#Bright Inventories

[lizseyi]

5 Things To Look For In A Property Inventory Company - Bright Inventories

If you are searching for a property inventory company you may find all of the options confusing, especially if you have never rented out a property before.

As a landlord in the UK, ensuring your property is well-documented at the start and end of each tenancy is crucial. Engaging an independent property inventory company can save you time, mitigate disputes, and protect your investment. But with many companies to choose from, how do you select the right one? Here are five key things to look for when choosing a property inventory company.

1 - Accreditation and Professionalism

The first thing to consider is whether the property inventory company is accredited by a professional body. In the UK, reputable property inventory companies often belong to associations such as the Association of Independent Inventory Clerks (AIIC) or the Inventory Clerks Association (ICA). These organisations set high standards for their members, ensuring they adhere to best practices and provide reliable services.

Professionalism is also paramount. From the first contact to the delivery of the final report, the company should communicate clearly, meet deadlines, and present themselves in a professional manner. This professionalism reflects their reliability and dedication to providing quality service.

Bright Inventories is registered with the AIIC and we comply with all their rules and standards.

2 - Experience and Expertise

Experience matters when it comes to property inventories. An experienced inventory clerk will have a keen eye for detail and a thorough understanding of what needs to be documented. They will be familiar with various property types and potential areas of concern.

Ask potential companies about their experience in the industry. How long have they been operating? Do they have experience with properties similar to yours? A seasoned company will likely provide more accurate and comprehensive reports, reducing the risk of disputes.

Our clerks are all very experienced with some having worked for the business for over ten years!

3 - Comprehensive and Clear Reports

The primary purpose of hiring a property inventory company is to obtain a detailed and unbiased report of the property's condition. These reports should be comprehensive, covering all aspects of the property, including fixtures, fittings, furniture, and cleanliness.

Clarity is equally important. The report should be easy to understand, with clear descriptions and accompanying photographs. Check for sample reports on the company’s website or request one. This will give you an idea of the quality and thoroughness of their documentation.

Bright Inventories’ reports have been assessed by the TDS and approved for use in all domestic properties. With a full set of HED photography, clear and accurate descriptions and an easy to follow format our reports are the gold standard in the industry.

4 - Use of Technology

In today’s digital age, the use of technology can significantly enhance the efficiency and accuracy of property inventories. Look for companies that utilise the latest inventory software and digital tools. These technologies can facilitate real-time reporting, high-quality photographic evidence, and secure data storage.

A property inventory company that embraces technology is likely to offer a more streamlined and reliable service, making it easier for you to access and manage your inventory reports.

At Bright Inventories we use InventoryBase as our inventory management software. This provides you with some wonderful advantages such as;

Instant reporting - depending upon connectivity, your report could be with you before you get the keys back

HD photography - super-clear imagery that can be expanded and zoomed when viewed online

Digital delivery -  you can choose to print out the report or send it direct to your tenant

Digital signatures - you can choose to get your tenant to sign online which means less work for you.

Awesome checkouts - comparing the original inventory with the current state and with comparison photos

5 - Fair Pricing and Transparent Policies

Cost is always a consideration, but it should not be the sole deciding factor. Instead, focus on the value you receive for your investment. Compare quotes from multiple companies, but also pay attention to what is included in the price. Some companies might offer lower rates but charge extra for additional services.

Transparency is key. The company should provide a clear breakdown of their pricing and any additional fees. Additionally, their terms and conditions should be straightforward, outlining what happens in case of a dispute or if you need to reschedule an appointment.

The price we quote you is the price you pay - we don’t add things on later.

Conclusion

Choosing the right property inventory company is an important decision for any landlord. By looking for accreditation, experience, comprehensive reports, the use of technology, and fair pricing, you can find a company that will help protect your property and maintain a positive relationship with your tenants.

Investing time in selecting the right inventory company will pay off in the long run, providing peace of mind and ensuring that your property is in good hands.

Call us now on 0333 090 6033 or fill in the form and book your comprehensive Property inventory services.

[crabsnpersimmons]

Moon's here to retrieve something from you :

Uh oh Crabsie -

Moony seemed adamant in spreading the mischievous vibes for these months early so um he's on a prank spree -

And I uh hope you have candy (or kisses) to spare as worthy payment to avoid getting pranked!

[window crashes at your house]

Good luck 🫣💥‼️

M

MY WINDOW

I’M TELLING ON YOU 🫵

SUUUUUUUUUUUUUUUUUUUUUUUUN

MOON BROKE MY WINDOW!! ))):<

NO CANDY

NO KISSES

ONLY CLEAN UP

[prcttyinpcnk]

Phiona's makeup.

