#Both for similar but very different reasons

[bogor-o]

OKAY so first off my narilamb au is specific to my lamb n nari bc 🤪 but imma start off w/ an incomprehensible copy/paste of a ramble i had

all these ramblings are still rough but u kno!!!!

it's a bridgerton au specific 2 my narilamb(ovidia/narinder) where the bishops would be the closest to the bridgerton family equivalent and Shamura being the head of family trying to help their siblings find courtship so they will be set but narinder would be the most difficult of them all because hes stubborn and convinced that being married would make him miserable and every season hes had several interested suitors but hes rejected them all until he comes across ovidia, now considered a spinster after several unsuccessful seasons because all their previous suitors found them too high maintenance and itd be no different with narinder but itd be similar to bridgertons kate/anthony situation and they're so into eachother it makes them look fucking stupid!!!!

ALRIGHT now to get more into it, as far as family and dynamics go, obviously with Shamura being the head of the family they very meticulously keep things in order and its why their considered one of the most affluent families and they've very easily found partnership because it was probably more business than anything but it works for them, and when time came for kallamar to start looking it was smooth because of how enthused he was, and it was really obvious with him how many wanted in

the way i see it, nothing is strictly monogamous, but it's seen as "lower class" to have too many spouses because the merging of so many families is probably seen as greedy, desperate, something something for one reason or another-- that said, kallamar definitely has multiples, and if not for being such a prestigious family and shamuras own reputation, it couldve been worse so they got a freebie there

but with narinder, having seen the way his brother is with his spouses vs the way shamura is with theirs, hes seen an instance of a loveless business deal in one, and complete obsession to the point of disregarding everything else that hes so fucking disinterested in courtships especially in the way its been presented to him

hed be able to hold off shamura long enough to get away with putting off courting anyone, a lot of it having to be about "focusing on his studies and career" and while hes had PLENTY of potential suitors come knocking but he's always turned them away but when time comes for heket to debut its when the pressure is really on for narinder

THEN on the flipside there ovidia who has been insistent on taking on every role in their family, the head of which is the oldest matriarch who has yet to decide on who the next head will be and they have TRIED to court people but every potential suitor has just not lived up to the impossible standards theyve set but even WHEN theyre about to settle- something goes wrong and the courtship sinks and its always on the others terms

their family is large, but theyre only wealthy in the sense that such a large family that sticks together can hardly fail when everyone does their part. that alone make their name well known even if its unconventional

its at the start of the latest season that they try again where they first meet narinder and while everything almost seems perfect, the chemistry is almost instant but then they get a little too candid and ovidia talks too much about their situation and it triggers the part of narinders brain that fears becoming like shamuras marriage and a scathing remark both stuns and pisses off ovidia

one second everything is amazing, they seem to be on the same wave length, strong goals the other respects, even finding an initial attraction in the other but then he opens his mouth and theyve had it

they blow up at him and suddenly everything he does pisses them off and they'll start nitpicking everything about him and be right and their observations piss him off and then he starts going off on them along the lines of "i can see now why each season passes you by" to which ovidia is ready with a "as though your own haven't? one is left wonder if studying is why you've put off finding a spouse, or if that mouth of yours is to blame"

it self destructs right then and there and while they have no intention to cross paths again, of course they do

and it becomes some kind of pissing contest to find a spouse before the other does just to prove a point to the other than they CAN in fact find one and they both end up sabotaging each other unintentionally bc theyre still so into each other and in the short time they've gotten to know the other and even through the bickering it becomes apparent theyve put effort to remember things

its stupid, its messy, its what it is and im still thinking about it more.............

[boopshoops]

What your favorite TWST character says about you :)

As a note before I begin: I saw one of these that shamed malleus and randomly even chenya enjoyers- (claimed that they were pick mes or something? 😭) so i wanted to make one that was more positive out of spite <3 make it more about the writing and why people appreciate the characters. Take each of these with a grain of salt i spose- also a lot of them share similar themes <3

(Aka fans who have different views or even blatantly incorrect views of characters will always exist everywhere, but insulting the entirety of a group solely for enjoying a character, many for different reasons, is probably not a great idea!

I get that sometimes people suck and thats understandable, but quit generalizing ok? Ok.

From a malleus enjoyer who just thinks hes a silly little guy and im tired of feeling like i have to defend myself bc he's my blorbo 😵‍💫)

Final note: i love unapologetically taking frustration and turning it into something that can make people smile 💕 also i blindly wrote this from 11pm-midnight :))) dividers by @/cafekitsune!

Heartslabyul:

Riddle: you enjoy and/or relate to the idea of healing from the past. Working hard to improve oneself for the ones around you and yourself: creating a healthier environment where you can be happy

Trey: there is immense complexity in things that are seemingly mundane. Digging deeper and deeper to find something truly sweet and heart warming is your joy.

Cater: maybe you relate, or maybe you used to, or maybe parts of the connections made in the past/presence/future dont feel as deep as you truly want them to be. There is something beautiful about a desire for genuine human connection, but also peace in being alone. There is a safe space for you yet, just be patient. 💕

Deuce: you love drive and determination. An endless stubbornness that keeps one going against all odds. Against every person who tells someone they cant. You watch them get proven wrong, and its pure bliss.

Ace: you find the connection between people beyond words heartwarming: even the seemingly simple ones. The ability to have a connection with someone who can get up to some mischief, tease back and forth, yet be there when you need them to be one of the most valuable things.

Savanaclaw:

Leona: Adversity over a lack of belief in oneself is a very difficult thing to overcome- yet it is very possible with the right crowd, the right amount of time, healing, and effort. You think someone's worth lies more than just within their title/job/appearance, but within the fact that they are able to stand back up and keep moving onward despite the odds. The hope for that change, and the ability to get out of bed in the morning on its own is strength.

Ruggie: Despite being through so much trauma at such a young age, recovery happens anyway. Its not perfect, at times the lessons learned are even rough. The survival tactics that once helped are now hard to ditch when theyre not needed anymore, but the ability to smile and joke and keep pushing onwards is something you value in life.

Jack: Self discipline can be both extremely useful as well as harmful in different ways. You find the way people can constantly strive to better themselves at what they love and/or morally to be highly admirable.

Octavinelle:

Azul: People can be cruel. And sometimes that cruelty inspires cruelty. Sometimes its simply used as a way to move on and survive insecurities created from it. Its hard, its a fight, but those insecurities are part of what make people beautiful. They are nothing to be ashamed of, and even the many tactics and smart ways of learning to overcome cruelness can be beautiful too.

Jade: The mind is extremely powerful. Intelligence and knowledge are not the only important things, no. Using that intel to find entertainment in the surrounding world can be exhilarating. Finding and discovering new unknowns: learning their ins and outs until they're a part of you is something you can relate to.

Floyd: speaking of fun- you love what is essentially the written version of a roller coaster. Ups and downs, ins and outs. Every single twist and turn is exhilarating and new. Every different perspective provides new insight into a multitude of different things. You are along for the ride, and you are having a lovely time.

Scarabia:

Jamil: self discovery can be very difficult after purposefully suppressing parts of one's self for a long time. Yet, the healing happens anyway (once again aha <3). People discover new parts of themselves, slowly becoming more comfortable not only with their environment, but how they react to it. The discovery is freedom, and freedom is bliss to you. New traits about oneself bloom like a flower: if not in the soil, then stubbornly in the cracks of cement. You gently take that bloom from the concrete and pot it, placing it gingerly in a beam of sunlight.

Kalim: Happiness isnt only sunshine to the one smiling, but to everyone else around them. It is delightfully infectious. However, happiness isnt a constant. You think emotions all emotions should be experienced rather than suppressed, because holding back sadness for the sake of others is a disservice to one's self. Discovering your own emotions, any range of them, is what makes people uniquely human. If anyone is holding those emotions back- hell, any part of them back, they need to be let out of the cage.

Pomefiore:

Vil: "Beauty is on the inside" is a saying thats been around for a long time, but beauty comes in so many forms. It can come from the stubborn desire to improve one's self: to be kinder, to help those around you, to be good. However it is impossible to be perfect. At times, for some, this can be crushing. People are hurt unintentionally, natural frustration can brew, the wrong actions can be taken: and thats okay. You believe whats important is to pick yourself up and keep going. To err is to be human, and that is beautiful too.

Rook: Error is beautiful. Symmetry is beautiful. Asymmetry is beautiful. A crack in the side walk is beautiful. Small things are beautiful, big things are beautiful. The nurturing of something through endless care is beautiful. The undeniable traits and hobbies of every individual that make them unique are beautiful. You find the endless optimism in finding beauty to be, in itself, beautiful.

Epel: Sometimes people will view others in ways that they wish not to be perceived as. This isnt in our control, as much as we sometimes want it to be. All you can do i be unapologetically yourself. To be you to the utmost degree. To prove those who thought otherwise to be foolish. You find this strength to find value in yourself despite others opinions admirable.

Ignihyde:

Idia: you have depression /j

Ok for real-

Life can be such a cunt. It can beat a person down, down, down and leave them vulnerable enough to fear it. To fear that beating, whenever it may next come. The anxiety of never knowing what or who will come next, or what one could lose. At times it feels more comforting to find a routine in solitude. But you know that the small things that give joy will wiggle their way in with time. The broken will meet people who love and care and find comfort in the companionship of healing, even from the little things: like a new story to read or game to play.

Ortho: You value unconditional support. Support through everything: the good, the bad, the just kind of okay. Knowing that someone can have ones back for every little thing- to be there solely because they care and wish the best for others- is something you look up to and maybe even wish to be for another.

Diasomnia:

Malleus: god damn people can be so hard to read and understand. They are so complicated: they are books you have to pay attention to from start to finish. But once you reach the end, you have a deep seated appreciation for them, and for the ones who stuck around to read your book too. Even if it was just for a fleeting moment: it is a happy moment. As painful as temporary things can be, it is also what you think can make the relationships we love and have loved so valuable.

Lilia: there can be suffering everywhere. There is war. There is famine. But there are also endless new sights to see. New discoveries to be made to help those still going through famine and war. New ways to love and understand people you never thought you'd understand. The development and positive parts of humanity, even though at times it can look bleak, are ever present to you. You love the discovery: of places and of people.

Silver: you believe that there is solace in being your own individual, regardless of who you are bound by blood to. Being shaped my experiences, friends, hardships, and new places are what make a person who they are. You value finding roots in and making your own home.

Sebek: Dedication can be a hard thing to come by, but when it does it can grab someone by the reigns. Using every waking moment to cherish that thing, learn more about it, become better at something, and strive to better ones self can be very admirable to you. But, on the other hand, it also calls for the occasional rest.

OTHER (just for ones I know well enough, sorry!)

Neige: You love kindness despite hardship. One can go through horrible things and still choose to be kind. The world could begin to end, and one could still choose to be kind, because it means everything.

Chenya: Curiosity fuels exploration. It fuels art. It fuels everything. It fuels excitement. It fuels friendships. It fuels medicine. It fuels life. Curiosity is endlessly fun, and you think that is very whimsical

Meleanor: Sacrifice for others can be tragic. Knowing what another person has given up for someone else, maybe even everything, is gut wrenching but undeniably a selfless love to you.

Crewel: There can be kindness in strictness. In teachings, there can be a parental guide. There can be someone who cares for you and undeniably wants you to succeed. They know that you can, so they push you towards it. You want this support.

Trein: Love surpasses time. When the ones we love are gone, the memories of them are still held close, with the love once given to them, we can show to others through advice and guidance that comes with time. You find comfort in that.

Crowley: People are flawed. We all know this, yet despite a persons flaws... however many there may be, there is still something hopeful and human about it. About having those flaws and persisting regardless. You may even like those flaws, and the unashamed desire to press on even with them on display.

Fellow/Ernesto: Live for yourself. This is what you desire. People are often caught up in material or monetary things. After all, we live in a world that required it to survive and even be respected. To throw away those views and simply live as you see fit: regardless as to whether you earn those things or not, is something you admire.

Rollo: Sometimes the attachment we have to those we lost can be painful. Regardless, that pain is proof that there was care and love. The things done for others, whether alive or dead, are done selflessly. Grief can fuel hatred, but it can also be caused by love. To unlearn hatred and learn to love again after the fear of loss is a natural human experience. It is a process you understand and admire those who take the time and strength needed to properly love again.

Thank you for reading <3

Tags <3

@lowcallyfruity @skriblee-ksk @justm3di0cr3 @cecilebutcher @kitwasnothere

@techno-danger @thehollowwriter @distant-velleity @the-trinket-witch @scint1llat3

@beneathsakurashade @qsoap @twsted-canvas @prince-kallisto @kathxrat-01

@sillyslipperybananapeel @jadelover69 @tixdixl @twstinginthewind

[chuulyssa]

୨・──── ALL I WANT IS LOVE THAT LASTS, IS ALL I WANT TOO MUCH TO ASK ? ────・୧

link to part i

pairing ⸺ satoru gojo x reader

teaser ⸺ trying to mend your broken bond with gojo satoru becomes difficult at the entrance of a rival, a distinct memory from your past. torn between love that aches and love that heals, you are left to pick up the remnants of what could have been and lay to arrange what will be. choices hold the power to break or mend, and satoru meets your guarded heart that threatens to either tear you apart or weave you back together. will satoru be able to win you back in time — or will the scars of yesterday refuse to tie you to a love that was never meant to be?

content ⸺ fluff, mostly f!reader, heavy angst, misunderstandings, mutual pining, slowburn, hurt/comfort, angst with happy ending, love triangle, shitty choices, implied abuse, jealousy, implied torture, implied slavery, mentions of grape, death, massacre, murder, royal!au, magic!au, historic!au

count ⸺ 22k + 2k

author’s note ⸺ so this marks the end of the series with gojo! watch out for ones with other characters <3 this came out way later than i had expected it to, oof. sorry to keep all of you waiting! for some reason tumblr is not letting me post the whole thing, so if you want to read what happens after 22k words, i’m leaving the ao3 and wattpad links as well.

🎧 ao3 wattpad

Three years had passed since that incident. You were now twenty years old, working a respectable job at Jujutsu High as a teacher. It was nice to utilize the knowledge you had gained back at the School of Royalty. Jujutsu High, as a school, was similar to the one you used to attend as a child, except the children here were far more humble.

You preferred this over anything else though. You wouldn’t want to spend the rest of your time around spoiled kids who had never heard the word ‘no’ in their lives.

It wasn’t necessarily the kids of the nobility that you despised, but rather the ideologies they carried with them. You still cringed remembering Kamo Alina babble about traditions “back at her kingdom”. Perhaps you had hatred against all noble clans, except your own, the Gojo clan, of course. The rest seemed too hollow and self-absorbed, and their kids seemed either too coddled or too burdened.

You were in charge of the first years at the school. You had few students, but they were all the best ones you could ask for: Maki Zenin, Toge Inumaki and Panda.

Maki was from the Zenin clan, whom you knew to be cunning and sly. She was very different from what the papers said about her lineage though — Maki had a knack for being good at fighting and war skills, whereas her clan was famous for running with their tails in between their legs from their opponents. You had caught the little girl staring at you more than once during your training sessions with Utahime. It was nice to have her watch; perhaps it was best that way for her to learn the things you did as well.

Toge was from the Inumaki clan, and used to speak in only food ingredients to not accidentally curse those around him. And finally, Panda was the ‘son’ of Principal Yaga, and a cursed corpse.

Here, you were glad you weren’t in charge of shaping heirs of stupid clans in a factory. Rather, you were to train and enhance those who were willing to learn. And in this humble, quiet school, you had found something even the nobility, who looked down upon the place as often as they could, could never offer to you: peace.

Things back at home… weren’t the best. Satoru was almost always away for ‘missions’ with Suguru, and it had been a long time since the two of you had even seen each other, let alone talk. You couldn’t recall the last time you both even sat together in the same room alone. He never told you where he was going, and you never asked — what was the point after all? He wouldn’t say even if you screamed at the top of your voice.

His mother had quite a few times tried to fix the situation between you two, but it never worked. Satoru had developed a strained relationship with his mother as well. After all, she had a hand in keeping the secret of your engagement from him, so how could he trust her again? Every time she tried to help, the gap between the entire family seemed to widen even more. It didn’t help that his father had stopped talking completely to his mother as well. There were rumours around the clan that the leaders were sleeping in separate rooms after that incident with the Kamo clan. You would have felt bad for her, if you didn’t feel worse for yourself.

Shoko had decided to pursue her medical education in a different kingdom. There was a void from where she had left, and although you were happy for her that she was able to live her dreams, the emptiness you felt whenever you reread your old letters made you feel sorry for yourself.

Utahime had been the only one to stay back with you. When you told her about your plans to teach at Jujutsu High, she immediately dropped her own things and joined the same school. You would often feel guilty for leading her to a different path than she had originally intended, but she would constantly reassure you that she would never have it any other way. At the school, the two of you would fool around with each other a lot, but the hollow space left by the old memories of the others would always nag at your brain the second you were by yourself.

Dinnertime at the table became a quiet affair. Oftentimes, while playing with the food on your plate, you missed the old banters between Satoru and his father. It almost felt like a distant memory from a whole other timeline, as if those little moments never happened at all. You usually ate your dinner alone in your room now, since it wasn’t worth coming all the way to the dining room anymore. Satoru’s father ate out every day, and his mother used to be the only one to eat at the table. If it weren’t for her, you wondered if you would be eating at all.

This night seemed like any other night when you had decided to eat at the table. Yet you couldn’t look up at your mother’s face and into her eyes. She looked paler than ever as if she was sick. Her eyes seemed hollow and dark, and if it weren’t for the tight grip she had on her chopsticks, you would have wondered if she had any strength in her left at all. After finishing your food quietly, you set your chopsticks down, and were about to stand up to bow and leave, when she stopped you.

“Stay,” she said this one word softly, and it took everything in you not to collapse in her arms at the sound of her weak voice. She didn’t look at you directly, but rather somewhere on the table, and she looked as if she was lost in thought, though you knew she had become this way ever since that night.

You sat back down, and stared at her as her grip on her chopsticks tightened ever so slightly. She opened a quivering lip to speak. “My son... my Satoru... He’s never been this upset… at me.”

You swallowed. He had never been this upset at you either. He had never been upset at all. You used to wonder if Satoru Gojo even had the word ‘upset’ in his dictionary. And now that was all you could see.

“I just hope…” she trembled slightly, “... that you can find it in your hearts to… to forgive me.” She looked up, and you looked away, for you knew the sight in front of you wouldn’t let you breathe another moment. You knew she was holding back tears. You were too.

“There is nothing to forgive,” you croaked out, hoping what you were saying was making sense. “I just wonder if this is worth going about if he isn’t happy with it.”

“It’s not, you’re right,” she murmured, looking back down to her plate. “I was a princess. I was told I could never be wrong. Yet here I am, hoping I am not, even though every cell of my body tells me I am.” Then she looked right into your eyes, and something in your heart broke again at her state. “Would you want to marry someone who was not him?”

You stopped. No. No, of course not. No, you would never, ever even dream of marrying someone that wasn’t him. But what could you do now? What could be done? If he did not want it, then how could you? How could you do something like this to him against his will? So slowly, you nodded. “Perhaps I could think about it. But not now.”

“I understand. Goodnight to you.”

“Goodnight, mother.”

──── ୨ৎ ────

“Good morning, Miss!”

“Good morning, Miss.”

“Salmon.”

“Yes, yes, good morning to all of you. Hurry up now, the first class starts in 15 minutes,” you said swiftly, waving at the kids. You turned to Utahime, who was staring at the parents dropping their kids off to catch some hot single dad she, or rather you, could have a chance with. “What class do you have first, Miss Transfiguration?”

“The annoying third-years,” she grumbled. “How about you, Miss Charms?”

“My first years. I’m charmed.”

“Sure, you are.”

You watched the carriage Maki had stepped out of. It was rather modest for someone of Zenin lineage. But what really caught Utahime’s attention wasn’t the car — it was the man who stepped out to escort Maki.

He was tall, with dyed blond hair that shimmered under the morning light, and striking brown eyes. Utahime froze.

“Wow.”

“What?”

“Wow. Is that… him?” she whispered, gripping your arm.

“Him?” you asked.

“The guy! From years ago!” she hissed as if that explained everything.

You raised an eyebrow, watching as the man exchanged a brief word with Maki before returning to his carriage. “Iori, you’re not making any sense.”

Utahime pulled out her wand and immediately began tapping it on her temple at a rapid pace. “Don’t you remember when those exchange students introduced themselves? In the hall? That cactus transfiguration kid? This is him. Look.”

A floating picture hovered in your hands. It was slightly blurry, moving up and down serenely, but you could make out the younger version of the man fixing his carriage in front of the school gates clearly. You blinked at the picture, then at Utahime.

“You… remember him enough to produce this complicated magic?” you asked, though you didn’t know whether to be amused or alarmed.

Utahime shrugged unapologetically. “You gotta do what you gotta do.”

You sighed, shaking your head in disbelief. “‘hime, you’re a stalker.”

She grinned, utterly unbothered. “A resourceful stalker, I’d say. Anyway, don’t you think he’s—”

“Don’t say it,” you warned, already seeing where this was going.

“—handsome?” she finished, her grin widening mischievously.

You groaned, covering your face. “Utahime, he’s Maki’s guardian. You make it sound like I’m ready to adopt her or something. That’s weird.”

She waved off your protest, nudging you playfully. “Come on, he’s single. Uh, probably. And if he’s not, well, that’s just unfortunate for him.”

“Why are we even talking about this?” you muttered.

“Because,” she said with mock seriousness, “you’ve been single for far too long, and this is an opportunity. So…” She leaned closer. “Why don’t you try flirting with him?”

You stared at her like she’d grown another head. “Preposterous. Absolutely not.”

“Why not?” she teased, clearly enjoying your discomfort.

You glanced at the man who was now pulling away in the carriage looking like a war hero, and then back at Utahime. “Because I don’t feel like dying today. You know, the Zenin clan and all of that?”

She laughed, throwing an arm around your shoulders as you both headed back inside. “Suit yourself, but just know — I’m rooting for you!”

“Utahime,” you sighed, “you’re impossible.”

But her laughter was infectious, and you couldn’t help it.

You smiled.

──── ୨ৎ ────

The staffroom was unusually quiet, save for the faint scratch of your quill against parchment as you graded the first-years’ essays. Utahime, however, was anything but quiet. She had perched herself on the edge of your desk, her hands gripping the back of your chair as she swung it gently back and forth.

“Flirt with him,” she said.

“No,” you replied flatly, not looking up from the parchment.

“Come on, just a little?” she coaxed, leaning over your shoulder and nearly smudging the ink you’d just scrawled across a particularly poor attempt at a levitation charm essay.

You leaned back slightly, giving her a deadpan look. “Utahime, I am trying to work.”

“And I am trying to help you!” she shot back, as if her nagging about your love life was an act of selfless charity.

You sighed, putting down the quill and crossing your arms. “For the last time, I am not flirting with Maki’s guardian. That’s weird.”

“It’s not weird. It’s romantic,” she argued, dragging out the last word like it was a persuasive spell. “You’re single. He’s single—”

���We don’t know that he’s single,” you interjected, but Utahime waved you off.

“Semantics,” she said. “The point is, he’s clearly into you. Did you not see the way he looked at you yesterday?”

“The reason he even looked at me was because you shoved me in front of him like a sacrificial lamb,” you retorted.

“Details,” she said breezily, now swiveling your chair side to side. “But seriously, what’s the harm in a little bit of flirting? He’s charming, dashing, hot, and you’re… uh, you…?”

“Wow, thanks,” you said dryly, though you couldn’t hide the small smile tugging at the corner of your lips.

She grinned. “See? You’re already warming up to the idea,” she leaned in close to your face.

The door swung open. There he was, the same man both of you had just been talking about. He took one look inside the room and raised an eyebrow. Your eyes widened, because of course, without any context it looked like you and Utahime were just about to kiss. You shrieked and pushed her away and she laughed at you, though she stopped when she saw the man judging her silently. Maki face-palmed behind the man.

“Excuse me if I am interrupting something intimate,” he looked at you. “We had an appointment regarding Maki’s performance, yes?”

“Ho ho ho! Yes you did!” Utahime giggled and left the room, and it seemed like she had taken all the comfort out of it too, leaving you, him and Maki standing in it, staring at each other awkwardly. Maki coughed loudly and excused herself, and you made a mental note to reduce some points on her essay.

You cleared your throat as he took a seat across from you. His presence seemed to shrink the staffroom. He leaned back in the chair as if he owned the room. You focused on the stack of papers in front of you, determined to act professional. In your mind, you could hear Utahime’s voice still echoing: Flirt with him!

He folded his hands on the desk and his gaze flickered briefly to the papers in your hands before locking onto your face.

“I have to ask,” he began casually. “Are you and that colleague of yours… together?”

You froze mid-flip of Maki’s report card, staring at him as if he’d just asked you to duel. “What?”

He leaned back slightly with a faint smirk. “You and that woman. The way you two were before. It crossed my mind that you might be…” He trailed off.

“I’m not— she’s— what? No!” you sputtered, feeling your cheeks burn.

“Ah,” he said softly, as if the weight of the world had just been lifted off his shoulders. “Thank heavens. I wouldn’t have known what to do with myself if you were.”

