#But I feel like there's a lot of unintentional parallels between both series

[summertimemusician]

*downs coffee like a shot, stares off into the rain, briefly nods to @unexpectedtraveler before staring off into the rain again, downing more coffee* Thinking about parallels between Hylia, The Pale King, The Pure Vessel and the First Link again.

How Hylia and the Pale King are both pale assigned deities (what with Hylia calling herself the white goddess in the manga), and how everything basically stems from them attempting to protect something, Hylia the Triforce and her people and The Pale King his kingdom and people from opposing deities that parallel them, both out of a sense of duty and instinctual design both. How they both doomed their kingdoms by trying to do the right thing with arguably the worst methodology, Hylia with unintentionally spurring on the cycle of reincarnation and The Pale King by having to watch Hallownest fall to the Radiance's Infection.

Thinking about how they both created a plan hinging on sacrificing one to save the many, and how it doomed people they loved or might have come to love had things been different from the very start, because as we all know deities have a different view of reality and thus see things very differently from us and it's difficult to define or even assign morals to it, how both First and The Pure Vessel were deemed perfect for the task even after being 'tainted' by either love, hate, a sense of duty or all of the above (see: First resenting the people of Hylia for being wrongfully imprisoned and not seeing himself as worthy, and the original Crimson Loftwing agreeing until the end stretch, and the Pure Vessel's entire deal of not truly being hollow) and how the two of them were imprisoned in hopes of making that plan succeed for an incredibly long stretch of time, suffering in isolation and being absolutely miserable, but only managed to contain the evil for a time and end up dead (or extremely likely to be dead each time in PV's case) so a sucessor to their position would come and finish the job a long time later, even if it won't save the kingdom. How they both did it in the name of someone they loved, goddess/likely lover and father respectively.

How both Hylia and The Pale King could not have foreseen the outcome of loving/showing affection to their chosen, 'perfect' champion, and thus suffered until the bitter end as well, how they both resided upon spaces far from reality to hide in shame and guilt for their actions and could see into the future (Hylia likely being the Goddess of Time as well as a White Goddess, and the Pale King with his foresight), how they both had someone else carry on their plans and will even from beyond those spaces, vessels namely in Sun/Zelda and The Little Ghost/Knight, but even then that plan didn't fully succeeded and their kingdoms were doomed to suffer, how Hylia created the Sheikah and the Pale King his many Kingsmould, Wingsmould and the Dreamers, how Hornet and Impa both stand in opposition to challenge Sky/Link and The Little Ghost/The Knight as an echo of the pale deities last orders, their words haunting them to the end of the road.

How they both are portrayed as dead, likely from regret after their retreat from the know world.

O' higher beings, what did you see under your pale watch, that would require such sacrifice that would be for naught? What did you witness that would still bring ruin to your descendants and people, no matter your best efforts?

Maybe I'm just overthinking this, but we can likely draw parallels between Sky/Skyward Sword Link and The Knight, or even further down the line between Wild/BOTW Link and either the Pure Vessel or The Knight, in this essay I will-

[beebopboom]

The Meta Underground

A Guide to Navigating what has been my brainrot posting about Good Omens

I apologize in advance for how long a lot of these are

feel free to message and asks are always open!!

non good omens related blog -> @boppinbee

Meta Series

The Bookshop

A Bookshop in Soho Eden - the bookshop is set up like a garden, hidden Tree of Life, rivers of time, and is the whole of Whickber St Eden?

The Book of Life to The Second Coming Pipeline - a couple of theories about the book of life, the rings, the fly, bookshop, and coffee

The Second…….Ball? - Gabriel’s arrival really did trigger the Second Coming - at least a version of it

The Title Sequence

Background Shenanigans - hints in the background of s1’s TS that lead to s2’s and what that might mean for our story.

Timeline Theory - those walkways are timelines

Heaven’s Timeline - a more in-depth look at how the walkways are Heaven’s planned timeline

Three Final Acts -the three magic tricks we see in the title sequence and what they might be in the show

Not the Magic Trick we see - initial findings for Three Final Acts

Mystery symbol - the ongoing search for a mystery symbol

The Metatron

The Angel Behind the Curtain - some wizard of oz parallels - we are just warming up people

Always an Angel, Never a Man - let’s dive into who he is in scripture shall we?

Am I a Good Angel? Am I a Mad Angel? - some similarities between him and the figure head of the devil

A Kind of Magic - numerology, tarot cards, and is he cosplaying?

Words of a Wise Angel - an actual look into his actions in the show and some of his funny word meanings

Agnes Nutter

The Nice and Accurate Prophecies of Agnes Nutter - a list of all her prophecies and images I could find from her book

Messages from Above - is she a witch? is she a prophet? how about both? let’s look into how she is getting her prophecies

Refined by Fire

(unfinished)

Clothing

there will be more here eventually and has to be updated

Clothing within Ranks -Angel Clothes and what the colors mean in show!universe

Aziraphale’s tartan - how lighting seems to effect his bow tie

Theories

Greasy Johnson: A Red Herring? - season three speculation about how the baby swap included Jesus as well, Hello Warlock

Unexpected Help - Saraqael was the one who opened the gateway in the bookshop

Nuns Night Out - what are those nuns doing at the theatre?

A Case of Missing Weaponry - ever wondered where Michael’s spear is? boy do i have a crackpot theory for you.

Meta Groups

Aziraphale

Aziraphale’s Flaming Sword - the human history behind his sword

The Halo was the Cause - why the Halo was the reason the Metatron showed up

An early journey of questioning - it really doesn’t take him long

Aziraphale’s Protection - how he protects Crowley

Aziraphale’s unintentional? placement - Aziraphale standing to the left of Gabriel in Job

A lying Angel - lying to protect his love

Choosing Death- choosing death doesn’t work maybe it’s time for something else

Don’t try to be God - why Aziraphale got nervous in Before the Beginning

Crowley

Crowley’s Fall - he really didn’t mean to Fall

Anthony J Crowley - a self discovery through his name

Defensive Crowley - acknowledging the consequences of the arrangement

Crowley losing the bookshop - and he’s the only one to have

Crowley giving up Alpha Centauri - he gave away their safe space

Stars to Plants - she just wants to watch her creations grow ok

Crowley’s Ringtone - not quite a normal phone sound

It’s always too Late

The Ineffables

The apology routine - maybe there is more to it than the dance

They love humanity - just in different ways

A duet - it’s not a want but a need

Nothing - their versions of nothing

Power dynamic - “second in command” ok wow that hurt

Paranoia and Isolation - how the pandemic may have affected them

Difference of Perspective - how the audience vs characters view A&C

Timeline

The Flood changed it all - it really fucked them up

Future Minisode time slots - the gaps in time for possible future minisodes

Heaven

1827 Second Coming? -crowley and aziraphale unintentionally fucking things up

Metatron future manipulation - something he is going to “let” Aziraphale do in s3

Angel confrontation tactic - they really like trapping Aziraphale into conversations huh?

Wildcard

Dirty Donkey Lift - just questioning why the hell it is there

Cut dream sequence - whose is it?

Something up with fours? - discussing some fours in the show

Angels don’t dance - and they don’t ask for forgiveness

Freemasons lodge - duality of the Resurrectionist

No Garden? No God - they left the garden

Maggie’s Ugrency - picking apart her misspelling

Questioning the Coffee Shop - only two beings do it - Crowley and the Metatron

Slamming of the books - Jim says some interesting things when slamming two books together and what it could mean

If Gabriel can leave Heaven and be with Beelzebub, why can’t Aziraphale do the same with Crowley - more of a ramble than anything else

The Wicked Bible - the second printing error

ASAP - further look at the many asap’s around the coffee shop and how it plays into the final fifteen

Memory Returns - a (currently) three way visual parallel of when memories are returned

Acrostic Clues

fuck I have to reorganize this again

[petr1kov]

I think Fionna and cake should reference more the parallel between Magic man and Margles and Simon and Betty. It’s once Magic Man kinda finds his own way that he mellows out a bit. It’s also ironic that Golb is the one who blotted Margles out of existence and Betty is now Golb even after she took Magic Man’s powers. There’s something more to that I think that leads Betty into her situation now (perhaps unintentional by the writers).

Now it’s like Betty and Simon are flipped magic man and Margles where Simon is the one searching all over for her. I think eventually, Simon will find his own path as well absent from the crown and all.

the parallels between magic man and betty/simon were always present on the original show, and he did seem better off by the end of the series, but i still get the impression that he's not as over margles as he wants to appear. we see it in the many statues he built of her in mars (parallel to the betty statues on the fionna and cake world, i think), but most of all, on his reaction on the ending of 'temple of mars' when betty says she has found a way to bring both simon and margles back.

in fact, he spends that whole episode coming up with riddles for betty to get over simon and move on with her life, clearly because he sees a lot of himself in her and believes himself to be in a better place than she is, but a lot of it feels like posturing to me. i think he projects a lot of what he feels (or rather, still feels) about the margles situation onto betty, because she's someone who openly admits to her obsession in a way he doesn't allow himself to anymore, and so by 'helping' betty, he also helps himself, in a way, feeling that they're different and he's not like 'that' anymore... but it takes one mention of bringing back margles to destabilize him.

i'm not sure what we're supposed to make of that, especially now that the positions are reversed and simon is on betty's role. i think that whichever way it goes, we will see closure for them, finally. but i also think that this mentality of 'just get over it! just move on' that people have both in-universe and out of universe regarding betty and simon clearly won't cut it. seeing the love of your life get consumed by a curse or a madness that's arguably worse than death is just not the type of thing one can shrug and move on from.

[seraphtrevs]

I'm an absolute sucker for mirrors, and it's so cool that Kim is both a mirror to Walt (that crane shot in Point and Shoot alone is so funny in how painstaking they did it) in terms of frustration and where it came from, and now drowning in guilt like Jesse, and Jimmy has a lot in common with Jesse (painfully desperate for affection and all that) but took on Walt's traits because He's a Freak who can't deal

Yes! I love mirrors too and it's amazing how you can draw parallels between almost any two characters. I keep meaning to finish a meta series I started about all of the mirroring, especially in the last season, but lol I might not get to it. A few more examples off the top of my head:

Jimmy and Chuck - both had mental breakdowns following the departure of the loves of their lives, choosing to isolate and self-destruct rather than confront their pain. Both said cruel things to the people they loved to push them away.

Lalo and Howard - both correctly suspect they're being gaslit but can't prove it. Both are sons of powerful families who have to take over their family businesses. Both end up buried in the superlab, the victims of the people who deceived them

Gus and Kim - both view themselves as righteous and feel they are the true arbiters of justice. Both are consumed by the desire for revenge

Kim and Howard - both are consumed with guilt over their unintentional role in someone's death. Both have trouble with the fact that some mistakes can't be fixed (yes Kim's role in Howard's death was much bigger and more malicious, to say the least, but their struggles with guilt are similar)

Howard and Jimmy - both struggle with feeling inadequate compared with the accomplishments of their father/older brother. Both are good salesmen. Both long for people to like them

Jimmy and Lalo - both have a flare for showmanship and a gift for gab. Once Jimmy becomes Saul, he embraces Lalo's carelessness about other people's lives

Kim and Lalo - both view themselves as shepherds of the little people. Both have nerves of steel and are calm under pressure

Gus and Lalo - both are way more intelligent than everyone around them. They think so much alike they can predict each other's reactions and plans with scary accuracy. Both are gay men navigating the macho culture of the cartel (Yes that last one is headcanon, but I'm counting it anyway)

Lalo and Nacho - both have the primary motivation of filial devotion. Both fall victim to Gus, but have the last laugh. Their final days mirror each other (the descent into the sewers followed by bathing, the final phone call with their father figures, their final confrontation with Gus)

Nacho and Kim - both are up-and-comers who know they're smarter than most of their colleagues but are still stuck in subordinate positions. Both backstab their bosses

Hector and Chuck - both are once powerful and respected men sidelined by disability

Kim and Skyler - both are drawn into their husbands' criminal tendencies (Kim willingly, Skyler not so much). Both are great at scams. Both are often underestimated

There are probably more I'm missing - it's really incredible how well-crafted this story is

[gregorovitch-adler]

The reasons why I think Johnlock (Sherlock Holmes/John Watson) from BBC Sherlock and McWexler (Jimmy McGill /Kim Wexler) from AMC Better Call Saul have a lot of parallels (unintentional, yet interesting)-

(BCS Spoiler-heavy post).

They both 'get off' on the wild, crazy adventures (or subplots they choose to go for) and other in-universe characters have called them out on it :

Sally Donovan.

Howard Hamlin

They'll do literally anything to ensure the other one's safety.

Some examples-

John shot the cab driver within just a day of meeting Sherlock.

Kim was totally about to shoot Gus to keep Jimmy safe (for the record, she didn't even know how to use a gun- she'd never used one before.)

It's not a case of 'forced shipping' in either cases. We're given a huge list of canonical reasons to ship them.

Generally they don't even bother putting that much of effort in a het-couple; we're supposed to assume that they're meant for each other just because it's about a boy and a girl- heteronormativity in short but this was not the case with McWexler which was surprisingly refreshing and well done.

Both come under the category of dark haired person/ another person with lighter shades of hair (lol).

Both pairings are about two flawed, messed up characters who feel happy in the other one's company. Morally grey characters.

In the case of McWexler it becomes messier than that towards the end. However they both showed remorse and actually acted on that in the Series Finale (Saul Gone) in their own different ways.

Both of them received a sad ending. Johnlock never became canon and remained subtextual (till the 3rd series at least) and Mcwexler got separated in the final few episodes.

Although the difference here is that Jimmy and Kim getting separated was actually fitting within the narrative and didn't feel jarring (within context- although I still felt sad for them).

Another point (which is a bit silly)-

I ship both of them and they're both my otps and I love both of those pairings like anything (lmfao).

Yeah, that's it. I've always felt as if there were some similarities between the two pairings. Even if the shows are completely unrelated.

I've even written and posted a fic on AO3 featuring both of these pairings. I had fun while writing it.

[crusherthedoctor]

Can you list anything you unironically like in the games (and cartoons and comics) that you don't like?

I won't bother mentioning music, since that goes without saying and is to be expected for a Sonic game... unless you're Chronicles.