(All DIY from recycled bottles and thrifted material.)

[wildsaltair]

fun fact: Maximus goes with me everywhere because I carry him in my heart at all times <3

[27treks]

as of today, its been 4 hotfixes since patch 6, and my save is still unplayably bugged. I cant bring myself to start another campaign while I have this one going because I'll forget to ever finish it and its my tactician/origin karlach/wyll romance run 😭😭 I miss them and I want to finish it I'd be done by now 😭😭

[piedoesnotequalpi]

Okay I promise the next bachelorette au chapter will be up in a couple hours I was just experiencing The Horrors (today's job had like 2-3x the listed inventory and went into overtime hours and also my period decided to make a guest appearance)

[euthymiya]

good morning my little blog citizens riverville will have to be dead for some time because i have the worst work week ahead of me 🥳🥳🥳🥳🥳🔥🔥🔥🔥🔥

[fortes-fortuna-iogurtum]

hey tumblr--

i submitted my university honours program application

!!!!!!!!!!

[creeperthescamp]

have been discovering the fun of editing uesp this week. now all these tamriel rebuilt pages will have images and up to date information!! muahahahaha

[obitv]

rewatching jjk (sorry) i never realised how often they bring up getou in s1

[criminalamnesia]

Simon x Reader whose already work with TF 141 for a pretty long time. And one day, there's a traitor around the base, leaking their information. All of the proof are leading to reader but reader always deny it! And they interrogated reader, and reader always deny it! And he's (with other 141 members, of course, but it mostly him) do their torture methods to get information out of reader. They keep doing it until someday, the real traitor finally captured!

And make the reader traumatized, pls. Like, she would have trust issues, trauma, and others. She wouldn't forgive them, tho.

ooooo the angst. had to sit on this one for a few days before I wrote something, but here goes nothing.

ALL PARTS CAN BE FOUND HERE

when you blink open your eyes, the room is dimly lit. it’s silent save for the sounds of your labored breathing.

you must’ve passed out. one second johnny— a man you’d known for years—was slicing into your skin with a knife. the next, you’re staring into an empty room.

your hands jerk up involuntarily. still bound. the rope holding them to the arms of the chair have rubbed them raw. the skin is bright red and bloody. it makes you grit your teeth.

you look down at your lap, taking inventory of the parts of your body you can see. large gashes break up the fabric of your tac pants. the blood surrounding the deep wounds is dry and crusty.

one of the cuts looks like it’s getting infected. you swear you can see bone.

you’d taken this kind of suffering before. been capture by enemies, held and tortured and pushed to the brink of death. this was different. this was being done by your team. men you’d bled with. cried with. laughed with.

one you’d even slept with. the same one you loved. the one you called yours.

the door to the room swung open, hitting the wall with a metal thud. your head slowly lifts, eyes squinting to see him. by his stature, you know it’s simon.

he doesn’t bother shutting the door behind him. instead, he walks towards you slowly. as he comes closer, can make out his eyes in the sea of dark paint he smears around them. the same paint you’d helped him apply a time or two.

“back for more?” you say, and it’s meant to sound sarcastic, but all it sounds like is pitiful. your voice cracks, and pain seeps into your tone.

the first rule they’d taught you about scenarios like this was to never let the enemy know it’s working. never let them know that they’re hurting you— that they’re slowly wearing down your defenses.

well, you’d just broken that rule, and you hadn’t even meant to.

you didn’t know how long you’d been tied up, subjected to torture by men you had once called your family. all because a fucking liar whispered your name into their ears. all because they fucking believed it.

apparently the years meant nothing to them. to him, least of all, considering he’d done more damage to you than the rest of them.

simon comes to a stop in front of you. his hands are empty by his sides, but that’s not reassuring. there’s a table full of weapons off to the side. he would have his pick of the litter.

“ready to talk yet?” he says, and his voice is gruff. his tone is hollow. he’s speaking to you the same way he’d spoken to countless enemies. it makes you sick.

“fuck you, simon,” you spit out.

the betrayal of john, gaz, and johnny had hurt. but simon’s betrayal? that was enough to almost put you in the ground.

you’d stopped pleading with them the second they tied you to the chair. now, you were angry. furious. rage filled your veins, and if you weren’t beaten to all hell, you’d find a way out of these fucking restraints and strangle the man in front of you to death.

the man you loved. you’d thought you meant something to him, but apparently not— because who tortures someone they love?

“if you talk,” he ignores your outburst. “it’ll be easier. quick.”

