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Tosuny Smart Sunglasses
Wearable technology advances at an alarming rate! Smart glasses have emerged as a promising innovation, blending style with functionality to enhance our daily lives. With Meta teaming up with Ray Ban to produce the next generation of Smart Sunglasses, we take a look at the current generation of Bluetooth audio Sunglasses and their uses. Tosuny Smart Sunglasses Tosuny Smart Sunglasses seamlessly…
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#Advanced features of Bluetooth smart glasses#AR glasses#AR glasses for everyday use#best Bluetooth smart glasses#best smart glasses 2024#best smart glasses Reddit#best smart glasses UK#blog#Bluetooth smart glasses Amazon#Bluetooth smart glasses features#Bluetooth smart glasses UK#Bluetooth sunglasses buying guide#Bluetooth sunglasses comparison#Bluetooth sunglasses UK#Bluetooth-enabled sunglasses benefits#Comparison of smart eyewear brands#crazydiscostu#geek#holiday#how do Bluetooth glasses work#Impartial review of Tosuny smart glasses#Innovative smart eyewear solutions#Latest smart eyewear technology#meta smart glasses#Nerd#Polarized lenses for eye protection#Ray-Ban smart glasses#review#reviews#Smart eyewear with built-in microphone
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Bluetooth Audio Sunglasses Market, Share, Size, Trends, Future Forecast and Outlook
Bluetooth Audio Sunglasses Market
The market research report provides a comprehensive analysis of the industry, with a specific focus on the Bluetooth Audio Sunglasses Market. It examines the size, growth rate, and major trends within the Bluetooth Audio Sunglasses Market, offering valuable insights into its current state and future prospects. The report explores the significance of Bluetooth Audio Sunglasses in driving market dynamics and shaping business strategies. It investigates the market drivers, such as increasing consumer demand and emerging trends related to Bluetooth Audio Sunglasses, providing a deep understanding of the factors influencing market growth. Additionally, the report assesses the competitive landscape within the Bluetooth Audio Sunglasses Market, profiling key players and their market share, strategies, and product offerings. It also addresses market segmentation, identifying different segments within the Bluetooth Audio Sunglasses Market and their unique characteristics. Overall, the market research report equips businesses operating in the Bluetooth Audio Sunglasses Market with valuable information and actionable recommendations to capitalize on opportunities and navigate the challenges in the industry.
Request Free Sample Report @ https://www.vertexbusinessinsights.com/request-sample/50/bluetooth-audio-sunglasses-market
This research covers COVID-19 impacts on the upstream, midstream and downstream industries. Moreover, this research provides an in-depth market evaluation by highlighting information on various aspects covering market dynamics like drivers, barriers, opportunities, threats, and industry news & trends. In the end, this report also provides in-depth analysis and professional advices on how to face the post COIVD-19 period.
The research methodology used to estimate and forecast this market begins by capturing the revenues of the key players and their shares in the market. Various secondary sources such as press releases, annual reports, non-profit organizations, industry associations, governmental agencies and customs data, have been used to identify and collect information useful for this extensive commercial study of the market. Calculations based on this led to the overall market size. After arriving at the overall market size, the total market has been split into several segments and sub segments, which have then been verified through primary research by conducting extensive interviews with industry experts such as CEOs, VPs, directors, and executives. The data triangulation and market breakdown procedures have been employed to complete the overall market engineering process and arrive at the exact statistics for all segments and sub segments.
Key Market Segmentation
Global Bluetooth Audio Sunglasses Market- By Type
Up to <3 Hours Continuously
Up to 3 Hours Continuously
Up to 4 Hours Continuously
Up to >4 Hours Continuously
Global Bluetooth Audio Sunglasses Market- By Application
Online Sales
Offline Sales
Global Bluetooth Audio Sunglasses Market- By Region
North America
US
Canada
Mexico
Europe
Germany
UK
France
Italy
Spain
Russia
Benelux
Nordics
Rest of Europe
Asia-Pacific
China
India
Japan
South Korea
Rest of Asia-Pacific
Middle East and Africa
South America
Ask Queries @ https://www.vertexbusinessinsights.com/enquiry/50/bluetooth-audio-sunglasses-market
Table of Content
Methodology & Scope
1.1. Market Definition and Scope
1.2. Market Segmentation
1.3. Key Research Objectives
1.4. Research Highlights
1.5. List of abbreviations
Assumptions
Research Methodology
3.1. Data Mining
3.2. Secondary Research
3.3. Primary Research
3.4. Data Sources
3.5. Data Triangulation
3.6. Bottom-up Approach
3.7. Top Down Approach
Executive Summary
4.1. Market Overview
4.2. Global Bluetooth Audio Sunglasses Market Geographical Analysis (CAGR %)
4.3. Global Bluetooth Audio Sunglasses Market, By Type (US$ Million)
4.4. Global Bluetooth Audio Sunglasses Market, By Application (US$ Million)
4.5. Future Market Opportunities
4.6. Global Market Split
Market Dynamics
5.1. Market Drivers
5.2. Market Restraints
5.3. Opportunities Analysis
5.4. Emerging Trends Analysis
5.4.1. Demand Side Analysis
5.4.2. Supply Side Analysis
Key Insights
6.1. Macro and Micro Economic Indicators
6.2. Consolidated SWOT Analysis of Key Players.
6.3. Porter’s Five Forces Analysis
6.3.1. Bargaining power of buyers
6.3.2. Bargaining power of suppliers
6.3.3. Threat of new entrants
6.3.4. Threat of substitutes
6.3.5. Threat of rivalry
6.3.6. Market condition
6.4. PESTEL Analysis
6.5. Key Product Developments
6.6. Value Chain Analysis
6.7. Cost Structure Analysis
6.8. Price Trend Analysis
6.8.1. Weighted Average Price
6.8.2. Price Impact-COVID-19
Impact Analysis of COVID-19 on Global Bluetooth Audio Sunglasses Market
7.1. Short Term Impact of COVID-19 on the Global Bluetooth Audio Sunglasses Market
7.2. Long Term Impact of COVID-19 Global Bluetooth Audio Sunglasses Market
7.3. Impact of COVID-19 on the Parent Market
7.4. Sales and Financial Analysis of Bluetooth Audio Sunglasses Market
Global Bluetooth Audio Sunglasses Market Analysis, Insights and Forecast, 2017-2028
8.1. Key Findings / Summary
8.2. Market Size Estimates and Forecasts
8.2.1. By Type (Value)
8.2.1.1. Up to <3 Hours Continuously
8.2.1.2. Up to 3 Hours Continuously
8.2.1.3. Up to 4 Hours Continuously
8.2.1.4. Up to >4 Hours Continuously
8.2.2. By Application (Value)
8.2.2.1. Online Sales
8.2.2.2. Offline Sales
8.2.3. By Region (Value)
8.2.3.1. North America
8.2.3.2. Europe
8.2.3.3. Asia Pacific
8.2.3.4. Middle East and Africa
8.2.3.5. South America
North America Bluetooth Audio Sunglasses Market Analysis, Insights and Forecast, 2017-2028
9.1. Market Size Estimates and Forecasts
9.1.1. By Type (Value)
9.1.1.1. Up to <3 Hours Continuously
9.1.1.2. Up to 3 Hours Continuously
9.1.1.3. Up to 4 Hours Continuously
9.1.1.4. Up to >4 Hours Continuously
9.1.2. By Application (Value)
9.1.2.1. Online Sales
9.1.2.2. Offline Sales
9.1.3. By Country (Value)
9.1.3.1. U.S.
9.1.3.2. Canada
9.1.3.3. Mexico
Europe Bluetooth Audio Sunglasses Market Analysis, Insights and Forecast, 2017-2028
10.1. Market Size Estimates and Forecasts
10.1.1. By Type (Value)
10.1.1.1. Up to <3 Hours Continuously
10.1.1.2. Up to 3 Hours Continuously
10.1.1.3. Up to 4 Hours Continuously
10.1.1.4. Up to >4 Hours Continuously
10.1.2. By Application (Value)
10.1.2.1. Online Sales
10.1.2.2. Offline Sales
10.1.3. By Country (Value)
10.1.3.1. Germany
10.1.3.2. United Kingdom
10.1.3.3. France
10.1.3.4. Italy
10.1.3.5. Spain
10.1.3.6. Russia
10.1.3.7. Benelux
10.1.3.8. Nordics
10.1.3.9. Rest of Europe
Asia Pacific Bluetooth Audio Sunglasses Market Analysis, Insights and Forecast, 2017-2028
11.1. Market Size Estimates and Forecasts
11.1.1. By Type (Value)
11.1.1.1. Up to <3 Hours Continuously
11.1.1.2. Up to 3 Hours Continuously
11.1.1.3. Up to 4 Hours Continuously
11.1.1.4. Up to >4 Hours Continuously
11.1.2. By Application (Value)
11.1.2.1. Online Sales
11.1.2.2. Offline Sales
11.1.3. By Country (Value)
11.1.3.1. China
11.1.3.2. Japan
11.1.3.3. India
11.1.3.4. Southeast Asia
11.1.3.5. Oceania
11.1.3.6. Rest of Asia Pacific
Middle East and Africa Bluetooth Audio Sunglasses Market Analysis, Insights and Forecast, 2017-2028
12.1. Market Size Estimates and Forecasts
12.1.1. By Type (Value)
12.1.1.1. Up to <3 Hours Continuously
12.1.1.2. Up to 3 Hours Continuously
12.1.1.3. Up to 4 Hours Continuously
12.1.1.4. Up to >4 Hours Continuously
12.1.2. By Application (Value)
12.1.2.1. Online Sales
12.1.2.2. Offline Sales
12.1.3. By Country (Value)
12.1.3.1. South Africa
12.1.3.2. GCC
12.1.3.3. Rest of Middle East and Africa
South America Bluetooth Audio Sunglasses Market Analysis, Insights and Forecast, 2017-2028
13.1. Market Size Estimates and Forecasts
13.1.1. By Type (Value)
13.1.1.1. Up to <3 Hours Continuously
13.1.1.2. Up to 3 Hours Continuously
13.1.1.3. Up to 4 Hours Continuously
13.1.1.4. Up to >4 Hours Continuously
13.1.2. By Application (Value)
13.1.2.1. Online Sales
13.1.2.2. Offline Sales
13.1.3. By Country (Value)
13.1.3.1. Brazil
13.1.3.2. Argentina
13.1.3.3. Chile
13.1.3.4. Peru
13.1.3.5. Rest of South America
Competition Matrix
14.1. Business Strategies & Insights Adopted by Leading Players
Global Bluetooth Audio Sunglasses Market Revenue Share Analysis, By Key Market Participants, 2021
Company Profiles
16.1. Bose
16.1.1. Company Overview
16.1.2. Description
16.1.3. Product Benchmarking
16.1.4. Financials Performance (Data as available in public domain and/or on paid databases)
16.1.5. Recent Developments
16.1.6. COVID – 19 Response
16.1.7. Strategy & Business Overview
Continue…
ABOUT US:
Vertex Business Insights is one of the largest collections of market research reports from numerous publishers. We have a team of industry specialists providing unbiased insights on reports to best meet the requirements of our clients. We offer a comprehensive collection of competitive market research reports from a number of global leaders across industry segments.
