#Best Selling Album Of All Time

[animalb0y]

Michael Jackson - Thriller 4K

[mjsloveslave]

I Got Mine...Have You Gotten Yours?

[yngseung]

.

[sam-moss]

Heads up, if you presaved the new album on Spotify it *might* add LMB to your Liked Songs. Make sure to Hide it and all of the versions to both prevent that from happening AND to prevent you from streaming it on accident!

please I want to buy the album without supporting the zionists😭😭

(i fear this because the accordian ver has lose my breath concept pics)

[vyl3tpwny]

sometimes i think about how disco music was trashed, hated, reviled, and lobbied against in the 70's, even yielding the famous "disco demolition night" where people just showed up to a sports stadium and destroyed disco records. i think about how it was a genre that was pioneered, dominated by, and celebrated by the black community in america, especially the queer members. so much hatred, so much pushback. i even just watched the 2022 minions movie and one of the punchlines was torturing someone by making them listen to disco constantly. it's that stigmatized yeah.

and then daft punk, two cishet white boys, make a disco record "random access memories" and it becomes one of the best selling albums of all time. idk how fair it all is.

[anxiousbabybird]

Love and Deepspace men x fem!reader slightly unhinged HCs

I started Love and Deepspace yesterday so please have my slightly unhinged HCs for the men so far. And minors don’t you dare interact

Part 2

Rafayel

He’s a biter. Leaves you covered in marks from your neck all the way down your thighs.

Plans a date where he’s laid out a huge canvas on the floor of his studio, puts your fave color paint on your hands and his favorite color on his hands, plus several globs of the two colors across the canvas, and then proceeds to have the wildest three rounds of sex on that canvas as it gets progressively more covered in paint. Sells the painting for 6 figures a few weeks later and uses it as an excuse that you need to make more of them.

Tells you his best masterpiece is painting your body with his cum—got really into it once and dipped the paint brush into your cunt to collect his cum and then painted it across your breasts

Has a secret sketch book that’s nothing but pictures of you. Lots of them are of you sleeping when he can study your features but there’s still quite a few he drew from memory.

Made you lay down naked with your legs spread and be still so he could draw the most detailed image of your pussy you could possibly imagine. It’s his personal fave that no one besides him will ever see.

Sees shibari as a beautiful art form and likes to practice with you—has a whole album in his phone just of pics of you tied up all pretty for him

Rarely gets soft in a serious way, he much prefers the teasing back and forth you two usually have.

Xavier

He’s definitely broken into your room Edward Cullen style and watched you sleep

His favorite dates are taking you into the forest at night to watch the stars and moon together. Bonus points if you come across a wanderer and get to fight together.

Clingy after you become his, always wants to be touching you and doesn’t let you out of his sight (and yes that means sometimes he’s following you but it’s just because you’re brave and reckless and he worries)

When he eats you out, he holds both your hands in his for you to hold on to and does it with no hands—makes you cum more times on his tongue than you could fathom (and yes, he’s eating you for his pleasure)

Downloaded a tracker into your watch so he can know where you are at all times

Gets horny when he watches you fight and has def pulled you aside during a mission for a quickie in which you end up having your cunt stuffed with cum for the remainder of the mission

Such a cuddler but like a cat where he only wants to cuddle if he wants to—falls asleep nearly instantly in your arms like the cute sleepyhead he is

Zayne

Finds it so cute the first time he comes to your apartment and sees all the little snow creatures he’d made you sitting in a windowsill together. Makes you so many more after that. Sends you a bouquet of flowers made from his ice too (#Elsa)

Has food delivered to you at lunch on days he knows you’re super busy so you don’t forget to eat since you often forget to take care of yourself (he doesn’t mind too much since he likes that you let him take care of you)

Prefers kisses over hugs, except when he’s sad because of a patient (then he likes the warm comfort of your hugs)

Moves his glasses to the top of his head and rubs the bridge of his nose when he gets really stressed

Brings you a mild painkiller after blowing your back out, a smug but tiny smile on his lips, and tells you, “I was a bit rough so humor me and take this medicine. I don’t want you in excess pain because of me.”

Loves when you want to lay on his chest when he’s reading through cases and medical journals at night. He’ll read them out loud until you fall asleep and then finish them quietly as you snore softly into his chest

Calls you before a difficult surgery because your voice instantly calms him down

Into bondage—specifically he likes to tie you up so you can’t escape when he starts to overstimulate you. He really can’t help it, you just make such pretty noises for him when he gets you to that point that he has to keep going

Tags: @adaurielle @luffysprincess @seraphofthesimps

[doyoulikethissong-poll]

Fleetwood Mac - The Chain 1977

"The Chain" is a song by British-American rockband Fleetwood Mac, released on their 1977 album Rumours, which won Album of the Year at the 1978 Grammy Awards and received Diamond certifications in several countries, including the UK, Canada, Australia, and the US, in where it is certified 21× Platinum by the Recording Industry Association of America (RIAA). As of February 2023, Rumours has sold over 40 million copies worldwide, making it the 5th best-selling album of the 1970s and the 9th best-selling album of all time. It was inducted into the Grammy Hall of Fame in 2003, and was selected for preservation in the National Recording Registry in 2017, being deemed "culturally, historically, or aesthetically significant" by the Library of Congress.

"The Chain" was created from combinations of several previously rejected materials, including solo work by Lindsey Buckingham, Stevie Nicks, and Christine McVie. The song was assembled, often manually by splicing tapes with a razor blade, at the Record Plant in Sausalito, California, with engineers Ken Caillat and Richard Dashut. Stevie Nicks wrote the lyrics about Lindsey Buckingham as their relationship was falling apart. Buckingham and Nicks share lead vocals on the song.

In 1997, Fleetwood Mac released a live concert CD/DVD package called The Dance, which featured the reunion of the Rumours-era Fleetwood Mac members. The rendition of "The Chain" reached number 30 on the Billboard Mainstream Rock Tracks chart. Additionally, the studio version began appearing on the charts in 2009, where it peaked at number 81 in the UK. In October 2023, the song was certified quadruple platinum by the British Phonographic Industry (BPI) for sales and streams of over 2,400,000 units.

"The Chain" received a total of 92% yes votes!

[wavetapper]

[mostlysignssomeportents]

“Disenshittify or Die”

I'm coming to BURNING MAN! On TUESDAY (Aug 27) at 1PM, I'm giving a talk called "DISENSHITTIFY OR DIE!" at PALENQUE NORTE (7&E). On WEDNESDAY (Aug 28) at NOON, I'm doing a "Talking Caterpillar" Q&A at LIMINAL LABS (830&C).

