#Blackmagic Design Pocket Cinema Camera 6K Pro

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[bulentfilms]

Blackmagic Pocket Cinema Camera 4K BRAW Color Grade Before & After | BMPCC 4K 2383 LUT byBoz™

Color grading and editing done inside DaVinci Resolve using the 2383 LUT byBoz™. Get a special 10% discount at dehancer.com using the code: BOZ10 Blackmagic BRAW LUTs Available to Buy & Download Here: https://blackmagic-luts.com/ Works with: Blackmagic Ursa Cine 12K, BMPCC 6K Pro, Blackmagic Pyxis, BMCC 6K Full Frame,  BMPCC 4K, BMPCC HD, BMMCC and ALL other Blackmagic Cinema Cameras utilising…

[royalaffectiomedia]

Best 6K Camera for Filmmaking: Top Choices & Key Features

When it comes to filmmaking, choosing the right camera is crucial for achieving high-quality results, and a 6K camera offers excellent resolution, dynamic range, and flexibility in post-production. With a 6K camera, filmmakers gain the ability to capture more detail, reframe shots without losing quality, and produce stunning visuals that stand out in professional productions. Below, we’ll discuss some of the best 6K cameras for filmmaking, their features, and why they are popular among filmmakers.

Top 6K Cameras for Filmmaking

1. Blackmagic Pocket Cinema Camera 6K Pro

The Blackmagic Pocket Cinema Camera 6K Pro is a favorite among independent filmmakers for its compact size, advanced features, and image quality. It features a Super 35mm sensor with a native resolution of 6144 x 3456 and dual native ISO for enhanced low-light performance.

Key Features:

Super 35mm 6K sensor with 13 stops of dynamic range.

Dual native ISO up to 25,600 for better low-light performance.

Built-in ND filters and HDR touchscreen for flexible shooting options.

Compatible with Canon EF mount lenses.

The 6K Pro version adds built-in ND filters and a tiltable HDR screen, making it more versatile for various shooting conditions.

2. RED Komodo 6K

The RED Komodo 6K is a compact yet powerful camera that incorporates RED’s renowned image quality and raw recording capabilities. It features a global shutter sensor, which eliminates rolling shutter issues and is excellent for high-action scenes.

Key Features:

6K Super 35mm global shutter sensor.

16 stops of dynamic range.

Compact and lightweight design, ideal for handheld or gimbal work.

Supports ProRes and REDCODE RAW recording formats.

The RED Komodo 6K is perfect for filmmakers who need a portable yet professional camera for diverse shooting environments.

3. Canon EOS C300 Mark III

The Canon EOS C300 Mark III is a high-end cinema camera with a Super 35mm Dual Gain Output (DGO) sensor, which offers exceptional dynamic range and low-light performance. Its modular design makes it highly customizable for various production needs.

Key Features:

Super 35mm DGO sensor with 16+ stops of dynamic range.

4K at up to 120fps and 2K at up to 180fps.

Supports Canon’s XF-AVC and Cinema RAW Light recording formats.

Modular body with interchangeable mounts.

The C300 Mark III is ideal for professional filmmakers working on large-scale projects requiring a robust and flexible camera system.

4. Panasonic Lumix S1H

The Panasonic Lumix S1H is a full-frame mirrorless camera with a strong emphasis on video capabilities. It offers 6K recording in multiple aspect ratios and supports anamorphic shooting modes, making it a versatile option for filmmakers.

Key Features:

24.2-megapixel full-frame sensor with 14+ stops of dynamic range.

6K recording at 24fps and 4K at up to 60fps.

Dual native ISO for improved low-light performance.

5-axis in-body image stabilization.

The S1H’s ability to shoot in multiple formats and support for V-Log makes it a great choice for filmmakers who need flexibility and high image quality.

5. Z CAM E2-S6

The Z CAM E2-S6 offers a Super 35mm 6K sensor and is known for its affordability without compromising on professional features. It supports high frame rate recording and provides excellent image quality in a compact design.