You blinked. “Excuse me?”

His smirk softened into something more playful. “Well, I’d have had to rethink all my plans, for starters.”

“Plans?” you echoed, your voice coming out higher-pitched than you had intended it to be.

“Mhm,” he murmured, tilting his head slightly. “Plans like how to win your favour, of course. You can imagine how devastating it would’ve been to learn I stood no chance from the start.”

You could feel your brain short-circuiting. Was he flirting? Or was this just his sense of humor?

“I— uh— Maki!” you stammered, blurting out her name like it was a life saver. It technically was. “We’re supposed to be talking about Maki’s progress!”

“Of course,” he said smoothly. “Her progress is paramount. But forgive me — I’m a man of focus, and right now, my focus seems to have shifted.”

“Let’s have it shift back to Maki then,” you insisted.

He chuckled softly, leaning forward just enough to close the space between you ever so slightly. “As you wish. But if I may, just one more thing.”

You hesitated warily. “…What now?”

“You have the most fascinating reactions,” he said. “I could watch you get flustered all day.”

Your hands gripped the papers tightly, and you let out an exasperated sigh. “Mr Zenin, do you ever stop talking?”

His grin widened. “Not when I’m talking to someone this delightful. And it’s Naoya, to you, darling.”

──── ୨ৎ ────

For the school’s 107th anniversary, you and the other teachers had decided to plan a surprise event for the students, guardians and even the principal. But as you stared at the chairs lying askew everywhere, and the food stall looking like it had undergone a raid, you sighed. Who would have to clean everything up in the end? The teachers, of course.

You bent down to pick a random flask up from the ground, and you looked up to see Naoya standing at the entrance of the schoolgates. You watched as he shooed away the carriage with Maki and their driver in it, and walked towards you.

You got up quickly and panicked, eyes darting everywhere to see if he really was walking to you or not. Naoya stopped in front of you, and suddenly the flask in your hands seemed too heavy. You dropped it, but he caught the tin, lips curving into a smile at your surprise.

“Astonishing reflexes, hm?” You nodded at his words and he laughed. “That was quite the show, I believe. You handle large crowds really well.”

You half-laughed at the compliment, looking down at your shaking hands. Why were you so nervous?

“Yeah, well, the crowd has departed now, and this is the tough bit.”

“I can help,” he smiled at you, and you blinked in surprise.

“Ah, you don’t have to. Besides, we can’t make guardians work for us.”

“I insist.” He pulled the sleeves of his shirt up and put his hands on his hips. “Where are the inconveniences that have you so troubled? I shall fight them.”

You snickered a bit. His dramatic actions reminded you of someone.

A certain someone.

Maybe that’s why you liked his company.

You snapped out of your thoughts when you saw him staring at the upturned tables with dread. “Has there been a call of war here?”

“Close enough. The seller had mochis on his bill of fare.”

“That sums it up. But you can’t possibly expect me to dirty my hands with this. A nobleman shouldn’t be doing manual labor,” he shook his head and sighed.

You raised an eyebrow at that. “You’re the one who insisted on staying to help.”

Naoya grinned. “Well, I can’t leave my favorite teacher to fend for herself. Besides…” He picked up two chairs effortlessly with one hand, and turned around to see if you were still watching. “It’s a chance to show off.”

Maybe it won’t be as boring with him around after all.

You had found yourself in this lonely teahouse far more than you could admit for someone of your status. It usually buzzed with the chatter of lonely workers, gossiping seamstresses and little children. But it was better, far better than what was going on at home anyway. You stared at your chawan, and put your fingers around it to drink. But the vessel was hot, and you hissed as you withdrew your hand back, the tea inside seemingly hissing back menacingly.

“Careful, darling,” a voice said from behind you and you jumped. “I said, careful,” he taunted, rubbing the top of your head affectionately. You looked up to meet Naoya’s eyes, your own widening when you saw him.

“Naoya!”

“Fancy meeting you here. I didn’t think I’d find you in such a quaint little spot.”

“Me neither. Isn’t this place,” you waved around at the dull walls of the room, “below your usual standards, Mr Zenin?”

He crossed your table to pull out a chair in front of you and sat down. “I could say the same about you. Or perhaps,” he brushed his fingers on your lips to wipe the wetness of tea from earlier, “we were led here by fate.”

You choked on air at his action. “Fate? We’re just at a teahouse. It’s not exactly a meeting of the stars.”

Naoya grinned at your fluster, and leaned forward playfully. “Ah, but you see, fate works in mysterious ways. And right now, it’s working to bring me closer to the most captivating woman in the room.”

“Ha, ha,” you mumbled, staring into your vessel to avoid meeting his eyes. “You talk too much.”

He laughed softly. The server arrived with a platter of sweets, and bowed, “For the lovely couple.”

You spat the tea you had just sipped out. “We— we’re not—”

“Thank you, miss,” Naoya interrupted you swiftly, and nodded at the server, who immediately straightened up to take his leave.

You stared at him, aghast. “Naoya, we’re not—”

“Not yet, at least. But I’m not opposed to the idea. How about we take the first step?” He leaned in closer and planted a teasing kiss on your cheek.

Your jaw dropped — from embarrassment or at his audacity, you did not know. “What—?”

“There. Now we’re official.”

──── ୨ৎ ────

You clutched your bag tightly. Great, another rainy day. And you had refused the umbrella your maid had offered to you as well. Sighing, you looked at the sky. The downpour didn’t look like it was going to stop anytime soon. If only a miracle happened that would escort you back home safely.

“Stranded, are we?” Naoya’s voice broke through the rain. You turned to see him standing with a pristine black umbrella, grinning at you as if he was not surprised at all to meet you here.

“Yeah. You stayed back? Where’s Maki?”

“Oh, I left her to go home in the carriage,” he shifted the handle of his umbrella to one shoulder. “Need me?”

“I’ll manage,” you replied, not wanting to disturb him. Though part of you wondered whether he would be here if you hadn’t been stuck here as well.

“Let’s not ruin such a lovely sight with such a disaster. Come on, I’ll walk you home.”

“I’ll be fine, really. You don’t have to—”

“I insist. Or would you prefer I let you catch a cold? Then you’d have no choice but to rely on me to nurse you back to health.”

You groaned. “You’re impossible.” Realizing you had no way home without his help, you stood under his umbrella. He grinned at you, tilting the umbrella more towards you to shield you from the harsh rain.

“You’re getting wet,” you pointed out.

“It’s a small price to pay.” He glanced at you with a sly smile. “Don’t tell me you’re worried about me.”

“I’m not,” you scoff slightly.

“Good. I’d hate for you to think I’m fragile.”

The walk ahead was comfortable, although you didn’t think that was the case for Naoya. By the time you had reached the entrance of the clan, you could see Naoya’s sleeves were drenched. But he didn’t seem to mind at all. His eyes followed something ahead that you coulldn’t see through the fog that covered the atmosphere.

“Naoya? What are you looking at?” You asked, and he huffed in irritation — more so at the thing he had seen than at you.

He wrapped an arm around your waist and you involuntarily sucked your stomach in at it. He led you to the figure.

White hair… Lovely blue eyes…

Your fiance who refused to be yours.

Gojo Satoru.

He was leaning against a pillar with his arms crossed in front of him, staring at you two through his sunglasses as if he would rather be looking at anything else than at the fingers curling around your waist.

Naoya, much to your horror, approached Satoru with you still in his arms. “Greetings,” he said pleasantly. “We’ve met before, yes?”

“Yes,” Satoru replied coolly. Then he addressed you, though his eyes didn’t quite meet yours. “Who’s he?”

You started. Fuck. What was he to you? An acquaintance? The guardian of one of your students? An associate—?

“Her boyfriend,” Naoya stepped in before you could respond, and you watched Satoru’s eyes lose what little warmth they had earlier. He turned to you as if expecting you to deny the claim.

“What? I mean, I guess…? Maybe? But I’m not sure—”

Satoru arched an eyebrow, and let out a single syllable that made your heart break into pieces all over again. “Oh.” He looked at you with an expression you couldn’t understand at all. His lips were twitched, but he wasn’t happy. His eyebrows were furrowed, but he wasn’t confused. You felt like he was toying with your brain on purpose with all the failed hints his face gave.

Naoya grinned smugly. “Don’t worry, I’ll leave her in your care now, brother.” He was clearly enjoying himself.

Your eyes widened.

Look… I’ve never thought of you that way before, okay? You’re… you’re pretty, but you’re like a sister to me. That’s how I’ve always seen you.

Satoru’s eyes darkened, and he shoved his hands in his pockets, taking a step back. “Great. Fantastic,” he mocked you. “I’m so glad you’re being taken care of, my little sister.”

A few more minutes passed, though they were so awkward you did not have the courage to relive them. Naoya had left with a smirk and a wave, and Satoru had followed you inside the estate when all you wanted to do was get away from him.

“You’re… back, haha,” you mumbled, and he nodded. The rain patted against the windowsill softly, and each drop felt like it rained in your heart.

“Is he really your boyfriend?” He blurted out.

“Huh?” You were caught off guard. “Oh, um… I don’t know? He took me out for coffee once. Does that count?”

“No, absolutely not,” Satoru scoffed.

You paused. And then you let out a laugh. He stared at you and let out a bark of laughter as well.

“Him? Your boyfriend,” he wiped the tears off from his eyes. “The audacity!”

“Typical of him, I suppose,” you chortled.

“What did he even ask you for the coffee thing?”

“He said he wanted to talk about Maki’s essays,” you snickered, and he cackled.

“Essays?”

“Yeah!”

“You know, you should probably go on a real date sometime. Just so you can tell the difference between a parent-teacher conference and, y’know, an actual date,” he rolled his eyes.

“Oh, yeah? And who’s going to take me out on this ‘real date’? You?” You teased.

Satoru froze. He opened his mouth as if to respond, then quickly closed it, his gaze flickering away from you.

You felt the awkwardness returning from earlier. Forcing out a laugh, you waved your hand dismissively. “I’m kidding! Obviously. Haha. Anyway, I should, uh, go now. Busy day tomorrow and all that. So, um, goodnight!”

You practically bolted from the room, leaving Satoru standing there, staring at where you had just been. His hand twitched as if he wanted to stop you, but he stayed silent, his jaw tightening as he watched you retreat.

You locked your door, hoping you weren’t being wishful as always when you heard the faint murmur of his voice.

“Maybe I would.”

──── ୨ৎ ────

The next morning, you stepped out of your house, adjusting your bag of supplies on your shoulder. Rejecting your driver who had offered you a ride in the luxurious carriage, you walked on, greeting the little children of the various families of your clan. Crossing the gate of the main estate, you found Satoru leaning casually against a nearby carriage, waiting for something — or rather, someone. 

“Morning,” he said, grinning like he had been there for hours. His sunglasses reflected the surprise in your eyes under the morning light.

“Uh… good morning?” You blinked in surprise. “What are you doing here?”

He shrugged at you. “Thought you might need a ride.”

“Don’t you have work?” You asked sceptically. He had had missions and trips to be on all this time, so why was he here now?

He shrugged again, shoving his hands in his pockets. “Not yet. Free morning.”

“Oh,” you frowned at his excuse. “Well, I usually just walk to work. Sorry.”

“Ah, well, no problem then,” he straightened up, brushing imaginary dust off his sleeves. “I’ll walk with you.”

“What? No, it’s alright—”

Satoru waved the driver of the carriage off and waltzed over to you. “Too late. I’m committed now.”

You sighed in defeat, letting him walk with you. Silence loomed over you, the kind that made you hyper aware of every crunch the leaves under your feet made, every chirp the birds on nearby trees let out, and even every breath you didn’t know you kept holding.

“It’s a nice morning, huh?” He finally broke the tense silence, though the strain in his voice made it even more awkward.

“Yeah it is,” you glanced and nodded at him briefly.

Another long stretch of silence. When did you two become this way? Nevermind, you remembered the day it all had started a bit too clearly for your liking. But this seemed too delicate, too much. How was your walk with the arrogant Naoya Zenin more comfortable than one with the person you had spent nearly all your life with?

“So,” he started again, clearing his throat, “you walk this route every day?”

“It’s not that far,” you nodded.

“It’s been a while since I walked anywhere,” he chuckled softly to himself.

You risked a small smile in the midst of the unpleasant stillness. “Yeah, I remember. You always complained if the carriage wasn’t ready, or if you were sent to meet other clans on foot.”

“I was spoiled,” he grinned proudly. “Still am, probably.”

Despite yourself, you laughed softly. But it was fleeting, and the silence returned to keep reminding you of how much everything has changed. By the time you reached the gates of Jujutsu High, the sun was higher in the sky. Satoru stopped a few stops short of the massive gateway.

“Well, here you are,” he turned to look at you with softened eyes.

You nodded and adjusted your bag. “Thanks for walking with me.”

“Anytime,” he smiled. Faint as it was, it still didn’t reach his eyes.

In the faculty lounge at Jujutsu High, you sat with Utahime after she had barked at the other teachers to let her have some “alone time” with you. It seemed as if although she was trying her best to get you and Naoya together, she was hardly denying the rumours between you and her.

 She suddenly perked up mid-cursing at an answer paper of one of the third-years. “Oh, right! Did you hear? There’s a new recruit for a teaching position. Principal Yaga told me yesterday.”

“Oh, cool,” you snapped out of your own thoughts about the weird tension Naoya had landed you in. “Who’s interviewing them?”

“You, duh.” You groaned audibly and she laughed. 

“Hopefully it’s not another Ijichi,” you grumbled, wincing as you remembered the interview you had with him a few months ago.

“Be nice,” she said, though she snickered at the memory. “He was just nervous!”

“Nervous?” You huffed loudly. “Utahime, the man tripped over his own feet before he even sat down. And I wasn’t even intimidating!”

“You? Not intimidating?” She raised an eyebrow. “Yeah, definitely. Tell that to the first-years.”

“I’m a delight,” you shrugged, batting your eyelashes innocently. “Ijichi, on the other hand… couldn’t even make eye contact during the interview. I had to repeat my question three times before he answered.”

“Maybe this one will be better,” she got excited, and you knew what she was thinking of before it even came out of her mouth. “Who knows? They might even impress you—”

“No,” you snapped, and she giggled.

You were in enough of what your teenage self would have called “boy troubles” already to have a third one enter your life. First Satoru, then Naoya, and now Satoru again. You sighed. Shouldn’t you be flattered that a guy like Naoya shows interest in you? He’s rich, a noble (although the Gojo clan wouldn’t care about status either way), handsome and romantic. What more could you want? But on the other hand, Satoru is… well… him? You hardly think anyone would be able to compete with the Satoru you knew.

Utahime set down her papers and held your hand, as if determined to show you how a real man should hold you. “Alright, what’s wrong?” She asked gently. “You’ve been off for days. Don’t think I didn’t notice.”

You hesitated. “Satoru,” you muttered.

“Of course,” she sighed. She inhaled loudly before— “That insufferable, pompous cretin! A walking disgrace to his lineage! I’ve met noble horses with more grace and tact! A royal pain, in every possible way. That walking definition of idiocy needs to be knocked off his pedestal, preferably into a pile of mud.”

You blinked rapidly. You’d be lying if you understood a single word that she just said.

“What does that even mean?”

“Doesn’t matter,” she waved a hand dismissively, fuming with rage. “The point is, he’s an idiot. The biggest idiot. And if he’s making you feel like this, then I’m going to—”

“Okay, okay!” You smiled faintly at her ambitious attempt to choke thin air with her hands as if grabbing his throat. “But it’s not just him.”

“There’s more? It’s alright, I can fight—”

“Not for fighting!” You added quickly, alarmed. “It’s Naoya.”

“What did he do?” She stopped her antics.

“I just feel like I’m stuck between those two,” you palmed your face. You were utterly distraught. “Satoru keeps walking me to work, like he’s trying to fix things, but then Naoya, he’s been kind, attentive, and all of the good stuff you keep babbling about. I don’t know what to do if it ever came down to choosing between them.”

She leaned forward seriously, and forced your chin upwards to meet her eyes like your second mother. “Listen. Ask yourself two questions. First: Who sees you for you? Not the ‘I’m-strong-enough-to-not-need-anyone-else’ image you’ve been trying to put up, not the teacher you’ve become, but just… you. The good and the bad.”

“And the second?” You frowned thoughtfully.

“Who makes you feel safe?” She said simply. “Not just physically, but emotionally as well. Who can you trust with your heart, knowing they’ll look after it like the finest treasure?”

Like the finest treasure? The answer was simple.

But not the one you wanted.

Not who you craved.

“You don’t have to decide right now,” Utahime gave you a small smile. “Just don’t settle for less than you deserve, okay?”

You nodded gratefully. “You’re way better at this than you seem like, you know.”

“I’m a delight,” she echoed your words from earlier, giggling.

──── ୨ৎ ────

It had been almost a month since the walks with Satoru had begun. You had hoped as time went by you would’ve gotten more used to the tension it carried, but each day seemed to offer a new, worse one. The quietness lingered heavily between you, just like it had been all this while.

“So,” he started, glancing at you, “am I annoying you?”

“What?” You cross-questioned, startled at the insecurity in his voice. “No, why would you think that?”

“I dunno,” he shrugged, trying his best to be nonchalant, but you knew him too well to know it was an act. “It’s been over a month of me tagging along, and you haven’t said much. I thought maybe you’d prefer walking with someone else. Like Naoya,” he mumbled the last part.

“No,” you said firmly. “You’re not annoying—”

“I just hoped,” he cut you off, “you’d think this was better than with him. That’s all.”

You didn’t know how to respond, so you just hummed, looking away at a nearby tree and counting the number of leaves on it.

“Yeah,” Satoru chuckled quietly, though it didn’t quite reach his eyes. “Thought so.”

You couldn’t reply to that.

“Here we are,” he murmured, opening the schoolgates for you just to find something to do. But when he followed behind you inside, you raised an eyebrow.

“You’re coming all the way in? Don’t worry, Naoya won’t step inside the school.”

“Good to know,” he adjusted his sunglasses, “but I’m not worried about Naoya.”

“Then?”

He closed the gates and turned to face you, beaming despite his earlier demeanour. “I’m a candidate for the teaching post.”

“What?!”

“What? You didn’t know?” He tilted his head, acting innocent. “Thought I’d apply for the position. Figured it was about time I contributed my immense knowledge to the next generation.”

“You’ve got to be kidding me. You? A teacher?”

“I’ll take that as a compliment even though it’s meaningless that way,” he pouted at you. He then pushed past you to the hallway. “You’re the one interviewing me, hopefully? Race you!”

“What the— Satoru, come back!” But he was already running to whatever empty classroom he could find. Talk about professionalism.

You marched off to Principal Yaga’s office and burst in, resulting in him nearly stabbing his own finger with a sewing needle. “Sir! I can’t do this.

“It’s 8 in the morning,” he sighed wearily. “And what is it that you can’t do?

“I cannot interview that man.”

“Why not?”

You gestured wildly at the hall, from where audible noises of furniture being dragged around could be heard. “Because it’s Gojo Satoru.”

“I see.” Yaga leaned back in his chair, staring at the hall with a transfixed look. “Well, if it’s such a problem, I’ll just have Utahime handle it.”

Uh oh.

“No, no. She’ll kill him. Literally.” And you didn’t feel like cleaning up a crime scene today.

“With killer questions?” He remarked thoughtfully, rubbing his chin. “Then it’s settled. She’ll—”

“No, sir! I’ll do it.”

“Are you sure? You don’t have to.”

“Yes I do,” you gritted your teeth. 

You had finally found the man after looking through twenty three whole classrooms spinning rapidly on a chair. You coughed loudly and he jumped, though he sighed in relief when he saw that it was just you.

“Thought I’d get fired if the Principal saw me this way,” he said as you sat on the chair in front of him. “And I haven’t even been hired yet. Imagine that!”

“You know I could reject you as a candidate as well, right?” You rolled your eyes.

“What? No, you wouldn’t!” He shouted indignantly. “I knew I shouldn’t have eaten your last mochi.”

“What? You ate my last mochi?”

Satoru gulped, and you groaned.

You clutched your clipboard, already regretting your decision. “Alright, Mr. Gojo. Let’s begin.”

He grinned. “Of course, Mrs. Gojo. Don’t let me distract you.”

“Let’s start with the basics,” you tried to sound as professional as you could. “What experience do you have working with students?”

“Well, I’ve been mentoring the younger sorcerers unofficially,” he leaned back in his chair with a lazy smile. “Does being charming count?”

“No.”

“Really?” He tilted his head. “Because I think it’s working on you.”

You paused. “This isn’t a date,” you glared at him. “It’s an interview.”

“So you do know what a date is,” his grin widened in size. “Guess Naoya didn’t ruin you completely.”

“Why do you want this position?” You gritted your teeth.

“Figured I’d spend more time with you.”

“How do you handle indiscipline in the classroom?” You deadpanned.

“Depends,” he tapped his chin thoughtfully. “Are we talking about kids or you?”

Fucking—

“Do you even want this job?”

“I do,” he said simply.

You slammed your clipboard on the table in annoyance and stood up. “You’re following me, aren’t you?” You pointed an accusing finger at his face.

He looked at you incredulously. “What? No. Why would I—” He stopped, and his tone softened. “I’m here because I’m sick of the nobility and their entitlement.”

“Huh?”

“You heard me.” He stood up as well, crossing his arms and speaking more earnestly than you had ever heard from him. “Kids from those circles? You can’t change them — they’re too far gone. But here? The students come from humble families. They still have a shot at thinking for themselves, at doing things for the right reasons. I want to make sure they don’t grow up like us.”

You were stunned into silence, but before you could respond, a voice came from the doorway.

“Congratulations, Satoru Gojo. You’re hired,” said Principal Yaga, sparing one glance into the room and then leaving again.

Satoru’s expression changed again, and he was beaming like he hadn’t just bared his soul out to you a few moments ago. “Looks like you’re stuck with me, huh?”

You groaned, burying your face in your hands. “…Great.”

──── ୨ৎ ────

“This,” you gestured to a nearby door, “is the main classroom. It’s where first-years have their lessons. It’s equipped with barriers for live combat simulations, so the—”

“You know, you’ve got a really soothing voice,” Satoru cut in. “Ever think of switching to narration?”

“Shut up,” you shot him a glare. “Are you just here to waste my time?”

“Can’t I appreciate you a little?” He pouted, but when your look refused to soften, his shoulder sank and head drooped, and he trailed behind you like a small puppy.

So cute.

No, fuck, what the fuck are you thinking?

You walked on ahead, and the whispers from all those years ago that had remained in your thoughts seemed to bloom louder again.

You don’t even belong in this house!

We’re not kids forever, you know.

The two people I trust the most in this world!

Nothing more. Nothing less.

“Are you oka—?”

“Why are you here, Satoru?”

His smirk faltered. “I told you. I want to help shape the next generation—”

“And you’re telling me it has nothing to do with me?”

His gaze softened. “Would it be so bad if it did?”

You bit your lip, trying to shut out all the voices echoing in your head. “After what you said to me all those years ago? Because if you think that can be fixed then—”

“Stop.”

You did.

“I don’t know how old you think I was then, but it’s not like you were any older than me at that time. I want you to understand that,” he spun you around to face him, “I want to change. I want to show you how much I regret raising my voice at you that way.”

“Is that all you regret?” You asked.

He paused a bit, then fixed his sunglasses to cover his eyes completely. “No. I regret saying that—”

“Hey there!” chirped in a voice you almost didn’t recognize from how much you were focussing on Satoru’s words. Satoru’s face hardened when he saw the person waving at you from behind. You turned to look at him.

“Naoya?”

“Yes, missed me? I dropped Maki with the driver earlier than usual for you,” Naoya strode up to you, and hooked his arm with yours, snatching you away from Satoru’s grip. “Let’s walk you home, darling.”

“You know, Naoya, for someone who talks a lot about class, you’re pretty shameless when it comes to interrupting private conversations,” Satoru spat venomously, making the latter turn around to face him sneering.

“Private? Oh, forgive me,” Naoya snickered. “I didn’t realize you were finally learning how to talk to a woman. But could you get a different one? This one’s taken.”

“Oh, shut up. Isn’t it past your bedtime, Zenin? Shouldn’t you be off practicing your bowing skills or groveling to your clan?”

“Groveling?” Naoya smirked, clearly unbothered. “Not my style, Gojo. That’s more your speed, isn’t it? Or did you think running off to teach would make people forget how much of a disappointment you are?”

“Uh, okay,” you tried to interrupt. “I don’t think—” 

“Oh, I’m sorry,” Satoru cut you off, leaning forward with mock curiosity. “Must be hard living in a world where your only personality trait is kissing your elders’ feet.”

“Says the man who threw away everything his clan worked for,” Naoya mocked back. “Couldn’t handle the pressure of actually being useful?”

“Useful?” Satoru laughed maniacally, and you felt a shiver run down your spine. “Is that what you call wagging your tail for every decision the Zenin fossils make?”

“Enough! Please. You two are acting like kids—” You stepped in between them and raised your hands.

“Don’t think I don’t see what you’re doing, Gojo,” Naoya chided. “Trying to fix what you broke, crawling back like the desperate little rat you are.”