“fuck. you.” you enunciate the words, your jaw impossibly tight as you grit your teeth. “im not the fucking rat.”

“all the evidence,” he starts as he disappears from your vision. you know he’s going to pick his weapon of the hour. you force yourself not to shudder.

“points to you.”

“take that bullshit evidence and shove it up your ass, riley,” you seethe, ropes pulling taut as you lean forward in the chair.

he’s back in your line of sight now, brandishing a large knife.

“you’re only making it harder on yourself, love,” he tuts, and then he’s swinging the knife down, right onto one of your fingers.

you scream as the blade cuts right through skin and bone. your teeth dig into your lip, drawing blood as you refuse to give him more of a reaction. it fucking hurts, but you’ll be damned if you let yourself cry.

“feel like talking now?” he asks, watching as half of your left pinky finger falls to the floor.

“or should we take off another?”

you look up at him, hoping he can see the hatred in your eyes as you speak your next words. “you could take the fucking hand off and I’d still have nothing to tell you.”

“let’s see how true that is then, eh?” he replies, and raises the knife again. he’s about to swing, when someone comes running into the room.

“ghost!”

it’s johnny. he’s obviously winded as he stops beside simon, dropping his hands to his knees as he struggles for breath.

“what, mactavish? im busy.”

“they’re—” he gasps. “they’re not— the— rat.” he says between breaths.

the room goes impossibly still. so quiet you swear you could hear the men’s heartbeats (or maybe that pounding in your ears was your own).

“you sure?” simon’s voice is softer as he lowers the knife and turns to johnny. the younger man nods, his eyes trained on you. you can see the regret in them, the sorrow.

“it’s fucking shepard.”

it’s not funny, but at the news, you burst into laughter. the men stare at you in confusion, but you can’t stop.

you’re laughing so hard you’re crying, and they’re just standing there.

“are you alrigh’?” johnny’s asking as he moves towards you. he’s fully recovered his breath now, and he drops to a crouch to be eye level with you.

you don’t answer— you can’t. you keep laughing. distantly, you hear the knife simon was holding clatter to the ground. can just make out the sound of more footsteps out in the hallway, coming towards the room.

you pass out.

when you wake up again, you’re in the infirmary. your eyes open slowly, adjusting to the bright fluorescent lights.

“easy, love,” a voice to your right drawls.

your eyes are fully open now. you look down at yourself, noticing the lack of bindings. noticing the iv taped to your arm, the stitched cuts, the black and blue bruises, the missing fingernails and missing finger.

the person sitting next to you clears his throat. that’s when you look up and meet the eyes of your captain.

your captain. the man who was supposed to lead you, to keep you safe. what a fucking joke. he’d started the damn witch hunt.

“how d’you feel?” he asks, his words soft, like he’s trying not to scare off a timid animal.

you stare at him for a beat. then two. then you’re moving, pulling the iv from your arm and shakily pushing yourself up in the bed. price is telling you to stop, reaching out to push you back down, but you slap at his hands.

“get the fuck off me!” you shout, and that takes him aback. he stops, frozen, as he watches you shift in the bed. you throw your legs over the side of it and prepare yourself to stand.

“you really shouldn’t—” he begins after he’s regained his senses, but you pay him no mind. you place your feet on the ground and start to stand. your legs wobble, almost give out, but you’re able to stand. barely.

“shut up,” you growl, stumbling forward and towards the exit. he’s moving to cut you off, and you slide him a gaze that’s sharper than a knife. “and leave me the fuck alone.”

he halts again. he seems almost scared of you— but that can’t be right. even on your best days, he would still beat you in hand-to-hand combat.

he’s not scared of your threats or your frail body. he’s scared of what he’s done to you.

just then, johnny and gaz come through the infirmary doors.

“cap, y’alright? we heard yellin’—” johnny begins, but his mouth snaps shut at the sight of you out of bed.

you’re heaving from your spot next to the bed. your legs are shaking violently, threatening to give out any second. you feel nauseous and numb.

“let’s get you back into bed,” gaz says, and he starts towards you, but you stop him as your gaze snaps to his.

“don’t come any fucking closer. any of you.”

“bonnie,” johnny murmurs. he sounds miserable, but you don’t care. don’t give a fuck about how any of them feel.

“don’t. im leaving,” you grunt out, moving a foot forward slowly. you’d be damned if you fell in front of them.

“you can’t, love. you’re in no shape to be walking.” john says, and you snarl.

“and whose fault is that?”

the men stay silent as they watch you slowly shuffle towards the foot of the bed. you’re bracing yourself to walk on your own when simon walks in.

