#Billy Strayhorn
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Duke Ellington, Oscar Peterson, Dizzy Gillespie and Billy Strayhorn.
#blacktumblr#black history#black liberation#african history#duke ellington#oscar peterson#dizzy gillespie#billy strayhorn
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Duke Ellington, Billy Strayhorn, and Aaron Bell, Los Angeles, California, 1960
photo Gordon Parks
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Russell Procope: The Unsung Hero of Jazz Clarinet
Introduction: In the pantheon of jazz greats, there are many musicians whose contributions are often overshadowed by more prominent figures. One such unsung hero is Russell Procope, a gifted clarinetist and alto saxophonist who played an integral role in shaping the sound of big band jazz. Known for his long tenure with the Duke Ellington Orchestra, Procope’s career spanned several decades and…
#Benny Carter#Billy Strayhorn#Chick Webb#Duke Ellington#Duke Ellington Orchestra#Ellington at Newport#Fletcher Henderson#Jazz Clarinetists#Jazz History#Jazz Saxophonists#Johnny Hodges#Russell Procope#Such Sweet Thunder#William Shakespeare
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Ellington & Strayhorn.
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The story of jazz’s most TRAGIC standard.
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#jazz#jazz music#music#lush life#billy strayhorn#lgbt#lgbtq#lgbtq+#popular songs#josh walsh#Youtube#lgbtq artist
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Record pickup after The Strangeness of Jazz presented by Edward George
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Stokes Song Spotlight: "Lush Life"
This first song spotlight segment is brought to you by me learning that the word "distingué" exists and what it means (。•̀ᴗ-)✧
Okay so hear me out, I was on the phone with my mom discussing normal everyday things like Frank Sinatra songs we've never heard before. My mom offered up the recommendation to listen to "Memories of You" from the new Sinatra Platinum release (x). While I was scrolling through this album on Spotify, I saw that "Lush Life" was on there.
"Lush Life" is a song that I had never heard before summer 2022 when I heard Brian Stokes Mitchell sing it at 54 Below. He told the story of Billy Strayhorn and Duke Ellington and how Strayhorn was a black, out, gay man during the 1940s/50s jazz scene. He wrote the song when he was 16! A few days after the 54 Below show, I heard Stokes sing the song on the Boston Pops performance that aired on the radio, and then again two more times live at the Perelman Center (10/5/23) and Ridgefield Playhouse (10/29/23). Ted Firth features prominently on piano, playing a long mood-setting intro before Stokes comes in on vocals and then another solo in the middle of the song.
“where one relaxes on the axis of the wheel of life, to get the feel of life..”
It’s one of those hypnotic songs, that somehow feels both simple and complex at the same time. I am extremely biased (you know where you are) but I’ll type it out anyway, Stokes’s version is my favorite. Maybe it’s because I’ve seen him sing it live and up close and you can tell he loves it too, but I also think his version is the most mournful. And what I mean by that is he just gets across all the story potential in the song. Like he paints the scene of a guy in a rumpled suit, sitting at a corner table, a fedora pushed back to the crown of his head, hungover and nursing a drink too early in the morning —but in that sad, smoky almost Edward Hopper-like picture you can also see that he’ll be back later, decked out and ready for those brief moments of life that the night brings when the band is playing and everything is right. I know I watch too many old movies it’s true. I guess what I’m trying to say is Stokes makes it cinematic ‧͙⁺˚*・༓☾ My next favorite version is by Sarah Vaughan.
Anywayyyy, I’m not gonna lie I thought the lyrics were “distant gay traces” but they are actually “distingué traces.” I’ve never heard that word before and I had to look it up, it means having a distinguished manner or appearance and it makes the song so much better. It also gave me the idea for doing these song spotlights because I love learning and sharing my dumb nerd research. So please enjoy the links below for more info about Billy Strayhorn and then pop your headphones on and give this song a listen in all its many forms. And here’s hoping that it makes its way onto a Stokes album someday ✨
[side note: looking up stuff about this song also helped me to learn that the aforementioned Ted Firth has an album titled Lush Life with Tony Desare and one of the tracks is, you guessed it, Lush Life!] (x) (x)
Links:
versions of Lush Life by Stokes (x)
playlist with other versions of Lush Life (x) (x)
the lyrics (x)
an NPR interview from 2007 in support of PBS documentary about Strayhorn (x)
Link to Lush Life: A Biography of Billy Strayhorn by David Hadju on amazon (x)
#brian stokes mitchell#jazz#billy strayhorn#duke ellington#lush life#ted firth#tony desare#greater stokes awareness: song spotlight#greater stokes awareness: author's note#greater stokes awareness
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Billy Strayhorn: A Key Thread in the Tapestry of Jazz
Billy Strayhorn is one of the greatest composers in the history of jazz. He is best known for his nearly 30-year partnership with jazz legend, Duke Ellington. Stayhorn/Ellington compositions feature such classics as “Take the A Train,” “Satin Doll”, and “Lotus Blossom.” Strayhorn joined Ellington’s band in 1939, at the age of twenty four, and by the end of the year Strayhorn had become essential…
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#Billy Strayhorn#Duke Ellington#jazz#Jazz Greats#music#music discussion#Music Education#music of our youth#musician#piano
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Billy was a tortured soul. Or maybe he was just born too early. Duke always gave him full credit for his song writing. Anyone who praised Ellington numbers like A Train, Lush Life etc. was immediately informed that they were Billy Strayhorn compositions.
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Remembering
Billy Strayhorn 🌹🕊️
On his Birthday 🎂
November 29th 1915
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Throwback: Duke Ellington-Take The A Train
Billy Strayhorn wrote "Take The A Train" for Duke Ellington soon after he was hired by him in 1939. The song was inspired by travel directions Ellington gave Strayhorn on how to get to his home in New York City. Strayhorn's love of bandleader Fletcher Henderson's style influenced the genteel horn arrangement for the tune that had to replace "Sepia Panorama" because of expensive ASCAP fees. Lee Gaines of The Delta Rhythm Boys wrote the first lyrics for "Take The A Train" and vocalist Joya Sherrill wrote her own which she present to Ellington during her audition for the band in 1944.
The song became a jazz standard and was covered by many including Ella Fitzgerald, Charles Mingus and Sun Ra. Ellington and his band performed it in the 1943 musical film Reveille With Beverly with singer Betty Roche. "Take The A Train" became Ellington's signature song and it is considered one of the most important compositions of the 20th century. The Duke Ellington Center Big Band will perform a free concert on May 21st in New York City at the Duke Ellington statue to acknowledge the late bandleader's 124th birthday. Ellington's granddaughter Mercedes Ellington and Tony Waag who is the executive producer of the American Tap Dance Foundation will co-host the annual event.
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Paris, 1960
photo Herman Leonard
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"Ellington Is Forever:" Kenny Burrell's Enduring Homage to a Jazz Legend
Introduction: Few musicians have had as profound an impact on jazz as Duke Ellington. His compositions, performances, and band leadership revolutionized the genre, influencing generations of musicians. Among his many admirers, guitarist Kenny Burrell stands out for his deep respect and personal connection to the Duke. In 1975, Burrell released “Ellington Is Forever,” a double album that stands…
#Billy Strayhorn#Classic Albums#Duke Ellington#Ellington Is Forever#Ernie Andrews#Jazz History#Jimmy Smith#Joe Henderson#Kenny Burrell#Thad Jones
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#Billy Strayhorn#Black musicians#Black music history#Black composer#Black queer artist#Black archives
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Playing
Duke Ellington THE REPRISE STUDIO RECORDINGS (1962-65)
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