“Desperate, huh? And what are you? You’re just a carbon copy of every other one of your morons. Must be boring living without a spine.”

“Better a spine than whatever it is you call yourself. A disgrace to the Gojo clan. No wonder they’ve been so quiet about you. They’re probably embarrassed.”

“Okay, enough! I don’t have time for this,” you shouted.

Naoya immediately shut up. “Are we overwhelming you, darling? I can always walk you home. Gojo here,” his expression soured again, “can find his own way back.”

Satoru’s jaw tightened. “Funny, I was about to say the same thing about you.”

“Yeah? Then why don’t you just let her choose?”

“Of course.”

Both of them turned to you simultaneously, and you made a mental note to never interrupt their conversations ever again. Before things could escalate further, however, a sharp voice cut in.

“What in the name of all things holy, proper, appropriate, virtuous, demure, and absolutely not Utahime Iori is going on here?”

“Wow, did you just compare yourself to a holy being?” Satoru snickered, and earned a slap on the back of his head by her.

“I said ‘absolutely not’, you white-haired freak.”

“Utahime!” You sighed in relief, running to hug her around the waist, and she patted your head pitifully.

“There, there. You were stuck in this pissing contest between manchildren, weren’t you? You poor, poor soul.”

“Woman,” Naoya curled his lip, “don’t you have better things to do than stick your nose where it doesn’t belong?”

“Like you’re doing right now?” Utahime replied coolly. “We’re leaving,” she yanked you away from them with her.

“Wait—” Naoya protested.

“Hey—” Satoru stepped forward.

“No. Bye,” Utahime turned around with her nose high in the air, and you gave a meek wave to both of them. They did cancel their plans to walk you home, but god did you feel grateful to be dragged away from their fights about winning you like an object.

──── ୨ৎ ────

Life had taken a strange, twisting turn ever since Satoru had re-entered your world. The once awkward silences during his walks with you were replaced by lively conversations now. He was speaking to you more now. He would sometimes do or say things that reminded you of how he was, but it wasn’t quite the same. He still hadn’t joined you for dinner again, despite the seat you subconsciously left empty every night at the table.

Meanwhile, Naoya was relentless in his pursuit — walking you to school, picking you up, showing up at your door with every excuse in the book, Impress to Repress: A Noble’s Guide to Obtain the Perfect Wife. Funnily enough, you didn’t suppose it would be too far-fetched to think he had that book somewhere in his room with the way he would speak with you.

“I thought you might need help carrying your books,” he’d say, flashing you that perfect smile as though you couldn’t see past the charm. Or: “A lady shouldn’t walk alone in the evening.” And his favorite: “I dropped Maki off early for you.”

It wasn’t entirely unwelcome, though. Naoya was charming and thoughtful in a way that had its appeal, but it also left you feeling like you were being swooped away too far, like he was a strong tide made to sweep you off your feet. But when the tide receded, you found yourself glancing over your shoulder, wondering if Satoru had noticed.

Just who should you love?

Naoya was kind — kinder than you’d expected him to be. He knew how to make you laugh, smile, blush all the same. But his ego often left you bristling. He would decide for you even though you wanted to do it yourself, and part of you wondered if he was just like the Kamo servants and nobles you had seen earlier.

And then there was Satoru. He’d shattered your heart three years ago with careless words. The memory still burned like a fresh wound, but there were moments now when you saw something different in him. Something softer. Something that almost made you believe he could fix what he’d broken. But it was too toxic to linger on.

You reached the teacher’s lounge and found it empty except for Utahime, who was leaning against a desk, flipping through a stack of papers. She glanced up as you entered.

“Finally decided to get a break?”

“Yeah. Did you bully all the other teachers out again?”

“Thank me for that,” she poked her tongue out as you sat down laughing.

“Actually, I came here to ask you something,” you hesitated.

“Hm?”

“Why—” you huffed. “Why did you step in that day? You know, with both of them. You were supposed to let me… choose.”

Utahime set her pen down with a soft sigh. “Because you weren’t ready.”

“What do you mean?” You frowned. “I could’ve—”

“Could you, though?” She wondered loudly. “I’ve known you long enough to recognize when you’re drowning in your own head. You’re still holding onto pieces of your past with Satoru while Naoya’s practically dragging you into his future. And you? You’re just standing there, caught in the middle, hoping someone else will make the choice for you.”

You spluttered at how accurately she described your situation. “But you said—”

“I said ‘take your time’, didn’t I?”

“You did,” you sighed. “But what if it’s too late?”

“If it is, then a choice will be made for you,” her eyes darkened. “You know what clans are like. The Kamo clan even set up a proposal for Satoru, and he was just seventeen at the time.”

You opened your mouth to argue, but what could you say? If it wasn’t for your mother that day, Satoru would’ve been married off at the mere age of seventeen. The Kamo clan’s elder daughter had been married off at a young age as well, from what you had heard from their maids. Who’s to say that won’t be the case for you as well? How long could your mother shelter you after all?

Utahime softened slightly. “I stepped in that day because you needed time. But don’t think for a second that I’m going to keep doing it. This is your life. Your future. And you’re the only one who gets to decide who’s in it. So stop running in circles.”

“But I’m scared,” you croaked out.

“Scared?”

“What if I make the wrong choice?” You said quietly, looking down at your own hands.

Utahime leaned back with a small smile. “Then you deal with it, just like everyone else. But at least it’ll be your choice, not theirs.”

You nodded slightly.

“Oh, and one more thing — next time, don’t let two grown men fight over you in public. It’s embarrassing.”

You sat there, chewing on your own nail and wondering if you should laugh, cry, or start packing your bags to run away from both Satoru and Naoya entirely.

──── ୨ৎ ────

On Utahime’s advice, you had prepared two separate diaries to recount heart-fluttering scenarios you had with each man to help you ‘decide’ between them. As much as you found the whole idea ridiculous, you figured trying it won’t hurt. You had asked both Naoya and Satoru to buy you a diary each just to see how differing the outcomes would be.

Now, you picked a diary that looked posh and had a sophisticated-looking leather twine to strap it shut. The cover looked menacing, and the pages were eerily white. You did not have to second-guess to know who bought this one.

“Naoya,” you muttered, scribbling his name along the first page. You then turned to the next page, and began writing.

1. Cafe dates... he always ordered my drink without asking. Polite, attentive, charming... but also predictable.

2. Parent-teacher meeting dates? Oh god, does that even count? It’s just like what Satoru said.

You paused. Were you supposed to add Satoru’s name while writing in Naoya’s diary? Scoffing, you continued.

He made sure my notes were perfect, held doors open, smiled at every passing teacher like he was running for class president.

3. Dinner at the estate — ugh. The way he spoke to mother, like he was auditioning to be the next clan leader. Why is he so flawless?

You groaned aloud.

“Is he just too perfect or am I just being unfair?”

Annoyed, and also running out of romantic scenarios to write for Naoya’s diary, you picked up Satoru’s diary. It was like the old one you had maintained when you were thirteen. You giggled a little remembering how much you had to plan and strategize on the diary’s hidden location to keep it away from him. You couldn’t be caught dead with him knowing what was in it.

The first thing he had said when you had asked for a new diary was, “Why, is my charm too much for you that you have to pen it down so you don’t overflow?” And god, was he right.

You ran your fingers on the spine of the diary. It was your favourite colour — you wondered how he still remembered that. Did he have his own secret diary you had to find soon? You opened it and began writing.

“Where do I even start with you, you pumpkin?” You giggled at the words you had just scribbled.

1. The staff room date. Well, if you can even call it a date. You barged in uninvited, stole half my lunch, and started criticizing my handwriting like you were some literary genius. Just like you used to. What did you call it when we were kids? A calligraphy competition on every page, huh?

You remembered the scenario all too well.

The staffroom was peaceful for once, the only sounds coming from the ticking clock and the low murmur of the other teachers quietly going about their breaks. You were tucked into the corner by the windows, your lunch spread in front of you, savoring the rare moment.

And of course, it was then that the door flung open with an obnoxious swing.

Satoru Gojo.

You didn’t even have to look up.

“Well, well, look who’s having lunch all alone! No invite for me? Rude.” he smirked, sliding into the chair opposite you like he belonged there. Without waiting for your response, he reached over and casually snatched a piece of your lunch.

You sighed. “I didn’t invite you because I didn’t want you here.”

“Fair enough. Lucky for you, I’m here to grace you with my presence anyway.” He gobbled up your lunch. “Hmm, not bad. You didn’t cook this yourself, did you?”

You snatched your box away from him. “Can you not? This is my lunch.”

Satoru leaned back with a huff. “Whatever.” He noticed your open notebook. “What’s this? Lesson plans? Don’t tell me you’ve been taking this teaching thing seriously.”

“Don’t touch that!”

But he did. And he held it out of reach, flipping through the pages. “Relax, I’m just taking a look. Whoa. Your handwriting hasn’t changed a bit.”

“And what’s that supposed to mean?”

“You know, it looks like you’re trying to win an award for best handwriting or something.”

You flushed. “I just like making it neat!”

“Neat? Are you kidding? I remember trying to copy your style once when we were kids, and mom thought I was possessed.”

You snorted. “Maybe you were just bad at writing.”

“Oh, absolutely. I gave up halfway and just stuck to my chicken scratch.”

2. The sparring match. I hated you for pairing up with me for what? “Showing the kids how it’s done”? What does that even mean? And what kind of lunatic goes easy for three rounds and then wipes the floor with you in the fourth? But afterward, you stayed to help me fix my form. You didn’t have to... but you did.

In the grounds, you stood with your wand in your hand, and across from you stood Satoru, smirking confidently, his wand poised like an extension of his arm.

“Showing off, huh?”

“Shut up, you’re the one who needed my help in ‘teaching these kiddos’,” you shot back. “And besides, I don’t need you to show off in front of them."

“Who said I’m showing off?” He grinned. “Just here to make sure you don’t embarrass yourself.”

He flicked his wand, sending light spells your way. You blocked them as best as you could, but he was always one step ahead.

“You’re not even trying!” You shouted.

“Of course not, I’m just giving you a chance.”

But then, without warning, he shifted his stance and cast a powerful spell that knocked your wand from your hand.

“What the—?”

“Language.”

“—hell”

“Just showing you how it’s done,” he shrugged, and you gritted your teeth.

He stepped closer, handing you your wand. Reluctantly, you took your wand.

“Since when did you become better than me at this?” You asked him.

“Since you forgot your old self among your new troubles,” he replied with a twinkle in his eye.

3. The stargazing. God, Satoru, you’re insufferable. Who even points out constellations while lying on the grass and makes up fake names for them just to make someone laugh?

You laid on the grass, watching the night sky stretch endlessly above you. Satoru was beside you, dramatically pointing at every star he could set his eyes on.

“You see that one? That’s the Satoru constellation. Handsome, charming, and clearly the best in the sky.”

“I don’t think that’s a real constellation,” you giggled.

“It is if I say it is,” he pulled a face.

“Alright, alright,” you shook your head. “You’re impossible.”

“And yet, here you are. Lying next to me, staring at my constellation.”

You stayed quiet, watching as his expression softened. He turned to you, lifting his head with the palm of his hand and looking right into your eyes with his bright blue ones.

“You know,” he whispered. “Stars are kind of overrated.”

You turned to look at him. “Why’s that?”

He spared half a glance at the sky before leaning in to nuzzle into your neck, but he stopped short, barely a few inches away from your skin. “Because I’ve been staring at something brighter all night.”

Your breath hitched, but before you could respond, he turned back to the sky, his usual grin breaking the moment. “I’m just a chill guy, just thinking, you know.”

“About what?” You asked curiously.

“How someone as brilliant as you still gets stars in her eyes every time she looks up.”

“Wow, that’s surprisingly poetic of you.”

“Right?” He gushed over himself. “Don’t get used to it though. I have a reputation to maintain.”

“There it is,” you smiled.

“But seriously,” he laid his head down on the grass right next to your chest. “I don’t mind the stars. I just think the view’s better when you’re in it.”

You turned away, pretending to admire the flowers, but the heat in your cheeks might have given you away.

Why did you look at me like that, like I was the only star that mattered?

──── ୨ৎ ────

Maki leaned against your desk, watching you intently. “So... what's going on with you and Naoya?”

You widened your eyes. She had insisted on staying back to help you rearrange the chairs after class, yet here she was now, asking you questions about your personal life. 

“Why does that matter?” You asked, sounding more defensive than you had intended to be.

“He’s from my clan,” she said, as if that was enough of a reason for you to talk about the weird love triangle you had landed yourself in. She sat on your desk, swinging her legs up and down.

“Look, I... I don’t really know. I mean, it’s definitely more than what I expected, but I’m not sure where it’s going.”

Maki raised an eyebrow, her lips pressing into a thin line as if she was considering something. She seemed rather skeptical.

“Alright, just don’t martyr yourself for him.”

Your stomach twisted at her words. Did she even realize what she was saying? You looked up at her, trying to read her expression, but it was hard to tell what she was really thinking.

“What does that even mean?” You asked incredulously.

Maki sighed, pushing herself off from the desk. She walked a few steps towards you. “He’s not worth it,” she said, and then she left the classroom just like that.

What the hell?

You’d known all this while the Zenin clan was among the more orthodox and conservative ones, and you considered yourself lucky to be part of the Gojo clan, one of the more lenient ones. But seeing a young girl, a student you had been teaching for a while nonetheless, voice out a cryptic message, or rather a plea for help from misogynistic fucks, perhaps, made you second-guess the whole idea all over again.

Just what has this girl been through?

Later that day, you spotted Maki and Naoya leaving together, and felt the pit in your stomach deepen.

Something was not right.

──── ୨ৎ ────

Your ears had perked up when you had been told by your mother that there was another meeting of the clans of the nobility, but that wasn’t what had you interested. It was the fact that all the clans would be present, and that included the Ieri, Iori and Geto clans. As much as you were sure your friends would hate to attend this stupid meeting, Satoru’s suggestion of sneaking out made you far more excited than you should be.

So here you were, writing letters to Shoko and Suguru to attend the meeting at all costs after barking Utahime’s ear off to do so as well. You crumpled your parchment up and threw it in a corner for the fifth time.

What were you even supposed to write to friends you’ve grown apart from?

You huffed and began scribbling on fresh parchment once more.

Dear Shoko,

I can already picture you rolling your eyes at this letter. “What is she up to now after not keeping contact for ages?” you’re probably thinking. Well, for once, it’s not mischief, or boy troubles, or even weird investigations cough cough.

It’s been so long since we last saw each other, and I’ve missed you more than words can say. Remember when we used to sneak out of classes just to sit under the old tree and complain about literally everyone? Things have changed so much since then — we’ve changed so much. But I think a part of me still hopes that when I see you, it’ll feel like no time has passed at all.

There’s a clan meeting coming up (ugh, I know), and I heard your clan will be attending. Please tell me you’re coming. I’ll even tolerate your sarcasm if it means we can catch up properly. Bring your flask, too — I have a feeling we’ll need it. Oak tree, Iori Estate, don’t forget.

I can’t wait to see you again. Write back if you have the time, or just show up and surprise me. Either way, I’ll be waiting.

With love and exasperation, Your favourite patient

Good enough, you thought, but Shoko probably won’t even read all of that. Eh well it didn’t matter anyway.

Dear Suguru,

How have you been? Really been? I’ve missed having someone to talk to who actually listens. I’m sure your clan keeps you busy, but I hope you’ve found a moment or two to breathe.

There’s a clan meeting coming up, and I heard the Geto Clan will be attending. Just the thought of seeing you again after all these years makes me... well, nervous, if I’m honest. Not because of anything bad, but because there’s so much I want to say, so much I’ve wanted to ask you.

Do you remember the last time we all sat together, back when things were simpler? I miss that. I miss us. Maybe this meeting will give us a chance to find that again — at least a little.

I hope you’ll be there. No pressure, of course, but if you come, we’ll be waiting under the oak tree out back in the Iori estate. We’d really like to see you.

Take care of yourself, Suguru. And don’t overthink this letter as much as I overthought writing it.

Yours, Your favourite troublemaker

──── ୨ৎ ────

You sat across from Satoru in the carriage to the meeting in silence. His eyes were fixed on the passing scenery outside, but you could tell from the way his fingers fidgeted against his knee that his mind was elsewhere — most likely at the fact that both his mother and father were in another carriage together.

Over the years, their relationship had grown even more strained than it had become on that unfortunate day. You couldn’t imagine what it would be like for either of them to be forced to act like a healthy couple for the sake of a few hours in front of thousands of other people.

“Satoru?” You called softly, and he snapped out of his thoughts.

“Hm?”

You patted his knee. “They’ll be fine.”

He huffed a short laugh, turning his head just enough to glance at you. “You’re too optimistic. What if they explode at each other in the middle of the meeting? Or worse, drag the entire Gojo name through the mud?”

“Then you can just blame me,” you shrugged, trying to lighten the mood. “Say I tripped and caused a distraction, or spilled tea on someone important, or whatever it is that nobles dislike.”

“Oh? And they would believe that? Miss perfect student?” He cracked a small smile.

“I’m not a student anymore,” you stuck your tongue out at him, and he laughed.

“Yeah, but I don’t think that would really improve things.”

“It might. Chaos is a great way to bond people. Just look at us!”

He turned fully to face you now in amusement. “That’s your big plan? Turn the meeting into a comedy night?”

“If it gets you to stop worrying for five seconds, then yes,” you smiled.

He leaned back in his seat, the faintest smile tugging at the corners of his mouth. “You’re ridiculous, you know that?”

“Maybe. But ridiculous is what you need right now.”

He held your gaze for a moment, the storm in his eyes quieting just a little. “Thanks… for, you know, trying.”

“Trying?” You gasped as if offended. “I excel at this. Just wait — by the end of this night, you’ll owe me for single-handedly saving the Gojo name.”

──── ୨ৎ ────

You tiptoed through the dimly lit corridor, Satoru trailing behind you with his usual cocky grin. He wasn’t exactly stealthy, but he was trying his best, even if his ‘best’ meant occasionally tripping over his own feet and knocking random armours on the way.

“This is dumb,” he whispered to you. “We should just portal her out.”

“No! Tha’ll make it too obvious,” you whisper-shouted. “We’re supposed to be discreet.”

“You’re whispering like a toddler playing hide-and-seek,” he snorted and you shushed him. “That’s the opposite of discreet.”

“Shut up. Now where’s the oak tree?”

“Out?”

“Obviously, genius, but where’s ‘out’?”

“Uhhhh,” he dragged out his response before pointing to a very clear exit. “There? You didn’t see that yet?”

You chose not to dignify that jab with a response, pushing open the door to where Shoko and Suguru were supposed to wait for you as per your letters.

“Fuck, it’s dark in here,” your voice echoed for some reason.

“Careful, princess. Wouldn’t want you to be caught swearing like you’re not from a noble clan,” Satoru snickered, and you wanted to whack him on the head like Utahime had done the other day.

“About time,” a bored voice said, making the two of you jump and turn in horror, staring at the darkness to make out the figures that were inching closer and closer to you. “We thought you chickened out from what you said in the letter.”

“Sh-Shoko?”

“Duh.”

“Shoko!” You ran up to her as she came into the light of the estate, hugging her like your life depended on it. “Missed you.”

“Missed you too,” she patted your shoulder. “Did you two get lost, or were you off making out in a broom closet or something?”

“What?” You deadpanned. “I haven’t seen you in years, and this is how you greet me?”

Suguru grinned from beside her. “I mean, she’s not entirely wrong,” he gave a light punch on the chest to Satoru. “You’re a little flushed.”

“See?” Satoru smirked. “I told you we should’ve taken the broom closet route. Much more efficient.”

You groaned. “Leave that! Utahime’s stuck in some ridiculous ceremony, and we need a plan to get her out.”

“How bad could it be?” Shoko said. “Light some incense, wave your hands, maybe sacrifice a virgin or two, chant a bit, and she’s done, right?”

“You’ve clearly never been to an Iori ritual,” Suguru replied. “They’re like a cult, but boring.”

“Oh, they’re worse than boring,” said Satoru. “They make you kneel for hours, bowing and chanting. And if you screw up, they start over. It’s like boot camp for spiritualists.”

“Exactly,” you said, sighing. “So, we need a distraction. Something big enough to pull her out but small enough not to get us executed by her clan.”

“I say we fake an emergency,” suggested Suguru. “Like, ‘Oh no, a curse is loose!’ Then she’s got to leave.”

“Too obvious,” Shoko lit a cigarette. “They’ll know it’s fake when Satoru doesn’t stop the ‘curse’ immediately.”

“How about an eating contest?” proposed Satoru, immediately earning an actual punch from Shoko.

“What if we convince them that Utahime has to perform an exorcism somewhere else?” asked Suguru. “Like, say, the riverside.”

You snapped your fingers at his brilliance. “Yes! Perfect! We’ll say her ‘spiritual energy’ is needed for a very urgent ritual. Shoko, you’ll pretend to be an elder. Suguru, you’re the messenger. Satoru, just— stand there and look important.”

“Excuse me? I am always important.”

“Anyway—” Shoko interrupted, taking a long drag. “I bought props just because.” She pulled out her bag and unzipped it. Out came tumbling fake moustaches, eyebrows, caps, cloaks and god knows what.

“What the—” you were stunned. “Why did you get this stuff?”

“Told you, just because,” she shrugged. “It’s a stupid clan union meeting. Thought we’d need some entertainment.”

“Shoko, you’re a genius.”

The four of you tried to find the ritual hall amongst the many rooms of the estate. After bullying a random security guard and having him lead you to the hall, Satoru dramatically banged the door open. The elders of the Iori clan all turned to look at the four of you, and Utahime, who was kneeling in the center surrounded by them, glanced up and immediately put her head back down with curses disguised as a cough.

The air was thick with incense and your eyes were burning. Shoko scratched her fake beard, and stepped forward to speak in a loud, rumbling voice. “Elders of the Iori clan!” She lifted her hands up and flailed her arms around wildly to address them. “There has been a disturbance under your watch,” she thundered, “in the northern woods, of which none can speak.”

“A disturbance?” A grandma squeaked. “What kind, Master Yoo?”

You had no idea who Master Yoo was, but if this plan was working, you didn’t care either.

“It shall remain classified,” Suguru stepped forward slowly with a hunchback and a stick. “None can speak of it without endangering  everyone else.”

“It is the kind,” you bowed to them, “that only the heir of a true princess born to a clan as unique as yours, in the shadow of an oak as old as yours and for a purpose as grave as this may resolve.”

“Us?” An old man exclaimed. “So you have chosen us?”

“Your heir, to be exact,” Suguru clarified.

“Ah, well, then, we shall send the boy—”

“The girl, please,” you deadpanned.

The elders blinked. “Why the girl?”

“Her energy is unique and, uh, mesmerizing,” Shoko boomed, making them fall to their knees. She dramatically walked to the squeaking grandma and grabbed her by both collars of her kimono. “Your heiress has been chosen by the spirits of the longgone.”

“Chosen, you say?” She squeaked in response. “Why wasn’t this revealed earlier?”

Satoru sighed dramatically while you lifted Utahime up. “Do you always question the will of the spirits? No wonder they never bless this place.”

The elders were flustered. They waved Utahime away. She rose stiffly and, still muttering long strings of curses, followed you all out.

Minutes later, the five of you were lounging by the riverside, the cool night breeze rustling the trees. A bottle of sake was being passed between you, the props of earlier long discarded.

“A divine mission? Really?” Utahime was exasperated. “That’s the best you could come up with?”

You laughed, and Shoko said, “Well, it worked, that’s all that matters.”

“You’re welcome by the way,” Satoru grinned. My ‘important face’ is the only thing that made the whole act believable.”

“That’s because you’re aging,” you sighed. “Aging enough to be one of those elders by now.”

“Owie, that hurt.”

“Your face is important for comedy, not authority, Satoru,” said Suguru. Then, he raised his drink. “To divine missions, friendships, and chaos wherever we go.”

“Cheers!”

The moon was still high, and you wondered how long it would take for your clans to realize that all of you were missing from the main event. The air was filled with the faint sounds of laughter and clinking bottles as your friends enjoyed themselves nearby. Satoru, however, had wandered off to the water’s edge. He crouched, plucking smooth stones from the shore and skipping them across the surface with surprising precision.

You hesitated for a moment, then walked over, unable to resist teasing him.

“What’s this?” You asked playfully. “The Gojo Satoru, retreating from the crowd to have a quiet moment with his thoughts? I thought you thrived on attention.”

Satoru did not look back at you. “Oh, I do,” he half-chuckled. “But I also thrive on balance. Can’t be too perfect all the time — it makes people insecure.”

You snorted. “How generous of you to consider the feelings of the peasants.”

He glanced back at you, a smirk tugging at his lips. “See? You get it.”

“Oh, I get it. You’re just here to keep the river from feeling too plain without your dazzling presence.”

He laughed, straightening up and brushing his hands on his pants. “Alright, you caught me. I was giving them all a break from my charm. But what’s your excuse? Couldn’t handle the drinking game?”

“More like I couldn’t handle Suguru trying to explain his ‘philosophical approach’ to sake. What did he say again? ‘Is the sake good because you’re dreaming, or are you dreaming because you’re drinking good sake?’ My brain was melting.”