Sonic Adventure 2 (mixed gameplay-wise, annoying story-wise) - While I prefer Sonic's SA1 levels for a number of reasons, I still think his and Shadow's gameplay in SA2 is fun on its own merit. I also don't mind the treasure hunting gameplay returning or how big the levels are this time around, since Knuckles and Rouge are still fast and not '06 levels of slow. It's mainly the gimped radar that creates the unfortunate domino effect of making them a problem.

- Introduced Rouge, one of my favourite characters for how playful she is and how she's a lot more nuanced and intelligent than you'd expect.

- Some genuinely good scenes, like Eggman's trap on the A.R.K and Sonic escaping from the G.U.N. helicopter.

- Had some good ideas going for it, like the Pyramid Base and the Biolizard as a scientific monster instead of an ancient one.

- Despite my thoughts on the backstory itself (or rather, its execution), Shadow has enough depth and subtle qualities and occasional unintended hilarity to stand out from the typical dark rival characters you see in media.

- The Last Scene's music in particular is one of my favourite cutscene tracks in the series.

Sonic Heroes (mixed gameplay-wise, loathed story-wise) - The gameplay is fun when you're not being screwed over by repetitive combat, overly long levels and/or ice physics.

- Boasts some of the most consistently Genesis-worthy environments in the 3D games, up there with SA1's and Colours'.

- The in-game dialogue that isn't the same tutorial drivel repeated ad nauseam can be interesting, funny, etc.

- Reintroduced the Chaotix, which provided me with another character I quite like in the form of Vector.

- Bringing Metal Sonic back in full force and front and center in the plot after a long absence (not counting cameos and the like) is a perfectly fine idea. Just... not like this.

Sonic Battle (decent yet repetitive gameplay, mixed story-wise) - Emerl's arc is compelling, and it earns the emotional weight of having to put him down at the end.

- While some characters are iffy (read: Amy), other characters are extremely well-handled. Shadow is probably the prime example.

- Gamma's belly dance healing animation is fucking hilarious.

- When I was young, and the game was first announced, I was really excited about being able to play as Chaos. This proved to be my downfall when it turned out he was arguably one of the worst characters in the game due to being slower than me during the writing process, but I still recall that excitement fondly.

Shadow the Hedgehog (comedy classic) - The sheer amount of legendary stupidity this game has going for it makes it practically impossible to actually hate. It helps that it's not quite as white-knighted on the same level as '06... usually. You know you're in for a unique experience when you hear a gunshot every time you click something in the menu.

- By extension, Black Doom never gained an unironic fanbase like Mephiles/Scourge/Eggman Nega did, which means I'm a lot more willing to take Doom's dumbass brand of villainy in stride. He even has a unique design... a terrible one that rips off Wizeman granted, but alas, even that is a step-up from Fridge Shadow and Bumblebee Eggman.

- Despite being... well, Shadow the Hedgehog, some of the environments would fit right in with any other Sonic game, like with Circus Park, Lava Shelter, and Digital Circuit. Even the Black Comet levels look pretty cool.

- This game understands amnesia better than IDW does.

Sonic '06 (what do you think?) - The obvious one: Shadow's character was handled pretty well, even if it came at the cost of everyone else being a dummy and being forced to interact with Mephiles.

- Like SA2, there are some good moments, like the Last Story ending sequence with Sonic and Elise.

- In the greatest form of irony ever, I like Solaris as a concept and design(s), and its backstory has potential to serve as a parallel with Chaos without being a complete ripoff. Iblis sucks, Mephiles sucks, but I'm fine with Solaris.

- Introduced legendary characters like Sonic Man, Pele the Beloved Dog, Hatsun the Pigeon, and Pacha from The Emperor's New Groove.

The Rivals duology (apathetic outside of Nega-related grumbling) - There were some cool zone ideas in both games that were sadly let down by the restrictive and limiting gameplay. I particularly like Colosseum Highway for thus far being the only full-on Roman level in the series instead of merely having a couple minor hints of Roman, and Meteor Base for the unique scenario of the space station being built into an asteroid. These level concepts and others deserve a second chance IMO. (At least Frontier Canyon got a second chance in the form of Mirage Saloon, amirite?)

- Ifrit has a better design than Iblis. Not saying it's amazing, but the Firebird motif it has going on is a lot more interesting for a fire monster than the Not-Chaos schtick they had with Iblis.

Sonic and the Secret Rings (a very frustrating gaming experience) - Erazor Djinn, A.K.A. Qui-Gon Djinn, A.K.A. Dr. N. Djinn, A.K.A. I'll Take It On The Djinn, A.K.A. Not From The Hairs On My Djinny Djinn Djinn, is one of the best villains not associated with Eggman in the series. He's a Mephiles-type character done right, and there's actual weight and reason to his actions, however sinister or petty.

- I don't have strong opinions either way on Shahra as a character, but the Sonic/Shahra friendship is sweet and well-handled.

- The ending is one of Sonic's greatest moments. The sheer contrast between how ruthlessly he deals with Erazor and how comforting he is towards Shahra speaks volumes... Still gonna make fun of the mountain of handkerchiefs though. (Before anyone lectures me, I understand the significance of it and can even appreciate it from that angle... doesn't mean I'm not allowed to poke fun at it. :P)

- Another game with some redeeming environments. I love the aesthetic of Night Palace, and Sand Oasis looks gorgeous too.

Sonic Chronicles (my personal least favourite game in the series) - Uh...

- Um...

- Er...

- I like Shade's design?

Sonic Unleashed (overrated game and story IMO) - The obvious two: the opening sequence and the Egg Dragoon fight deserve all the praise they get.

- Seeing Eggmanland come to life was an impressive moment to be sure. While part of me does feel it didn't quite measure up to what I had in mind (ironically, the Interstellar Amusement Park ended up being closer to what I had in mind), it still looks badass and works well for what it is. I also don't mind the idea of it being a one-level gauntlet... key word being idea.

- Obviously, the game looks great. Not a fan of the real world focus (real world inspiration is fine, but copy-pasting the real world and shoving loops in it is just unimaginative), but it can't be denied that the environments look good.

- This game pulled off dialogue options a lot better than Chronicles did, since they didn't rely on making Sonic OoC.

Sonic and the Black Knight (just kind of boring all around) - Despite my gripes with the story (Merlina wasn't nearly as fleshed out as her unique anti-villain status deserved, which ends up severely undermining the ambition of the plot in more ways than one, and the other characters go from being useless yes men for King Arthur to being useless yes men for Sonic), I will admit it provides interesting insight into Sonic's character.

- Like '06 and Secret Rings, the ending is very nice... well, aside from Amy being an unreasonable bitch ala Sonic X at the very end.

Sonic the Hedgehog 4 (apathetic) - The admittedly few new concepts sprinkled within had promise. They may not have been as fleshed out as they could have been, but level concepts like Sylvania Castle and White Park, bosses like Egg Serpentleaf and the Egg Heart, and story beats like the Death Egg mk.II being powered by Little Planet, all could have been brilliant had they been better executed.

SatAM (apathetic outside of SatAM Robotnik-related grumbling) - I'm not a fan of the environments on the whole due to them looking too bland or samey, but there are some exceptions that look pleasant or interesting, like the Void.

Sonic Underground (apathetic) - The character designs make me feel better about myself.

- Does "large quantities of unintentional meme material" count as a positive?

Sonic X (mostly apathetic outside of Eggman's handling) - Helen was a better human character and audience surrogate in her one focus episode than Chris was throughout his entire runtime.

- Actually, most of the human characters not named Chris were legitimately likable. Including everyone in Chris' own family not named Chris. Hilarious.

- Despite arguably having the most Chris in it, I actually don't mind the first season that much, partly due to slight nostalgia from seeing it on TV when it was new, but mostly because Eggman actually acted like a villain for the most part, and certain other characters weren't quite as flanderized yet. It's season 2 and onwards where things started going off the rails IMO. (Incidentally, Helen's episode was part of season 1...)

The Boom franchise (apathetic) - Along with Chronicles, the games provide yet more proof that just because someone isn't SEGA/Sonic Team, that doesn't mean they're automatically more qualified to handle the series.

- The show had some good episodes here and there, and Tails' characterization was probably the most consistently on-point out of the cast.

- Despite not exactly being favourite portrayals for either character, even I'll admit that many of Knuckles and Eggman's lines in the show on their own were genuinely funny.

Archie Sonic (pre-reboot is mostly terrible, post-reboot is mostly... bland) - Whenever I doubt myself as a writer, I think back to Ken Penders, and suddenly I'm filled with a lot more confidence.

Sonic the Comic (apathetic) - Fleetway isn't a comic I tend to recall much of aside from how much of a loathesome cunt Sonic is, but IIRC, Robotnik's portrayal is pretty good. Different, but good.

IDW Sonic (stop pissing me off, comic) - Putting their handling aside (and being too obviously "inspired" by MGS in the latter's case), Tangle and Whisper are good characters IMO.

- Same goes for Starline, before he was killed off-screen and replaced with Toothpaste Snively.

- Execution aside (noticing a pattern?), the zombot virus was a fine concept on its own and an interesting new scheme for Eggman.

- I get to remind myself that I've never drawn scat edits and posted them publicly on Twitter.

[sometimesrosy]

I'm looking forward to seeing how they deal with mal and alina's, relationship in the second season. for me I really enjoyed them in the third book but not as much in the second (mostly due to us not seeing what mal was thinking and feeling so I think it will definitely be interesting to see that on screen). what are your thoughts?

YES. Bardugo really didn’t SHOW mal and alina. Frankly, imo, in the whole trilogy.

So I’ve been writing and reading romance almost exclusively for the last two years... make that five or six years, because before that, I was writing and reading fanfiction, and that is essentially romance, and what I saw in The Grisha Trilogy is the set up for an epic romance. The plot was based around this romance of two children, best friend who grew up together, Alina’s unrequited pining, then Mal’s longing for her as soon as she left, a love triangle with the Darkling, then a love triangle with Nikolai, Mal as an alpha male who never sleeps with another woman after realizing he’s in love with Alina, that whole ‘meet me in the meadow’ thing, and then the final thing which I’m not going to mention because it’s too much of a spoiler but which is SO MUCH a meant-to-be true love thing. 

But there was very little romance written in the narrative. 

Most of it was about how they CAN’T be together. And yeah, that’s kind of an essential part of any romance-- what keeps them apart-- but it lacked the moments that drew them back together. There were few interludes that explored what their connection WAS. And I mean, that doesn’t make sense because they ran away together. They were sharing a BED. Sure they weren’t. EVER. alone. But we should have gotten confidences and connection and emotion. And we just didn’t.

For a series ABOUT Malina, honestly when you come down to it, since being together or NOT being together was such an essential part of every book, and it was always bracketed by an intro about the girl and boy and ended with the resolution which required Mal and Alina, (and had an epilogue about Malina) I feel like it should have shown more of their relationship and interactions and intimacy. Maybe it was because it was all Alina’s internal monologue, which kept Mal out. IDK. 

It was like it was TELLING us it was a romance, without ever (or rarely) SHOWING us the romance.

I think we won’t have that problem in the show. They’ve already shown to be more interested in showing the connection between Malina, and seem to know how to do romantic tension. Also, a lot of it is about the *looks* they give each other, which Bardugo never really showed. It’s subtext. Which Bardugo left out. You can keep the romance subtle and just read into actions and visual shots and parallels and such. But in the books, most of the romance was displayed with JEALOUSY. Well. I think she didn’t know how to write romance, that’s why jealousy was the only aspect we really got on a regular basis.

I mean, Mal’s jealousy was understandable, but it’s the only thing that was explored as romance. She was ALSO jealous, so it was used for both of them, and they both wrote letters regularly and when they got no response they both went, *shrug* ‘I guess I didn’t mean anything to them.’ But this was the person each was closest to in the world. WHY would they come to that conclusion? Makes no sense. I mean, the boy got a giant tattoo, and the emotional and romantic resonance of THAT was ignored. He was devoting his life to her. He would sacrifice his life for HER. And while the actions were there... there was little direct discussion of it. Men kept asking Alina to marry them and Mal acted like he had no claim on Aline, which he DID. They ran away together. It was romantic. And Alina was just like *shrug* I guess I should think about marrying some other guy not my soulmate, even though he’s RIGHT there and just risked his life for me AGAIN. And never talked to him about it? And I frankly did not understand that. 

Maybe she’d never been in love and didn’t understand what it felt like? But I think she wasn’t that young when she wrote it. Maybe she just didn’t know how to write romance? MAYBE she didn’t VALUE romance and so never bothered with it. Frankly I think that’s it, because she went to Yale, and let me tell you about academia’s disdain for genre-- ESPECIALLY romance-- as a non literary form of narrative. Or perhaps there was a bit of the disdain which kept her from understanding what it means to write a romance or learning how to. That might also explain the kind of confessional writing style. Because even though this IS fantasy, and academia has disdain for SFF (not as much as romance) lit fic focuses on character over action or plot, which that internal monologue fits better. I went to college only five years before Bardugo, so essentially the same era, and it took me YEARS to get rid of that naval gazing internal monologue.

So what do I think of Malina in the books? I think it did not live up to the promise of the narrative. And I think the show will probably be able to make good on that promise, because romance is good tv, so they won’t shy away from it. The scaffolding of a great Malina story is there, but the details that make it rich and compelling are missing. 

So my opinion of book Malina is not that it’s toxic like some people believe. It’s not. It’s probably IMMATURE. But that’s not really wrong for a couple of twenty year olds, both of whom are immature. I think the writing didn’t go far enough. It wimped out on the romance, and whether that was deliberate or unintentional, it’s a flaw in the story of the great epic romance that it was honestly narratively designed to be. 

I’m looking forward to what they can do with it in coming show, though.