Key Features:

Super 35mm 6K sensor with 10-bit ProRes and ZRAW recording.

6K at up to 60fps and 4K at up to 120fps.

Compact and modular design with HDMI and SDI outputs.

Compatible with EF and PL mount lenses.

The Z CAM E2-S6 is suitable for indie filmmakers and content creators looking for a cost-effective solution that still delivers high-quality results.

What to Look for in a 6K Camera for Filmmaking

When selecting a 6K camera for filmmaking, consider the following factors:

Sensor Size and Type: Full-frame and Super 35mm sensors offer better depth of field and low-light performance.

Dynamic Range: A higher dynamic range captures more detail in shadows and highlights, which is essential for cinematic-quality images.

Recording Formats: Look for cameras that support ProRes, RAW, and other professional recording formats for flexibility in post-production.

Frame Rates: High frame rates are crucial for capturing smooth motion and slow-motion footage.

Lens Compatibility: Ensure the camera is compatible with professional lens mounts like EF, PL, or L-mount.

Conclusion

Choosing the best 6K camera for filmmaking depends on your specific needs, budget, and the type of projects you plan to work on. Whether you opt for the compact and versatile Blackmagic Pocket Cinema Camera 6K Pro, the high-performance Canon EOS C300 Mark III, or the portable RED Komodo 6K, each of these cameras offers exceptional quality and features that can elevate your filmmaking projects.

For more information or assistance in selecting the best 6K camera for your next film, feel free to reach out and get expert advice on choosing the right gear!

🔗Read More: https://royalaffectionmedia.com/best-6k-camera-for-filmmaking/

[kvibe-test]

Top Must-Have Gear for Stunning Wedding Films

Essential Gear for Wedding Filmmaking

Wedding filmmaking is a distinct and demanding field that necessitates a specialized array of tools and equipment to capture the true essence of the special day. With the proper gear, wedding filmmakers can deliver seamless, high-quality footage that narrates an engaging story. Equip yourself with the indispensable gear required for a triumphant wedding shoot. Gain insights from seasoned wedding filmmakers on the must-have tools and equipment that will guarantee smooth, high-quality wedding films.

Camera Equipment

The camera choice is crucial for any wedding filmmaker. A favored option among professionals is the Canon EOS R5, which boasts 45 megapixels, 8K video recording, and in-body image stabilization. Its high resolution is particularly beneficial for capturing the intricate details of a wedding day.

Renowned for its exceptional low-light performance and 4K video capabilities, the Sony A7S III is another dependable option for capturing beautiful wedding footage. This camera excels in dimly lit environments, such as indoor receptions and evening ceremonies, where natural light may be lacking.

For those who prefer a compact yet powerful camera, the Blackmagic Pocket Cinema Camera 6K Pro is an excellent choice. With 6K resolution, a Super 35 HDR sensor, and a built-in ND filter, it offers greater creative control and versatility in various shooting conditions.

Lenses

No camera setup is complete without the appropriate lenses. The Canon RF 28-70mm f/2L USM is a versatile lens with a wide aperture, ideal for capturing candid moments and low-light situations. Its versatility makes it a staple for many wedding filmmakers.

The Sony FE 16-35mm f/2.8 GM is perfect for ultra-wide-angle shots, such as sweeping landscapes and group photos. These shots often capture key moments at wedding venues with scenic backdrops or large family gatherings.

For enchanting portrait shots with exceptional sharpness and beautiful bokeh, the Sigma 50mm f/1.4 DG HSM Art is outstanding. It's a high-performance prime lens that can truly highlight the emotions and expressions of the couple on their special day.

Audio Equipment

Clear audio is just as important as high-quality video. The Rode Wireless GO is a compact wireless microphone system that ensures crystal-clear audio for interviews and speeches. Its reliability and user-friendliness have made it a favorite among wedding filmmakers.

The Tascam DR-10L is a compact digital recorder with a built-in lavalier microphone, perfect for discreetly capturing audio. It's particularly useful for hidden miking techniques during ceremonies and vows.