Last weekend, I traveled to Las Vegas for Defcon 32, where I had the immense privilege of giving a solo talk on Track 1, entitled "Disenshittify or die! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification":

https://info.defcon.org/event/?id=54861

This was a followup to last year's talk, "An Audacious Plan to Halt the Internet's Enshittification," a talk that kicked off a lot of international interest in my analysis of platform decay ("enshittification"):

https://www.youtube.com/watch?v=rimtaSgGz_4

The Defcon organizers have earned a restful week or two, and that means that the video of my talk hasn't yet been posted to Defcon's Youtube channel, so in the meantime, I thought I'd post a lightly edited version of my speech crib. If you're headed to Burning Man, you can hear me reprise this talk at Palenque Norte (7&E); I'm kicking off their lecture series on Tuesday, Aug 27 at 1PM.

==

What the fuck happened to the old, good internet?

I mean, sure, our bosses were a little surveillance-happy, and they were usually up for sharing their data with the NSA, and whenever there was a tossup between user security and growth, it was always YOLO time.

But Google Search used to work. Facebook used to show you posts from people you followed. Uber used to be cheaper than a taxi and pay the driver more than a cabbie made. Amazon used to sell products, not Shein-grade self-destructing dropshipped garbage from all-consonant brands. Apple used to defend your privacy, rather than spying on you with your no-modifications-allowed Iphone.

There was a time when you searching for an album on Spotify would get you that album – not a playlist of insipid AI-generated covers with the same name and art.

Microsoft used to sell you software – sure, it was buggy – but now they just let you access apps in the cloud, so they can watch how you use those apps and strip the features you use the most out of the basic tier and turn them into an upcharge.

What – and I cannot stress this enough – the fuck happened?!

I’m talking about enshittification.

Here’s what enshittification looks like from the outside: First, you see a company that’s being good to its end users. Google puts the best search results at the top; Facebook shows you a feed of posts from people and groups you followl; Uber charges small dollars for a cab; Amazon subsidizes goods and returns and shipping and puts the best match for your product search at the top of the page.

That’s stage one, being good to end users. But there’s another part of this stage, call it stage 1a). That’s figuring out how to lock in those users.

There’s so many ways to lock in users.

If you’re Facebook, the users do it for you. You joined Facebook because there were people there you wanted to hang out with, and other people joined Facebook to hang out with you.

That’s the old “network effects” in action, and with network effects come “the collective action problem." Because you love your friends, but goddamn are they a pain in the ass! You all agree that FB sucks, sure, but can you all agree on when it’s time to leave?

No way.

Can you agree on where to go next?

Hell no.

You’re there because that’s where the support group for your rare disease hangs out, and your bestie is there because that’s where they talk with the people in the country they moved away from, then there’s that friend who coordinates their kid’s little league car pools on FB, and the best dungeon master you know isn’t gonna leave FB because that’s where her customers are.

So you’re stuck, because even though FB use comes at a high cost – your privacy, your dignity and your sanity – that’s still less than the switching cost you’d have to bear if you left: namely, all those friends who have taken you hostage, and whom you are holding hostage

Now, sometimes companies lock you in with money, like Amazon getting you to prepay for a year’s shipping with Prime, or to buy your Audible books on a monthly subscription, which virtually guarantees that every shopping search will start on Amazon, after all, you’ve already paid for it.

Sometimes, they lock you in with DRM, like HP selling you a printer with four ink cartridges filled with fluid that retails for more than $10,000/gallon, and using DRM to stop you from refilling any of those ink carts or using a third-party cartridge. So when one cart runs dry, you have to refill it or throw away your investment in the remaining three cartridges and the printer itself.

Sometimes, it’s a grab bag:

You can’t run your Ios apps without Apple hardware;

you can’t run your Apple music, books and movies on anything except an Ios app;

your iPhone uses parts pairing – DRM handshakes between replacement parts and the main system – so you can’t use third-party parts to fix it; and

every OEM iPhone part has a microscopic Apple logo engraved on it, so Apple can demand that the US Customs and Border Service seize any shipment of refurb Iphone parts as trademark violations.

Think Different, amirite?

Getting you locked in completes phase one of the enshittification cycle and signals the start of phase two: making things worse for you to make things better for business customers.

For example, a platform might poison its search results, like Google selling more and more of its results pages to ads that are identified with lighter and lighter tinier and tinier type.

Or Amazon selling off search results and calling it an “ad” business. They make $38b/year on this scam. The first result for your search is, on average, 29% more expensive than the best match for your search. The first row is 25% more expensive than the best match. On average, the best match for your search is likely to be found seventeen places down on the results page.

Other platforms sell off your feed, like Facebook, which started off showing you the things you asked to see, but now the quantum of content from the people you follow has dwindled to a homeopathic residue, leaving a void that Facebook fills with things that people pay to show you: boosted posts from publishers you haven’t subscribed to, and, of course, ads.

Now at this point you might be thinking ‘sure, if you’re not paying for the product, you’re the product.'

Bullshit!

Bull.

Shit.

The people who buy those Google ads? They pay more every year for worse ad-targeting and more ad-fraud

Those publishers paying to nonconsensually cram their content into your Facebook feed? They have to do that because FB suppresses their ability to reach the people who actually subscribed to them

The Amazon sellers with the best match for your query have to outbid everyone else just to show up on the first page of results. It costs so much to sell on Amazon that between 45-51% of every dollar an independent seller brings in has to be kicked up to Don Bezos and the Amazon crime family. Those sellers don’t have the kind of margins that let them pay 51% They have to raise prices in order to avoid losing money on every sale.

"But wait!" I hear you say!

[Come on, say it!]

"But wait! Things on Amazon aren’t more expensive that things at Target, or Walmart, or at a mom and pop store, or direct from the manufacturer.

"How can sellers be raising prices on Amazon if the price at Amazon is the same as at is everywhere else?"

[Any guesses?!]

That’s right, they charge more everywhere. They have to. Amazon binds its sellers to a policy called “most favored nation status,” which says they can’t charge more on Amazon than they charge elsewhere, including direct from their own factory store.

So every seller that wants to sell on Amazon has to raise their prices everywhere else.

Now, these sellers are Amazon’s best customers. They’re paying for the product, and they’re still getting screwed.

Paying for the product doesn’t fill your vapid boss’s shriveled heart with so much joy that he decides to stop trying to think of ways to fuck you over.

Look at Apple. Remember when Apple offered every Ios user a one-click opt out for app-based surveillance? And 96% of users clicked that box?

(The other four percent were either drunk or Facebook employees or drunk Facebook employees.)

That cost Facebook at least ten billion dollars per year in lost surveillance revenue?

I mean, you love to see it.

But did you know that at the same time Apple started spying on Ios users in the same way that Facebook had been, for surveillance data to use to target users for its competing advertising product?