“Fair point. His monologues can be,” he grinned, “intense.”

You stood beside him now, staring out at the water. He tossed another stone, this one skipping three times before sinking. “Is this what you do when no one’s watching? Brood by the river and play with rocks?”

“First of all, it’s called skipping stones, not playing with rocks. Second, brooding? Me? That’s your job.”

“Excuse me?”

“You’re the one standing there like the protagonist of a tragic romance novel, sighing at the stars. Very dramatic.”

You nudged his arm, rolling your eyes.

“You’re impossible.”

“And yet, you’re still here.”

There was a comfortable silence over both of you. The night felt quieter now, the laughter from the group fading into the background. You shifted, suddenly aware of how close you were standing.

“...You okay?” You asked softly.

He turned to you, his usual grin faltering just slightly. “Why wouldn’t I be?”

“I don’t know. Just feels like there’s something on your mind.”

He held your gaze for a moment, then looked back at the water. “Maybe. But nothing a little stone-skipping and your terrible jokes can’t fix.”

“Terrible?” You grinned. “I’ll have you know I’m the funniest person you love.”

“You’re the only person I love.”

Your smile faded a bit as you looked into his eyes, and he did the same. Suddenly, everything you did was making you feel embarrassed — your breathing, blinking, shaking hands… until he grasped your fingers and put them on his chest.

“Do you feel that?”

Yes.

I feel the love.

You nodded, and he smiled a little. He tipped your chin up to meet your gaze. “How about we ditch the ditching of our super important clan meeting?”

“There’s nothing I wanna do more,” you breathed.

You and Satoru were sneaking back toward the main hall, your laughter still echoing softly as you wiped imaginary dust off his shoulder.

“I can’t believe you slipped on that rock,” you poked your tongue out at him. “All that talk about being graceful—”

“It was one rock, and it was slippery,” he cut you off. “Besides, I saved it. You’re the one who almost fell in the river trying not to laugh.”

“Saved it? You looked like a baby seal trying to ice skate.”

His mock-offended gasp earned another burst of laughter from you. But as you approached the entrance to the meeting hall, your mirth faded. Standing just outside the large carved doors was Satoru’s mother, speaking to a few people. But then she turned around, and her piercing eyes narrowed as they landed on the two of you.

“You two,” she said sharply, and you winced in unison. “How fortunate you both decided to rejoin us.”

“Fortunate?” Satoru was unfazed. “Or just impeccable timing, Mother? You know I always aim to impress.”

“Your absence was noted.” She ignored him completely and turned to look at you. The subtle scrutiny in her eyes made you feel like you’d been caught sneaking sweets from the pantry.

“We just needed some air after all the formalities,” you added hastily.

“Then I trust you’ve had enough of it.”

Without waiting for a reply, Satoru’s mother coolly turned and swept back into the hall. Satoru let out a dramatic sigh. “Well, that was fun.”

Shaking your head, you followed him into the hall. The hum of conversation and clinking glasses immediately engulfed you. The room was grand, the walls lined with banners representing the noble clans in attendance. You recognized faces from the Kamo and Iori clans, along with a handful of others. The two of you slid into unoccupied chairs near the back, just out of your parents’ immediate line of sight.

“Let me guess,” Satoru whispered to you. “Five minutes in here, and you’ll be begging to sneak out again.”

“Ten minutes. I’m trying to behave.”

“You? Behave? That’s new.”

True to his prediction, boredom set in quickly though. The speeches droned on about alliances and tradition, and Satoru began fidgeting. At one point, he caught your eye and mouthed, ‘Let’s go.’

Before you could answer, he grabbed your hand and led you toward the balcony doors. He tugged you through the crowd, weaving around clan leaders and dignitaries with the ease of someone who knew exactly how untouchable they were. You barely managed to stifle a laugh at the old nosy lady he had pushed as he pushed them open and pulled you into the cool night air.

“Satoru — people are watching!”

“Good. They can admire how stunning you look while I steal you away.”

You stood against the railing, the city lights below shimmering like scattered stars, though none of them could light you up like the man in front of you did. Satoru leaned beside you, his elbow brushing against yours.

“Do you ever wonder why they even bother with these meetings? It’s just a bunch of old people pretending they’re still important.”

“Careful,” you smiled. “Those ‘old people’ include your parents.”

“Apologies. Allow me to rephrase: a bunch of old people... and my extraordinarily distinguished parents.”

You laughed softly. “It’s not like you and me here are any better. What is to guarantee that I won’t be bored here?

“Bored? Here, with me? I’m hurt. My company is way more exciting than whatever that was,” he gestured wildly towards the hall. He leaned against the railing, his silver hair catching the moonlight like it was showing itself  off. “And besides, you’re the one who kept looking at me like you wanted to escape. Don’t deny it.”

You crossed your arms, raising a brow. “Oh, I was looking at you? Pretty sure it was the other way around, Gojo.”

His grin widened, his eyes narrowing in mock challenge. “Caught me. Can you blame me, though? You’re kind of hard not to stare at.”

The way he said it — too casual, too confident — made your heart skip a beat. Just like it always would when he was around. Just like always.

“Do you ever get tired of flirting?”

Without missing a beat, he replied, “Do you ever get tired of pretending you don’t like it?”

You opened your mouth to retort, but nothing came out. He tilted his head, watching you with an expression that was both smug and softer than usual. “Speechless? That’s a first. I’ll take it — and your blushing face — as a win. See, you like my balcony adventures!”

You sputtered, trying to deny it, but he only laughed, the sound low and warm in the quiet night.

“Maybe I just like the view.”

“Flirting back now?” said Satoru, and you furrowed your brows at him. “I knew you’d cave eventually.”

“That is not what I meant.”

“Too late now,” he grabbed your hand for a second time that night. “I think I like this better,” he leaned in.

The space between you felt smaller. His voice was quieter as he added, “I meant what I said near the riverside. I always will.”

A hand wrapped around your waist, and you couldn’t care less about the number of people that could walk in on you at this exact moment. You inched closer to him, too shy to ask for what you wanted. But he did so as well, granting you the permission you needed.

You closed your eyes, parting your lips.

A sister.

No, that was a lie.

He loved you.

Your lips brushed against each other’s for half a second before—

“Oh, there you are. I’ve been looking everywhere for you.”

You both jumped slightly, and Satoru pulled back, his expression immediately darkening. You turned to see Naoya strolling toward you with his usual smug smile.

“Hope I’m not interrupting anything important,” he bowed in front of you, kissing the back of your hand like he owned it. “Care to join me for a dance?”

You opened your mouth to answer, but Satoru stepped forward, his hand still lightly brushing your other one. “Actually, we were in the middle of something—”

“I’m sure it can wait. After all, a Zenin doesn’t ask twice.”

You glanced between them, and with a resigned sigh, you forced a polite smile and stepped toward Naoya, your heart sinking as you felt Satoru’s hand fall away.

“...I’ll be back,” you said to Satoru.

His only response was a tight nod. As Naoya led you back inside, you couldn’t help but glance over your shoulder. Satoru stood there on the balcony, his hands in his pockets, watching as you disappeared into the crowd.

Naoya led you onto the dance floor with confident strides. “You’re light on your feet. A perfect match for me, wouldn’t you agree?”

You bit back a retort, focusing instead on the music and not the way his hand lingered just a little too long on your waist. You still weren’t sure whether the tingling on your hand was because of Naoya’s little kiss or due to Satoru’s touches earlier. And you didn’t get a chance to ponder on it either.

Naoya twirled you out dramatically, and when he pulled you back in, his lips brushed your knuckles in a gesture too showy to be sincere.

From the corner of your eye, you caught Satoru leaning against a pillar stiffly. His hands were shoved deep into his pockets, but you could see the tension in his shoulders. His jaw was tightened as he watched Naoya spin you across the floor.

“Unbelievable,” you read his lips.

But if he had a problem, he’d say something, you thought. Or was he too much of a coward to do so?

Naoya dipped you — dramatically, of course — and you couldn’t miss the way Satoru’s expression darkened, his knuckles whitening as his hands clenched into fists. Finally, he pushed off the pillar, striding toward the two of you.

“Mind if I take over?” He said smoothly. “The lady looks like she’s had enough of your theatrics.”

“Is that so?” He raised an eyebrow. “I didn’t hear her complaining.”

“You didn’t ask,” you said flatly.

Naoya’s smirk faltered just enough to give you a flicker of satisfaction before Satoru stepped between you. “Thanks for warming her up for me, man.”

Without waiting for a response, Satoru took your hand and placed his other hand on your waist, effortlessly guiding you into the next step.

“Jealous much?” You teased him.

“Jealous? Nah. Just couldn’t stand watching him butcher a perfectly good waltz.”

You rolled your eyes but couldn’t help the small smile tugging at your lips. At first, the dance felt awkward. His hand was just a little too tight on your waist, and your steps were slightly out of sync.

“For someone so full of himself, you’re surprisingly bad at this,” you said.

“Excuse me?” He replied, mock-offended. “I’m amazing at this. You’re just distracted by how good I look.”

“Yeah, yeah. Keep telling yourself that.”

But as the music slowed, and the crowd dispersed, his teasing grin softened. His hand on your waist relaxed as his thumb brushed against the fabric of your dress.

“You didn’t answer me earlier.”

That caught you off guard. You looked up, meeting his gaze, and for a moment, the noise of the room faded into the background.

“You didn't ask.”

The corners of his mouth lifted, not in his usual cocky smirk, but in something gentler, more genuine.

“Well, then, I will. Do you still… you know?”

“You know what?”

“Love me like you did?”

Your feet stopped.

Did you?

Or more than that, should you?

“Is it bad if I do?”

“No, not bad at all,” he smiled.

“Satoru.”

“Hm?”

“Why did you? That day. Why?” You asked him softly the one question you had been dying to ask for three whole years.

“I… Fuck. Naoya, him, I couldn’t—” his hands dropped from your waist, and you flinched a little, moving a few feet back, realizing that your question might have messed your moment up. “Angel—”

“Attention, please,” Naoya clinked a glass loudly. “I have an announcement I’d like to make here.”

The hum of conversation in the room died down as all eyes turned toward him. You and Satoru both turned to look at him.

“This is a moment I’ve been looking forward to all of tonight. All my life, I have wanted nothing more than to serve the woman of my dreams, and tonight, I wish to solidify not only the bonds between our families but also the bond I share with this remarkable woman.”

He turned to you, his smile widening as he reached into his pocket. He strutted towards you. Your blood ran cold as he pulled out a velvet box, dropping to one knee in one fluid motion. Naoya opened the box, revealing a glittering ring) “Will you do me the honor of becoming my wife, Ms Gojo?”

The room erupted into soft gasps and murmurs of approval, particularly from the Zenin elders. You stood frozen, every pair of eyes in the room drilling into you. All of them, all their stares and expectations felt suffocating.

Your eyes looked at Satoru’s and he seemed like he wanted you to say no. You looked at the elders and they all wanted you to say yes. You looked at your mother, and her eyes were glossy, yet you would take that more than anything else at this moment. Because they didn’t have your answer ready for you in them. They wanted to let you choose. 

“I… I don’t—” you were barely audible. Could everyone just look away from you?

The words stuck in your throat. The weight of Naoya’s proposal, the stares—

“I don’t know.”

The collective murmurs grew louder and confused. For a split second, Naoya’s expression flickered. He looked irritated with your answer. But just as quickly, he smoothed it over, standing and pulling you into a light embrace.

He laughed softly and brushed his lips against your cheek. “She’s overwhelmed. It’s a lot to take in, I understand. These things can’t be rushed, can they?” He turned to the crowd, his tone light and reassuring. “She’s just shy, that’s all. I’ll give her all the time she needs.”

Polite applause broke out, and the pressure in the room became unbearable. Naoya’s hand settled on the small of your back, guiding you toward a quieter corner, and you wanted to wrench it away from your body.

But you couldn’t. Your eyes darted to Satoru. He hadn’t moved. His icy gaze was locked on Naoya, his jaw tense, his entire body screaming for you. And yet, beneath the frustration in his expression, there was something else — something raw and unspoken.

Something you recall seeing in your own eyes.

Three years ago.

You finally cornered Satoru in the training courtyard after quite a while of him dodging your presence for the rest of the night. He was leaning against a pillar, arms crossed, staring at a fountain in the middle of the gardens.

“Satoru.” You stepped closer to him. “Why have you been avoiding me?”

He didn’t even glance at you, his gaze fixed somewhere in the distance. “I’ve been busy.”

“That’s a lie and you know it. You’ve been avoiding me like I’m some kind of plague.”

Satoru finally turned to you, and said with a bitter laugh, “What do you want me to say? That everything’s fine? That I’m thrilled about everything that’s happening?”

“You could at least tell me the truth! I don’t understand why you’re acting like this.”

His jaw tightened, his hands curling into fists at his sides. “You don’t understand? Fine. Do you know how hard it is for me to see you with him?” His voice cracked slightly, the anger giving way to something new. “To know he gets to touch you? To see you smile at him like that?”

You froze, the weight of his words hitting you like a tidal wave. “Satoru…”

But he didn’t let you finish. He took a step back from you. “You didn’t even reject him. You stood there, and you let him—”

He stopped himself, his voice breaking off. He looked away, running a hand through his hair in frustration.

“I didn’t know what to do! Everyone was watching, and I—”

“You should’ve said no!” He shouted. The silence that followed was deafening. He stared at you, his chest rising and falling as he tried to rein in his emotions. Then, he whispered quietly, as if about to cry any second. “You should’ve said no.”

You opened your mouth to respond, but the words wouldn’t come.

“I can’t do this anymore.”

──── ୨ৎ ────

The Gojo estate was eerily quiet as you made your way to Satoru’s mother’s quarters. Your heart pounded in your chest. You knocked softly, and her calm voice invited you inside.

Satoru’s mother was seated by a low table, a cup of tea in hand. She looked up, her eyes softening as she took in your disheveled state. “Darling, what’s the matter?”

You sat across from her, your hands trembling as you tried to form the words. You choked a sob. “Did I make a mistake?”

“Mistake?”

“By not saying no to Naoya right away?”

Her expression didn’t waver, but she leaned forward, placing a comforting hand over yours. “You were caught off guard,” she said gently. “Anyone would’ve been overwhelmed in that situation."

Tears welled in your eyes again, and you shook your head. “But now I’ve hurt Satoru. He… he’s so angry with me. I don’t even know how to fix this.”

She sighed softly, her grip on your hand tightening slightly. “Listen to me, dear. Voicing your uncertainty was not a mistake. It’s far better to be honest about your feelings than to make a choice you might regret.”

You wiped at your tears. Her words were comforting, but they were not enough to ease the ache in your chest.

“But what if I choose wrong? What if I lose everything?”

She stood then, moving to sit beside you. She wrapped an arm around your shoulders, holding you, and you took this moment to let it all out. You cried on her shoulder, staining her dress, but she didn’t care. She merely held you and let you cry and scream all you wanted.

“If you choose to marry into the Zenin clan, I won’t stop you. But make sure it’s truly what you want. Not what they want, not what Naoya wants. What you want.” You clung to her, your tears soaking into her sleeve. “As for Satoru…” she smiled faintly. “He’s stubborn, but he’ll come around. He just needs to be reminded that he’s not losing you.”

The school courtyard was quiet that morning. The winter night had forced most of the kids to stay indoors, and the chilly effect of the weather had perhaps drowned out their usual noise. You were lost in thought, replaying the events of the previous evening, when Maki appeared in front of you.

Her stance was confident as always, but her eyes betrayed her. They were rimmed with red, and her face was pale with exhaustion.

“We need to talk.”

“What?”

“I said we need to talk.”

You shrugged and nodded, signalling her to begin speaking.

She took a deep breath in. “Don’t do it. Don’t marry into the Zenin family.” The words came out in a desperate rush.

“Maki, I—”

“You don’t understand. They’ll destroy you. They’ll take everything good about you and crush it until there’s nothing left.”

Her hands were clenched into fists, trembling at her sides. You reached out to touch her arm, but she pulled away.

“I’ve seen it. I’ve lived it. The way they treat women, like we’re nothing but tools. They’ll smile to your face and stab you in the back the moment you’re no longer useful.” Her voice cracked, and she stopped, her back to you.

You called her gently. “Maki…”

She turned to face you, tears spilling down her cheeks despite her obvious effort to hold them back. “You’re stronger than me, I know that. But they’ll find a way to break you too. Please… don’t let them.”

The raw emotion in her voice shattered something inside you. You stepped forward and wrapped your arms around her, holding her tightly as she cried into your shoulder.

“I’m so sorry, Maki,” you whispered to her. “For everything they’ve done to you."

She clung to you for a moment before pulling back, wiping at her tears furiously. “Just promise me you’ll think about it. Don’t let them win.”

You nodded, your throat too tight to speak. As you watched her walk away, shoulders hunched against the weight of her past, you couldn’t help but wonder what horrors this brave girl had endured — and what kind of future awaited her if she stayed under the Zenin family’s thumb.

──── ୨ৎ ────

“What the hell are they doing here?” you whisper-screamed to your  mother. Your voice was trembling despite your attempt to sound composed.

The last time the Kamo clan had graced the Gojo estate with their presence, it ended disastrously. More than that, he was here — the face of your nightmares, the man who had haunted your memories for over a decade.

You clenched your hands in your lap, nails biting into your palms as you stared down at the tatami mat, praying for this to be over. But no prayer could save you now. Not when you were practically being forced to bow in front of Kamo Daijiro, the man who had shattered your childhood before it had even begun.

Kamo Daijiro grinned wickedly as he took his seat, his wife Lady Akane and his daughter trailing behind like his shadows. His voice was oily and smug as he broke the silence.

“Ah, the Gojo family. Always full of surprises, aren’t we?” He said mockingly. “First, a marriage proposal with my daughter, Alina, rejected outright by your mother. What a waste of time, huh?”

The room seemed to blur around you. His words faded, replaced by the echoes of the past: the cold stone walls of the basement, the suffocating darkness, the metallic clink of chains binding your wrists.

“Stay quiet,” his voice whispered in your memory. You could feel his hand gripping your arm, dragging you down those steps into hell. Your chest tightened. You blinked rapidly, trying to ground yourself, but his next words yanked you back into the present.

“And now, of course, the Zenin proposal with you.” His gaze landed on you sharply his lips twisting into a cruel smirk. “Two rejected proposals. Not every family is lucky enough to fail so spectacularly, hmm?”

Your heart pounded painfully, the edges of your vision going white. The scars on your fingertips throbbed — perhaps from the rough stones you had used to carve evidences of your torture on the walls of the Kamo estate.

“Sell her,” his voice echoed in your mind. “She’ll fetch a good price.”

The memory hit you like a punch to the gut. You were three years old, crying for your mother, and he was laughing. Laughing as strangers examined you like a product, bartering for your life.

Why did you remember the worst moments of your life?

Satoru’s — no, your mother’s voice broke through the haze. “Speak something sensible or leave, Kamo.” Her words were firm, but you could hear the strain in her voice. She was trying to protect you, but she seemed to realize that even she couldn’t erase the ghosts of the past from your mind.

Kamo Daijiro tilted his head, feigning politeness as he bowed slightly. “Ah, but you should be made aware of what you’ve caused, Lady Gojo. Two lives ruined because of a stupid fantasy between your kids.”

“Enough, Daijiro,” said Satoru’s father.

You blinked, startled by the unexpected intervention. Satoru’s father rarely spoke, let alone in defense of his family. Wasn’t he the one hellbent on getting Satoru married just a few years ago? Perhaps his time in isolation in his room made him realize his mistake. 

“Let me remind you that the Gojo family does not bend to the whims of the Kamo Clan. We never have and never will. So whatever you think, we do not care. Yet you cannot stand here under our roof and speak that way about us, Kamo. Leave.”

Daijiro’s smirk faltered,. The confidence in his posture waned for a fraction of a second. But that moment was enough for you to breathe again. Your mother’s hand slipped over yours under the table, grounding you back to reality, your present away from the horrors of your past.

As Daijiro stood to leave, he glanced at you one last time. His eyes gleaming with a twisted satisfaction.

“You’ll never escape me, little one.”

Beat.

Did he know?

The Kamo family took their leave, but one pair of eyes lingered. Kamo Alina.

She hadn’t said a word throughout her father’s tirade, but now her gaze bore into you, there was something haunted in her expression, something that wasn’t there three years ago when she had tried to charm Satoru out from under your nose.

You didn’t trust it one bit.

You found yourself alone in the garden after the fiasco from earlier. The crisp air nipped at your skin, but it wasn’t enough to shake the phantom memories of The Kamos’ voices echoing in your mind.

A soft rustle behind you made you turn. Alina stood there, her posture hesitant. That was new — gone was the confident, smug girl who used to mock you mercilessly as a child.

“You don’t have the Gojo surname.”

It wasn’t a question. Her tone was quiet, almost confused.

You stiffened, your fingers curling into the fabric of your sleeves. “Why does it matter?”

Her lips pressed into a thin line, and she stepped closer, her hands wringing nervously. “It’s just... strange. You’ve lived with them for so long, haven’t you? And you were even engaged to… you know. Shouldn’t you have their name by now?”

The words cut deeper than you expected. You knew why you didn’t have their name. Why Lady Gojo had never officially adopted you despite raising you like her own. Because your past was a stain that no amount of time could wash away, and your future a fate you wanted to live.

But you didn’t say that. Not to Alina. Not to anyone.

Instead, you crossed your arms, forcing a smirk. “Why do you care? Planning to make fun of me again, like when we were kids?”

Her expression faltered, and for the first time, you saw something genuine in her eyes. Regret. “I…” she paused. “I’m not here to make fun of you.”

You blinked, caught off guard by her tone. It wasn’t what you expected, and that unsettled you more than anything else.

“I just... I don’t understand. Why aren’t you proud to be a Gojo? To have a family like that?”

Because I’m not one of them.

Not yet, anyway, a voice in your head hoped.

But you didn’t say that either. Instead, you looked away, your voice colder than you intended. “You wouldn’t understand.”

She flinched like you had just yelled at her, and her hands dropped to her sides.

Yet, you couldn’t shake the feeling that she might understand, more than you gave her credit for. Because for all her faults, she wasn’t Kamo Daijiro. Or Kamo Akane. Or those auctioners. She wasn’t the one who had abandoned you, sold you off, abused you like you were a piece of meat.

And then it hit you. The thought that had been nagging at the back of your mind ever since you saw her face.

Kamo Akane’s daughter. That was who Alina was. Which made her...

Your half-sister.

The realization made your stomach drop. Your eyes widened at nothing in particular, and your fingers began shaking.

Sister?

All this time, you never gave a thought about it. But it was so obvious, so clear.

Your blood.

The Kamo blood.

You gulped. No, never. Never the Kamo blood. You didn’t want to be associated with the Kamo clan, not in any way.

“I guess you won’t tell me, will you?” Her voice broke the silence, and you glanced back at her. There was no malice in her expression, no smugness, just confusion.

“No. I won’t,” you responded firmly.

She nodded slowly, her shoulders slumping in defeat. “Maybe I deserve that.”

She turned to leave, and for a moment, you almost stopped her.

Almost.

The Gojo estate was unusually quiet that week since the chaos of the Kamo family’s visit was finally behind you. Yet, you couldn’t sleep at all at night. So you did what you always do. You wandered the halls aimlessly, walking from door to door in search of sleep.

You paused outside the study, hearing low voices.

“...I know I failed you, Satoru.”

Your breath caught. That was Satoru’s father.

“I was so focused on the family, on tradition,” his father continued with regret. “I thought I was protecting you, ensuring our legacy would thrive. But all I did was push you toward a life you didn’t want. A life you didn’t deserve.”

Satoru’s response was softer than usual. “You didn’t just push me — you forced my hand. That engagement with Alina... I didn’t even have a say.”

There was a heavy silence.

“I know,” his father finally admitted. “And when your mother stood there and defied me... I hated myself for it. Because deep down, I knew she was right.”

You inched closer to the door. You know you shouldn’t be eavesdropping on this intimate conversation between a father and a son, but you knew you would have stayed awake for a couple more hours if you didn’t hear this completely.

His father sighed with a sound that was weary and old. “I wanted to say this to you for a long time. I’m proud of you, Satoru. Not because of what you are, but because of who you are. Strong, stubborn, and a lot like your mother.”

There was a soft chuckle from Satoru, tinged with disbelief. “Like mother? That’s a first.”

His father continued. “I know I have no right to ask for your forgiveness. But I want you to know, I’ll never stand in your way again. Whatever you choose for yourself, for your future... I’ll support it.”

You could hear the emotion in Satoru’s voice, even as he tried to hide it. “That’s all I ever wanted, Dad.”

Another pause, this one heavy with unspoken words.

“I’m sorry it took me this long to figure it out,” his father admitted.

There was the faint sound of movement, and you imagined Satoru standing. “Thanks, old man.”

You pushed open the door to Satoru’s room a few minutes later. You didn’t expect him to be present there, obviously. He might still be with his father, and you didn’t wish to eavesdrop on their conversation anymore.

Satoru’s room was empty, eerily quiet. His desk was tidy, his bed neatly made. Everything was in its place, except him. You sighed, sitting down on the edge of his bed.

