmurs, stepping closer, his footsteps deliberate and measured. “You’re quite resourceful, aren’t you? Always finding ways to entertain yourself.”

You don’t answer. You can’t.

When he reaches you, he kneels, his movements fluid and precise, like a predator cornering its prey. He plucks the book from your hands with deceptive gentleness, his slender fingers brushing against yours for a moment too long.

“Do you know what this is?” he asks, turning the book over in his hands as though it were an artifact of immeasurable value. “A relic. A fragment of something that doesn’t exist anymore. Like you.”

His words sting, but before you can process them, he tightens his grip on the book. With a sudden, violent motion, he tears it in half, the brittle pages scattering like ash across the floor.

“Nothing from before matters,” he says, his tone cool, almost clinical, as he rises to his feet. “You don’t need distractions. You need me.”

———

That night, you try to sleep, but the room refuses to let you. The lights flicker intermittently, each burst of brightness searing your eyes through closed lids. A low, grating hum emanates from somewhere in the walls, setting your teeth on edge.

And then, the noise.

It starts as a soft, rhythmic tapping, like the distant sound of rain against glass. But it grows louder, more insistent, until it feels like it’s coming from inside your skull. You bolt upright, your breath ragged, your body drenched in cold sweat.

“You’re restless,” his voice coos from the speaker, smooth and mocking. “Didn’t I tell you to rest? Or are you defying me again?”

“I—stop it,” you whisper, your voice trembling.

“Stop what?” he replies, feigning innocence. “You’re imagining things again. Poor thing. You really should trust me more. I can help you.”

The noise stops abruptly, leaving an aching silence in its wake. You collapse back onto the bed, your body too exhausted to fight anymore.

———

The next morning, you stumble into the small, sterile kitchenette, your limbs heavy with fatigue. The stove is on—flames licking at the edges of a pan you don’t remember lighting. The smell of something burning fills the air, acrid and choking.

“Careless,” he says, leaning casually against the doorway, his arms crossed. “You could’ve burned the whole place down.”

“I didn’t—” you start, but he cuts you off with a wave of his hand.

“No excuses,” he snaps, his voice sharp as a whip. “You’re lucky I caught it in time. Do you see now why you can’t be trusted? Why you need me?”

You want to argue, to scream that it wasn’t you, that he must have done it himself. But the words die in your throat as his gaze pierces through you, cold and unrelenting.

────────────

The silence stretches into infinity, interrupted only by your own ragged breaths and the phantom echoes of his voice that claw at your psyche. You don’t know when he’ll speak again or if he’s watching, but the not knowing is part of the torment.

When his voice finally breaks the silence, it’s so sudden and sharp it feels like the snap of a guillotine.

“Still holding onto hope, are you?” His voice is soft, almost tender, a cruel mockery of comfort. “I admire your persistence. It’s… quaint.”

His tone is calm, calculated, each word chosen with the precision of a scalpel. It cuts through the fog in your mind, forcing you to confront the reality he’s woven around you.

“You think someone’s coming for you?” he continues, his voice dripping with incredulity. “How adorably naïve. Do you even remember what it’s like out there? The noise, the chaos, the endless parade of fools clawing at one another for scraps of meaning. I’ve spared you from that, haven’t I?”

You don’t answer. You can’t. The lump in your throat feels like it’s suffocating you, and the weight of his words presses down on your chest until it feels like your ribs might crack.

“Nothing to say?” he muses. “That’s fine. I prefer you this way—quiet. It suits you.”

———

You didn’t hear a door open. Didn’t hear the telltale click of boots against the floor. One moment you’re alone, and the next he’s standing there, a figure carved from shadow and disdain. The dim light paints him in stark relief, illuminating the sharp angles of his face, the cold glint in his violet eyes.

“I’ve been generous with you,” he says, his voice low and steady, like the distant rumble of thunder. He steps closer, each movement precise, deliberate, as though he’s stalking prey. “I’ve given you time to adjust, to see the truth. But you…” His lips curl into a faint smirk, though there’s no humor in it. “…You insist on clinging to those foolish little scraps of defiance.”

You flinch as he crouches before you, his gaze leveling with yours. His expression is unreadable, a mask of icy detachment that barely conceals the storm simmering beneath.

“Tell me,” he murmurs, his voice dropping to a chilling whisper. “What exactly are you holding onto? A memory? A promise? Hope?”

He tilts his head, his eyes narrowing as he studies you with an intensity that feels like it could peel back your skin, exposing every raw nerve beneath.

“You don’t even know, do you?” he says, almost pitying. “You’re just… grasping. Blind and desperate. It’s pathetic, really.”

His hand reaches out, and you flinch again, but he doesn’t touch you. Instead, his fingers hover just above your face, as though he’s considering it, savoring the moment.

“You’re so fragile,” he breathes, his tone a mix of fascination and contempt. “It wouldn’t take much to break you, you know. A little pressure here…” His hand shifts, his fingers ghosting over your temple. “…And here.”

His other hand moves to hover over your throat, and your breath catches.

“But where’s the fun in that?” he muses, withdrawing his hands with a slow, deliberate grace. “Breaking you would be easy. No. I want you to understand.”

He leans in closer, his breath brushing against your ear, his voice dropping to a dark, intimate whisper.

“I want you to know that every moment you spend here is a gift. My gift. And when you finally shatter, when you finally look at me with nothing but submission in those eyes…” He pulls back just enough to meet your gaze, his smirk sharpening into something vicious. “…That’s when you’ll understand. That’s when you’ll thank me.”

The air feels thicker, heavier, suffused with his presence. The room spins around you, the walls closing in, the ground tilting beneath you. And through it all, his voice lingers, wrapping around your thoughts like a noose.

“No one else will come for you,” he says, standing to his full height, towering over you. “No one else can. It’s just you and me now. Forever.”

He turns to leave—or does he? The edges of your vision blur, the lines between reality and nightmare dissolving as his voice echoes through the void one last time.

“Stop fighting it, little fool. Stop fighting me.”

────────────

The first thing you notice when you wake is the cold. It bites into your skin, gnaws at your bones, wrapping itself around you like a second, crueler layer of flesh. The thin, threadbare shift you wear does nothing to shield you from it, the fabric clinging to your body with a dampness that reeks of mildew and despair.

The blankets are gone again. He always takes them when you displease him.

Your stomach churns with the memory of his last visit—the quiet menace in his voice, the way he tilted his head as he watched you scramble to piece together what was left of your broken dignity.

“You want comfort?” he had said, his tone laced with derision. “Earn it.”

You had begged—how could you not?—but he only smiled, a thin, sharp curve of his lips that cut deeper than any blade. And then he was gone, taking with him not only the blankets but the small, chipped bowl you had been using to collect water from the condensation that dripped sporadically from the ceiling.

Now, the thirst claws at your throat, dry and insistent. You press your lips together, trying to ignore it, but it’s impossible. Every breath feels like sandpaper scraping against raw flesh.

———

When he finally returns, it’s without fanfare. The door—a seamless part of the wall when shut—slides open with a faint hiss, and he steps inside, his violet eyes sharp and calculating. He’s carrying something this time: a bundle of what looks like clothing, though you’ve learned not to trust appearances.

“You look worse than usual,” he remarks, his gaze sweeping over you like a scientist observing a failed experiment. “Pathetic.”

You flinch at the word, but you don’t respond. Experience has taught you that anything you say will only feed his twisted sense of superiority.

He crouches before you, placing the bundle on the floor between you. It’s not clothing, you realize, but a single, thick blanket. It looks warm, inviting—an impossible luxury in this place.

“Do you want it?” he asks, his voice soft, almost coaxing.

You hesitate, your body aching for the warmth it promises. But you know better than to trust him.

“What do you want me to do?” you whisper, your voice hoarse from disuse.

His smile sharpens, a flash of white against the shadows of his face. “You’re learning,” he murmurs. “Good.”

He stands, taking a step back and gesturing to the far corner of the room. There, you see it: a tray of food, simple but sufficient—bread, water, a small portion of fruit. Your stomach growls at the sight, a humiliating reminder of your hunger.

“Eat,” he says, his tone light, as if he’s offering you a gift.

You don’t move. It’s too easy. There’s always a catch.

He chuckles, a low, mirthless sound. “Ah, still suspicious. How charming.”

He walks to the tray and picks up the cup of water, holding it up to the dim light as if inspecting it. Then, without warning, he tilts it, letting the liquid spill onto the floor.

“No!” The word escapes you before you can stop it, a raw, desperate plea.

He turns to you, his expression unreadable. “Prove to me,” he says slowly, deliberately, “that you deserve it. That you can follow simple instructions.”

“What do you want?” you ask again, your voice trembling.

His gaze narrows, and he steps closer, the soles of his boots crushing the bread beneath them as he walks. He crouches before you again, his eyes locking onto yours with an intensity that makes it impossible to look away.

“Crawl,” he says simply.

The word hangs in the air, a command and a taunt all at once.

Your body stiffens, shame warring with desperation.

“Crawl,” he repeats, his voice harder this time, the veneer of gentleness cracking to reveal the steel beneath.

You hesitate, and his smile returns, cruel and mocking. “Or don’t,” he says, standing and turning away. “But don’t think I’ll be so generous again.”

———

The air in your prison grows colder with each passing day. The concrete floor seems to suck the warmth from your body, leaving you shivering in the thin, threadbare clothing he’s allotted you. Blankets are a luxury, one he dangles before you like bait on a hook. Hygiene products—soap, a toothbrush, even clean water—are rationed out like rare treasures, rewards for obedience that always seem just out of reach.

He watches you from the shadows, a silent predator waiting for the moment your spirit cracks. The sound of his voice is worse than the silence. It’s a scalpel, peeling away layers of your resistance with surgical precision.

“You look uncomfortable,” he remarks one day, his voice lilting with mock concern. He steps into the dim light, his figure framed by the cold, sterile glow. “How long has it been since you last had a proper shower? Days? Weeks?” He smiles, the expression brittle and sharp. “I could help with that, you know. All you have to do is ask.”

You say nothing, your eyes fixed on the floor, but he sees the flicker of humiliation in your expression, and it feeds him.

“No?” He tilts his head, feigning curiosity. “Still so proud, even now. Admirable, really. But pride won’t keep you warm. Or clean. Or alive.”

────────────

When the door finally hisses open, the sound sharp and invasive, you don’t lift your head. But you feel his presence immediately, a dark, oppressive weight that fills the room. His footsteps are soft but deliberate, each one echoing like the tolling of a bell. And then he speaks, his voice low and smooth, a dark current beneath deceptively calm waters.