[sirdust]

 more striker analysis/rambling bc i just. won’t shut up

this dude is actually deceptively tough to figure out in some ways. i don’t think he’s going to be as complex as our main characters because, frankly, you don’t hire a voice actor that expensive for a character you plan on spending a whole lot of time with. that doesn’t mean he has no depth though.

i’ve already talked at length about how he’s class-conscious but cruel, which makes him in some ways more threatening than if he was cruel but unaware. i really am starting to think he has a superiority complex with the way he talks about and treats other imps, because while he’s initially friendly, he’s clearly disdainful of them by the end of the episode. see: calling himself and blitz superior, kicking a random audience member in the face, etc. you get it by now

even though the majority of his antagonism is directed at moxxie specifically, his attitude toward blitz is also interesting. even though they tie at the games, his song suggests that he considers himself the only winner, and he calls blitz a rodeo clown behind his back, which makes it seem as if he doesn’t respect him. he also lies to him about why he’s trying to kill stolas and actually manages to pinpoint his exact insecurities after a very brief time of knowing him, which is interesting. and they are similar, they’re both imp assassins who have deals with the goetia family, and my current guess is that stella is the source of striker’s angelic weapons (in parallel to how stolas is the source of the grimoire for blitz). so it’s possible striker understands what blitz is up against and how it’s affecting him in a way nobody else blitz has met before does. the problem is, like i said, he’s using that against him.

i really do think striker is out for himself. he’s aware of the oppression imps face, but he’s internalized the idea that imps are inferior and he needs to distance himself in order to be on the same level as those in the upper echelon of their society. at the same time, by doing that and by working for someone who actively wishes to maintain the status quo, he’s playing into the system, and i wonder if that’s what he doesn’t realize. if he does then he’s really just purely mercenary, but it’s interesting to think about.

but i also want to get back to his relationship with blitz, because even though i don’t think he truly views him as an equal, he does seem to think more highly of him than he does moxxie (or at least recognizes his strength, and recognizes that strength could be useful to him). there is one thing i saw pointed out though that i hadn’t really considered and it does... throw a bit of a wrench in what i was reading into this character before now. 

...he has his knife during this entire fight and doesn’t, like, use it. granted, in this particular scene he’s using it as a distraction so he can wrench the barrel of blitz’s pistol towards moxxie, but we don’t see it knocked out of his hand during the subsequent action sequence or anything (unlike with blitz’s pistol) so we can assume he still has it by the time he gets away. arguably there were no opportunities for him to get stabby, but deliberately showing that he has his knife is interesting to do here from a writing perspective, because the fact it doesn’t play a key part in the fight itself seems more noticeable upon revisiting.

maybe the reason he doesn’t stab him is so he can maintain some potential emotional leeway, but he does point his shotgun at him and moxxie during this fight with seeming intent to kill. i don’t think he really had plans to let blitz get away from this encounter, so his seeming restraint here is strange. in the end, the fact he doesn’t use his knife could possibly be an oversight, but it’s too interesting to ignore.

that isn’t even to mention the fact that he mockingly calls him “blitzy” at the end, which is a nickname that stolas has always meant to be affectionate but blitz takes as condescending. its usage in that scene could actually imply many things, but here are my primary takeaways:

1) this was originally pointed out by some lovely person whose account i cannot remember for the life of me, but it contrasts with the usage of “blitzo” by verosika and fizz. whereas “blitzo” encapsulates the ways blitz is dissatisfied with his past, “blitzy” encapsulates that with which he’s dissatisfied in the present.

2) it’s, again, condescending. striker implies that by relying on other “weaker” imps instead of rejecting solidarity with them to pursue his own interests, blitz is equal to “weaker” imps, and any exceptional skill he may possess is rendered moot by his place in society. that’s how the higher-ups in hell already view the situation, anyways, so striker is once again using his insecurity against him.

3) arguably of less importance but still interesting, the overt attraction blitz has to striker throughout the episode serves to place him in the role of pseudo-love interest as well as rival. having striker use the nickname coined by blitz’s main love interest draws the contrast between their attitudes towards blitz to the forefront. stolas is above blitz in terms of class, but he seems to like blitz for who he is (he’s still the only character he’s shown to be attracted to), and his prejudice is born out of ignorance and not malice. striker actually share’s blitz’s class interests, but seems to value him on the basis of how useful he could be as a partner in crime and maliciously exploits his anxieties about life at the bottom.

(i forgot how i was originally going to end this, holy shit this got long)

so yeah. to sum up, while i don’t think we’ll be seeing striker too many times throughout the series, this character is becoming more interesting the more i look back, and his relationship with blitz really does present an interesting question for blitz as a character. at the same time, it may serve to provide striker more depth later, but we really have to wait and see since his behavior has sent contradictory messages to us as the audience. not in a way that feels unintentional, just difficult to parse without further information.

[lightns881]

DTeam Tumblr Demographics Survey Results (Part 2):

What does DTeamblr look like, what does it have to do with MCYT history, and why does it look like a rainbow?

I’ll make an educated guess here and say y'all enjoyed my last post (totally unrelated to the way I gained almost 50 followers overnight). Anyhow, thank you so much for the overwhelming support! I’m so glad a lot of you felt you could relate to my deep-dive into the leading personality type on DTeam Tumblr. It took me so many hours to write and research, and as a math major and honors student, it’s no easy feat, so I’m so grateful for the attention it got!

Today we’re discussing the general demographics of DTeam Tumblr and why they might look the way they do. Number 8 will blow your mind! So make sure to keep reading and hit that little grey heart and arrow at the bottom if you like it, so more people get to see it! Thanks for your support! Now, let’s jump straight into the post!

Your Daily Dose of Data

From the 449 responses we received, these are some pie charts displaying the gender, age, and sexuality of all respondents.

Image Description: Female (52.8%), Non-Binary (37.4%), Male (9.8%)

Image Description: 16-17 (37%), 13-15 (31.4%), 18 and over (29.4%), 12 and under (2.2%)

Image Description: Bisexual/Pansexual (54.1%), Homosexual (16%), Asexual (14.7%), Other (7.8%), Heterosexual (7.3%)

Mmhm, delicious! Y'all ready to dig into these stats? Because I don’t know about you, but they certainly don’t strike me as what the general population looks like!

Welcome to Tumblr, the Only Community Where Straight Men are the Minority

So these statistics certainly didn’t take me by surprise. Mostly because the DNF Shipper Survey I took some time ago revealed a similar trend. Not to mention, Tumblr is probably the QUEEREST internet community on the planet. 

Funny enough, the survey revealed a shocking number of ZERO heterosexual males respondents. I’ll say it louder for the people in the back. ZERO straight males were recorded out of 449 respondents for this survey!

Now, this isn’t surprising for the Tumblr community by itself, but I can say I’m somewhat surprised in terms of the MCYT Tumblr community. (Obviously, the survey specified DTeam Tumblr, but there is a big overlap between both communities, so I will be using them interchengably when it seems relevant.)

Let’s break this down. The survey reveals the largest age population is 16-17, though it’s not by a great margin in comparison to 13-15 and 18 and older, which doesn’t surprise me either. Some of the major critics of the DTeam Fandom and other MCYT Fandoms love to claim the fanbase’s majority age range lies with children and pre-teens. While it’s an undeniable fact children are drawn to Minecraft, it’s also a misconception to paint it as solely a community for younger viewers.

In the MCYT Tumblr and DTeam Tumblr communities, specifically, we see this is not the case. Only 1/3 of the respondents of this survey are under the age of 16 (you could attribute part of it to the fact younger people might be less inclined to participate in this survey, but it is still a notable difference). I can’t say these age ranges are similar in other parts of the community like DTeam Twitter, Tik Tok, or Reddit, but if I had to make a guess, I’d say Tumblr lies toward the older of the bunch, with Reddit being the oldest and Tik Tok being the youngest (I do hope to perform this survey on some of the other communities, so please stay until the end if you want to help with that).

One of the likely explanations to why the ages for DTeam Tumblr look this way is the fact a big chunk of the community has likely been watching MCYT for a long time (even with breaks in between). I, myself, used to watch channels like PopularMMOs, Aphmau, and PrestonPlayz as a kid, and I presume many of you are familiar with them as well. With the resurgence of MCYT in the past year, it likely drew a lot of the older viewers in addition to the new ones.

But enough about age. What I really want to highlight on this post is the attraction of queer individuals to DTeam Tumblr and MCYT as a whole.

Why is the current MCYT Fandom so queer in comparison to the previous generations?

This is a huge open-ended question and considering I can only capture so much of the DTeam and MCYT community, the rest of this post should be taken solely as a theoretical analysis as opposed to fact.

With that out of the way, let’s start by discussing the shift MCYT has undergone over the years (I promise this will circle back to the question of queerness in the MCYT fandom, but we need some background before we can come up with a decent theory).

When Minecraft was first released, it proved to be a monumental change in the gaming industry. This simple little indie game took the world by storm. It was so vastly different from what the general population generally viewed gaming as (first-person shooters, story-driven games, action games, etc.) Not to mention, it didn’t exactly solely appeal to only a small margin of gamers, those being white cis males.

The gaming industry has notoriously been known in the past for its heteronormative community and general prejudice toward minorities. Though it has gone through a significant change over the decades, we certainly can’t say it’s fully gone.

Yet for whatever reason, the recent MCYT has taken the interest of so many queer people in comparison to other gaming YouTube communities. Why? Why are queer people so drawn to this community? And, more precisely, why does it feel so different than the old MCYT? Lastly, how does this relate to the conclusion about the leading personalities of this fandom we made in the last post?

The Niche Communities of MCYT Over the Years

MCYT has always been a huge, over-saturated genre of YouTube with content appealing to a variety of audiences. It’s dominated gaming content for years, and I think we can all safely say it’s never been bigger than it is today.

So why is it that just now it feels like the queerness of the fandom is popping off? Why now as opposed to say five years ago when MCYT was at another one of it’s strongest stages?

It seems like the community has made a tremendous shift in relation to breaking gender norms and LGBTQ+ subjects, not only in the fans but within the creators themselves. Was flirting and calling a pretty-boy streamer pet names as normal in the past as it is today? Were straight gamer guys putting on dresses and a full-face of make-up as supported back then? Were “marriages” and “pregnancies” within Minecraft boys an everyday occurrence like they are now? How is it that MCYT has dominated a Twitch dating show where flirting with the gay host and among straight contestants themselves is just another bit of entertainment? Where is this all coming from?

Recently, I watched a 2 hour documentary depicting all of the stages of Minecraft YouTube and how it has changed over the years. If you haven’t seen it and you have some time to spare, I HIGHLY recommend it! It’s very informative, and it honestly gave me such a strong sense of nostalgia that makes me choke up every time I think about it. I’ll link it below.

The documentary does a great job at exploring the different niche communities that dominated MCYT since it first took off. Some of such communities include the basic Let’s Players, the team-based Let’s Play channels like How2Minecraft, the roleplay story-centric ones like Aphmau and Samgladiator, the tutorial, building and technical side like Mumbo and Grian, the PVP-centric Bedwars or Hypixel channels, the Machinima community, the comedy side like ExplosiveTNT, the parody music videos, and so many more. All of the mentioned communities have dominated Minecraft at one point or another, many of them still having a rippling effect and/or a loyal community today. All of these communities have certain aspects that define them, some of which parallel the current overtaking content in the present.

How can we compare MyStreet to the Dream SMP?

Taking Aphmau as an example, her MyStreet series had a TREMENDOUS success a few years ago, racking in millions of views and bringing in a lot of money that eventually allowed her to hire voice actors and increase the production of mentioned episodes. The roleplay series was so successful it ran for six seasons!

Now, let’s compare that to the Dream SMP. It seems like a big comparison to be making considering they appear so different at first glance. For once, Aphmau is just one channel whose audience caters toward girls and younger people who enjoy romance. The series is set-up in an episodic-format that resembles more of a TV series than actual Minecraft videos.

Meanwhile, the Dream SMP is a collection of content creators with a mix of improvised storylines and the occasional regular video that resembles more of a Let’s Play series than a RP series.

You could say the only true comparisons to draw out of these two are the popularity they had/have and the profit they brought to their respective creators. 

However, there’s two other key similarities that you’ll find not only within these two specific examples, but many other channels and communities as well. Story and characters.

MyStreet’s story aspect is fairly obvious seeing as it’s a episodic series that focuses on a fictional story. The Dream SMP’s story aspect isn’t as clear, but it’s evident there is a story playing out in the foreground and background, whether intentional or unintentional, or improvised or not.

Character is where some of you might start to question me. It’s obvious MyStreet has characters. I mean, it is a fictional story, after all. But the Dream SMP? Light, they’re obviously people!

Well, my answer to that is yes and no--sort of. The Dream SMP’s story heavily relies on roleplay, bits as you might call them. Events that aren’t necessarily planned out as a fictional plot like the typical MyStreet episode is, but they aren’t exactly real. Schlatt is obviously not a villain in real life, he just likes to impersonate as one for the narrative. Wilbur isn’t crazy, but it’s a way to spice up the heroic story surrounding Tommy and him.

It’s video-game improv. Except the actors behind the content just so happen to be real people playing off the personalities and “brands” they have obtained. 

Brands. It all boils down to this. In the entertainment business, without a clear vision of your project and a clear way to brand what your consumer intakes, your project will likely not find a lot of success.

There’s a reason why Tommy plays off his loudness, using an overexaggerated laugh that although may not be completely fake, it is likely not the laugh he uses everyday. Or why BadBoyHalo is this supposed innocent muffin who doesn’t understand the crafting table meme and other references that are fairly easy to google and find the meaning of. Or why Sapnap is this chaotic being who loves starting pet wars and we love to paint as an arsonist in the Dream SMP. While all of these personality traits may be a part of their true selves, they’re played up for the camera--for the story. They act as the personas that define their characters in the narrative.

They have a clear brand and vision that appeals to the audience and makes them tune in on the daily to see how they all come together. It’s like roleplaying a more extreme version of yourself, one that brings home the money.

Story and characters run across every entertainment outlet. They define their brand. Aphmau has her characters and series. Hermitcraft has a set of memorable personalities and episodic videos that formulate its own story that is less like a narrative and more of a history of the server. ExplodingTNT has his recurring cast and comedic sketches. Most of these niche communities have a form of story and character defining them. It’s how they achieve a clear sense of branding and cater to a specific audience.

Queer Theory in MCYT

Having said all that, why does the MCYT of today draw in so many queer viewers?

Let’s think about this. In my last post, I ended by mentioning DTeam Tumblr is a sort of safe haven for INFP and INxx types who might be placed in the “other” category by society. INFPs, specially, are predisposed for escapism--one common form of it being fiction and entertainment. Not to mention, INFPs are feeling types who, as introverts, seek a personable connection. It’s why it’s so easy for them to obsess over book characters or fall in love with content creators.

Now, let’s imagine a whole community of LGBTQ+ INFP and INxx types. Actually, scratch that, we don’t even have to imagine it.