For days, the memory of his half-finished confession had haunted you. The way he’d almost spoken, almost revealed just why he had told you those harsh words all those years ago. Almost. Before Naoya cut him off, of course. Why did he do that? Why did he say that? Why had he pushed you away? You clenched your fists, planning to stay there and wait all night if you had to, just to get the answers of those questions that had haunted you all this time.

The sound of the door creaking open jolted you from your thoughts. Relief flooded you, only to freeze when you realized it wasn’t Satoru standing there.

“Who are you?” You immediately asked.

It was a young woman. She was dressed as if she was a servant of the Gojo clan, but you didn’t recognize her.

“I–It’s me, Princess!”

“Tomoko?” you asked, frowning at the maid’s pale, trembling figure. “From the Kamo clan?” Your eyes widened in realization. “What are you doing here?”

“I... I need to tell you something, Princess,” she stammered. Her eyes darted nervously around the room. Her fingers fidgeted with each other. She couldn’t even look you in the eye. What was she hiding? Why was she here anyway? Something was wrong — terribly wrong.

“What is it?” you asked cautiously, standing up.

Tomoko wrung her hands, tears brimming in her eyes. “I... I poisoned Gojo-sama,” she whispered, her voice barely audible. “Your father, your highness.”

“What?” The word burst from you like a gunshot. For a moment, you couldn’t breathe. “What the hell are you talking about?”

Tomoko flinched, but she continued, her voice shaking. “I didn’t want to do it. I swear on your greatness, Princess! But I was ordered to — by my clan… The Kamo clan.”

The Kamo clan?

Of course, it’s them.

It’s always them.

Your knees felt weak, and you stumbled, grabbing the bedpost for support. “What poison? How long — how long does he have?”

“It’s a rare poison,” Tomoko said, her voice cracking. “They got it from somewhere and had me— had me seal it in his wine. There is no cure. He has days left. A week, at most, Princess.”

The room spun, and anger surged through you. “You poisoned him, and you’re only telling me now?”

“I didn’t have a choice!” Tomoko wailed, falling to her knees. “They threatened my family. And— and me too! If I didn’t do it, they said they’d kill us. I— I’m so sorry.”

“Sorry?” Your voice rose, trembling with fury. “Oh, you’re sorry? And what the fuck do you expect me to say?” She gasped at your choice of words. “You expect me to forgive you for poisoning someone? For poisoning my fucking father?”

“I didn’t know what else to do!” she sobbed, her hands clutching at her chest. “Please, I can’t live with this guilt.”

You stared at her, your hands shaking, your mind racing. Satoru’s father, the man who had finally begun to reconcile with his son, finally, finally begun to relive and make up for all the wasted time, was dying.

And the Kamo clan was behind it.

They had already torn your life apart when you were a child. And now they were doing it again.

Why couldn’t they just leave you alone?

“Get out,” you said, your voice low trembling with barely contained rage.

Tomoko looked up at you, startled. “But—”

“Get out,” you repeated, louder this time. “And don’t ever show your face here again.”

“Please, I—”

“Leave!” you screamed, your voice breaking. “You will only get killed here — by my soldiers or by my hands!”

Tomoko scrambled to her feet, stumbling toward the door. She hesitated for a moment, as if she wanted to say something else, but the fury in your eyes made her think better of it. She fled the room. The door slammed shut behind her.

For a moment, you just stood there, your breaths coming in short, ragged gasps. Then, slowly, you sank onto the bed, burying your face in your hands. Tears stung your eyes, but you refused to let them fall. Not yet. Not until you figured out what to do.

Because another piece of your newfound life was tearing, and no amount of rage or despair could change that.

──── ୨ৎ ────

Ever since that night, you had been hoping, praying even, that whatever Tomoko had said that day was false. That your father was perfectly healthy, and he’d live a long life. But Satoru noticed how his father would stumble on his steps at times. Your mother noticed her husband’s loss of appetite. And overtime, as this worsened, you couldn’t deny it anymore.

Your father was dying.

And that was going to break you.

You hadn’t spoken a word about it to anyone. You should, you knew that. But how? Mother was always too busy fussing over him. Satoru had been avoiding you since that night with Naoya. How were you supposed to say a word?

The hallway outside Satoru’s parents’ room was dimly lit. They had begun sharing rooms again, and you wanted to be happy for them. But this would only go on for about five days longer, you thought ominously. You stood awkwardly near the door, waiting for your mother to emerge. Inside, you could hear her fussing over her husband tenderly.

“Stay in bed, please. The tea is still warm — I’ll bring it to you.” “I’m fine, love,” he replied weakly. “You’re the one who needs rest.”

There was a muffled sound of her setting something on a table, and then footsteps. she opened the door, stepping out into the hallway. She startled slightly at the sight of you, but her face quickly softened when she realized it was you.

“Are you waiting for Satoru? He’s not back yet,” she said, smoothing her sleeves. “No, I—” Your throat felt tight, and you took a moment to gather your courage. “Mother, I need to tell you something.”

Her eyes narrowed slightly in concern, and she gestured for you to follow her into the small sitting room across the hall. She sat gracefully, folding her hands in her lap. You tumbled into your seat, taking a deep breath.

“It’s about Father,” you begin hesitantly.

“What about him?”

“I… I know what happened to him,” you said cryptically. She raised an eyebrow at you, gesturing for you to continue. “One of the Kamo maids, Tomoko… She stayed back after the leaders had left and disguised herself as one of ours. And she told me. That she had poiso—”

“Enough,” she held up a hand to stop you, and you flinched. For a moment, her expression didn’t change. Then she closed her eyes and let out a long, quiet sigh. “I know,” she said softly.

The admission took you aback. “You... you know?”

She nodded, her fingers tightening briefly around the fabric of her kimono. “He told me as soon as he realized. In the past two days, we’ve consulted every healer, every remedy. There’s nothing… nothing that can be done now.” Her voice trembled just slightly, and she pressed her lips together to steady herself.

“Mother,” you whisper.

She waved a hand dismissively, but her eyes glistened with unshed tears. “I should apologize to you for allowing the Kamo clan to enter our lives. I couldn’t protect my family as I should have. I’m a terrible mother.”

You shook your head vehemently. “You’re the best. The best mother and the best leader. And everything else you are.”

“Thank you, darling.” You could see the strain in the smile she gave you, and she looked older in the candlelight.

“But what do we do now?”

Lady Gojo exhaled, leaning back slightly. “Now, my only concern is making his last days as peaceful as possible. If Satoru were to find out...” Her voice broke for a moment, and she looked away as if to compose herself. “It would destroy him,” she continued. “He’s been through too much already. I won’t let this pain touch him — not yet.”

You felt a lump forming in your throat at her last words. “What can I do?”

She smiled faintly, though it didn't reach her eyes. “Just be there for him. When the time comes, he’ll need you more than ever.”

You were pacing outside the garden. Every step crunched against the gravel path. Your thoughts were swirling with your mother’s confession, and her desire to keep it a secret from Satoru. But the last time you had kept something a secret from him, it had resulted in the loss of three years from your life. You couldn’t let that happen again.

But could you disobey your mother? So you had been doing the best thing you could possibly do in that situation — avoiding Satoru all day. But apparently, that wasn’t enough.

“Hey,” his voice startled you as he appeared seemingly out of nowhere. “What’s going on with you?”

You whirled around, clutching your chest. “W-What do you mean?”

He squinted at you, crossing his arms. “This!” He said, as if that explained everything. “You’ve been acting weird. Stuttering, avoiding eye contact, mumbling when you talk to me. That’s not like you at all.”

You forced out a laugh, waving your hand dismissively. “Oh, come on. You’re imagining things.”

Satoru took a step closer. “Don’t lie to me.”

You panicked and shouted. “I’m not lying!”

He narrowed his eyes in frustration. “You can’t even say that without stuttering.” Then he sighed. “Alright, tell me. What’s going on?”

“If you think of me as your sister were all the moments we spent together false or am I overthinking?” You blurted out.

Satoru froze, caught off guard. For a moment, the only sound between the two of you was the rustling of leaves in the evening breeze.

“What?”

“Three years ago,” you pressed, your voice trembling slightly. “At the Kamo meeting. You called me your sister after they had brought up—”

“I know what I said,” he cut you off, his jaw tightening. His hands clenched into fists at his sides.

“Then… why?” you whispered, stepping closer. “Why would you say that? Why would you—”

“Naoya,” he spat venomously.

You blinked, utterly confused. “Naoya?”

He let out a bitter laugh, running a hand through his hair. “That bastard. He...” Satoru trailed off, his expression darkening.

“What about Naoya?”

Satoru hesitated, as if weighing whether or not to tell you. Finally, he exhaled sharply. “He said... things. About you. About what he’d… do to you if we, you know, got closer to each other. And I couldn’t let that happen. He was older, definitely experienced and all of that. I didn’t feel like the strongest anymore when I saw him say that.”

Your breath caught, and a cold chill ran down your spine. “Satoru. When did this happen? What did he say to you?”

“Don’t make me say it,” he snapped, but his anger seemed to be directed more towards Naoya than at you. “It happened right around the time you got detention, I still remember. He had told me he didn’t like how we were with each other. And how I was nothing, pathetic. How I could never protect you from… from him. And he had struck a deal with me that day — that he would stop it all if I was able to convince everyone that we couldn’t... that we didn’t...”

“That we didn’t what?” you whispered.

Satoru met your gaze with guilt. “That we didn’t belong together. That you were like a sister to me.”

You let out a breath you didn’t know you were holding. But he continued.

“And then that day I had found out we were engaged. I was so happy, but also devastated. If that guy didn’t like us then, how would he like it if we got married? So I tried to stop it. Tried to break your heart. Like a coward. Like a fool.”

“Stop it!” You staggered back. “You’re not a coward!”

“Yes I am,” he shook his head. “You don’t understand. I got scared. He was older than me. He knew more. What if he whipped out some charm I didn’t recognize and killed you or something? I’d never be able to forgive myself. Not that I can now either.”

“Satoru—”

“I didn’t deserve the tears you spent on me that time. I didn’t deserve to see you break down. All those times your eyes would brim, my heart would claw at me to stop itself.”

“You don’t mean—” Your eyes widened, and he merely nodded, not looking at you at all.

“I didn’t have a choice,” he said quietly, his shoulders slumping. “But it doesn’t matter now. None of it matters now.”

──── ୨ৎ ────

Satoru’s father’s funeral was held on a chilly afternoon. The air was thick with unspoken grief. The Gojo estate, usually buzzing with life, was eerily quiet. Even the wind seemed reluctant to disturb the solemn atmosphere. The bare branches of trees trembled like fragile fingers.

A sea of black-clad mourners gathered, their heads bowed in respect, but it all felt hollow to you. Each condolence, every whispered prayer, was a reminder of the man who was no longer here, and you couldn’t shake the gnawing guilt in your chest.

You stood off to the side, your hands clasped tightly in front of you, staring at the pristine white casket adorned with lilies. The sight blurred as tears welled in your eyes, but you blinked them away, unwilling to cry in front of so many people. Your grief felt undeserved, selfish even, given the weight of your secret.

You had known about the poison. You knew about the slow and inevitable death of Satoru’s father. You knew, yet you had done nothing, just let it all happen. Could you have stopped it? Could you have saved him? The questions circled in your mind like vultures.

Satoru stood at the front, his back straight. His face seemed like it had been carved from stone. The usual spark in his eyes was gone. It was replaced by a cold emptiness that made your stomach churn. He hadn’t cried, not even once, as far as you knew. You wished he would. You wished that he would let himself grieve, scream, do anything to release the agony he must be feeling. But he was silent, like a statue among the living, and it broke your heart.

The ceremony dragged on. Each passing moment felt heavier than the last. When it finally ended, the crowd began to disperse, murmuring their condolences to Satoru’s mother, who stood like a ghost beside her son. You watched her, too, feeling a pang of sadness at how frail she seemed. 

You wanted to approach Satoru, to say something, anything. But your feet felt rooted to the ground. What could you possibly say that wouldn’t sound as numb as you were feeling? The guilt in your chest tightened its grip, and you turned away, unable to face him.

Back at the estate, the house felt colder than ever. Dinner was a silent affair, just as it had been a few months ago. Because just as the lively chatter had begun to replace the clinking of utensils and the occasional sniffle, it had been snatched away from you.

Satoru’s mother tried to maintain some semblance of normalcy, asking if anyone needed seconds or more tea, but her voice was brittle, and no one answered her with more than a shake of their head. You couldn’t bring yourself to eat, pushing the food around on your plate as you stole glances at Satoru.

He sat across from you, staring blankly at his untouched meal. The shadows under his eyes were darker than ever, and his usually flawless posture was slightly slouched. It was as if the weight of his father’s death had physically pressed down on him. You wanted to reach out, to say something, but the words died in your throat. Instead, you watched in silence as he eventually stood, his chair scraping against the floor, and left the room without a word.

You couldn’t sleep that night. The house was too quiet, the kind of quiet that made every creak of the floorboards and every whisper of the wind feel deafening. You found yourself wandering the halls, your feet carrying you to the room that had once belonged to Satoru’s father. It was untouched, as if he might walk back in at any moment. The faint scent of his cologne lingered in the air, and it made your chest ache.

“I’m sorry,” you whispered into the emptiness, tears streaming down your face. “I’m so, so sorry.”

The days following the funeral were no easier. The once lively Gojo household felt like a mausoleum. Meals were eaten in near silence, and the air was heavy with unspoken grief. You found yourself avoiding Satoru more and more, not because you didn’t want to comfort him, but because you didn’t know how.

One evening, you found yourself in the library, hoping to distract yourself with a book. But the words on the page blurred together, and you couldn’t focus. The guilt was a constant, gnawing presence, and no matter how hard you tried, you couldn’t shake it. The image of Satoru’s father lying in his coffin haunted you, and you couldn’t help but wonder if things would have been different if you had acted sooner.

“What are you doing in here?”

You jumped, the book slipping from your hands as you turned to see Satoru standing in the doorway. His hair was slightly disheveled, and his expression was unreadable. You quickly wiped at your eyes, hoping he hadn’t noticed the tears.

“I just needed some quiet,” you said, your voice barely above a whisper.

He walked into the room, his footsteps soft against the carpet. He picked up the book you had dropped, glancing at the cover before handing it back to you. “Mother’s calling you,” he said, his tone carefully neutral.

“For?” you asked, trying to sound casual.

“Dinner,” he said bluntly. “You haven’t been eating at all.”

You nodded, and he stood up and left without saying another word.

Dinner that night was a solemn affair. The dining room was heavy with silence, broken only by the occasional clinking of chopsticks against plates. Satoru’s face was blank, his appetite long gone. His mother sat at the head of the table. Her posture was perfectly composed. You sat beside her, feeling like an interloper in this world of quiet mourning. A seat was left empty, for whom, you didn’t have to guess.

The ache in your chest was unbearable, but guilt magnified it tenfold. You had been the one to discover the truth, the one who knew about the poison before anyone else. And yet, you had done nothing.

A soft knock on the door broke the oppressive quiet. One of the maids entered, bowing deeply as she held out a folded piece of paper. “Lady Gojo—” she glanced at her, unsure of how to approach her in her desensitized state — “we found this while cleaning the late master’s study. It’s addressed to you, Princess,” she bowed to you.

The maid extended the letter to you, and you accepted it hesitantly. Your heart immediately sank at the sight of your name scrawled in bold, deliberate handwriting. Satoru’s mother nodded at the maid to dismiss her, then at you.

“Read it,” she said softly. “Whatever he’s written, it’s meant for you to hear.”

You unfolded the paper carefully, your hands shaking as you smoothed it out. The opening lines confirmed your suspicion.

“To my dearest child,

If you are reading this, then it means I am no longer among the living. There are matters I could not speak of while alive, and so I leave them here, trusting you to read with an open heart.”

Your voice wavered as you read aloud. Satoru and his mother both watched you intently. 

“In my absence, I leave behind all that I have built, not as burdens, but as tools for you to continue shaping our legacy.

To my wife, the pillar of my strength, I entrust our estate and all its affairs. She has always been my compass, and I know she will guide our family with the same wisdom and grace she has always shown. To my son, Satoru, I leave my knowledge, my pride, and my unwavering belief in your potential. He is destined for greatness, and though I may not be there to see it, I know he will honor the Gojo name with dignity and strength. So I shall also leave our ancestral blade, a symbol of our family’s strength and honor, along with the records of our techniques and histories.”

To you, my dear daughter, I bequeath the east wing of the estate, yours to claim as a sanctuary and a symbol of your place among us. Furthermore, I leave a yearly stipend from the family’s accounts, ensuring you will always have the means to build a life of stability and comfort.”

But then your voice caught, the words ahead freezing in your throat.

The second paragraph shifted abruptly, no longer a formal testament but a recounting of events that made your blood run cold.

“The past few years I had spent alone were ones spent to find the roots of your journey home, here. I know the pain you carry, and the secrets you keep. I know how you came into this world. Kamo Akane, your mother—”

You stopped reading it aloud, and instead your eyes began darting back and forth the lines as you read it in your head.

Kamo Akane, your mother, made the impossible choice to keep you despite everything she endured. She bore you with strength, but her circumstances were cruel. Kamo Daijiro never accepted you, and he made sure she couldn’t either. When you were only three years old, they both agreed to sell you to the traders of Mizuho.

Your breath hitched. The paper in your hands crinkled as your grip tightened. You couldn’t read further. The memories you had buried deep threatened to overwhelm you. The cold basement. The chains. The voices. The pain.

“What is it?” Satoru asked with concern. “Why did you stop?”

You shook your head, unable to meet his gaze. “It’s nothing.”

“That’s a lie,” he said flatly.

You tried to fold the letter, to hide it away, but your trembling hands betrayed you. Satoru reached out, his fingers brushing against yours as he snatched the paper. “If you won’t read it, I will.”

“No!” you protested, but it was too late. His eyes scanned the words quickly, his expression darkening with each passing second. He reached the part about the traders, and his jaw clenched. His hands shook, but he didn’t stop until he reached the final lines.

I knew about the poison. I knew what the Kamo clan had done to me. But this is not a burden you should carry. You have suffered enough, and I do not want you to feel guilt for something beyond your control.

And Satoru.

Satoru’s eyes flicked to you briefly before continuing.

I know you’re reading this as well. You won’t listen even if I told you this letter is meant for her alone. Satoru, please do not fight.

But the word “fight” was blotched with ink. A tear had smudged the letters. Satoru’s hand hovered over the page, and you realized with a sinking heart that the tear was his own.

He folded the letter carefully, setting it down on the table. His movements were unnaturally calm, but you knew better. The storm was brewing.

“Satoru,” you said hesitantly. “Please don’t—”

He stood abruptly, his chair scraping loudly against the floor. “Mother.” His voice was tight, barely restrained. “May I have your permission?”

“Satoru!”

Satoru’s mother regarded him for a long moment. Her gaze flicked to you, then back to her son. Finally, she nodded. “Do what you must. But remember, no harm is to come to the Gojo clan’s reputation.”

He bowed deeply, his fists clenched at his sides. “Thank you.”

“What?” You stood, panic rising. “You can’t just let him go! This isn’t—”

Satoru’s mother silenced you with a look. “He deserves his revenge.”

You stared at her, incredulous. “Revenge won’t bring him back! It won’t fix anything!”

Satoru didn’t wait to hear more. He left the room, his footsteps echoing down the hall. You called after him, your voice breaking, but he didn’t look back. The door slammed shut behind him, leaving you and his mother alone in suffocating silence.

“How can you…?” you began, your voice trembling with anger and disbelief. “How can you let him do this?”

Her expression softened, but her resolve remained. “Because I know my son. And I know he won’t find peace until he has faced this head-on.”

You sank back into your chair, your hands clutching at your chest as though to hold your breaking heart together. The letter lay between you and Lady Gojo, as if to remind you of everything you had both lost and everything that was yet to come.

──── ୨ৎ ────

READ MORE ON AO3

© chuulyssa 2025 - do not copy, plagiarize or repost my works on any platforms. do not translate.

siriusblackrunmeover17 dr3amingc0rpse theclassbookworm lady-of-blossoms ermbehindyou lemonfreak97-blog bunheadusa starlightglimmersworld dahliawarner ssetsuka st4rpearl annie19mac starmycar luvsymai calypsothegoddess lov3vivian ourfavvvkim eunseokzz lovelymaryj-recs shuastar multi-fandom-fanfic gojosoups

[yaoirotic]

Strilondes (or more specifically just Dave and Rose), a second gen immigrant reading.

Firstly, it’s important to note that Bro & Mom don’t hate their kids. I feel that getting this is pretty integral to getting them and getting their relationship with their children. They both are good intentioned albeit going about raising their children in bad ways. A lot of this comes from the isolation they felt arriving on earth and growing up without any guardians of their own, attempting to project traditionally western societal ideas. For Bro, it was full of violent, macho masculinity. For Mom, it was the busy house-keeping housewife.

Dave’s story of having traditional masculinity being imposed upon him by Bro is very comparable to how second gen immigrant kids experience masculinity and tough love. Bro was trying to toughen up Dave for the world albeit using violent methods that are comparable to how normalized it is to use corporal and physical methods of “discipline” as a means for punishing their children. Bro doesn’t hate him, but like some second gen immigrant parents his methods of raising Dave are extremely misguided and harmful. How he comes to terms with realizing that he did suffer from abuse is a lot more relatable when you look at him from a non-white perspective. He grew up in a household where this tough love mentality was idealized, and as a result he never really considered how bad his situation truly was until he was able to get out of it and realized him being given such extreme measures of “toughening” didn’t really help him at all in the long run.

As for Rose, her mother wanted to give her the childhood she would’ve wanted as a kid. Lots of lavish objects, giving her ponies and wizards while still inflicting child neglect on her in an alcoholic stupor. Even Mom’s tea set and extravagant bedroom imply a yearning to relive living a more lavish and feminine upbringing. It’s possible to interpret this from a transfemme perspective, and I think that’s right too. I don’t think they’re necessarily mutually exclusive by any means.

Rose’s reaction to her mother’s alcoholism and neglect is a lot more interesting from the reading of her being a second gen immigrant. She feels guilty for hating her mother in spite of her bad upbringing, for the lack of a relationship they ever really had. It’s similar to how a lot of second gen kids may feel guilt for having less than positive feelings on their parents due to them not necessarily trying to hurt them and being well intentioned, but still having faced abuse regardless. There’s an all too familiar sentiment amongst ethnic that regardless of how awful a family member may be, they’re still your family and you should be obligated to try and keep a connection or relationship with them, and reading Rose as a second gen immigrant you could very well see that she has a pretty bad case of this.

Hussie, whether intentionally or not (likely not if we’re being honest), wrote a pretty solid depiction of how children from ethnic backgrounds may realize and deal with their abusive upbringing, and I think reading it as such makes for a pretty intriguing read of their characters. In a way, Bro and Mom wanted to raise their children better than them. Bro wanted to harden Dave up for the world and raise him to an idealistic and reasonably unattainable level of masculinity. Mom wanted to give Rose a life of luxurious femininity and gifts, but in turn failed to meet her emotional needs. I feel that when you look at it from the perspective of a second gen immigrant (speaking from experience here) it’s a lot easier to sympathize with and understand their struggles and relationship with their parents. It’s a good, different depiction of abuse that breaks out of the mold of “abusive parents purely hate their children.” Because not all abuse comes from a place of hate for your children.

[theunsinkableship1]

Lukolaship: Why are you here?

I have one simple question for you: Why are you here?

If you’re a fan of Nicola or Luke individually, there’s no reason to be so deeply invested in their private lives. Supporting them as actors and celebrating their professional achievements should be enough. If your goal is to see them happy in life, you could simply assume they are, because nothing publicly suggests otherwise. Why concern yourself with what others think about their personal lives? Focus on your own and sleep peacefully at night.

Here, however, we are focused. We are here for a specific purpose, and that purpose is rooted in a belief in the bond between Nicola and Luke as a duo. We don’t ship them with just anyone, nor do we treat this connection as trivial. We see something rare and precious that transcends the superficial dynamics often seen elsewhere.

We believe they are uniquely compatible in every way professionally, personally, and emotionally. As they’ve described themselves, they are very similar, and their connection is something that doesn’t come easily. It’s not the kind of bond you let slip away without a fight.

If you don’t share the belief that the best foundation for their love is friendship, then it’s worth asking yourself what you’re doing in this space. Because staying here while harboring doubt or skepticism will only lead to frustration, disappointment, or even resentment. And why put yourself through that?

Of course, this is a space open for discussion, but we must acknowledge that engaging in conversations centered on ideas completely opposed to what we’re collectively rooting for is both unnecessary and counterproductive.

This space is for those of us who see, believe, and hope. For those who recognize something special when they see it and want to nurture that belief, even from afar. If you don’t share these wishes and expectations, perhaps this isn’t the place for you and that’s okay.

But here, we celebrate, support, and believe in something extraordinary. If that resonates with you, welcome. If not, it’s best to part ways now to save yourself and others unnecessary grief.

I want to start by emphasizing that I don’t know the truth in this situation. I don’t know these people personally, so I can’t claim to speak for their reality or their intentions. What I have are beliefs and speculations based on the reality they have chosen to present to us. And among all these uncertainties, one belief stands unshaken: they belong together. That belief is the cornerstone of my presence in this corner of the internet.