“You’re looking pale again,” he remarks, his tone laced with mockery that twists your stomach. You don’t answer, keeping your eyes fixed on the floor, but he doesn’t need your response to continue. He never does. “Have you been refusing to eat? Or is it the water? You’ve always been so ungrateful, haven’t you?”

A shadow falls over you as he comes closer, and the sharp scent of ozone and something faintly chemical hits your nostrils. You flinch when his hand, cold and unyielding, grips your chin, forcing your face upward. His violet eyes gleam with a sick kind of amusement as he tilts his head, studying you like a specimen under glass.

“Thirsty?” he asks softly, almost gently, though there’s no mistaking the sadistic edge beneath his words. He reaches into the folds of his dark, flowing attire and retrieves a small, glass vial. It gleams in the dim light, the liquid inside as clear as crystal but no less threatening for its purity. “I brought you something special today.”

He crouches before you, setting the vial down on the floor with a deliberate clink. Then, with an almost theatrical flourish, he places a tall glass beside it, already half-filled with water. “Drink,” he says, his voice a command wrapped in velvet. “Go on. You must be parched.”

You hesitate, your body trembling as you glance at the glass. It feels like a trap—no, you know it’s a trap—but your throat burns with the dry, relentless ache of dehydration. It’s been days since he last offered you anything, the air in the room deliberately kept too dry, leeching the moisture from your body like some cruel experiment.

When you don’t move, his smirk widens, and he leans in, close enough that you can feel the chill of his breath against your skin. “Do you think I’d poison you?” he whispers, his tone almost tender, though the words slice into you like broken glass. “That I’d let you go so easily? Oh, no, little doll. If I wanted to destroy you, I’d make it far slower. Far more… personal.”

The implication chills you to your core, but the thirst gnaws at you with an intensity that borders on madness. You reach for the glass, your fingers trembling so violently you nearly knock it over. He watches with rapt attention, his eyes never leaving your face as you lift it to your lips.

The water is cold, colder than it has any right to be, and it slides down your throat like liquid ice. But then, the taste hits—metallic, sharp, and tinged with something acrid that makes your stomach churn. You gag, dropping the glass with a shattering crash, but it’s too late. The liquid burns as it courses through you, a searing pain that spreads from your throat to your chest, your stomach, your limbs.

He doesn’t flinch at the sound of the breaking glass. If anything, his expression grows darker, more triumphant, as he leans back on his heels, folding his arms across his chest. “How does it feel?” he asks, his tone almost conversational, as though he’s asking about the weather. “The sensation of your body rejecting what it so desperately craves? Fascinating, isn’t it?”

Your vision blurs with tears as you clutch your stomach, the pain radiating outward in waves. You want to scream, to beg, to curse him, but your voice catches in your throat, choked off by the bile rising within you. He watches it all with the calm detachment of a scientist observing a particularly interesting reaction, his head tilted slightly, his lips curved in a faint smile.

“Ah, but don’t worry,” he says after a moment, his voice softening in a way that’s even more sinister. “It won’t kill you. I wouldn’t waste such a useful tool on something as permanent as death.” He reaches out, brushing a stray strand of hair from your face, his touch cold and clinical despite the faux tenderness in his movements. “No, little doll, this is simply a reminder. A lesson.”

He leans in closer, so close you can feel the oppressive weight of his presence pressing down on you. “You don’t survive without me. Do you understand that now? Every breath you take, every drop of water you drink, every bite of food that passes your lips—it all comes from me. And it can all be taken away just as easily.”

The pain begins to subside, leaving you weak, trembling, and utterly broken. He stands, brushing off his knees as though he’s finished with some menial task. “Rest, if you can,” he says, his voice light and mocking once more as he turns toward the door. “You’ll need your strength for the next lesson.”

The door closes behind him with a resounding clang, leaving you alone in the suffocating silence of the room. Alone with the lingering burn in your throat, the taste of poison on your tongue, and the sick, suffocating knowledge that he’s right.

You don’t survive without him.

────────────

The silence he left behind had weight—a crushing, suffocating thing that pressed against your chest until your breaths came in shallow, wheezing gasps. Days stretched into nights, and nights into something darker still, where time seemed to lose its grip and your mind unraveled thread by fragile thread.

But then came the voice.

At first, it was a whisper—a delicate breeze brushing against the edges of your consciousness. Soft, insidious, and almost gentle.

“Did you miss me, little doll?”

Your heart stopped, then hammered violently against your ribs. You spun toward the sound, eyes darting across the empty room. Shadows stretched unnaturally, pooling in corners like ink spilled across parchment.

There was no one there.

But the voice persisted, lilting and melodic, curling around your thoughts like smoke. “Poor thing,” it cooed. “You look so lost. So lonely. Didn’t I promise I’d always come back for you?”

“No,” you rasped, clutching your head, fingers digging into your scalp as though you could claw him out of your mind. “You’re not here. You’re not real.”

The laughter that followed was low, rich, and agonizingly familiar. It reverberated through the empty space, vibrating against your skull like a tuning fork.

“Not real?” he repeated, his tone dripping with mockery. “Oh, my little doll, you wound me. But perhaps I’ve been too kind. Let me remind you.”

The world around you shifted—imperceptibly at first, like the faint sensation of vertigo. Then it hit. The walls groaned and shuddered, the fluorescent light overhead flickering wildly. The air grew heavy, thick with the metallic tang of blood. You stumbled, your knees buckling as the ground seemed to ripple beneath your feet.

When the flickering stopped, he was there. Or was he?

His face hovered just out of reach, a phantom etched in shadow and smoke, his violet eyes glinting like shards of broken glass. He was leaning in, his lips brushing against your ear, his breath unnaturally cold.

“Tell me, doll,” he murmured, his voice velvet and venom, “do you still think I’m not real?”

You screamed, a raw, guttural sound that tore through the silence. You clawed at the walls, at your face, your nails scraping skin as you tried to banish him from your senses. But the voice only grew louder, more insistent, wrapping itself around you like a shroud.

When he finally stepped into the light, the sight of him sent your stomach plummeting. His coat trailed behind him like the wings of some unholy predator, his silhouette framed in a distorted, sickly glow. He tilted his head, a parody of curiosity, and smiled.

“You’ve been busy,” he said, gesturing to the marks on the walls, the bloodied crescents under your nails. “What is it you’re trying to escape from, hmm?”

You stared at him, wide-eyed, your chest heaving. “You weren’t here,” you whispered, your voice trembling. “I heard you, but you weren’t here. You were—”

“Everywhere,” he finished for you, his smile widening. “And nowhere. Isn’t it delightful? How fragile your mind has become?”

He took a step closer, his boots clicking against the floor in a deliberate, measured rhythm. Each sound drove a spike of dread deeper into your chest.

“But don’t worry,” he continued, his tone softening into something almost tender. “I’m here now. Let’s forget all about those nasty little thoughts, shall we?”

His hand reached out, brushing a blood-matted strand of hair from your face. The gesture was achingly gentle, a cruel mimicry of affection. His touch left a burning, icy trail against your skin.

“You look so distressed,” he murmured, his voice dripping with mock concern. “Have you been imagining things again? Seeing shadows where there are none? Hearing whispers in the dark?”

You wanted to scream, to lash out, but your body betrayed you, rooted in place as his fingers ghosted over your cheek.

“No need to answer,” he said with a sigh, his thumb tracing the edge of your jaw. “Your silence speaks volumes.”

And then the illusion shattered.

His hand wasn’t on your face—it was inside your skull. You felt the sharp, electric jolt of something foreign scraping against your brain, an icy tendril of invasive thought slithering into the deepest recesses of your mind. Memories warped and twisted under his touch, familiar faces dissolving into grotesque, melting horrors.

“You see,” he whispered, his voice echoing within you now, “there’s no escape from me. Not in the silence, not in the noise. I’m in every breath you take, every blink, every beat of that fragile little heart.”

You sobbed, the sound choking in your throat as the room dissolved into a kaleidoscope of distorted images. Blood seeped from the walls, viscous and dark, pooling at your feet. You felt it creeping up your legs, cold and sentient, wrapping around you like chains.

And still, he smiled.

“Did you miss me?” he asked again, his voice slicing through the chaos. This time, there was no room for denial. He leaned in close, his breath brushing against your lips as he whispered, “I missed you, little doll. And I’ll never leave you again.”

────────────

The tray lands on the table with a resounding clang, a sound that reverberates through the suffocating silence of the room. The metallic echo seems to burrow into your skull, as if the very air conspires to mock your helplessness. He stands above you, a silhouette of unyielding authority, arms crossed and eyes gleaming with sadistic amusement.

"You should be grateful," he murmurs, his voice smooth and calculated, like a scalpel slicing through flesh. The faint trace of a smirk curls his lips, his tone dripping with condescension. "I went to such great lengths to prepare this. Just for you."

Your gaze falls to the tray, and the bile rises instantly in your throat. The abomination before you masquerades as food, a grotesque parody of sustenance that seems alive in the most horrifying ways. The slabs of meat glisten unnaturally, their surfaces marred by oozing black lesions that seep a thick, tar-like substance. A faint stench rises from them, sharp and putrid, a rancid blend of decay and chemicals.

Nestled beside the meat is a mound of gray paste, its texture like wet cement, flecked with jagged shards of something white—bone? Teeth? You can’t tell, and you don’t want to. The greens are no better: wilted, slimy, and crawling with tiny, wriggling creatures. The bugs move lazily, their segmented bodies glistening under the harsh fluorescent light, their sluggish movements taunting your growing horror.

“You’re staring,” he says, his tone lilting, almost playful. He leans in closer, his sharp features framed by the dim, artificial glow. "What’s the matter? Not to your liking? It’s safe, you know. Perfectly edible. Nutrient-dense, even."

You swallow hard, your stomach twisting itself into knots. Every fiber of your being screams at you to run, to scream, to do something, but you can’t. His presence roots you to the chair, your limbs heavy with the weight of his control.

“Don’t think I’ll let you starve, little doll.” His voice drops, the endearment laced with venom. He picks up the fork, prodding at the meat. The action elicits a sickening squelch as the black liquid pools beneath it, the viscous substance clinging to the metal tines like molasses. “Go on,” he urges, his tone soft but edged with malice. “Eat.”

Your shaking hands reach for the fork, but your grip falters. The metal feels impossibly cold, a physical manifestation of your dread. You stab at the meat, and its rubbery texture fights back, resisting your every attempt to cut it. When you finally manage to tear off a piece, the smell intensifies, a cloying wave of rot and iron that makes your vision blur with nausea.

“Don’t make me repeat myself,” he says, his voice low and dangerous. He steps closer, his shadow swallowing you whole. “You will eat every bite. I won’t tolerate waste.”