It’s what our community looks like today.

And why are so many so drawn to the DTeam and Dream SMP of all things? It’s a personable storyline that essentially forms a direct tie to the viewer. Unlike pre-recorded fictional TV series you tune into on your device, the Dream SMP is a whole load of chaos that blurs the lines between reality and fiction where fans can directly connect to creators and get to know them as people through a storyline that features sub-textual queer themes and non-conforming behaviors.

The MCYT content creator community of today is more non-conforming than ever before, and knowing this whole fact, knowing that many of them might place themselves in the “other” category or at the very least aren’t afraid to break the norms and be seen in that light, is a comfort in itself for LGBTQ+ INFP types. Once again, it’s a safe space that helps you escape from the troubles of real life, one you relate to.

Okay. So although this does answer why the fans look like they do, what about the creators themselves? Are we really supposed to believe this all came through naturally? That a bunch of straight guys suddenly decided wearing dresses was something they wanted to do?

I don’t mean to sound cynical here, and I’m in no way trying to insinuate creators have solely some sort of corrupt ulterior motive. Things are never as simple as they look. However, the truth is, a part of it lies on the attention it’s gotten.

I’ve talked a lot about DreamNotFound and the way Dream uses it as a marketing ploy. I stand by my point. However, he’s not the only one who does this in the MCYT community. Why did Finn suddenly go from wearing a dress to cross-dressing as a girl for a whole week? Why are so many creators suddenly deciding wearing dresses is fun? Why does every freaking straight MCYT actively want to flirt with George nowadays?

Let’s just let Techno’s favorite word answer this for us: clout.

It gets attention from one of the largest historically underserved minority community in the entertainment business. We might not be able to see gay flirting in every Netflix TV show or guys not minding dresses and getting fake marriages, but you are certainly going to get at least one of those in every Dream SMP stream and video you tune into. It gets attention. It brings home the money. And do I blame them? Not really.

Interestingly enough, there’s a lot of analytical posts on the MCYT Tumblr community that discuss the dangers of these tactics and why gay jokes and the way queer subtext is treated by MCYT creators is harmful. Despite this, it still attracts such a huge community of queers. So why exactly would queer people actively watch something that’s offensive or harmful to us?

I have a lot more to say about this topic and the morality behind Dream’s tactics, but I’m out of breath for today, so I’ll talk about it in my next post. What better way to start the conversation about the DNF and Karlnap questions of the survey than a good ol’ discussion on the morality of queerbaiting and the likes?

If you got this far, I’d appreciate it if you liked and reblogged this post if you enjoyed it and/or learned something new! Also, important news, I would really like to perform a similar study on the DTeam Twitter Community to measure the differences in demographics across platforms. I would REALLY appreciate it if you guys could go like, retweet and share the link I posted on my Twitter about it (tweet will be linked in the reblog below) so it reaches more of the DTeam Twitter community!

However, if you filled out the survey yourself here or you associate more with DTeam Tumblr than DTeam Twitter please DO NOT fill out the survey again! I’m trying to make sure it reaches the audience that mains on Twitter, but I need a little help with that since I don’t have as big of an influence on Twitter than on here for obvious reasons.

Anyhow, thank you so much for all your support! I really appreciate y’all and make sure to hit the follow if you want to lookout for the next demographics post! <3

(Pssst, I’m releasing a MCYT DNF superpower AU longfic next month... You should totally go check out the post on that if you’re interested in it...)

[ghostmartyr]

SnK 129 Thoughts

This month: More people screaming and dying.

Next month: Probably more people screaming and dying.

Eventually: Just a whole heck of a lot of screaming.

(Not dying because there will be no more people.

They will be dead.)

Sooooooooooooooo.

Uh.

This chapter has people screaming and dying in it.

As well as the continuing strangeness of actively rooting for Reiner and Annie.

Ayep.

Ding-dong, Magath is dead?

Yet again, we land on the problem of a chapter that is largely self-explanatory, and the perhaps deeper problem of people committing themselves to doing a thing once a month, even if they’re not sure they’re able to do said thing. There’s good stuff here, I’m just hesitant to start talking about it lest it comes out like a random spew of instantly forgettable bullet points.

Since I don’t care, I guess we’ll start with Magath dying.

I don’t care. Moving on!

Theo Magath is a man who has always cared for the children under his command. Even though they’re Eldian, he has routinely gone above the expected amount of effort in securing their safety. He is the one who worries and waits for Reiner, Annie, Bertolt, and Marcel to come home. He is the one who destroys the worst of the military he’s a part of so they can stop depending on titans. He cares.

What a fucking bastard.

Keith Shadis dies with him. After a life of trying to make himself special, putting lives at risk every step of the way, he finds an appropriate time to make his exit. He’s the one who raises every fighter out in the port. He’s the one who has watched as the other instructors kill them so that they can find the ones strong enough to make the cut.

He’s the one who picks Eren up and brings him back to his bed after he inherits his father’s burden.

One thing I do think is important to note, whenever I’m inspired to say, ‘Fuck Marley,’ is that Paradis is not great.

Paradis has child soldiers too. They’re just slightly older.

Paradis fully expects their soldiers to go out and die too. Their consent just skates through needing air quotes.

Paradis has a corrupt government run by self-interest -- until they have a coup.

Magath’s job, his entire career, has been to make the most of the enslaved Eldian lives he’s been handed on a platter. It is his job to train children up to murder people. If they are not good enough at murder, they will be fed to other children.

Shadis feels more comfortable. He’s been a reasonable authority figure for most of the manga, with his worst crimes being in his past, and even that reveal coming with a greater show of humanity than any other displayed that night. He tries to run Eren out of the military before he destroys himself. He worries for the boy, and gives a voice to the struggle of trying to be special when you’re most gifted at fucking up.

Paradis’ military, at the start of the main plot, gets its recruits via shaming teenagers into being willing to die, or starving teenagers into being willing to die.

The primary difference between it and Marley’s system is that in that section of the totem pole, the oppression level is relatively neutral. The wall systems are kind of fucked, the nobility is kind of awful -- but like. Their last genocide was what, two years ago? And it was killing poor people, not people people.

Everyone in Paradis’ military has to deal with the fact that they’re in a shrinking safe space and they’re either going to starve, or monsters are going to eat them. That is the great equalizing force. If their commanding officer fucks up, he is going to get eaten. If the person next to them fucks up, they are going to get eaten.

They are not crouching down, approaching tiny children, and explaining that it is for the good of humanity that they are the ones eaten because their blood is dirty. Anymore.

Fuck Marley. Fuck its internment camps, fuck its slavery, fuck its brainwashing, fuck how it turned Good Eldians and Bad Eldians into war rhetoric. Fuck just about everything it has to offer.

Paradis is fucked up in the spirit of everyone there being equally fucked (unless you’re rich) (or nobility). Marley is fucked up because it’s made being fascist, warmongering assholes a national policy.

So you have two men on a boat waiting to die. They’ve both sent children to their deaths. They’ve both pushed over the lines trying to let their uniqueness carry change instead of doing the difficult legwork it actually takes.

One of them is not an active agent of genocide.

One of them is.

They both have sad feelings.

It is sad.

The important part is however badly they fucked up, the traumatized children they’re leaving behind are about to be more traumatized, and they’ve realized what a bad thing this is.

Only not really because Keith did his job, did his first job badly enough to find a new job, did that new job, and has continued doing that new job up to the point where he’s blowing himself up, and has no particular qualms about any of that since he’s pretty much been acting his conscience the whole time.

I’m lingering on this because you have both people who trained up our primary cast making a choice for the good of humanity, and dying the same way. It is a clear and obvious parallel, and it is being milked.

But it’s one of those parallels that makes me twitchy the longer I look at it. Probably because of that conscience part. These men play the same role, but besides their stages having massive differences, their choices do as well.

Magath’s conscience doesn’t stop him from shouting racist rhetoric at a preteen on a battlefield. In his introductory scene.

Shadis’ conscience, however warped some of the intent is, leads to him quitting and passing his job up to someone more qualified.

...Essentially, Shadis is kind of a bastard for a lot of things, but Magath is a fascist bastard, and continues to be a fascist bastard even when he takes steps to overthrow a fascist regime, and I know and appreciate that Magath realizes this and feels bad about it, but it’s hard not to resent the manga comparing Shadis and Magath so strongly.

Magath’s fucked up a lot. It’s good he admits it.

Shadis feels like one more person who sees death as all he has to offer the world.

In a series that actively opposes that line of thought whenever it comes up, it’s really difficult not to find the whole dynamic frustrating. Yes, the manga doesn’t say these two people are the same. They’re just in the exact same boat making the exact same decision.

Like that other group over in their boat.

Shadis is looking to die. Magath is looking to make a last stand.

I don’t think I’m doing a great job of putting into words why it’s so aggravating for me, except, you know. Fuck Marley. Also Magath helped cause all of this. Keith’s sort of sat around feeling various forms of guilt for years over things he screwed up because he was trying so hard.

Shadis forfeits his life.

Every other time someone with that mindset is ready to die, it’s met with no, you’re not done yet.

Shadis doesn’t get that. He’s done. Magath is the only one there to tell him otherwise, and Magath has his own problems.

There’s a vibe here that these two old teachers have outlived their purpose. Their kids are grown, for better and worse, and they’re the ones who will control the turn of the future. I don’t oppose them making that decision, but in Shadis’ case, it really comes off as him being cool with whatever, now that he’s made his stand.

Ugh. I don’t like it, but articulating why is probably best represented by me sulking and crossing my arms. Artistically, I get it. They’re the same piece on opposite ends of a chessboard.

But they’re different people and aaaargh.

Anyway, we continue the proud tradition of making Gabi cry.

Sorry about your life, Gabi.

In other news, we continue to not have any way to stop Eren.

Like.

At all.

We have an estimate of four days before Eren succeeds in wiping out a continent.

Their only chance of stopping that is powering up an airship, using some of that good ol’ talk-no-jutsu, or killing Eren.

If they take the route of killing Eren, all of the Colossals he’s been ordering on their walk will stop being under his command. Because he will be dead. Meaning that the continent, as well as our heroes, will now have to contend with a wild hoard of Colossal Titans out for a stroll.

Which is bad.

It’s basically where Paradis started out, but worse in every possible way.

Even if they manage to have someone on their team eat Eren, there’s a good chance that OG Ymir might not react well to her savior being axed. There’s a similarly good chance that the ability to use the Founder’s power just won’t be functional.

So if they kill Eren, they will stop having intentional destruction.

Instead, we will have unintentional destruction, of which there will be a lot.

Leaving us with talk-no-jutsu.

When the last attempt at talk-no-jutsu led to Armin punching Eren and being bad at it. And Eren punching Armin and being less bad at it.

Basically, everyone’s really hoping that by communicating with Eren, they can somehow make this all go away. There is no evidence that this will work, and no evidence that any of the added backup plans will do anything but cause different problems, but by golly, they’ve completed step .5 of their 3-step plan to maybe changing their circumstances.

(Step 1: Get Air Boat Step 2: Fly Air Boat To Eren Step 3: Talk Eren Out Of Genocide)

BOY I SURE AM HAPPY FOR YOU GUYS PUTTERING ALONG WITH THAT FORWARD PROGRESS. WHAT CHAMPS. GOOD FOR YOU.

YOU’RE STILL FUCKED.

I AM SO HAPPY THAT WE ARE SPENDING ALL THIS TIME ON A PLAN THAT DOES NOT SOLVE THE FUNDAMENTAL PROBLEM OF HOW COMPLETELY FUCKED YOU ALL ARE.

IT IS NICE THAT YOU ALL FEEL LIKE YOU ARE CONTRIBUTING USEFUL THINGS TO YOUR SOCIETY. YOU DO YOU.

YOU ARE NOT ACTUALLY HELPING.

BUT MORE OF YOUR FRIENDS ARE DEAD FOR A GOOD CAUSE.

I’m not upset, I would just really like all of this to feel meaningful. Right now there’s a ridiculous amount of stress and dead bodies going into a goal that could easily end up pointless.

There’s merit to that as a story, but none of that stress lands properly, because the tension of “will they save the day or won’t they” isn’t dependent on what they’re doing here. The ticking clock might be making the characters stressed, but it’s not where the consequences lie.

I will continue to complain about this every month because I can.

In more positive news, Connie is best boi and no one appreciates him they way that they should.

Once upon a time, Reiner bullied Annie into taking a more active role in murdering Marco.

One of the arguments he used to provoke her was that she saved Connie’s life.

Not long after that, Reiner and some other recruits find themselves stranded in Utgard Castle, where a titan gets in and goes after Connie. Reiner charges in, gets his arm chomped on, and through everyone’s combined efforts, the titan gets shoved out a window.

Annie and Reiner both make the choice to save Connie’s life, even though it does nothing to benefit them.

In this chapter, beheaded and missing their arms, Connie swoops in and saves both of them.

The first taste of this technically goes to Mikasa, because she can’t help being a hero. She doesn’t like Annie. Annie is about the only human being whose existence can make her lose her temper. When a soldier gets behind Annie, Mikasa is there to back her up. It’s done casually and smoothly, because Mikasa’s just that good.

We’re still left with multiple shots of Annie staring at Mikasa.

Later followed with her staring at Reiner.

Annie and Reiner are used to being the traitors. They’re the ones their friends have every reason to hate. They’re the ones who spend years living with the victims of a war they brought to their shores. They’ve never expected forgiveness. They’re condemned, and almost welcome it.

Their trio interplay is never great. Reiner is trying too hard, and shielding Bertolt. Annie gets stuck with the grunt work, and knows they’re the bad guys. They don’t get along. They’re comrades, and allies, but their friendship is never portrayed as anything but their last lifeline.

Reiner and Bertolt are friends.

Annie’s the only one who has her fight with the Survey Corps alone.

This time, Reiner’s there, and he’s protecting her.

If you dig into any combination of these relationships, there’s not exactly a shortage of rot. They’ve all hurt each other, and they all know it.

But at the end of the day, they’re all just a bunch of damaged kids looking to be found.

None of the surviving cast is without a shoulder to lean on. They’ve made the decision to be there for each other, and as bleak as circumstances are, Annie’s face spends so much time this chapter shouting that she’s never been able to have that.

Even Magath, who goes off with the intent of dying alone, doesn’t.

There’s still some human warmth left in the world, and that’s what they’re trying to protect.