Now, let me clarify I’m not opposed to the idea of Lukola being in relationships with other people. They could very well be in relationships with entirely different people, and we wouldn’t have any way of knowing.Life is complex, and these things can happen. Nor am I opposed to the idea that they might already be together but keeping it private. In fact, that’s the outcome I’m openly hoping for.

The truth is, either theory whether they are in other relationships or together in secret is just that: a theory. Speculations woven from bits of information and perception, none of which constitute definitive proof. I resist accepting either scenario at face value because, frankly, this story isn’t straightforward. There are too many inconsistencies, too much plausible deniability, and far too many coincidences for it to be simple.

Some individuals are actively seeking out this space, a niche corner of the internet that is not easily found unless you are deliberately looking for it solely to challenge the idea of Lukola being real. They argue that it’s all just PR and treat the very notion of their connection as if it’s utterly impossible or absurd. What’s puzzling is the intensity with which they dismiss it, often acting as though the mere suggestion of Lukola’s reality is offensive or preposterous.

This behavior raises several questions: Why does the idea of Lukola trigger such strong reactions? Why do these critics go out of their way to invade a space they fundamentally disagree with? A psychological phenomenon like reactance might offer some insight.

Reactance is a reaction to perceived threats to autonomy. When people see others confidently supporting a theory or belief they don’t share, they might feel compelled to push back, not necessarily because they have concrete evidence against it, but because they view it as an encroachment on their sense of "truth."

What’s even more contradictory is that these critics often engage in behaviors strikingly similar to those they criticize. They comb through interviews, scrutinize body language, and form conclusions all while claiming to be grounded in “realism.” If Lukola isn’t real and this space is so misguided, why invest so much energy here? The truth is, some of these individuals may be grappling with their own unspoken doubts or insecurities about the narrative and find it easier to ridicule others than to explore those feelings honestly.

Ultimately, this space is built on a foundation of speculation, patterns, and observed dynamics not absolute certainty. If the concept of Lukola is so untenable to someone, perhaps they should question why they feel so compelled to disprove it rather than simply disengaging. This kind of behavior only underscores the uniqueness of what’s being defended here. Why else would they care so much ?

This brings me to what I believe is happening with certain Lukola shippers who react under the guise of pragmatism and so-called reality. When the facts are murky and there’s no concrete proof one way or the other, it’s natural to feel uncertainty. But for some, the fear of being wrong of committing to a belief that might not hold up pushes them toward the opposite stance. It’s a kind of cognitive dissonance avoidance or fear-based contrarianism. Rather than risk the emotional discomfort of being wrong, they align themselves with a narrative that feels safer because it seems more grounded in realism, even if it goes against what they truly want.

But this reaction isn’t as rational as it appears. By clinging to the guise of pragmatism, they often ignore the layers of meaning, patterns, and behaviors that suggest this situation isn’t as clear-cut as it might seem. They risk dismissing the extraordinary connection that brought us here in the first place, the looks, the smiles, the synchronicity, and the undeniable intimacy.

What’s unsettling, however, is the behavior of certain non-believers. Some have started attacking others, calling them delusional or crazy for holding onto their beliefs. What’s ironic and frankly hypocritical is that many of these people were doing the exact same thing not long ago. They were analyzing smiles, interpreting body language, and weaving narratives just like the rest of us.

Psychologically, this could be explained by reaction formation, a defense mechanism where individuals suppress emotions or beliefs, they are uncomfortable with and adopt an exaggerated opposite stance. For example, someone who once believed in Lukola but feels betrayed or disillusioned may go to great lengths to ridicule others who still believe, as a way to distance themselves from their former vulnerability.

Another phenomenon at play is projection. Those who call others delusional may actually be projecting their own internal conflict and doubts. It’s easier to label someone else as "crazy" than to confront the discomfort of one’s own cognitive dissonance.

Finally, there’s the bandwagon effect. When a few vocal individuals start asserting that believing in Lukola is irrational, others may follow suit to align themselves with what appears to be the majority opinion. This creates a cycle where dissenting voices are silenced or shamed, even though everyone in this fandom is ultimately speculating and interpreting limited information.

It’s not just hypocritical but it’s unkind as well to attack others for believing in something extraordinary. We are all here because we were drawn to the same connection, the same magic that transcends the mundane. Whether you still believe or have chosen to step away, there’s no need to tear others down.

The truth remains elusive, and it’s okay to admit that we don’t know everything. What’s not okay is to dismiss or ridicule the hope, joy, and creativity that others bring to this space. What is absolutely unacceptable is harassing Lukola, their friends, or their families online simply because they aren’t aligning with or reinforcing our preferred narrative. Such behavior crosses the line from passionate support into harmful intrusion, and it reflects poorly on this community as a whole.

We must remember that Nicola and Luke are real people with lives, relationships, and choices that extend far beyond what we observe or speculate about. Their friends and family are not all public figures and certainly not part of this fandom discourse. Dragging them into the conversation or pressuring them to validate a narrative diminishes the respect and admiration this space claims to hold for the pair.

Moreover, harassing anyone be it directly through comments or indirectly through insinuations and speculation achieves nothing. It doesn’t bring clarity or truth; it only fuels division and hostility. This behavior contradicts the very foundation of why many of us are here.

If anything, such actions could damage the very dynamic we cherish. It creates an atmosphere of distrust and negativity that might push them to withdraw further from public interactions or force them into making statements or actions they wouldn’t naturally take.

As fans, we must hold ourselves to a higher standard. Our actions should reflect kindness, respect, and understanding, not entitlement or hostility.

Let’s remember why we’re here and not go overboard, this ship is rare and beautiful, even if its true nature isn’t yet fully revealed. Until clarity comes, let’s choose kindness and patience over judgment.

In conclusion, we are not required to take a definitive stance right now. There’s wisdom in waiting, observing, and letting the truth unfold in its own time. For me, this isn’t about being right or wrong. It’s about honoring the belief that their bond is rare and worth rooting for, whether the evidence for it is subtle or glaring. Until clarity comes, I will continue to hold space for the possibility that love complicated, layered, and extraordinary is at the heart of this story.

[goldenstorm0]

my thoughts might change later, aaaah I feel like I can get the emotion I think would happen a lot better as a drawing, but whatever. it's gonna be a hot second before I draw this, so rambles for now

but like,, we can all tell that twilight has got some Trust Issues, maybe for good reasons due to job and whatever hell his childhood was, but still. He gets suspicious of everyone, he lies a fuck ton, especially in regards to his emotions. I mean dammit he lied to nightfall about why he didn't kill yuri in the wheeler arc, idk if the lie was more for nightfall or himself

but like the thing that he's building with yor is different. like yeah he is still lying a ton, he might think yor is lying about her strength/childhood/whatever at least on some sort of subconscious level, but he is still trusting her a lot more than he usually does. To keep this fake marriage a secret, to help with Anya, to not fuck it up with Melinda. and I think as the series goes on he'll just open up more, get more comfortable around her. And although he is not there rn, he'll start to really actually trust her in a way that he never has before

So, when he finds out that she's been lying to him, not just a lie but one as big as his, it's going to Fuck Him Up. like he finally opens up to someone and it ends up that she is basically almost everything he's ever feared, someone who goes and systematically murders entire organizations (i can for ages about the Garden, i don't trust them, but that's distracting)

and like, as hypocritical as it would be, I think he would be mad at her, and even more mad at himself. her for lying about something so dangerous, and himself for a) being mad at her when he is doing the same thing, b) himself for allowing himself to have emotions for someone and letting them hurt him. And it'll all be really messy emotions, shit that he has never dealt with before, and he just. won't know how to handle it. Cause you can't really train for that

anyway, I want to draw a recent post-reveal comic where twilight is just, angry and not handling shit well and gets drunk, and goes home and fights with yor and feels really bad about it, idk have a weird late night talk with Anya where she says one of those weirdly smart things kids sometimes say, then he and yor make up and make out sloppy style afterwards

[stellar-solar-flare]

What Makes A Home

ex-soldier!Ari Levinson x neighbor!Reader | 2,385 words.

Themes: friends to lovers, idiots in love, competency kink if you squint, neighbors, cozy community.

Reader is female, no Y/N, no description of appearance. Nicknames 'dear' and 'honeybun' are used by Ari for Reader.

My blog is for people 18+ only, minors DNI.

Story Content Warnings: implied smut, Ari being a soldier mentioned, Ari having guilt over his past, some very minor hurt/comfort (the love is requited, they're both just idiots).

Notes: This is a made-to-order fic for the amazing @bigtreefest - I hope it brings you joy and fulfilled your prompt! Full disclosure; I wasn't able to get my hands on the movie, so I had to piece Ari's character together from his scenes on YouTube. My utmost gratitude to @steviebbboi for character consult and helping me be confident about the decisions I made in the planning stages of this fic (all mishaps mine, of course). It is also my first time writing Ari. I hope you enjoy, and all feedback is very welcome!

I do not own anything The Red Sea Diving Resort related. This is an unofficial fan work. No copyright infringement intended. This is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.

The house that you inherited from your great-grandaunt — who apparently despised you less than her other relatives —is definitely what a realtor would describe as ‘having plenty of potential’. But it really does have good bones, so to speak, and with the current housing market, you definitely aren’t complaining.

And the neighborhood isn’t half-bad, either. The community is close-knit, if a little nosy, helpful to the point of overbearing.

And so, they didn’t miss it when a new moving truck arrived at the house next to yours. The gossip has gone wild — the names of different special services are thrown around in the whispers like candy, even though no one can reasonably know anything about his history. Especially if he has a history as some overseas covert operator, like Mary at the end of the street keeps claiming, he certainly will keep that information to himself.

You are yet to run to him, and so you’re operating on second-hand information about him — which is mostly focusing on the fact that he’s tall and bearded and looks like he could bench press a school bus.

Curiosity may have killed the cat, but you reason that a simple welcome visit isn’t going to end with your untimely demise. You pick a nice Saturday afternoon, check that his truck is on the driveway, and make your favorite snickerdoodle recipe. With a plate of still-warm cookies under aluminum foil, you go ring his doorbell, not entirely sure why your heart is beating so hard. It’s just a decent thing to do.

It takes a few moments for him to open the door, and when he does, you are proud that your poker face holds.

“Hi,” you say to the giant at the door. “You must be Ari. I live in the house next to yours, and I thought I’d come to welcome you to the neighborhood; they did it to me too, when I moved in a few months ago. I brought snickerdoodles.”

You extend the plate to him, and he takes it. He leans one shoulder on the doorframe, and you do not swallow when you see the muscles of his arms move. His hair reaches behind his ears, and he has a nicely trimmed beard. Even in a simple — tight — white shirt and jeans, he does look like a soldier. Not violent but like there is an alertness to him, despite the amusement in his eyes.

“Hi,” he says. “Yes. I’m Ari. And you are?”

You give him your name, chuckling at the fact that you left it out in the first place.

“Nice to meet you. And thank you for the baked goods. Would you like to stay for a cup of coffee?”

He moves aside, gesturing for you to step over the threshold.

And you do.

There were a lot of things you had learned about Ari over the six months since your first meeting, that cup of coffee that somehow hadn’t felt awkward at all. He had a talent for filling moments like that with idle chatter that didn’t feel like it was just there to cover something.

It was just so Ari, how his charm was always on display and yet so inseparably a part of his very being that it didn’t feel like an act. It was just who he was. Of course, he could be a playboy — at least when it came to the charming part, since as far as you knew, there hadn’t been anyone visiting his house besides you.

You were more than certain that a fair number of ladies in the neighborhood harbored a crush. And why wouldn’t they, when Ari was the first to volunteer to any project, cracking easy jokes while he worked and being all charismatic smiles and wide shoulders ready to tackle anything.

It was that restless energy that had drawn him to your house, too. Just like you had turned up to his door that one Saturday, the next week he had turned up at yours, dressed in a flannel and jeans and carrying what looked like a heavy, well-equipped toolbox, pristinely new.

“Those gutters are going to fall off the clips soon. I could attach them better if that’s alright with you?”

Stunned, you had nodded. Sure, there was an endless list of things to attend to, and the gutters had been on your mind but then winter had come and you’d been so focused on other things. You had no idea how he noticed, and when you’d asked, he shrugged it off, mentioning something about how he had to learn how to build and maintain things out there, so you’d left the topic at that.

It was the first thing he fixed at your house, but not the last. He gravitated here, looking to do something of meaning, and he refused to hear your suggestions about paying him for the work he was doing — despite the fact that every project he poured himself into was done with the meticulousness rivaling not only someone not in the profession but with a passion to it.

Like the patio you were now sitting on your knees on, holding the plank in place for him so he could screw it onto the beam underneath from the opposite side. You’d made the mistake of mentioning over a shared dinner that you had contacted a contractor to see how much it would be to replace the deck, and he had turned up the next morning with all the necessary materials, in the exact shade of wood that you’d envisioned.

You weren’t certain that you wanted to know what strings he’d pulled to get all that so fast.

“Ari, seriously, you didn’t need to do this.”

“Nope,” he said. “But I wanted to.”

“At least let me pay for the wood,” you said. “You know, I’m a strong independent woman and I do have my own paycheck.”

“And I’m very proud of you, dear,” he said with perfect nonchalance, and you tried to ignore something twisting in your chest at that. “Just let me pick the next five movies for our movie nights and we’re even.”

You huffed, knowing that you’d be in for some underground art movies no one but Ari had ever even heard of but nodded regardless. It was literally the least you could do.

He finished screwing the plank down and reached for more screws from the box on the side — you’d begun earlier today by laying down all the planks to have an even platform to work with, and now it was just the matter of evening out the cracks in between and attaching them to the support structure. His arms moved, and his t-shirt lifted slightly as he bent to the side, revealing a slice of tanned, warm skin at his waist. You forced yourself not to stare.

The thing with Ari was that he flirted with anyone and everyone — except with you. He made the grannies laugh by asking them at the community nights if they were old enough to drink; he had the cashiers at the local grocery store sighing dreamily after him when he departed with one of his famous smiles. Everyone seemed to understand it was all fun and games, and yet you were certain you weren’t the only one here with hopes when it came to him.

But it wouldn’t be you — his complete and total lack of that kind of behavior around you was the clearest sign you could’ve asked for. He saw you in an entirely platonic light, and so you didn’t want to endanger what was a beautiful and genuinely enjoyable friendship with him by asking him if you could be more than that.

Even if sometimes the question, the why not me, burned your tongue and tried to sneak out of your throat. At least then you’d know the reason why he saw you so differently than others.

“Honeybun?” he said, yanking you out of your thoughts.

You swallowed, hoping that the question would go down too, and met his expectant gaze. He’d said something, and it had flown right past you, and now he was staring. God, you could drown in the blue of his eyes.

You were lucky to have him. He was a good friend, caring, attentive. He made you laugh at the worst of days; he was good at coming up with solutions, especially unconventional ones. You had no reason at all to feel wistful at all the nicknames, derived from different baked goods you’d made for him over the past months.

“Nothing, nothing,” you said, lowering your gaze. “Sorry. What did you need me to do?”

You heard a thump as he set the screwdriver down. He reached his hand, two fingers under your jaw tilting your face back up so that you’d look at him. There was that little wrinkle of worry between his brows and you felt a pang of guilt even as the warmth of his fingers was making your skin tingle.

“Are you sure you’re alright?” he said. “We can take a break if you need a few. You’ve been somewhere far away for half the day.”

You quickly shook your head, knowing that you’d already ventured too far close to the line you didn’t want to end up crossing.

“Just a little tired, that’s all,” you said, hearing the flimsiness of the excuse even in your own ears.

He tilted his head and raised his brow; his hand was still there, under your jaw, lingering where it absolutely shouldn’t.

“I know it when you’re lying, honeybun,” he said, one corner of his mouth rising into a smirk. “Spill the beans. Do I need to kick someone’s ass? I’ll do it, you know.”

You swallowed so loud that it seemed to echo in your head like the creaking sound of thin ice.

“No, there’s no need for that. I was just wondering what’s so different about me?”

A flash of something in his eyes, gone so quickly that you could hardly tell it was there to begin with.

“Different how?” he said, strain in his voice, like he was going for some sort of normalcy and failing to grasp it.

Oh no. You had opened some floodgate and now things would be awkward from here to eternity. The only way to save this was to get it all out, and now that the water was flowing freely, there was no stopping the words from flowing out of your mouth:

“Well, it’s not a big deal, but sometimes I wonder why it is that you have this flirt going on with everyone except for me, and I mean, it’s absolutely and totally fine, you just see me thoroughly like a friend and that’s that but with what we have and all the nicknames and all that, sometimes I wish there could be more and I’m just wondering –“

And then you were wondering about nothing at all.

Ari was on you like a shot, his hands framing your face and pulling your lips on his even as he leaned towards you, and it didn’t matter that you didn’t understand. His kiss was a claim laid, one hand cupping the nape of your neck and the other wrapping around your waist even as his mouth devoured yours. He pulled back with his lips still on yours, bringing you to his lap and he was everything, everywhere, his scent and warmth and the softness of his shirt smelling like spring sun and laundry detergent, the taste of him on your tongue, the feeling of his hands mapping your body. It was just him all around you, and you fell into that just as easily as you’d once fallen into a comfortable, shared routine of friendship.

When he finally let your mouth go, you were both out of breath, and you were straddling his lap, suddenly very aware of how his feelings towards you weren’t entirely platonic at all. There was a hint of pink on his cheeks, and his hands came to cup your jaw, thumbs caressing your skin.

“You were too precious for that, honeybun,” he murmured, eyes fixed on yours. “I didn’t… When you waltzed into my house that day, it was the first time it felt like a home. You were the first time I felt at home. And putting on that face… it felt too cheap for you. And I didn’t… I couldn’t lose you. Not you. So I thought I’d be there for you. Take care of you, make you happy, and find my joy from that. When I was out there… I don’t know if I did enough, if I made a difference. I wasn’t sure I even deserved the kind of peace I felt with you.”

“Ari,” you breathed out, tears prickling in your eyes, unsure what you would’ve said even if there wasn’t a lump blocking your throat. “Ari, I…”

His thumb brushed over your kiss-swollen lips, and he shook his head ever so slightly, his gaze aflame with something that could never ever be just friendship.

“But now that I’ve had a taste of you, honey, I’m not selfless enough to give that up. I want you more than I’ve ever wanted anything in my life. I can’t let you go.”

“Then don’t.”

And just like that, his mouth was back, his hands diving down from your face to map the shape of your body, and the tiny moan he breathed right onto your lips sent a shiver down your back. He was holding you by the hips and you tangled both of your hands into his hair, making sure he wasn’t going anywhere without you.

“I think,” he managed in between pushes of his lips. “I think the patio can wait.”

You nodded eagerly, and he stood up with ease that sent a swooping feel of desire into your core, his hands slipping under your thighs so he could carry you. Your legs wrapped around his waist as your arms clung to him, and he made a beeline for the door that led inside.

It was a good thing that after all the work he’d done at the house, he knew exactly where the bedroom was.

Thank you for reading. Please consider leaving a comment, if you can spare the time and energy.

[thesilenceshh]

Hello there, spoilers for the new spoil milk man trailer (Shadow Milk Cookie)

This, this right here. I've been seeing people say that this is what SM looked like pre-corrupt. i'm calling bull, and I have my reasons

You see these 3, particularly the first 2. This is what we first saw for the pre-corrupt forms for SM, yet it looks nothing like the one we saw in the trailer. I know some of the designs when we first saw pre-corrupt beasts were different then what we actually saw later on, as we can see from Burning Spice since his pre designs seemed to be different when we saw it in trailer and in story (Mystic Flour looks mostly the same), but even the leaked one doesn't look the exact same (exp: hat, hair, pants/leg area), and I personally find that odd on why SM seem to be so different despite there not being a gap in release unlike with BS designs

What I'm trying to say here is that I don't think the white statue Pure Vanilla see is actually what SM looked like, only a mere trick, so get it in PV mind that he's doing the same thing SM did, that they're both alike, SM even states that PV is taking the same steps he did. SM tried to corrupt PV during the first two parts of Beast Yeast, trying to get him to cut down a tree and all, and a popular theory going around is that he'll actually be able to do it during this update

But why even show a false version of his past self? What would that even do? Well, it's to get PV to more visually connect to SM. Wouldn't you believe something more if you saw it for yourself? The white statue, it has similarities to PV; the dress, rope thing PV wears, a coat/cap, a marking right on his (big ass) forehead too, big sleeves, closed eyes, ribbons, even a crown (even if they're very different).

He's trying to show that he and PV are parallels, sides on the same coin, all to corrupt him into the same darkness he tried so hard to fight against, to shine a light on. But how long can the light of a lantern last before going out? We'll just have to wait and watch

[nmoroder]

i know benjamin had a lot on his plate already but hear me out... an au where ayin for his reasons puts ben in charge of extraction team and not the arbiter who must have deserved to be there (not stating the reason. so don't immediately hate on A and all that. see the full text below for a load of details, and also english translation of text on pics 4 & 5)

it has the atziluth sephirot swap their colors (i've already did a post on color swap btw. but purely color) and the age of their filtered appearance; the full color swap (not just color change of department and uniform but colors of their hair, their bodies too) is required for original scheme to stay, with the colors corresponding to fixed sephirot and so on. names, too, would swap to what their respective kabbalah nodes should be and former benjamin is kind of pissed about his mentor's decision to give him work which is enough to drive a meaty human to insanity, even though after his escape he returned and tried to pry ayin off the plan in the earlier time, and overall he did all he could for the man. for him, the virtue would still be about the past and the future though as he'd have to come to terms with what ayin did to him, and his meltdown would probably have not the 'i want you to stay here with me and live at least somehow, i don't want to go' but instead 'i will make this place your tomb just like you did for me'. i guess it kinda sounds close to angela's feelings in ruina and that's also why both atziluth sephirot would've probably backed up her rebellion idk. its a fun little idea which blooms into a shitton of different things to think about

oh and also pics 4 and 5 have roland converse with library version of ben (he MUST be named binah at that point but i KNOW this will just bring confusion) and it's the quote from their first talk in original game. "i've dedicated my entire life to the wish of a single person", then roland asks "and the person's a rotten egg, eh?" to which ben explodes with OH THAT'S AN UNDERSTATEMENT. they'd probably get along as well over their similar feelings about ayin, which is funny. still not sure whether the respective floors would've been swapped for them... i mean either hokma still stands for religion and binah for philosophy and ben being the current binah would take the philosophy floor, or it's just color swap and religion would be dark with stars and philosophy the white hall and all. the anomalies of both floors fit very well with the color schemes and overall topic and i dont wanna meddle into that really but ehh... food for thought ig

[mrs-stans]

Sebastian Stan on How ‘The Apprentice’ and ‘A Different Man’ Tackle Comfort, Curiosity, and Confronting Our Fears

By Brandon Lewis

It’s an embarrassment of riches to have two transformative, awards-worthy roles in one career. But what does it mean when you have two in the same season?

Sebastian Stan finds himself this year in rarified company, including the likes of Kate Winslet, Sigourney Weaver, and Jamie Foxx, with two acclaimed lead performances in The Apprentice and A Different Man. Both films have been received warmly so far: Stan just received Best Actor nominations for both films at the Golden Globes, winning for A Different Man, while The Apprentice landed on the BAFTAs longlist in six categories, including Best Film. The industry reception is remarkable, given both films’ uphill climb with their production and distribution. A Different Man was shot in 24 days in New York at the height of the COVID-19 pandemic and was delayed because of last year’s Hollywood strikes. Meanwhile, the Apprentice struggled to secure U.S. distribution after its buzzy Cannes premiere due to legal threats from Donald Trump and general hesitancy about how it tackled his early days. With all the hurdles, it would stand to reason that there is some vindication in seeing the fruits of labor pay off.

“It’s surreal,” Stan told me about winning the Golden Globe and his films’ positive overall reception. “You never really know the outcomes of any film when you go and make it. You’re always just hoping it’s going to turn out well. When you get into this wild time, that is the fall, when you’ve got so many films coming out and major studios contending, you just don’t know if your movie will even cut through. So, getting to the Globes, you can’t help but feel grateful because this is the win. It’s an amazing moment getting both of them seen.”

The Apprentice and A Different Man aren’t just linked by their complex but rewarding awards season journeys. Stan found key similarities between the 45th president of the United States and Edward Lemuel, a fledgling actor with neurofibromatosis who undergoes an experimental treatment to reverse his condition, only to find himself playing a fictionalized version of himself in an off-Broadway play.

Stan explained, “[Donald and Edward] are two different forms of narcissism, of extreme narcissism. When I think of narcissism, I think of denying and suppressing who we really are and inventing another person. When the distance between your true self and this other invented version grows because you’re suppressing and lying about yourself, you have to create a bigger and bigger lie. It starts to have consequences that affect you and everyone around you. I always saw both films as a denial of reality and a loss of humanity.”

In The Apprentice, Stan plays a younger version of Trump, reared by infamous lawyer Roy Cohn (played by Golden Globe and SAG nominee Jeremy Strong) to become one of the dominant cultural forces of 1970s and 1980s New York. The film, directed by Ali Abbassi, showcases Trump at his most timid and insecure, a far cry from the bloviating tabloid fixture who would upend domestic and global politics thirty years later. Under Cohn’s tutelage, Trump would evolve into an overwhelming force that no one, not Cohn, his wife Ivana (Maria Bakalova), or the financial and political realities of the 80s, could contain, let alone control.

