#the analysts (mobius) the hunters the minutemen casey every one of them deserves love

[vaguely-gestures-to-the-void]

Hindsight: My thoughts on Loki (2021)

Welcome back! Spoilers below!

I need to clarify that I watch Loki purely as an escape. I've got a biased perspective in that regard because I don’t actively try to find fault with the show, though there are definitely things I’m not so inclined to. This is more of what I noticed and think things mean and it’s something I’m doing for fun. Anyways, here's my thoughts on episode 2 my loves.

Episode 2: THE VARIANT

Pre-title scene

Miss Minutes’ monologue in the recap is different to the one last ep.

1985 Oshkosh, Wisconsin

C-20!

“Today’s guest performances” on a board. Don’t really know if it means anything tho.

The Iconic (TM) I Need A Hero scene.

Pony.

The green tent - the lair of Loki.

I know not everyone’s a fan of the lighting, but it made sense to me. They’re still in the dark about who Sylvie is.

Why does C-20 take off her helmet? For the drama?

I hope Sylvie cleaned her blade. Narnia taught me well.

The Time Samsung (I can’t remember what it’s called right now) says that the date’s 04/12/1985.

Loki’s first mission (?)

‘Volume 26’ - how many of these does Mobius have?? #giveMobiusajetski

“ONLY at your LOCAL AUTHORIZED DEALER” - subtext about the TVA being control freaks? Jet ski safety?

I googled Wake Magazine. They’re up to volume 20 from what I saw, whilst Loki is reading volume 26, so I guess that’s something

Loki and Miss Minutes lmaooo.

Behind Loki’s elbow is the taxidermy something from the last episode. Also confirms that Loki threatened Casey at Mobius’ desk lol.

The thing has an egg?? What the hell is Mobius collecting? (He’s a Harry Hart variant lmao).

There are little twitches in Miss Minnutes’ hands. That’s so cool!

The egg timer’s a nice easter egg (I’m a comedian).

Mobius! B-15! :)

Is it just me or do the minutemen look similar, but not exactly the same. Makes sense if they’re variants.

I just realised the lights are built into the ceiling. Whoops.

What’s Mobius’ favourite?

Couple of things:

The racks full of identical uniforms/ones just hung up on doors.

The music has started to pick up the pace, but not in the way we see later on in the episode.

There’s a sign saying ‘FARE THEE WELL’ on it. Google tells me that it’s ‘used to express good wishes on parting’. Dang that was some good foreshadowing!

The person that looks like Agatha is still present.

I wonder whether it was supposed to be colder or whether the weather was just like that when they filmed.

The pony’s still around.

I think B-15 certainty that “a Loki couldn’t have gotten the jump of C-20” comes from her experience with them. She constantly tries to make it clear that because she’s not a variant, she’d know Loki better than he would, which (personally) makes the revelation that she’s a variant feel more devastating.

Again with the lighting, they’re still in partial darkness, constantly moving in and out of the light. Whilst what Loki says about the variant setting a trap is true, it isn’t in the context that he says it. Sylvie whoops their asses later.

The black and red-orange flags remind me of tomb markers. It’s a stretch, ik.

B-15 only has tally marks on one side of her helmet.

Mobius has fake pockets in his suit jacket. They’re the worst.

The ticking increasing in tempo as they approach red line - great for setting up tension.

I believe that Loki uses personal space like a weapon - slowly approaching them from the front, and then going behind Mobius’ back when he wants his way. It would make anyone uncomfortable, especially on a subconscious level because there’s a threat behind you.

Or maybe it’s that I have different personal space boundaries, not everyone likes being approached from behind. Loki’s movement felt intentional at least.

Getting Mobius to physically turn his way because of that might have been very subtle manipulation?

Loki looking back and forth trying to judge their reactions lol.

I liked the music in this scene, it sets up tension for Loki’s first attempt at betraying Mobius but then doesn’t completely dismiss it when it’s resolved.