For more complex audio requirements, the Zoom H6 is a versatile portable recorder with multiple inputs for capturing high-quality audio from various sources, ensuring no precious moment goes unheard.

Stabilization and Support

Smooth, stable footage is essential for professional wedding films. The DJI Ronin-SC is a lightweight, three-axis gimbal stabilizer that ensures smooth footage during dynamic shots. It's an excellent choice for capturing fluid motion sequences, such as walking down the aisle.

A sturdy tripod like the Manfrotto 535 with a fluid head is necessary for static shots and achieving smooth pans and tilts. This equipment provides the stability needed for longer, stationary shots during ceremony coverage.

Additionally, the Peak Design Slide Lite camera strap is a versatile accessory, offering quick access and secure support during shooting. It's particularly beneficial for photographers who need to be mobile and ready to adapt quickly to different shot requirements.

Lighting Equipment

Proper lighting can significantly enhance the quality of wedding footage. The Aputure MC RGBWW LED Light Panel is a compact, portable light source that offers adjustable color temperature and brightness, making it suitable for various lighting conditions throughout the wedding day.

For handheld, battery-powered LED light, the Westcott Icelight 2 provides soft, diffused illumination. It's especially useful for quickly lighting up a subject without the need for complicated light stands.

For those on a tighter budget, the Neewer bi-color 480 LED video light kit is a budget-friendly option that offers adjustable color temperature and brightness. It's suitable for studio-like setups during pre-wedding preparations or interviews.

Accessories and Extras

Reliable accessories are often underestimated but crucial. A high-capacity memory card like the Sandisk Extreme PRO 1TB SDXC UHS-I Card is essential for capturing 4K and 8K footage. These high-speed cards ensure that you never miss a moment due to storage limitations.

For transporting and protecting camera gear, the Pelican 1510 Carry-On Case offers durability and watertight protection, making it a dependable choice for traveling filmmakers.

Lastly, the Think Tank Photo Airport Advantage Rolling Camera Bag combines portability with functionality, providing a compact, TSA-friendly solution for carrying essential gear.

Equipping yourself with the necessary gear for a successful wedding shoot is crucial for capturing high-quality footage that tells an engaging story. By investing in reliable camera equipment, lenses, audio gear, stabilization tools, lighting equipment, and accessories, wedding filmmakers can ensure a smooth and successful wedding film production.

#weddingfilmmaking #essentialgear #filmmaker #weddingvideography

Visit https://www.bloggerfy.ai to find more insights and tips for perfecting your wedding films.

[secroner]

Keeping It Steady: Filming with a Gimbal (Highlight Reel)

As I look back at previous film and video productions, I was reminded of the challenge and the fulfillment of working with a camera gimbal. This camera technology has always been a bit foreign to me for the past decade. I have worked with several professionals that are well-versed in gimbal and steadicam systems, often in a supporting role, yet I have never had the opportunity to operate a similar system. Recently, I finally had the chance to work extensively with a camera gimbal.

For a quick and simple explanation, the purpose of a gimbal or steadicam is to smooth video footage while operating a handheld camera by compensating for the movements of the camera’s operator. There are several advanced gimbal systems that electronically calibrate and balance camera movement, which is mounted to the gimbal.

Last fall, I had the opportunity to shoot a short film for the 48 Hour Film Project in Pittsburgh. Our goal for the film was to shoot it entirely on a gimbal with the facade that the film is shot in a single take, meaning the camera moves with the story and characters in real-time. Think of how the movie Birdman (2014) was shot (and if you’ve never seen Birdman, do yourself a favor and add it to your watchlist). Our production team chose to adopt that sort of method of filming.

For our production, The Fatal Burden of Educating Children in the Time of the Undead (2023), I decided to use the DJI Ronin RS 3 Pro gimbal stabilizer paired with my Blackmagic Design Pocket Cinema 6K Pro camera. Initially, it proved to be a challenge to understand gimbal calibrations, but our camera team was able to overcome difficulties and film a fantastic little film based on our own constraints.