Your Iphone isn’t an ad-supported gimme. You paid a thousand fucking dollars for that distraction rectangle in your pocket, and you’re still the product. What’s more, Apple has rigged Ios so that you can’t mod the OS to block its spying.

If you’re not not paying for the product, you’re the product, and if you are paying for the product, you’re still the product.

Just ask the farmers who are expected to swap parts into their own busted half-million dollar, mission-critical tractors, but can’t actually use those parts until a technician charges them $200 to drive out to the farm and type a parts pairing unlock code into their console.

John Deere’s not giving away tractors. Give John Deere a half mil for a tractor and you will be the product.

Please, my brothers and sisters in Christ. Please! Stop saying ‘if you’re not paying for the product, you’re the product.’

OK, OK, so that’s phase two of enshittification.

Phase one: be good to users while locking them in.

Phase two: screw the users a little to you can good to business customers while locking them in.

Phase three: screw everybody and take all the value for yourself. Leave behind the absolute bare minimum of utility so that everyone stays locked into your pile of shit.

Enshittification: a tragedy in three acts.

That’s what enshittification looks like from the outside, but what’s going on inside the company? What is the pathological mechanism? What sci-fi entropy ray converts the excellent and useful service into a pile of shit?

That mechanism is called twiddling. Twiddling is when someone alters the back end of a service to change how its business operates, changing prices, costs, search ranking, recommendation criteria and other foundational aspects of the system.

Digital platforms are a twiddler’s utopia. A grocer would need an army of teenagers with pricing guns on rollerblades to reprice everything in the building when someone arrives who’s extra hungry.

Whereas the McDonald’s Investments portfolio company Plexure advertises that it can use surveillance data to predict when an app user has just gotten paid so the seller can tack an extra couple bucks onto the price of their breakfast sandwich.

And of course, as the prophet William Gibson warned us, ‘cyberspace is everting.' With digital shelf tags, grocers can change prices whenever they feel like, like the grocers in Norway, whose e-ink shelf tags change the prices 2,000 times per day.

Every Uber driver is offered a different wage for every job. If a driver has been picky lately, the job pays more. But if the driver has been desperate enough to grab every ride the app offers, the pay goes down, and down, and down.

The law professor Veena Dubal calls this ‘algorithmic wage discrimination.' It’s a prime example of twiddling.

Every youtuber knows what it’s like to be twiddled. You work for weeks or months, spend thousands of dollars to make a video, then the algorithm decides that no one – not your own subscribers, not searchers who type in the exact name of your video – will see it.

Why? Who knows? The algorithm’s rules are not public.

Because content moderation is the last redoubt of security through obscurit: they can’t tell you what the como algorithm is downranking because then you’d cheat.

Youtube is the kind of shitty boss who docks every paycheck for all the rules you’ve broken, but won’t tell you what those rules were, lest you figure out how to break those rules next time without your boss catching you.

Twiddling can also work in some users’ favor, of course. Sometimes platforms twiddle to make things better for end users or business customers.

For example, Emily Baker-White from Forbes revealed the existence of a back-end feature that Tiktok’s management can access they call the “heating tool.”

When a manager applies the heating toll to a performer’s account, that performer’s videos are thrust into the feeds of millions of users, without regard to whether the recommendation algorithm predicts they will enjoy that video.

Why would they do this? Well, here’s an analogy from my boyhood I used to go to this traveling fair that would come to Toronto at the end of every summer, the Canadian National Exhibition. If you’ve been to a fair like the Ex, you know that you can always spot some guy lugging around a comedically huge teddy bear.

Nominally, you win that teddy bear by throwing five balls in a peach-basket, but to a first approximation, no one has ever gotten five balls to stay in that peach-basket.

That guy “won” the teddy bear when a carny on the midway singled him out and said, "fella, I like your face. Tell you what I’m gonna do: You get just one ball in the basket and I’ll give you this keychain, and if you amass two keychains, I’ll let you trade them in for one of these galactic-scale teddy-bears."

That’s how the guy got his teddy bear, which he now has to drag up and down the midway for the rest of the day.

Why the hell did that carny give away the teddy bear? Because it turns the guy into a walking billboard for the midway games. If that dopey-looking Judas Goat can get five balls into a peach basket, then so can you.

Except you can’t.

Tiktok’s heating tool is a way to give away tactical giant teddy bears. When someone in the TikTok brain trust decides they need more sports bros on the platform, they pick one bro out at random and make him king for the day, heating the shit out of his account.

That guy gets a bazillion views and he starts running around on all the sports bro forums trumpeting his success: *I am the Louis Pasteur of sports bro influencers!"

The other sports bros pile in and start retooling to make content that conforms to the idiosyncratic Tiktok format. When they fail to get giant teddy bears of their own, they assume that it’s because they’re doing Tiktok wrong, because they don’t know about the heating tool.

But then comes the day when the TikTok Star Chamber decides they need to lure in more astrologers, so they take the heat off that one lucky sports bro, and start heating up some lucky astrologer.

Giant teddy bears are all over the place: those Uber drivers who were boasting to the NYT ten years ago about earning $50/hour? The Substackers who were rolling in dough? Joe Rogan and his hundred million dollar Spotify payout? Those people are all the proud owners of giant teddy bears, and they’re a steal.

Because every dollar they get from the platform turns into five dollars worth of free labor from suckers who think they just internetting wrong.

Giant teddy bears are just one way of twiddling. Platforms can play games with every part of their business logic, in highly automated ways, that allows them to quickly and efficiently siphon value from end users to business customers and back again, hiding the pea in a shell game conducted at machine speeds, until they’ve got everyone so turned around that they take all the value for themselves.

That’s the how: How the platforms do the trick where they are good to users, then lock users in, then maltreat users to be good to business customers, then lock in those business customers, then take all the value for themselves.

So now we know what is happening, and how it is happening, all that’s left is why it’s happening.

Now, on the one hand, the why is pretty obvious. The less value that end-users and business customers capture, the more value there is left to divide up among the shareholders and the executives.

That’s why, but it doesn’t tell you why now. Companies could have done this shit at any time in the past 20 years, but they didn’t. Or at least, the successful ones didn’t. The ones that turned themselves into piles of shit got treated like piles of shit. We avoided them and they died.

Remember Myspace? Yahoo Search? Livejournal? Sure, they’re still serving some kind of AI slop or programmatic ad junk if you hit those domains, but they’re gone.

And there’s the clue: It used to be that if you enshittified your product, bad things happened to your company. Now, there are no consequences for enshittification, so everyone’s doing it.

Let’s break that down: What stops a company from enshittifying?

There are four forces that discipline tech companies. The first one is, obviously, competition.