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Phone: + (210) 775-2636 (USA) + (91) 853 060 7487
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Virtual Reality News Roundup: VR Flakes September 11, 2021
Welcome to this week's issue of the VR Flakes Newsletter. Our goal is to deliver the best virtual reality news from this week, all in one place. Get this delivered to your inbox every Saturday along with a surprise inside. Subscribe below on mobile or on the right if you’re on a desktop.
In this week's roundup, let's talk about the most recent AR developments and the efforts of big-name corporations to advance the technology in the market. This week, we'll also provide you with the most recent VR game updates.
Facebook has revealed the new features of their Ray-ban smart glasses
First and foremost, there is nothing to see here if you are looking for some AR VR developments. However, this could be the start of some really cool new wearable headgear in the future. By collaborating with Ray-ban, Facebook achieves a breakthrough in releasing wearable technology that can be worn on a daily basis. Compared to existing AR VR headsets that are bulky and definitely can’t be worn for the fun of it, Ray-ban smart glasses give the masses the chance to actually enjoy wearing technology.
Officially named Ray-ban Stories, these smart glasses have a kind of functionality aimed at media sharing and social media. Capture and share stories on Facebook using the smart glasses key features below.
5MP dual cameras
30-second video and images capture
POV footage capture
Built-in Bluetooth support
3-microphone audio
Voice-activated Facebook assistant
With these, you can listen to music and apps. Connect to your phone and make a call. Share your video and image captures on Facebook. It is also possible to share on other social media platforms by using the Facebook View companion app.
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Ray-ban Stories smart glasses are available in Ray-ban’s most popular and well-loved designs of all time. They are available as a Wayfarer, Meteor, and Round. Choose from five different colors. Plus, you can choose from 3 different types of lenses: regular, polarized, and transition lenses. Stylewise, you can choose how you wear these high-tech sunglasses.
Let’s talk about price and availability. Ray-ban Stories launched very recently, September 9th. It is currently available in the following countries:
USA
UK
Canada
Italy
Ireland
Australia
The price starts at $299. Price changes depending on the lenses that you decide to get. Polarized lenses start at $329, while transition lenses start at $379.
If there is one great statement that this is telling the world today is that the world is ready to wear cool smart devices on a daily basis. Our view of the world significantly advances as technology becomes part of our style and lifestyle.
Apple teasers for September 14 event screams AR
With augmented reality technology appearing to be a big tease this year, Apple is one of the big names we're expecting a lot from. Despite their history of canceling anticipated projects, we remain optimistic about what they can bring to the table.
Check out Apple’s announcement page here. The page shows the Apple logo which can be viewed and manipulated in AR view using an iPhone. On a closer look, focusing on the logo, a portal reveals floating numbers 9.14. If it is not hinting the event is doing a big AR reveal, we don’t know what it is.
I Expect You To Die 2 heats up sales in just one week
From the newest reveals and announcements, let's move on to celebrating a new milestone achieved by a VR game title expected for success. Coveted game developer Schell Games reached more than $1 Million in revenue in one week since the game’s release this August. The game was the most popular on both the Oculus and Steam platforms.
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I Expect You to Die 2 is a sequel to the original puzzle game, which was released in 2016. In comparison to the first game, it earned more than $3 million in sales over two years on PC VR and PS VR, and another $1 million when it launched on Oculus. Reaching a million dollars in revenue in a single week is a significant achievement in the VR industry. It not only demonstrates the game's accomplishment but also how encouraging the VR industry is today for game developers.
Featured Games this Week
Let's talk more about VR games. Here are some more VR games to look into and keep an eye on. Check them out and tell us what you think.
Shang-Chi Blade And Sorcery Mod
Blade and Sorcery Mod allows you to play the hit Marvel film "Shang-Chi and the Legend of the Ten Rings." in virtual reality. Experience amazing physics-driven combat and wield powerful weapons as seen in the film.
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Unplugged: Air Guitar in VR is coming soon
If you are thinking that it’s just another music game, you are probably wrong. Unplugged is the newest Guitar Hero using the latest finger tracking technology VR has to offer. Tell us if that doesn’t make it way better. Watch the newest gameplay and sneak peek into the details of the game.
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Custom Difficulty for Sniper Elite
Sniper Elite receives a new patch that adds more customization options and other features. This will allow you to change the difficulty in general and the options for aim assist, bullet drop, and bullet wind. There are new options and settings available. New graphic options have also been added to PC VR.
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That’s it for this week’s VR Flakes. We hope you liked the latest news in the AR VR world. Tell us your thoughts about them in the comments below. More VR news coming your way next week. See you here again for another week’s roundup. Ciao VR fam!
from VRNews.io https://vrnews.io/virtual-reality-news-roundup-vr-flakes-september-11-2021/
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New Post has been published on https://magzoso.com/tech/snapchat-spectacles-3-review-pretty-pricey/
Snapchat Spectacles 3 review: Pretty, pricey
No one’s going to pay $380 for decent point-of-view video glasses and some trippy filters. But that’s kind of the point of Snapchat Spectacles 3. They’re merely a stepping stone towards true augmented reality eyewear — a public hardware beta for the Snap Lab R&D team that Apple and Facebook aren’t getting as they tinker in their bunkers.
Still, I hoped for something that could at least unlock the talents of forward-thinking video creators. Yet the unpredictable and uncontrollable AR effects sadly fail to make use of Spectacles‘ fashionable form factor in premium steel. The clunky software requires clips be uploaded for processing and then re-downloaded before you can apply the 10 starter effects like a rainbow landscape filter or a shimmering fantasy falcon. This all makes producing AR content a chore instead of a joy for something only briefly novel.
Spectacles 3 go on sale today for $380 in black ‘Carbon’ or rose gold-ish ‘Mineral’ color schemes on Spectacles.com, Neiman Marcus, and Ron Robinson in the UK, shipping in a week. Announced in August, they’re sunglasses with two stereoscopic lenses capable of capturing depth to produce “3D” photos, and videos you can add AR effects to on your phone. You also get a very nice folds-flat leather USB-C charging case that powers up the glasses four times, and a Google Cardboard-style VR viewer.
“Spectacles 3 is a limited production run. We’re not looking for massive sales here. We’re targeting people who are excited about these effects — creative storytellers” says Matt Hanover of the Snap Lab team.
Gen 1 featured a “toy-like design to get people used to wearing tech on their face”, while Gen 2 and 2.1 had a more subdued look abandoning the coral color schemes to push mainstream adoption. What Gen 3 can’t do is force a $40 million write-off due to poor sales, as V1 did after only shipping 220,000 with hundreds of thousands more gathering dust somewhere. Snap is already losing $227 million per quarter as it scrambles to break even.
So it seems with Spectacles 3 that Snap is gathering data and biding its time, trying to avoid burning too much cash until it can build a version that overlays effects atop a user’s view through the glasses. “We’re still able to get feedback from the customer and inform the future of Spectacles. That’s really the goal for us” Hanover confirms.
His CEO Evan Spiegel agrees, telling me on stage at TechCrunch Disrupt that it would be 10 years until we see augmented reality glasses worthy of mainstream consumer adoption. That’s a long time for an unprofitable company to spend competing to invest in R&D versus cash-rich companies like Facebook and Apple.
tl;dr
Spectacles could be worth the steep $380 if you’re a videographer for a living, perhaps making futuristic social media clips like Karen X Cheng, a creator Snap hired to demonstrate the device’s potential. They’re cool enough looking that you could wear them around Cannes or Coachella without people getting weirded out like they did with Google Glass. And as Snap’s Lens Studio lets anyone build 3D effects for Spectacles 3, perhaps we’ll see some filters and imaginary characters that are more than just a momentary gimmick.
[embedded content]
But for those simply seeking first-person camera glasses, I’d still recommend the Spectacles 2 at $150 to $200 depending on style. The 3D features don’t carry the weight of paying double the price for Spec 3s. And at least the 2nd-gen Specs are waterproof, which make them great for ocean play with fun underwater shooting when you don’t want to risk losing or fizzling your phone.
“We’re testing the price point and the premium aesthetic to see if it lands with this demographic” Hanover says. But Snap’s Director Of Communications Liz Markman notes that “there isn’t this perfect one-to-one overlap with the core Snap users.”