I decided to put together a little highlight reel that shows off some of my favorite shots from that film, as well as footage that I shot for another project that utilizes the gimbal. Check out the video, which is now live on the Cipher Eye Media YouTube page! From my experiences I hope to produce more camera shots like this in the future and share more of my work with you!

[projectart2]

Production Processes (Supporting Post)

For the rural scenes there were physical challenges and risks mainly with equipment moving. For the entire piece my main camera was a BlackMagic design, Pocket Cinema Camera 6k Pro. Whilst being a compact form-factor camera, hiking equipment up rural hills became physically difficult due to weight distribution when combined with lenses and a tripod. The weight and size of the kit caused challenge and risk with getting up and down the locations I wanted during daylight hours as to prevent any risks associated with limited light. These risks were thankfully further mitigated where I was able to get help to securely transport myself and kit by car to these locations which always ensured safety of myself and the kit. 

For the urban scenes I used London as my backdrop due to its ease of access from Kent and Leeds as well as for its stark iconography. For the first 2 filming days in London, I used a compact rig of the 6k Pro, taking minimal equipment, with no tripod and fewer lenses. This was to mitigate risk associated with equipment safety like theft as well as weight risks. This meant that I had to be careful in my lens choice and limited the type of shots I could get from the lack of a tripod. I ended up opting for a 58mm Petzval Lomography lens which provided the rounded depth of field bokeh control in the two shots below that made the final cut. Secondarily I used a 24-105mm zoom lens which provided greater versatility and produced most of the footage from those dates. On the third London filming date I only took a DSLR camera with no video function which is where I took all the ‘frame by frame’ sequences of the final project using 100s of photos. These three days were well planned and involved exact routes and lists of the types of edits I wanted. This helped time factors and made the production workflow more efficient. 

The shoots at home in Kent filled in all the gaps of footage I needed and provided many of the more conventionally narrative sequences of the project. I used my living room as the backdrop for the shots below, which proved to be smooth filming sessions with minimal risks and complications where I had a controlled and private location. For these scenes I had unlimited amounts of time to experiment with the angles, lens choices, mise-en scene and lighting. For the ‘Sofa Shot’ I framed the shot with as many plants I could find which created a delicately, natural contrasted mise-en-scene. I was also able to film this scene with only natural light by positioning the curtains in a specific way to shape the way the light entered the scene. 

[seaforth]

Group 8 Scene Recreation - Memories of Murder Production Breakdown

Brainstorming

For the final week of the production workflow module, my group were tasked with recreating a scene of our choice. Bar some budgetary and time concerns, nothing was off the table.

Eventually we settled on the interrogation scene from Bong Joon-Ho's Memories of Murder. I personally had not seen the film but was excited to tackle it based on seeing the director's other work Parasite.

Pre Production

We had plenty of kit to acquire in order to convey an accurate recreation of the scene:

Camera:

Blackmagic Pocket PRO 6K, Samyang Xeen Cinema Lens Kit, Smallrig Tripod

Sound:

Sennheiser 416, Sound Devices MixPre3-Recorder and Mixer, Large Boom Pole, Microphone Stand.

Lighting:

LEDGO LG-B308K 3x 308 light Daylight Reporter LED Lighting Kit, Gloves

Other:

Polyboard (White), Black Flag x3, Floor Cable Cover, Clapper, Sandbag x3

In terms of props we also had to purchase a light from amazon which would replicate the look of the desk light found in the original scene as well as being flexible to being adjusted in order to match different shot compositions. We had also our crew supply shirts and ties for respective actors as well as paper for the process of interrogation.

Aside from kit, scheduling was also CRITICAL and just as important as many groups were filming at the same time. This ended up being a close call as the only time we ended up getting kit that was far enough in advance to leave plenty time for editing conflicted with the premiere of another group project we unfortunately had to miss.

