#Bobby Farrell

[atomic-chronoscaph]

TGIF

[jellyfishrave]

Boney M performing Daddy Cool on ZDF Pariser Charme und viel Musik, 1976.

[frenchcurious]

Le groupe pop 'Boney M' Bobby Farrell, Maizie Williams, Marcia Barrett et Liz Mitchell avec une Mercedes-Benz 600 pullman Stretch Limousine Six-Doors 1973. - source Cars & Motorbikes Stars of the Golden era.

[manitat]

Boney M. were a German-Caribbean vocal group that specialized in disco and funk...

[radio-flora-tm]

“Brown Girl in the Ring” – Single by Boney M. Released: April 3, 1978

[fathersonholygore]

Black Mirror 6x05: "Demon 79"

Black Mirror 6×05: “Demon 79” Directed by Toby Haynes Written by Charlie Brooker & Bisha K. Ali * For a recap & review of the penultimate episode, click here. Northern England, 1979. “Bright Eyes” by Art Garfunkel plays. Nida Huq (Anjana Vasan) wakes up, gets ready for the day, prepares a lunch to take with her to work, puts on some makeup, and she’s out the door; before she goes, we see an old…

[filmjunky-99]

h a p p y b i r t h d a y

Colin Farrell

31 May 1976

🎈🎈🎈

[pic: farrell as bobby morrow, a home at the end of the world, 2004]

[awardswatcherik]

2024 Cannes Film Festival: Immersive Program Features Cate Blanchett, Jessica Chastain, Colin Farrell and More

[sammysdewysensitiveeyes]

This season of Black Mirror had a demon that appeared in the form of the guy from Boney M.

[elderscrollsconceptart]

Whats your personal favorite depiction of each of the Daedric Princes? Their designs tend to vary from game to game -

Hi! For Azura its probably the non-canon depiction in the TES Tarot deck by Erika Hollice

For Boethiah its the depiction in Daggerfall as designed by Mark Jackson:

Clavicus Vile is the depiction in Daggerfall by Mark Jackson

Hermaeus Mora is the depiction in Skyrim. I'm not sure who designed this depiction

Hircine I don't honestly love any of his depictions but his design in Daggerfall is probably the best. Not sure who designed it but it was likely also Mark Jackson

Ithelia is brand new but I like this design of her for the Gold Road collectors edition statue. Modeling by Phiona Blake, Bobby Foster, Kirk Farrell, Andrew Gillogly

Jyggalag is of course his concept design for Oblivion by Adam Adamowicz

Malacath in Daggerfall by Mark Jackson and his pointy nips is the automatic winner

Mehrunes Dagon is how he appears in his shrine in Skyrim's concept art by Ray Lederer

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I will reblog this with the rest of my answers for the other princes since Tumblr has image limits on asks!

[atomic-chronoscaph]

Boney M. (1976)

[jellyfishrave]

Boney M performing Rasputin at Sopot Festival, 1979.

[vintagetvstars]

Hot Vintage TV Men's Bracket - Round 1 - Part 1/2 (Polls 1-99)

Round 1 (All Polls)