The result is that Spectacles 3 are really more for Snap’s benefit than yours.
Slick Eyewear, Now Where’s The AR?
The Spectacles 3 software is disappointing, but you’ll be delighted when you open the box. Slick black packaging reveal sturdily built metal sunglasses with a luxury matte finish. As they magnetically dislodge from their charging case, you definitely get they sense you’re trying on something futuristic.
The style concurs, with a flat black bar at the top connecting the round lenses with a camera on both corners. Unlike the old Specs that sat right on your nose, feeling heavy at times, Spectacles 3 offers adjustable acetate non-slip nose tips to keep the weight off. All the tech is built discreetly into the hinges and temples without appearing too chunky.
Tap the button either arm, and LED light swooshes in a circle to let people know you’re recording a video for 10 seconds, with multiple presses growing that to up to 60. Tap and hold to shoot a photo, and the light blinks. There’s no obnoxious yellow rubber ring to shout “these are cameras”, and the defused LEDs are more subtle than Gen 2’s dots while remaining an obvious enough signal to passersby so they’re not creepy.
One charge powers up to 70 captures and transfers to your phone over a combined Bluetooth built-in Wifi connection. The 4 gigabyte storage holds up to 100 videos or 1200 photos, and Spectacles 3 even have GPS and GLOSNASS on-board. A 4-mic array picks up audio from others and your own voice, though they’re susceptible to windshear if you’re biking or running.
The magnetically-sealing folding leather USB-C charging case is my favorite part. I wish I could get an even flatter one without a battery in it for my other sunglasses. It’s a huge improvement on the unpocketable bulky triangular case of the previous versions.
A Toy Not Fun Enough For The Price
So far so good, right? But then it comes time to actually see and augment what you shot.
Pairing and syncing is much easier than Gen 1. The glasses forge a Bluetooth connection, then spawn a WiFi network for getting media to your phone faster.
If you just want to share to Snapchat, you’re in luck. Spectacles content posts to Stories or messages in its cool circular format that lets viewers tilt their phones around while always staying full-screen to reveal the edges of your shots. Otherwise, you still have to go through the chore of exporting from Snapchat to your camera roll. Spectacles can at least now export in a variety of croppings for better sharing on Instagram and elsewhere.
What’s new are the 3D photos and videos. They utilize the space between the stereoscopic cameras in the corners of Spectacles employ parallax to sense the depth of a scene. After tapping the 3D button on a photo, you can wiggle the perspective of the image around to almost see around the edges of what you’re looking at. Spectacles will automatically pan back and forth for you, and export 3D photos as short Boomerang-esque six-second videos.
Unfortunately, I found that I didn’t get much sense of depth from most of the 3D photos I shot or saw. It takes a very particular kind of three-dimensional object from the right angle in the right light to much sense of movement from the wiggle. Snapchat’s algorithms also had a bad habit of mistakenly assigning bits of the foreground and background to each other, breaking the illusion. Occasionally you’ll have someone’s ear or their hair left behind and disembodied by the 3D effect.
Don’t expect these to flood social media or convince prospective Spectacles buyers. The 3D selfies you can shoot on Snapchat for free look better anyways.
The biggest problem comes with the delay when playing with 3D videos. Snapchat has to do the depth processing on its servers, so you have to wait for your video to upload, get scanned, and be re-downloaded before you can apply the 3D AR filters. On WiFi that takes about 35 seconds per 10 second video, which is quite a bore. It takes forever over a mobile connection. That means you often won’t be able to apply the filters and see how they look until you’re home and unable to reshoot anything.
The filter set is also limited and haphazard. You can add a 3D bird or balloons around you, wander through golden snow or neon arcs, overlay flower projections or rainbow waves, or sprinkle on sparkles and light-bending blobs. While the bird is cute, and the rainbows and flowers are remarkably psychedelic, none of them are more than briefly entertaining.
The 3D objects often glitch through real pieces of scenery, and you can’t control them at all. No summoning the bird mid-video. My favorite trick, learned from Karen X Cheng, was to export unedited and filtered versions of a video and splice them together on my computer as scene in my demo video above. You can’t actually do that from within Snapchat.
Snap will have to build a lot cooler filters with interactivity if they’re going to compel creators to fork over $380 for Spectacles 3. It could hope to rely on its Lens Studio community platform, but so few developers or users will have the glasses that most will stick to making and using filters for phones.
Spectacles 3 are too expensive to be a toy, but don’t excel at being much more. Videography influencers might enjoy having a pair in their tool bag. But it’s hard to imagine anyone not sharing content professionally paying for the gadget.
[embedded content]
Iteration vs Ideation
“We’re now pushing to elevate the technology and the design to master depth technically” Hanover tells me. “Holing ourselves up within an R&D center for years and years? That’s not our approach. It’s important to meet the customer where they are today and continue to iterate and get that feedback.”
But this iteration doesn’t feel like Snap meeting the customer where they are. That raises the question of whether Snapchat is really getting enough data out of the whole endeavor to justify publicly releasing Spectacles at all. The company will have to hope that testing short-term is worth thinking short-term, when it’s trying to win the long-term war in augmented reality eyewear.
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Five Things
I got tagged by @mediawhorefics
five things in my bag: wallet, bluetooth earphones, chapstick, polarized sunglasses and london tower pin that kept falling down from the flap of my bag where it was originally pinned
five things in my bedroom: For a type 2 hoarder my room is strangely empty... there’s a water bottle, sented candles, the notepad I’m writing europe travel ideas in and my note-shaped chewie
five things i’ve wanted to do: travel, move to ireland, become a tour operator, finish that cat diary story I started.... years and years ago (at this point it’s more like a pipe dream), learn more languages
five things that make me happy: taking photos, reading, music, traveling (even if it’s just sitting in a train to go see my grand-mother in another city), playing my ukulele (does that count as music? hmmmé just in case it does here’s a bonus) that perfectly temperatured breeze you sometimes get in summer that is not too warm and not cold and I know that’s a cheezy thing to say but it really does, in the moment, make me happy until it has past
five things that i’m currently into: Kings of Avalon game, reading (I’m always into that), one direction (obviously), taking photos (again, always into that) and learning to get better on my uke. I’m not having a lot of free time, because two jobs (and a tendency to do one of my hobbies for hours on end without alternating) so I can’t say there’s something new that jumps at me right now.
five things on my to-do list: sell all the fabric I’ve accumulated back when I was sewing, sell my books, take pictures of my flat and post an ad to find someone to take over my rent in January, buy an expat insurance, contact my bank so they’ll give me a stamp on this paper I need to get my Ireland work visa in January. (AHHHHHHHH I only have 5 months left to do all that!) bonus: I need to find a case for my ukulele so I can bring it with me on the plane as on board luggage that is exactly 1cm bigger than my uke because that’s the size limit for on board luggage and I’m pretty certain they won’t let me board with just the instrument not in a bag? (there are STRINGS on that thing I could STRANGLE someone!... or something)
I’m going to tag.... @tuigim @turtlekz @umdany (which I STILL CAN’T TAG because of reasons so I’m hoping you’ll see this?) @vintage1der and @larryappreciation
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Porsche Sunglasses
Contents
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In the world of crazy lawsuits we live in, suing for a pair of sunglasses to reduce glare in your Porsche isn’t one we thought we’d ever hear, but it happened: Owners of Porsches from model years 2007 to 2016 with beige-colored interiors can …
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Porsche has settled a class action lawsuit out of court from a bunch of owners claiming they had to go and buy polarized sunglasses because the dashboard trim in their car was blinding in sunlight. Owners with the affected cars can get up …
bought the family’s 35 percent stake in Porsche Design, the Stuttgart-based automaker said in a statement on Wednesday. The maker of upscale sunglasses, watches and other merchandise is now a wholly owned subsidiary of …
In a scandal no media outlets have been quick to call glare-gate, Porsche cars north america has agreed to pay the cost of one pair of sunglasses for certain owners of its vehicles. Owners and lessees of Porsches made between 2007 and …
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Snapchat Spectacles 3 review: Pretty, pricey
No one’s going to pay $380 for decent point-of-view video glasses and some trippy filters. But that’s kind of the point of Snapchat Spectacles 3. They’re merely a stepping stone towards true augmented reality eyewear — a public hardware beta for the Snap Lab R&D team that Apple and Facebook aren’t getting as they tinker in their bunkers.
Still, I hoped for something that could at least unlock the talents of forward-thinking video creators. Yet the unpredictable and uncontrollable AR effects sadly fail to make use of Spectacles‘ fashionable form factor in premium steel. The clunky software requires clips be uploaded for processing and then re-downloaded before you can apply the 10 starter effects like a rainbow landscape filter or a shimmering fantasy falcon. This all makes producing AR content a chore instead of a joy for something only briefly novel.
Spectacles 3 go on sale today for $380 in black ‘Carbon’ or rose gold-ish ‘Mineral’ color schemes on Spectacles.com, Neiman Marcus, and Ron Robinson in the UK, shipping in a week. Announced in August, they’re sunglasses with two stereoscopic lenses capable of capturing depth to produce “3D” photos, and videos you can add AR effects to on your phone. You also get a very nice folds-flat leather USB-C charging case that powers up the glasses four times, and a Google Cardboard-style VR viewer.
“Spectacles 3 is a limited production run. We’re not looking for massive sales here. We’re targeting people who are excited about these effects — creative storytellers” says Matt Hanover of the Snap Lab team.
Gen 1 featured a “toy-like design to get people used to wearing tech on their face”, while Gen 2 and 2.1 had a more subdued look abandoning the coral color schemes to push mainstream adoption. What Gen 3 can’t do is force a $40 million write-off due to poor sales, as V1 did after only shipping 220,000 with hundreds of thousands more gathering dust somewhere. Snap is already losing $227 million per quarter as it scrambles to break even.