Next we took still frames from each shot in order to plan out lighting:

From there we planned our shotlist:

Along with this we decided on Crew Roles:

Sam Wynne: Director Jack Burns: Producer, Actor, Runner Jake Rae: Director of Photography Jacob Doig: Lighting, Camera Assistant Rushil Deepak: Production Design, Sound

And our actors:

Harry Batkin: Park Hyeon-Gyu Daniel Lee: Seo Tae-Yoon Cameron Mcintyre: Park Doo-Man Jack Burns: Shin Dong-Chul Euan Hunt: Cho Yong-koo

Our chosen filming date the 4th of December 2023.

Filming

While the location of the scene might not seem complex there was lots of shots and respective lighting to match each.

Figuring out framing with the crew/ Practicing lines with actors

We experimented with different angles and setups in the classroom we had booked for the day, and settled on using the corner of the room, which was conveniently near lots of sockets (Useful for our luck of batteries dying).

The classroom booking and the orientation of set placement actually worked out in our favour as we had full view of the room's projector, on which we displayed the original scene allowing both actors and the crew to get a feel for each respective shot as it came and went.

This initial shot we filmed first was actually quite simple compared to the others as we only had one character to worry about, along with just having to light his face, as opposed to later shots with characters blocking part of the framing.

Post Production

I helmed the post production of this project, inheriting the audio and video files onto my macbook. I then edited the film in premiere pro.

FInished Timeline

I attempted to organise individual cuts by colour coding different takes and angles, as the scene ended up being pretty complex to put together.

While not integral to recreating the scene, I thought a nice touch in the post production process would be the inclusion of Korean subtitles, paying homage to original language of the film.

Colour Match Feature

I used premiere pro's colour match feature to try and make some small lighting adjustments based on the original scenes. Admittedly, I don't have much experience with colour correction so I didn't go too in depth past this stage. However, this definitely something I want to learn over the winter break..

[geekanoids]

Blackmagic Design Pocket Cinema Camera 6K Pro Unboxing

[karingottschalk]

DPReview: Best cameras for videographers

DPReview: Best cameras for videographers

https://www.dpreview.com/reviews/buying-guide-best-cameras-for-videographers “There are a lot of photo/video cameras that have found a role as B-cameras on professional productions or A-cameras for amateur and independent productions. These cameras provide a variety of tools to support filmmakers and output high quality footage at high bitrates…. We considered the cameras below when picking our…

[digital-cameras-singapore]

Stabilise Your BMPCC Raw Footage With Gyro Data

Stabilise Your BMPCC Raw Footage With Gyro Data

A couple of weeks ago, Blackmagic Design released a firmware update for their popular Pocket Cinema Camera lineup, the BMPCC 4K, the BMPCC 6K, and the BMPCC 6K PRO variants. The update has a slew of useful updates to the interface and the camera’s functioning, but the biggest feature was a hidden one: these cameras can now record gyro data to their Blackmagic raw files. Blackmagic Design is also…

[tuka3desu]

ブラックマジックデザイン各種アプリケーションアップロードされました。

私が使っているアプリケーション３つもアップデートされました。 メーカーHPからの転載 Blackmagic Camera 7.9 アップデート 今回のソフトウェアアップデートは、新製品Blackmagic Pocket Cinema Camera 6K G2のサポートを追加。また、Pocket Cinema Camera 4K、6K、6K Proモデルの新しいユーザーインターフェース、フォーカスアシストの強度調整スライダーを追加。レンズおよびオートフォーカスの性能も向上。さらに、Blackmagic Pocket Cinema Camera 6Kの全モデルに、Blackmagic Design Zoom DemandおよびFocus…

[telodogratis]

Blackmagic lancia la Pocket Cinema Camera 6K G2 con schermo inclinabile

Blackmagic lancia la Pocket Cinema Camera 6K G2 con schermo inclinabile

La seconda generazione della Pocket Cinema Camera 6K aggiunge varie caratteristiche della 6K Pro. Blackmaginc Design ha presentato la Pocket Cinema Camera 6K G2, la seconda generazione della videocamera compatta con risoluzione 6K. Il nuovo modello, che va ad affiancarsi alla Pocket Cinema Camera 6K Pro, integra varie caratteristiche derivate proprio dalla versione più evoluta, a cominciare dal…