Ravonna Renslayer’s office

The music here is 18 morceaux, Op. 72, No. 2. Berceuse. 18 morceaux, Op. 72: No. 2, Berceuse (Arr. For Theremin and piano) by Clara Rockmore for anyone that’s curious. I found out through Natalie Holt’s Twitter (I think).

The score is, and always will be, perfection.

Mobius’ small talk amuses me.

“Why do you get to keep all the trophies from my cases in here, you don’t think I’d love having that roller skate?” Mobius, what about the thing on the shelf behind your desk????

Ravonna seems like she’s answered these questions before, but she has a fondness for him that makes me think they’re good friends.

Also does Ravonna have multiple complete collections of the Encyclopaedia Britannica in her office? What are those books??

“I hope it’s a double.” Me too Mobius, me too (drink responsibly).

I don’t get how people think Mobius doesn’t remember leaving the stains. It sounded like Ravonna was chiding him for a bad habit and Mobius just made up a remark, not confusion.

Although he does place the cup at a different spot to the rings.

The ship flying past in the windows is a wonderful detail.

“The variant likes to stall for time.” It's very satisfying to me how everything stays relevant. Every detail advances the plot/contributes to it.

“Look, I know you have a soft spot for broken things.”

“I don’t think so-”

“Yes you do.”

Both Mobius and Ravonna only look at the middle figure when referring to the time Keepers. Either the other two are side-lined or don’t contribute at all.

“I’ll delete him myself.” At this point in time, I think Mobius is serious. As the episode progresses, his status may have changed, especially after the Jet Ski philosophy session.

Ravonna’s sash on the peg reminds me of the ones the people talking to Casey were wearing in episode 1.

Man those doors are so cool.

Peak sitting outside the principal’s office energy.

Mobius whistles at Loki as opposed to talking to him like he does later.

Any screen shot from the following scene is pristine chaotic disaster bi Loki energy featuring tired-of-your-tomfoolery Mobius.

“Isn’t that precisely why I’m here?” This marked a change in Loki to me. Up until that point, he’d tried to use what he’d known, who he’d been by scheming his way to the Time Keepers. By admitting he wasn’t sure of his purpose, we’re back with the person at the end of the last episode. It’s very Loki to try all avenues to get what he wants, and after having his world turned upside-down a few times in a short period, maybe he just wanted the familiarity of his old tricks, who he thinks he is.

Loki tensing up and then trying to assert control again reaffirms what I just said.

Man, give Mobius a holiday after all of this. Loki really tested him, huh?

Loki definitely likes validation on some level.

TVA archives (a.k.a the Salad Scene)

I can’t believe that place really exists. The looks combined with the music are just *chef kisses*.

I’m not sure if I’m thinking of the right progression, but the music reminds me of a plagal cadence. Google examples and play it side-by-side, you’ll get what I mean, maybe someone knows what it really is?

On either side of the elevators near the Time Keeper statues are the signs TVA archives.

The symmetry pleases my goblin brain.

I believe the entire show was just flexing the skills of the Loki crew and I couldn’t be happier.

“Pretend your life depends on it. I’m gonna get a snack.” This was so funny in the trailers but Mobius is dead serious (delete him myself comment). And he couldn’t even enjoy his salad.

Love that the end of credits takes from some of the scenes in episode 2.

The archivist has neat glasses.

I want some TVA stationary y’all.

It’s that moment fam.

I can’t be the only one curious by the ‘DISPLACED by 000:000:002:162’. Is that in Units? It would explain why the time line looks slightly bendy whenever we see it, especially if Apocalypses are so frequent.

IT’S THE SALAD LADS!

Mobius is reading the magazine that Loki was looking at earlier. Jet skis are Mobius’ comfort character.

“Don’t set fire to the palace.”

Tom Hiddleston has so much energy, he can move so fast.

“Oh God.” - Mobius, Null Time Zone

“YOU.” - Casey, Null Time Zone

Casey!

No thoughts, head empty, the Salad (TM).

But seriously, people only seem to be at their tables with others that work in a similar section. Not hunters and analysts eating in tandem to me, folks.

