#Birdie my beloved

[toxic-potions-productions]

Introducing a new member to the digital circus, Birdie!

LOOK AT MY GIRL

So, yes, I caved & made a TADC OC cuz why not? It was kinda @dorkygurl-89's fault because of her TADC oc, but it's whatever. I had no business making her so caked & snatched at the same time, though, goddamn

Meet Birdie! She's a 24 y/o six armed ladybird spider who is literally just Blitz from Helluva boss, but a bit more chaotic. Don't let her extroverted personally & big smile fool you, this bitch is a MENACE

She actually entered the digital realm on her birthday, & instead of being nervous or confused or scared, she was ecstatic to be there! She was already a bit of a nutcase in her past life & liked/collected weird things, so that's why she was so happy to be there. Caine was honestly really surprised at how calm she was about it since usually people are at least a little bit confused when they first arrive. But, Birdie was loving every second of it. Needless to say, she had a better first day than most XD

She's the juggler in the circus & can juggle alot of things at once with six arms & she's always trying to go above & beyond with her skills

She & Jax are best friends, basically partners in crime. They are the most petty & sassy shit talkers in the whole circus & their friendship usually consists of them bullying people or each other. She's also just as tall as him, only being about a foot ½ shorter. They tend to share one braincell & do a bunch of stupid shit together

She & Jax always make little wagers on who's gonna lose it or abstract first & how long it'll take them. With Pomni, Jax said a week, & Birdie said "Since when are you so generous? I give her 11 minutes."

Speaking of Pomni, once she entered the picture, she pesters her out of love alot. She understands her confusion & worry, so she teases, messes with, & jokes with her just to take her mind off it. She does care about her, she's just not that great at showing it

For some reason, she really didn't like Kaufmo at all before he abstracted. She always thought he was a loser. But, now that he's abstracted & in the cellar, she does feel sliiiiiightly bad for him. Just a little

She doesn't care at all that there's a censor & still runs her mouth ALOT. Caine even said it himself; "Despite the censor, she still cusses constantly. Some people never learn." At least that's a rough summary of it

She thinks Kinger is an annoying old lunatic, she treats Gangle the best compared to Jax, Zooble doesn't like her, she's popped Bubble one too many times cuz of her being weirded out from them, & she carries Ragatha like a teddy bear alot. I like to think that since she's a ragdoll, she's extremely light. She also does it with Pomni, too, but mostly Ragatha

Because of Alisa the mime being there along with her babu Cypher, she tends to poke fun at her alot. Stealing her umbrella, squishing her face making her try & talk for once, running off with Cypher, that sorta thing. Especially with her ironically shipping her & Jax together & messing with them CONSTANTLY about it. & even though she technically can, she just chooses not to live without either a coffee (Hot or iced, doesn't matter) or a bit plate of spaghetti

Bottom line, she's a bully but she bullies out of love

Also, shoutout to my mom for helping me out with her! Love you, mama!

---------------------------------

Birdie by: Me

Jax from: The amazing digital circus

The amazing digital circus by: @gooseworx & Glitch productions

Do not steal, trace or copy. (& don't give me too much of an aneurysm with the likes, either, that's why I deleted the poll early with how much attention it got in so little time TwT""")

[beskarboobs]

Hey girlie<3

EEP hey girlie pop <3

this pic got me excited for the upcoming press and LEWKS he will serve omg. anyway how is this scorpio season treating you?

[lovelybluebirdie]

his eyes.

[convixen]

EVERYONE GO CHEER FOR MY GIRL

First art post!

Meet Birdie! Reigning pageant queen all across the South and proud recipient of Teen Miss Georgia Peaches 1964! (Which is 100% a real pageant she swears she promises her mom didn't run it please trust her) She's ready to steal hearts, crowns, and maybe one day a C- in math class!

I've had Birdie for around 7 years now, and I'm so glad I finally get to unleash her out onto the world! :)

[hokusu]

Hawks ✩ S7 EP 06

[mothandpidgeon]

A movie! Ma'am! I love you. Thank you for loving this so much 😭😭😭 Talking to you about this fic keeps me going. Not just writing, just surviving. It makes me so happy to share this with you!

The Outlaws (Outlaw!Joel Miller x f!reader) - Chapter 2

Moth's Masterlist // Add yourself to the tag list

SERIES MASTERLIST

pairing: Outlaw!Joel Miller x f!reader

rating: T (eventual E 18+ MDNI)

wc: 1.7k

summary: Wanted for murder with a bounty on your head, your only hope of escaping the Pinkerton detectives is an outlaw named Joel Miller and his sidekick Ellie. But Joel has other plans for you.

tags: old west au, enemies to lovers, grumpy Joel, handcuffed together, period/genre/canon typical violence, alcohol, morally grey characters, reader has backstory, no use of y/n

authors note: Posting this today in honor of act ii. Yeehaw. As always, thank you @ezrasbirdie for the beta and support in this (you really need to tell me to stfu about these two) and in life.