Ted Bessell Vs. Dick Van Dyke

Jonathan Frid Vs. William Hartnell

Claude Rains Vs. William Hopper

Eric Idle Vs. Peter Tork

Henry Winkler Vs. Tom Smothers

Martin Kove Vs. Tom Selleck

Jeff Conaway Vs. John de Lancie

Dave Foley Vs. Michael J. Fox

David Hyde Pierce Vs. Tony Shalhoub

Jason Bateman Vs. Rob Lowe

Ted Cassidy Vs. Boris Karloff

Eddie Albert Vs. Russell Johnson

Bobby Sherman Vs. Micky Dolenz

Robin Williams Vs. Fred Grandy

Kevin Smith Vs. Bruce Campbell

Brad Dourif Vs. LeVar Burton

Seth Green Vs. Brandon Quinn

Matthew Perry Vs. Tim Daly

Mike Farrell Vs. Judd Hirsch

Matt Bomer Vs. Timothy Olyphant

Larry Hagman Vs. Kent McCord

Fred Rogers Vs. Bobby Troup

David Cassidy Vs. Luke Halpin

George Takei Vs. Richard Hatch

Ricardo Montalban Vs. John Forsythe

Richard Dean Anderson Vs. Bruce Willis

Anthony Head Vs. Paul McGann

Thorsten Kaye Vs. Michael Horse

Darren E. Burrows Vs. Dana Ashbrook

Adam Brody Vs. Milo Ventimiglia

Adam West Vs. Richard Chamberlain

Randy Boone Vs. Dean Butler

Clint Walker Vs. George Maharis

Erik Estrada Vs. Paul Michael Glaser

Billy Dee Williams Vs. Rock Hudson

Ted Danson Vs. Jameson Parker

Sylvester McCoy Vs. Armin Shimerman

Joe Lando Vs. Spencer Rochfort

Ben Browder Vs. Keith Hamilton Cobb

Richard Ayoade Vs. Kevin McDonald

Patrick McGoohan Vs. Robert Vaughn

Chad Everett Vs. DeForest Kelley

Jon Pertwee Vs. Mark Lenard

Darren McGavin Vs. Peter Falk

Terry Jones Vs. Alan Alda

Michael Tylo Vs. Timothy Dalton

Sean Bean Vs. Valentine Pelka

Ioan Gruffudd Vs. Colin Firth

David Tennant Vs. Robert Carlyle

Jason Priestley Vs. Tom Welling

Martin Milner Vs. James Garner

David Soul Vs. Lee Majors

Derek Jacobi Vs. Andrew Robinson

David Hasselhoff Vs. Stephen Nichols

Jimmy Smits Vs. Hal Linden

Brent Spiner Vs. Ted Raimi

Patrick Troughton Vs. Andreas Katsulas

Miguel Ferrer Vs. Mitch Pileggi

David James Elliot Vs. Andre Braugher

Blair Underwood Vs. Mark-Paul Gosselaar

Don Adams Vs. Cesar Romero

Bob Crane Vs. John Astin

Walter Koenig Vs. Davy Jones

Tom Baker Vs. Jamie Farr

Woody Harrelson Vs. John Schneider

John Goodman Vs. Joseph Marcell

Danny John-Jules Vs. Marc Alaimo

Michael Praed Vs. Kevin Sorbo

Mark McKinney Vs. Colm Meaney

Neil Patrick Harris Vs. David Schwimmer

James Arness Vs. Robert Fuller

Clint Eastwood Vs. Robert Conrad

Jonathan Frakes Vs. Michael Hurst

David Duchovny Vs. Michael T. Weiss

Luke Perry Vs. Jeremy Sisto

Matt LeBlanc Vs. John Stamos

Reece Shearsmith Vs. Alexander Siddig

Eric Close Vs. William Shockley

Daniel Dae Kim Vs. Robert Beltran

Scott Cohen Vs. Scott Patterson

Dick Gautier Vs. Michael Landon

Wayne Rogers Vs. Alejandro Rey

Gerald McRaney Vs. Robert Wagner

Simon Williams Vs. John Cleese

Brian Blessed Vs. James Earl Jones

Noah Wyle Vs. Kyle MacLachlan

James Marsters Vs. Paul Gross

Paolo Montalban Vs. Robert Duncan McNeill

Garrett Wang Vs. Nate Richert

Christian Kane Vs. Michael Vartan

David McCallum Vs. David Selby

Leonard Nimoy Vs. Colin Baker

Randolph Mantooth Vs. Michael Nesmith

Demond Wilson Vs. Tony Danza

Ron Perlman Vs. Mr. T

Ron Glass Vs. Dirk Benedict

John Shea Vs. Michael Ontkean

Jeffrey Combs Vs. Rowan Atkinson

Tim Russ Vs. Bruce Boxleitner

Round 1 Polls 100 - 128

[thehollowwriter]

Okay I mentioned the idea to a few moots, and I decided "You know what, let's post about it"

*ahem* The current day in twst is between 2020 and 2024 in my mind, with more advanced tech due to magic. Therefore, it was the 70s when Morrigan was at NRC, which therefore means

✨️sparkly 70s outfit for Morrigan performing in his VDC✨️

Frills, sequins, capes, spandex, bell bottoms and high heels, he absolutely slayed the fit.

I mostly have Mamma Mia's costume designs in mind ngl, both the movie and the theatre production

And also the many funky outfits of Bobby Farrell from Boney M

Idk man the idea of Morrigan having the time of his life singing and dancing for the VDC has taken over my brain. He absolutely adored how bright and fun the clothes were.