So it seems with Spectacles 3 that Snap is gathering data and biding its time, trying to avoid burning too much cash until it can build a version that overlays effects atop a user’s view through the glasses. “We’re still able to get feedback from the customer and inform the future of Spectacles. That’s really the goal for us” Hanover confirms.
His CEO Evan Spiegel agrees, telling me on stage at TechCrunch Disrupt that it would be 10 years until we see augmented reality glasses worthy of mainstream consumer adoption. That’s a long time for an unprofitable company to spend competing to invest in R&D versus cash-rich companies like Facebook and Apple.
tl;dr
Spectacles could be worth the steep $380 if you’re a videographer for a living, perhaps making futuristic social media clips like Karen X Cheng, a creator Snap hired to demonstrate the device’s potential. They’re cool enough looking that you could wear them around Cannes or Coachella without people getting weirded out like they did with Google Glass. And as Snap’s Lens Studio lets anyone build 3D effects for Spectacles 3, perhaps we’ll see some filters and imaginary characters that are more than just a momentary gimmick.
youtube
But for those simply seeking first-person camera glasses, I’d still recommend the Spectacles 2 at $150 to $200 depending on style which remain available. The 3D features don’t carry the weight of paying double the price for Spec 3s. And at least the 2nd-gen Specs are waterproof, which make them great for ocean play with fun underwater shooting when you don’t want to risk losing or fizzling your phone.
“We’re testing the price point and the premium aesthetic to see if it lands with this demographic” Hanover says. But Snap’s Director Of Communications Liz Markman notes that “there isn’t this perfect one-to-one overlap with the core Snap users.”
The result is that Spectacles 3 are really more for Snap’s benefit than yours.
Slick Eyewear, Now Where’s The AR?
The Spectacles 3 software is disappointing, but you’ll be delighted when you open the box. Slick black packaging reveal sturdily built metal sunglasses with a luxury matte finish. As they magnetically dislodge from their charging case, you definitely get they sense you’re trying on something futuristic.
The style concurs, with a flat black bar at the top connecting the round lenses with a camera on both corners. Unlike the old Specs that sat right on your nose, feeling heavy at times, Spectacles 3 offers adjustable acetate non-slip nose tips to keep the weight off. All the tech is built discreetly into the hinges and temples without appearing too chunky.
Tap the button either arm, and LED light swooshes in a circle to let people know you’re recording a video for 10 seconds, with multiple presses growing that to up to 60. Tap and hold to shoot a photo, and the light blinks. There’s no obnoxious yellow rubber ring to shout “these are cameras”, and the defused LEDs are more subtle than Gen 2’s dots while remaining an obvious enough signal to passersby so they’re not creepy.
One charge powers up to 70 captures and transfers to your phone over a combined Bluetooth built-in Wifi connection. The 4 gigabyte storage holds up to 100 videos or 1200 photos, and Spectacles 3 even have GPS and GLOSNASS on-board. A 4-mic array picks up audio from others and your own voice, though they’re susceptible to windshear if you’re biking or running. They shoot at 60-frames per second in 1216 x 1216 pixels resolution while photos come in at 1642 x 1642
The magnetically-sealing folding leather USB-C charging case is my favorite part. I wish I could get an even flatter one without a battery in it for my other sunglasses. It’s a huge improvement on the unpocketable bulky triangular case of the previous versions.
A Toy Not Fun Enough For The Price
So far so good, right? But then it comes time to actually see and augment what you shot.
Pairing and syncing is much easier than Gen 1. The glasses forge a Bluetooth connection, then spawn a WiFi network for getting media to your phone faster.
If you just want to share to Snapchat, you’re in luck. Spectacles content posts to Stories or messages in its cool circular format that lets viewers tilt their phones around while always staying full-screen to reveal the edges of your shots. Otherwise, you still have to go through the chore of exporting from Snapchat to your camera roll. Spectacles can at least now export in a variety of croppings for better sharing on Instagram and elsewhere.
What’s new are the 3D photos and videos. They utilize the space between the stereoscopic cameras in the corners of Spectacles employ parallax to sense the depth of a scene. After tapping the 3D button on a photo, you can wiggle the perspective of the image around to almost see around the edges of what you’re looking at. Spectacles will automatically pan back and forth for you, and export 3D photos as short Boomerang-esque six-second videos.
Unfortunately, I found that I didn’t get much sense of depth from most of the 3D photos I shot or saw. It takes a very particular kind of three-dimensional object from the right angle in the right light to much sense of movement from the wiggle. Snapchat’s algorithms also had a bad habit of mistakenly assigning bits of the foreground and background to each other, breaking the illusion. Occasionally you’ll have someone’s ear or their hair left behind and disembodied by the 3D effect.
Don’t expect these to flood social media or convince prospective Spectacles buyers. The 3D selfies you can shoot on Snapchat for free look better anyways.
The biggest problem comes with the delay when playing with 3D videos. Snapchat has to do the depth processing on its servers, so you have to wait for your video to upload, get scanned, and be re-downloaded before you can apply the 3D AR filters. On WiFi that takes about 35 seconds per 10 second video, which is quite a bore. It takes forever over a mobile connection. That means you often won’t be able to apply the filters and see how they look until you’re home and unable to reshoot anything.
The filter set is also limited and haphazard. You can add a 3D bird or balloons around you, wander through golden snow or neon arcs, overlay flower projections or rainbow waves, or sprinkle on sparkles and light-bending blobs. While the bird is cute, and the rainbows and flowers are remarkably psychedelic, none of them are more than briefly entertaining.
The 3D objects often glitch through real pieces of scenery, and you can’t control them at all. No summoning the bird mid-video. My favorite trick, learned from Karen X Cheng, was to export unedited and filtered versions of a video and splice them together on my computer as scene in my demo video above. You can’t actually do that from within Snapchat.
One extra feature the team is working on is to let you see a special colored light flash on the glasses’ internal recording-on signal to alert you to incoming Snaps from certain friends. If that’s popular, would Snap try giving us more notifications through that light? Hanover says “potentially in the future.”
Snap will have to build a lot cooler filters with interactivity if they’re going to compel creators to fork over $380 for Spectacles 3. It could hope to rely on its Lens Studio community platform, but so few developers or users will have the glasses that most will stick to making and using filters for phones.
Spectacles 3 are too expensive to be a toy, but don’t excel at being much more. Videography influencers might enjoy having a pair in their tool bag. But it’s hard to imagine anyone not sharing content professionally paying for the gadget.
youtube
Iteration vs Ideation
“We’re now pushing to elevate the technology and the design to master depth technically” Hanover tells me. “Holing ourselves up within an R&D center for years and years? That’s not our approach. It’s important to meet the customer where they are today and continue to iterate and get that feedback.”
But this iteration doesn’t feel like Snap meeting the customer where they are. That raises the question of whether Snapchat is really getting enough data out of the whole endeavor to justify publicly releasing Spectacles at all. The company will have to hope that testing short-term is worth thinking short-term, when it’s trying to win the long-term war in augmented reality eyewear.
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No one’s going to pay $380 for decent point-of-view video glasses and some trippy filters. But that’s kind of the point of Snapchat Spectacles 3. They’re merely a stepping stone towards true augmented reality eyewear — a public hardware beta for the Snap Lab R&D team that Apple and Facebook aren’t getting as they tinker in their bunkers.
Still, I hoped for something that could at least unlock the talents of forward-thinking video creators. Yet the unpredictable and uncontrollable AR effects sadly fail to make use of Spectacles‘ fashionable form factor in premium steel. The clunky software requires clips be uploaded for processing and then re-downloaded before you can apply the 10 starter effects like a rainbow landscape filter or a shimmering fantasy falcon. This all makes producing AR content a chore instead of a joy for something only briefly novel.
Spectacles 3 go on sale today for $380 in black ‘Carbon’ or rose gold-ish ‘Mineral’ color schemes on Spectacles.com, Neiman Marcus, and Ron Robinson in the UK, shipping in a week. Announced in August, they’re sunglasses with two stereoscopic lenses capable of capturing depth to produce “3D” photos, and videos you can add AR effects to on your phone. You also get a very nice folds-flat leather USB-C charging case that powers up the glasses four times, and a Google Cardboard-style VR viewer.
“Spectacles 3 is a limited production run. We’re not looking for massive sales here. We’re targeting people who are excited about these effects — creative storytellers” says Matt Hanover of the Snap Lab team.
Gen 1 featured a “toy-like design to get people used to wearing tech on their face”, while Gen 2 and 2.1 had a more subdued look abandoning the coral color schemes to push mainstream adoption. What Gen 3 can’t do is force a $40 million write-off due to poor sales, as V1 did after only shipping 220,000 with hundreds of thousands more gathering dust somewhere. Snap is already losing $227 million per quarter as it scrambles to break even.
So it seems with Spectacles 3 that Snap is gathering data and biding its time, trying to avoid burning too much cash until it can build a version that overlays effects atop a user’s view through the glasses. “We’re still able to get feedback from the customer and inform the future of Spectacles. That’s really the goal for us” Hanover confirms.
His CEO Evan Spiegel agrees, telling me on stage at TechCrunch Disrupt that it would be 10 years until we see augmented reality glasses worthy of mainstream consumer adoption. That’s a long time for an unprofitable company to spend competing to invest in R&D versus cash-rich companies like Facebook and Apple.
tl;dr
Spectacles could be worth the steep $380 if you’re a videographer for a living, perhaps making futuristic social media clips like Karen X Cheng, a creator Snap hired to demonstrate the device’s potential. They’re cool enough looking that you could wear them around Cannes or Coachella without people getting weirded out like they did with Google Glass. And as Snap’s Lens Studio lets anyone build 3D effects for Spectacles 3, perhaps we’ll see some filters and imaginary characters that are more than just a momentary gimmick.