Joel once took Sarah to see PT Barnum’s Greatest Show on Earth. Each ticket cost him two quarters. She pulled him by the hand past the tents with Tom Thumb and the giantess, straight to the exhibition of wild animals. There were all sorts of exotic animals in the menagerie– giraffes, elephants, snakes. You remind him of the tiger. Beautiful and cunning. Fierce. Dangerous unless it’s kept under lock and key. 

Which is why he’s grateful he kept these old shackles in his saddle bag. 

You’re in a friendlier mood once camp is set up and a rabbit is roasted on a spit. He knows it’s a rouse, that you’re still spitting mad and hoping to slit his throat in the night. On that train, you were the demure damsel in need of a rescue. Soon as he put that cuff on your wrist, you turned into a fire breathing dragon. 

You can be as mad as you’d like. You’re no match for his strength or his revolver. 

They sit around the fire, Joel and Ellie propped against their saddles. It’s a cool evening, a steady breeze blows off the river. The stars paint the purple sky and the cave is illuminated with the orange glow of a fire. There’s plenty to celebrate. Though, even when they score a good amount of money, gold pieces, and get away without a scratch, Joel never feels much satisfaction. Despite his personal quandary, it would be a beautiful night, really, if Joel weren’t sitting there waiting for you to do something foolish. 

He can tell you’re meditating on some new escape plan, knows better than to look at you too long. A girl like you, pretty and with that sharp mouth, is the type that knows how to use her womanly wiles. You’re desperate enough to try just about anything and he’s not giving you the chance. 

You must think he’s stupid enough to fall for it too. He reluctantly passes you his flask and, after you drink, you wipe your wet lips with a seductive  finger. 

Ellie’s being a real chatterbox, recounting each moment of the robbery as if she’s writing her own nickel weekly and peppering you with questions. He’s not surprised she’s taken a liking to you. There aren’t too many of the female persuasion out here. Maybe she can see some of Tess in you. He doesn’t. Tess was always calm and controlled. And when she was angry, she never fucking spit at him. In fact, he resents you for making him think about Tess at all. 

“Ten thousand dollar bounty, huh?” Ellie asks you. “What’d you do?”

Joel’s seen more than a few people running from the law but none of them look like you. You’re no Annie Oakley. 

“My sweetheart was fooling around with my sister so I killed em both,” you say. 

“Really?” Ellie asks. 

“No,” you say. 

“What was it really?” she tries again. 

“Leave it,” Joel says. 

He’d be just as cagey about his past. Outlaws don’t live by any code but if they did, questions like that would be frowned upon. 

Ellie grumbles at him. 

“I’ve got ten on me too,” she tells you. 

“Your daddy must be proud,” you say, looking to Joel. 

They respond in unison— “He’s not my Pa,” and a “I ain’t her daddy.” 

You do a lousy job suppressing a smile. 

“So this is the infamous Miller gang? Ain’t much of a gang if you ask me,” you say. 

Joel grinds his molars. 

“We used to be a proper one. Most of ‘em are in prison now. And then we lost Tess to a bout with fever. And Tommy left,” Ellie recounts. 

“Who’s Tommy?” 

“Nobody,” Joel says same time as Ellie tells you, “His brother.”

You look Joel up and down. 

“That’s enough yakking for tonight,” he says. “I’m turning in. C’mon.” He pulls the chain. 

Ellie laughs. “I should warn you. He snores something awful.”

You scoff. “Is this some kind of ploy so you can wake up on top of me?” you protest. 

Joel’s patience is wearing thin. He’s got half a mind to turn you loose and let the wolves deal with you. 

“You can quit the belly aching, missy. I ain’t taking that thing off til you’re with the sheriff in Jackson.”

“You’ll wear him down eventually,” Ellie encourages. 

“Ellie, go to sleep,” Joel orders. 

She rolls her eyes. 

“What if I got to use the privy?” you ask. 

“Hope you like company,” Joel says. 

You huff. 

“You at least going to give me a blanket? Cold out here,” you say. 

Joel’s only got one in his bed roll, a beautiful Pawnee blanket he bought off a trader from Kansas woven with geometric patterns. He knows it would be gentlemanly to let you sleep with it but you’re no lady. 

