#Brigitta Boccoli

[weirdlookindog]

Manhattan Baby (1982)

AKA Eye of the Evil Dead; Possessed; Evil Eye

[cinemaquiles]

Este filme foi rejeitado pelo próprio diretor: "O bebê de Manhattan", 1982

[giallofever2]

[memoriastoica]

Manhattan Baby (1982)

[brokehorrorfan]

Blu-ray Review: Manhattan Baby

Following the success of Zombie and his Gates of Hell trilogy (City of the Living Dead, The Beyond, and The House by the Cemetery), Italian horror maestro Lucio Fulci released two genre films in 1982 in which he tackled more grounded, contemporary material. The first, The New York Ripper, is a nihilistic giallo; the second, Manhattan Baby, is a supernatural horror film. While neither reaches the operatic heights of his earlier work, both have their merits. Fulci himself was unhappy with Manhattan Baby, but it endures better than its reputation might suggest.

In a shrewd attempt to make the audience believe the film has high production values throughout, Manhattan Baby opens with a family vacationing in Egypt. After a mysterious woman gives 9-year-old Susie (Brigitta Boccoli) an amulet, her archaeologist father, Professor George Hacker (Christopher Connelly, 1990: The Bronx Warriors), has a brief Indiana Jones-esque adventure in an unexplored tomb that leaves him temporarily blind. Terror follows the family home to New York City as the ancient curse claims several victims.

While the title alludes to Rosemary's Baby - and both movies feature a female in New York being overtaken by evil - Manhattan Baby owes more to The Exorcist. Both films open with a relic being discovered in a foreign desert, impacting events that occur in America. Along with elements borrowed from The Awakening and The Omen, the movie plays like a bizarre Italian counterpart to Poltergeist - though the movies opened within months of one another so any direct influence is unlikely. (Manhattan Baby debuted in the U.S. as Eye of the Evil Dead, an alternate title as misleading as it is meaningless.)

It may not fire on all cylinders, but most of Fulci's signature elements are accounted for in Manhattan Baby: a muddled plot written by Elisa Briganti (Zombie) and Dardano Sacchetti (The Beyond), a dreamlike atmosphere, ocular trauma, idiosyncratic cinematography by Guglielmo Mancori (The New York Ripper, Spasmo), a haunting score by Fabio Frizzi (Zombie, The Beyond) which reuses some cues from some of his previous Fulci films, and a cameo by the filmmaker, this time playing a pipe-smoking physician. Gory practical effects are present, and so too are optical effects - with mixed results.

Manhattan Baby was restored in 2K from the original uncensored camera negative with DTS-HD 5.1 and DTS-HD Mono audio options for a limited edition Blu-ray/DVD/CD release in 2016. For those who missed out (or simply want a more budget-friendly alternative), it has been reissued on Blu-ray and DVD, sans the bonus booklet and soundtrack CD. The picture quality allows the hallucinatory visuals to shine in all their gory glory, though it also makes the optical effects look even more artificial.

The best of the special features is Fulci & I, a 55-minute career-spanning documentary on Frizzi with a focus on his work with Fulci. The composer discusses his scores film-by-film, intercut with footage of him and his band rehearsing and performing for their Frizzi 2 Fulci tour. A nine-minute live studio performance of a Manhattan Baby suite by the band is included separately as well.

The disc also features interviews with actor Cosimo Cinieri, who shares sweet memories of his four times working with Fulci and details Manhattan Baby's infamous bird attack scene; special effects artist Maurizio Trani, who fondly traces his 25 years of collaboration with Fulci back to an argument on their first movie; and Sacchetti, who details his attempt to make a high-tech horror movie for modern audiences before the budget was slashed and discusses Fulci's misogyny. Other extras include a film analysis by erudite author/historian Stephen Thrower, the theatrical trailer, and a gallery of posters and stills.

Manhattan Baby is available on Blu-ray and DVD now via Blue Underground.

[giornalepop]

GLI ANNI DI BRIGITTA BOCCOLI E NATALIA ESTRADA IN 16 SEQUENZE

GLI ANNI DI BRIGITTA BOCCOLI E NATALIA ESTRADA IN 16 SEQUENZE

Nel dicembre del 2006 esce il film comico Olé, diretto da Carlo Vanzina e interpretato da Massimo Boldi e Vincenzo Salemme. Tra i volti femminili che lo animano troviamo Brigitta Boccoli e Natalia Estrada.

In periodi diversi e per qualche anno, Brigitta Boccoli e Natalia Estrada sono state autentiche star della televisione italiana…

[zazoomnews]

Brigitta Boccoli pronta all’inseminazione artificiale a 48 anni - #Brigitta #Boccoli #pronta http://dlvr.it/RdL2fb

[qualitybearmagazine-blog]

Benedicta boccoli porno

Video Lucignolo 2.0: Brigitta Boccoli conquista Playboy - SERVIZI

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[giallofever2]

1982 Manhattan Baby Directed by Lucio Fulci Music by Fabio Frizzi Release date August 12, 1982 (Italy) Produced by Fabrizio De Angelis Screenplay by Elisa Livia Briganti & Dardano Sacchetti Cast Christopher Connelly as Professor George Hacker Laura Lenzi as Emily Hacker (credited as Martha Taylor) Giovanni Frezza as Tommy Hacker Brigitta Boccoli as Susie Hacker Carlo De Mejo as Luke Cinzia De Ponti as Jamie Lee Cosimo Cinieri as Adrian Mercato (credited as Laurence Welles) Andrea Bosic as Optician Release The title Manhattan Baby is an alternative title on the films Italian release. It was titled The Possessed and Eye of the Evil Dead in the United Kingdom and the United States respectively Production Dardano Sacchetti collaborated with his wife Elisa Briganti on a script originally titled Il malocchio (lit. The Evil Eye). The films title was later changed to Manhattan Baby which was an attempt to evoke Rosemary's Baby. Sacchetti spoke on his script, describing it as "an attempt to do a technological piece. I was attempting to approach themes that were no longer classic or traditionally Gothic. I was trying to bring horror in a different direction." Sacchetti and Briganti were not pleased with the films finished product, with Sacchetti stating that "when the producers decided to cut three-quarters of the budget, some of the special effects could not be realised, and the film was ultimately very poor." Sacchetti says the extended opening scene in Egypt was added as an afterthought to "give the film an international feel." The film would end the partnership between Lucio Fulci and producer Fabrizio De Angelis. Fulci disliked the film himself saying he had no choice in making the film as De Angelis was obsessed with it. Fulci commented that it was "a terrible movie; I'd venture to describe it as one of those setbacks that occur as you go along"

[brody75]

Manhattan Baby (1982)

Lucio Fulci

[diodegradabile]

Caro il mio Jovanotti che fai tanto il fico, ricordati che hai scritto anche questa, che l'intro sembra la canzone delle ragazze cin cin