Your lips part reluctantly, and the moment the meat touches your tongue, the taste assaults you. It’s rancid, the flavor an overwhelming mix of decay and metallic bitterness. You gag instinctively, your body convulsing as you try to spit it out, but he’s faster. His hand clamps over your mouth, his grip iron-tight.

"Swallow," he hisses, his breath cold against your ear. The word is sharp, absolute. Tears stream down your face as you force the foul lump down, your throat convulsing violently around it. The moment it settles in your stomach, a heavy, alien weight, he releases you with a cruel smile.

“Good,” he purrs, wiping a stray tear from your cheek. “But we’re not done yet.”

He picks up the gray paste next, scooping a heaping forkful. The gritty, slimy mass clings to the metal like glue, its acrid stench burning your nostrils. Without warning, he presses it against your lips, smearing the substance across your skin when you try to turn away.

“Open,” he commands, his tone brooking no argument. His other hand grips your jaw, forcing your mouth open, and he shoves the paste inside. It coats your tongue, the texture gritty and uneven, punctuated by the horrifying crunch of the shards within. You don’t want to think about what they might be. You retch, but his unyielding gaze pins you in place.

“Chew,” he orders, his voice devoid of patience now. When you hesitate, his grip on your jaw tightens, the pain sharp and immediate. “Chew.”

You obey, the shards cutting into your gums as the paste coats your mouth in an unholy mix of textures and tastes. When you finally swallow, it feels like swallowing broken glass, the jagged edges scraping their way down.

“Such a good little doll,” he croons mockingly, his fingers stroking your cheek in a grotesque parody of affection. His eyes glint with dark satisfaction as he gestures to the greens. “Finish it.”

The slimy leaves glisten under the light, their surfaces writhing with life. The tiny creatures embedded within them squirm and twitch, their segmented bodies pulsing faintly. He picks up a forkful and holds it before you, the bugs wriggling and falling off the edges, their tiny legs scrambling for purchase.

“No,” you whisper, your voice hoarse and trembling. It’s the first word you’ve dared to speak, but it’s a mistake.

His expression hardens instantly, his smile vanishing. He grips your hair, yanking your head back with brutal force, and presses the fork against your lips. “You don’t get to say no,” he snarls. “You will eat. Every. Last. Bite.”

The greens and their crawling passengers are shoved into your mouth, the slime coating your tongue and the bugs wriggling against your teeth. You chew reluctantly, each bite filling you with a fresh wave of nausea as the creatures burst, their insides bitter and sickly. Some continue to move, their twitching bodies sliding down your throat even as you swallow.

By the time the tray is empty, you’re shaking violently, tears streaming down your face as your stomach churns with the unholy concoction. He watches with satisfaction, his smirk returning as he steps back.

“Well done,” he says, his tone almost congratulatory. He sets the tray aside and crouches before you, his fingers brushing against your tear-streaked cheek. “See? You can do as you’re told.”

You stare at him, hollow and broken, the taste of his twisted meal lingering on your tongue. When he finally leaves, the door slamming shut behind him, the oppressive silence returns, and you crumble, your body wracked with dry sobs.

The food sits heavy in your stomach, a grotesque reminder of your helplessness. You know he’ll return tomorrow with something worse. He always does.

────────────

The sterile air of the room feels heavier today, pressing against your chest like invisible hands. You can’t shake the unease, the gnawing sensation that something is wrong, even more so than usual. It’s in the silence that stretches just a beat too long, in the flicker of the overhead light that seems timed to your uneven breaths.

Then, the door opens, and he steps inside with the quiet elegance of someone who knows he doesn’t need to announce his presence. Scaramouche. His name alone sends an involuntary shiver down your spine.

He looks the same as always—poised, meticulous, as if every strand of hair and every fold of his outfit had been arranged with precision. But today, there’s something different in his eyes, something colder, more calculating.

“You’ve been quiet,” he says, his tone almost conversational, as if you’re old friends catching up. His lips curl into a smile that doesn’t reach his eyes. “What’s the matter? Cat got your tongue?”

You don’t answer. You’ve learned by now that anything you say can and will be twisted, reshaped into a weapon aimed at you.

He sighs, a sound filled with exaggerated disappointment, and steps closer. The room feels smaller with each measured step he takes, until he’s standing just a breath away, towering over you like a shadow.

“I’ve been thinking,” he begins, tilting his head slightly, the motion almost childlike but laced with menace. “You haven’t been entirely honest with me, have you?”

Your heart stutters. “What are you talking about?”

“Oh, don’t play dumb,” he snaps, his voice cutting through the air like a blade. “I saw the way you looked at me yesterday. The resentment, the defiance. After everything I’ve done for you.”

“I didn’t—”

“You did,” he interrupts, his voice softer now but no less dangerous. “And it hurt me. It hurt us.”

His words sink into your chest like daggers, each one meticulously placed to draw the maximum amount of guilt and confusion. You know he’s lying—there was no resentment, no defiance—but the certainty in his voice, the way he says it as though it’s an undeniable truth, makes you doubt yourself.

“Do you know how hard I work to keep you safe?” he continues, crouching down so his face is level with yours. “Do you have any idea what I’ve sacrificed for you? And this is how you repay me? With distrust? With hatred?”

“I don’t hate you,” you whisper, your voice barely audible.

“Don’t you?” His smile widens, cruel and mocking. “Then why do you keep trying to hurt me? Why do you keep betraying me?”

Your mind races, desperately trying to piece together what he’s accusing you of, but there’s nothing to grasp onto, no crime to confess.

“I didn’t do anything,” you say, your voice trembling.

His eyes darken, and he leans in closer, so close you can feel the chill radiating off him. “No?” he whispers, his tone dripping with venom. “Then why do I feel like you’re lying?”

────────────

The first time you see him again, it’s through a haze of adrenaline and fear, your limbs trembling as you push yourself upright. The sound of boots pounding on the concrete echoes like gunshots in the cavernous space. Everything smells like oil and blood and something metallic you can’t quite place.

He bursts through the shattered doorway, his dark silhouette haloed by the dying embers of light spilling from the outside. His eyes, sharp as a blade’s edge, scan the room until they lock onto you, crumpled in the corner, battered and bleeding.

“I told you not to wander off,” he says, his tone more exasperated than angry. But there’s something underneath it—an undercurrent of urgency, of barely contained panic.

Before you can respond, he’s kneeling in front of you, his gloved hands moving with precision as he checks for injuries. His touch is cold, clinical, but his gaze burns with something raw and unspoken.

“You could’ve died,” he mutters, almost to himself. “Do you have any idea what they would’ve done to you if I hadn’t gotten here in time?”

The words hit you like a blow. You remember the men who dragged you here, their faces masked but their intentions clear. You remember their laughter, the way they circled you like predators, and the sickening certainty that no one was coming to save you.

And yet, here he is.

“Why…?” Your voice cracks, barely audible over the pounding of your heart. “How did you find me?”

He pauses, his hands stilling as he meets your gaze. “Because I always find you,” he says simply, as if it’s the most natural thing in the world. “Because you’re mine to protect. No one else cares enough to keep you safe, to pull you back from the brink every time you stumble into danger.”

You should feel grateful—relieved, even—but his words don’t sit right. They coil around your mind like a serpent, squeezing tighter with each repetition.

———

Days later, after he’s taken you back to the sterile confinement of your “safe place,” the cracks in the story begin to show.

You wake up screaming, your dreams plagued by shadowy figures and muffled threats. The first thing you see is him, sitting in the corner of the room, his arms crossed and his expression unreadable.

“Still having nightmares?” he asks, his tone calm but laced with faint condescension.

You nod, your throat too dry to speak.

He stands, walking over to you with measured steps. “I warned you,” he says, sitting on the edge of the bed. “The world out there is cruel, unrelenting. They don’t care about you like I do. That’s why you need to stay here, where I can protect you.”

“But—” you start, the words dying in your throat as his gaze sharpens.

“But nothing,” he snaps, though his voice never rises. “Do you remember what happened? What they said they’d do to you? Or are you already twisting it in your head to make me the villain again?”

You flinch, the accusation stinging even though you know it isn’t fair. “I didn’t say that,” you whisper.

He leans closer, his presence suffocating. “But you thought it,” he murmurs. “Don’t lie to me. I can see it all over your face.”

The conversation leaves you shaken, his words gnawing at the edges of your mind. Had you misunderstood him? Was he right?

———

The next day, you notice something strange. The small, cracked mirror on the wall—the one you’ve stared into countless times, trying to find traces of the person you used to be—looks different. The crack is gone, the glass pristine, almost too pristine.

You press your fingers against it, your reflection wavering slightly. “Was this always here?” you mutter to yourself.

“It was,” his voice answers from behind you, making you jump.

You turn to find him leaning casually against the doorway, his arms crossed and an infuriating smirk on his face. “Are you doubting your memory now?”

“I…” You hesitate, the weight of his gaze making it impossible to think clearly.

“Maybe it’s the stress,” he continues, pushing off the wall and walking toward you. “Trauma does funny things to the mind. Makes you see things that aren’t there, remember things that didn’t happen.”

He stops just inches away, his hand brushing against your cheek in a gesture that feels both comforting and imprisoning. “But don’t worry,” he says softly. “That’s why I’m here—to keep you grounded, to make sure you don’t lose yourself completely.”

———

Over time, the little inconsistencies pile up: a drawer that seems to shift its contents overnight, a diary you swore you wrote in that now sits blank, the faint smell of antiseptic that lingers on your skin despite not remembering any wounds.

“You’re imagining things,” he says whenever you bring it up. “Do you want me to get the doctor again? You remember what he said last time—about your delusions?”

The mention of the doctor shuts you down. You remember the cold metal of the examination table, the too-bright lights, the clinical detachment in the doctor’s voice as he listed off your supposed symptoms.

“You’re not well,” he had said, his tone devoid of compassion. “But with time, and the right care, you can recover.”

And who had been there to hold your hand through it all? Who had whispered reassurances in your ear, promising that he’d never let anyone hurt you?

Him.

Always him.

———

One day, he takes you outside—or what he claims is outside. The sky is gray, the air heavy with the acrid smell of smoke. There’s no one around, just endless stretches of concrete and metal, like the remnants of a city that never finished being built.

“This is what’s left,” he says, gesturing to the desolation around you. “You wanted freedom? Here it is. Go ahead. See how far you get.”

You take a hesitant step forward, then another, the silence pressing in on you like a physical weight. But the farther you walk, the more it feels wrong. The same twisted tree looms in the distance no matter which direction you turn.

“It’s a loop,” you whisper, realization dawning like a shard of glass slicing through your thoughts.

He steps up behind you, his breath warm against your ear. “It’s safety,” he corrects. “And the sooner you accept that, the better off you’ll be.”

You sink to your knees, the weight of his words crushing you.

Because deep down, you know he’s right. There’s no way out.