He sighs as he hands it over. You wrap it around your shoulders with a self-satisfied look on your face. 

“Anything else I can do for you, missy?” he says with mock cordiality. 

“You can stop calling me missy,” you say. 

“G’night, missy,” he says. 

It’s not your best plan. But just because it’s simple doesn’t mean it won’t work. 

First step, you wait for Ellie and Joel to fall asleep. The girl takes a while. She’s got a dime novel with a cowboy on the cover that she flips through as the flames die down. You watch her through your cracked eyelids, pretending to have already drifted off yourself. 

It’s hard to tell if Joel’s out. He uses his saddle as a pillow and you’ve positioned yourself on the other side of it, your arm outstretched so you don’t have to be too close to him. 

He murmurs to himself. You strain to catch what he’s saying. At first, there are words you can understand. The name Sarah passes his lips. But then you hear him make a sound you can only describe as a whimper. 

It gives you pause. You’ve never been a nurturing type but it pulls at your heart strings, almost makes you want to put your arms around him. You imagine a hurt puppy inside that big, snarling dog of a man.

His sharp silhouette is highlighted in the amber glow of the campfire. It’s a shame he’s such a mean son of a bitch because he really is easy on the eyes. Then he rolls over. His unexpected motion nearly twists your connected arm out of its socket and you bite your tongue to keep from swearing. That bastard has you chained up like a dog. You do all you can to control your temper, swearing soundlessly. You can’t afford to wake him. 

You wait a long while, listening to him grunt and snore. Once you’re sure he’s good and asleep, you move. 

It’s a process. You begin by flexing your wrist. An innocent gesture that could be explained by sleepy twitches. He doesn’t stir. 

Eventually you feel bold enough to inch towards him, pulling the chain carefully along the ground. You crawl on your belly until you’re in front of him, then you dare to lift your hands up. 

The chain clinks against the buzz of the night insects and you swear it’s so loud you hear it echo off the mountains. You hold your breath, wide eyed, every muscle in your body taught. 

Joel doesn’t wake. He might be pretending but his chest still rises and falls slowly. Either he’s a hard sleeper or he’s deaf. Might be a little of both. You’re always tired after the rush of a big score. 

Ellie hasn’t woken up. Her eyes are closed, mouth hangs open. Down for the count.

You flex your fingers before you begin the next step, lick your lips and take a steadying breath. 

You’ve picked pockets before. Never tried it on a sleeping man, though. You keep your touch light, delicate, unbuttoning his waistcoat with one hand. It falls open for you and you can’t help but smile. 

The key to the handcuffs is tucked in the inner pocket. You saw him put it there. All you have to do is lift it out, unlock the cuff, and you’re a free woman. What you’re going to do after that, all alone in the middle of god only knows where, you’re not sure. But that’s not of material importance until you have that key. 

Your teeth dig into your bottom lip and you move slower than molasses in January, easing your first two fingers into the little pocket. Your fingertip connects with metal and your heart jumps. Pinching the ringed end, you hold on and pull. It’s awfully heavy. 

Because it’s not the key at all. You’ve fished a pocket watch out of Joel’s vest. Damn it. It’s a dainty little thing— fine gold with intricate scrollwork engraved on the back. The face is all busted up and it doesn’t seem to be ticking. Most importantly, though it’s not a key. You need that goddamn key if you want to get— 

The unmistakable click of a gun being cocked makes you freeze. Joel’s awake, dark eyes shining in anger. You’ve had guns pointed at you on a number of occasions but still it makes your blood run cold. 

“The hell are you doing?” he asks. 

“You’re dreaming,” you tell him. 

He doesn’t think that’s cute. The scowl on his face just deepens. 

“Alright,” you say, raising your hands in surrender.

You put the watch back in place and crawl back to your spot. 

“Gimme the damn blanket,” Joel growls. 

You toss it to him, cowed. But what did you expect? This had never been a very good plan.

Once you hear the hammer of Joel’s gun go back into place, you breathe a sigh of relief. It’s quiet for a while as Joel gets under his blanket and you know he’s laying there waiting for you to fall asleep. 

You try to settle down, wrapping your arms around yourself. The night air bites at you now that you’ve lost your blanket privileges.

“Sarah a sweetheart of yours?” you ask him. 

His head snaps your way so fast you think his neck might break. 

“You was talking to her in your sleep,” you explain. 

“Say that name again and I’ll wring your neck,” he says. 

He sounded like he meant it before but you feel like he’s looking forward to putting a bullet in you. You shiver. You’re smart enough not to say another word. 

---

Chapter 3 coming soon

I'd love to hear from you! Comments and reblogs appreciated. My asks are always open!