Please just do it with an actual plan, I’m begging you guys.

Also, Floch gets shot! So that’s nice.

I do not see a corpse.

That is less nice.

Isayama also gave Falco a fucking birdsona titan.

We’re not without things to cheer.

Tune in next month for more screaming and dead bodies.

[mystiika]

re; shin’s powers

   please note all of these are canon. i may be going into more detail than was provided in the show, but i haven’t added anything he didn’t do or can’t do canonically. & pretty much all of this can be found on his wiki page as well ( albeit sometimes with different wording ). he’s just this op

   i also want to say that i did my best to make this with some kind of flow between abilities since there’s a lot to get through. i’m also rewatching the series so hopefully i’ll be able to add direct examples for some of the more outlandish concepts

nigh-omnipotence  — he’s unimaginably powerful compared to most existing beings & is next to indestructible. it’s implied that he can easily defeat even the mightiest beings & creatures. the only being in canon we know to be above him is the being that turned him into the goblin, which he & others refer to as ‘the Almighty’

immortality — he can only die if his bride pulls the sword out of his chest. he is immune to everything else ( ie age, diseases, viruses, infections, sicknesses etc. ) he also cannot die of suffocation, drowning, or poisoning

regenerative healing — the ability to heal & regenerate all physical & mental harm to himself instantly. any damaged area or lost anatomy will be completely restored with no lingering side effects, even forcing objects embedded out to heal properly. it allows him to rapidly regenerate any damaged or destroyed bodily molecules, cells, tissues, bones, limbs, organs, etc instantaneously

biokinesis — the ability to manipulate the biological aspects of other creatures & beings. he normally uses this ability to inflict harm on his victims as punishment  & can be used through a gesture or snap of fingers. this also leads into the next power

healing — the ability to heal injuries of other beings as well as himself. he can even cure diseases, viruses, infections, sicknesses, poisoning, etc. as long as he’s in proximity to them he can even heal other beings without touching them. i’ll also include reconstitution in this which is the ability to reform the body of something or someone if it is completely or partially destroyed ( though this can be applied to non-living item restoration as well )

resurrection — the ability to either bring himself or others back to life from death of any means. he can even accomplished it through spells or rituals ( according to his wiki though i don’t remember this particular part being mentioned in the show ). he can resurrect all forms of life back to any state he'd like, such as living or undead states

banishing — the ability to forcibly exile someone & forbid their return. we see him do this with supernatural creatures but one would assume he can do it with humans as well if he chose to

intangibility — the ability to alter one's molecular structure to move through physical matter. he can also dodge attacks from enemies through this ability

sedation — the ability to render other beings unconscious with a touch or gesture

power negation — the ability to prevent other supernatural beings from using their powers

absorption — the ability to absorb any form of energy at will. for example, we see him do this to absorb the shock of an attack that sent eun tak flying

life divination — the ability to see someone’s life path ( past, present, & future ) when they come into contact with him ( or if he’s meant to be their guardian ) but this sight is easiest when he looks in their eyes

regular divination  — the ability to know or see aspects of the future ( several times through the series he’s asked about the answers for things, one example was him telling someone the alleged winning lottery numbers which was later proven to be correct. i’m not sure how else to describe it, he can just see the future in general but it isn’t all encompassing. another example was he said he knew all the correct answers to an exam but still had to ask what day the exam was taking place )

teleportation/apportation — the ability to teleport himself ( to other beings, objects, or places ) across small distances freely, but can also teleport long distances through the use of doors. however, only eun tak can follow him through the long-distance doors. he can also be teleported unwillingly to eun tak’s location if she deliberately blows out a flame. he can also summon someone into his vicinity

weaponry refinement — the ability supernaturally enhance his sword to destroy anything & fight off other supernatural entities & can summon the sword at will

expert swordsman/combatant — he’s highly skilled in unarmed & melee combat. he is master in weaponry which includes ancient as well as modern weapons & can easily defeat other beings in combat

enhanced strength — he has supernatural strength & is able to lift seemingly anything with extreme ease including a person/entity with one hand

enhanced speed — more than just super speed, he is able to appear & disappear with a blink of an eye, & are able to move across a room within a second. he can move, run, jump, climb, & fly at the speed of light

enhanced senses — acute senses that are above superhuman level. he can see, hear, smell, taste, & feel ( physical sensation ) more accurately than other beings

enhanced physical prowess — his durability, stamina, vitality, virility & endurance have been enhanced to superhuman levels. he also has a higher tolerance to pain. additionally, his agility, dexterity, balance, & body coordination are enhanced to levels that are beyond the natural physical limits of any human

telekinesis/psychokinesis — his telekinesis is limitless. for example, he is able to levitate small objects simultaneously & float above the ground as well as send other people flying should he choose to. naturally, he can also control small movements. this ability can be channelled through both his eyes & hands

telepathy — the ability to transfer information from one mind to another, & to read mind & thoughts of humans, animals & other beings without the aid of physical or audio communication. this means he’s also able to he’s able to speak in & read the mind of an intended target

elementalist — the ability to create & control all elements at will, such as energy, light etc. he can create gusts of wind, & throw spheres of energy similar to electrical discharges as well as fire balls. he also has the ability to unleash a blast of energy that can knock beings back with great force. we’re led to believe he can also control planets to some degree as we see him create a red supermoon.

fire manipulation ( specifically ) — he can manipulate a blue flame with his hands or engulf his entire body in a shimmering blue flame as well as throw fireballs of any size. he can also incinerate a being with a stare or gesture

( unintentional ) weather/nature manipulation — less of a power & more of a side effect of being a goblin, whenever he’s feeling an emotion intensely, it affects the weather & nature in the general region he is in. for example, when he feels incredibly happy the cherry blossoms bloom, even if it is not the season for them to do so or torrential downpour rain when he’s depressed. natural disasters like typhoons, however, are not him, that’s just the planet

other elemental manipulations — the ability to generate protective invisible force fields, thermokinesis ( the ability to control & manipulate heat ), photokinesis ( the ability to control & manipulate light), electrokinesis ( the ability to control & manipulate electricity & bolts of lightning )

visual manipulation/illusion casting — the ability to create small or large illusions such as sprouting fireflies from his hand or something on a more massive scale

invisibility — the ability to make himself or others unable to be seen by other beings

monetary manipulation — the ability to manipulate money, wealth, & anything related to them & thus is infinitely wealthy

physical manipulation — not sure how to phrase this one. he can essentially control small movements? think of like a puppeteer & a marionette but make it bigger. he someone trip, have someone’s ear buds catch on someone’s bag in passing etc

mental manipulation/mind control — the ability to manipulate the minds of others beings into thinking or believing certain things

emotional manipulation — going along with the one above, he can also make people fall in love, kinda like a cupid

time manipulation — he can freeze time at will & for however long he wants. He can also speed up or slow down time. the only human who is immune to this is eun tak, who can continue to move & speak freely even while time is frozen. he can also continue moving if some other being ( ie. a grim reaper ) stops time

astral perception — the ability to perceive true form of beings invisible to human's eye as well as being able to see supernatural incidents. for example, was able to recognise the grim reaper when he saw him

location tracking — the ability to track & locate beings. it’s not 100% effective/accurate though as we see him unable to find euntak at various points in the series

conjuring — the ability to create objects & beings into existence out of nothing

wish granting — the ability to grant wishes

& then here’s a list of abilities listed on the wiki but i have yet to confirm in my rewatch or in traditional lore. this information will be added to the list above or be removed depending:

smiting — the ability to kill other beings with a touch, gesture or snap of fingers at will. this ability will burn the victim from inside & can burn the victim's eyes specifically if desired

molecular combustion — the ability to kill other beings by rendering them down to their molecules, causing them to explode with snap of his fingers

reality warping — the ability to warp reality itself

dream walking — the ability to communicate to someone through their dreams. he can also visit alternate realities through dreams

portal creation — the ability to open portals to parallel worlds, dimensions, or planes, etc

duplication — the ability to create duplicates of himself or others

shape shifting —  the ability to alter his physical shape to assume the appearance of another

transformation — the ability to alter the physical shape of another being or object

transmogrification — the ability that allows the user to alter their form into inanimate objects

power granting — the ability to grant powers to another being

technopathy — the ability to control & manipulate all forms of technology ( this doesn’t mean he necessarily understands all technology, just that he can control it if he wanted/tried to )

additionally, goblins can perform larger feats such as bring good harvests, big catches & great fortunes to humans as seen in traditional folklore. they are also known to be defenders against evil spirits despite their mischievous habits & i’ve seen nothing in canon to indicate otherwise

[datleggy]

I’m autistic and one of the things I have trouble with is change. I’ve watched 911 since the third episode and now they have a second one? Idk. I’ve been seeing a lot of good things about it but I’m not sure if I want to watch it. Basically what I want to know is if it’s worth watching. Is it good? Are there any parallels between the new one and the Buck one? Who are the characters and what are they like? Will you start writing for this series instead of the other one? %

so, this got WAY longer than i thought it would, sorry!!! TL;DR is at the very very end!

tbh i didn’t wanna really give 911 lonestar a chance originally, i was lowkey annoyed bc it felt like they were like “oh u guys want buck and eddie, who are CLEARLY meant to be and have all this canon chemistry and relationship development to eventually get together??? lol NOPE but here’s a spinoff where u get ur white/latino gay ship :D”

which i do genuinely hope to god isn’t the case, like, i really need OG 911 to be like PSYCH here u go, some DIAZ-BUCKLEY fam. as a treat.

i did end up watching it bc curiosity and too many awesome gifsets finally got to me lol

and im only a couple of episodes in (haven’t had a chance to watch the 3rd ep bc of work and other things D: ) and so far i gotta say, i like the OG 911 calls that they get sent to more than 911 lonestars calls but again, im only 2 ep in, maybe they get more “woah thats crazy/hilarious/hearbreaking!” as the show goes on.

i honestly don’t see too many parallels between Buck and TK—the only thing i noticed where they’re pretty similar is how much they both enjoy easy physical contact. buck is very touchy feely and comfortable about showing affection/feelings and i feel like TK is the same regarding physical contact (with his dad at least)? but that’s about it.

for what it’s worth i do think the show is pretty entertaining and worth a watch!

my main reason for watching past the first episode is my enjoyment of the characters. i just think they’re all neat.

this is from a post i made when i first watched the show lol:

captain strand: good dad to all of his children

tk: hot gay messy boi

grace ryder: a fave, no nonsense beauty, judds better half

judd ryder: tragic big boi

captain blake: chaotic good w baby voice

marjan: wild feral messy gurl

mateo: if anybody’s mean to my SON im throwin hands bih

paul: again, if anybody’s mean to my SON im THROWIN hands

officer reyes: ready to dick tk down

here’s a more descriptive/longer summary of the characters if u wanna know more, if not skip down to the bolded sentence below lol:

owen strand is the captain (played by rob lowe) and to me he gives off chris traeger vibes (from parks and rec if u watched?) but with more depth. i like his character a lot, he’s a caring dad, seems like he knows what he’s doing, and like, c’mon, it’s rob lowe (i fell in love with him a million years ago when he played soda pop in the outsiders nipr;guebwuogrnofw)

tk is his son and a hot gay mess w some substance abuse issues (tho a lot has happened to him in only 2 ep i really don’t know how to feel about him entirely, bc besides stuff happening TO him, i don’t feel like he’s reacted in a way that shows much of his character?) idk maybe it’s just me. but he is a certified cutie so. lol

grace ryder, she’s smart (one of the only characters with more than ONE brain cell lmao) and gorgeous and an emergency 911 operator. she’s very supportive of her husband and what he’s going thru (which is A LOT), she herself has been thru a lot bc of the big incident at the beginning of the series and is still somehow held strong in spite of it all, she’s a personal fave of mine.

judd ryder is kind of a dick at first but i think its very understandable given the hell he’s been thru, im actually surprised at the amount that i like him. he’s very raw and vulnerable but has this “don’t worry im fine, back up” attitude that i loooove. 

captain blake is the captain for EMTs, she’s got this soft teeny baby voice that contradicts so hard with her give no fucks ima do what i need to to find my missing sister actions irwughqwgoriegjf i like. she’s caring and does goes out of  her way for the little guy.

marjan has ZERO chill but in a good way, i can already absolutely see her getting into trouble by doing some crazy impulsive thing on a call in order to rescue someone—-TBH she actually reminds me a lot of Buck from OG 911 in that way. like yea she’s reckless and impulsive but u can tell its bc she CARES and this firefighting thing is what she’s meant to do. i really like her.

mateo—-OH MAN. he’s 10000000% my favorite. it hurts me everytime he’s on screen, bc he’s such a sweet and HARD WORKING man and he deserves to be a firefighter and do what he wants/has been waiting for for so long, im so HAPPY captain strand gives him a chance. i think he might have some learning disability or maybe he grew up in a household where maybe his family was too busy or didn’t care to check up on how he was doing in school and they neglected to see how much he was struggling—this is all just pure speculation from the fact that on the show he tells captain strand during the interview that he’s always passed the physical exam to be a firefighter but keeps failing the written part :( i love my son.

paul is a trans firefighter who’s mainly known for his crazy good observational skills in the field—there’s an ep—ep 2?—that shows off his talent but like, i found it unintentional funny bc the way they did it was in a scene that honestly truly felt to me like a scene I MYSELF would write in a fanfiction if i wanted to show off a cool skill the character has but was also too lazy to make it look good???? lmaoooo im not trying to be mean but like, if u do watch it, its the 2nd ep i believe, the “office meeting” scene. other than that tho there’s only been a few scenes with paul in it (my personal fave being the skin care routine scene lol) but i look forward to more scenes of my son being a lil sherlock holmes :)

officer reyes is tk’s potential new mans. he seems like a good cop from what little ive seen of him doing police work. so, i saw a post someone made basically saying how ugly are the men in texas that officer reyes is out here thirsting over tk so HARD—and not to be rude, but he really is!!!! reyes is a goodlookin guy, so idk what’s up with that, maybe he likes messy bois? bc same.

p.s. im not sure how to feel about reyes and tk together yet bc it doesn’t really seem as if they have too much chemistry. hopefully that changes? i do kinda like that they haven’t started off their potential relationship on the best of foots, bc i love drama, an indisputable fact.

ONTO THE FINAL QUESTION!