Stan describes the story of Donald Trump as an abandonment of empathy and morals in pursuit of transactional goals and the proliferation of the lie at the center of one’s narcissism. But what is Trump’s lie? “What I see in Trump is a very broken, pained, paranoid, insecure little boy,” Stan answered. “And I don’t say that to simply go, ‘He’s human, and you should feel bad for him.’ I say that to highlight the flaws that might get in the way of this person having power or moral authority. I don’t know if that’s a person I would necessarily trust.”

When it came to playing Trump, Stan drew inspiration from multiple sources, including scores of footage that helped him understand the mannerisms and visual markers that have shaped people’s perception of Trump as a businessman and a politician. He also drew inspiration from his childhood, split between Eastern Europe and the United States. He was born in Constanța, Romania, in 1982, back when the country was a socialist state, part of the Eastern Bloc. Following the Revolutions of 1989, when most communist and socialist governments fell to a wave of liberal democracy, he and his mother, Georgeta Orlovschi, moved to Vienna, where she worked as a pianist. They moved to New York when he was 12 to pursue the American Dream.

For Stan, playing Trump allowed him to unpack what pursuing the American Dream meant. “When I came to America, my mom said to me, ‘We’re here now, and I’ve sacrificed my life, and you’ve got to make something of yourself because you have this opportunity that so many kids are not going to have.’ I hear that, and it drives me, but I also feel this burden of responsibility and pressure of ‘What if I fail?’ I find with many people…you see them accumulating more things, and it’s never enough. There’s always something else. To me, The Apprentice is part of this ideology and the American Dream. When is it enough, and what does it do to a person? I think my journey through Vienna and coming here and trying to understand what it means to be an American influenced me 100% with that part and probably what drove me to do it.”

The key challenge of playing Donald Trump, of course, is playing a man who has subsumed every section of culture, especially in the last decade. He has been caricatured, parodied, and defied countless times, not to mention the nonfictional portrayals of him that are a constant presence on cable news, broadcast networks, and social media platforms. It should be an insurmountable task, but Stan succeeds in bringing this titanic figure back to Earth, teasing out subtle nuances and traits that break through the overwhelming idea of Trump and focusing on the man himself, warts and all.

“I really wanted to try and find out who this person was,” Stan said. “Going back in time and looking at some of the early footage, I saw a vulnerability and insecurity there that I didn’t know existed, that seemed buried deep underneath this bravado. I wanted to know more about that and how he became what he became. What scared me the most was, knowing that he’s so well known and in our faces everywhere, that it would be near-impossible to get anyone to even spend two hours trying to figure out who this guy was.”

Knowing that his performance would be measured against caricatures and impressions, Stan lasered in on elevating the earliest elements of the Trump persona. “What helped was that, in his earlier years, he was less,” Stan explained. “There was a lot less of what you see now, these things that have built over time. His voice didn’t sound like it does now; his mannerisms weren’t as specific. The challenge and the fear was knowing that if I did a little too much too soon, I would lose everybody, and I would just be thrown in there as another kind of impression.”

Stan’s embrace of Trump’s vulnerability and insecurity is most acutely realized in one of the film’s standout scenes: Trump grieving the loss of his brother, Fred Jr., in his bathroom. In a prior interview with Maria Bakalova, she revealed that the scene was shorter on the page. However, Abbassi kept the camera on them and let Stan and Bakalova continue in the bedroom, improvising the rest of the scene.

“In the script, the moment was him alone in the bathroom and breaking down, and then Maria walks in and finds him, and he quickly cleans himself up and says, ‘Nothing happened.’,” Stan explained. “We shot it a couple of times, and there was this take where, in the moment, I froze, and that was the truth of the scene. She walked in, and I knew we were not shooting the scene we were supposed to. But we stayed in it and explored what happened and, fortunately, Abbassi kept rolling, and it carried us into the bedroom, and we got in bed, and she put her hand on my hand, and [all that emotion] started to happen in the moment.”

Stan continued, “That was an experience that’s so reflective of my process. You can go home at night and do all this preparation and envision things going a certain way, but nine times out of ten, they don’t go that way. You surrender to the director, the other actors, and the moment. The beauty of acting and what I love about it is that, if you stay open, there’s a way it can go where you didn’t see it that ends up being closer to the truth, and want it always to be as close to the truth as possible.”

Seeking the truth is equally central to A Different Man, which premiered at Sundance last January and has steadily built acclaim throughout the year, including the Silver Bear for Stan for Best Leading Performance at the Berlin Film Festival. The first half sees Stan as Edward, wearing prosthetic makeup designed by Mike Marino to approximate neurofibromatosis. As Edward, Stan assumes a physicality that appears to be in constant apology for taking up space in the world and making others around him uncomfortable. The psychological block behind that physicality keeps him isolated, even as he forms a friendship with Ingrid (Renate Reinsve), his next-door neighbor and budding playwright. While Edward is cured of the neurofibromatosis and assumes the identity of Guy, Stan retains subtle, detailed whispers of that ungainly, apologetic physicality, cluing audiences into what Edward hasn’t gained from his transformation: self-esteem and self-acceptance.

“Our muscles hold memory,” Stan explained. “There are certain things, like trauma, that will always be there. Edward changes his physical appearance, but he’s never confronted any of the things about himself that he feels most in pain about on an internal level.” Stan accessed the emotions to conceive and convey that pain by wearing the prosthetic makeup out in New York City during breaks in shooting. “When I was walking around, I noticed that everything in me was so self-conscious. I felt people walk by me, and some would look, some would ignore me, but everything in my body was telling me to go into myself and just get through the street and to my destination as quickly as possible. So, as a result, I was walking a certain way, and I felt powerlessness, and I realized that was not going away for Edward. When he’s not conscious of it, he’s falling back right back into who he was because there was no growth there for him. I think, as Guy, he ends up going down this path that he thinks will supply him with all these things that he’s watched other people have for years, but it’s actually made his life quite boring.”

A Different Man confronts that dissonance head-on with the arrival of Adam Pearson’s Oswald. Oswald similarly has neurofibromatosis but lacks Edward’s (now Guy’s) self-hatred. He has a dazzling personality that is more than enough to capture everyone’s attention, including Ingrid (Edward’s lover and director). One day, they go to a karaoke bar, and after casually flirting with a server, Oswald gets on stage to perform. Edward watches in a potent mixture of shock, fascination, and rank devastation as the audience is enraptured, not by Oswald’s condition but by his warmth and confidence. Stan doesn’t say a word but conveys a lifetime of crippling heartbreak and self-disgust that sets Edward on the path of self-destruction that defines the gonzo final act. It is one of the year’s most affecting scenes.

Recalling the karaoke scene, Stan shared insight into Edward’s headspace in that gripping moment. “I think it’s the first time that Edward is confronted with this reality and denial of self in a very real way. I think he’s fascinated, curious, and looking for validation. He’s hoping that other people will judge Osward the way he’s judging Oswald in that moment because, by judging Oswald, it helps keep his lie alive. I think it’s fear and fascination and that he’s no longer able to run from what he’s been denying, which is that, ‘Oh, this could’ve been me. I could’ve owned myself, and I would’ve been fine.’ He’s dealing with that, and from that point on, it starts to grow until the end of the movie.”

Stan’s partnership with Pearson was key to realizing Edward’s journey. “I felt that whatever I was going to do was always going to be, or would have to be in lockstep with Adam. I was really in service to him and Aaron.” The two quickly got on the same page about what they hoped to accomplish with the film, with Pearson as a “lighthouse” to understand what it’s like living with a disability. “There was a lot of conversation around how he grew up, his childhood, his experiences, even what he encounters daily online. [There’s been such a] loss of humanity, sensitivity, and empathy online, how we attack other people and do it anonymously. The fact that Adam can go out there every day and outwit these people and has had to do that for so much of his life is inspiring and brave. I wanted to understand how someone gets to that.”

Edward and Donald Trump are the latest additions to a collection of roles that Stan has curated in his career that explore the darkness that resides in people, ranging from TJ Hammond in the TV series Political Animals to Bucky Barnes in the Marvel Cinematic Universe. According to Stan, it’s been by design. “I think I’ve been curious about gravitating to things that feel complex or I don’t understand right away. I think sometimes, when we have discomfort with certain films, that can translate into ignoring something altogether. And one of those things, to me, is that we are not perfect people. We’re all susceptible to going in very different ways. We all walk around with some version of an angel and devil on each shoulder. Every day is a decision we make to go out in the world and either hurt somebody or help somebody.”

Stan continued, “I think what I’m supposed to do as an actor is keep exploring humanity and how diverse it is. So I love when there are roles that feel closer to the truth that it’s not always just black and white, or a good guy and a bad guy. It’s complex. What’s interesting to me is just how big that scope is in terms of being a human.”

In that vein, The Apprentice and A Different Man collectively serve as the thesis statement of Stan’s career thus far, shining a bright light on the messy complexities of man, told through wildly opposite but uniquely linked perspectives. What ultimately links them is what audiences are willing and unwilling to confront about their interactions with the world around them, whether political ideology or social stigmas. Stan hopes that people watching either or both films come to understand their limitations, whatever they are, and embrace curiosity and empathy.

“I still feel like there is a discomfort around these subject matters that I think confront us on a level that we’re afraid to go to,” Stan said. “I think that sometimes people are curious but are afraid of being curious, and, as a result, they’d rather look the other way and not confront anything. I was lucky enough to be in two complicated films that are confronting people in certain ways. Some people got it, and others are not ready for that yet, but I’d rather be on that side than on the safe side. I hope that, with these two films, people don’t turn the other way.”

A Different Man and The Apprentice are both available VOD on Amazon and other platforms.

[pain-is-too-tired]

One thing I think is interesting is how much a parallel Will is to Nico. Not just cause "oh,dead siblings-" but how that whole situation pays out overall.

Both are raised by their mom for first decade of their life, why Nico grows up with a sibling, Will only has his mom to lean on, why not shown(praying so hard for a Naomi moment in tsats 2-) it's very clear he has a close bond with her why Nico hardly is able to remember his.

Both end up attack at young age with their moms. Nico losing his from Zeus, and Will being attacked why in the city with his mom. Something that sticks to him so much despite fighting in like 3 wars that he still is scared of those monster birds.

Nico and Bianca are taken to the Casino and years later camp, why Will it's taken straight to camp, and only then does he get siblings to lean on.

Nico loses the only stability(nonfataly at first) he's had his own life when she decides to join the hunters (which, as a younger sibling with similar age gap,definitely gives the feel of sibling struggling with being left behind as the older grows up but that's a different ramble-) Will like makes the decision to not be able to see his mom as much anymore for the safety of her and himself, becoming a year rounder, or having to do so after the war for sake of his siblings. Either way loosing that stability as well.

Of course Will loses a brother before Michael, not only that he looses almost all his siblings.

And this where most interesting comparing the two.

Nico has to stay in camp, he entrust Percy to look after her and when she dies in his young grieving mind he blames Percy. He was there when Nico couldn't be and didn't save her. Add on to the fact that Nico felt her die. He's left with his sister dieing why he was stuck and camp and couldn't be there with her.

Then for Will, he likely not only felt some of his siblings die(if why trying to heal them they died right there) but he saw them die. He was there and he couldn't do anything.

He sees not just Michael being knocked off the bridge, but some of his other siblings too a bit prior from Kronos. A year prior he likely also had to see many other die as well including his other brother.

I don't think most of his anger is in Percy, though I'm sure he has some mixed feelings about it at this point after botl Will is fully aware they're in the middle of war and what comes with that. They had to act fast in both breaking the bridge and getting to Annabeth. Michael wasn't the only sibling somewhere under that bridge, leaving his cabin to search and regroup why he went with Percy was the best option.

But,I think if he'd be upset at anyone, it be Clarisse and her cabin. Even if by a little bit.

A reverse of Nico's situation. Instead of "i couldn't be there, you were" its "I was there, you chose not to."

Not that they particularly could 100% saved Michael just be being their sooner or whatever, but if they were there would've been room for reinforcement. That maybe at least some of his other siblings could've survived.

They're then given something that just becomes a sour reminder of what they lost. Nico's given the figure Bianca got that led into her death by Percy.

Will's handed over the chariot, which was the reason Clarisse refused to assist in the fight why his siblings died, by Clarisse.

But, Nico left camp after. Having no ties to it and no responsibility other than taking care of himself. Only having to get back on contact with Percy after months without it. And why still going through a lot he's finally able to talk stuff over and start on a healing journey.

And honestly,I thinks why Nico and so much further in not just acknowledging his trauma and issues,but actually get moments to think it over and talk and connect to someone over it.

Think that's why I hate that idea that will just came in and "fixed Nico" or whatever. Because Nico was already on the way to healing by the end of the first series! Of course he still struggled,cause healing doesn't happen over night,but if wasn't just Will that helped him. Will was just the person to help him find his place in chb and settle in a stable place where he could finish his healing.

In contrast, Will had hardly any of that. As soon as Michael and his siblings died he was responsible for not only what little siblings he had left(Kayla and Austin were like 11 or so btw-) but a whole army of his peers and others.

He had to become a head counselor mid war, afterwards he had to burn bodies and empty shrouds of his siblings and peers why still having to take care of his living peers.

He couldn't risk the energy to argue or be mad fully at Clarisse. He just had to put on a steady face why she gives his cabin back the chariot like that would fix anything. Only for that to get broken but too long afterwards

It is non stop for over the next 1-2 years. To the point he centered his worth around helping others to an unhealthy degree that it even affects his relationship with Nico.

Which took up to tsats for Nico to really sit and talk to Will about it. Nico's aware of how hurt by his sibling's lost Will is, but i think up until tsats he hadn't fully processed the fact that Will never got the closure he did. Will never got to say goodbye nor had time to do his own thing. And I think tsats it as much of a start of Will's healing journey as it is Nico fully coming to terms with his. Obviously trauma like that doesn't go away, but Nico it's a lot further ahead than Will, and think just interesting how differently their life led them to that.

Will,despite having me stability with camp and his two siblings, he never really had anyone he felt he was allowed to lean on even a little bit. Even with how close he is to his mom, there's only so much he likely would tell her.

Idk. The parallels are so interesting to me.

Also, idea of Clarisse being to Will as Percy is to Nico and kinda fun to think about. I'm just a sucker for Clarisse being a big sister figure to Will hdgd

Also, not saying Nico is there to work Will through his issues either. I bet much rather him just be part of it in the way Will was with him. Nico had Jason and Reyna and Hazel as well. Let Will have that support system. Obviously I'm sucker for him and Jake having heart to heart. But also others.

Anyway gdgd just random thoughts about them.

[adventureofthedancinggirl]

Symbolism of Shouto's and Touya's birthdates

I saw this post from @class1akids that got me thinking of the symbolism of Shouto and Touya's birthdates.

🏹I hadn't thought about it before, but I realized that Touya's birthday is a way of playing with the phonetics of his name and the kanji for the number 18.

Normally, 十八 (18) is read じゅうはち (juuhachi). However, most kanji have multiple readings and one phonetic reading for the kanji used for 10 and 8 is Toya*.

十 (10) - kunyomi reading: と (to) / とお (too) 八 (8) - kunyomi reading: や (ya)

*note: this is not a standard reading of the combined kanji. There are also other possible readings for both kanji depending on context. Also, there is a difference between とうや (Touya), which is the actual spelling of his name, and とや (Toya) / とおや (Tooya) but for the purposes of wordplay, they are similar enough that I believe this was Horikoshi's intention.

For reference, here are the actual kanji used in Touya's name: 燈 (lamp/light) - onyomi reading: とう (tou) 矢 (arrow) - kunyomi reading: や (ya)

Also, perhaps this was a clue about Touya's favorite food all along. Another reading for 十 (10) is そ (so) and 八 (8) can also be read as ば (ba). (It's why "soba day" is October 8)

🍰For Shouto's birthday, there isn't a direct phonetic link, but I think January 11 could symbolically refer to a couple of things.

First, the number 11 is sometimes used to mean "good" in Japanese. The reasoning behind this is that 1 is read as いち (ichi), which can be shortened to い (i). By this logic, 11 becomes いい (ii), which translates to "good" or "excellent", which is very fitting for Shouto.

Also in Japan, January 11 is 鏡開き (kagami biraki) - the day you are supposed to break open and eat kagami mochi (the mochi displayed as an offering to the gods for good luck in the new year.)

This website has a detailed explanation of kagami biraki but here are some main points:

鏡 (kagami) means mirror and 開き (biraki) means to open, unfold, or unseal. Literally, kagami biraki means opening/unfolding a mirror.

There is a proper way to break the mochi. Cutting it with a knife is bad luck. Instead, it should be broken with a wooden mallet or by hand, then cooked into a dessert or soup.

The word 開 - bira(ki), also read as hira(ku), has a connotation of opening doors / new opportunities. "Kagami biraki" is purposely written with this kanji instead 切る (kiru) to cut or 割る (waru) to break, which have connotations of bad fortune or mishap.

Attaching such a significant date to Shouto’s birthday could be Horikoshi’s way of indicating that Shouto’s birth was seen as auspicious - originally to Endeavor as the "good luck" of finally getting the masterpiece child he wanted, but later in a positive way for Shouto himself as he came to terms with the things that could have broken him but which he eventually accepted and used to create his own destiny.

Kagami (mirrors) also represent harmony, which is fitting for Shouto, whose journey involved introspection and finding harmony between the two halves of his quirk.

[ignore this next bit if you don't want heartbreaking symbolism]

🍜As for both of them being born in January, I suspect that Horikoshi chose Shouto's birthday first and intentionally gave Touya the same birth month to reference the fact that he was almost the perfect creation that Endeavor wanted and that he was "replaced" when Shouto was born. There's also something about January and new beginnings that isn't really relevant to Touya 😭

Something else I learned while I was digging deeper into the symbolism of Japanese dates is that the old Japanese name for January was 睦月 (mutsuki).

睦 (mu) refers to a harmonious relationship, especially among family members, which is heartbreaking in the context of the Todoroki family but it ties in with Horikoshi's messy attempt to bring the family together to stop Touya before breaking it apart again.

Notes: - These days, January is usually just called 一月 (ichigatsu), literally 1st month. - New Year's Day is the most significant holiday in January and is traditionally a time when families come together - If anyone's super interested in how different kanji readings work, this site has a good explanation but it is quite long and may be confusing for folks who are brand new to kanji.

[ct-multifandom]

S6 ep speculation

Get ready to hear my 80% wrong predictions even though I’m like, super not caught up on this show! It’s still fun to guess. Also this post will be generally leak-free so don’t go replying to it with “uhhh actually from the leaks we know this and that”. Not the place. Warning, this post is incredibly long.

1) Climatiqueen

I lean into the microphone and say, “Aurore”. The crowd erupts into cheers and fervent applause. Everyone shouts and whistles and pumps their arms in the air.

Interesting that they went with the French name for both translations, and she clearly seems to be a powered up version of stormy weather. It’s so fitting to circle around and start this new arc and new butterfly user off with the OG… I just hope we’ll get to learn a little about her character this time (doubtful). She’s gone to the main cast’s school this whole time and was Marc and Zoe’s classmate. It’d be great if they made her an actual recurring character instead of a special NPC. The children yearn for a character who acts like a cunty Mean Girl but isn’t actually a bad person.

I’m guessing this episode will serve as a general intro to the new world, showing us a typical day in the life of LB & CN kind of like the original pilot without dropping any important main plot developments.

2) Dessinatriste/The Illustrhater

Why is nobody talking about how funny the English name is, that’s hilarious. The haterrr. I’m getting very different vibes from both translations emotions-wise. The English title makes it sound like they’re petty or angry rather than sad.

My first thought was Nath because the name follows similar conventions as Dessinateur/Evillustrator in both languages and as one of the earliest and most iconic akumas it might continue this idea of Lila following in Gabriel’s footsteps while first learning how to butterfly.

In early s1, Gabriel was still experimenting with his powers while figuring out what does and doesn’t work when making an akuma. Well actually, since it was Gabriel, he learned absolutely nothing and was shocked when making the same mistakes over and over didn’t give him different results.

I think putting Lila through that same test drive phase would show her being much more analytical and actually develop her skills based on what she learns. In s1, Gabriel had a hard time making The Evillustrator do what he wanted, going so far as to like bloodbend him, then never targeted him again. If Lila was in that situation, she might figure out how to be more persuasive/manipulative/motivational or just learn that she has to choose akumas who will align with her goals in the first place.

Nath is also majorly due for character development. And he might be a pro level hater. It’s odd and a shame that we’ve only seen him once while every other class character has been akumatized like a hundred times atp. I think it’s most likely him.

I’ve seen people bring up that the French name sounds like a pun on the feminine form of the word. While Nath might be a diva, my counter argument is that this might be referring to Kagami, who is also interested in illustration and a girl. <- LMAO [insert Kagaminette joke], I mean “and is a girl”.

We haven’t heard much about her artistic journey in a long time even though it was important enough to mention in that trading card game where they said she secretly wants to make her own manga but lacks the confidence to start even though she has it planned out (super paraphrased).

Since Tomoe will become a greater villain, this could be the opportunity to show it since she’s the reason Kagami is self-conscious about her art. Maybe Tomoe will provoke Kagami into getting akumatized on purpose to test out Lila’s abilities or use her somehow. I’m not sure what her motivations are. Kagami does have, what, four different akuma forms already not counting powered-up ones? Crazy evolution tree, why not add more.

This might be an episode where Kagami becomes more comfortable pursuing what she wants and finding support among Marinette and friends instead of looking for Tomoe’s validation, continuing the plot line from Perfection. Once again, I don’t think it’s likely to be her tho.

3) Sublimation

I’ve seen the leaks and I believe everything I’ve seen has been from this episode. I feel comfortable saying this since it was already released in the official trailer, but the villain here is the coach woman. This episode seems to mostly be focused on this new runner girl character. I won’t elaborate because I don’t think any of the other stuff I know about this ep was in official material, but yeah, very much a new character situation.

You’d think this episode would have something to do with the power of the rooster miraculous, but there is absolutely no indication of that. I like to imagine the writers have a “word of the day” calendar at the office, and when they learned the word sublimation they were like, “hollllyyyy shit you guys, we need more people to know about this”.

4) Daddycop

I expect this to be a Sabrina-centric development episode and would be shocked if it’s not. Her relationship with Roger is pretty interesting since they seem to be on good, loving terms, yet he’s okay with all the Chloe bs and seems apathetic or ignorant to how Sabrina was being treated. Maybe we’ll see some rebellion from her now that she hangs out with other people.

The akuma’s name, to me, implies that Sabrina will be responsible for Roger’s akumatization or at least the main focus of it. Maybe he will become overly protective of her and target anyone who fucks with her or worry that she’s straying from the right path and exaggeratedly try to correct her behavior.

Sabrina’s behavior up to around Penalteam was likely informed by Roger’s influence, possibly more-so than Chloe’s. He had this “doing what you’re told is right” mindset that he instilled in his daughter, so in this episode, she might help him unlearn it. As a cop, he was always mindlessly bossed around by Mayor Bourgeois, so since Andre is gone, Roger will have to think for himself more.

5) Papys Garous/Werepapas

Continuing the theme of dramatic dads, the consensus seems to be that this will be Tom and probably Rolland. I’m not sure why, but Marinette’s always getting up to some silly billy antics, so. Tom doesn’t seem to have any issue with Adrien and idk what type of beef is gonna start for the grandpa to get involved. It might be some misunderstanding situation or another “Chat Noir is on our fucking balcony again, get the broom” moment.

It might very well be the mom and dad though, not the dad and grandpa. People have been talking about how it’s unrealistic that Marinette has been able to keep huge secrets from her parents for so long, so they might snap this time, not because of Adrien, but because she’s been acting shady herself. They might assume she’s getting into trouble. People have been long speculating that Sabine will learn Ladybug’s identity soon, so maybe she will finally have to tell her parents in a situation similar to gang of secrets.

6) Princesse Syren/Sleeping Syren

Ondine yayyyy! Yay! Ondine. Possibly a Kimdine episode to redeem Kim after they ruined his character for no reason and everyone got really mad because it didn’t even make sense. Remember when the instas were still a thing Alya had a post like “hanging out at the pool! Ondine is so awesome idk what she sees in Kim” or something. Yeah. How’d he pull a baddie like her if he’s been acting the way they’ve been showing him to act? Makes no cents luv. I’m dying to see more of their relationship, more of her, and some repair of what they’ve done to Kim.

It sounds like they might be doing some kind of sleeping beauty retelling? Idk how that would make Syren a threat if she’s asleep the whole time, but maybe she’ll still be doing the whole flooding the city with tears thing while she’s sleeping.

I also really hope Ondine will be attending their school now. I want to see her interact with other characters and become more relevant. Please give The People (me) what they want (official Ondine street clothes design). Also they’ve been introducing too many lamely designed girl characters with average heights and athletic-skinny body types. We need the 6ft swole girl to balance them out.