[angronsjewelbeetle]

This has been in my drafts for....too long. But this is for the nestmakers of the fandom. And self-indulgent.

Tagging the wonderful @ms--lobotomy and @pickpocketing-your-gender because I think they (just like you, dear reader), deserve to be tucked into a cosy nest.

🪺

Includes: Fulgrim, Sanguinius, Magnus, Corvus

Magnus is a nest hog. He will purposefully spread out and even make himself bigger just to take up the entirety of the nest. Not to worry though, you can still squeeze in next to him - he may be being an ass, but he still wants his cuddles. He is also conveniently the perfect temperature for snoozing. Daemon Magnus is even worse because now wings are involved. But at least you get to watch his happy little tail waggle when he flops all over the bed.

Corvus is an unintentional nest hog. He doesn’t mean to be, but the nest is so cosy and warm and he is so tired...

You will have to shove your way in there, but he won't mind. He won't even wake up, actually, so you'll be right; just go on ahead and snuggle up under his arm. His body temp runs on the cooler side, so the contrast between that and the warmth of the bedding around you is quite nice.

Fulgrim is a little unsure about the whole "nesting" thing, but he does his best. His nests are well made, and mostly pillows. He also tends to curl up when he sleeps, so chances are you'll wake up with his face buried in your shoulder or chest, his arms wrapped around you and legs curled as if he is part of the nest itself. He sleeps best in the nest with you, loves the closeness of it and the intimacy that brings. He quietly prefers if you let him handle the nest-making, but if you're someone very specific about it, he will let you handle it without a fuss.

Sanguinius's nests look the most like a bird's out of all of them. He uses the blankets and pillows to make a circle and then settles himself in there and waits for you. Once you've joined him, he fluffs his wings up like a broody hen and nestles you even closer, his wings downy soft. Sanguinius only uses a sheet, possibly a light blanket because he, like Fulgrim, runs warm, and he doesn't enjoy having his wings tangled.

[toxic-potions-productions]

About time I did more digital circus stuff (Or anything NOT KNY related LMFAO)

Poor girl was really looking forward to it XDDDDDD Yes, Birdie's shoes are black now, BTW

Based on this

[iron-sparrow]

Elftober 【第十八天】 Glittering

ELFTOBER PROMPT LIST

[lovelybluebirdie]

"You're the only one. Other people don't have a heart like you. You're you. No one is like that."

[birrdify]

Heya!, Soni here!, I am not sure if you take requests, but, I'd love to see your Kinito interacting with mine!; (USB!Kinito)!! alsoooo, I really adore the way you draw your kinito :O!!, they are freaking adorable, just a little pink gumball guy!! Since I really like your artstyle a lot!!, one artist to another!! Also, also, make sure to take plenty of breaks and drink water, or I will throw cheese at you, this is a threat!!! >:) /pos

aaand a very messy doodle ;

soni check tags pretty please i have many kind words to sa-

[weirdbird74]

New POTP transcriptions are up :}

[leslie-lyman]

ALAKFKDLSKSS THANK U SO MUCH MY LOVE

Pero gets her first because he is a messy possessive bitch (affectionate) but let’s be real I wanna write these four getting it on with each other in every possible combo 😏😏😏

Menagerie

Part of the Euclidean Geometry ‘verse

Summary: Early on in their relationship, when everything is new and exciting and uncertain, Pero introduces their girl to his work as a glass artist.

Pairing: modern!Pero Tovar x Frankie x Jack x nameless!OFC/f!reader (written in third person, reader is only referred to as she/her, with no physical descriptors)

Word count: 3.9k

Rating: Explicit 🚨 absolutely no minors!

Warnings: smut; mentions of sex between everyone in this polycule (Frankie x Jack x Pero x reader), but the actual smut is just Pero x reader; unprotected PIV; completely unregulated POV switching; that thing where I write all the dialogue in italics instead of using quotation marks because it just feels right for this series for some reason?; everything your author mentions here about glassmaking she learned from YouTube/Google

a/n: look mom, I actually finished a fic again! Maybe my ability to write hasn’t abandoned me after all…?

Masterlist.

———

She notices the sculptures the very first time they take her home. (Though not, she must admit, until the morning after, having been awfully distracted the night before by the attention Frankie, Pero, and Jack lavished her with on the way to their bed.)

Three glass animal figures sit together in a proud display in the living room built-ins next to the fireplace: a falcon, wings spread wide and claws poised to attack; a rearing horse, tall and magnificent; and a bull, one hoof raised and head lowered as it prepares to charge.

They are Pero’s work. In his post-Army career he now runs a small but highly regarded workshop of glass artisans, all veterans like himself.