OG 911 will always be my first love and i just don’t see this changing anytime soon. buddie will always be the #1 ship in my heart! and i have about a gazillion awesome prompts i need to work on so me switching over to 911 lonestar isn’t gonna happen. i love OG 911 way too much iuqhur4ogfoie3jwnwjinioj

tho i may occasionally—per the request of prompts i’ve gotten in the last week or so–take a couple of the characters from 911 lonestar and put them in a 911 fic as a crossover? we’ll see.

this ended up soooo long oruhibgruoeqwp i hope some of it helped tho?

tl;dt: 911 lonestar seems fun and the characters are interesting enough to keep me entertained so i say give it a chance  :)

[nightshade-zoe]

Thoughts while rewatching 3x07

Sorry for the long post

Also I’m incapable of rewatching up through the first scene with Josie but

-I am glad there’s no time jump. I understand why everyone would criticize Anne but I’m tired of her constantly being put down despite having the best of intentions. Also it bothers me the dynamic between Ms. Stacy and Gilbert was “why couldn’t you talk some sense into her” Though at the same time she knows they have a deep connection. ***I realize now she meant “you” as in the class.

-I appreciate that Anne stood her ground against Marilla. Also that Marilla had a moment where she considered what Anne was saying. It reminded me of Marilla when Anne first goes to school and she’s wishing she’d had choices.

-FUCK JOSIE’S PARENTS

-The character growth of Prissy was excellent. She was a beautiful combination of biting retorts and cool logic. You can see her words have an impact both on her mother and Billy so I’m looking forward to seeing how that plays out in later episodes.

-I am a bit confused on why Anne made Josie’s situation worse aside from embarrassing her further. Because Jane already said her reputation was ruined and the engagement was off last episode so it’s not like Anne’s article caused either of those two things. Yes, being used as a scapegoat would hurt, but the fact Gilbert attacked her for “ruining a girl’s life” seems like much. It was Billy who did that. I am still so incensed Gilbert never apologized even if he technically realizes it was Billy who started this.

-I appreciate that Diana and Anne’s friendship is where they can call each other out. It’s an interesting parallel though that when Diana is angry with Anne, Anne heeds her advice. Yet later, when Anne calls Diana out for her treatment of Jerry, Diana just defends herself.

-Josie has a right to be angry. I understand that it’s a realistic dynamic where two girls are sort of friends but one can be mean however it’s unacceptable to me people keep expecting Anne to make things right and be nice with Josie who apparently has been calling Anne trash still. It’s not okay and I’m not okay with how not even Diana has stopped this.

-It would’ve been more powerful if Anne had said “Gilbert, I did try to talk to everyone about it yesterday but you shut me down” instead of attacking him for believing in equality because that was his mistake. He also never actually admits this mistake. It’s an interesting point though about how him bartering for a parcel of land given we didn’t see Gilbert and Winnie interact at the fair really. We saw Winnie’s father offer Gilbert connections to the Sorbonne.

-“before this room spontaneously combusts” cough foreshadowing

-Okay I’m glad for this Ms. Stacy/Anne dynamic. It was a beautiful balance of commending and explaining where Anne went wrong. I did really think Anne was going to mention Josie called her trash though. Side note, I know Anne is banned from the paper and the press is gone but I have a suspicion we will see one more article from her that will actually be impactful.

-It was incredibly poignant to have Mrs. Lynde who most of the time never shuts up and who criticized Anne as soon as she saw the article begin to feel the impact and necessity of the words. Also they focused on the cigar so much like wow props to that foreshadowing.

-Good pop culture reference here with Frankenstein. Diana was rather cruel but it’s been foreshadowed in her initial recoil at the hay on Jerry’s jacket and how she used Jerry’s family, despite their poverty, as an adventure she could slip on for size. I don’t think she’s being malicious though just sighs Jerry’s face. I also think they’re trying to depict unintentional toxicity in relationships and/or being physically attracted to someone but not having feelings.

-YES MS. STACY GO OFF. Also Matthew is the most unproblematic male ever. Also I love how it’s being framed as a learning experience for Marilla too.

-also “what’s next? An ode to cigars?” Cough cough foreshadowing

-I’m super upset on Anne’s behalf but I’m also glad this screaming isn’t for anything as dire as was predicted. Also the poetic justice of her using something Billy destroyed to defend the voiceless. W.R.I.T.

-Um excuse me Moody. Also good on Gilbert for realizing who the actually villain in this story is. I appreciate how this scene is done, showing the importance of male allies while also giving the credit and words to Anne. Also that rather than looking at the article is a whole, Gilbert is taking bits of it that are easier for everyone to swallow and realize they don’t disagree with.

-It is frustrating though he won them over with well reasoned logic but the same couldn’t be said for Prissy.

-I love the parallel of the girls rushing up to Anne and Gilbert smiling. She totally knows he defended her. Also I stan Ruby saying she knows her mind best and also glaring at Moody to agree with jeez

-Ruby saying oh good/Anne having a plan reminds me of Ruby going but you’re NEVER out of plans and also Anne knowing how to save Ms. Stacy.

-Also the music while Gilbert is speaking is the same as when Ms. Stacy defended herself at the town hall.

-The barn scene clowned us butttt Gilbert you’ve got a paint can in front of you. Why do you have to lean over Anne ;)

-Anne said both parties must have feelings and Diana looks stressed hmmm I think they’re going for having physical attraction vs feelings towards someone

-Once again Josie calls Anne trash but this was very well said by Anne. It’s also interesting she says that only you can define your self worth when we saw her last episode question whether anyone could ever love her and this episode question whether her best friend looked down on her :-/

-Josie is totally going to the protest though.

-JERRY AND ANNE . . . Oh no. I love that Anne is really looking out for him. The dialogue is confusing because Anne’s like you have a girl?? And it’s not till later Jerry is like “wait she didn’t tell you”

-I love love love the parallel of Josie taking off her hair ribbons with last season when we first saw them.

-Billy is so abusive like he’s trying to frame this as I still like you despite what you did and just come back to me and everything will be okay. Good on Josie for rejecting him. He clearly took to heart what Prissy said about him having power but not that he’s the one at fault.

-I stan supportive Matthew always always always saying they should let Anne be happy and live a full life and reach her full potential

-Oof the Dianne fight. Once again objects have a lot power. “If you were my friend you would understand” feels like “if I could take it all back I would”

-I’m getting the feeling Diana is just very physically attracted to Jerry and is confused because she thinks that physical attraction and feelings should be the same but aren’t in her case which Anne doesn’t get because she thinks the same way. Anne was right to call her out on her behavior towards Jerry but also/probably will eventually hear Diana’s side of the story. Also yikes at her thinking Diana is going to ditch her.

-I feel like one of my issues with this season of AWAE is that they’re trying to present a ton of relatable teenage experiences but they all get colored by Anne’s past trauma and struggles with self-worth. Fighting with her mother isn’t just a small disagreement, it’s her struggling to remember/figure out if she was/is loved. Having a crush becomes, I just wanted to believe someone could love me that way. Fighting with her best friend is, I’m an orphan who will never be good enough for her. But the fact that her experiences are being tinted this way is never addressed by her or anyone on the show.

-On that note the way Diana says “here we go again Anne Shirley and her tragical tale of woe” bothers me. Has this been an issue before? Is Diana just upset because she feels she has valid problems too, which is very true? Does she not believe Anne? She says “a true story at last”. I never got the sense Anne talked much or at all about her childhood to Diana.

-This is too painful to watch but also they are both so dramatic both when blowing kisses goodbye and fighting that I wouldn’t be shocked if it blows over next episode. I absolutely fought with my best friend like this when I was sixteen only for both of us to call each other sobbing in apology two days later.

-Prissy ❤️❤️ You can see her mother is thinking about what she’s saying. Also I know Jane is under huge backlash right now but I think it’s important that this was included as it’s a perspective a lot of women, even in those that I know, that intelligence and feminism aren’t connected and sometimes those who are privileged can’t see why sexism is an issue

-Gilbert: “just a suggestion not telling you what to do” seemed like a growth in his understanding of Anne

-I loved the little moment between Prissy and Anne showing how they’ve evolved. It was Anne who originally started the scandal about Prissy but they’ve both matured so much and united and ahhh it’s perfect.

-Marilla waving the handkerchief is beautiful. Also the little glance Ruby and Tilly give each other when Anne mentions Diana won’t be joining them.

-THIS MUSIC IS MY FAVORITE MUSIC IN THE SERIES. It’s the hot air balloon music except layered with more instruments.

-I called the freedom of speech AHHHH Good on Josie for taking a stand. Anne smiling at Gilbert reminds me once again of the time they saved Ms. Stacy

-The minister only tries to take boards from the girls.

-That photograph is absolutely going to come back.

-I love the growth of Rachel and Marilla. Rachel crying because this has an impact on her. That proud look matthew gives Marilla for speaking up.

-Also like how did Gilbert rip that paper so perfectly it’s so hard.

-the last frame of this scene is the cigar smoking guy really why didn’t I see this coming the first time

-I love that they have Prissy and Josie talking.

-Also while I perpetually wish we’d seen more of Muriel/Anne that hug was everything.

-Ah I’d missed Gilbert staring longingly at Anne. While he clearly has feelings this season there haven’t been any moments of him just watching her in awe.

-where is this music on the porch from I’ve heard it before someone help

-the spelling. The throwback. The glances of longing. THE MOONLIGHT. The realization they work together well and care about each other deeply and have run out of “misunderstandings”

-Anne did nothing wrong here, as far as she knows, he’s dating Winnie. BUT I am glad we have finally visibly seen Gilbert looking conflicted about there being two girls. And he couldn’t drink his tea.

-They really stole the printing press. I guess the title was “a strong effort of the spirit of good” which fails both in Frankenstein and I guess now also here

-the music overlay is the same as when Anne comes back from Charlottetown terrified of the grifters and grabs marillas hand in 2x03

-really they burned the schoolhouse? Do we have time for this?

[lavellane]

DRAGON AGE QUESTIONS

tagged by: @nordxz​ thanks so much !!! *heart emoji* 

favourite game of the series?

origins! although inquisition is very close as well.  inquisition was my favourite for a very time, but like midway through last year i replayed origins and it just felt.....so good. i really struggled with enjoying dao because of the clunky fighting system but an amazing mutual introduced me to a mod that lets u skip fights basically lol, so i was just able to focus on the story/characters/exploration of the game, which just....made me realize how immensely beautiful the game actually is, and i fell in love all over again aaaaa

how did you discover dragon age?

i was a huge mass effect fan ! mass effect was the game that motivated me to make this blog, actually, and obviously through following people i saw a lot of posts from the da community as well. so i bought origins and inquisition (i had NO idea there was a da2 until half way through awakening lmao) and tried to play origins but HATED it gtrhutgrhugtr and then eventually gave it another try like a month later and completely loved it and now here we are

how many times you’ve played the games?

not as many times as some people on here have - i would say origins maybe four times, da2 maybe twice, inquisition three times. but that also doesnt count all the timesw ive created new games and then abandoned them lol bc theres too many to count 

favourite race to play as?

love me some elf booty ¯\_(ツ)_/¯

favourite class?

at first it was rogue dual wielder ! i played as a rogue in every single first-time playthrough and idk i felt that class has always been the easiest/most op. but in the last maybe 2 years it’s changed to mage. ive always been super intimidated by magic classes in every game i play but i LOVE inquisition’s mage classes/specializations and i can never go back now

do you play through the games differently or do you make the same decisions each time?

im so so so bad and i usually end up making very similar choices, but usually bc i just......replay the same characters every time hgtuhgtruhgtrui. i REALLY need to make more da ocs to explore more choices but....i dont want to lol i already have to many. i still havent sided with the templars in a playthrough like i just cant do it 

go-to adventuring group?

i always bring my characters love interest with them no matter what, just bc its cute, but usually i try to evenly cycle the other characters around that. i always try to have a warrior/rogue/mage in every party. but sometimes i’ll go warrior/warrior/mage/mage especially if i need to focus on straight damage and a LOT of healing lol

my favourite parties would probably be:

dao - alistair + zevran + wynne (wholesome and also funny)

da2 - anders + fenris + merrill (SO much chaotic energy)

dai - solas + cassandra + cole (i just love them ok)

which of your characters did you put the most thought into?

ashara lavellan, my canon inquisitor who was never supposed to be canon tghtgurhtrg. my original canon inq was a trevelyan rogue, who was super nice and good. i made ashara so that i could actually play as an evil/mean character without feeling bad lol, oh and i also wanted to see what the deal with solas was bc i had heard his romance was good ;;;;) anyway that backfired and i ended up completely falling in love with her, and i STILL couldnt make the tough choices with her so i was like ok maybe she isnt THAT evil and now shes just..... the way she is now i guess lmao

favourite romance?

trhhtruih okay u guys KNOW its solas. u know. i dont even have to say anythiing about it bc...u fucking know

(alistair’s is very close tho)

have you read any of the comics/books?

i havent :(((( im such a bad fan but i cannot deal with ordering online and thats the only place ive been able to find them. im planning on reading asunder and the masked empire as soon as i get the chance (and the money) tho !!

if you read them, which was your favourite book?

nope

favourite DLCs?

trespasser ! its pretty simple and very plot-driven like u didnt have to worry about side missions as much as u would with other dlcs so idk that was... refreshing. but obviously i loved it just bc it was so beautiful and intense and sad (since my chara romanced solas obviously) and that music score????? unbelievable i’ll never be over it

things that annoy you.

can i say the fandom trghuitgrhutrhui

mostly the thing that pisses me off the most is the grey morality. writers trying to make everything deep and Thought Provoking like..... no jerry, slavery IS bad theres no alternative viewpoint lol??????? also the fucking whitewashing makes me see red. 

orlais or ferelden?

ferelden!!!!! (*blows a kiss* for highever)

templars or mages?

mages <3 

if you have multiple characters, are they in different/parallel universes or in the same one?

i only have like 3 protag da characters and they’re all canon, although emeraude is an au. so ella is my canon warden and ashara is my canon inquisitor, but emeraude does exist in that universe, bc i hc she befriended the warden and alistair when they visited the alienage, and she was very outspokenly angry and didn’t really give a shit that alistair was going to be heir. which alistair really,,, appreciated i guess? so emeraude is made his official elven adviser after his coronation but she also kinda helps out as a royal protector because she’s one of the only people in court they both trust completely lol. also she is....stronk. 