But for those simply seeking first-person camera glasses, I’d still recommend the Spectacles 2 at $150 to $200 depending on style which remain available. The 3D features don’t carry the weight of paying double the price for Spec 3s. And at least the 2nd-gen Specs are waterproof, which make them great for ocean play with fun underwater shooting when you don’t want to risk losing or fizzling your phone.
“We’re testing the price point and the premium aesthetic to see if it lands with this demographic” Hanover says. But Snap’s Director Of Communications Liz Markman notes that “there isn’t this perfect one-to-one overlap with the core Snap users.”
The result is that Spectacles 3 are really more for Snap’s benefit than yours.
Slick Eyewear, Now Where’s The AR?
The Spectacles 3 software is disappointing, but you’ll be delighted when you open the box. Slick black packaging reveal sturdily built metal sunglasses with a luxury matte finish. As they magnetically dislodge from their charging case, you definitely get they sense you’re trying on something futuristic.
The style concurs, with a flat black bar at the top connecting the round lenses with a camera on both corners. Unlike the old Specs that sat right on your nose, feeling heavy at times, Spectacles 3 offers adjustable acetate non-slip nose tips to keep the weight off. All the tech is built discreetly into the hinges and temples without appearing too chunky.
Tap the button either arm, and LED light swooshes in a circle to let people know you’re recording a video for 10 seconds, with multiple presses growing that to up to 60. Tap and hold to shoot a photo, and the light blinks. There’s no obnoxious yellow rubber ring to shout “these are cameras”, and the defused LEDs are more subtle than Gen 2’s dots while remaining an obvious enough signal to passersby so they’re not creepy.
One charge powers up to 70 captures and transfers to your phone over a combined Bluetooth built-in Wifi connection. The 4 gigabyte storage holds up to 100 videos or 1200 photos, and Spectacles 3 even have GPS and GLOSNASS on-board. A 4-mic array picks up audio from others and your own voice, though they’re susceptible to windshear if you’re biking or running. They shoot at 60-frames per second in 1216 x 1216 pixels resolution while photos come in at 1642 x 1642
The magnetically-sealing folding leather USB-C charging case is my favorite part. I wish I could get an even flatter one without a battery in it for my other sunglasses. It’s a huge improvement on the unpocketable bulky triangular case of the previous versions.
A Toy Not Fun Enough For The Price
So far so good, right? But then it comes time to actually see and augment what you shot.
Pairing and syncing is much easier than Gen 1. The glasses forge a Bluetooth connection, then spawn a WiFi network for getting media to your phone faster.
If you just want to share to Snapchat, you’re in luck. Spectacles content posts to Stories or messages in its cool circular format that lets viewers tilt their phones around while always staying full-screen to reveal the edges of your shots. Otherwise, you still have to go through the chore of exporting from Snapchat to your camera roll. Spectacles can at least now export in a variety of croppings for better sharing on Instagram and elsewhere.
What’s new are the 3D photos and videos. They utilize the space between the stereoscopic cameras in the corners of Spectacles employ parallax to sense the depth of a scene. After tapping the 3D button on a photo, you can wiggle the perspective of the image around to almost see around the edges of what you’re looking at. Spectacles will automatically pan back and forth for you, and export 3D photos as short Boomerang-esque six-second videos.
Unfortunately, I found that I didn’t get much sense of depth from most of the 3D photos I shot or saw. It takes a very particular kind of three-dimensional object from the right angle in the right light to much sense of movement from the wiggle. Snapchat’s algorithms also had a bad habit of mistakenly assigning bits of the foreground and background to each other, breaking the illusion. Occasionally you’ll have someone’s ear or their hair left behind and disembodied by the 3D effect.
Don’t expect these to flood social media or convince prospective Spectacles buyers. The 3D selfies you can shoot on Snapchat for free look better anyways.
The biggest problem comes with the delay when playing with 3D videos. Snapchat has to do the depth processing on its servers, so you have to wait for your video to upload, get scanned, and be re-downloaded before you can apply the 3D AR filters. On WiFi that takes about 35 seconds per 10 second video, which is quite a bore. It takes forever over a mobile connection. That means you often won’t be able to apply the filters and see how they look until you’re home and unable to reshoot anything.
The filter set is also limited and haphazard. You can add a 3D bird or balloons around you, wander through golden snow or neon arcs, overlay flower projections or rainbow waves, or sprinkle on sparkles and light-bending blobs. While the bird is cute, and the rainbows and flowers are remarkably psychedelic, none of them are more than briefly entertaining.
The 3D objects often glitch through real pieces of scenery, and you can’t control them at all. No summoning the bird mid-video. My favorite trick, learned from Karen X Cheng, was to export unedited and filtered versions of a video and splice them together on my computer as scene in my demo video above. You can’t actually do that from within Snapchat.
One extra feature the team is working on is to let you see a special colored light flash on the glasses’ internal recording-on signal to alert you to incoming Snaps from certain friends. If that’s popular, would Snap try giving us more notifications through that light? Hanover says “potentially in the future.”
Snap will have to build a lot cooler filters with interactivity if they’re going to compel creators to fork over $380 for Spectacles 3. It could hope to rely on its Lens Studio community platform, but so few developers or users will have the glasses that most will stick to making and using filters for phones.
Spectacles 3 are too expensive to be a toy, but don’t excel at being much more. Videography influencers might enjoy having a pair in their tool bag. But it’s hard to imagine anyone not sharing content professionally paying for the gadget.
Iteration vs Ideation
“We’re now pushing to elevate the technology and the design to master depth technically” Hanover tells me. “Holing ourselves up within an R&D center for years and years? That’s not our approach. It’s important to meet the customer where they are today and continue to iterate and get that feedback.”
But this iteration doesn’t feel like Snap meeting the customer where they are. That raises the question of whether Snapchat is really getting enough data out of the whole endeavor to justify publicly releasing Spectacles at all. The company will have to hope that testing short-term is worth thinking short-term, when it’s trying to win the long-term war in augmented reality eyewear.
from Social – TechCrunch https://ift.tt/34Pxas3 Original Content From: https://techcrunch.com
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Redmi Note 7 review: Price win means software sin
Redmi is the more affordable arm of Xiaomi. Yes, we know that Xiaomi is pretty cheap compared to the likes of Samsung and Google, but Redmi is even cheaper.
With Xiaomi being fairly new to the UK, Redmi devices slot in beneath in terms of specs, which explains the more affordable pricing. Having split itself off into a separate brand, you can expect to hear more from the company as it fights for mid-range market space.
Somewhat confusingly, the Redmi Note 7 that we have in the UK is the same spec as the Redmi Note 7S in India - so there's some variance in naming on these devices.
A quality design and finish Gorilla Glass 5 Rear fingerprint scanner 159.2 x 75.2 x 8.1mm; 186g The Redmi Note 7 looks like a lot of recent Xiaomi designs. Edge-to-edge glass on the front and back sits in a central waistband, using Gorilla Glass 5 to try and keep scratches to a minimum. In the weeks we've been using the phone, it's escaped any damage.
At 8.1mm it's slim, too, and the size is pretty well proportioned, squeezing in a display without excessive bezel and using a dewdrop notch for the front camera. The bezel is a little thicker at the bottom of the display, so it's not quite symmetrical, but there's little to complain about.
redmi note 7 The ear speaker sits along the top of the display, and a pair of grilles on the bottom house the mono loudspeaker and flank the USB Type-C connector. The single speaker is easy to cover with a hand if you're a game, so it doesn't really contribute much to proceedings - you're better using headphones, and there's a 3.5mm jack included - but the Xiaomi Mi 9 is basically in the same position of being a bit weedy with speaker performance.
On the rear is a fingerprint sensor, conventionally placed with Redmi retaining this older style rather than a fancier in-display scanner, presumably to keep the price down.
But most of the attention will be taken by colouration. The Remdi Note 7 joins the ranks of those devices offering a dual-tone finish (well, if you opt for the blue model - other markets get red (i.e. the Note 7S in India) which doesn't seem to be an option in the UK). If you want something a little more conservative your choice is black.
redmi note 7 There's little to complain about from a design point of view. There are plenty of devices more costly than this that don't look any better, so from that perspective buying this cheaper phone doesn't get you a cheaper finish.
Display and dimming woes 6.3-inch LCD display, 19.5:9 aspect ratio 2340 x 1080 pixels (409ppi) As we said, there's minimal notch thanks to a central dewdrop - which really takes up very little space on the display. The screen's resolution is great, with the 409ppi density telling us that it's pretty sharp - and in use that's true, so you won't feel like you're missing out on detail. Sure, flagships offer Quad HD+ resolution, but the slightly lower offering from this Redmi works just fine.
The colouration of the display is pretty good, too. It's vibrant enough to not raise too many concerns, but it looks a little lacklustre alongside the gloriously-saturated OLED panels found in higher-spec devices. Things might look a little less punchy, but it's not a huge problem, and given the price you can't complain too much.
redmi note 7 But the auto-brightness is irritating. Frequently when looking at the phone it will dim to obscurity so you can barely see anything. You might be in the middle of a game and the screen dims. Fortunately there's a shortcut to turn off auto-brightness - most of the time it's better to control it manually.
The Redmi Note 7 also exhibits one of the traits of cheaper display panels: a linear polarising layer. That means that if you have polarising sunglasses, the display will black out completely when in landscape orientation - so when you're using the camera it's irritating - but only a problem for those wearing polarising lenses. Aside from such quirks, however, this Redmi actually offers a fairly good display for the price point.