His talent is obvious. Each feather in the falcon’s wings is rendered in exquisite detail. The horse stands on just his back two feet, perfectly balanced. The bull’s pose denotes a gracefulness underlying all that brute strength. They feel alive.

It’s the three of them, they tell her.

Frankie, the pilot, is the falcon. Precise, controlled, deadly. Vigilant. Protective.

Jack, the cowboy, is the horse. Proud, independent, wild. Confident. Courageous.

And Pero, of course, is the bull. Strong, stubborn, fierce. Masculine. Powerful.

There’s evidence of his work elsewhere in the house the three of them now share. Their kitchen cabinets are full of mismatched glasses, bowls, and plates, many of them early versions of new techniques or designs Pero worked to master before offering them as options to clients. The base of an end table in the den is a cresting glass wave nearly three feet tall. Brilliantly colored vases that sell for thousands at the workshop line either side of the back deck steps, filled with impatiens and begonias carefully tended by Frankie.

Pero asks her to come to the workshop with him one day, and she can sense without being told that such an offer is significant. It’s still early on in…whatever this is between her and the three of them. Early enough that it hasn’t solidified yet, it hasn’t settled. She wants them, all of them, and they want her (all of her), but whether the fantasy can manifest as reality is uncertain. Can they all rearrange their lives enough to build something lasting, something real?

Pero has been the hardest to figure out. He is the quietest of the men, the least quick to laugh, the last one to betray what he’s thinking. He fucks like he wants to consume her, devour her, and yet he can be as gentle as Frankie or Jack when he’s done, silently cradling her to his chest as long as she wants as they come down from their highs. He’s much less forthcoming about himself than the other two are, and she’s far less sure about what he wants.

It’s a chilly Sunday morning when she meets him at the workshop. It’s the first time she’s spent any real time with him alone, her stomach full of an odd combination of excitement and nerves.

He takes her in through the gallery of finished works at the front of the building. Bright lights and mirror-backed shelves show off the many pieces, from large imposing sculptures to tiny coupe cocktail glasses that sparkle and glimmer. The middle of the space is dominated by a sculpture of a dragon-like creature larger than she is, its many-fanged mouth open in a roar and its skin a rich rippling green.

Pero doesn’t give her time to linger, however, leading her quickly into the back where the workshop itself is housed. A tension in his shoulders loosens when they enter, and she gets the sense that he isn’t interested in showing off his finished pieces. It’s the process of creating that he likes, that he needs.

If the gallery is bright and shiny and polished, the workshop is a dark, gritty warehouse-like space. Multiple forges line one wall, and it is clear each artist has their own space set up here. Pero’s space is near the back, tucked into a corner. Various tools and implements hang from the walls and rest on tables: blowpipes of every length, tweezers, pliers, clamps, paddles, torches, molds. It looks a little like a medieval torture chamber.

Despite the cavernous feel of the space, it’s warm inside; the forge nearest Pero’s corner is already lit and glowing. She sheds her jacket, leaving her in a soft chambray button-down shirt and black leggings. Pero gives her a gruff explanation of safety basics and insists that she wear a pair of enormous clear safety glasses.

Really, Pero?

Do not argue with me, querida.

The endearment is new, and makes her shiver.

You make all the girls you bring here wear these, hm? She says it playfully, but there’s curiosity behind it.

I have only brought two others here, and Jack and Francisco wore the glasses without complaint.

That pulls her up short, but Pero merely hands her the glasses and busies himself with his tools.

She’d assumed at first that this would be entirely a demonstration on Pero’s part, with her as mere spectator. Normally the idea of a date spent watching a man show off some skill to try and impress her as a one-woman audience would make her roll her eyes. But Pero isn’t boastful about any of this. This isn’t about his ego. He’s letting her in, showing her things that are important to him rather than telling her.

And, she quickly discovers, she’s hardly expected to sit idly by and observe.

Pero loads the tip of a pipe nearly as tall as she is with a glowing lump of molten glass the size of a softball.

Glasswork is rarely a solo endeavor, he tells her. Large pieces often require an entire team of people working in sync. Even small pieces necessitate a partner. It takes not only speed and skill, but also constant communication and trust to successfully bring a piece to life.

As he speaks, he rests his pipe against the edge of a table and rolls it back and forth, helping the glass to keep its roughly oval shape.

Give it a try, querida. He offers the end of the pipe to her.

It’s heavier than she’d anticipated, the heat of the glass sinking through her clothes like the rays of a tiny sun. Her first few rolls of the pipe are too fast, but after a minute she begins to get the hang of how to keep the glass from bending and morphing under its own weight.