If your customers find it easy to leave, then you have to worry about them leaving

Many factors can contribute to how hard or easy it is to depart a platform, like the network effects that Facebook has going for it. But the most important factor is whether there is anywhere to go.

Back in 2012, Facebook bought Insta for a billion dollars. That may seem like chump-change in these days of eleven-digit Big Tech acquisitions, but that was a big sum in those innocent days, and it was an especially big sum to pay for Insta. The company only had 13 employees, and a mere 25 million registered users.

But what mattered to Zuckerberg wasn’t how many users Insta had, it was where those users came from.

[Does anyone know where those Insta users came from?]

That’s right, they left Facebook and joined Insta. They were sick of FB, even though they liked the people there, they hated creepy Zuck, they hated the platform, so they left and they didn’t come back.

So Zuck spent a cool billion to recapture them, A fact he put in writing in a midnight email to CFO David Ebersman, explaining that he was paying over the odds for Insta because his users hated him, and loved Insta. So even if they quit Facebook (the platform), they would still be captured Facebook (the company).

Now, on paper, Zuck’s Instagram acquisition is illegal, but normally, that would be hard to stop, because you’d have to prove that he bought Insta with the intention of curtailing competition.

But in this case, Zuck tripped over his own dick: he put it in writing.

But Obama’s DoJ and FTC just let that one slide, following the pro-monopoly policies of Reagan, Bush I, Clinton and Bush II, and setting an example that Trump would follow, greenlighting gigamergers like the catastrophic, incestuous Warner-Discovery marriage.

Indeed, for 40 years, starting with Carter, and accelerating through Reagan, the US has encouraged monopoly formation, as an official policy, on the grounds that monopolies are “efficient.”

If everyone is using Google Search, that’s something we should celebrate. It means they’ve got the very best search and wouldn’t it be perverse to spend public funds to punish them for making the best product?

But as we all know, Google didn’t maintain search dominance by being best. They did it by paying bribes. More than 20 billion per year to Apple alone to be the default Ios search, plus billions more to Samsung, Mozilla, and anyone else making a product or service with a search-box on it, ensuring that you never stumble on a search engine that’s better than theirs.

Which, in turn, ensured that no one smart invested big in rival search engines, even if they were visibly, obviously superior. Why bother making something better if Google’s buying up all the market oxygen before it can kindle your product to life?

Facebook, Google, Microsoft, Amazon – they’re not “making things” companies, they’re “buying things” companies, taking advantage of official tolerance for anticompetitive acquisitions, predatory pricing, market distorting exclusivity deals and other acts specifically prohibited by existing antitrust law.

Their goal is to become too big to fail, because that makes them too big to jail, and that means they can be too big to care.

Which is why Google Search is a pile of shit and everything on Amazon is dropshipped garbage that instantly disintegrates in a cloud of offgassed volatile organic compounds when you open the box.

Once companies no longer fear losing your business to a competitor, it’s much easier for them to treat you badly, because what’re you gonna do?

Remember Lily Tomlin as Ernestine the AT&T operator in those old SNL sketches? “We don’t care. We don’t have to. We’re the phone company.”

Competition is the first force that serves to discipline companies and the enshittificatory impulses of their leadership, and we just stopped enforcing competition law.

It takes a special kind of smooth-brained asshole – that is, an establishment economist – to insist that the collapse of every industry from eyeglasses to vitamin C into a cartel of five or fewer companies has nothing to do with policies that officially encouraged monopolization.

It’s like we used to put down rat poison and we didn’t have a rat problem. Then these dickheads convinced us that rats were good for us and we stopped putting down rat poison, and now rats are gnawing our faces off and they’re all running around saying, "Who’s to say where all these rats came from? Maybe it was that we stopped putting down poison, but maybe it’s just the Time of the Rats. The Great Forces of History bearing down on this moment to multiply rats beyond all measure!"

Antitrust didn’t slip down that staircase and fall spine-first on that stiletto: they stabbed it in the back and then they pushed it.

And when they killed antitrust, they also killed regulation, the second force that disciplines companies. Regulation is possible, but only when the regulator is more powerful than the regulated entities. When a company is bigger than the government, it gets damned hard to credibly threaten to punish that company, no matter what its sins.

That’s what protected IBM for all those years when it had its boot on the throat of the American tech sector. Do you know, the DOJ fought to break up IBM in the courts from 1970-1982, and that every year, for 12 consecutive years, IBM spent more on lawyers to fight the USG than the DOJ Antitrust Division spent on all the lawyers fighting every antitrust case in the entire USA?

IBM outspent Uncle Sam for 12 years. People called it “Antitrust’s Vietnam.” All that money paid off, because by 1982, the president was Ronald Reagan, a man whose official policy was that monopolies were “efficient." So he dropped the case, and Big Blue wriggled off the hook.

It’s hard to regulate a monopolist, and it’s hard to regulate a cartel. When a sector is composed of hundreds of competing companies, they compete. They genuinely fight with one another, trying to poach each others’ customers and workers. They are at each others’ throats.

It’s hard enough for a couple hundred executives to agree on anything. But when they’re legitimately competing with one another, really obsessing about how to eat each others’ lunches, they can’t agree on anything.

The instant one of them goes to their regulator with some bullshit story, about how it’s impossible to have a decent search engine without fine-grained commercial surveillance; or how it’s impossible to have a secure and easy to use mobile device without a total veto over which software can run on it; or how it’s impossible to administer an ISP’s network unless you can slow down connections to servers whose owners aren’t paying bribes for “premium carriage"; there’s some *other company saying, “That’s bullshit”

“We’ve managed it! Here’s our server logs, our quarterly financials and our customer testimonials to prove it.”

100 companies are a rabble, they're a mob. They can’t agree on a lobbying position. They’re too busy eating each others’ lunch to agree on how to cater a meeting to discuss it.

But let those hundred companies merge to monopoly, absorb one another in an incestuous orgy, turn into five giant companies, so inbred they’ve got a corporate Habsburg jaw, and they become a cartel.

It’s easy for a cartel to agree on what bullshit they’re all going to feed their regulator, and to mobilize some of the excess billions they’ve reaped through consolidation, which freed them from “wasteful competition," sp they can capture their regulators completely.

You know, Congress used to pass federal consumer privacy laws? Not anymore.

The last time Congress managed to pass a federal consumer privacy law was in 1988: The Video Privacy Protection Act. That’s a law that bans video-store clerks from telling newspapers what VHS cassettes you take home. In other words, it regulates three things that have effectively ceased to exist.

The threat of having your video rental history out there in the public eye was not the last or most urgent threat the American public faced, and yet, Congress is deadlocked on passing a privacy law.

Tech companies’ regulatory capture involves a risible and transparent gambit, that is so stupid, it’s an insult to all the good hardworking risible transparent ruses out there.