“get back in bed,” his tone is blunt. you ignore him.

you remove your hand from the bed, move to take a step forward without support, and you begin to crumple to the floor.

simon moves forward, quick as a cat, and catches you. he lifts you into his arms bridal style, and you’re screaming hysterically. your limbs are flailing the best they can in such a battered state. you’re in fight-or-flight mode, your body betraying your desire to put up a steely front.

your palms slap against simon’s upper body and his masked face. he gives no reaction. he doesn’t say anything. the others are watching the exchange silently. the room is buzzing with tension.

“get off me!” you screech, landing a slap to simon’s cheek. “let me— let me go! let me go!” you’re gasping for breath, tears streaming down your cheeks. you’re panicking. your heart feels like it’s going to beat out of your chest.

“put me down! get— get— off me! stop—” you sob.

the doctor rushes into the room then, yelling at the men for allowing you out of bed. you can’t make out what she’s saying over the rush of blood in your ears. you feel light-headed. you can’t breathe.

“put them down, now!” the doctor yells at simon. “they’re having a panic attack— I thought I told you four to stay away from them? they’re too vulnerable right now—” the doctor is chastising them as simon places you back in the bed.

spots are dancing in your vision. you don’t even feel it when the doctor sticks another needle into your arm. the words being exchanged above your head are muffled. it’s like you’re underwater.

john’s face comes into view, then johnny’s, then gaz’s. as your eyes start to close, you notice the only face you don’t see again is simon’s.

when you wake up again, it’s been two weeks.

the doctor had put you into a medically induced coma to allow your more serious wounds time to heal, without risking another episode. unbeknownst to you, the members of your team had stayed by your bedside almost the entire time— minus simon. he hadn’t come within ten feet of the infirmary since the day of your panic attack.

there’s fresh flowers on the bedside table. a steady beeping of the heart monitor. a fuzzy feeling in your head.

it feels like a dream, all of it does. none of it feels real as you settle into your body again. but then the hurt starts, and you remember the truth.

your family betrayed you. your lover betrayed you. they locked you up and tortured you. they didn’t believe you.

when the doctor came to your side to check your iv, she smiled.

“how’re you feeling?”

you look up at her, and it takes a moment for you to speak.

“don’t,” you begin. your mouth feels like it’s full of cotton. “don’t let them…in here. don’t…wanna see them.”

the doctor nods in understanding, and she doesn’t say anything else to you. she turns and walks out of the room.

the door clicks shut behind her. she lets out a sigh before turning around to face the three men.

“they don’t want to see you.” she tells them, and their expressions drop. they don’t protest, and like wounded puppies, they walk off.

no one else comes to check on you for a few hours.

you’re in and out of consciousness— can’t tell what’s real and what’s a dream. flashes of your torture come back to you. flashes of a smile. of a scarred face. of hands on your hips and—

you crack your eyes open, and the room is dark. the only light is the blinking of some of the machines. it illuminates the room enough to allow you to see a large, dark figure slip from the room. the door clicks shut so quietly it’s almost imperceptible.

that’s when you notice fresh flowers on the bedside table.

your eyes start to droop once more, and you chalk up whatever you just saw to a dream, while simon exhales heavily on the other side of the infirmary door.

————————————————

authors note:

I hope this alright! it’s one in the morning (and I’m half asleep writing this) so I apologize for the errors that are most likely present, and the sense this most likely lacks. I feel like I could write a whole book about this idea, but im cutting myself off to sleep lol.

thank you for the ask, I hope I did your idea justice. 🫶

[cheer-nympho]

Steve was always being brushed off when he asked people to read things aloud for him,

In middle school his assigned partner for their ‘Frankenstein’ project gave him a scornful glare and ignored him when he had asked them to read the passages aloud.

In his sophomore year, he’d turned to ask Robin Buckley to read a old newspaper article about the ‘Wild West’ to him, because he couldn’t make it out through the fonts and weird words. She had fixed him with a cold look but before she could respond, Tammy was tapping his shoulder offering her help.

Then, while studying with Nancy and Barb at lunch, Steve had asked for help reading study cards. His own study cards. The paper was too bright and the squiggles too squiggly. Both of them had looked at him, them each other, clearly trying to decide if it was a joke.

Barb had scoffed under Nancys pointed look and gone back to her own notes. And while Nancy hadn’t read them out for him, she had handed him her own notes on some nice blue and yellow cards. It took him a while, but he could read them. Maybe she thought he hadn’t wrote any.

After that, he went a long time without asking anyone to read him things. Turns out that once you graduate, reading isn’t much of an issue. He’d gotten by just fine by looking at his Archie comics and ignoring the swirling lines of articles surrounding them.