Good, Pero says, and suddenly there’s a flare of heat in her stomach. Keep that steady turn all the while, and bring it over here.

There’s a large tray set out on the end of the table, filled with tiny squares of glass in shades of blue and green and milky white. Pero instructs her to roll the glass on the pipe through the squares like a lint roller until there’s a rough coating covering it. It’s an oddly satisfying sensation, the molten glass acting like putty or taffy that grows steadily less pliant as it cools.

Now we take it back into the forge, Pero says, and she gives him room to take the pipe from her, but he merely gives her an encouraging nod of his head toward the forge.

The opening into the heart of the furnace isn’t terribly large, maybe a foot or so in diameter. But the heat roars from it with a power she can feel, rather than hear. It throbs and beats at her like a warning.

She hesitates, but then Pero’s arms are around her, gently but firmly grasping the pipe on either side of her hands.

Like this, he murmurs in her ear as he guides the ball of glass into the belly of the forge. She’s intently aware of every inch of him pressed up behind her, the firm wall of his chest and his slightly softer belly, so close she can feel him breathe.

He likes to fuck her from behind, she’s found.

Every time they’ve had each other, in the handful of times they’ve been intimate thus far, Pero’s put her on her hands and knees, his impossibly big hands holding her down as he fucks her with his impossibly big cock. He likes to wait until Frankie and Jack are done and spent, their cum dribbling out of her or dripping down her skin, before rolling her over and sinking deep into her heat. His grip is firm and possessive, his fingers insistent at her clit. He never fails to make her come with a pace just the right side of too much, the other men soothing her with soft praises of good girl and you take it so well for him, sweetheart.

It’s an automatic response now, the fire that blooms in her belly when she feels him at her back that has nothing to do with the flames licking the molten glass in front of her.

————-

She somehow manages to concentrate on the tasks at hand enough to safely move through the rest of the process.

Fire the glass, roll it, shape it, fire it again, push, pull, fire, roll, shape, fire…

How did you learn to do this? She asks Pero, holding the pipe steady for him while he plucks at the glass with a massive pair of pliers.

My father, is all he says at first. She lets the ensuing silence be, lets him decide if he wants to elaborate. He does.

My father was a glassmaker. When I was a boy in Spain, I would spend every spare minute in his workshop. He taught me everything he knew. I would watch him craft beautiful things out of nothing, shaping and coaxing the glass to his will in an act of creation. He was like a god in my eyes.

She tries to square this information with the little she already knows about Pero’s life.

Why did you leave Spain?

He plucks the pipe from her hands and returns to the forge. His grip is so sure, his movements so fluid. When he returns to her, he passes her the rod and picks up the pliers.

My father died. I was fourteen. My mother moved us to America, and I was full of grief and teenage rage. A combination I was all too happy to let the US Army exploit.

This part she’s heard. Twenty years in the Field Artillery, operating mobile rocket systems and infantry support guns, leading men and their weapons into combat zones across multiple tours in Iraq and Afghanistan. A life lived under fire.

But you found your way back to this, she says.

He looks up at her from where he crouches over the glass, now taking shape as a small vase.

It is the only other thing I know how to do.

She frowns at his modesty, but before she can respond he beckons her around the other side of the table they’re working at. He’s rolled and pulled the glass until no more than a slim column connects the bottom of the base to the pipe. He puts on thick heat-resistant gloves and cradles the vase, instructing her to tap ever-so-gently at the connecting sliver of glass with a small mallet.

With a barely perceptible chink the column breaks, freeing the vase. Pero then fires the bottom of the vase with a handheld blowtorch to smooth it out, and settles the vase into the bowl of a large round kiln for the final cooling process.

The vase stands maybe ten inches high, vaguely v-shaped with a flat bottom. The once bright orange ball of molten glass is now a brilliant turquoise, speckled with the tiny green and blue and white fragments she’d rolled it in. The rim is uneven, pulled and twisted by Pero’s pliers and it makes her think of the edges of a crashing wave.

She stands next to him and looks down at it before he closes the lid to the kiln. It’s small and simple and doubtless less polished than what Pero could have made with a more experienced partner, but it’s theirs.

We made that, she says, turning and giving him a shy smile.

His lips quirk up - not quite a smile, but there’s a softness to his expression that makes her breath catch.

A satisfying process, no? He asks. She nods. The moment stretches between them, the silence not awkward, but instead full of a warm, quiet intimacy.

Come on, pretty girl, Pero murmurs, reaching up to gently remove the safety glasses from her face. Let’s clean up.