There's also the fact that his parents would have a heart attack seeing wear and do stuff like this which is a bonus for him XD

I think he and his group won that year's VDC and I think it would be SO funny if Vil used the tape as an example of how yes, it is possible for you guys to work together and win. Finn isn't part of the VDC group but he is Vil's friend and he's absolutely shook by this new revelation about his dad lol.

Also pls consider one of Morrigan's students finding a picture and showing it to him like "sir is this you" and Morrigan, with grey streaks in his hair and most of his singing being slow love ballads for Silas just being like "Uh... nooooo?"

He did make friends in NRC so I think it would be funny to make ocs based off Rosie and Tanya from Mamma Mia so they can perform with him XD it would be funny

Tagging: @distant-velleity @br3adtoasty @rainesol @theleechyskrunkly @jovieinramshackle

@galaxies-and-gore @cyanide-latte @cynthinesia @officialdaydreamer00 @krenenbaker

@offorestsongs @kitwasnothere @elenauaurs @boopshoops @inotonline

@1dont-really-know @kazumify @minteasketches @elysia-nsimp @skrimpyskimpy

@casp1an-sea @offorestsongs @tixdixl @poisoned-pearls @the-trinket-witch

@ramshacklerumble @ghostiidasponk @thegoldencontracts @the-banana-0verlord @cloudcountry

@skriblee-ksk @twstinginthewind @lumdays @theolivetree123 @natsukishinomiyaswife

@authoruio @jewelulu @raguiras @honeynclove @moonyasnow

[pastelpressmachine]

Black Mirror’s Demon 79 and the Justification of Brown Feminine Rage (warning: spoilers)

What if intrusive thoughts can be valid, and it is okay, maybe even necessary to act on them sometimes? If violence isn’t the answer, why must it so often be the question? 

Set in Northern England, 1979,  “Demon 79″ is the final episode of Black Mirror’s sixth season. It follows Nida, a meek sales assistant with a mousy appearance, who is tasked with the most complicated and important mission: to save the world by taking the lives of three human sacrifices in the days leading up to May Day.

Champions of the extended metaphor, Black Mirror employ the talents of Anjana Vasan (an Indian-born, Singaporean-raised, and U.K.-based actress) who plays Nida Huq and Paapa Essiedu (an English actor of Ghanaian descent) who plays Gaap*, the demon Nida accidentally invokes upon finding a talisman that begins this stressful mission of her. Gaap, devilishly handsome and charming, trying to earn his “wings” and be initiated into demonhood reassures the panicking Nida that she is not going mad, she is not a bad person, and the people she is encouraged to kill are vetted through his soul-reading as deserving of death.

*Gaap is considered through stories of demonology and texts related to the Testament of Solomon to be the Prince of Hell, with angels as siblings and a penchant for manipulating women and rendering them infertile. 

Gaap adjusts his form to something more comfortable for Nida by changing into a look-a-like of Bobby Farrell from the famous disco-funk German-Caribbean vocal group known as Boney M. Having the representation of a demonic entity be a Black man while allowing him to manifest into a symbol of appeal for Nida turns the inherent vilification of Black men on its head without contributing to the hypersexualization of Black bodies. Gaap is never presented as a love interest for her, but viewers do get to see them develop a snarky back-and-forth. I almost never see Black and brown leads banter like this. 

Another reason I’m glad Gaap was not portrayed as a sinful symbol of sexual desire is because Indian women already have to navigate a shame-fueled purity culture, and I wouldn’t want to see her grapple with her feelings for someone who is not only outside of her race and religion, but isn’t human. Writers avoided the idea that to love Gaap was to love something forbidden in all possible ways. And we don’t need to see Black folks depicted as not-human. The history of both American cinema and politics has acted on that dangerous perception already. 

When I saw the opening scene of Nida with her wide eyes waking up to get ready for work, I recognized the doe-like innocence in her face as the one I have been raised to emulate. She looks so much like my mother 30 years ago. Minimal makeup, modest clothes, hair neat and tied back.

Moments of Nida’s inner demons being unleashed start off as fantasies she has. She is quietly scurrying through her life as an oppressed minority in 1970′s England, where xenophobia and racism showed up everywhere, from the actions of the British Nationalists to the microaggressions Nida faces at work for simply bringing her potent biryanis to the stock room and “stinking up the place”.