Oh Casey. Please don’t hurt him.

Aw, Mobius’ little giggle warmed my heart. Owen Wilson’s giving me whiplash with Mobius. My heart can’t take this y’all.

79 AD Pompeii, Italy

They’re both so giddy, Your Honour, I love them.

Mobius snuck them out lol.

“Bird noises?”

“BE FREE MY HORNED FRIENDS, BE FREE!” The post wouldn’t be complete without this.

Loki just throwing food at people and telling them “...enjoy your last meal while you can” is top tier comedy to me.

This is the first time we see Loki openly say nothing matters. I feel like the case file on the destruction of Asgard really pushed him to treat fate as unchangeable.

LXXIX is 79. Nice one Loki crew!

Mobius’ eye twitching as he checks the variance is a nice touch.

Loki throws away the stick that was holding the goat pen closed at the end.

TVA Archives, TVA cafeteria

Mobius picked up those files so smoothly I had to re-watch it.

Their position reflected what they were talking about - when Loki thinks it’s his individual contribution, he’s walking separately to Mobius, but they meet up when working together. I loved the blocking in that little moment.

I seriously thought that Loki was unconscious when I first saw him asleep around Mobius. I’ll admit it, it felt out-of-character for someone with such bad trust issues. Both of them seem pretty tired tho.

It’s the Jet Ski conversation comrades!

I’m beaming. Mobius talking about Jet Skis was the only time I’ve really remembered it’s Owen Wilson talking. It’s such a fun line to think about!

Loki’s smile. Adorable.

Just go watch the scene, it’ll give you good brain juices.

Mobius does it all for the Jet Skis and nothing else. I don’t make the rules, the Time Keepers do.

“My own glorious purpose.” This is a recurring theme in the season. Ultimately, I think that Loki is going to run for as long as it brings in money/until Loki gets killed again. However, I do like to think that in following seasons we’ll move beyond setting up Phase 4 Marvel stuff and just get deep dives into Loki’s character, though it may happen in the later eps or not be as interesting. Part of what made this show so interesting is the new setting in the Marvel universe but it’s hard to make predictions as to whether it will last in a show featuring the God of Mischief. Whatever happens, I’m happy that we got to see Loki’s existential crisis together, lads.

The music picks up, signalling that this quiet moment is about to end.

“No one bad is ever truly bad. And no one good is every truly good.”

“Scared little boy.”

These lines mean a lot to me. Loki perceives Mobius as an equal, similar to himself but not completely identical. The TVA’s whole aesthetic is Kafkaesque (Disney+ used that word), the imperfections keeping the place from looking mechanical and orderly like what the TVA promotes itself to be. Loki wants Mobius to acknowledge it, but Mobius is in the past, not addressing what’s right in front of him, surrounding him. That’s probably because Mobius doesn’t believe, he accepts what he’s been told though Loki wants to change that. He’s still focused on his job, the variant. I don’t think Mobius will struggle against change in the ‘belief’ part as long as things are rational.

Kate Herron (director) said that the Kablooie scene was improv which makes me wish we had more B roll of Owen and Tom. They seem so professional, invested and fun on set.

“No wonder you’re so bitter.” I’m sorry Mobius you sound as salty as your salad.

‘Artificially flavoured chewing gum’ Has something happened causing artificial flavouring to be preferred?

‘Blue’ has canonically changed to ‘Bloo’ by 2050 in America in the MCU. I blame capitalism.

Why does Mobius look so tiny? I say that like Owen Wilson wouldn’t look like a giant next to me lol.

Owen Wilson is 3.5 inches (9 centimetres) shorter than Tom Hiddleston. Yet he is dwarfed as Mobius. I need to stop talking about this and move on.

There’s no ‘variance energy detected’ line in the report.

“You’re gonna take my job if I’m not careful.” Loki looks so chuffed.

One day, I’ll properly address my thoughts on the shipping. Until then, I just want no one to die.