Namely, they claim that when they violate your consumer, privacy or labor rights, It’s not a crime, because they do it with an app.

Algorithmic wage discrimination isn’t illegal wage theft: we do it with an app.

Spying on you from asshole to appetite isn’t a privacy violation: we do it with an app.

And Amazon’s scam search tool that tricks you into paying 29% more than the best match for your query? Not a ripoff. We do it with an app.

Once we killed competition – stopped putting down rat poison – we got cartels – the rats ate our faces. And the cartels captured their regulators – the rats bought out the poison factory and shut it down.

So companies aren’t constrained by competition or regulation.

But you know what? This is tech, and tech is different.IIt’s different because it’s flexible. Because our computers are Turing-complete universal von Neumann machines. That means that any enshittificatory alteration to a program can be disenshittified with another program.

Every time HP jacks up the price of ink , they invite a competitor to market a refill kit or a compatible cartridge.

When Tesla installs code that says you have to pay an extra monthly fee to use your whole battery, they invite a modder to start selling a kit to jailbreak that battery and charge it all the way up.

Lemme take you through a little example of how that works: Imagine this is a product design meeting for our company’s website, and the guy leading the meeting says “Dudes, you know how our KPI is topline ad-revenue? Well, I’ve calculated that if we make the ads just 20% more invasive and obnoxious, we’ll boost ad rev by 2%”

This is a good pitch. Hit that KPI and everyone gets a fat bonus. We can all take our families on a luxury ski vacation in Switzerland.

But here’s the thing: someone’s gonna stick their arm up – someone who doesn’t give a shit about user well-being, and that person is gonna say, “I love how you think, Elon. But has it occurred to you that if we make the ads 20% more obnoxious, then 40% of our users will go to a search engine and type 'How do I block ads?'"

I mean, what a nightmare! Because once a user does that, the revenue from that user doesn’t rise to 102%. It doesn’t stay at 100% It falls to zero, forever.

[Any guesses why?]

Because no user ever went back to the search engine and typed, 'How do I start seeing ads again?'

Once the user jailbreaks their phone or discovers third party ink, or develops a relationship with an independent Tesla mechanic who’ll unlock all the DLC in their car, that user is gone, forever.

Interoperability – that latent property bequeathed to us courtesy of Herrs Turing and Von Neumann and their infinitely flexible, universal machines – that is a serious check on enshittification.

The fact that Congress hasn’t passed a privacy law since 1988 Is countered, at least in part, by the fact that the majority of web users are now running ad-blockers, which are also tracker-blockers.

But no one’s ever installed a tracker-blocker for an app. Because reverse engineering an app puts in you jeopardy of criminal and civil prosecution under Section 1201 of the Digital Millennium Copyright Act, with penalties of a 5-year prison sentence and a $500k fine for a first offense.

And violating its terms of service puts you in jeopardy under the Computer Fraud and Abuse Act of 1986, which is the law that Ronald Reagan signed in a panic after watching Wargames (seriously!).

Helping other users violate the terms of service can get you hit with a lawsuit for tortious interference with contract. And then there’s trademark, copyright and patent.

All that nonsense we call “IP,” but which Jay Freeman of Cydia calls “Felony Contempt of Business Model."

So if we’re still at that product planning meeting and now it’s time to talk about our app, the guy leading the meeting says, “OK, so we’ll make the ads in the app 20% more obnoxious to pull a 2% increase in topline ad rev?”

And that person who objected to making the website 20% worse? Their hand goes back up. Only this time they say “Why don’t we make the ads 100% more invasive and get a 10% increase in ad rev?"

Because it doesn't matter if a user goes to a search engine and types, “How do I block ads in an app." The answer is: you can't. So YOLO, enshittify away.

“IP” is just a euphemism for “any law that lets me reach outside my company’s walls to exert coercive control over my critics, competitors and customers,” and “app” is just a euphemism for “A web page skinned with the right IP so that protecting your privacy while you use it is a felony.”

Interop used to keep companies from enshittifying. If a company made its client suck, someone would roll out an alternative client, if they ripped a feature out and wanted to sell it back to you as a monthly subscription, someone would make a compatible plugin that restored it for a one-time fee, or for free.

To help people flee Myspace, FB gave them bots that you’d load with your login credentials. It would scrape your waiting Myspace messages and put ‘em in your FB inbox, and login to Myspace and paste your replies into your Myspace outbox. So you didn’t have to choose between the people you loved on Myspace, and Facebook, which launched with a promise never to spy on you. Remember that?!

Thanks to the metastasis of IP, all that is off the table today. Apple owes its very existence to iWork Suite, whose Pages, Numbers and Keynote are file-compatible with Microsoft’s Word, Excel and Powerpoint. But make an IOS runtime that’ll play back the files you bought from Apple’s stores on other platforms, and they’ll nuke you til you glow.

FB wouldn’t have had a hope of breaking Myspace’s grip on social media without that scrape, but scrape FB today in support of an alternative client and their lawyers will bomb you til the rubble bounces.

Google scraped every website in the world to create its search index. Try and scrape Google and they’ll have your head on a pike.

When they did it, it was progress. When you do it to them, that’s piracy. Every pirate wants to be an admiral.

Because this handful of companies has so thoroughly captured their regulators, they can wield the power of the state against you when you try to break their grip on power, even as their own flagrant violations of our rights go unpunished. Because they do them with an app.

Tech lost its fear of competitin it neutralized the threat from regulators, and then put them in harness to attack new startups that might do unto them as they did unto the companies that came before them.

But even so, there was a force that kept our bosses in check That force was us. Tech workers.

Tech workers have historically been in short supply, which gave us power, and our bosses knew it.

To get us to work crazy hours, they came up with a trick. They appealed to our love of technology, and told us that we were heroes of a digital revolution, who would “organize the world’s information and make it useful,” who would “bring the world closer together.”

They brought in expert set-dressers to turn our workplaces into whimsical campuses with free laundry, gourmet cafeterias, massages, and kombucha, and a surgeon on hand to freeze our eggs so that we could work through our fertile years.

They convinced us that we were being pampered, rather than being worked like government mules.

This trick has a name. Fobazi Ettarh, the librarian-theorist, calls it “vocational awe, and Elon Musk calls it being “extremely hardcore.”

This worked very well. Boy did we put in some long-ass hours!

But for our bosses, this trick failed badly. Because if you miss your mother’s funeral and to hit a deadline, and then your boss orders you to enshittify that product, you are gonna experience a profound moral injury, which you are absolutely gonna make your boss share.

Because what are they gonna do? Fire you? They can’t hire someone else to do your job, and you can get a job that’s even better at the shop across the street.

So workers held the line when competition, regulation and interop failed.