────────────

The “gifts” arrive in silence, placed delicately where you can’t ignore them. They are always wrong in ways that make your stomach churn—a photograph from a vacation you can almost remember, the faces distorted into grotesque smears as if melted under the heat of his touch. A trinket you once cherished, now fractured or tarnished beyond recognition, its edges sharp enough to cut. A letter written in your own handwriting, the words rearranged into senseless patterns, like a code you’re too far gone to crack.

You don’t want to touch them, but you do, every time. They feel like a thread tying you to the world you left behind, even as the thread frays in your trembling hands.

Today, it’s a letter. A crumpled piece of paper, brittle and yellowed at the edges, that wasn’t there when you closed your eyes to the oppressive dimness hours—or was it days?—ago. The words shift as you read, the ink bleeding into itself until sentences collapse into meaningless blotches.

“It’s all gone, you know,” his voice cuts through the silence, a dagger laced with mockery.

You whip around, the paper crinkling in your grip as you face him. He’s standing in the doorway—or at least, where a doorway would be if this room obeyed the laws of reason. His silhouette is backlit by a faint, sterile glow that gives him an otherworldly edge, making him seem more phantom than man.

His smirk widens as he steps forward, his movements slow and deliberate, his boots echoing against the cold floor. “Everything you had. Everyone you loved.” He pauses, tilting his head as if savoring your reaction. “I made sure of it.”

His words pierce through you, sharp and unrelenting, a scalpel carving away at your hope. Your hands shake, the letter slipping from your grasp and fluttering to the ground.

“I don’t believe you,” you manage to whisper, though your voice wavers under the weight of his presence.

“Oh?” His tone drips with amusement as he crouches before you, his violet eyes glinting with something dark and twisted. He picks up the letter, smoothing it out with a precision that feels mocking, before holding it out to you again. “Then tell me—what does it say?”

You stare at the paper, the lines of ink writhing like living things under his gaze. The harder you look, the more the words evade you, slipping through the cracks of your comprehension like grains of sand.

“Nothing?” he presses, leaning in closer, his voice dropping to a low, dangerous murmur. “How tragic. And here I thought this might bring you comfort.”

He straightens, looming over you as his smirk softens into something almost tender—almost. “But you don’t need those relics, do you? Memories are just burdens, after all. And I…” He reaches out, brushing a strand of hair from your face with a touch so light it feels like a mockery of affection. “…am here to unburden you.”

You recoil, pressing yourself against the wall, but there’s nowhere to go. His hand lingers in the air for a moment before he withdraws it, his expression shifting into something unreadable.

“You have me now,” he says, his voice calm, measured, but with an undercurrent of something that makes your skin crawl. “And isn’t that enough?”

———

You don’t answer. The silence stretches between you, heavy and suffocating, until he chuckles—a low, mirthless sound that vibrates through the room.

“No?” He turns his back to you, pacing with the languid grace of someone who knows they’ve already won. “Ungrateful to the end, I see. Typical.”

He stops near the far wall, his hand trailing across its surface as if feeling for a seam. The room responds to him, a soft click reverberating through the air as a hidden compartment slides open. From within, he pulls another “gift”—a locket this time, small and tarnished, the metal warped as though crushed under immense pressure.

He holds it up, letting it dangle from his fingers as he turns back to you. “Do you recognize this?”

Your heart clenches at the sight of it, the faint glint of its once-polished surface sparking a memory so vivid it feels like a slap. You don’t answer, but he sees the recognition in your eyes, and his smile sharpens into something predatory.

“You kept this with you always, didn’t you?” he muses, his voice soft, almost reverent. “So sentimental. So human.”

He steps closer, dangling the locket just out of reach. “And yet, it couldn’t save you, could it?” His smile falters for a split second, a flicker of something bitter crossing his features before his mask of cold amusement snaps back into place.

He drops the locket at your feet, the sound of metal striking the floor echoing in the silence. “Take it,” he commands, his voice suddenly hard, sharp enough to cut.

You hesitate, your hands trembling as you reach for it. The moment your fingers close around the cold, misshapen metal, his boot comes down next to your hand, so close you can feel the air shift.

“But remember,” he says, his voice low and venomous, “everything you touch, everything you remember—it’s mine now. Just like you.”

His words sink into your mind like hooks, tearing at your resolve as he turns and disappears into the void he came from, leaving you alone with the locket and the crushing weight of his truth.

———

You want to say no. You want to scream it, to hurl the word at him with every ounce of strength you have left. But the word sticks in your throat, a jagged shard of glass you can’t swallow or spit out.

He doesn’t wait for your answer. He doesn’t need to. The smirk that plays at the corners of his lips tells you he already knows.

“You’ll see,” he murmurs, his tone almost reverent now, as though speaking of a truth so profound it defies comprehension. “In time, you’ll come to understand. I’m all you have. All you’ll ever need.”

He steps back, his boots clicking against the floor in a rhythm that echoes like a heartbeat—your heartbeat, weak and faltering.

“Do try to appreciate my generosity,” he says over his shoulder as he moves toward the shadows. “These little gifts of mine… they’re not just for you, you know. They’re for me, too. A reminder of how far you’ve come.”

And then he’s gone, leaving you alone with the letter, the photograph, the watch. Alone with the fragmented remains of a life you can no longer remember.

The lights flicker again, plunging the room into darkness.

His voice lingers, though, soft and venomous, a ghost that refuses to leave.

“Gratitude, little fool. That’s all I ask.”

────────────

The room you’ve been confined to has changed again. Not in any tangible way—no new walls, no new objects—but in the oppressive way it seems to warp around you, making even its empty expanse feel too small. It’s as though the walls breathe, inhaling your will and exhaling despair. The only constant is him. Scaramouche, who looms like a god in a world of his own creation.

He stands before you now, framed by the stark artificial light, his expression unreadable. Every movement, every glance he spares is a study in calculated perfection, as though he’s rehearsed this scene in his mind countless times before bringing it to life.

“You’ve made progress,” he begins, his tone soft, almost kind. “I can see it in the way you’ve stopped resisting.” He kneels to your level, his hands clasped neatly on his bent knee. “But we still have work to do.”

You flinch as he reaches out, his fingers brushing against your wrist. His touch is light, fleeting, yet it feels like chains being wrapped around your bones.

“Tell me,” he says, his voice dipping into something more intimate, more poisonous. “What’s your name?”

You hesitate, your lips parting but refusing to form the words. The question isn’t innocent; you know that by now. It’s a trap.

Scaramouche’s smile deepens, and it’s the kind of smile that makes your stomach churn. “I see,” he murmurs, withdrawing his hand. “You’re still clinging to it. That identity. That name. That life.” His gaze sharpens, cutting through you like glass. “How selfish.”

“I’m not selfish,” you manage to whisper, your voice trembling.

“Aren’t you?” he counters, rising to his feet. He begins to pace, his hands clasped behind his back, his every step deliberate and echoing in the oppressive silence. “You insist on holding onto a version of yourself that no longer exists. Do you know how exhausting that is for me? Watching you struggle, knowing you’ll never succeed?”

His words are a scalpel, precise and cutting. “Let me simplify things for you,” he continues, his tone lightening as though he’s offering a gift. “You don’t need a name. Names are for people who belong to the world, and you…” He pauses, turning to face you fully, his violet eyes glowing with an unearthly intensity. “You belong to me.”

The words hang heavy in the air, suffocating you in their finality. He kneels again, his hands resting lightly on your shoulders. “Say it,” he commands, his voice velvet and steel. “Say you’re mine.”

You shake your head, tears pooling in your eyes. “I—I’m not—”

His grip tightens, not enough to hurt but enough to remind you of his power. “Say it,” he repeats, his tone leaving no room for defiance.

When you don’t respond, he sighs, releasing you and rising once more. “You still don’t understand,” he says, his voice tinged with disappointment. “But that’s alright. I’ll help you. I always help you, don’t I?”

———

The next morning, you wake to find everything in the room gone—your blanket, the single chair you’d been allowed to sit on, even the thin mattress you’d been sleeping on. The floor beneath you is cold, unyielding, and utterly barren.

When Scaramouche arrives, his expression is one of practiced pity. He crouches down, inspecting you like a scientist observing a fragile experiment. “It’s painful, isn’t it?” he says softly. “To have everything stripped away. But it’s necessary. You have to learn that those things were only weighing you down.”

“Why are you doing this?” you ask, your voice breaking.

“Because I care,” he replies without hesitation. “Because I want you to be free.” He tilts his head, his gaze softening in a way that feels like mockery. “Don’t you see? I’m saving you from the prison of your own mind. The sooner you let go of who you were, the sooner you’ll find peace.”

You don’t respond, but he doesn’t seem to mind. He rises to his full height, towering over you like a judge delivering a sentence. “I’ll leave you to think,” he says, his tone light but his words laced with menace. “But remember: the only way out of this is through me.”

———

Days pass—or maybe weeks; it’s impossible to tell. The walls seem to close in more each day, their featureless expanse a blank canvas for the chaos in your mind. You begin to question everything: your memories, your sense of self, even your sanity.

One day, Scaramouche returns with a new “gift.” It’s a mirror, small and oval, its edges gilded in a way that feels almost mocking. He sets it before you with a flourish, his smile unreadable.

“Look,” he says simply.

You hesitate, your hands trembling as you reach for the mirror. When you finally raise it to your face, you barely recognize the person staring back. Your skin is pale, your eyes hollow, your hair disheveled. You look…empty.

“Do you see now?” he murmurs, crouching beside you. “This is who you are. Who you’ve always been. The world out there didn’t care about you. It chewed you up and spat you out. But I…” He pauses, his gaze locking onto yours in the reflection. “I’m the one who picked up the pieces. I’m the one who’s here for you.”

Tears stream down your face, and you don’t even know why. His words are poison, but they seep into the cracks of your mind, filling the void with something dark and insidious.

“You’ll thank me someday,” he says, his voice soft and almost tender. “When you finally see the truth. When you finally understand that I’m your savior.”

He takes the mirror from your hands, his fingers brushing against yours in a way that feels both possessive and gentle. “But until then,” he says, rising to his feet, “you’ll stay here, where you belong. With me.”

────────────

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[just-a-itty-bitty-kitty]

Voice of the Smitten is a coping mechanism. (and so are the other voices)

The same thing applies to the rest of the voices, yes. But for my sanity, today, let's just talk about Smitten[I am ill about him].

Smitten is fixated on the Princess and on appeasing Her because he's born out of a belief that She's their only way to happiness and safety.

In Damsel's chapter 1, LQ establishes for themself that the Narrator is not a safe nor trustworthy person, but unlike Prisoner's ch1, instead of learning to be generally cautious and adopting an idea that there's no one they can fully trust, Quiet puts all of their trust into the Princess.