He didn’t need to ask again until Scoops Ahoy. For a cheap, overly themed ice cream parlour there sure was a whole lot of memorising and reading to be done. He couldn’t see the charts properly, couldn’t really make out the dates on the tubs in the freezer. But every time he asked Robin for help, her frown would deepen and deepen until she just snapped. It hadn’t been that mean, really. Just an annoyed yell followed by accusations of being lazy, her not understanding how he managed to graduate, one last comment of him being a ‘bumbling idiot’.

After the Russians, she never said anything like that to him again. And she always did the inventory and lists for him.

It takes until summer, 1987, for anyone to read aloud to Steve. They were laying across Eddie’s new bed in comfortable silence.

Steve had his legs dangling off the edges as Eddie leant back against him, legs pointing up against the wall in a way he swore was actually comfortable. He had been reading a new book called “Spellfire” and he couldn’t seem to put it down.

“Eddie?”

“Hm?”

“What’s your book about?”

“This? Well I…Not sure it’s really your thing, man.”

“Maybe.” He goes back to reading. “I could see if it’s my thing?”

Eddie twists his head sideways to look up at Steve with a slightly confused face. “You wanna borrow it?”

“Was thinking you could read it.” He fiddled with the pocket of his jeans in a hopefully casual and not freaking out way. He didn’t look at Eddie as he waited, but after a few moments he responded.

“Sure. That’s fine, yeah. Want me to start over or go from here?”

“From there is good.”

And it was good, it was really really good. Steve hadn’t been able to read a book since middle school, hadn’t really tried again after that. But as he lay back and let Eddie’s voice wash over him he couldn’t help feeling that he’d been missing out.

Sure, it actually wasn’t really his thing, but the way Eddie read aloud painted such a clear picture that Steve enjoyed it anyway. The other would change his voice slightly for different characters and added emotions into his speaking. If it was a tense moment, he’d go slow and add gaps in just the right places. If it was fast paced he’d speed up and get more and more manic until the action cut off. He felt like he was reading along. Felt like he could see the pages in the book, but also the characters and the dungeon they were combining through.

So, for the first time Steve hadn’t been brushed off. He had probably found the only person he knew who could turn reading a book into a performance. One he would happily be seated for every night.

From then on, new books turned up at the trailer every week, Steve not far behind.

[sbcdh]

On the morning of August 19th 1966, the merchant marine vessel Pelican unloaded its cargo into the port of Los Angeles. Recently declassified information about the Pelican’s ship manifest confirms that the ship was carrying experimental materials for a nascent project Clover. Of the 425 drums of material, only 424 were accounted for. 

While government officials have not confirmed exactly what was in the lost barrel, its contents are believed to be approximately 55 gallons of an experimental substance similar to LSD. 

To anyone with a passing interest in the 1970’s music scene, this will not come as news. Tall tales of a lost ship full of experimental drugs were as common as disco, though the stories have been exaggerated. The most common form of the story features a drunk crane operator loading a shipping crate onto the wrong train, though in reality it was only a single barrel that went unaccounted for. The more outlandish forms of the legend include everything from a daring heist by a crew of rocker-pirates to shadowy government entities vanishing the entire ship for their own nefarious purposes. 

The reality was a simple logistical mixup, a mistake that can be tracked back to a simple addition error on an inventory sheet, an ordinary yet deeply embarrassing mistake on part of the government. Additionally, The information that revealed the lost barrel came alongside a report detailing project clovers lost asset tracking protocol. Protocol that reads as comically naive in hindsight, with guidelines including “monitoring local jazz bars” or keeping an eye out for “feminist thought.” With the benefit of retrospective, it is no surprise that agents were not able to track the barrel. 

Declassification of the Pelican’s manifest prompted an unexpected crossover with another niche legend of the 1970s Los Angeles music scene: the disappearance of the Knights of Altonia. 

Even today, many consider the Knights of Altonia to be a myth, but scant references to their existence can be found. According to a review from a 1977 issue of Jam! Magazine, the Knights of Altonia were a “D-List psychedelic glam metal outfit with more style than skill, known more for their disappearance than their music.” Though a 1997 retrospective from Tempo calls them “A band too ahead of their time to be properly appreciated” noting their flamboyant stage costuming and its significant influence on the aesthetics of the genre. 