But eventually, supply caught up with demand. Tech laid off 260,000 of us last year, and another 100,000 in the first half of this year.

You can’t tell your bosses to go fuck themselves, because they’ll fire your ass and give your job to someone who’ll be only too happy to enshittify that product you built.

That’s why this is all happening right now. Our bosses aren’t different. They didn’t catch a mind-virus that turned them into greedy assholes who don’t care about our users’ wellbeing or the quality of our products.

As far as our bosses have always been concerned, the point of the business was to charge the most, and deliver the least, while sharing as little as possible with suppliers, workers, users and customers. They’re not running charities.

Since day one, our bosses have shown up for work and yanked as hard as they can on the big ENSHITTIFICATION lever behind their desks, only that lever didn’t move much. It was all gummed up by competition, regulation, interop and workers.

As those sources of friction melted away, the enshittification lever started moving very freely.

Which sucks, I know. But think about this for a sec: our bosses, despite being wildly imperfect vessels capable of rationalizing endless greed and cheating, nevertheless oversaw a series of actually great products and services.

Not because they used to be better people, but because they used to be subjected to discipline.

So it follows that if we want to end the enshittocene, dismantle the enshitternet, and build a new, good internet that our bosses can’t wreck, we need to make sure that these constraints are durably installed on that internet, wound around its very roots and nerves. And we have to stand guard over it so that it can’t be dismantled again.

A new, good internet is one that has the positive aspects of the old, good internet: an ethic of technological self-determination, where users of technology (and hackers, tinkerers, startups and others serving as their proxies) can reconfigure and mod the technology they use, so that it does what they need it to do, and so that it can’t be used against them.

But the new, good internet will fix the defects of the old, good internet, the part that made it hard to use for anyone who wasn’t us. And hell yeah we can do that. Tech bosses swear that it’s impossible, that you can’t have a conversation friend without sharing it with Zuck; or search the web without letting Google scrape you down to the viscera; or have a phone that works reliably without giving Apple a veto over the software you install.

They claim that it’s a nonsense to even ponder this kind of thing. It’s like making water that’s not wet. But that’s bullshit. We can have nice things. We can build for the people we love, and give them a place that’s worth of their time and attention.

To do that, we have to install constraints.

The first constraint, remember, is competition. We’re living through a epochal shift in competition policy. After 40 years with antitrust enforcement in an induced coma, a wave of antitrust vigor has swept through governments all over the world. Regulators are stepping in to ban monopolistic practices, open up walled gardens, block anticompetitive mergers, and even unwind corrupt mergers that were undertaken on false pretenses.

Normally this is the place in the speech where I’d list out all the amazing things that have happened over the past four years. The enforcement actions that blocked companies from becoming too big to care, and that scared companies away from even trying.

Like Wiz, which just noped out of the largest acquisition offer in history, turning down Google’s $23b cashout, and deciding to, you know, just be a fucking business that makes money by producing a product that people want and selling it at a competitive price.

Normally, I’d be listing out FTC rulemakings that banned noncompetes nationwid. Or the new merger guidelines the FTC and DOJ cooked up, which – among other things – establish that the agencies should be considering whether a merger will negatively impact privacy.

I had a whole section of this stuff in my notes, a real victory lap, but I deleted it all this week.

[Can anyone guess why?]

That’s right! This week, Judge Amit Mehta, ruling for the DC Circuit of these United States of America, In the docket 20-3010 a case known as United States v. Google LLC, found that “Google is a monopolist, and it has acted as one to maintain its monopoly," and ordered Google and the DOJ to propose a schedule for a remedy, like breaking the company up.

So yeah, that was pretty fucking epic.

Now, this antitrust stuff is pretty esoteric, and I won’t gatekeep you or shame you if you wanna keep a little distance on this subject. Nearly everyone is an antitrust normie, and that's OK. But if you’re a normie, you’re probably only catching little bits and pieces of the narrative, and let me tell you, the monopolists know it and they are flooding the zone.

The Wall Street Journal has published over 100 editorials condemning FTC Chair Lina Khan, saying she’s an ineffectual do-nothing, wasting public funds chasing doomed, quixotic adventures against poor, innocent businesses accomplishing nothing

[Does anyone out there know who owns the Wall Street Journal?]

That’s right, it’s Rupert Murdoch. Do you really think Rupert Murdoch pays his editorial board to write one hundred editorials about someone who’s not getting anything done?

The reality is that in the USA, in the UK, in the EU, in Australia, in Canada, in Japan, in South Korea, even in China, we are seeing more antitrust action over the past four years than over the preceding forty years.

Remember, competition law is actually pretty robust. The problem isn’t the law, It’s the enforcement priorities. Reagan put antitrust in mothballs 40 years ago, but that elegant weapon from a more civilized age is now back in the hands of people who know how to use it, and they’re swinging for the fences.

Next up: regulation.

As the seemingly inescapable power of the tech giants is revealed for the sham it always was, governments and regulators are finally gonna kill the “one weird trick” of violating the law, and saying “It doesn’t count, we did it with an app.”

Like in the EU, they’re rolling out the Digital Markets Act this year. That’s a law requiring dominant platforms to stand up APIs so that third parties can offer interoperable services.

So a co-op, a nonprofit, a hobbyist, a startup, or a local government agency wil eventuallyl be able to offer, say, a social media server that can interconnect with one of the dominant social media silos, and users who switch to that new platform will be able to continue to exchange messages with the users they follow and groups they belong to, so the switching costs will fall to damned near zero.

That’s a very cool rule, but what’s even cooler is how it’s gonna be enforced. Previous EU tech rules were “regulations” as in the GDPR – the General Data Privacy Regulation. EU regs need to be “transposed” into laws in each of the 27 EU member states, so they become national laws that get enforced by national courts.

For Big Tech, that means all previous tech regulations are enforced in Ireland, because Ireland is a tax haven, and all the tech companies fly Irish flags of convenience.

Here’s the thing: every tax haven is also a crime haven. After all, if Google can pretend it’s Irish this week, it can pretend to be Cypriot, or Maltese, or Luxembougeious next week. So Ireland has to keep these footloose criminal enterprises happy, or they’ll up sticks and go somewhere else.

This is why the GDPR is such a goddamned joke in practice. Big tech wipes its ass with the GDPR, and the only way to punish them starts with Ireland’s privacy commissioner, who barely bothers to get out of bed. This is an agency that spends most of its time watching cartoons on TV in its pajamas and eating breakfast cereal. So all of the big GDPR cases go to Ireland and they die there.

This is hardly a secret. The European Commission knows it’s going on. So with the DMA, the Commission has changed things up: The DMA is an “Act,” not a “Regulation.” Meaning it gets enforced in the EU’s federal courts, bypassing the national courts in crime-havens like Ireland.