Core hardware and battery life Qualcomm Snapdragon 660 platform 3/4GB + 32/64GB RAM + microSD 4000mAh battery capacity The Redmi Note 7 sits on one of Qualcomm's mid-range platforms. Things are a little confusing in these regards, so let's explain: while the 800 series used in flagship phones has one distinct hot favourite - the Snapdragon 855 - further down the range there are a lot of different component sets in the 600 and 700 series, used across a range of different devices.
redmi note 7 The good news is that, really, there's not a huge marked difference in day-to-day performance of many of these different platforms. Yes, the 660 doesn't have the snap and satisfaction of the leading hardware that you'll get in something like the Xiaomi Mi 9, but it's more than powerful enough to handle most tasks.
This includes things like playing PUBG Mobile in balanced settings - the Redmi won't play so well when you crank up the settings, but we've got plenty of chicken dinners out of it. Generally, however, the performance is great and we've come a long way from mid-range devices feeling compromised as they did a few years ago. We said the same of the Moto One Vision, which uses Samsung's Exynos processor and is also impressively smooth.
Where you do see some reduced potency from the Redmi, however, is in the camera performance. When processing night photos, for example, this handset takes noticeably longer than more powerful devices.
redmi note 7 Perhaps the most exciting part of the spec sheet is the 4000mAh battery capacity. That's pretty generous for a phone of this physical size and market positioning. In our experience it will outlast many flagship phones, getting you through the day without too much of a problem. There's fast wired charging for getting back up to 100 per cent too. It won't challenge the Moto G7 Power when it comes to battery capacity, though, that being a phone which is a considerable rival to the Redmi.
Software woes MIUI over Android 9 Pie software Software is the weakest part of Xiaomi's handsets, thus the Redmi picks up this downside too. The entire device is skinned with MIUI - click that link for an explainer of what that's all about - which sits over Google's Android 9 Pie operating system.
redmi note 7 MIUI introduces a high degree of replacement and duplication of applications, which a fully-functioning Google account doesn't need. In China, of course, Redmi runs MIUI without all the Google functions that those of us in the UK (or the rest of the world) are used to using. That explains a lot of the duplication, so while it's irksome, it's acceptable given the affordable pricing - and you can probably do some fiddling to get the device back to a cleaner state.
The great thing about Android is that you can install or replace things - and pick the default apps you want - to spare yourself some of the messing around with alternatives that just aren't as good (or ask you to sign-up for a Mi account when you already have a Google account performing functions like backup and contacts management).
In the case of the Redmi Note 7, however, we've also found the software to be buggy, despite the company saying it's a stable build. We've found the reading mode coming on every evening when it's not scheduled to do so, for example. We've told it not to wake the display when notifications come in and it still does - often randomly. Sometimes the handset refuses to see a Bluetooth device and connect to it - other times it's seamless.
redmi note 7 That detracts from the experience. Which is a shame, as the experience can, at times, be perfectly fine. But it's not consistent. It's this which would make us lean towards other affordable rivals with a cleaner software experience, such as Motorola.
A reasonable camera 48MP main camera & 5MP secondary lens 13MP front camera The latest trend in smartphones is deploying a 48-megapixel sensor, with Sony's IMX and Samsung's alternative sensor options being snapped up by all manner of brands. That number might sound like a reintroduction of the megapixel race, but by default both of these sensors use four pixels to produce one, over-sampling for sharper results at 12-megapixels. You can engage the 48MP option manually in the menu if you want, but the headline figure isn't really a reflection of what you'll get from this phone camera
There are a range of shooting options on the Redmi Note 7, including a decent portrait mode and night shooting too. These modes are capable, but not class-leading, as you'd expect at the price point.
Amusingly, the Redmi is a dual camera system, but from what we can tell the second lens does nothing at all. You can't shoot through that lens as there's no wide-angle or zoom offering, while you can cover it up and still take a portrait mode photo, find depth and create that bokeh. Ok, it might be adding some data somewhere, but it seems largely irrelevant.
The camera really favours shooting in good lighting, which is standard for any camera. When the light drops a little, results get quite dull and can look a little flat. Equally, HDR (that's high dynamic range) scenes can look a little dull. This phone doesn't have the subtlety or balance that others offer in that regard.
Night mode isn't really in the same league as its rivals either - like the Huawei P30 Pro or the Google Pixel 3 - but then this Redmi phone is considerably cheaper. Still, low-light image noise is common and results just get mushy, not offering the same exposure lift and noise reduction as its more pro rivals.
The front camera - once you've turned off the mirror and beauty options so you actually look like yourself - tends to be a little washed out. It loses grip on colour and in every selfie we've taken, we've had to tweak the colour temperature to remove the deathly-looking caste (which is easy to do on the phone, so it's not a huge problem, not that it's something we want to be doing).
Verdict The Redmi Note 7 is a bit of a mixed bag. Yes, you get a perfectly usable phone and for the price it's compelling thanks to a great build, a camera that will take a decent photo, enough power to do most things, and a long-lasting battery.
But there's so much getting in the way of the experience. We accept software skins, but it's annoying when the phone is doing things you've toggled off and specifically told it not to do. Those things can be fixed through software updates, but they end up defining the experience. It's not the value for money that shines through - it's the unnecessary software tinkering that then doesn't really work properly.
There are definitely things about the Redmi Note 7 that make it worthy of consideration, but with competition like the Moto G7 Power, we're drawn to Motorola's simpler option - especially with the added bonus that it will last a lot longer.
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Motorola Is Giving It’s A New Smartphone For Moto G6 Plus Review
Let's review the Moto G6 Plus, which offers a large screen, dual lens and fast charging below £300.
Price At The Time Of Review
£269
Moto G6 Plus Comprehensive Evaluation
The Moto G series only existed for five years, but it has been a long way since that time : not all are economical phones, but they are much cheaper than many mid-range devices like honors, and we Everything provided is impressive.
In this article, we will review the largest of the latest G phones - the 5.9-inch G6 Plus. It costs only £269/€299, but comes with a large 18:9 display, dual rear camera, face and fingerprint unlocking and fast charging.
For more information, you can also read our reviews of Moto G6 and Moto G6 Play and learn about the differences between these models.
Price And Availability
The Moto G6 Plus was launched on May 2 and can now be purchased for £269/299.
This is the most expensive G6 model - there are 219 pounds of regular G6 and 169 pounds of G6 games - but this is still a very affordable price tag, even in the case of a sharp price cut of 299 pounds will be weakened impressive Honor 9 and other competitors.
Plus is exclusively available through the UK's Handset Recycle; you can view contracts in our best Moto G6 Plus deals.
In general, you should also remember to consider the price of a case to keep your phone looking good and new, but our G6 Plus comes with a simple clear cover. Before you spend extra money, check to see if one is included in the bundle.
Design And Construction
The G6 Plus is slightly larger than the G6, but the design is almost identical. Unless you put them there, it's hard to tell which one is which.
It's slim, smooth, shiny, with a fascinating curve on the back; the back glass looks and feels good, although it's a bit slippery and prone to finger marks. We also like the ridged texture on the power button, which helps you to blindly position, although this effect is lost when the button is overwritten.
Despite the size and aspect ratio of the display: 18:9, Motorola has found the space to squeeze the fingerprint scanner on the bottom of the device (unlike the G6 Play, which has it on the back). In fact, this is so low, we found it a bit uncomfortable to bend the thumb to activate it. But many of you will use the opposite finger instead of holding your thumb, and remember that the fingerprint scanner is just one of many unlocking options, including face and voice recognition, smart unlocking and passwords.
Finally, we were shocked by how light the G6 Plus was for such a large screen device. It weighs 167 grams and is the same weight as the G6, much lighter than the iPhone 8 Plus (202 grams), which has a smaller screen.
Waterproof
G6 Plus is described as a "waterproof Nano coating" with P2i. Basically it is waterproof and not completely immersible, so try to stay away from the pool.
Color Options
Plus can be used in deep indigo (very black) and Nimbus (blue), but you may not be able to choose: for example, Handset Recycle is only blue.
Features And Specifications
Normally, the Plus model will provide a larger screen (inadvertently). But in this case, the display is only slightly larger than the normal G6 display, and there are some important differences between the models under the hood.
Screen
Let's discuss this screen first, and then continue to discuss the specifications. This is a 5.9-inch, 18:9 display - only 0.2 inches larger than the G6 - Full HD + resolution of 1080 x 2160 and a pixel density of 409ppi.
Processor, Memory And Storage
The Plus is equipped with the Qualcomm Snapdragon 630 processor instead of the regular G6 450 processor. Higher-level chips use 2.2GHz eight-core processing to better handle day-to-day work; in fact, in some side-by-side tests using G6 and G6 Plus, the Snapdragon 630 is significantly faster to open applications and load video.
(The G6 Plus comes standard with 4GB of RAM and 64GB of storage, while the G6 comes standard with 3GB and 32GB.)
Connection And Audio
Another small difference from the regular G6 : Plus is equipped with Bluetooth 5.0 instead of 4.2. It also has 802.11ac Wi-Fi (G6 is limited to a / b / g / n).
You will get a headphone jack - this is good news for expensive traditional headset owners. It is located at the bottom of the lower right corner of the USB-C port.
In our tests, we found that the call audio quality was a bit broken when talking normally and speaking.
Camera
In short : the G6 Plus has excellent shooting features, but the slowness of the camera app (compared to expensive phones - it's actually brighter than the G6) is a problem at some point.
You can get dual lens (12Mp / 5Mp) and portrait mode at the back. We are generally loyal fans of bokeh effects and have some benefits. With this shot, although subjectively feel less dramatic (in terms of background blur) than some of the others we have tried. Although all portrait modes are designed for still shooting, this seems to be more blurred for still shooting. Guys, keep your subject still.
Battery Life
The 6G Plus is equipped with a reasonably sized 3200mAh battery that lasts 7 hours and 42 minutes in the demanding Geek bench 4 test (and scores 3625); both results are average, but you can expect better than the actual use.