I strongly believe that, in order to shield themself from a dangerous, unclear, and scary reality, LQ dives into a sort of... 'fairytale' scenario. And that scenario, by extension, becomes the backbone of Smitten's whole worldview. He, just like the rest of the voices, is born out of a need for safety and control, and he knows of it as his purpose and his yearning. His mindset works as a mechanism that protects Quiet from a state of intense stress and discomfort.

So then, what is this mindset, exactly?

Well, for Smitten, expectations of certain roles appear. Roles that everyone has and needs to uphold: The Shining Knight, the Helpless Damsel, the Villain that's keeping them apart.

"Then you should know that we and the Princess are in love and the four of us will be foiling any and all assassination attempts you've got in the works."

These roles bring a sense of comfort. He has this vision of what the world is supposed to be, of what he's supposed to be. Fairytales always have happy endings, so with this vision, there comes a promise of everything working out.

"If he just makes everything go the way it's supposed to, then they'll be safe."

It gives Smitten the role of a protector, someone who controls the situation and wants the best for Quiet, as opposed to the Narrator who has an ulterior motive and clearly just wants to hurt them.

It gives him a sense of control.

So when something goes wrong, it feels like that control is yanked away, and that threatens his and LQ's safety. It takes away his happy ending that he tries so hard to keep.

"We'll get our happy ending, even if it damns each and every person who's ever lived!"

Another thing worth remembering is that the voices and LQ are at least under the impression that they haven't been living for very long. The only experiences they have to go off of, to learn from, are the ones we see in Chapter 1 and then on. To Smitten, the last time things went awry, they died horribly.

So it's no wonder he freaks out and feels like he has to push back for control. And that is also why he sees no problem with killing Quiet's body or even detaching himself from them entirely.

"Don't mind my sacrifice. It's a fair price to pay to give her everything she doesn't know she wants."

He places the responsibility for taking care of everyone on himself. Smitten is firmly under the impression that he "knows better". And he's even proven right a fair amount of times, which only solidifies the idea in his head.

"I told you! There's no life more worth living than that of a true believer!"

"I told you our love was insurmountable!"

But that also means Smitten unintentionally traps himself(and everyone around him) into a box, limiting his potential to just that, a shallow role. And that creates the feeling of inferiority.

His role is all there is to him, so if he can't uphold it, then it means there's something fundamentally wrong with him. It means he's failed.

In fact, Smitten seems to be laser-focused on his own shortcomings, at least when it comes to the Princess.

If She's somehow unhappy with anything Smitten has to offer, then it's not because She did something wrong, or because of some outside factor out of their control(he doesn't want to accept anything being out of his control, even if it would seemingly benefit him). No, it's because Smitten wasn't enough.

He idolizes Her while putting himself down.

"That's because she's perfect!"

It's a bit more complicated with The Long Quiet. On one hand, they are technically one person, but on the other, the voices like to distinguish themselves and seem to have a sense of their own identity.

If we take a look at one of Damsel's third chapters: The Burned Grey, Smitten is very distraught and angry at Quiet, and yet also berates himself at the same time.

"Ah, yes. The mirror. So we can see the monster we've become."

"No, my love! You did nothing wrong! I'm sorry! I'M SORRY, NOT YOU!"

So I think we can assume that it's a mix of both. He may feel angry at LQ but will ultimately blame himself.

Because it's his job to make sure everything went smoothly. It's his job to make sure that She was happy, because if She's happy – they're happy and they just threw all of his work away, but he was supposed to stop them. He was supposed to keep them happy.

He was supposed to keep them happy.

[bwat5-blog]

Maddie Nolan: Never Trust A Ginger (me included)

**Spoilers For All Of Arcane**

Maddie Nolan. This charming young murderess made quite the impact in season two. Initially, she seems like a bright, friendly and brave young woman who in all honesty, I felt was quite likely to die on the mission into Zaun. Such cheerful innocence is not exactly rewarded in this world. But, as with all of these wonderful characters, there was a whole world lurking underneath that smile.

Maddie is a loyal Noxian. This has been confirmed by Amanda Overton. And having that knowledge allows us to look back on Maddie's story and take a look from the time we meet her to her death. It also allows us to connect the dots for some basic points:

1. Maddie has Ambessa's trust: Maddie is young. Official sources have not confirmed an exact age at least as far as I have found. But most seem to agree she is in her early twenties like Caitlyn and Vi. Aside from Ambessa herself. Maddie has to play the most direct role in the manipulation and control of Caitlyn. There is no way Ambessa would risk her plan on an agent she did not feel she could trust completely.

2. Maddie's strength is her mind: What have we learned about Noxus? They are warlike and brutal sure, but that is not all they value. Ambessa herself is master of manipulation and control as well as being a physical powerhouse. And while we see Maddie fight, her prowess is certainly never to shown to rival Vi or Caitlyn (Caitlyn even disarms her while on her knees and almost shoots Ambessa with Maddie's own gun). So why is she so dangerous? Her mind. Her ability to manipulate, to improvise in the moment and play the role she has been assigned.

So. Keeping that in mind before we move ahead. For a brief refresher (primarily because I have written it very recently in other documents), here is very basic run down of Ambessa's goals:

1. She wants Hex-Tech to fight the black rose. 2. She wants control of Piltover. 3. She needs a puppet leader through which rule.

So what role does Maddie play in those goals?

In Caitlyn Kiramman, Ambessa has everything she needs for the perfect scapegoat. Intelligent, well-respected, brave and tenacious. But also angry, and raw, and grieving. Caitlyn is already in a state of destabilization. I Have been thinking about it in terms of "support beams" being knocked over.

Establishment: Marcus almost killed her

Childhood: Death of her mother

Safety: Several near death experiences

You get the idea. I am not a mental health professional, but the dominoes are falling. Ambessa intends to fill the maternal hole in Caitlyn's heart. But she also needs Caitlyn to reach the point that she can seize control of Zaun. And Ambessa is more than shrewd enough to know that will never happen with Vi by Caitlyn's side. Enter Maddie.

Meeting Vi-

Maddie is introduced to us as an almost literal ball of sunshine. Happy and friendly, standing illuminated by the morning light Maddie comes with Steb and introduces herself to Vi, sharing her excitement over Vi joining them and in general flattering Vi in a variety of ways.

On the surface, she seems for all the world like a kind and positive young woman. But we know why she is here. At this point we know it is not to get Vi on the strike team, as Caitlyn has not had such an idea. But they want to push Vi to accept the badge.

Why?: - Because as I have said, Ambessa is a master at her craft. She needs Caitlyn totally alone when she swoops in. And if you follow this extremely rough train of thought it's easy to see.

1. Caitlyn wants Jinx and wants to follow the official route. Which means as Enforcers. 2. Vi is by Caitlyn's side and feels guilt over her sisters actions and will want to help. 3. Vi's history will make being an Enforcer a point of contention and start to drive them apart.

Maddie says quite a bit, talking about Vi's one woman mission to fight Silco. But she lays the groundwork for what she knows is important. Caitlyn.

1. "Caitlyn made quite the scene when they tried to deny you enlistment". 2. "She said if every Enforcer had a heart like yours we could take on Noxus itself" 3. "Then she threatened to withdraw her families funding"

Caitlyn believes in you...

Caitlyn fought for you....

Caitlyn staked her standing on you...

And this was all before the memorial attack even took place.

*I can't take credit for this but an insightful user on here pointed out that Maddie keeps one behind her back the entire time she is shaking Vi's. Classic portrayal of deceit and a hidden threat. And regarding the "glad to know there are still good ones left" quote. I understand what people are saying regarding how Maddie views the undercity. But Marcus wasn't a Zaunite and that's how that sentence starts. Idk, maybe I'm just missing it. Feel free to explain it to me!*

The Memorial Attack-

During the attack itself we don't see much in terms of character-on-character moments for obvious reasons. It is extremely chaotic and violent but Maddie plays her part. She assists in saving the councilors and is almost killed by the Undercity forces. How much of if any of the plan she was in on, we can't really know. But she does not give us, or the characters around her a single reason to question her loyalty, and stands by Caitlyn's side when all seems lost, just before Ambessa and Rictus arrive with their soldiers in the nick of time.

In the aftermath, she is standing guard over Caitlyn with Steb, and dismissed when Vi approaches. But the real moment here is as Vi is walking up. She happens to look to see Rictus and Ambessa talking as Rictus is ripping his spear free from a body. Ambessa directly locks eyes with Vi. Appraising.. calculating..

"Vi.. You've been quite a curiosity. One who captured Caitlyn's heart. I owe you thanks. Your absence provided a vacuum I was able to fill"

The Strike Team-

It is in the wake of the memorial attack that Ambessa's plans for Caitlyn really start to manifest. Full of wrath and hate and despair, Caitlyn leads the strike team into Zaun. She, Vi, Maddie, Steb and Lorris. And even though their mission on the surface is righteous, Caitlyn is sliding further and further into the dark. Progressing more and more towards the place of total exposed pain that Ambessa will be able to twist and control. So when the time comes. When they know where Jinx is and the final confrontation is upon them, what does Maddie do? She plays the part. The scared, inexperienced, rookie off her balance and overwhelmed by Jinx's theatrics and mind games.

And it works. For the life of me I cannot find a GIF of it or even an image of Vi watching them at the moment, but Vi sees how scared Maddie appears. She sees Loris limping because of Jinx's bomb. She looks genuinely concerned for them. Just as Maddie knew she would be. Because don't forget Vi is just as much Maddie's study at this moment as Caitlyn is.

Maddie has been there to watch as Vi is progressively buried by guilt:

Her sister killed Caitlyn's mother.

She is wearing the enforcer uniform and doing violence in the streets of Zaun no matter how good the reason.

She has been watching Caitlyn grow darker and more violent to the point that she tearfully begs Caitlyn to promise she wont change to.

Now they are at the tipping point, almost facing Jinx. And Maddie plays scared.. she plays vulnerable... and with Loris hurt as well it's even better because she knows Vi hates all of this death and pain. She doesn't want to see anyone else suffer.

What do they get out of this? They being Ambessa and Maddie of course. Well as I said, Maddie has been watching, she has been waiting. And just like Vi has, she has seen what is happening to Caitlyn as well. As Vi grows more and more wracked with guilt and remorse and sorrow, Caitlyn grows darker. More angry and more violent. So what does Maddie do just shy of the finish line? Takes away anything that could stop the inevitable collision. No one to stand in the way. No one to back them down.

And while of course I can't be sure, to anyone suggesting she was actually frightened and in over her head. I present you the following image:

We will come back to this. But there she preparing to shoot Caitlyn in the neck after sharing her bed for a few months. I sincerely doubt Jinx's little puppet show had her shaking in her boots.