In other words, the “we violate privacy law, but we do it with an app” gambit that worked on Ireland’s toothless privacy watchdog is now a dead letter, because EU federal judges have no reason to swallow that obvious bullshit.

Here in the US, the dam is breaking on federal consumer privacy law – at last!

Remember, our last privacy law was passed in 1988 to protect the sanctity of VHS rental history. It's been a minute.

And the thing is, there's a lot of people who are angry about stuff that has some nexus with America's piss-poor privacy landscape. Worried that Facebook turned grampy into a Qanon? That Insta made your teen anorexic? That TikTok is brainwashing millennials into quoting Osama Bin Laden? Or that cops are rolling up the identities of everyone at a Black Lives Matter protest or the Jan 6 riots by getting location data from Google? Or that Red State Attorneys General are tracking teen girls to out-of-state abortion clinics? Or that Black people are being discriminated against by online lending or hiring platforms? Or that someone is making AI deepfake porn of you?

A federal privacy law with a private right of action – which means that individuals can sue companies that violate their privacy – would go a long way to rectifying all of these problems

There's a pretty big coalition for that kind of privacy law! Which is why we have seen a procession of imperfect (but steadily improving) privacy laws working their way through Congress.

If you sign up for EFF’s mailing list at eff.org we’ll send you an email when these come up, so you can call your Congressjerk or Senator and talk to them about it. Or better yet, make an appointment to drop by their offices when they’re in their districts, and explain to them that you’re not just a registered voter from their district, you’re the kind of elite tech person who goes to Defcon, and then explain the bill to them. That stuff makes a difference.

What about self-help? How are we doing on making interoperability legal again, so hackers can just fix shit without waiting for Congress or a federal agency to act?

All the action here these day is in the state Right to Repair fight. We’re getting state R2R bills, like the one that passed this year in Oregon that bans parts pairing, where DRM is used to keep a device from using a new part until it gets an authorized technician’s unlock code.

These bills are pushed by a fantastic group of organizations called the Repair Coalition, at Repair.org, and they’ll email you when one of these laws is going through your statehouse, so you can meet with your state reps and explain to the JV squad the same thing you told your federal reps.

Repair.org’s prime mover is Ifixit, who are genuine heroes of the repair revolution, and Ifixit’s founder, Kyle Wiens, is here at the con. When you see him, you can shake his hand and tell him thanks, and that’ll be even better if you tell him that you’ve signed up to get alerts at repair.org!

Now, on to the final way that we reverse enhittification and build that new, good internet: you, the tech labor force.

For years, your bosses tricked you into thinking you were founders in waiting, temporarily embarrassed entrepreneurs who were only momentarily drawing a salary.

You certainly weren’t workers. Your power came from your intrinsic virtue, not like those lazy slobs in unions who have to get their power through that kumbaya solidarity nonsense.

It was a trick. You were scammed. The power you had came from scarcity, and so when the scarcity ended, when the industry started ringing up six-figure annual layoffs, your power went away with it.

The only durable source of power for tech workers is as workers, in a union.

Think about Amazon. Warehouse workers have to piss in bottles and have the highest rate of on-the-job maimings of any competing business. Whereas Amazon coders get to show up for work with facial piercings, green mohawks, and black t-shirts that say things their bosses don’t understand. They can piss whenever they want!

That’s not because Jeff Bezos or Andy Jassy loves you guys. It’s because they’re scared you’ll quit and they don’t know how to replace you.

Time for the second obligatory William Gibson quote: “The future is here, it’s just not evenly distributed.” You know who’s living in the future?. Those Amazon blue-collar workers. They are the bleeding edge.

Drivers whose eyeballs are monitored by AI cameras that do digital phrenology on their faces to figure out whether to dock their pay, warehouse workers whose bodies are ruined in just months.

As tech bosses beef up that reserve army of unemployed, skilled tech workers, then those tech workers – you all – will arrive at the same future as them.

Look, I know that you’ve spent your careers explaining in words so small your boss could understand them that you refuse to enshittify the company’s products, and I thank you for your service.

But if you want to go on fighting for the user, you need power that’s more durable than scarcity. You need a union. Wanna learn how? Check out the Tech Workers Coalition and Tech Solidarity, and get organized.

Enshittification didn’t arise because our bosses changed. They were always that guy.

They were always yankin’ on that enshittification lever in the C-suite.

What changed was the environment, everything that kept that switch from moving.

And that’s good news, in a bankshot way, because it means we can make good services out of imperfect people. As a wildly imperfect person myself, I find this heartening.

The new good internet is in our grasp: an internet that has the technological self-determination of the old, good internet, and the greased-skids simplicity of Web 2.0 that let all our normie friends get in on the fun.

Tech bosses want you to think that good UX and enshittification can’t ever be separated. That’s such a self-serving proposition you can spot it from orbit. We know it, 'cause we built the old good internet, and we’ve been fighting a rear-guard action to preserve it for the past two decades.

It’s time to stop playing defense. It's time to go on the offensive. To restore competition, regulation, interop and tech worker power so that we can create the new, good internet we’ll need to fight fascism, the climate emergency, and genocide.

To build a digital nervous system for a 21st century in which our children can thrive and prosper.

Community voting for SXSW is live! If you wanna hear RIDA QADRI and me talk about how GIG WORKERS can DISENSHITTIFY their jobs with INTEROPERABILITY, VOTE FOR THIS ONE!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/17/hack-the-planet/#how-about-a-nice-game-of-chess

Image: https://twitter.com/igama/status/1822347578094043435/ (cropped)

@fak3r@mastodon.social (cropped)

https://mamot.fr/@fak3r@mastodon.social/112963252835869648

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.pt

[vintagegeekculture]

I remember a friend of mine had some LPs that were Star Wars themed disco albums, and it brought back a very weird memory from back in the 70s (yes, I'm old!) of listening to a Star Wars disco mashup on the radio. What was all that about? I also remember something like that for Close Encounters, too.

You remember correctly, and this went on for a long while. In 1983, disk jockeys around the country played a record that involved an Ewok rapping the plot of Return of the Jedi in Ewokese. This made it to #60 in the Billboard Top 100.

This is hard to explain to people who weren’t there….but in the wake of Star Wars in the late 70s and early 80s, scifi was so beloved and mainstream that the orchestral music for nerdy scifi and fantasy movies about outer space were remixed and sampled into Giorgio Moroder-esque Italo-Disco dance numbers. And the most astonishing thing is, instead of being consigned to convention acts the way “horse famous” Brony dubstep acts are, this received national airplay on the radio, reached the pop music charts, and were played in discotheques. And incredibly, this continued for years and expanded from Star Wars into Star Trek, Wizard of Oz, Black Hole, Close Encounters….

