#Bollywood film

[dolorygloria]

SHAH RUKH KHAN & KAJOL in Kabhi Khushi Kabhie Gham (2001)

[ssj2hindudude]

@queenjuhichawla

[cult-of-the-eye]

Ok guys Bollywood films and what fear avatar they'd be:

Om Shanti Om - the desolation cause of all the fire or the stranger cause of the reincarnation stuff

Ra-One - gotta be the stranger right? Cause he's actually a computer programme not the dad

Chennai Express - the end cause she's like running away from her "destiny" and keeps coming back to it?

Kuch Kuch Hota Hai - somehow also the stranger cause like Anjali has changed since like high school OOH wait no the web cause the mum orchestrated the whole thing lol

3 Idiots - Rancho also feels very stranger core but the whole idea of the Indian education system being fucked is giving corruption

Ek Tha Tiger - the hunt oh my god

Taare Zameen Par - the lonely I think

PK - the eye cause he's driven by the need to find out information right

Bhoothnath - oh my god I guess it would be the end cause he's a ghost

Please feel free to fight me in the tags and also add any that I've missed!!

[satranga]

Dua se main utha jo tera hua main.

[lavenderheyys]

Flirting vs Harassment

Rewatched Jab We Met to realize how Shahid Kapoor portrayed the genuinely good character - Aditya Kashyap, just to break our hearts with a cringefail loser NIGHTMARE.

[fairyprincess-of-the-swannation]

Pink is the colour of my dream girl

[aap-kaisi-ladhki-hain-kammo-ji]

Zindagi ek pighalti hui ice cream ki tartah hai ... taste nahi kiya toh waste ho jayegi

[musiquesduciel]

Next time a man disrespects you remind yourself that Jai Singh Rathore would never and you shouldn't settle for any less.

[mayapurimagazine]

Mission Majnu Trailer Launch :- https://www.youtube.com/watch?v=y6mbYMGvwsE

[yukinowrld]

hey tumblr help me out here

im looking for a bollywood movie i watched on netflix and never finished

i cwnt remember anything except it was vaguely about a wedding and a scene where the bride and her maid ended up in a storage room and the bride started dancing and spinning the maid around

and i think there were some low level guys who snuck into the establishment as well? because the bride was important? but that may not be true.. and im not sure if this movie is still on netflix either

help a guy out pls, i cant find anything on it

[dolorygloria]

Dilwale Dulhania Le Jayenge (dir. Aditya Chopra, 1995)

[ssj2hindudude]

Am I the only one who thinks it hits different when a Bollywood song starts off as a solo with one gender singing and then has the opposite gender join in at the end?

Like you'd have one side sing the chorus, then a verse, then the chorus again

And then the other side would show up, sing a verse, then their version of the chorus and it just hits you out of nowhere

And it hits way different than if they both just started it as a duet from the start

Anyone? Just me?

[livenews24x7hindi]

मामूली क्लर्क, जो 237 गाने लिखकर बन गया था मशहूर, मोहम्मद रफी को दोबारा गाने के लिए किया था मजबूर

Gulshan Bawra Life Story: हम जिस गीतकार की बात कर रहे हैं, उन्होंने हिंदी फिल्मों के कई मशहूर गाने लिखे हैं, जिन्हें लोग आज भी गाते-गुनगुनाते हैं. वे देश के ��ंटवारे के बाद भारत आ गए थे और मुंबई में क्लर्क की नौकरी करने लगे थे, लेकिन गीत लिखने के शौक के चलते उन्होंने हिंदी सिनेमा का रुख किया और ‘यारी है ईमान’, ‘मेरे देश की धरती’ जैसे कालजयी गीत लिखे. वे 237 गाने लिखकर हिंदी सिनेमा के मशहूर गीतकार…

[werindialive]

“Rohit Shetty right now is a wounded lion. He’ll bounce back.’ Taran Adarsh’s statement on Singham Again

Taran Adarsh, the renowned veteran trader in Bollywood, recently opened up about many upcoming films in 2024. He talked about Singham Again and said that the movie is expected to be the biggest opener of the year 2024. “Rohit Shetty is a massy director. I didn’t like his previous film, Cirkus (2022). But one failure can’t take away the fact that he has contributed so much to the masala film genre. If he gets it right, then he can deliver a film chhapar phaad ke,” he said.

He further remarked, “Rohit Shetty right now is a wounded lion. He’ll bounce back. Aur jab sher zakhmi hota hai, toh zyada khatarnaak hota hai! That’s because he has the fire to prove his worth yet again.”

Talking about Singham Again not clashing with Pushpa 2 because of Independence Day. “The best thing that has happened is that they are not clashing with Pushpa 2. It’s good they are coming on a different date. And if they come on a solo date, then nothing like it.”

Sharing his views on the star cast, Taran said, “Rohit Shetty teaming up with Ajay Devgn and also the star cast he has assembled is something to watch out for. And Ajay Devgn as Bajirao Singham is something else.”

Answering the question about the biggest opening this year, Taran said, “Yes, I am very hopeful. Rohit just needs to get it right, in terms of content. Otherwise, he has got the biggest names. And he himself is a star director. Also, Singham is a huge brand. Hence, I hope it opens with a bang and delivers big numbers.”

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[freepressjournals]

Post Credits Scene: Unwrapping "Merry Christmas" - A Critical Review

Introduction:

Welcome to Post Credits Scene, where we delve into the latest releases, dissecting every element from context to characters. This week, we unravel “Merry Christmas,” a film directed by Sriram Raghavan that promised much but may have fallen short in execution.

Plot Synopsis:

Set against the backdrop of a Christmas Eve in Mumbai, “Merry Christmas” follows the chance encounter between loners Maria and Albert, leading to a series of events involving a dead body and unexpected twists. The film hinges on the chemistry between its leads, portrayed by Katrina Kaif and Vijay Sethupathi, as they navigate through a night of intrigue and suspense.

Critique:

Despite its ambitious premise, “Merry Christmas” struggles to deliver on its promise, particularly in capturing the chemistry between Kaif and Sethupathi. The film’s attempts to weave a tale of romance and mystery fall flat, hindered by poor casting choices and lackluster performances. Kaif’s portrayal feels constrained by uninspired writing, while Sethupathi fails to infuse his character with depth and emotion, despite his undeniable talent.

Directorial Approach:

Raghavan’s direction, while ambitious, feels heavy-handed at times, favoring exposition over genuine emotion. The film’s pacing and tonal inconsistencies further detract from its impact, leaving audiences feeling disconnected from the narrative. Raghavan’s attempt to create suspenseful twists ultimately feels forced, undermining the authenticity of the characters and their interactions.

Conclusion:

In conclusion, “Merry Christmas” falls short of its potential, failing to capture the essence of its premise. While the film may have aimed for intrigue and romance, it ultimately misses the mark, leaving viewers with a sense of disappointment. Join us next time on Post Credits Scene as we explore more cinematic offerings and dissect their merits and flaws.

Post Credits Scene:

In the world of cinema, the story doesn’t end when the credits roll. Join us for in-depth analysis and discussion of the latest releases, because there’s always something to explore once the dust has settled. Stay tuned for more reviews and insights into the world of film.

[fairyprincess-of-the-swannation]

I want a pink wedding dress  ⋆.ೃ࿔*:･