“Yeah, he’s doing great.” Mobius is so hyped. Good for him.

Owen Wilson has dimples.

Ravonna’s screen doesn’t show the timeline like it does later.

Ravonna is the done mom friend. Sane, undeserving of this, please give her a jet ski moment.

Buckle up folks because the last twenty minutes of this episode are my favourite so far.

At 34 minutes in, we get the music fading in with “Okay. But Mobius...” and a transition to my favourite composition so far. Natalie Holt outdid herself. The soundtrack is nearly constant, there’s no break for a moment of clarity anymore. The progression of events is inevitable, tying the bow on a plot line created in an hour and a half. The little embellishment from the strings (possibly) as Mobius and Loki exit is perfect. Combined with Loki’s raised fist leading to a pan to the ceiling, it prepared the audience for everything being turned upside down.

The changing camera angles and shot lengths (the continuous shot when B-15 takes the knives, the circling behind as the briefing occurs) keep viewers on their toes. The continuous shot is fluid, B-15 doesn’t look at Loki or Mobius, her reaction is natural and that just proves that the timing on that scene was impeccable. The circling behind reminded me of Loki positioning himself behind Mobius as he did earlier, but now he’s on the same side, part of the team though he continues to distinguish between himself and the variant. The building sensation that change is coming is met by the incredible swell in the music as we watch the picturesque Haven Hills get destroyed by modern technology and face the terrifying reality that is the Roxxcart store. There’s a close up on the Roxxcart storefront with school buses with the words ‘Evacuation shuttle’ in the background as we see the TVA’s minutemen come out reinforcing that even when the end is nigh, large corporations will loom over. A storm is raging with worse to come. I can go on and on, but you get the point.

2050 Roxxcart Disaster

I love that y’all are calling this the Alabama supermarket breakup. Makes me chuckle, that’s for sure.

I too hate when people can hear my footsteps. Someone that gets the struggle.

Sylvie places the TVA Samsung over a Roxxcart Security manual. She’s overridden both and is in control.

The date is 03/15/2050.

I think that the way the Hunters and minutemen hold their baton things is so that they don’t get yeeted. Neat.

As always, the beats are slick yo.

I hope the Azaleas guy gets some Azaleas wherever he ended up.

I love the way Loki says “In this storm.” It’s so satisfying for no real reason.

The wonderful Wunmi Mosaku does not get the recognition she deserves for this scene. She switched from B-15 to Sylvie so effortlessly. They’re two distinct characters, her facial expressions, body language everything changed in that instant. Even from the one line, “No, they usually survive,” her delivery had changed in a way that was noticeable. It’s uncanny, exactly what was needed when facing a foe that remained unseen. And the smile? It’s before we know the variant as Sylvie, so naturally it’s that signature Loki smile with a hint of malice we associate with the variant. Damn y’all, Wunmi’s incredible! I really hope she’s recognised for being so talented in this series, if not in all her other work!

Mobius really cares about those people. I really want his redemption (?) arc.

It’s been pointed out that even in those conditions, Roxxcart were selling blankets and water. I think it means that by 2050, cash would be defunct. If only electronic payment existed, as long as there’s electricity they can run a business. Chew on that.

If the man they speak to is 50 to 60, he was a 90s kid.

There must be a difference in the reprogramming or kind of variant selected to be a hunter as compared to an analyst. The Hunters look after their own, but the analysts (or Mobius) go as far as empathising with variants.

C-20 is sitting in front of safety standards.

“A bit amateurish.” Loki knows that the variant isn’t as skilled with magic as he is.

As Loki and the possessed people walk, the lighting becomes brighter. He’s moving out of the shadows.

Me too Loki, I’m worried about B-15 too.

Sylvie unironically saying bless is hilarious.

Randy must be hella tall.

There’s a low angle shot as Loki and Randy face off with the flickering light above with a sign hanging above them like a sword of Damocles and a physical separation. Terror is nearly constant in Loki's life now, but he responds by letting go of his drive to survive.