and the only other characters i have for da are obviously side characters who are related to my canon protags so. they’re all canon as well lol

what did you name your pets? (mabari, summoned animals, mounts, etc)

ella named her dog ser bark gthutgrhutghruihtr she thought it was cute ok

emeraude just went with barkspawn since alistair came up with the idea as a joke but she thought the joke was so bad she made them keep it as punishment vjhuightui

i dont really have a hawke oc but.....he named his dog shepard in my playthrough ! like from mass effect ;;;;)))

have you installed any mods?

origins is modded to hell and back and i genuinely couldn’t play the game without mods at this point. inquisition is slightly modded but im in the process of removing them all, and only keeping a few because my game runs pretty terribly with them installed 

did your warden want to become a grey warden?

ella did ! but it was kind of,, a naive childhood dream, she had a really romanticized view of the wardens and she wanted a life of excitement and bravery and adventure, not really taking into consider all the bad things about it (and obviously not knowing the full truth about what it means to be a warden)

emeraude did NOT want to be a warden. she basically had to be dragged out of the alienage because she wanted to stay and protect her community. she never really enjoyed being a warden, although her friendship with alistair was its one redeeming quality 

hawke’s personality?

uh i cant remember the colour/personality thing but he was a combo of funny/ethical. mostly there for memes tho. 

did you make matching armor for your companions in inquisition?

for origins i do ! i always make sure alistair and ella wear the grey warden armour, as well as every warden in awakening. thats like, all theyre allowed to wear lmao.

if your character(s) could go back in time to change one thing, what would they change?

ella would obviously change her family’s murder lol, and emeraude would at least try and change what happened at her wedding, to prevent shianni and the others from being hurt. 

ashara would change romancing solas :((( she was so angry at herself after discovering who he was, and she felt weak and foolish which she HATES more than any other feeling, so she definitely wishes she had never met him for a long time. after she kind of processes it though, and learns to deal with her anger, her answer would be that she wishes she had saved the chargers. it’s the one move she made that actually keeps her up at night sometimes. 

do you have any headcanons about your character(s) that go against canon?

ghuitrhuigtrhugtr so many. canon? dont know her. 

the biggest example would be that i hc king!alistair was at the winter palace during the wicked hearts level. because uh..... celene and the fereldan monarchs had been corrosponding for over 10 years, trying to build up rapport, of COURSE the king would be there to see who the potential ruler/s of orlais would be and whether or not he ought to be worried. like. im sorry but alistair was there lol you can’t change my mind. i also hc he helps ashara with information about the grey wardens during this chapter, because ???? it just makes sense??? im so angry i wish this was canon

are any of your characters based on someone?

ok it was unintentional but ashara reminds me of an english teacher i had in highschool who was very scary but also....really cool and i loved her. it was an accident but,, still counts. 

who did you leave in the fade?

gtiturghtugh okay at the risk of pissing off EVERYBODY who reads this, i left hawke in the fade, even though it was a toss up between hawke and stroud. it was ashara’s fault tho !!! she would have 100% prioritzed an alliance with the grey wardens over like,, some guy. it broke my heart but yeah That happened. 

favourite mount?

i like all the elk mounts mostly ! but i never use them bc they sound ugly af

tagging : @trvelyans​ @f3nharel​ @allisondraste​ @ensevens​ @tethraas​ @talizorah​ @fereldun​ if u are up to it <3 and whoever else wants to do this ! 

[oumakokichi]

I hear around a lot that Momota is both an hypocrite and extremely loyal to his ideals, I was wondering if you could explain how these two traits can coexist without entering a contradiction

That’s a pretty good question, anon! Walking contradictionsare kind of a recurring theme with ndrv3, I feel. When you have a game whosecentral theme is “truth vs. lies,” there’s going to be a lot of focus on thegap between what people say and what they mean, what defines them as a person,and where their own personal failings lie. Many lies, after all, are ones thatcharacters either tell themselves subconsciously or unintentionally—therebyresulting in many characters who are well-intentioned but nonetheless still somewhathypocritical in their behaviors.

This response will be somewhat twofold, as I feel like partof Momota’s hypocrisy was designed as an intentional character flaw, and partof it was a result more of Kodaka’s mistakes as a writer by failing to address asmany of Momota’s flaws as he should have.

The first part is somewhat easier to put into words: namely,loyalty and hypocrisy are bothintentionally some of Momota’s more noticeable character traits. It’s easy tosee these traits when playing the game: it’s a fact that Momota is quick tostand up for others, even to the point of putting his blind faith in themimmediately.

Not only does he demonstrate this with Maki, most notablywhen he stands up for her in the Chapter 2 trial despite knowing nothing abouther, but also with Kaede in Chapter 1, and with Saihara several times, startingaround Chapter 2. Momota is quick to sort out who his friends and enemies are;when he’s made up his mind that he likes someone, he likes them, and even cold,hard facts can do little to sway his opinion (if Chapter 4 is any evidence ofthat). He bases his decisions on emotion, rather than reason or logic, and thismeans that he’s inclined to stick by how he feels about people, rather thanwhat the facts are saying.

It also means that he’s almost unflinchingly loyal when itcomes to the people he’s decided to call a friend. This isn’t such a surprisingtrait for him to have, given that Momota’s character is intentionally based onthe tropes and characteristics of a “heroic shounen protagonist.” There’s a lotof lampshading of this in the actual game—not only does he call himself “theprotagonist” repeatedly, but even his character design itself alludes to it.The color and design on his shirt is meant to resemble that of a kabuki actor,playing the part of a protagonist.

In just about every shounen series that’s ever been written,themes like unflinching trust and belief in one’s friends and loyalty to one’sown ideals and ambitions are very, very common. Gurren Lagann is perhaps thebest example of this, as Momota’s catchphrase is meant to be a throwback toKamina, who fulfilled a similar role of “inspirational hero” to Simon as Momotadoes to Saihara. Therefore, the fact that Momota is an extremely trusting,loyal, and steadfast individual who doesn’t easily sway from his ideals orbelief in others makes perfect sense—and that stubbornness itself is actually,simultaneously the cause of his hypocrisy, in my opinion.

His unwavering, immovable belief in others is itself adouble-edged sword. As I mentioned earlier, nothing proves this better thanChapter 4. While believing in others and having faith in people is certainly animportant ideal to strive for, ndrv3 makes it very clear that being on theopposite end of paranoia or blind faith can often lead to disasters. Characterslike Kirigiri and Nanami also emphasize in their respective games that trulygetting to know others actually involves doubting them first, in order to trulybe able to rule them out from suspicion. Avoiding that doubt entirely meansskipping a vital step in the process of getting to know someone.

But Momota refuses to recognize that doubt or suspicion arenecessary elements, especially in a killing game that they’ve all been forcedto play. He likes who he likes, and hates who he hates, and absolutely nothingshort of a miracle is ever able to make him change his mind. This is why, evenwhen shown concrete, hard proof that Ouma absolutely couldn’t have murdered Miu in Chapter 4, he still maintains thatOuma must have done it, somehow—because he hates Ouma, and he likes Gonta.Therefore, in his mind, the murder is already “solved” regardless of what theevidence says. Ouma is the “bad guy,” Gonta is the “good guy.”

This hypocrisy of his in deciding things based on rawemotion rather than logic or facts is somewhat brought up by the narrative.Despite the fact that he claimed to want to help Saihara embrace his talent asa detective, it’s also clear in Chapter 4 that the moment Saihara “sides” withsomeone who Momota doesn’t personally agree with (even though Saihara trulydidn’t side with either Ouma or Momota, but tried to find a middle ground), hissupport and encouragement become… well, far more limited.

Even after telling Saihara to believe in himself and his ownreasoning repeatedly ever since Chapter 2, when the end result is somethingtragic or unfortunate (like Gonta being the culprit), Momota doesn’t want tobelieve it at all. He instead switches to telling Saihara to “open his eyes,”questioning his theories and his reliability at almost every point in thetrial. He even goes as far as to threaten to punch him again, because he’s soentirely convinced that his own trust in Gonta is correct and that Saihara mustbe in the wrong this time.

This hypocritical stance is somewhat alluded to andforeshadowed throughout even the earlier parts of Chapter 4, where it becomesevident that Momota is far less comfortable with Saihara actually becomingrelied upon and trusted by the rest of the group. Saihara’s role as the SHSLDetective means that, by Chapter 4, the others are slowly coming to trust himand rely on him—even too much, perhaps, to the point where they aren’t reallythinking or looking for clues on their own, but instead feel that Saihara cansolve the case on his own.

Momota, who up until this point had played the role of theinspirational figure, quoting very Kamina-like lines of “believe in the me whobelieves in you,” looks obviously uncomfortable or goes somewhat silent at mostof these lines from the others in Chapter 4. His FTEs also show that he has atendency to rely on his “sidekicks,” rather than the other way around; he takescredit for most of the accomplishments of others, including politicians, idols,and baseball players. The easiest explanation for this behavior is that inaddition to genuinely wanting to help others improve and better themselves—well,he also wanted the actions of others to reflect well on himself.

Personally, I don’t fault him very much for having thisflaw. This sort of subconscious, unintentional hypocrisy and jealousy issomething that I feel is extremely human. Jealousy is a normal, human reaction,and very often it’s not something we feel intentionally. It’s not impossible tobe a genuinely good friend and want the best for someone while also having moresubconscious, negative emotions. Momota himself admits that this is basicallywhat happened shortly before his execution in Chapter 5. He acknowledges thathe was jealous of Saihara’s talent and the way in which the others were relyingon him, and that it was unfair of him to lash out at him in Chapter 4 the waythat he did.

This covers the range of loyalty and hypocrisy assimultaneous existing traits in Momota’s character. I do think that to someextent, this walking contradiction was something deliberately written andcrafted by Kodaka—after all, it’s very clear that most of Momota’s charisma isbaseless, and that while he’s a genuinely good, inspirational person, he’s alsoincredibly quick to judge, and often fails to think things through. He has nosolid plans in mind most of the time, fails to take facts and evidence intoaccount as they arise, and is very clearly meant to parallel Ouma’s unrelentingparanoia with his own blind faith in the people he likes.

However… I do think that a certain degree of Momota’shypocrisy stems more from Kodaka’s own hypocrisy as a writer, rather than beingincluded as a deliberate character flaw. There are many flaws which Momotaexhibits throughout the game which aren’t actually addressed as flaws at all bythe narrative.

Toxic masculinity is a prime example; many of Momota’s “solutions”to the problems Saihara, Gonta, and Hoshi experience involve the idea of “manningup.” Being emotional or “weak” is seen as “unmanly,” and therefore,undesirable. Crying, feeling depressed or suicidal, and talking about one’sproblems are all seen as signs of “weakness,” and things that a “man shouldn’tdo.” Meanwhile, much of his advice for Maki is the opposite; much of hiscriticism of her is that she’s “not girly enough,” or that she’s “doing thingsa girl shouldn’t do.”

Rather than describing her backstory and the trauma sheendured as something horrible that no human being should ever have to gothrough, much of Momota’s dialogue simply boils down to how “a girl shouldn’tkill people,” or “a girl shouldn’t use deadly weapons.” Even his initial trustin her and decision to “rip off her mask” is because, as he says in Chapter 3, “hejust can’t believe a weak-looking girl like her killed people for a living.”

This makes the entire dynamic between them somewhatfrustrating to watch in later chapters, as a relationship that could easilyhave been about a child soldier coming to view herself as a human being ratherthan a tool is instead shoehorned into a stereotypical narrative about a cold, “unfeeling”girl discovering her “maidenly” side through falling in love.

Unfortunately, this mindset is never once really, trulyaddressed as outdated or flawed by the narrative. Saihara is encouraged tobecome more like Momota, rather than Momota being encouraged to tone down someof his more hyper-masculine ways. When the results for the first ndrv3popularity poll were released in Japan, Kodaka even noted in an interview thathe was surprised Momota didn’t place higher—a pretty clear indication that hedidn’t see much wrong with Momota’s mindset or intend for those aspects of hischaracter to be treated as flaws.

Even more frustrating still, NISA’s localization oftenremoved even these flaws entirely from the game. Much of Momota’s toxicmasculinity was toned down considerably for the localization, resulting inconsiderably tamer dialogue from him. There are two examples I can think of offthe top of my head.

The first is a more well-known one which I’ve discussedbefore: in the original version of the game, in Chapter 2, Momota callsKorekiyo the word “okama,” a word that’s essentially a slur on par with thef-slur or the t-slur, and associated with heavily homophobic/transphobicsentiment. It’s often aimed towards flamboyantly gay men, or trans women, whoare unfortunately seen as “not real women” and are lumped into the samecategory as “gay men.”

It’s frustrating enough that this slur was used for comicrelief in the original version of the game, but the localization doesn’tinclude it at all. Instead, Momota calls Korekiyo “girly,” which doesn’tcapture the same negative sentiment at all. As a gay and trans person myself, I’mpersonally all for removing slurs—the problem is that I’m pretty sure the slurwas removed mostly to improve reception of Momota’s character in the west, rather thanbecause the slur was offensive in the first place. After all, plenty of slurswere added to the localization by other translators (Miu’s being perhaps themost notable, with more than 6 additions of the r-slur that weren’t in theoriginal, and that’s just what I’ve counted so far). And I think it’s worth noting that Momota’s reception in the western fandom has, in fact, been far more positive than it was in Japan.

The second example I can think of is in Momota’s FTEs, whichI translated some time before the localization released. In the final FTE,Momota refers to Saihara’s entire backstory (including his trauma from havingruined a man’s attempts at revenge and sent him to jail) as “kudaranai”—a wordwhich is very noticeably not polite or formal, and often translated as “stupid,”“worthless,” “idiotic,” etc. It’s a very blunt, straightforward assessment,hence why there’s an option in the dialogue for Saihara to get very, very madat Momota and tell him off—but in the localization, “kudaranai” was translatedas “trivial.”

There’s a world of difference between telling someone, “It’sreally stupid for you to be traumatized over something like that,” and “That’sa very trivial thing to be traumatized over.” In fact, the localization’sphrasing was so absurdly polite that it actually made Saihara’s angry responseseem like a drastic overreaction, rather than something justified. This is notthe only time Momota’s dialogue was shifted to seem far more polite or lessblunt, but simply one that I remember stuck the most with me, as I hadtranslated those FTEs myself and therefore remembered very well what kinds ofdialogue Momota used in the original Japanese.