Indian women are some of the least visible in politics historically and presently because we are raised to not make a fuss of things, to be quiet and reserved and let white people act how they want towards us because we are guests in their countries, even when they’ve colonized and pillaged our own. I feel Nida’s pain as she thanks the white people around her for the bare minimum (allowing her an alternative place to eat, such as the basement - where she finds the talisman that changes her life) and avoids the confrontation and rage within her, even sighing in defeat at the NF* tag that has been spray-painted on her front door. 

*NF stands for the National Front, a far-right, fascist political party in the United Kingdom, founded in 1967. 

I crave catharsis for Nida. And for her late mother, whom she has a photo of in her apartment. She explains after the first sacrifice that her mother was perceived as crazy, and now Nida is afraid that people will think the same of her, and this time, because of what she’s done, it will be true. I wondered if Nida’s mom was called crazy because she had stood up for herself, reported abuse or harassment that was occurring within the Indian community itself or in her own home, or tried to leave Nida’s father. None of these scenarios would make the show seem like fiction at all, at least not for many of the South Asian women trapped by the chains of patriarchal ideals. 

There are moments where I am concerned Nida is enamored by Michael Smart, a white politician giving a campaign speech outside the store she works at, as if his mere acknowledgment of her existence without visible disgust is enough to make her heart flutter. Again, I enjoy seeing a Black and brown lead in this episode, and knowing that other viewers are getting to see the many instances of white culture that exposes the racist ignorance and unfair power structures that exist in western society, workplaces, and even the homes of white folks themselves. (I was so happy for little Laura to hear of what was done to her assailant).

When it comes to stopping the world from absolute destruction in a nuclear holocaust, the heroes have never really been people who look like Nida. (It is worth noting that the head writer for this episode was Bisha K. Ali, who also is the executive writer for Disney+’s Ms. Marvel and has tackled many of the same representation issues in her work). People like her don’t have the permission to be loud, angry, or violent without consequences, no matter how justified. Meanwhile, with unchecked authority, bombs go off and innocent people die and children cower in their beds and white men get to act on their worst traits and impulses, however sinful, with little to no accountability.

Even when Nida is being violent, it is for the greater good. Because it has to be. Even female rage has to serve a purpose for others. It cannot just be hers. If she’s going to be angry, she better be trying to solve crime or save the world. 

And through this most guttural and sometimes poisonous part of being a human, Gaap sees her. Maybe it’s because he has transformed in the image of Nida’s celebrity crush or maybe it’s truly the way in which he interacts with her, Gaap sees Nida. He recognizes the type of violence she would and would not indulge in. He tells her she should feel more at ease after killing the first sacrifice, a pedophile she clobbers with a brick before he falls into a river. He continuously recognizes her hesitation, and suggests “Dutch courage”, or booze before following through with the second kill. It is inappropriate in Indian culture for women to drink, which Nida notes when she tells Gaap she doesn’t. Then he asks her if she wants to, something, from the expression on Nida’s face, it doesn’t seem like she has ever been asked. 

Upon entering a pub full of (yes, all white) men, Nida is dismissed by the (also white) female bartender who looks just as irritated by her existence as her coworker Vicky, who had reported how unfair it was that she had to smell Nida’s lunches and endure the lingering scent at work. An older (also white) bartender (who might be the owner) takes her order with the same polite and quiet discomfort of her boss, who had presented her with the basement lunch “solution” to appease Vicky. It’s subtle but the approaches in which different age groups and genders of white English folk take with engaging with Nida demonstrate the variety of ways in which people of colour experience discrimination. At its worst, it is violent hate crimes and unjust legislation that mutates into full blown genocide. At its mildest, it’s passive aggression and strained tolerance. 

It’s more apparent with the second killing (of a man named Keith who killed his wife) that Nida does have the option to be as righteous as she wants to be, which is something I really appreciated about her character. Even if she was killing to prevent the literal apocalypse, and the clock was 6 minutes from midnight -- she must follow the cadence of at least one kill a day -- the moment she has to hear Keith’s justification for what he did and his attempt at absolving himself with the statement “I’m not a bad husband, but --” she swings a hammer at his head to shut him up. She then bashes his head in repeatedly, even to the point where Gaap is wincing at the sight. If this was just about killing people to stop a bigger disaster and loss of life, she wouldn’t be losing herself in the act like she did. 