The Commander-

Caitlyn Kiramman stands totally separated from all that she had held dear:

Her mother is dead.

Vi "betrayed" her.

Jinx is free.

The old leader of the enforcers was a corrupt, murdering thug.

Her people are afraid and angry

Initially, she seems completely shocked and more than a little afraid. But.. maybe she isn't totally alone.. the young officer who fought by her side.. who is still here even now stands beside her smiling brightly and thumping her chest in support of her commander. Of course.. no one seems to notice she is the first "Piltovan" to do so..

All of that rage and hate and loss have just built more and more with no healing, no time and no peace. The Noxians have expertly shattered Caitlyn's support and all that is left is her pain. And so standing in front of the ruling families of Piltover, the last two surviving councilors, and a host of enforcers. Ambessa Medarda seizes Piltover for herself, all while playing the part of the caring mentor. LOOK AT HER FACE IN THE GIF BELOW

The Bedroom-

We leap forward in time. It has been a few months, although we don't now exactly how long. And Caitlyn is much changed. She is the Commander. The leaders of the city willingly supported Martial Law, and on the absolute surface, she is the leader. We of course, know better.

At some point between S2 E3 and S2 E4 Caitlyn allowed Maddie Nolan into her bed. And it is here that we find them now. Caitlyn seems cold.. detached.. despite the fact that she has been building her physical strength her face looks thinner, and more drawn. While Ambessa had taken advantage of the hole left by Caitlyn's mother, Maddie had done so regarding Vi. Manipulating and testing Caitlyn even in the comfort of her own bed.

I view this scene as sort of the other side of the coin of Vi and Cait's scene that will come later. Despite being in a cold, hard jail cell. That scene is so full of life, and love, and tenderness. This scene (while of course nowhere near as sexual), takes place in Caitlyn's lavish bedroom. But it devoid of anything comforting or loving. First, I want to quickly run down the technical details I noticed before we jump into the character stuff:

Unless I missed something. This is the only time we ever see this room in the dark.

All throughout the scene, Maddie is clinging to Caitlyn, nuzzling her, laying little kisses on her and so on. And when Caitlyn is looking directly toward her, she plays along. But anytime Caitlyn is allowed to turn away she does so, even pulling away gently more than once and almost never looking at Maddie directly.

The shots are all very harsh. Half Caitlyn's face while the other is obscured. A direct shot in a dark mirror. There is no warmth in the way they are shown despite being on soft sheets surrounded by pillows.

In another recent document, I shared my recent educational experience regarding the topic of push-pull dynamics in relationships. There were many reasons this dynamic could arise, but per the source I used there, one was a desire to control. Per a quick google search and the main search result.

"A push pull relationship dynamic describes a pattern where one partner repeatedly pulls the other close, creating intimacy, only to then push them away creating distance. Resulting in a cycle of alternating closeness and withdrawal"

Ambessa utilizes this expertly in keeping Caitlyn off-balance. I can't say for certain that this is some sort of technique of course, but let's take a look at a snippet of Maddie and Cait's conversation through this lens:

C- "They doubled their fortification requests.. again.."

M- "To keep us safe.."//Push- gently chiding

C- "I never expected this to go on so long.. I thought.. I don't know what I thought.. just.. wasn't this"

M- "You could call it off. Withdraw from the underground, reestablish the council, all you have to do is give the order"//Pull- encouragement. Reminder she has a choice and has power.

C- "Not without Jinx. besides a withdrawal could lead to a worse situation than the one"

M- "Ahh.. Okay Ambessa"//Push- Gently chiding

And all of this while continuously trying to heap physical affection onto Caitlyn as well throwing her off even more. Every-time Caitlyn starts to question or wonder Maddie tries to pull her back in. Back out of the small sliver of light we see Caitlyn in and into the total darkness Maddie emerged from.

Return Of "Jinx"-

This is a relatively short interaction between them. But we see Maddie continuing to test Caitlyn. Telling her she still has a choice if she wants to call it all off. But Ambessa interrupts and Maddie is dismissed.

*Ambessa warns Caitlyn of "the hazards of professional entanglements"*

Dismissed-

The next time we see Maddie she is speaking with Caitlyn after the battle of the commune and once again things are changing quickly. Maddie is trying to convince Caitlyn to negotiate but Caitlyn knows Ambessa means death to them all after what happened. Vi arrives, and Maddie is dismissed amid some glares and shoulder bumping while the two talk things out. We see quite quickly that Maddie's techniques have lost their charm:

"you can't blame yourself" (reaches for Caitlyn's hand)

"I don't need consolation, I need a plan" (jerks hand away immediately)

We saw in the bed how Maddie clambered to pull Caitlyn back into the darkness. But Caitlyn's will is reemerging. She is shaking off Maddie's attempts to manipulate, so when she dismisses her. For maybe the first time we see Maddie look genuinely upset:

I can admit. When I first re-watched after learning about Maddie, I wondered if perhaps I had it wrong. She seems genuinely sad here and I wondered if she had really grown to care for Caitlyn and I misjudged her. And while I cannot say for certain that one way or another. Her actions in the end of her story, are quite definitive to me.

The End-

The final battle is raging. Caitlyn Kiramman and her squad charge the Noxians in a cloud of grey released to choke the enemy. Until the IED they created does not go off, and she is cracked over the head twice, and wakes on her knees, Maddie Nolan's rifle pressed up against her. Now as I said I don't think this comes down to that Maddie had truly come to care for Caitlyn. I think she was upset because she felt she had disappointed Ambessa.

When we began this I said I can only feel that Ambessa must really trust Maddie to have given her the role in all of this that she has. And as brutal, and scary, and cruel as Ambessa can be. To care for those loyal to her is not out of character. She seems genuinely hurt by Rictus's death. And even though he was trying to kill Cait when he said it, remember this?:

"Ambessa believed in you. Your death, will be a deep cut"

Scapegoat or not Ambessa can come to care for those who serve her. So I think it entirely plausible that Maddie is one such person. Ultimately, Maddie's story ends as she tries to carry out her real leader's last order to her-

I think Maddie was an excellent character. Like many of you I suspected she was more than she appeared, but a straight up Noxian plant was certainly not on my list. She was clever, she was tough, and she was ruthless. And although it is hard to see it this way because we are rooting for our people, she was not a traitor. She was simply loyal to the other side to the utmost degree. And although it brings me no joy to say this, I think Maddie's final moment will be one that Caitlyn has to work to heal from mentally long after her physical wounds have become battle scars. The woman she used to distract herself from how things ended with Vi almost cost her her life, and cost all of them the battle. But NOOOOOOO Caitlyn doesn't face any consequences at all.

I did this one at the request of the brilliant @sapphoscreature and I am so grateful anyone cares enough to read these at all let alone ask for more haha. Doing these I get to keep learning more and more and seeing new ways to look at this incredible story. I fully and completely admit there is so much of Maddie's story we don't see (not complaining about pacing, seeing all of her story would literally defeat the purpose of the reveal) so if you feel I am off base please say so! I would love to discuss and hear other thoughts and ideas.

Thank you for reading, have a great day!

[misseviehyde]

BULLY BREW

Carol knew her daughter would be furious if she went in her room, but she'd told Alice to clean it six times now and she was still waiting. So long as her daughter was living under her roof, Carol expected her to at least be reasonable about such things and besides - her best stock pot had gone missing alongside a load of camping equipment. She wanted to know what her daughter was up to.

Carol knew that Alice was currently having a hard time at school, but that didn't give her a pass on keeping her room clean. Alice had come to the attention of some of the popular girls and was currently being bullied, but she refused to tell anyone about it and had screamed at her Mom that she didn't need help as she had her own solution.

Carol was struggling to see what that might be. As far as she and George, Alice's Dad could see, their daughter just spent all her time dressed in black and reading musty old books. Carol had offered to go the teachers but Alice had screamed at her not to.

Alice was what Carol's generation had called a 'goth' and her daughter liked to wear black makeup, dressing in black Victorian looking outfits and boots. She also had an obsession with 'magic' and claimed she was learning to be a witch.

Entering her daughters room, Carol winced. It was so dark and gloomy in here. Heavy metal and anime posters covered the walls and the room looked like a bomb site with clothes everywhere. Ripping open the curtains to let in some light Carol tutted as she saw her prized cook pot on top of a camp burner. A thick liquid was bubbling away.

She couldn't believe her daughter had left this on. She could have burned the house down!

Walking over Carol could see the liquid was thick and pink. Next to the pot her daughter had scribbled a load of notes. They sounded like the ravings of a mad woman.

Operation Revenge:

1. Make Bully Brew

2. Drink and become Alpha Bully

3. Get payback on EVERYONE

Carol tutted and turned off the heat causing the brew to stop boiling and bubbling. She looked down at it curiously and decided to give it a sniff. It was cooling rapidly... faster than any normal liquid would. In moments it would be cool to the touch and a velvety smooth pink liquid would be all that remained.

She breathed deep. It smelt good. Really good.

The fumes from the bully brew filled her head and she groaned involuntarily. She breathed deep and her skin tingled and her heart pounded. What... what was this feeling?

Staggering backwards, Carol's head span. She walked to the mirror and gasped. Her face looked younger and her skin tighter. It was like the fumes from the brew had been de-aging her and making her younger. Could it be real?

Curiosity swelled in Carol's mind. If a few sniffs of the brew could do this, what would drinking it do? A sudden hunger grew in her. A desire to drink down all the brew and feel its power fill her.

She knew she shouldn't. But she wanted to so badly. She NEEDED it.

Fuck it... why not?

With a wild grin on her face, Carol ran over to the pot and like some greedy child, began scooping the thick brew into her mouth using her hands. She moaned as she sucked down the delicious pink goo and overspill ran down her face.

"Ohhhhhh fuckkkkkk mmmmmmppphhh."

Carol grabbed the pot and lifting it up poured the pink slime over her face. She gulped and gulped as the excess dripped down onto her aging body, soaking into her clothes and skin. Slime ran into her hair and dripped down over her chest soaking her tits. She screamed in pleasure as she emptied the entire pot over herself and swallowed as much as she could, the rest coating her body and absorbing into her skin.

The empty pot clattered to the floor as Carol moaned and convulsed. Her face was a mask of ecstasy and insane pleasure as she grabbed her tits and squeezed them hard, rubbing the slime into her body.

"Mmmmm more... I need MMMMOOOORE! Fuckkkk it feels soooo good!"

Carol's arms shot out and she howled in pleasure, pushing her chest out. Bones popped and cracked as her aging body snapped back into perfect shape and her skin tightened up.