These flaws, both with the original writing and thelocalization, result in Momota having a few very noticeable flaws to hischaracter which aren’t ever actually brought up by the other characters or questioned.Given that Momota’s role in the story is meant to be heroic, inspirational, anduplifting to Saihara and Maki (two out of three of the survivors), this meansthat many of his more serious flaws are somewhat brushed under the rug by theend in order to remember him better as the sort of grand, larger-than-life herohe wanted to go out as.

This is what therefore results in a sense of hypocrisy abouthis character and role within the story. While it’s true that hypocrisy is oneof his actual character traits, it’s also true that it wasn’t exactly handledas a flaw or called out in the same way that it would’ve been for a lesscentral, heroic figure to the plot. Even his jealousy of Saihara, which Imentioned was addressed near the tail end of Chapter 5, is especiallyhandwaved, and only brought up within the last few minutes of the post-trial.

None of this is to say that Momota isn’t a good character,of course! He’s extremely important to the plot of ndrv3, and I don’t thinkthere’s any denying that he’s a good person inclined to seek out the best inothers and inspire them. All of his positive traits are definitely there:loyalty, ambition, and unwavering faith in his friends. But it’s also true thathypocrisy is a very recurring theme with his character—both within thenarrative and outside of it, from the standpoint of Kodaka as a writer simplyfailing to call out or address certain character flaws.

This has gotten pretty long, so I’ll stop for now, but Ihope I could help answer your question, anon! Thank you for stopping by!

[vaguely-gestures-to-the-void]

Hindsight: My thoughts on Loki (2021)

Spoilers below. Please correct me if I slip up. I am in no way shape or form educated on ANYTHING to do with the making of films, how to critique this stuff etc, this is all just my opinion. If I haven’t covered a scene, it’s probably because it’s already been covered much better than I can. This is my extended episode 1 review.

Episode 1: GLORIOUS PURPOSE

Pre-title scene

The scene titles looking like a train station combined with the scrolling through time is such a cool stylistic choice.

The music is familiar, but followed by an alternate shot of Loki as Cap. A different perspective of something known, how fitting. FYI, I’m going to mention music a lot.

Love how no one questions the Hulk terrifying people.

This is the last time Loki will hear Thor call his name, or speak to him. Oh darn, I made myself sad.

Marvel studios logo

The Marvel logo changing colours + Loki theme finally taking the centre stage. I love it.

The comments made on Loki soundtrack videos saying ‘I see that the Mandalorian soundtrack has become a genre’ are so accurate it hurts. Shout out to Ludwig btw, he deserves all the awards for his soundtracks.

My thoughts so far: This part is setting up the general shift in tone from what we’ve seen in past Marvel projects, even the other shows. It reaffirms the audience’s subconscious that whilst we are familiar with the characters, there’s new twists up ahead, subtle hints to oncoming mischief. Props to the entire team behind the series.

Gobi Desert Scene

As much as I liked the opening bug crawl, the following interactions look a bit CGId. I’m being picky, they really are gorgeous. It’s also difficult after having seen the Mandalorian, but that show really paid attention to scenery as it was an instrumental part of the story, whereas here it’s just one scene and all the others are stunning.

The parallels to Tony in the desert. Loki immediately rips off the muzzle (?).

I just watched the scene and yes, Tony rips off the mask immediately.

Also I think I would have definitely had a crush on young RDJ.

And Gwyneth Paltrow (GOOP LADY) if I didn’t know her now.

Props to Tom Hiddleston’s acting. Loki’s face when he sits up is just pure confusion but with the signature hint of indignation that I’d expect from his characterisation at this point.

The rock lmao.

THE MUSIC WHEN B-15 (MY QUEEN) APPEARS. HELL YEAH!

Also props to the supporting cast of minutemen, where does Marvel find these people? They’re so well choreographed, they all move perfectly and it’s a joy to watch.

Love the time doors honestly.

I couldn’t have been the only one who thought that the temp pads were Samsung phones for a sec right?

Lol is that unintentional foreshadowing about the TVA? Jk I’m just clowning.

Has anyone spoken about what the Temp pad showed?

My theory is that ‘Units’ refer to a predetermined rate of change [e.g. m/s] where one unit = one increment of change.

The steady rate of change here is interesting. I’ll talk about it more at the end of the next episode.

I love the music, just the slow ticking increasing in pace and the dramatic flares brought on by the strings (I think), simply divine. Natalie Holt got it spot on and props to Tom Hiddleston and literally everyone involved for understanding the importance of good music with this series. I’ll talk about this in depth in the next episode, just wanted to mention it when it first started that I noticed.

In retrospect, I can definitely retract my critique of the background in the scene. It holds up well now that I’ve rewatched it.

B-15 doesn’t get enough love. Shout out to Wunmi Mosaku, she’s a trooper and I’m here to hype her up.

Also y'all I just checked the cast list and ???? Mark Ruffalo, Jeremy Renner and Tessa Thompson are on it?????? MARVEL TF IS THIS WHAT TOM MEANT BY EP 4 BEING WILD I-

Tom’s acting chops: The face moment. You know the one. It’s pretty incredible.

Theory from me: the reason that Loki doesn’t see the hit coming is because B15 was moving unnaturally fast.

It’s the immediate change in the music to reflect the audience’s reaction at the standard fight scene taking a strange turn for me lads.

B-15 doesn’t smile, which I think is in character for her.

She’s seen this shit wayyyy too many times.

We’re not even five minutes into the first ep and a) I’ve waffled this much, Gods, and b) the music has changed at least 3?? Times to reflect what’s happening. I love it.

My theory about resetting the timeline: the reset charges get rid of anything in the immediate vicinity of the branch, pretty much a mini-apocalypse of the timeline. If everything is erased, none of it matters. Does that make sense?

Taking away the Tesseract while yes, it serves a purpose with showing Loki the might of the TVA later on, also reflects how nitpicky the TVA are about their time-keeping. They do everything in a very orderly fashion, but as we see later, the outdated nature of things is very human.

The TVA - the elevator thing

Man I love the TVA’s look. Someone (and I’ve heard that Kate Herron was also very particular about the set design) went to extraordinary lengths with every single scene, not just this one, but the one before as well.

Heck I just want to appreciate how much of a visual feast this series is. Good on ‘em.

The shots changing angle is also very interesting. They switch it up between one-takes, close-ups of differing extremities and it just keeps the flow fast-paced, ya know?

Watching Loki run was hilarious.

“Sounds dumb.” - Casey, Null Time Zone.

This weird robot is what I think of when the TVA is mentioned. Advanced tech mimicking a retroistic 70s feel.

The cat’s adorable.

The clock. The cup. The placing of props. Impeccable.

The clock’s hands don’t move whilst they’re on screen.

The realisation on his face when he eyes the stack of papers.

Why is the wall so badly scratched???

I love that the signature is in character. I have a huge thing for attention to detail lmao.

Again, why are all of the walls so scratched? If they could talk, I’d presume it’s just a set design choice but it’s interesting that they did that.

Does anyone else want a TVA sweater vest?

Tickets

The opening zoom in on Loki combined with the consistent brown-orange colours of the set makes the room look uniform and encompassing. I love how the lights are always placed in a repetitive manner so rooms are given the illusion that they go on forever.

Lighting here creates depth, but whilst the lights form a ceiling, we can’t actually see how they’re suspended and I think that’s neat.

The posters. Yes.

This is the first time I noticed the different minutemen uniforms. This one’s half orange-red and black. Pretty cool imo.

Shout out to Tara Strong and the entire animation.

The butterfly was a nice hint to the butterfly effect, and the music is perfect as always.

The wooden walls in the background of this shot. How very 70s.

The reflection showing the guy getting pruned is pretty cool.

Again, another clock with no movement on the wall.

The first 11 minutes are up and we’ve made it to the title! If you’ve read this far, congrats.

1549 Aix-en-provence, France

Just speculating, we’re in a church with an initial high-angled nearly bird’s eye view and then a cut to one looking up at Mobius. I guess it means even if we think as viewers our perspective is omniscient, we’re not spared from the mystery in this series.

Who’s in the stained glass window?

I love how they tie in a detail as small as the gum. It just goes to show when you haven’t got much time, every character interaction is meaningful.

Props to Owen Wilson, he really sold Mobius to me.

Mirrors in a church showing the devil behind Mobius. Or on his side.

Time court 37

The time court 37 really reminds me of train stations.

The chairs remind me of pews. They sure are reverent of the Time keepers.

The lighting is a cool, bluish tinge for the first time I’ve noticed. Especially on Ravonna (MY LOVE!).

B-15 knows Loki’s clowning lmaooo.

Ravonna isn’t here for it either.

Ravonna’s nailpolish is a very nice shade of brown.

Theory: Resetting is ‘being brainwashed for the TVA’. Not very original, but it’s interesting that the TVA thinks that Loki would be useful as a worker, unlike the guy who got pruned earlier.

The TVA exterior is amazing. It also extends forever in all directions, even down.

Time Theatre 25

What is that elevator music??

“I thought you didn’t like to talk” Ragnarok, anyone?

Loki reading the ‘Time theatre’ sign whilst rambling. Gotta give it to him, he’s always aware of his surroundings.

The little TVA logo on Mobius’ shirt.

Shout out to whoever did the costuming. Personally, I liked the shirts with no collars, and the armour of the minutemen and Hunters came off to me as practical but not ignorant of the branding that the TVA likes.

Theory (bear with me): Once you’re a part of the TVA, you’re not collared anymore, though there is an appearance of that on the shirts.

Seriously tho, what are those shirts like? Mobius doesn’t have a collar.

Why do the ties just… end?

Neat details:

Holo projector 35.

The lights being reminiscent of skylights but still leaving the characters in the dark. “The sun will shine on us again, brother.” Not yet.

The reflection of the projector in the table/on the ground.

Loki: *turns away.*

Mobius: *sips Josta.*

Seriously, the lighting is great. Loki moving in and out of the shadows? Great way to show his mistrust/ unease of the situation.

The illusion speech is the last time we really hear 2012 Loki in my eyes, mainly because Mobius really gets into the cracks of who Loki is and then there’s action.

The ‘I was- I am” Freudian slip is perfection.

Side note the music’s changed yet again. It’s definitely setting up the more mournful tones for seeing his mother’s death.

I find it interesting that the door is partially in the shadows.

Doors are symbols of opportunities, barriers and both death and birth from what I remember of high school English.

From what I know in interrogations the person being interrogated is allowed to sit with their back to a door. Initially, both Loki and Mobius are sideways, equidistant from the door. When Loki wants to run, he edges closer to the door, even if it is just to make a point. Excellent blocking in my eyes.

Oh man, Mobius’ little gestures.

“Always so perceptive about everyone but yourself.” I really don’t have to talk about the significance of that line, do I?

Frigga being stabbed in the back. Little solace to a dead man? Ouch. That hurt me too.

Loki’s wounds heal unnaturally fast, because he’s no mortal.

Mobius really drives home the last point. Who says ‘like you did your mother” ??? Owen sold how Mobius can influence Loki's mind.

The ‘best versions of themselves' line and showing Thor must have hit Loki hard. He spent two movies trying to prove who he is, measuring himself against Thor. And then he sees them both working together and being equals.

Loki’s escape

Wunmi and Owen’s line delivery is unforced and charged, completely in character.

Mobius looking under the table is hilarious to me.

The music.

The tidy cubicle = healthy timeline is a bit contradictory because they’re supposedly in the null time zone but okay.

Is no one going to mention the taxidermy ferret?

Loki just had an identity crisis. His ‘gut you like a fish’ seems in character.

The dude’s really questioning everything he knows lmao.

Casey’s ‘what’s a fish’ was really our first hint that not everything is what it seems to be at the TVA.

It amuses me that Loki’s on his knees when he gets the Tesseract.

I’m sure someone’s pointed it out already, but given that Loki takes back the Time Twister, it’s possible he could have stolen an Infinity stone.

Again, point’s already been made but Loki seeing the Infinity stones is what sells the power of the TVA.

Please, the rest of the office not giving a damn when one dude’s having some drama is hilariously on point. They really said ‘not my problem’.

Loki’s future

The screen on the table showing what he’s rewinding as it happens.

Btw if you pause any moment during that, you’ll see a scene.

A quick note on Loki’s characterisation:

He’s been through a lot in a very short period of time, quite literally finding out that his actions don’t have any consequences. He’s lost all autonomy, especially as a god who probably believed he was not as restrained as mortals. More on this in later Eps.

I really liked Ragnarok because it showed Loki and Thor’s maturity; they had to step out of legacies that were thousands of years old and come to terms with a universe that was much bigger than them. It also fleshed out their relationship as brothers, but not at the expense of who they were. Loki still is a schemer, and he talks more because he has less to hide in my eyes. He’s no longer just a villain, and that can’t be shown by just actions, especially in his own tv show.

Loki’s little laugh when Thor talks about giving him a hug. Man that was sad.

What shouldn’t be forgotten is that Loki doesn’t know how it ends. He doesn’t know whether Thanos gets defeated. For all he knows, he died in vain and left behind a brother with no family.

The collar says DANGER.

This is the scene that really nails it home to Loki that his purpose in life was to cause pain. He found out his glorious purpose in that timeline, he’s conflicted as Sylvie points out in Ep 3.

When Loki talks to Mobius, they’re both in medium shots. They’re on the same page.

Loki’s delivery has changed when talking about the 'illusion' but Mobius hasn’t. That may change in the later episodes.

1858 Salina, Oklahoma

Others have covered this better.

Sylvie’s theme is similar to Loki’s but not identical.

It’s got sinister tones which change throughout the series.

I love how you can see the images of the minutemen’s past and future as they walk through a time door, they literally step through time.

I’ve got a whole other post on the end credits scenes. Cheers if you read this all lads.

Ep 1 review

All in all, this was a scene-setting episode. One of my friends texted me and said ‘Loki really went through ten years worth of character development in minutes’ and I think that sums it up pretty well. It’s a great set up, but the next episode is where the plot begins to progress. Really enjoyed it. There’s not too much that was aided by what we know from ep 3 besides Casey’s fish from what I caught.

See y'all next time, if there is anyone reading this. Look after yourselves!