Somehow she finds even the sight of him returning every tool back to its proper place, knowing exactly where each piece goes so that it’s ready for the next time he needs it, terribly attractive.

She catches his hand after everything’s put away, pulling his focus.

Thank you, she says, for this. Thank you for letting me in, for revealing this part of you, she doesn’t say, but hopes he knows that’s what she means. I’d…I’d love to do this again sometime.

He brushes his other hand across her cheek.

Anytime you like, querida.

She moves in to kiss him and it’s soft in a way she hasn’t felt from Pero before. He pulls her flush against him and simply holds her there, lazily exploring her mouth. He smells like sweat and heated metal, and she turns her head to lick the salt from the skin of his neck. A sound rumbles from deep in his chest, and the moment goes white-hot in an instant.

Touch me, Pero, she whispers. Put your hands on me.

He doesn’t need to be told twice. He slides one hand to the back of her neck to yank her lips back up to his, the other disappearing into her leggings to grab a fistful of her ass. He swallows the pleased little gasp she makes, greedy for more.

He backs her up against the side of his workbench, moving to unbutton her top. Once he has access he pulls down the cups of her bra and turns his full attention to her breasts, kneading the soft flesh with his hands and laving his tongue over her nipples.

Her fingers run through his hair, longer than Jack’s but with curls less unruly than Frankie’s. His hips press against hers and she squirms against the bulge in his jeans, searching for friction.

Need more, baby? He coos up at her, a wicked glint in his eye.

Need you, Pero, she whines.

He straightens and turns her around to bend her over the workbench, curling his fingers in the waistband of her leggings to yank them down and expose her gorgeous ass to him…

Wait.

He freezes.

Could we…I want…

He runs a soothing palm over her hip.

What do you want, pretty girl?

She twists back around to face him. He lets himself be nudged backward until he feels the edge of a nearby chair behind him and sits. She towers over him now, and he looks up at her with one brow raised.

I want to see you, she says shyly, and his blood heats. He slowly spreads his legs in invitation.

She slips out of her shoes and shimmies her leggings and panties off, then similarly loses her shirt and bra. He reaches for her with a growl and hauls her into his lap. She goes willingly, wrapping herself around him as his hands rove over every inch of her skin. This time their kiss is messy and desperate, and when Pero trails a hand down her stomach and finds the soft hair of her mound to pet at her clit, she whimpers into his mouth.

You want it? He rasps. She nods frantically, their noses brushing.

Then take it out, pretty girl.

She undoes his jeans and frees the stiff length of his cock, pumping him slowly, drawing bead after bead of precum from the tip.

But then her grip falters.

This is okay, right?

Pero frowns at her, confused.

What I mean is…I know we talked about it, and you all said it was okay, that we don’t always all have to be together, but…

Ah, so that’s her concern. Something wild and beastly claws at his ribcage in triumph at the realization that he’ll be the first of them to have her all to himself.

It is more than okay, he reassures her, smoothing a thumb over her kiss-swollen lips. We told you we can each take our pleasure from the others whenever we wish, and none of us is a man who says things he does not mean. Least of all to those we care for.

He can feel her body relax at that, and he tilts her chin and draws her in for another kiss. Her hand starts to move up and down his cock again, the tip of him grazing the pillowy skin of her inner thigh with each pass, and a hiss leaves his mouth at the sensation.

This will not go the way you intend if you keep that up, he warns her. A newfound deviousness unfurls itself in her grin.

Maybe this is what I intend, she says. Maybe I want you just like this, hard and aching in my hands until I make you come all over yourself -

He cuts her off by crashing his lips to hers, stilling her movements on his cock and hooking one hand under her ass to push her up until his length prods against her entrance.

Perhaps, he murmurs, perhaps one day if you’re a very, very good girl, I’ll let you have such a way with me. But for now - he notches himself just inside the slick rim of her pussy - put me inside you.

She obeys, working herself down on him inch by inch. When he’s fully seated inside her she sighs as if in relief, a dazed look in her eyes. There’s a distant thought in the back of her head that despite the workshop being closed today, one of the artists could still walk in unexpectedly at any moment, but she can’t bring herself to care.

They make twin sounds of pleasure at the first swirl of her hips. As her body adjusts to his size she finds her rhythm, bracing her hands on his shoulders as she rides him.

And god, what a sight.

She knows what sex with Pero feels like. She knows what it sounds like, smells like, tastes like. But none of those things has prepared her for what it looks like. What he looks like, as they move together, face-to-face for the first time.