7) El Toro de Piedra

This name is so Ivan-coded that I’m tempted to just say that it’s not him, but why would they make an intentionally misleading Ivan clone. The name is concerning because it sounds like a mix of stoneheart and his hero persona. That makes me think maybe he’ll get akumatized AS Minotaurox. His arc has been about how he’s scared to accidentally harm others because being the first akuma bothered him so deeply. If he’s in a situation where he has to act tough or use force as a hero, he might become upset, worrying that he’s going overboard. I can see him cracking if his fight against an akuma ends up getting a civilian hurt in the crossfire or with someone being scared of him afterwards. Having his regular/akuma and hero forms mix together could compromise his identity.

Also I guess he’s Hispanic? *sonic voice* I didn’t know that. I remember a long while ago they said in an interview to look forward to Ivan lore which is one of the things I am most excited for this season. He is probably THE most underrated character in the show and most overdue for development.

8) Vampigami

Guys I hate to say it. I really hate to say it. My heart wants this to be vampire Kagami sooooo bad but my brain says we aren’t allowed to have nice things. I already suggested a Kagami akuma earlier, and she can totally get akumatized several times a season again because her mom hates her, but I’m not ready to be disappointed like this. I want her to become a badass evil vampire and acquire a Ben 10 arsenal of villain forms, but Vampigami is probably gonna be some stupid shit like Optigami except it looks like a bat instead of a butterfly this time.

I really don’t know what to seriously expect. I can’t imagine vamp referring to anything other than vampire, although it can also mean patching/editing like the word revamp. Gami has only been used in a senti name before to mean oragami. Idk man vampire Kagami is so engrained in my mind that I can’t come up with anything else. Like to charge reblog to cast. Let’s manifest that the writers have finally tuned in to what the people want.

9) Monsieur/Mister Agreste

This has got to be the episode that introduces Adrien’s grandparents, right? Meaning his grandpa is gonna be Gabriel’s dad and the title could stand for three generations of Mr. Agrestes. I’m surprised we haven’t heard much about them yet, but since Gabriel’s dead, it makes sense they’d come around to get his affairs in order or attend the funeral etc etc.

We got a big movie about Emilie’s history and her noble family, but all we know about the Agrestes is that they weren’t rich, and they sold fries. But there’s the weird part: wouldn’t Gabriel’s parents be the Grassettes? How much do they know about his life after he moved out? This episode might show us more about where it all went wrong for the Gabriel of this timeline. Maybe his dad will get akumatized because Gabriel abandoned their family, and he’ll become Mr. Agreste instead of Mr. Grassette to try to fit himself back into Gabriel’s fake narrative. He’ll turn into a rich asshole old guy because he thinks that’s the type of dad Gabriel would have wanted instead of his real self. Dang that’s sad.

10) Le Chateau Noir/The Dark Castle

My first reaction was Chat Noir, but I saw someone say Darkblade which makes so much more sense. I mean Chat Noir getting akumatized is an avengers-level threat, and last time it happened he blew up like everything, plus the episode was pretty late into the season.

Darkblade fits pretty well with the castle thing since he’s a knight. He lost yet another mayoral election, unable to even blame it on corruption this time. On top of it all, the new, fairly elected mayor is his old coworker from school who also didn’t have much political experience. Ouch.

11) Revelator

I’m getting Reverser from the name but only vaguely. This sounds like a similar type of villain to Gold Record who forces people to reveal something about themselves. Maybe this episode will go into how suddenly having secret identities is affecting the other characters’ relationships like Gang of Secrets again or Truth/Lies. If the akuma’s power has to do with revealing secrets, someone may get their identity exposed on accident like in Wishmaker. By that I mean a reveal between characters other than the akuma and the secret they want to find out.

12) Psyconductrice/Wreckless Driver

My first thought here was Max’s mom because she’s a train engineer, but the name seems to imply cars specifically. Totally unrelated, but remember that one poll on here about who’s the hottest MILF in miraculous, and Claudie Kante was in dead last by a lot, even way behind Audrey with her fuckass Anna Wintour bob and horrible child abusing bitter personality? Yeah you all have horrible taste. Democracy is dead and I hope everyone is happy being so goddamn ignorant and wrong. /hj.

On the topic of moms this could still be someone’s mom. I’ve brought up the pattern before: many moms are associated with a mode of transportation that are connected to their villain form. Car: Tomoe, boat: Anarka, train: Claudie, motorcycle: Gina. We could get a bus driver mom, or a trucker or taxi or racecar driver. Imagine. I’ve been saying we need a pilot mom.

Even if this isn’t anyone’s mom, it might be a new character. Idk who else it could be of existing characters.

13) Yaksi Gozen

This bitch again. Boo. I mean she IS super badass actually, but can we comically pull her offstage with a long hooked cane and let someone else have the screentime? I gotta say I am interested in her as a major villain but. Her akuma was cool the first two times and it’s time to calm down.

Clearly there’s something new about her this time. When looking up what yaksi means, it brings up yakshi, a type of nature spirit, but nothing that actually matches with “yaksi”. Maybe she’ll run a greenwashing campaign with her company? That reminds me of Mega Leech and how she wasn’t held accountable for her involvement in that scenario. If she comes under fire, she might get herself akumatized on purpose Collector-style to save face. Does anyone know if yaksi means something else? I’m not convinced it’s supposed to be yakshi without the h.

14) Couchorak/Grendiaper

Gigantitan vibes, possibly a powered-up version of him. When Hawkmoth first akumatized the baby, it was by mistake, and he ended up regretting it because he was hard to control and useless to his cause. Would Lila akumatize a baby on purpose, or is this an accident too? Since there’s a time skip, baby August would be a year older as well, so he’d actually be a toddler now, which might make him less unpredictable.

A shot in the dark I’m gonna make is that this might be Ivan’s younger sister. We know he has one, and while we don’t know her age, it sounds like she’s probably a toddler. We also know that he’s interested in childcare as a career. If I had to guess, I’d say he probably takes care of her often, which might be what gave him the idea. If she gets akumatized, it would be a great setup for his superhero focus episode.

15) La Redresseuse/The Ruler

My hottest take on this whole post is that this one is Mendeleev. Isn’t she the principal now or something? Idk but she’s a strict teacher who needs order, so I think the name matches her because 1: rulers are school supplies, especially for a science teacher who needs everything to be measured exactly, 2: ruler meaning leader with a totalitarian connotation, 3: the French title means straightener which connects to disciplining students or controlling how the school is run.

I think she’ll get akumatized because her students lack respect for her, and her strictness makes them dislike her which actually hurts her feelings as seen in the NY special. She might have a hard time adjusting to this new school system and her new role, not seeing the same positive relationships Bustier and Damocles held with the kids. She’ll go way overboard and turn into an evil school-themed dictator to try and regain control, but then learn her own lesson.

16) Noe

This is most likely a new character or something, but I love the idea that it’s just like, evil Zoe. Zoen’t. Noe.

OR imagine if it’s a more powerful version of Nino’s brother because it’s Noel but without the L, meaning this time, he won’t be taking the L. Coincidence? I think not. He is Lila’s pawn or whatever after all.

In all seriousness I have no idea what this is and the name could mean a lot of things, so I’m gonna just go with a completely new character.

17) La Fee De Beaux Reves/A Fairy Good Night

This is so Pigella energy. Not Rose, Pigella. In Jubilation, we saw how terrifying her power is when used for evil, trapping people in their own daydreams. Maybe she’ll struggle with nightmares or sleep problems and turn into an akuma that forces everyone to get stuck in imagined utopian illusions so they can “rest”. This idea is kind of the opposite of Sandboy and Nightormentor. I’d love to see more of her power and how it can be used for both good and evil, especially since a lot of people seem to think it’s useless or too situational.

18) Les Crassetastrophes/The Dirtifiers

This might be the little kids in another obligatory babysitting episode. The villain name is plural, so it could be a comic relief moment where the kids get mad because they don’t want to clean up or something silly. Otherwise maybe this is another pollution situation? I’m leaning more towards children, though. Another possibility is that we might be getting our first animal akumas.

19) Riginarazione

So I’m pretty set on this being Lila herself. Italian words? Check. Villain name having “queen” (rigina) in it because they can’t be too creative? Check. I’m guessing the pun is supposed to be regeneration rather than “queen ration” so maybe she’s gonna make herself some sort of nearly invincible self-healing villain.

20) Renverse-cœurs/Heartfixer

This sounds like that monstrosity Andre and Audrey turned into. Heart Hunter. I had to Google the name because I erased it from my mind. Out of all the old villains, I’m surprised this is one they’d choose to revamp since it was such a jumpscare, but I can see how they’d want to revisit it in the context of the Bourgeois’s messed up relationship since they were more of a temporary joke villain the first time. Maybe we’ll get some backstory on Chloe and Zoe as kids and who this Lee guy is who’s supposed to be Zoe’s American Dad (goooood morning, USA!). Based on the akuma name… maybe they’re gonna get less divorced. Wouldn’t that be a shocker? Audrey character development? Or maybe they’ll feel the need to keep it together for the kids.

21) Les Titans Chaines/The Chained Titans

I have no idea but it sounds awesome. Clearly more than one person. My first thought was s5 finale energy with the miraculized, like a whole mob of people sharing the same negative emotions. The metal vibes make me think maybe Couffaine family just because they’re so dramatic, and Jagged was a titan in the music industry who didn’t want to feel chained down? Kind of a stretch perhaps. Of course, it could be something new.

22) Lady Chaos

I’m saying Marinette akuma idc. I know people have been making this prediction for the past couple seasons and the writers were saying no but. Episode 22 is the one where shit goes down. Now that Bunnyx is active full time and there’s an entire team of other superheroes, there’s finally a chance to beat her if she does turn evil. I’m guessing it’s gonna be a bad timeline one like the Adrien akumas.

My concern with this type of ep is that they’d Mary Sue her and be like “her power levels are so high that nobody stands a chance against her, the best ladybug ever” even with like 20 heroes fighting her. I don’t think it’d be too bad though, because thinking about Chat Blanc, if she instantly blows up the whole world and the goal is just to undo that timeline, it’d probably be about equivalent.

23) Tristanansi

Using triste in two of the French akuma names is uh… we couldn’t come up with anything more creative? Anyway obv Nora so this could once again be a Nino episode like the first, but it could also (more likely imo) be an Alya one. Nora has a fiery personality and strong opinions so maybe Lila could’ve taken advantage of that to manipulate her kind of like what happened with Jalil. We were briefly introduced to a character who is her friend or boyfriend last season, and he may be more relevant this time, like maybe they have a fight. Similar to Sentibubbler, maybe Lila is targeting Alya’s family to try and get information out of her or steal the fox miraculous.

24) La Reine de Frayeurville/Queen of the Dreadzone

Other people have been saying this could be a Halloween special but… I want to say this might be a powered up Horrificator. This might be one of those episodes where they make it more lighthearted before the finale, and we haven’t seen her act on her own since s1 which is like the whole point of her akuma. She isn’t effective at all in groups and everyone’s been kinda desensitized to what’s supposed to be scary about her. Maybe they’re bringing her back scarier. Mylene has come far with her phobias, so they’d need something to really scare her.

I remember something about a proposed Halloween special taking place in the catacombs, which is coincidentally where Lila’s lair is. There might be a connection where the gang figures out she’s there, and something spooky goes wrong while investigating. The Paris catacombs are an understandable place to get scared in and a great setting for horror.

25) Protocole Secret/Secret Protocol

26) Nemesis

^^^ Ok I don’t know what specifically to say about the finale except that they’re probably gonna fight self-akumatized Lila since they tend to be kind of unpredictable.

What I do want to do is bring everything together and point out that Lila knows the identities of like half the heroes from the beginning because she stole Nathalie’s iPad or whatever happened. In Miracle Queen: Alya, Nino, Luka, Kagami, Kim, and Max had their identities revealed, which was relevant again in Optigami. Alix didn’t even try to keep a secret. Lila can easily connect that five of these people are her former classmates and all of them are friends, so she must have figured out that the rest of the heroes are also from their group. In the London special, it didn’t take a lot of hard work to uncover Marinette’s identity. She also targeted Kagami last season on a personal level. Side note, I have no clue if she knows Felix is Argos or not. That point is unclear to me, but I’m gonna assume she does since Gabriel knew.

We have Marinette, Adrien, Juleka, Rose, Mylene, Ivan, Zoe, Marc, Nath, and Sabrina left in the safe zone. I predicted most of these characters will get akumatized, and I believe Lila will be targeting them on an individual level under the suspicion that they’re on the team. It’s likely that she will even expose some if not a lot of them. In fact, she might have gone after Ondine as a red herring because she’s friends with them and King Monkey’s gf. From her perspective, Marinette could be one of the superheroes just as easily as anyone else could.

I’m not too worried about Adrien since he’s been the best at staying secretive, and Lila might not even suspect him because of the idealized yet untrue preconceived notions she has about him.

She may also be going down the list to see who does and doesn’t show up to each fight, making ladybug feel the need to call the minimum number of people to help her, which would solve the narrative problem of “why can’t ladybug sic the whole team on every akuma”. Discounting any Mirage tricks, having a certain hero help fight an akuma would tell Lila that the akuma is for sure not that hero. And obviously if every hero except one shows up that’s uh… suspicious.

Something very interesting is that out of all these characters, the episode I predicted to focus on Sabrina is one where the akuma is not her. Perhaps Lila will overlook her because she only recently made new friends, thinking she’d never be trusted with a miraculous. This same mistake of underestimating Sabrina is what led to her downfall the first time, so it’d be poetic if Sabrina managed to play the spy twice.

I did not predict any of these episodes to potentially be a Juleka akuma, but you know this girl will never in her life catch a break, especially with the rest of the pattern I’ve laid out above. Which episode do you think is secretly gonna be Reflekta? I guarantee you it’s one of them.

As a final note, I think Nathalie will be instrumental in helping the team identify Lila as the villain. They’re very unlikely to defeat her this season for good, but Nathalie knew about Lila’s little internship with Gabriel, and she was the one who originally had all the grimoire pages and Optigami identity data digitalized. She may recognize that information has been stolen or connect that Lila may have had the opportunity to physically take the butterfly miraculous by entering the lair. She’s in a unique spot because she’s the only one who knows this much about Lila’s villain plans, but also knows Ladybug’s identity now. I’m interested to see her role as a redeemed ally to the team.

Aaaaand that’s my novel length essay. Thanks for making it to the end. As always, I’m interested in hearing what other people think! (I feel like a YouTuber doing an outro lol) I’m excited to see the first episode soon which is actually gonna be the second episode I guess. So close! Off to an incredible start. I want to hear other theories!

[vidavalor]

Today, if you're discussing actions taken to try to prevent against the effects of possible future negative actions, you're talking about insurance. Up until an estimated sometime in the late 16th/early 17th centuries, though? You wouldn't have referred to this as insurance, even though that word also existed at the time.

For most of history, the word for what we today refer to as insurance was actually assurance.

The two words come from some very similar-sounding French root words. Adding to the confusion, the root words of insurance-- enseurer/enseurance-- actually also meant assurance, but in the sense of a guarantee or a serious promise.

Assurance also originally meant self-confident in an unappealing way, which, along with the general confusion of the similar-sounding words, is thought to be one of the big reasons why assurance fell out of fashion as a word, paving the way for insurance to eventually take over the main, original meaning of assurance.

So, why the two different words in the first place, especially when both of them were rooted in words relating to promises relating to safety and security?

Because while assurance originally meant what we'd consider insurance today, insurance originally exclusively meant a different kind of promise...

The word insurance originally referred to what we'd call a marriage engagement today.

"If it all goes wrong, I want insurance" takes on an additional layer when you consider that Crowley and Aziraphale have been on Earth since the beginning and frequently communicate using etymology (word history) to code their speech in public for safety, as they were also doing in other parts of this very same scene. They both absolutely know the original meaning of insurance.

From what Crowley said in 1862, it's clear that there hadn't exactly been a formal proposal by 1862... how could there have been, really, considering that was some 'if both the human world and the supernatural world ever were to change' pipe dream at the time?... but there was a romantic partnership with a shared understanding that, if they ever could? They would.

They'd turn The Arrangement/The Agreement into The Engagement in a heartbeat if ever things changed and they safely could.

Crowley was clearly not doing well in the 1862 scene, though...

Crowley was really seeking reassurance as much as he was seeking insurance in the modern sense. He wanted the holy water as insurance (modern meaning)-- as protection against Hell-- and he wanted it for their informal insurance (historical meaning)-- to keep the two of them safe.

While Crowley wanting holy water was a surprise to Aziraphale, Crowley's subtle reference to his and Aziraphale's understanding being akin to one of the original kind of insurance was far from a shock to Aziraphale. Neither of them were batting an eye over Crowley's dual-layered use of the word insurance.

Aziraphale just also knew that they were in the park and that ducks have ears, as Crowley himself had pointed out a moment earlier. This was too dangerous a place for this conversation and that Crowley tried to have it here showed how much he was struggling, which just validated even more Aziraphale's hesitation and fear.

Aziraphale knew that holy water could kill Crowley and it's not hard to see why he'd be reluctant to give his obviously anxious and depressed partner the supernatural equivalent of a gun.

Especially when Crowley's PTSD was so bad in that moment in 1862 that he was demonstrably reactive in public to Aziraphale's attempt to keep anybody from listening to realize that they're a couple. Crowley's response just makes it all the more obvious that they are one.

Crowley's inability to have enough situational awareness in the moment to realize or care that he's putting them at risk while simultaneously being (in this case, justifiably) paranoid about them being overheard and asking Aziraphale for the dangerous thing that he's convinced himself will make him feel the safety that he's struggling to feel is a very PTSD thing. It speaks to high levels of unmanaged anxiety.

Even having this conversation in the park and not the bookshop was self-sabotaging on Crowley's part. There's an argument to be made that not doing well to a point that he's semi-consciously trying to push Aziraphale away by putting Aziraphale in a no-win situation in a place where their ability to fully discuss it in the moment is impacted by their lack of privacy.

Crowley was being self-destructive and was putting them at risk as a result, basically proving himself probably too unstable in that era to have holy water in the first place.

What he truly wanted was reassurance that Aziraphale was going to stay with him. Doubting that was the anxiety talking. Aziraphale wouldn't have had to give any indication that he was not going to do so and there's no indication that he was going to leave Crowley. I'd imagine he felt the exact opposite of that and Crowley really, at the core, knew that. PTSD and anxiety can cause levels of self-doubt and make it difficult for a person to trust their assessment of things, as we see with Crowley's struggles to trust himself and others when it comes to things like Gabriel and The Book of Life in S2.

Fundamentally, Crowley knows that Aziraphale loves him but, in 1862, he could have been experiencing a lot of anxiety, self-doubt, and feelings of shame related to the aftermath of 1827, and have really been seeking out reassurance that Aziraphale-- who had already really proven this by sticking through thousands of years with Crowley-- wouldn't leave him... even as he tried very hard to push him away.

It's not rational but emotions-- particularly, trauma-born ones-- aren't always rational. The holy water situation in 1862 is also one triggering Aziraphale's own fears that Crowley will leave him-- will one day go out the door and not come back, either from something they cannot control or because he's decided it's too much for him to endure anymore.

When both people are triggered, it's hard to really talk and even harder to really listen, and someone storming off for awhile is probably inevitable.

But it's not forever. When things calm down, it becomes easier to see what one another was saying, what it was that they really meant, and what they need.

[coffeegnomee]

do you have any blindfold brother thoughts i may be cooking but ive been in lifesteal circles for barely five minutes so i may be making shit up

Well now I'm interested to know what you're cooking.

I have only fragmented thoughts on the blindfold brothers. especially as a duo.

They're so Unknown. Because Flame can profess undying loyalty to Mane.. but will he follow through? Will something come before that? Will the allure of something Fun overtake basic loyalty in a similar way Zam and Mapicc are devotions but will similarly be willing to be against each other?

And Mane is so fast and loose with his loyalty, but so far has not really gone against Flame at all unless you count putting Flame above Flame when he was blowing up spawn, telling Pangi he would take up the mantle of blowing it up if Flame didn't get his fight. Even if Flame was willing/wanting to stop blowing it up. He doesn't put Flame's wishes first, but he does put Flame first, choosing what he believes is best for Flame over what Flame says he wants.

And Mane stepped back from being against Mawn when he found out Flame was on Mapicc's side; he was willing to fight Flame if need be, but he didn't end up having to do it.

Flame stands by and watches (or joins attacking) as any other of his loyalties gets attacked by Mane, putting Mane above anyone else, and he told Mapicc he refused to fight Mane if it came down to it.

And yet. Flame back when he died said everyone was kill on sight and Mane slyly asked if that included Zam, to which Flame said, no of course not Zam.

And yet we know he did go against Zam just a few weeks later, and now completely did a torment arc (day) against him. All with zero provocation from Zam except Zam objecting to Flame blowing up spawn. It swapped on a dime when Zam went from neutral innocent cute pacifist at spawn to possible adversary. And has stayed adversarial since. So Flame is capable of being loyal for one month and when the situation arrises that is good enough, he will break that loyalty.

So where they might end up is completely untested, which I find fascinating. Both have such different and unique perspectives about the server, Mane going for BBEG who never dies who has a reason for everything he does, while Flame more goes for wanting his short term video idea and is more willing to jump onto someone else's idea and do what they want to do rather than being the BBEG himself. Flame is more social and willing to show up in person, while Mane is paranoid about traps to a degree even more than Flame, is hesitant with the yap, and more wanting to be mysterious (though this might be changing)

Both exhibit a soft spot for the chunguses, though Flame (esp with like Pangi) is more loyal as support and negotiation, while Mane is more giving of hearts and killing others for them and coming to defend them in person (mane was more around for Zam early season than Flame was).

Flame has a tendency to be very worried about his image, defensive over it, while Mane is willing to risk the embarrassments (being Flame's lawyer, being the BBEG and more or less seeing it through)

They're simultaneously attached at the hip and one unit together and completely unique and nuanced players. I'm just excited to see how they end the season and where they start s7 as because that is going to tell So Much about who they are as lifestealers.

[theweeklydiscourse]

tw: mention of CSA and abuse

just saw your recent reblog about Nosferatu and idk what is your actual take on it but i've to disagree with the op saying <this is not a story about grooming nor abuse... it can be,> the movie is very obviously and directly concerned about sexual abuse and the uncomfortable eroticism only enhances the horror of the whole situation. i just find posts that constantly need to mention "it's not about abuse it really isn't!" entirely dishonest and intentionally denying the very obvious theme of the movie just so they don't have to face the fact that they liked a ship that is as noncon as it gets. it is essentially a grooming rapist/victim relationship which obviously makes people uncomfortable to admit which is why they don't want to acknowledge that. and that explains the vehement push back against the SA narrative (which isn't a simple interpretation but very much what literally happens in the movie). i just think that people need to just start being honest with themselves like there's nothing wrong if you end up liking an absolutely fucked up dynamic and the whole “death and the maiden” of it all but please stop with the "this isn't a story of abuse" takes because that is actually harmful. not the shipping but denying the fact that this is a movie about abuse because it has led to some very horrible takes of rape apologism with people saying "it's not abuse because she called to him so it can't be" like... no. just no.

There are a few issues at play in the current discourses surrounding Nosferatu. First, one side makes sweeping generalizations about what the film is definitively about, and then the other side counters it with its own sweeping statements. This predictably gives way to certain over-corrections in the discourse that try to find an absolute answer to subject matter that is up for audience interpretation. I actually had a similar thought occur to me when I read that quote in that particular post, and I say that as someone who is really into the "Death and the Maiden" dynamic. We're talking about a film that provides more than enough support for multiple interpretations and it's frustrating that people reject other people's ideas so they can have the *one ultimate correct* take on it.

This issue is exacerbated by the current internet climate of moralizing textual interpretations and the lack of understanding surrounding the genre Nosferatu belongs to. Gothic fiction often features taboo subject matter that is considered by many to be off-putting and disturbing, and usually, that leads to the judgement of those who enjoy it. The reason that people are overcorrecting by saying that it's not about abuse is responding to the denial of the existence of themes of repression, desire and love in the film. It's a phenomenon I also find irritating. Viewers who are totally unfamiliar with the kinds of themes and subject matter gothic fiction deals with seem to be imposing only one possible interpretation of the text while acting like people are immoral for thinking otherwise.

I also consider Robert Eggers's words in my own reading of the film. In an interview, Eggers noted that his approach to the film was informed by the trope of the "demon lover" and even referred to the relationship between Ellen, Orlok, and Thomas as a love triangle. The film is explicitly erotically charged in a manner that can be taken either way, and I believe that both interpretations are valid ones. Outright denial of interpretations of Ellen and Orlok's relationship as abusive seems foolish to me. But I also get why people might be uncomfortable fully acknowledging the more twisted nature of their dynamic. Nobody wants to get labelled as an abuse apologist over fictional matters or shipping, and there are times when merely engaging with darker subject matter gets people labelled as such. However, people need to stop being so absolutist about these things and learn to substantively engage with differing viewpoints.

I think that the online tendency to moralize fictional preferences plays a large role in people's resistance to being honest with themselves about liking taboo subjects or twisted dynamics. There's nothing wrong with liking it, but it's hard to do so openly without incurring some form of criticism and contempt. Denial gets us nowhere.