The subtle swells in the music just add to my rising blood pressure.

C-20’s voice over is sad lads.

“I wanna go home,” we know she’s not referring to the TVA.

Mobius seems like a caring person.

When B-15 sits up and searches the room, I think it’s her realisation. Her shiver was from fear and shock, the music wasn’t about her not seeing Loki, it was about the TVA and what had happened to her.

The head snap and the score timing matching. So satisfying.

“I would never treat me like this. Hi.” I think that’s Loki realising that his foe is not willing to talk their way through conflict.

This fight scene contradicts all the magic we see later ik, but if he didn’t want to hurt anyone and was trying to draw out the real enemy it made sense.

Some of Sylvie’s powers must come into the people she possesses. The guy punched a glass screen and didn’t even bleed.

“I have shit to do.” Sylvie wasn’t raised with court etiquette (from what we know) and her lexical choice reflects that.

Dell computers survive into 2050 in the MCU. So do those robot dogs and Roombas. I am only happy about the Roombas. Where did the real dogs go? :(

“Mobius.”

“Where is he?”

“I lost him.”

“What happened?”

“I...”

Until now, B-15’s delivery has felt slightly rhythmic, like she was used to having the same arguments, particularly with Mobius. When she trails off however, I think it’s her trying to rationalise what she’s been through with Sylvie’s possession. Her devotion to the TVA was rooted in the fact that she wasn’t a variant, her life had a purpose and it was intentional. This must have rocked her, I’m invested in where she’ll go.

THE CUT TO BLACK OH GOOD GOSH.

Sylvie, my queen. I’d roll off a cliff for her.

The person with the moustache (you know the one) has pure fear on his face.

Ravonna knows what’s up.

And so do you, yes it’s the music, go listen to it.

THE RED LIGHTING

The zoom out to that incredible hallway shot and then stopping behind the time door. It was never about him after all, he was in the background of her plans.

Sylvie’s wave in Roxxcart vs. Loki’s on the train. Discuss.

The blackout, thunder and Loki’s pause under the flickering red and white light, do y’all really want me to talk about the s y m b o l i s m????

He’s conflicted, you know it, I know it, Mobius knows it.

Speaking of Mobius, there he is, we cut back to Loki and see him make his decision, zooming back in on him.

And with that final flourish in the score, we are done with episode 2!

Cue the most amazing end credits score you’ll ever hear.

Do yourself a favour, listen to all of it, including the part after the main credits, both are Works. Of. Art.

Ep 2 review

In case you didn’t notice, this is my favourite episode so far. There are parts I didn’t take to as much, but details from the previous episode being used in the plot as well as others being explained by Sylvie in episode 3. Rewatching it was easier than episode 1 though it left me wanting more. It will get more interesting from here, but until then, that was a fun romp.

See y'all next time. I hope whoever's reading this has a wonderful day!

Part 1, Episode 1 extend review link:

[vaguely-gestures-to-the-void]

Hindsight: My thoughts on Loki (2021)

Spoilers below. Please correct me if I slip up. I am in no way shape or form educated on ANYTHING to do with the making of films, how to critique this stuff etc, this is all just my opinion. If I haven’t covered a scene, it’s probably because it’s already been covered much better than I can. This is my extended episode 1 review.

Episode 1: GLORIOUS PURPOSE

Pre-title scene

The scene titles looking like a train station combined with the scrolling through time is such a cool stylistic choice.

The music is familiar, but followed by an alternate shot of Loki as Cap. A different perspective of something known, how fitting. FYI, I’m going to mention music a lot.

Love how no one questions the Hulk terrifying people.

This is the last time Loki will hear Thor call his name, or speak to him. Oh darn, I made myself sad.

Marvel studios logo

The Marvel logo changing colours + Loki theme finally taking the centre stage. I love it.

The comments made on Loki soundtrack videos saying ‘I see that the Mandalorian soundtrack has become a genre’ are so accurate it hurts. Shout out to Ludwig btw, he deserves all the awards for his soundtracks.