Her sagging tits firmed up to be young and perfect, the nipples hard as she groaned in pleasure. Thick white teenage bitch nails shot out from each finger as her neglected body hair burned away to leave every limb smooth and flawless.

Her body tanned and bronzed and her hair lightened, becoming blonder as her kind maternal features became cold and bitchy. Carol giggled and wiggled her fingers enjoying the feeling of the claws on her fingers and the feelings of dominant bitchy power thrilling through her transformed body.

"Fuck yesssss."

Her voice was now younger, brattier and meaner. She looked down and saw her dowdy Mom clothing soaked with the brew was also changing. It was tightening and altering in style to become a sexy little green one piece that left plenty of flesh on show.

Carol lifted a finger to her mouth and licked away the last drops of bully brew.

The entire cauldron was now empty, every single drop had been absorbed into Carol. Strutting over to the mirror she preened in front of it, enjoying how fucking sexy she looked. She was Alice's age now, but far prettier.

Her body pulsed with bitchy energy.

Walking over to Alice's wardrobe, Carol put her hand on the wooden door and watched as energy radiated from her hand and drained into the wardrobe.

It began to change, the clothes inside altering too, as Alice's room began to alter and shift. The excess energy from the bully brew bled out of Carol into her surroundings. Alice's room disintegrated and was instead replaced by a bitchy looking boudoir.

Carol looked around and knew that this was HER room now. The cupboards were full of designer clothes and this was her domain. She picked up her adult mobile phone and watched it transform into a bratty teenage bitches... the numbers inside and apps changing to reflect her new status as a popular bully.

Everything she touched was changing and becoming evil and bratty. It was kind of hot. Inside her head Carol's mental landscape was altering. It felt good to be a mean evil little bitch. New hungers were rising in her. She looked around Alice's former room and smirked. "Much tidier. This room is so much better as mine."

Something was happening inside her. Carol could feel her memories started to fade. She was still her, but she was struggling to remember her life as a Mom. She knew that she had been transformed by the bully brew, and it was now giving her a new bitchy life as a wicked teenage slut. She embraced it. It felt so good to give into these new emotions.

Fear, dominance, power. This was what she ached to have. She wanted people to shiver when they saw her. She wanted everyone to fucking worship her. She was Alpha now.

"Carol is fucking dead," smirked the hot teenage bitch as she took a selfie and admired how good she looked. "From now on there is only Niamh."

As she said it, she knew it was right.

Blonde hair, tanned skin, bitchy attitude. Niamh felt fucking good.

Suddenly the door to the room flew open and Alice gasped as she walked inside. "No! Not the Bully Brew. Oh my God, you drank the whole thing. You're only supposed to take a small amount. Mom - what have you done? The effects will be permanent!"

"Mom?" smirked Niamh. "I'm not your Mom anymore you pathetic loser. I'm your hot step-sister and you are my nerdy little step-bro. Don't you remember Arthur?"

Before Alice could react Niamh was on her. Pinning her down to the ground, the stronger girl laughed as the bitchy energy inside her washed over Alice and began to change her.

"Mmmmh you're such a small cocked pathetic incel Arthur. Can you feel yourself getting weaker? You love being my simp."

"Nooooooo!" screamed Alice, but it was too late as she transformed to her new sisters whims. Her breasts shrank and her dick grew and an infatuation for her more successful step-sister grew.

Arthur moaned as all knowledge of magic and the bully brew was driven from his mind. His shy little face crumpled into a servile expression of fear as he bowed his head and nervously adjusted his emo fringe. He was a weak pathetic loser with a porn addiction.

Niamh released her 'brother' pleased with his transformation. The excess energy within her was nearly drained now. She needed only alter George to make him her new Daddy and the rest of reality was already snapping into place.

No one remembered Carol anymore, only Niamh had ever existed.

"Being a bully is so much better than being a Mom. I won't make the same mistakes I did as Carol," gloated Niamh as she tried on her different clothes.

She giggled as she thought of Arthur jerking off in his bedroom and how he would never know why he was obsessed with thoughts of being a girl. She would enjoy turning him into a sissy loser.

The bully brew had done it's work well and this new bitch was ready to rock.

[justsomeoneintoomanyfandoms]

I Want You Back

This was originally requested by Anon who asked: "Could you make headcanons where you have an established relationship with the Tokyo Debunker characters but your ex suddenly tries to win you back?" The links to the other houses are below.

Fandom: Tokyo Debunker

Characters: Alan Mido, Leo Kurosagi, Sho Haizono x gn! Reader (separate)

Frostheim | Vagastrom | Jabberwock | Sinostra | Hotarubi | Obscuary | Mortkranken

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You're happily in a relationship with the Tokyo Debunker characters. So how will they react when your ex suddenly tries to win you back?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You’d think Alan would be super protective of you but he’s initially going to be very reserved. His self-doubt is coming back at full blast and he’s going to give you as much room as possible to make the decision you want.

He thinks you’re going to get back together with your ex so you’re with someone who isn’t constantly worrying over hurting you.

But the second he finds out you want to be with him and just want your ex to leave you alone, he’s going full protective boyfriend mode.

There’s no way your ex is going to be hanging around now that Alan’s stepped up to protect you. You’ve already got a wonderful boyfriend that has everything you could ever want.

Oh, Leo’s going to be so toxic with this one. But surprisingly not towards you. If he’s in a genuine relationship with you, he’s going to be really careful he doesn’t push you away.

No, no, no, he’s going to be super toxic towards your ex. I’m talking “befriending” them, then leaving them on read, doxing them, spreading rumours, and just generally making this person’s life a misery.

He’s also not afraid to bring his followers into things. He’ll post a video talking about how more people need to learn to accept no’s. And the second he lets slip “accidentally” that your ex has been hanging around, his followers are on the case.

There’s only a moment where Leo considers the possibility that maybe you want to be with your ex. But he’s going to push that thought down with all the other negative thoughts he has. He’ll deal with them one day…

Sho is the ultimate balance of Alan’s reservedness and Leo’s immediate defensiveness. And the main difference is that he’s going to sit down with you and have a conversation about what you want to do.

As soon as he knows where you stand, he’s got permission to act on all the protective feelings bubbling inside him.

Sure, Sho’s a nice guy, especially when it comes to you, but he’s in Vagastrom for a reason. He’s going to try and talk to your ex first and if that doesn’t work, he’s challenging your ex to a round in the pit.

 He knows damn well he’ll be able to beat you ex in the ring, especially if he has you cheering him on loudly from the side.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hey, did you enjoy this? If you like my writing, please consider donating to my Ko-Fi page! This will allow me to make some money off my writing, something I enjoy doing.

ko-fi.com/justsomeoneintoomanyfandoms

Important Note: Please only donate if you are financially able to. If you are currently in a position where you can't donate, a like, comment or reblog will mean just as much.

[frigid-arnica]

DATV plays more fast and loose with the Circle of Magi than Southern Thedas because we have three different countries that view magic a little differently.

SPOILERS UNDER CUT

Tevinter is ruled by mages and cultivates magical talent. Mages are favored by their class system. Circles of Magi are basically mage schools where you learn to control and expand your power. Something that is crucial if you are a member of the Altus class (highest ranked) and could potentially join the magisterium (mage senate) where you need to be very powerful. Blood magic is technically illegal but people still use it and everyone looks the other way, unless you have a political rival who decides to use the accusation of being a maleficar to take you down. Templars are not prison guards in Tevinter the way they are in Southern Thedas.

Rivain has a different relationship with mages and spirits. As Seer Rowan explains, Circles were communities where mages lived with their families and learned to control their abilities and commune with spirits. Rivain does not view spirits as utterly dangerous and untrustworthy. Some might be, but most are beings that you can find cooperation with. One of the side quests toward the end of the game is about subduing and pacifying the ghosts of Rivaini mages who were murdered by Southern Templars who came to Rivain to destroy these mages who were not conforming with Southern Chantry rules regarding mages (Tevinter does not follow the Southern Chantry).

Nevarra has a unique culture centered around how they honor their dead. Mortalitasi, necromancers, are generally respected and not treated with as much suspicion as they are in other countries. Becoming a necromancer and joining an order like the Mourn Watch is respected, as long as you don’t violate the ethics of those organizations. Emmrich is both a practitioner and a professor of necromantic arts and other magical fields like spirits. Since Nevarra follows the Southern Chantry it likely prohibits the use of blood magic, but there are ways for mages to gain respect and even some political power.

Origins and DA2 focus on much more restrictive and conservative Circles. If you play the mage origin in DAO, the game makes it clear that you are both there to learn but you are also imprisoned for your protection and the protection of everyone else. Mages are killed if they cannot successfully resist possession during the Harrowing. Mages are made tranquil (essentially lobotomized) if they cannot master their magical abilities. Templars watch you day and night and will use their authority to harm you if they suspect you of weakness or wrongdoing. If you manage to escape, they have a vial of your blood which allows them to track you. When they find you, you will be returned to the Circle again.

The Gallows in Kirkwall is the most notoriously cruel Circles of Magi in Thedas during the events of DA2 because Knight-Commander Meredith, leader of the Templars, is a religious zealot who has seen that magic is dangerous and has no compassion for people with magical ability, a thing they can’t change. Her cruelty and abuse of mages ironically makes them more likely to lose control or turn to blood magic out of stress or desperation, which only confirms for Meredith that she needs to be harsher.

Anyway, all this is to say that some of the countries we visit in the north have a very different view of magic and mages. And the places that would more easily conform to Circles from past games, like Antiva and the Anderfels, are also heavily influenced by the factions we work with there. Grey Wardens and Crows play by their own rules.

I played a Crow mage that I decided was Dalish (the game seems to be written with the assumption that all elves are City elves). So when the thesis project orb came up as my Rook unpacked, I decided to ignore it. Perhaps whoever among the Crows made her do it, I doubt it was Viago or Heir since they aren’t mages. But Crows train their recruits from young ages, so it makes no sense that Crow Rook went to a Circle. Unless they were bought by the Crows from a Circle when they were a child. Or escaped and were made a recruit then. Who knows! It’s up to you. Go forth and frolic in transformative fandom.

I just saw a post talking about the circle and I have no idea what that is? Maybe it's only because I've played Veilguard but is it like mage school?