The third and final kill occurred in the next few minutes, as Keith’s roommate, witnesses her trying to exit, which presents itself as problem in allowing her to continue with the mission if she’s arrested. It’s messy because it was fast, the least premeditated, and she doesn’t know who the man is or if he’d done anything as bad as the previous two skills. Because of this, she’s much more apologetic as the man dies, later finding out from Gaap he was Keith’s brother, Chris, an “ordinary” person who would not have been one of Nida’s choices. 

But as Gaap says, “What’s done is done”. And the three lines on the talisman should have disappeared indicating that Nida has fulfilled her duty. But it still has a line remaining, so a confused Gaap dials 666 (of course) on Nida’s rotary phone to explain the issue to his superiors. He tells Nida that Keith apparently didn’t count because he’s a murderer and anyone who’s been directly responsible for the death of another human being (not counting future deaths they might be responsible for) is off limits. Chris counted because his death still occurred just before midnight. 

Nida doesn’t snap psychologically and decide she enjoys this and is going to become a serial killer, which is a direction I find common in other Black Mirror episodes, where the white and/or male character loses it and/or goes on a killing spree. She grapples once more with her initial unwillingness to participate in this because even when given the go-ahead and to have the most reason to, she enters a mental boxing ring with her instinct v. culture v. morals. From my own experience and what I have seen in my own community, outward expression of rage is never the first emotion a woman reaches for...because she can’t always afford to in the way others can. 

“My whole life, I never wished harm on anyone.” 

Gaap tells her what’s at risk for him, and he describes a fate of punishment that she says sounds like her life now. She stands, empathizing with an actual demon, and deciding to continue with the mission. Gaap also reminds her this isn’t solely for him; she possessed a darkness within her that drew her to the talisman. So, he asks her, who pissed her off?

To Possette’s Shoes they go. 

Vicky, a prime choice for the grand finale, delegates the task of attending to the young girl Laura (from earlier) and her mother to Nida. Because the little girl creeps Vicky out. Gaap informs Nida that because she killed Laura’s dad, Laura doesn’t kill herself at 28 and instead goes to therapy, becomes a mother at 29, and a grandmother at 57. It’s a comforting thought amidst the mayhem of it all. 

Michael Smart makes an appearance once more, as his father and the boss’s father, are old college friends, and Nida’s boss had promised him a suit and shoes on the house. The boss unsurprisingly selects Vicky as the sales attendant, with Gaap grumbling to himself as Nida’s eyes go from ‘excited crush’ to just crushed. Her boss then chooses to notice the boxes on the floor from when Vicky could’ve been cleaning up and hisses at Nida, “Could you pick up the bloody mess?” This prompts Gaap to suggest the boss be the next to go. 

Nida moves on to cleaning up the boxes, eavesdropping on the conversation between Michael and Vicky. When Michael says he hopes he has her vote, she says she is siding with the National Front who she believes will help rid the town of all the pesky foreigners. And then Michael Smart reveals himself to be what a lot of politicians are: covert bigots. He explains to Vicky that an explicitly xenophobic campaign would be too polarizing, so you have to elect a moderate who can win over the masses and put the evil plans in motion. (Sound familiar?) 

There is a subliminal language spoken among white supremacists, even if they smile politely at people who look like me and Nida. And this revelation that she witnesses presents an even more justifiable option for Nida’s third kill. 

She asks Gaap to give her information about Michael’s future, which he hesitantly reveals to her. Michael Smart wins the election, eventually becomes prime minister, and leads a new world order built on white supremacy. Nida decides he is the final target, but Gaap tells her he wouldn’t be the right choice because the Satanic world he comes from is a fan of his work and everyone there would want Michael to be able to facilitate the upcoming deaths that occur as a result of him first winning the election to become a member of Parliament. 

But Nida is set on him, or no one, giving Gaap the ultimatum to get on board or risk his own banishment after failing his initiation. 

Meanwhile, a police investigation occurs which leads to the bar staff identifying Nida as a “muttering Indian woman” who was at the bar the night Keith died. Len Fisher of Tipley Police arrives at Nida’s apartment, as part of routine questioning, and she invites him in, with Gaap’s suggestion to kill him. 

Fisher is the first white person to speak to her as person, too, even though he’s there on the premise of Nida being a potential suspect. Maybe this is more covert trust-building behaviour, maybe as a cop, maybe as someone generally suspicious of people of colour. He is the most mild-mannered, middle-man in the whole story. 