To the frustration of music historians seeking to separate fact from fiction, the band featured an elaborate mythology, with each member claiming to be a “Wizard-Knight of the Mystic Tower” who traveled from their world to ours “on a journey through the Nine Realms to find the secret stone.” This has been the source of innumerable urban legends around the band. A common joke among hobbyist historians at the time claimed that the Knights did not vanish, but simply “returned to the Nine Realms.” Information on the band is so muddled that many music historians doubt their existence entirely. In fact, the only confirmed, physical evidence of the band’s existence is a photograph at the bottom of the Jam! Review, it features:

Lead singer and guitarist Donald Hawkins as his stage persona “Zozimos the Wise.” He sports a mane of dreadlocks, and a classic blue wizard hat and robe decorated with yellow stars.The robe is worn open to reveal Donald’s bare chest, along with velvet short-shorts and a pair of thigh-high leather boots. The article states that the glittery bright purple guitar in his hands was named “Excelsior.”

Rhythm guitarist Jon Todachine as “Wan the Witch King.” He wears a deerskin jacket, also open at the front, decorated with what appear to be crow feathers and small animal bones. The theme of bones continues to his belt buckle, which features an as-of-yet unidentified animal skull. This figure is presumed to be Jon, although it should be noted that the broad hat he wears features a curtain of beads that obscures his face. 

Bassist Riley Knox as “Chulainn the Horned.” He wears a full deer skull, along with a lit candle that appears to be slowly melting down over the mask. Most of his upper body is obscured by what appears to be a cloak of leaves. Beneath the cloak he appears to be wearing a pair of Nike Blazers. 

Drummer Marcus Wilson as “Magnus Fire-Weaver.” He wears a viking helmet over intricately braided red hair, a chain-maille loincloth, a pair of medieval bracers on his wrists, and nothing else. 

Most notably, a speaker on stage left is placed upon a large steel drum identical to the ones used by project clover. 

Study is ongoing. 

[prcttyinpcnk]

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....Phiona's vanity.

[esote-rika]

A bookstore meet cute I wish I could experience | Spencer Reid

Category: Fluff with S4 awkward, nerdy rizz Spencer

Warnings: use of Y/N, unedited (tenses keep shifting, sorry)

A/N: this is just 1.8k words of self indulgent self insert. Like this is inspired by some unpleasant experiences I've had talking with men about books in the past lol, and reader's responses defensive responses had been me at some point. i feel like a conversation with Spencer Reid would heal me, thus this fic. Also, save me, s4e9 Spencer Reid, save me.

He seemed like a fixture to the bookstore, if fixtures moved on their own. Or if they moved up and down the aisles with elegant fingers tracing the spines of the books on display. Or if they dressed like a rumpled professor, complete with the black rimmed glasses. He just seemed like he was part of the space, and you thought that every bookstore should probably come with one - a tall, attractive nerd who drifted all over the room like some sort of phantom. Maybe that would help with the literacy problem. It certainly would bring more people in, make them more interested in reading.

You've been trying to figure him out from afar, as subtle as you can. You're not a creep, after all, but he cuts such a lonely figure that you couldn't help but wonder if he needed some company. A part of you wonders if he's noticed you as well. This store is your late afternoon treat, after all. You come here every Friday, without fail, even when you know the inventory is unreplenished, simply to bask in the presence of books.

And then he started coming in regularly, and you had another reason to come.

You never approached him. Something about simply knowing he's there, while remaining a stranger, is thrilling. You can romanticize him if he's a stranger, project all the wholesome fantasies and book boyfriends you have upon him with no sense of accountability.

It also means you avoid the disappointment if he turns out to be another condescending know it all, eager to put you and your reading habits down because oh your tastes are so girly.

No, this was better. You're a flaneur, you tell yourself, you're here to be part of the space and observe from within, even though you doubt this is what Baudelaire had in mind when he wrote that essay and defined the term.

Still.

You smile to yourself, crouching down to check the books on the lower shelf, and also to catch a glimpse of his legs. He'd been on the other side of this shelf for the past five minutes, and you've gotten a soft chuckle when you saw his mismatched socks.

However, his lean form is nowhere to be seen. He seems to have moved to another aisle. With a small frown, you move to stand up, only to feel a tug.

“Shit,” a quick glance down reveals that a familiar looking shoe has accidentally stepped on your long skirt. You hadn't realized it billowed out around you when you knelt down.

“Oh, I'm so sorry!”

You look up and realize why the shoe looks familiar. It's him. You couldn't see him in the other aisle because he'd moved to your side, so silently you hadn't even heard him.

“Sorry, oh gosh, I didn’t notice.” He steps off quickly, and you watch as his cheeks bloom bright pink. A pink that quickly travels down his neck.

You stifle a laugh at how easily he blushed. “It's fine.” Your attempt to stand is more successful without his foot pinning the fabric of your skirt to the ground.