In the northern half of Thedas it's a mage school yes, in the southern half it's a prison and its full title is the Circle of Magi, the wiki page for it is here if you want to give it a gander and this is the one for tranquility while we're at it

[punkpandapatrixk]

Full Cold Moon in Gemini ♦︎ Moon Magick Pick A Card

Hello cute people~☃️ Happy holidays!~🎄✨🕊 Have you felt freer lately? We had a Full Cold Moon in Gemini on 15 December. Ruled by Mercury, Gemini's whole consciousness revolves around Intellect; and for some reason, I’ve always felt that the Gemini aenergy is also pure sunshine like it’s literally so bright and cheerful🍳 Perhaps it exudes from a passion for learning? Being the ‘toddler’ of the zodiac, Gemini is naturally carefree and curious about Life. Gemini wants to know all the trivial details of the world~📑

Although it's cold now, on some parts of the world, this Gemini FM aenergy is motivating us to get curious, get studying, get absolutely learning, about every little thing that piques our interest. Since you’re a spiritual one, I’m sure you sometimes get intuitive nudges for certain topics of study that you can easily google or youtube in this digital era. Ain’t that welcome?📚 This Full Cold Moon in Gemini, basically you're invited to just take it easy~♪

Relaaax, the real New Year is still ways ahead anyway😉

Study whatever you like when you want to, work as much or as little as it is sensible to you, and just… Know that you are safe now. This season, this coming year, it would be very sensible to get to know more about nutrition and the human body if you care enough. You can also discover real history and so much more. Basically, it’s time to celebrate Life itself, you celebrity!~★

To fall in love with Life all over again—because it’s good to be alive, to be breathing. For as long as your heart’s still beating, there’s still so much to be hopeful for~♡ Here's to a wonderful 2025~♦︎

ethics: Episode 3: L'Oreal Group on TRT World

documentary: How L’Oreal Poisoned the World on Jake Tran

deck-bottom: XIII The Death Rx, Gold Geographer (John Dee), Priestess of Inspiration

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Pile 1 – Sweet Love, Fresh Air, New Land

subliminal: A clear mind makes for a happy soul by lanaes

dream – 2 of Cups Rx

When was the last time you felt safe in a connection? Hmm maybe never? Maybe all of the connections you’d ever made in the past disappointed you in the end? Spiritual narcissists might say it was ‘all on you’ LOL They’d say, you didn’t have a good relationship with yourself, so you naturally manifested disappointing connections with others. It’s very callous to put it that way, right? It’s not like YOU wanted things to go that way!

Who in their right mind would want to sabotage themselves when it comes to having fulfilling romance and friendships? The truth of the matter is, you took on the collective karma of many who didn’t know how to love themselves, because they were born by parents who didn’t know how to love them. You needed to live amongst the ‘peasants’, assume the role of a ‘peasant’, so you know what’s stopping the ‘peasants’ from manifesting wealth for themselves.

In this case, we’re talking a wealth, an abundance of true, soulful Love in our connections with other Humans. The truth of your being, actually, is that the whole time, you’re a ‘spiritual royalty’ who’s already got a mega wealth of Love you can always generate within yourself. Your task in this world is to help ‘teach’ others how they can do the same for themselves~♥︎

detail – Page of Wands Rx

This section is supposed to cover some beneficial habits and routines that can amplify your wellbeing this FM season, but it looks to me like this Pile, if anything, has done a shit ton of spiritual rehabilitation! XD If anything, you’ve done so much self-healing and self-soothing; you’ve done so much inner work on yourself, for yourself; you’ve isolated yourself from the world outside to keep you safe, to keep your aenergy pure. What else can I add to this? Hahah

So, what the Page of Wands in reverse is saying, is basically a validation for you to still take your time. Some of you tuning into this may just feel like nothing’s been changing at all in your physical Reality—you may feel like maybe your train or aeroplane is never gonna come to pick you up. Not the case at all. The train ain’t even late. The train is just still being built!! LMAO

Once it arrives though, the way it carries you towards your Destiny, you’re gonna be SHOOK to see how fast, how exciting, how luxury everything is! Think of your train or aeroplane as a luxury Patek Philippe watch—it can take years, even decades, for some pieces to finish being made!! Maybe now’s still just time for you to refine and develop your senses, so that when all of that luxury and spotlight become yours, you wouldn’t be cringe LMAOMFG

You know, new-money kinda cringe? You ain’t supposed to be like that XDD

digital – 8 of Cups

Finally! This has been a long time coming, but you’re totally moving away, inching ever closer to your Highest Destiny in the coming year. I’ve a feeling, especially if this is your main Pile, that you’ve heard this numerous times through other readings for yeaarrsss… And the change, the move, the luxury never quite was there? Or even when some changes were felt, they were so small and insignificant you found it hard to even appreciate them?

I know. The spirit of delay, right? I feel that you were only still battling the last remnants of the karmic bullshit you had taken on. But 2025 is different for so many Lightworkers and Starseeds, or anybody who’s been hard at work on their spiritual transmutation~♥︎

Between 2025 and 2026 (exactly within this time frame!) the change of scenery, the move, the travel that you’ve been known is meant for your Highest Intended Good will be manifest. There’s nothing else I need to say. Enjoy, my dear~ You’ve sacrificed, and survived, a lot for this~\`★_★`/

full moon self-care🔻🌒🌓🌔🌕🌖🌗🌘

Green Geographer (Gerardus Mercator) & Priestess of Luxury

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Pile 2 – Total Reclamation of What Made You Divine~

subliminal: mathematical pursuits by lanaes

dream – 10 of Pentacles Rx

Oh my gosh, look at you! You’ve been dealing with a horrendous level of stress that’s caused you extreme exhaustion and prolonged fatigue. It seems either you’ve been sick throughout the holiday season or you’ve simply not been able to be as productive as you’d planned. It’s all for your good, honey. The truth of the matter is, your Higher Self and team of Spirit Guides made you sick or something like it, so you’d pause for a moment.

Because you’d been surviving, and hustling for survival, you’d forgotten what it felt like to just…live. If you look around, you’re already on safe waters. But your subconscious mind that got used to surviving hasn’t caught on XD In order to make you really see how safe it is now, you had to be sick. And voila, even when you thought you hadn’t been as productive, your basic needs are still met, right? :D There you go. It’s all taken care of now.

This season, all throughout spring, too, is all about you reclaiming every bit and piece of what made you Divine~ The bits and pieces that flew off when you went into survival mode. It’s like… …

detail – XII The Hanged Man Rx

When Sylvester Stallone was fighting tooth and nail for the script for Rocky, he got convicted out of his apartment and eventually felt forced to sell his puppy for $50 (when he had offered $100) to survive on the streets… He sobbed so hard on the way home. But as Destiny would have it, once Rocky became a box office hit, he was able to buy his little pup back for… $15,000!! He even had to fight for it! Whew, it was worth it, he said😊

In order to survive, you had to let go of some ‘aspects of your livelihood’ that were precious and fundamental to your sense of identity. You may resonate with having lost a huge chunk of your youth or life in general. It felt almost like, against your own freewill, you were led to dramatic events that got you feeling like you weren’t even allowed to live…like a normal person! Well, that’s the thing, you Prototype!

You know that you’re a Prototype, right? One of many of us tapping into this Pile right now😉 I saw a meme on Pinterest that perfectly encompasses this idea: ‘When the whole world is collectively going through their Dark Nights of the Soul but YOU have survived a few of your own~’ Exactly.

digital – Knight of Wands Rx

You, are now collecting and reclaiming your little Butkus (Stallone’s pup). All of the things that were important to your sense of identity or wellbeing. They’re all returning to you, bit by bit, maybe. But you’re gaining momentum for a full-life again—but better. You’re not returning to how things used to be! You’re reclaiming all of the small and big things that made you Divine~ TOTAL RECLAMATION OF YOUR DIVINITY.

I’ve a feeling you may resonate with those readings that say: ‘You’re going to be the first millionaire/billionaire in your bloodline!’ If you look at your birth chart, you may get some confirmation on how you’re literally destined for so much prosperity~♥︎

Well, tap into that pool of consciousness! If you’re already rich, do you think you’d be stressed out by survival? Of course not. You are already prosperous as of right now ^o^v It is safe to focus on just one thing at a time. Your time is unlimited! It is safe to work or do anything at a pace that’s sensible to you.

full moon self-care🔻🌒🌓🌔🌕🌖🌗🌘

Red Astronomer (Johannes Kepler) & Priestess of Energy

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Pile 3 – Your Sandcastle Turning into Ice Castle

subliminal: revenge of the gifted by lanaes

dream – 3 of Cups

For a while now, you’ve been building a castle on sand. It wasn’t that you were stupid to do so, it was that you didn’t have any other material but sand. You were dealt bad cards in Life and still you did the best you could with what you knew, because you just had to. Because it’s in the nature of you to be building a castle of wonders. Because you made a promise before you were born here. And you were born with so many talents and such intelligence…

Of course you would be disappointed in the peasant Reality you were part of. You couldn’t understand why most people had such low expectations of themselves. If anything, you couldn’t understand why most people viewed themselves so lowly either. You had a regal essence in you since you were a child, and so many people’s ceilings were literally your FLOOR! Your barest minimum is literally the ceiling many people struggle to reach.

So you had to sketch a new Reality from scratch. And you did all of that almost all by yourself. Possibly guided by the inspiration of only your Cosmic Ancestors~♥︎

detail – 4 of Swords Rx

If this is your main pile, it seems you’ve been in some cocoon of isolation, which could’ve caused you a high degree of boredom. Feels like you’ve forever been in a healing/rehab phase but where’s the action? Sometimes you could almost taste the salt of the sea from another dimension! Your time is coming, babe~ All in Divine Timing, or should we say, Divine Alignment.

With this card in reverse, your rest period is literally almost up. Almost, but the world is still shifting frequencies until the world itself matches the Divinity you have to offer it. You’re a special op of a Soul. Everything was strategized and calculated in minute detail for you to serve your Higher Purpose. So, in essence, surprise, surprise, you’re not behind at all~☆

There is a kind of revenge you’re gonna pour unto the world. Like gasoline on the pavement. And when it finally burns… ooohhh…

digital – 6 of Wands Rx

Divine Punishment. A word I’m hearing the loudest. You’re going to swiftly carry some kind of a Divine Punishment for the evils of this world and subsequently liberate those who are innocent. If this has been your main pile, I trust that you know yourself that you’re meant to serve an audience. It’s great that we have the Internet today, right? In this era of Pluto in Aquarius, too.

The Internet is the new playground for enlightenment. Millennials and Gen Zs will resonate with this the loudest, even though plenty of Boomers are obviously also on it. If you jump into some kind of content creation—or whatever else you feel called to—which involves the usage of the Internet, you’re highly protected by the Higher Realms that want to see this world become liberated from the clutches of evil, both organic and digital.

I’m sure Pile 3 is serving a very specific type of Souls who are attracted to this aenergy. Beyond just the notion of an Ascended Master or Lightworker or Starseed… I feel like you belong to a special collective of highly-specialised ops whose name/terminology I’ve not tapped into LMAO

full moon self-care🔻🌒🌓🌔🌕🌖🌗🌘

Gold Physician (Hippocrates) & Priestess of Luck

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☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

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