My thoughts so far: This part is setting up the general shift in tone from what we’ve seen in past Marvel projects, even the other shows. It reaffirms the audience’s subconscious that whilst we are familiar with the characters, there’s new twists up ahead, subtle hints to oncoming mischief. Props to the entire team behind the series.

Gobi Desert Scene

As much as I liked the opening bug crawl, the following interactions look a bit CGId. I’m being picky, they really are gorgeous. It’s also difficult after having seen the Mandalorian, but that show really paid attention to scenery as it was an instrumental part of the story, whereas here it’s just one scene and all the others are stunning.

The parallels to Tony in the desert. Loki immediately rips off the muzzle (?).

I just watched the scene and yes, Tony rips off the mask immediately.

Also I think I would have definitely had a crush on young RDJ.

And Gwyneth Paltrow (GOOP LADY) if I didn’t know her now.

Props to Tom Hiddleston’s acting. Loki’s face when he sits up is just pure confusion but with the signature hint of indignation that I’d expect from his characterisation at this point.

The rock lmao.

THE MUSIC WHEN B-15 (MY QUEEN) APPEARS. HELL YEAH!

Also props to the supporting cast of minutemen, where does Marvel find these people? They’re so well choreographed, they all move perfectly and it’s a joy to watch.

Love the time doors honestly.

I couldn’t have been the only one who thought that the temp pads were Samsung phones for a sec right?

Lol is that unintentional foreshadowing about the TVA? Jk I’m just clowning.

Has anyone spoken about what the Temp pad showed?

My theory is that ‘Units’ refer to a predetermined rate of change [e.g. m/s] where one unit = one increment of change.

The steady rate of change here is interesting. I’ll talk about it more at the end of the next episode.

I love the music, just the slow ticking increasing in pace and the dramatic flares brought on by the strings (I think), simply divine. Natalie Holt got it spot on and props to Tom Hiddleston and literally everyone involved for understanding the importance of good music with this series. I’ll talk about this in depth in the next episode, just wanted to mention it when it first started that I noticed.

In retrospect, I can definitely retract my critique of the background in the scene. It holds up well now that I’ve rewatched it.

B-15 doesn’t get enough love. Shout out to Wunmi Mosaku, she’s a trooper and I’m here to hype her up.

Also y'all I just checked the cast list and ???? Mark Ruffalo, Jeremy Renner and Tessa Thompson are on it?????? MARVEL TF IS THIS WHAT TOM MEANT BY EP 4 BEING WILD I-

Tom’s acting chops: The face moment. You know the one. It’s pretty incredible.

Theory from me: the reason that Loki doesn’t see the hit coming is because B15 was moving unnaturally fast.

It’s the immediate change in the music to reflect the audience’s reaction at the standard fight scene taking a strange turn for me lads.

B-15 doesn’t smile, which I think is in character for her.

She’s seen this shit wayyyy too many times.

We’re not even five minutes into the first ep and a) I’ve waffled this much, Gods, and b) the music has changed at least 3?? Times to reflect what’s happening. I love it.

My theory about resetting the timeline: the reset charges get rid of anything in the immediate vicinity of the branch, pretty much a mini-apocalypse of the timeline. If everything is erased, none of it matters. Does that make sense?

Taking away the Tesseract while yes, it serves a purpose with showing Loki the might of the TVA later on, also reflects how nitpicky the TVA are about their time-keeping. They do everything in a very orderly fashion, but as we see later, the outdated nature of things is very human.

The TVA - the elevator thing

Man I love the TVA’s look. Someone (and I’ve heard that Kate Herron was also very particular about the set design) went to extraordinary lengths with every single scene, not just this one, but the one before as well.

Heck I just want to appreciate how much of a visual feast this series is. Good on ‘em.

The shots changing angle is also very interesting. They switch it up between one-takes, close-ups of differing extremities and it just keeps the flow fast-paced, ya know?

Watching Loki run was hilarious.

“Sounds dumb.” - Casey, Null Time Zone.