“I've messed up your skirt though.” He says, looking at the brown smudge left behind on the skirt.

“It's no big deal, it’ll come out.” You shrug, getting a good look at him this time. He's taller than you thought, with a sharp bone structure that's softened by large, hazel eyes and pouty lips. His hair is slicked back, curling at the nape of his neck, the color a soft brown that matches his eyes. Yeah, one of him should really come in every bookstore, you think.

“O-okay, uh, if you're sure…” He says, rubbing his hands on his pants. A nervous energy emanates from him, disrupting your idea that he's calm and tranquil.

Oh well, there goes that fantasy. Still, you wonder if maybe he's nervous because of you.

“I still feel bad though,” He adds, looking around, “Uh, how about I buy you a book for the inconvenience?”

“It's hardly an inconvenience,” You laugh, “But hey, I won't say no to a free book.”

He perks up, “Great. I'm Spencer, by the way.”

“Y/N. It's nice to meet you, Spencer.”

He repeats your name, and you find yourself enjoying the shape his mouth makes as he tests it out, lips and tongue wrapping around the syllables as if he wants to commit the way it feels in his memory.

You mentally kick yourself in the ass, wondering if you've read too many romance novels.

“Likewise,” He smiles, and you have to remind yourself that it's rude to stare at the lips of someone you just met. It's not your fault he has such pretty dimples, and you had the urge to count them. He continues, “So what kind of books do you like, Y/N? Romance?”

Your eyes narrow at that. You wonder how to answer. Yes? Would he judge you if you say yes? Is he one of those guys, the ones who only read heavy, intellectual books and look down on people who read fluff? Do you want to try and impress him by saying no, by scoffing and saying something like of course not I’m looking for a copy of Swann's Way by Marcel Proust? (which is the most “impressive” book you can think of at the moment). The idea seems too gross, too I'm not like other girls, and you immediately cross it out.

“And if I do?” you ask instead, surprised by the edge to your voice.

He blinks, then shrugs, looking entirely innocent. “Then we should head to the romance shelf over there.”

Once again, you're surprised. Some part of you had been expecting a smirk, maybe a roll of his eyes, that look you get when you even dare to bring up the romance genre. But, no. He starts walking to a different part of the store and you're forced to follow.

“Why did you think I read romance?” the words escape your lips before you can stop them.

He ducks behind a shelf, his hair falling down and hiding his face but you get a glimpse of the bright red skin of his neck. He's blushing again.

“Well, it's - ah - that is, I've noticed you here before, and you always seemed to hang out here in the romance section.” He says in a rush, his head still angled away from you.

You feel simultaneously called out, and a little giddy. So he's noticed you, just as much as you'd noticed him.

“So you're a stalker.” You can't help but tease.

He lets out a sound, somewhere between an indignant sputter and a scoff. “What? No! I just happen to be very observant, it's a skill I've learned to hone for my job, and you're not very hard to remember-” He cuts himself off, peeking at you with a horrified look on his face.

Laughter tumbles from your lips, and you clamp your teeth down your bottom lip to stop.

“I was teasing you.” You say, trying to fight the giggles.

He seems relieved, but the crease on his brow remains, a sign of his previous embarrassment.

“And you're right. The romance section has the biggest amount of secondhand books that I can read while I'm here.” You explain. This aisle also gives you the best view of the nonfiction section, which he frequents, therefore giving you the perfect spot to observe him over the past few weeks. Though you leave out that part.

“Ah,” He nods, looking around, “See anything you like?”

“No, I'm actually looking for a copy of The Hobbit right now.”

He lights up, “Oh, you're a fan of Tolkien too? I love him, he's such a genius and completely innovated the fantasy genre! So much so that he - wait, if you're looking for The Hobbit, why didn't you tell me sooner?”

“You just started walking.” You reply, smiling at him. He's adorable when he becomes so animated, hands waving around like his body can't contain his excitement and has to find ways to express them physically. “Had to follow you. But anyway, I'm assuming you've read The Hobbit?”

He accepts your explanation easily, then nods his head. You can't help but compare him to a puppy, so eager and nearly frantic in his excitement.

“I've read every Tolkien book.” He says, and you're surprised to find his voice contains no hint of superiority, or cockiness. Just genuine joy. It's refreshing, “Including The Silmarillion."

“Oh wow,” You laugh, aware of the reputation that tome carries, “I've only seen the Lord of The Rings movies.”

“Well that's not sufficient at all! You're missing out on so much history,” He says, crossing his arms over his chest.

“Mhm, well help me find The Hobbit first, before I move on to the trilogy.” You reply, already walking over to where you know the fantasy books are.