The clench of his jaw, teeth sinking into his bottom lip. The tendons that pop and strain in his neck. The dewy sheen of sweat across his brow. And his eyes…

She could fall forever into the endless black abyss of his eyes, she could lose herself entirely in their depths and never look away and would be thankful for it. How could she not be, when he looks at her with such unrestrained want that she feels it like a physical thing…

She brushes a thumb over the scar that bisects his left eye, as if she could soothe the long-ago wound with present tenderness. She knows it’s far from the only scar he carries, and would that she could heal them all through sheer force of will.

Pero swirls his thumb around her clit, bracing his feet as he begins to meet her hips with thrusts of his own. Her movements stutter as her control over her body wavers. She becomes nothing more than molten desire in his hands, to be molded and shaped and consumed by flame as he sees fit. The pressure he puts on her clit is unrelenting, and this is familiar, the way he doesn’t coax an orgasm from her, but demands it. It builds and builds in between her legs and when she would close her eyes and tip her head back to welcome it he grabs her chin to stop her.

Look at me, he pants. Look at me when I make you come, querida. Look…

It starts as a command, but ends as a plea.

The tension bursts inside her, and her cry of his name and the way her climax tightens her pussy around him like a vice pulls him headlong over the edge with her. He cums with a roar, pulling her down on his cock as he empties himself as deep as he can inside her.

It’s a long minute before they both fully come back to themselves, breathing hard as their bodies milk every last drop of pleasure from each other. She collapses into his chest, and he’s content to hold her there for as long as she wishes.

We can do that again anytime you like too, he says quietly in her ear, and she smiles into his neck.

——————

There’s no big reveal, no fanfare or presentation when it happens. She simply comes home one day (and funny, how she’s started to think of it as home, how her apartment has become merely a place where most of her things are, including the vase she’d made with Pero, but not where she lives) and there it sits on the shelf, catching her eye immediately.

The falcon, the horse, and the bull, now clustered around a fourth statue.

A lioness.

She moves towards it as if pulled by gravity. The beauty of it steals her breath. The great cat is posed sitting, tall and elegant, her body at a three-quarters position but her head turned to look straight out at the viewer. Her tail is wrapped neatly around her, and her tiny delicate ears are alert.

What do you think? says a soft voice behind her. It carries an uncharacteristic hint of uncertainty.

She doesn’t turn, doesn’t need to look to know the man behind her is the one who made this.

She’s gorgeous, she murmurs.

Pero hums low in his throat, and comes to stand over her shoulder.

You can ask, he says. I want to tell you.

Why a lioness? she whispers.

Pero is silent for a moment.

She is strong, and graceful. Clever, and brave. Loyal. Beautiful.

A tingling warmth floods her chest. It feels like too much, the implied praise too high.

They’re remarkable creatures, she replies.

They ain’t the only ones, darlin’, Jack drawls from the doorway. He’s flanked by Frankie, who has one arm wrapped casually around Jack’s waist.

I don’t know what to say. Tears prick her eyes as she turns to face them.

You don’t have to say anything, Frankie tells her.

Just be ours. Pero says it so softly she almost doesn’t hear him. As we are yours.

She pulls Pero in for a kiss, her answer whispered like a vow against his lips:

I already am.

———

Fun fact I learned about glassblowing equipment during my research for this fic that I wasn’t able to work into the story but absolutely need to share with you anyway:

Did y’all know that the furnaces like the one Pero uses here to heat the glass are called GLORY HOLES?!?!?!? Swear to god. Be careful googling that if you don’t believe me. 😂

[sansapilled]

jamie saying "i was robbed" instead of taking offense during the total football presentation. growth.

[tai-janai]

mghhgnhu he tried to get back in your head.... he missed .......

ngl not much happens in den, but i think we may eventually be able to free the creature.

From ethereally elegant to monsterous and practically draconic. Come close and meet the Den equivalent: The Fable

[saltycharacters]

[ID: Digital artwork featuring four different ocs. The 1st is of a veiny cat, red body with a giant, orange eyeball for a head. He's wearing a short hoodie, shown to resemble another eye when the hood is tugged close. The next drawing is of a cow-like creature, mostly white and beige in color as she sports a poofy dress and checkered leggings. Ginger root sprouts from her ears and nose, acting as sort of cow horns. The following art features a humanoid from the waist-up, dark grey skin accented by golden 4c hair and facial hair. A pair of ram-like horns sprout from his head, though closer inspection reveals them to be fire-leg millipedes. He's wearing a puffy jacket, adjusting it with a tired smile as puffs of cold air escape him. Finally, the last image showcases a lion creature with a sunny-side up egg for a head and main, happily opening their mouth as egg white drips from their tail. End ID]

Cat, Cow, Ram, Lion