Fisher follows Nida who follows Smart after his speech at town hall. This is where I’m a little surprised but not displeased. The other episodes end with something sad, violent, and/or redemptive. Nida gets a bit of everything, but as with all things Black Mirror, not in the way you’d expect. In society, Nida may be reduced to a mad woman telling an insensible story, enduring the same perception people had of her mother. But society doesn’t last long, and she walks off into a kind of nuclear, fiery sunset with a new friend. 

The deadline for the sacrifices had been May Day, also known as Workers’ Day or International Workers’ Day to commemorate the struggles and gains made by workers and the labour movement. Nida, representing intersectional identities of the working class (immigrants, women, people of colour), was not listened to or believed, and the world ended because of it. Her weapon of choice had been a hammer, a tool meant for building that was used for destructive but necessary purposes. This could be a reference to the Communist party’s symbol of a hammer and sickle, which represents proletarian solidarity. The meaning of the episode, particularly its ending, captures the significance of the working class and how our world relies on them to function and last. When their efforts are stunted, their sacrifices are in vain, or they are not heard, the world ends. 

[hooked-on-elvis]

"If You Love Me (Let Me Know)" (1974-77)

Written by John Rostill, "If You Love Me (Let Me Know)" was a 1974 hit single for Olivia Newton-John. Elvis begun performing the song live the same year it was released by Olivia, 1974 but the King's official release of the song came out the next year as released in the album "Elvis: Today" in 1975.

The live recording above was released in the album "Moody Blue" on June. 19, 1977; it came from a concert recorded on April 26, 1977 at Wings Stadium in Kalamazoo, Michigan.

MUSICIANS Guitar: James Burton, John Wilkinson, Charlie Hodge. Bass: Jerry Scheff. Drums: Ronnie Tutt. Piano: Tony Brown. Electric Piano: Bobby Ogdin. Vocals: Kathy Westmoreland, The Sweet Inspirations, Sherrill Nielsen, J.D. Sumner & The Stamps. Joe Guercio And His Orchestra. OVERDUBS Guitar: Alan Rush. Bass: Dennis Linde, Norbert Putnam. Drums: Randy Cullers. Percussion: Farrell Morris. Piano: Bobby Ogdin. Organ: Tony Brown. Vocals: Dennis Linde, Alan Rush, J.D. Sumner & The Stamps. elvisthemusic.com

--

STUDIO/LIVE RECORDINGS (OFFICIAL RELEASES)

"If You Love Me (Let Me Know)" by Olivia Newton-John

Released in an album that goes by the same title, on May 28, 1974.

"If You Love Me (Let Me Know)" by Elvis Presley (1975)

Released in the album "Elvis: Today" on May 7, 1975.

"IF YOU LOVE ME (LET ME KNOW)" — LYRICS

You came when I was happy; in your sunshine I grew to love you more each passing day Before too long I built my world around you And I prayed you'd love enough of me to stay If you love me let me know If you don't then let me go I can't take another minute of a day without you in it If you love me, let it be. If you don't then set me free Take the chains away that keep me lovin' you The arms that open wide to hold me closer The hands that run their fingers through my hair The smile that says 'hello, it's good to see you' Anytime I turn around to find you there It's this and so much more that makes me love you What else can I do to make you see? You now you have whatever's mine to give you But a love affair for one can never be If you love me let me know If you don't then let me go I can't take another minute of a day without you in it If you love me, let it be. If you don't then set me free Take the chains away that keep me lovin' you Ah! Take the chains away that keep me lovin' you

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LIVE PERFORMANCES

OLIVIA NEWTON-JOHN SINGS "IF YOU LOVE ME, LET ME KNOW" ON THE MERV GRIFFEN SHOW, AIRED ON JUNE 13, 1974.

ELVIS PRESLEY PERFORMING "IF YOU LOVE ME, LET ME KNOW" (1974 and 1977)

AUDIO: AUG. 19, 1974, LAS VEGAS, NEVADA; VIDEO: OCT. 1, 1974, SOUTH BEND, INDIANA VIDEO: OCT. 6, 1974, DAYTON, OHIO (EVENING SHOW)

2. AT THE RUSHMORE CIVIC CENTER IN RAPID CITY, SOUTH DAKOTA, ON JUNE 21, 1977.