[negneynews]

Blackmagic, Pro modelindeki özelliklerle yenilenen Pocket Cinema Camera 6K G2'yi duyurdu

Blackmagic, Pro modelindeki özelliklerle yenilenen Pocket Cinema Camera 6K G2’yi duyurdu

Merhaba bu yazımda size Blackmagic, Pro modelindeki özelliklerle yenilenen Pocket Cinema Camera 6K G2’yi duyurdu hakkında geniş detaylı bilgiler vereceğim işte; Blackmagic, Pro modelindeki özelliklerle yenilenen Pocket Cinema Camera 6K G2’yi duyurdu ile ilgili son görüşlerim ve önerilerim. Blackmagic Design, ikinci nesil Pocket Cinema Camera 6K’yı duyurdu. Yeni model, daha pahalı olan 6K Pro…

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Used Blackmagic Design Pocket Cinema Camera 6K Pro (EX) (625351889)

Used Blackmagic Design Pocket Cinema Camera 6K Pro

To top their previous achievement with the Pocket Cinema Camera 6K, Blackmagic Design adds an even more full-featured, compact Super35 camera to their cine-style..

Price: $2,299.99

https://ift.tt/2YeDI5q October 04, 2021 at 09:51AM

[newsmatters]

Tilta BMPCC 6K Pro Camera Cage & EVF Pro Relocation Kit

Tilta BMPCC 6K Pro Camera Cage & EVF Pro Relocation Kit

Tilta has teased its new BMPCC 6K Pro Camera Cage & Accessories. Before you get too excited, there are no details on pricing or availability. The cage itself doesn’t look that much different from the previous BMPCC 6K solution, but what is interesting is the extension arm and patented Viewfinder Extension that allows you to relocate the Blackmagic Design Pocket Cinema Camera Pro EVF. The Tilta…

[anthonymmartinez]

RHYTHM - POCKET CINEMA CAMERA 6K PRO from Oli Brotherhood on Vimeo.

Short Film commissioned by Blackmagic Design for the release of the Blackmagic Pocket Cinema Camera 6K Pro.

Rhythm follows 4 professionals in their fields, whose passions centre entirely around rhythm. Connor Griffiths on the drums, who wrote the track and scored this film. Monique Jonas, head of Jona Dance company. Matt Harris, professional BMX athlete currently riding for Tall Order BMX, and Dan Saunders a personal trainer and fitness coach.

I put this project together to really push the camera in a number of different environments and lighting situations - from true run and gun filming in full natural light, to more controlled on set scenarios with crew. I am incredibly impressed with the footage that came out of this small package, and will be producing and handful of videos giving my thoughts.

MORE INFO ON THE POCKET 6K PRO: blackmagicdesign.com/uk/products/blackmagicpocketcinemacamera/techspecs/W-CIN-16

TALENT:

CONNOR GRIFFITHS: connorgriffithsdrums.co.uk/ instagram.com/connorgriffithsdrums/

MONIQUE JONAS: monique-jonadance.com/ instagram.com/mon_jonas/ instagram.com/jona_dance_company

MATT HARRIS: instagram.com/matt_peter tallorderbmx.com/pages/matt-harris

DAN SAUNDERS: danielsaunders.co.uk/

CREW: DIRECTOR DOP - OLI BROTHERHOOD AD - VICTORIA MANTUA AC (DRUMS, RUN) - JOSH HOLGATE AC (DANCE) - ARAM ATKINSON AUDIO ENGINEER - NICK BOWEN BTS - ALEX FOUNTAIN

LOCATION DANCE: THE PLACE, LONDON

LOCATION DRUMS: QUAY WEST STUDIOS, GOSPORT

ME! INSTAGRAM: instagram.com/officialmumbo BUSINESS CONTACT: Mumbojumbolio@gmail.com

#PocketCinemaCamera6KPro #BMD #BMPCC6KPRO