This weird robot is what I think of when the TVA is mentioned. Advanced tech mimicking a retroistic 70s feel.

The cat’s adorable.

The clock. The cup. The placing of props. Impeccable.

The clock’s hands don’t move whilst they’re on screen.

The realisation on his face when he eyes the stack of papers.

Why is the wall so badly scratched???

I love that the signature is in character. I have a huge thing for attention to detail lmao.

Again, why are all of the walls so scratched? If they could talk, I’d presume it’s just a set design choice but it’s interesting that they did that.

Does anyone else want a TVA sweater vest?

Tickets

The opening zoom in on Loki combined with the consistent brown-orange colours of the set makes the room look uniform and encompassing. I love how the lights are always placed in a repetitive manner so rooms are given the illusion that they go on forever.

Lighting here creates depth, but whilst the lights form a ceiling, we can’t actually see how they’re suspended and I think that’s neat.

The posters. Yes.

This is the first time I noticed the different minutemen uniforms. This one’s half orange-red and black. Pretty cool imo.

Shout out to Tara Strong and the entire animation.

The butterfly was a nice hint to the butterfly effect, and the music is perfect as always.

The wooden walls in the background of this shot. How very 70s.

The reflection showing the guy getting pruned is pretty cool.

Again, another clock with no movement on the wall.

The first 11 minutes are up and we’ve made it to the title! If you’ve read this far, congrats.

1549 Aix-en-provence, France

Just speculating, we’re in a church with an initial high-angled nearly bird’s eye view and then a cut to one looking up at Mobius. I guess it means even if we think as viewers our perspective is omniscient, we’re not spared from the mystery in this series.

Who’s in the stained glass window?

I love how they tie in a detail as small as the gum. It just goes to show when you haven’t got much time, every character interaction is meaningful.

Props to Owen Wilson, he really sold Mobius to me.

Mirrors in a church showing the devil behind Mobius. Or on his side.

Time court 37

The time court 37 really reminds me of train stations.

The chairs remind me of pews. They sure are reverent of the Time keepers.

The lighting is a cool, bluish tinge for the first time I’ve noticed. Especially on Ravonna (MY LOVE!).

B-15 knows Loki’s clowning lmaooo.

Ravonna isn’t here for it either.

Ravonna’s nailpolish is a very nice shade of brown.

Theory: Resetting is ‘being brainwashed for the TVA’. Not very original, but it’s interesting that the TVA thinks that Loki would be useful as a worker, unlike the guy who got pruned earlier.

The TVA exterior is amazing. It also extends forever in all directions, even down.

Time Theatre 25

What is that elevator music??

“I thought you didn’t like to talk” Ragnarok, anyone?

Loki reading the ‘Time theatre’ sign whilst rambling. Gotta give it to him, he’s always aware of his surroundings.

The little TVA logo on Mobius’ shirt.

Shout out to whoever did the costuming. Personally, I liked the shirts with no collars, and the armour of the minutemen and Hunters came off to me as practical but not ignorant of the branding that the TVA likes.

Theory (bear with me): Once you’re a part of the TVA, you’re not collared anymore, though there is an appearance of that on the shirts.

Seriously tho, what are those shirts like? Mobius doesn’t have a collar.

Why do the ties just… end?

Neat details:

Holo projector 35.

The lights being reminiscent of skylights but still leaving the characters in the dark. “The sun will shine on us again, brother.” Not yet.

The reflection of the projector in the table/on the ground.

Loki: *turns away.*

Mobius: *sips Josta.*

Seriously, the lighting is great. Loki moving in and out of the shadows? Great way to show his mistrust/ unease of the situation.

The illusion speech is the last time we really hear 2012 Loki in my eyes, mainly because Mobius really gets into the cracks of who Loki is and then there’s action.

The ‘I was- I am” Freudian slip is perfection.

Side note the music’s changed yet again. It’s definitely setting up the more mournful tones for seeing his mother’s death.

I find it interesting that the door is partially in the shadows.