The phone also offers fast charging. In our standard test, charging from 0% for 30 minutes, it has reached 49%, very labor-saving (the battery is smaller than the ordinary G6). There is a faster charger there, please note: Honor 10 managed an amazing 65% during that time.
Software
The software is no different from regular models on regular models, so you can still get Android 8.0 Oreo and a very useful operating system version.
By convention, there is no British media coverage here. However, Motorola does add some handy software experiences. They are neatly included in the Moto app, where you can find gestures (Moto actions), convenient screen functions (Moto Display) and some new features such as Moto Voice (introducing always-on voice commands) and Moto Key ( Manage applications, websites and Windows passwords via a fingerprint scanner).
Unlock
Most of us rely on face unlocking, which can be understood as less reliable than Face ID, but still performs well. It's quite fast and it makes it clear who we are when we are low-light and wearing large sunglasses. But completely covering a facial feature - with one hand, one eye, mouth, etc. - prevents it from working, so the high scarf does not work well.
I think the phone recycling website Handsetrecycle.com is a great place to sell my mobile for best price. My mobile phone sales process was very simple when I sold my phone, and I received the payment on the same day.
Therefore, I highly recommend the Handsetrecycle.com website for mobile phone recycling.
#Handset Recycle#Handset Recycle UK#Sell My Phone#Sell My Mobile#sell my mobile for best price#Moto G6 Plus
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Deals on Sunday, June 2, 2019
GoBankingRates Coupons, Promo Codes & Deals Jun 2019
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A Review Of New Apple iPhone XS Max With A Surprised Smartphone UK
Its huge screen is beautiful, but it has lost some of the charm that makes the iPhone X so good?
Apple's top smartphones are already oversized on screen size and price, but is the iPhone XS Max really worth the price of £1099 or more?
After years of laurels, last year's iPhone X made a huge leap in Apple's design. This year's iPhone XS Max is basically a design that wins in 112% of copiers. It doesn't sound like much, but it's very different.
In addition to Samsung's top display, most of the iPhone XS Max is very good. At 6.5 inches diagonally, the screen is roughly the same size as Samsung's monster phone Galaxy Note 9, and the Galaxy Note 9 has a 6.4-inch display, but with a wide aspect ratio. Both are high-end mobile phones with a screen area of about 103 square centimeters and a screen-to-body ratio of about 84%, so competitors are dwarfed.
Apple's biggest achievement is that the huge screen is compressed into a not so large organization. The iPhone XS Max is definitely a big phone, but it's 7.7mm thick, thinner than all current top phones, including the 8.8mm thick Samsung Galaxy Note 9.
The problem is that the iPhone XS Max is actually a very large size phone that is more difficult to handle. This is partly because it is slightly wider than the 77.4 mm wide competitor, 1 mm wider than Note 9, and 3.6 mm wider than the S9 +. But the biggest difference between the iPhone and other products is that Apple uses a sleek two-sided.
Yes, they look and feel luxurious in stainless steel, but they are hard to hold with their fingers. Others taper along the sides to some kind of edge, which will make your fingers buy.
Unless you have an unusually large hand, the iPhone XS Max is almost just a two-handed phone, even if Apple's reachability is the same, it will drop the top of the screen to the middle - try using it with one hand. If you put it down, this metal and glass sandwich will smash.
The iPhone XS Max uses Apple's latest processor, the six-core A12 Bionic, which says it is 15% faster and lasts 50% more efficient than last year's A11 Bionic. But it is an integrated AI chip, nine times faster than the original, obviously different.
In everyday operations, it's not as fast as the iPhone X, which has become agile and sensitive to iOS 12. But like other recent iPhone upgrades, the original power supply can only be achieved with new software, accelerating the AR experience and other bits and pieces behind the scenes.
The battery life of the iPhone XS Max is slightly disappointing. It will spend a day without problems, but it can't compete with Warcraft in this world. It lasted more than 27 hours between charges, from 7 am on the first day to the next day until 10 am.
This is using it as my primary device to send and receive hundreds of emails, messages and push notifications, listen to five hours of music on a Bluetooth headset, watch an hour of Netflix and shoot about 10 photos a day. The Lightning interface on the bottom is still the fastest way to charge your phone, and it takes about two hours to fully charge with the optional Quick Charger and USB-C cable.
Face ID is still the only biometric security system on the Apple iPhone. It works the same way as I do on the iPhone X, but it's not fast. Those who wear glasses may have difficulty, and some have difficulty wearing sunglasses.
The result is significantly better low-light performance, still not completely defeating Samsung or Huawei's competitors, but closer. The detail preservation in the full cropped image has also been greatly improved, closer to Google's Pixel 2 XL.
The improved HDR mode (which is now on by default) is also better when dealing with high-contrast scenes, which means that shooting the sun and other bright areas is not a problem.
Price
The iPhone XS Max is available in black, silver or gold, with a 64GB storage space of £1,099, a 256GB for £1,249 and a 512GB for £1,449.
Verdict
The iPhone XS Max is big and beautiful and expensive. Its main selling point is the huge and gorgeous screen, which is very useful for watching videos or viewing photos.
But in terms of maximizing the screen, Apple has lost some of the charm of making the iPhone X and its replacement XS. Handle heavier, heavier and bigger in your pocket.
The camera is great, the battery life is ok, there are wireless charging and countless other features. It permeates wealth in ways that other smartphones don't have. But the same can be said to be its smaller brothers and sisters. There is also a smaller, cheaper 6.1-inch iPhone XR that arrives later.
If you want the biggest iPhone and can tolerate the eye-popping asking price, then that's it. Try not to give it up.
For more details, visit https://sell.handsetrecycle.com/product/sell/smart-phone-apple
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Today, London - A Nightingale Sang in Berkeley Square
Today 6pm - 9pm Monday 29 April, Berkeley Square, London
A musical Extinction Rebellion in collaboration with ‘Sam Lee’s Singing with Nightingales’ & The Nest Collective
Poets, musicians and nature lovers join to perform “the most romantic rebellion”.
Using clever tech, #ExtinctionRebellion and The Nest Collective will rewild #Berkeley Square from 6pm today (Monday 29 April) with the song it is most famous for. Through synchronised streaming of the nightingale’s mesmeric yet seldom heard courtship song via mobile phones and mobile speakers, the pop-up action will fill the park and surrounding streets with the song of a bird nearing extinction in the UK.
The birdsong will be accompanied by musicians, singers, poets and anyone who wants to collaborate with one of the finest singers in the avian world.
After rising attention to the ecological and climate emergency, Extinction Rebellion are bringing people together to celebrate of the musical beauty of the natural world. This central London rewilding action aims to focus attention on the shocking demise of our own native species and give Londoners the opportunity to hear a once ubiquitous songbird in its mythic notional home.
Written in 1939, the song tells of the impossible moment when the #nightingale (Luscinia megarhynchos) sings in #Mayfair’s famous garden square. Nightingales have not been heard in Central London, let alone Mayfair, for several hundred years. However Extinction Rebellion, Sam Lee, The #NestCollective and a pop-up flash mob of nature enthusiasts, musicians and supporters will gather to bring nightingale song briefly back into #BerkeleySq. The public are invitred to use their 3G connected smartphone device or tablet and a mobile bluetooth / wired speaker to stream the birdsong to be amplified in a sonic rewilding of the square.
Every Spring for the last five years, folk singer and nature conservationist #SamLee has been running intimate ‘Singing With Nightingales’ concerts in the woods of Sussex, Kent, Essex and Gloucestershire, bringing audiences into ‘ear tinglingly close proximity’ to wild birds while in their season of renowned courtship song. Musicians and singers collaborate with the bird in a sublime duet as the finale of a woodland/campfire experience with conservation awareness at its heart. The event began as an homage to the BBCs pioneering first ever live broadcast in 1924, with Beatrice Harrison famously dueting on cello with a nightingale. Nearly 100 years later, Sam continues that tradition with contemporary players.
The Nest Collective will broadcast nightingale song to Berkeley Square at 6pm on Monday 29 April. Visitors will be invited to stream and play the song through their mobile phones via a dedicated url. Musicians are encouraged to bring their instruments, cellists especially, to make music with this natural improviser.
This is happening just after the end of Extinction Rebellion’s blockade of a number of high profile locations in London, and will be a peaceful sit down affair.
Schedule
6pm Gather in Berkeley Sq for a first centralised hour of songs and music with XR’s mobile sound system. Includes playing of the RSPBs ‘Let Nature Sing’ single, released on 26 April. This composition is made of red-list endangered bird song and is aiming for that weeks chart as a first ever ‘Getting Nature To #1’
6.50pm Communal sing along of ‘A Nightingale Sang in Berkeley Sq’ & teaching of ‘Bon Soir’ - short French round about the nightingale.
7pm Audience members will disperse across the Sq and surrounding street in groups to stream their live feeds through mobile phone speakers, rewilding the entire site with birdsong. The Nightingale song can be streamed from this webpage www.thenestcollective.co.uk/nightingale. Musicians, bards and poets will pollinate these mini gatherings to share their music. Groups can also recite their own writings or choose from the selection of suggested nature based prose listed on the web link.
9pm ends.
What to bring
Your picnics, blankets, cushions, fully charged mobile phones, laptops, tablets, battery packs, speakers and minirigs, umbrellas, sunglasses, banners, warm clothes, water bottles & drinks, songs and poems to share, candles an open heart and your listening ears.
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Road tested: Gear from Aether, Saint and Shoei
Today I’m breaking down three pieces of gear that have very quickly become staples in my closet. Say hello to the helmet that’s converted me to modern lids, a jacket that I’d wear to meetings, and my new favorite jeans.
Let’s dive right in…
Shoei RYD Helmet I’m a dyed-in-the-wool retro helmet guy. Call me a hipster or a slave to fashion, but I really like simple, stylish helmets in classic styles, and I think they suit the bikes we feature here more than modern lids do.
