#Best TV Deals

[sleekbuys]

The Future of Entertainment SleekBuys Presents Best Smart TV

SleekBuys presents the range of Best Smart TV so in this festival season if you are planning to buy a new Smart TV, especially a 43-inch Smart TV then this is the perfect time to buy. At SleekBuys you will get a variety of models and top brands from which you can choose as per your requirements.

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[magicaldreamfox1]

ONE PIECE (2023) — 1×03 (totally unedited) (insp.)

[not-the-coffee-machine4]

kind of insane that the people who were the most kind and supportive to the Garden Lodge boys after Freddie died were the actual band themselves and ELTON JOHN

[socialc1imb]

I miss being in college what the heck

[thatone-highlighter]

me when me me when when the the me when the me when, I Saw the TV Glow.

Me when the TV glows and i see it

[lurafita]

AU. Malec, lots of backstory and "it's complicated" good! Camille.

Okay, basically Buffy the vampire slayer, but with lots of differences, and set after the theoretical series. (You will hopefully understand what I mean)(almost all characters are adults! The teenage vampire slaying is part of the origin story.) Camille is the vampire slayer. She meets Alec, Izzy, and Jace when she saves them from being sacrificed by a satanist cult in New York. Unable to close their eyes to the hidden world that has opened to them, the three want to help her. Camille is reluctant to accept their help and companionship at first, but they wear her down. For 2 years, they form a pretty good team. But then a prophecy is revealed, or a great calamity hinted at, or someone gets a vision or something, which demands the slayer turn back to (insert fantasy town here), - let's call it Dawnsbury for now. The town where she finished her highschool, did most of her slayer duty, and was a kinda really mean entitled bitch of a teenager. She had had a team then as well. Fellow classmates and others, eager to help and support her. One of them most of all. Raphael, the souled vampire with his crytpic advice and fighting prowess. Simon, the nerdy computer geek with his research skills and misplaced hero worship. Sweet Magnus. Whose life she saved when they met. Who fell in love with her. Who did everything for her. Who learned magic for her. And who she used and abused and betrayed and abandoned. A past full of regrets, that she had done her best to outgrow, (and run from). But of course she had to go back. Of course her new team accompanies her. Of course her old team is still there. Of course they, especially Magnus, want nothing to do with her. Of course Alec falls in love with Magnus basically from the get go.

[momo-de-avis]

Do you guys remember the british tv show Misfits that truly introduced the insane acting range of the guy who in Game of Thrones cut Theon Greyjoys's dick off and just how insanely good that show was

[thefabelmans2022]

love maya rudolph but if saturday's cold open is her at a fucking piano i'm turning the tv off.

[daisyachain]

Pentiment is one unusual example of a game/story/thing that is structurally good writing without actually having well-written sentences.

The game operates in cycles as the art would imply, setting up a good number of arcs for its tight time frame and paying them off with interest. For example. The occult subplot lures you in as a modern free-thinking player only to slap you in the face with real consequences—imposed by you—and hit you again when you fail to learn the lesson the first time. Ferenc being the one to save Vacslav and Ursula? Icing on the cake, make you re-rethink your thoughts and deeds. There are greater institutions outside your one little life that have a bigger impact than any one person could. You can’t forget them, you see their fingers everywhere, and if you start to feel too comfortable getting the town to dance to your tune, they step in. Good writing. Events follow each other logically, but the links between them are hidden enough that you have to puzzle it out.

That doesn’t mean that you have to be a wordsmith to make a beautiful many-circled plot. An architect doesn’t have to be a good interior designer. Pentiment’s sentences do the work of getting you from one idea to the next. That’s not to say that every Bavarian peasant should speak in pastiche or should be able to discourse at you. There’s more to a good sentence than fancy words. Unconventional structures, rhythms, or counterintuitive word choices can make it pop, which Pentiment’s dialogue doesn’t. It’s workmanlike and would be unremarkable except for the fact that I was remarking every time it said something that was verbatim like ‘oh no Ursula I don’t think it’s a good idea to learn about old myths that are heresy and will get you killed’. There’s a lot of clunk. Does it take away from the good writing? Not much, because it’s a game where the visuals take up more of your attention. This kind of word lack-of-play would be harder to deal with in a book, so at least the medium works in its favour.

What does make it stand out still is the common points of reference as European-set walking simulators about owning up to history. DE and Patho’s dialogues are unique partly because of the translation convention, partly because the structure of each sentence in those games gets a boatload of attention. Pentiment hits its more modest target far more cleanly than either of those, but it does so without quite the amount of style.

[letbuckfuck]

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[locrianking]

nothing pisses me off more than how figure skating reporters/news will constantly and intentionally leave out important details of stories in order to produce ragebait for people who don’t know anything about figure skating

[lokidokeyartichoki]

*still screaming into the void about Eddie Munson seven months later*

[pinkarnation]

you guys are really out here grieving a wildly misogynistic lyric

[blazingstarship]

im sick again and i was suppose to go to a kingsday festival tomorrow. Lucky i could sell my ticket fast but i hate how I always am every month sick.

[sanstropfremir]

honestly i also think that groups arent going to award's shows anymore is also because its not only rigged but you also already know whos gonna win. like if they have 10 awards you already know b'ts is gonna get at least 3 whether they deserve it or not because otherwise fans will eat them alive, thats 7 awards left then you have male and female rookie which, well it excludes anyone who isnt a rookie, 1 award for best male (excludes women) 1 award for best female (excludes men), an award for solo artists, and then like performance of the year or something. so you basically have 50 groups sitting there ineligible for half the awards and not being able to get the other half because the same 5 groups always get them so like..... why even go at that point

yea i agree, awards shows across genre have been losing their sway for a couple of years. i think kpop ones are a particularly acute microcosm bc there are not very many types of awards, and there are really stark differences between the 'top tier' of groups and the rest of the ones that make up the majority of the industry, despite the industry being relatively small. even though there's numerically less groups debuting in the last twoish years (i did a quick survey of the wikipedia list of debuts by year to check numbers and it was about 30ish per year in the 2010s but so far it's been about 20ish for the 2020s. however this does include subunits and project groups so it's not a totally accurate figure), all those numbers compound on each other since there aren't the same amount leaving the industry as entering. so overall, these awards shows continue to be stacked towards the groups with the biggest companies and fanbases, even though there's better art that deserves that recognition being made by increasingly more and more groups that go completely unnoticed and have no chances of being noticed.

[skeletonmaster69]

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