Doors are symbols of opportunities, barriers and both death and birth from what I remember of high school English.

From what I know in interrogations the person being interrogated is allowed to sit with their back to a door. Initially, both Loki and Mobius are sideways, equidistant from the door. When Loki wants to run, he edges closer to the door, even if it is just to make a point. Excellent blocking in my eyes.

Oh man, Mobius’ little gestures.

“Always so perceptive about everyone but yourself.” I really don’t have to talk about the significance of that line, do I?

Frigga being stabbed in the back. Little solace to a dead man? Ouch. That hurt me too.

Loki’s wounds heal unnaturally fast, because he’s no mortal.

Mobius really drives home the last point. Who says ‘like you did your mother” ??? Owen sold how Mobius can influence Loki's mind.

The ‘best versions of themselves' line and showing Thor must have hit Loki hard. He spent two movies trying to prove who he is, measuring himself against Thor. And then he sees them both working together and being equals.

Loki’s escape

Wunmi and Owen’s line delivery is unforced and charged, completely in character.

Mobius looking under the table is hilarious to me.

The music.

The tidy cubicle = healthy timeline is a bit contradictory because they’re supposedly in the null time zone but okay.

Is no one going to mention the taxidermy ferret?

Loki just had an identity crisis. His ‘gut you like a fish’ seems in character.

The dude’s really questioning everything he knows lmao.

Casey’s ‘what’s a fish’ was really our first hint that not everything is what it seems to be at the TVA.

It amuses me that Loki’s on his knees when he gets the Tesseract.

I’m sure someone’s pointed it out already, but given that Loki takes back the Time Twister, it’s possible he could have stolen an Infinity stone.

Again, point’s already been made but Loki seeing the Infinity stones is what sells the power of the TVA.

Please, the rest of the office not giving a damn when one dude’s having some drama is hilariously on point. They really said ‘not my problem’.

Loki’s future

The screen on the table showing what he’s rewinding as it happens.

Btw if you pause any moment during that, you’ll see a scene.

A quick note on Loki’s characterisation:

He’s been through a lot in a very short period of time, quite literally finding out that his actions don’t have any consequences. He’s lost all autonomy, especially as a god who probably believed he was not as restrained as mortals. More on this in later Eps.

I really liked Ragnarok because it showed Loki and Thor’s maturity; they had to step out of legacies that were thousands of years old and come to terms with a universe that was much bigger than them. It also fleshed out their relationship as brothers, but not at the expense of who they were. Loki still is a schemer, and he talks more because he has less to hide in my eyes. He’s no longer just a villain, and that can’t be shown by just actions, especially in his own tv show.

Loki’s little laugh when Thor talks about giving him a hug. Man that was sad.

What shouldn’t be forgotten is that Loki doesn’t know how it ends. He doesn’t know whether Thanos gets defeated. For all he knows, he died in vain and left behind a brother with no family.

The collar says DANGER.

This is the scene that really nails it home to Loki that his purpose in life was to cause pain. He found out his glorious purpose in that timeline, he’s conflicted as Sylvie points out in Ep 3.

When Loki talks to Mobius, they’re both in medium shots. They’re on the same page.

Loki’s delivery has changed when talking about the 'illusion' but Mobius hasn’t. That may change in the later episodes.

1858 Salina, Oklahoma

Others have covered this better.

Sylvie’s theme is similar to Loki’s but not identical.

It’s got sinister tones which change throughout the series.

I love how you can see the images of the minutemen’s past and future as they walk through a time door, they literally step through time.

I’ve got a whole other post on the end credits scenes. Cheers if you read this all lads.

Ep 1 review

All in all, this was a scene-setting episode. One of my friends texted me and said ‘Loki really went through ten years worth of character development in minutes’ and I think that sums it up pretty well. It’s a great set up, but the next episode is where the plot begins to progress. Really enjoyed it. There’s not too much that was aided by what we know from ep 3 besides Casey’s fish from what I caught.

See y'all next time, if there is anyone reading this. Look after yourselves!