He follows you, smiling bashfully, “You know, I have copies of all the books… I can just lend them to you, if you want.”

You pause, glancing over your shoulder in surprise. “You'd let a stranger borrow your books?”

“Only if you promise to take care of them.” He says, sheepishly rubbing the back of his neck.

“I swear on my life, I will not tarry your precious copies of Tolkien's masterpiece.” You make a cross over your heart for emphasis, which makes him laugh. This time, you stare at his lips shamelessly, enjoying the dimples that appeared from the action.

“Okay, maybe we meet up over coffee sometime?” he asks, fiddling with the strap of his bag. “I'll bring the books.”

You fight the urge to squeal. Your body refuses to contain the giddiness, and the sound compromises by coming out as a giggle.

“Yeah, sure.” you watch as he digs into his pocket, handing over a card. “Oh, how very professional.” You say playfully, accepting the slip of paper.

He ducks his head, and you see the beginnings of the blush creeping down his neck. It feels exhilarating, being able to make him blush like this.

“It's just more practical.” He mumbles.

You grab your phone quickly, typing in his number and giving it a call, so that your number goes through his as well. “I'll give you a call. But, you still owe me a book for this.” You motion at your skirt, at the stain of his footprint on the fabric.

He chuckles, “Of course. Can't go back on my promise.” he looks around the store and you're taken by the sight of him, looking like he's part of the space, like he simply belongs here. And this time, with you standing next to him, with him. “Take your pick.”

“I'm pretty indecisive.” You say playfully.

“I have time.” He smiles, and you find he has two dimples on one side of his face, and only one on the other. Your chest feels heavy with something that you can't quite put a name to yet, but you're eager for more of it.

[kayawolfhorse]

He sticks around for a while after the disappointment of his failed trap. There’s no one left to sue him over it.

The blood is just starting to crust over where it clings to Joel’s scabbard, and it flakes upon his skin. His clothing is still filthy, but it hardly matters—the grime is of this server, and will remain with it when he leaves.

Sunset blankets the world in fiery oranges and brilliant pinks, dripping darkness like spilled ink across cliff sides and into pocket-marked craters. In its wake, without the chaos of the wild cards, in the absence of any living thing, the silence is near-deafening. Joel sighs once, loudly, just to fill the space, and does it again when he thinks about how it’d annoy Jimmy if he were still here.

The bridge to the base is remarkably intact, and the planks creak beneath Joel’s steps. He spares Gem’s empty cobbled barn a fleeting glance and reminds himself that he’ll see her soon as he marches up to his car and sets about ridding his inventory of unnecessary junk in the grass next to it.

He can practically hear Grian’s insistence that he get on with it already, but one of them is dead, and the other has a car to fix, so Joel effectively banishes the thought and pokes his tongue out in the vague direction of the sky above him.

Joel works through the night. Exploded as it had been, just about every part of the car needs repairing. The exterior comes easily enough, and it’s by torchlight that he reconstructs the engine, using up the last stores of his and Gem’s iron before raiding Etho’s waterlogged chests to finish the job.

Just before dawn is about to break, Joel slides into the driver’s seat and gives the keys a turn. The engine sputters for a moment before roaring to life. Joel grins.

It’s a bumpy ride through the center of the map, and Joel doesn’t want to talk about the times he had to rapidly construct a bridge across the rivers to get across. Once the ruined bases are confined to his rearview mirror and all that stretches before him is unmarred terrain, he floors it, giving a whoop in delight as the speedometer climbs higher and higher.

The blue shimmer of the world border overtakes the frame of the windshield. The pale morning sun has just started its ascent. Joel pushes forwards, hands tight against the wheel, teeth clenched firmly together. Thirty blocks, twenty blocks, five blocks away—

Joel slams through the border to the sound of shattering glass, and his vision goes black all at once.

—☾—

“For the record, that should not have worked,” Grian says. “And did you really have to bring that here?”

Joel’s not entirely sure where here is. Grian looks mostly corporeal, though his edges waver like the illusion of water against hot pavement, and Joel himself feels pretty solid, but all around them is vast nothingness. Pearl and Scott are bright flashes of red and blue somewhere behind Grian, and Joel can just barely make out Martyn and Scar further back.

It’s a little dizzying, honestly, and Joel quickly resolves to not look down. Despite the nausea that threatens to bubble up in his throat, he makes no move to stop the smirk that spreads across his face. He gives the car’s hood at his side an affectionate pat, and is smug as he says, “Much like family, the car is forever, Grian.”

Grian buries his face in his hands.