Here’s the problem though: retro helmets are great for cruising around on scramblers or cafe racers. But on faster bikes, or over longer distances, they pretty much suck. They’re noisy, not very aerodynamic, and often don’t vent well. So when I got an invite to tour Eastern Europe on a bagger, I knew none of the old-school helmets in my humble collection were going to cut it. Luckily Shoei Helmets UK came to the rescue, hooking me up with the new Shoei RYD (sold in the US as the RF-SR, with a breath guard).
Let’s get this out the way immediately: I love this helmet, and I’m not ashamed to admit that that’s fifty percent down to its looks. Shoei kept the RYD’s aesthetic subtle and understated, with a lack of excessive contours, and proportions that are vaguely reminiscent of old racing helmets. So it cuts a neutral silhouette that complements my Kawasaki W650 as much as the Ducati Monster 797 I was hooning around on the other day.
The RYD comes in at £350, and is only available in solid colors. I opted for the matt blue metallic finish paired with a tinted visor, and was floored by how good it looks in the light of day. The combination of metallic paint and a matt finish is every bit as stunning as it sounds, and the overall build quality is stellar. (But be warned—that matt finish is a real pain to keep clean.)
The other half of my love for the RYD is all about how good it feels. My pip measures 62cm, which puts me at an XL for most manufacturers, including Shoei. Straight out of the box the XL RYD fit snug and comfortable, with no hotspots and no need to break it in. The interior might not feature the sort of quilted leather touches that you’ll find on high-end retro helmets, but it has marshmallow-like levels of plushness.
It’s also removable and washable, and the cheek pads have a quick release system to help medical personnel get your helmet off safely in an emergency. I don’t use a Bluetooth comms system myself, but it looks like there’d be enough space to fit one, and I can get my sunglasses on without much fuss.
The outer shell uses Shoei’s ‘Advance Integrated Matrix Plus’ design, which is basically just a mix of fiberglass and organic fibers, but makes for a pretty svelte helmet at a hair under 3 lbs. There’s also a multi-density EPS liner, and it’s probably worth noting that Shoei use four shell sizes across the size range, which is reassuring for riders with smaller heads. Keeping the helmet in place is a standard issue double D-ring system, padded for comfort and kitted with a press-stud for stowing the end of the strap.
Plush and light are two major boxes to tick, but the RYD also scores high in other areas. It’s pretty quiet, even on naked bikes, with little to no buffeting at speed. It’s well ventilated too, with three front vents (one at the chin and two up top) that are all easy to operate with gloves, and two ‘spoiler’ exit vents at the back.
Noise levels are obviously a touch elevated with the vents open, but not unbearably so, and there’s a little chin curtain too to help keep things peaceful.
The visor is another standout feature: It’s the same CWR-1 shield used on Shoei’s RF1200 and NXR helmets. The eye port is nice and wide, there’s zero optical distortion, and the anti-fogging Pinlock system is highly effective, even when stuck at traffic lights.
The visor goes up and down in incremental clicks, and clips closed via a neat carbon fiber notch on the left. It also forms a pretty tight seal: there’s a clever spring-loaded hinge system that ‘hugs’ it against the helmet. Swapping shields is insanely easy, and as a bonus, the base plate that the shield attaches to on each side is carbon fiber.
Any nitpicks? Yes, one: I don’t like the look of the top vents. I think the aggressive ‘V’ shape messes with the RYD’s subtlety. But that’s my only gripe, and it hasn’t stopped the RYD from becoming my go-to helmet on any bike. [Buy]
Aether Apparel Rally jacket Aether’s approach to motorcycle gear is the same as its technical apparel. The LA-based company makes high-tech, highly functional stuff, with minimalist styling. And that philosophy is in full effect in their new Rally jacket.
It’s fully waterproof and armored—as you’d expect at $550. Fortunately everything feels primo, right down to the packaging. My Rally came neatly folded in a suit bag, wrapped in black tissue paper, with the relevant paperwork and Aether’s ‘Journal’ stashed in a zippered pouch. I realize this might seem frivolous to some, but it makes for a wicked first impression. Other cute touches included an emergency whistle, and a small aluminum key ring stash tube with a pair of earplugs.
More notably, there was also a full complement of D3O® armor in the box, including EVO XT elbow and shoulder pads, and a Viper ST back protector. Aether did a great job with the pockets for these, and getting everything in (and out) was a cinch. Also included: Aether’s lifetime guarantee, something you seldom get with bike gear.
The Rally jacket’s outer shell is a three-layer abrasion-resistant nylon. It’s seam-sealed to be fully waterproof and wind-resistant without the need for any additional liners. (Since Cape Town’s currently experiencing a drought, I haven’t yet been able to test the Rally in adverse conditions, but I’ve put many rainy miles into Aether’s similar Skyline jacket and it’s held up for the most part.)
The overall styling is best described as urban workwear with a hint of adventure riding influence (hence, ‘Rally’). It’s a slightly longer cut than usual, with a slight drop in the tail for maximum coverage when riding. The main zipper is a heavy-duty, two-way affair—so you can open it from the bottom if the extra length bugs you while riding.
There’s a storm flap behind the zip, and an outer flap that seals up via press-studs. The attention to detail here is next level—each press-stud has a ‘loop’ behind it that helps you get a gloved finger in to snap it in place, and the outer bits are rubberized to prevent tank scratches.
Aether tend to cut their gear for a more athletic build, so the Rally has a pretty slim fit, with no waist adjusters to tailor it. I sized mine according to my chest measurement, so it sits a little tight around my podgy gut, forcing it to pull up at the back a bit. If you’re pear-shaped like me, you might want to size up or consider other options.
Personally, I wouldn’t mind seeing some more give around the waist with some basic adjustment, but my guess is that Aether wanted to keep the overall layout as uncluttered as possible. A belt loop attachment—similar to the type REV’IT! supply on their Stealth hoody—would also be useful.
The outside of the Rally features a chest pocket, two zippered hand warmer pockets, and two press-stud pockets that seem to be purely for decoration. There’s a zippered Napoleon pocket on the inside too. Each pocket is lined with the same fabric as the main jacket body—a plaid cotton that not only looks amazing, but is ridiculously soft to the touch.
That little bit of extra refinement and comfort means that my Rally might even end up doing casual duty from time to time. It also doesn’t hurt that there’s barely any branding on it.
So it’s stylish, functional and comfortable—if you stay off the pies. But how many months of the year is it useful? My money’s on most, if not all, of them. Aether have kitted the Rally with long, dual zipper armpit vents (with tabs to make them easier to grab with gloves), and two exit vents at the back.
Spring has sprung down here, and I’ve already had the Rally out in some pretty toasty weather—as simple as the vent setup is, it’s highly effective for directing fresh air where you need it. And on colder days, I’ve found Aether’s claims of wind-resistance to be valid, simply adding a layer when temperatures really dropped.
Best of all, the Rally comes in three colors, one of which is black. Which, as we all know, goes with everything. [Buy]
Saint Stretch jeans We’ve profiled Saint jeans a few times here on Bike EXIF, and keep coming back to the Australian brand for one simple reason—their denim. Let’s recap: instead of layering their jeans with ballistic materials like Kevlar, Saint use a denim woven with an ultra-strong fabric called Dyneema. The result is single-layer (read: supremely comfortable) denim that’s highly abrasion-resistant.
Now they’ve taken the concept a step further, with a new stretch version of their ‘Unbreakable’ denim. By adding 2% Elastane to the mix, the jeans now have 180-degree stretch, but the fabric is still CE Level 1 approved. The claimed slide time/distance is four seconds/50 meters (160 feet). The jeans aren’t armored, so you’ll need to figure out where impact protection lies on your priority list.
These jeans are cut to a very specific style that won’t appeal to everyone—and that’s OK. But stretch denim, generally speaking, is ridiculously comfortable. My go-to jeans are a pair of black stretch Levi 511s, and I’ve long wished for riding pants that felt the same. Like some genie from Down Under, Saint granted my wish.
The fit is slim but not too skinny, with a standard five-pocket layout, a tapered leg, a mid-waist and low rise. That last part means that they hang lower in the butt than what I like when I’m riding, but since the alternative is high-waisted dad jeans, I’ve learnt to just tuck in my T-shirt and get on with it.
Size-wise, I’m a 38 in just about any jeans and these are no exception—except that Saint only make them in a 36 length, which means you’re going to end up cuffing them. They also break in quickly, and stretch almost a half size within the first few hours of wear, so consider sizing down if you’re on the cusp of two sizes.
If you like geeking out over denim, this next bit’s for you. Saint use 12 indigo and two black dye baths to dye the Stretch jeans, before washing each pair. They call the finish Jet Black Indigo which, in the flesh, looks exactly like you’d imagine: a really, really, really dark blue. I’ve been putting the hours into my pair on and off the bike, and I can already tell that they’re going to fade beautifully over time. General details are subtle, with minimal branding and a nice Saint ‘wing’ embroidered on the back pocket.
There are a couple of things bugging me though. I’ve already had to snip a few renegade threads, none of which have caused anything to unravel. But more concerning is that the zip has felt snaggy from day one, and I’m pretty sure I’m going to have to replace it sooner than I should need to. Considering the AU$399 price tag, I’m hoping these are just early run niggles, and not indicative of Saint’s overall quality.
That aside, Saint’s Stretch jeans are fast becoming my new go-tos. I’ve worn them more off the bike than on it, and when I am on the bike, their stretch qualities make for riding jeans that are supremely comfy, all day long. I think of them less as riding jeans that can pass for casual wear, and more as a great pair of denims that will hold up when things go random. [Buy]
Note: Saint will have these in two women’s cuts soon as well.
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