All of this was the work of one specific person: Meco (or Dominico Monardo). The term “ahead of their time” is thrown around a lot, but Meco really was: a combination producer-songwriter and Italo-Disco pioneer in the style of Giorgio Moroder, he did several things that are now absolutely standard: he used remixes and sampling before hiphop made that standard for musicians, he wrote “fandom music” on a Moog synthesizer decades before Bronies turned their conventions into cringey dubstep concerts with songs like “Everypony Dance Now.”

It's stunning to me that Meco has not been rediscovered, considering every single trend in the culture essentially went his way.

The most startling thing about Meco’s Star Wars disco album, the one that got the ball rolling on this trend, is this: I always assumed it was some kind of cash in created by a record label mandate, a label executive’s completely cynical choice to hop on a hot new trend. That isn’t a crazy thing to think at all, since Star Wars is and always has been the most merchandized and sold out scifi property ever. But it wasn’t! You see, it was all the product of a single man’s specific vision: Meco had to convince his record label to make the record because they were skeptical.

When Meco went to see Star Wars in 1977 on Opening Day (what an experience that must have been) with his friend and fellow Italian chest hair/gold medallion enthusiast Tony Bongiovi, he was already an experienced producer-songwriter who had worked with Gloria Gaynor, Diana Ross, and formed DCA, the Disco Corporation of America. If you've ever listened to Diana Ross's "I'm Coming Out," Meco actually played the trombone solo in that song. Seeing the Star Wars movie for the first time, though Meco thought the movie was nothing short of a religious experience. Originally, he wanted to do Star Wars music as a b-side on a Gloria Gaynor album, but expanded the idea into an entire album.

In Meco’s own words:

"When I think about what I did, nobody came to me, nobody said 'Meco, why don't you do this.' Nobody says 'Here's some money go make a record of this movie.' It was just my own... It was magical, it was just out of this world when all that happened."

Not only did this album hit platinum, not only did it actually outsell the Star Wars soundtrack, his remix of the Star Wars theme also went to #1 in the charts. It’s actually the best selling instrumental single of all time. A record, that, incidentally, it holds to this day.

Dick Clark, host of American Bandstand, had this to say about Meco:

"In 1977, Meco Monardo accomplished something no one else has ever done to the best of my knowledge. He was the first one in history to out-sell the soundtrack of a motion picture with his own distinctive version of a film's music. The music was totally danceable, and broke new ground. It's no wonder the STAR WARS THEME went to # 1. I loved his treatment of music from THE WIZARD OF OZ. Again, Meco created something innovative. The fun and the excitement gave a whole new feel to that totally familiar and well-loved music."

Like a lot of studio producers, Meco had an insane work ethic and hit when the iron was hot: he did an album about Close Encounters that exact same year, but also did a Star Wars Christmas Album, one of the strangest pieces of Star Wars kitsch around.

One of the most interesting things about the Star Wars Christmas album is that one of the songs, “R2D2’s Wish You a Merry Christmas” is the first professional vocals by John Bon Jovi, who was Meco’s friend Tony Bongiovi’s seventeen year old younger cousin (he was initially known as John Bongiovi). It's incredible to hear a squeaky voiced teen Bon Jovi on a kitsch album about a robot Christmas.

1978-1979 was really his best year. Meco made an Italo-Disco remix album entirely devoted to Superman, and at this point, Meco had the pull to get access to John Williams's sheet music for the score before the music even came out. In my personal opinion it's the best of them because he has to recreate it entirely with his own instruments, leading to a very unique sound.

He also did an album based on the Wizard of Oz:

And a combination album of Star Trek/Black Hole. It's probably the earliest remixing date of Goldsmith pieces of music: the Motion Picture Theme (which is now associated with the Next Generation - hearing it done in Italodisco is uncanny) and the Klingon Theme:

Incidentally, I think the design here of the Meco Enterprise, which had to be modified for legal reasons, would make a wonderful canon starship if anyone wants to be inspired by it. It reminds me of the same concept that would be used in the very next film for the Reliant-class of ships.

Meco eventually retired from music in 1985, but unfortunately he is no longer with us, as he passed into the next dimension in 2023. I think he showed us that creativity is often about transformation, and was inspired to make his art by a legitimate awe of space, the cosmos, and human imagination that the scifi movies of the 1970s and 80s provoke.

[13uswntimagines]

Safe Harbor (Alessia X Singer!R)

Summary: R is a very famous singer at the end of a very long, very crazy tour. Alessia is there to take care of her.

Warmings: Established D/s dynamics. The use of Daddy, and Collars. No smut.

You knew that you were living a dream.

You knew that millions of people would trade everything to be in the position you were in. 

They would do anything to have stadiums scream their name and for their songs to play on the radio for the world to hear. 

You had been plucked out of obscurity after you unsuspectingly played a bar in Leeds in front of Ed Sheeran when you were 16. A year and a half later you had taken Billboard's Hot 100 by storm, broken the record for most weeks at number one by a new artist… twice, and you were opening for Taylor Swift’s 1989 tour.

That had just been the beginning. 

Now you were on your 3rd world tour, selling out stadiums for yourself, with one of the best-selling albums of all time. 

It was… crazy that a kid from Maidstone who barely had enough to eat growing up had thousands of people screaming your name every night, singing your lyrics back to you like they were anthems. 

Your music was raw, personal. Painfully autobiographical. 

Your fans picked apart every lyric, dissecting your words with obsessive precision. The heartbreak, the loss, the fear woven into every track—they clung to it like it was their story, too. Before You Go, Say Something, Thinking Out Loud—each song became a window into your soul. And they were desperate to see more.

It was why your first album had gone platinum overnight, and every album after it had debuted at number 1. 

They resonated with your honesty, and that’s what made people fall in love with it.

You had expected that part. 

What you hadn’t expected was that they hadn’t just fallen in love with the music—they had fallen in love with you.

The girl with the sunny personality, and the commanding stage presence. The girl who smiled brightly at every meet-and-greet, made them laugh at every interview, and always took time to meet fans, even after long days in the studio or on music video sets. They built you up as their idol, their friend, their fantasy. They flirted with you in meet-and-greets before you were 18 and treated you like you belonged to them. Like they were entitled to every part of you.

At some point, you became an enigma—Y/N Y/L/N, the nine-time Grammy winner. The infallible pop star. The face that was painted on the side of billboards, and smiling in Colgate commercials. 

At some point, just Y/n failed to exist to them, and you liked it that way. 

You did well to dodge their invasive questions, running interviewers around in circles, and answering fans with witty remarks to avoid answering. And over the years (and through 4 albums), you only got better at preventing the fans from learning anything of substance about your private life. The only glimpses they got were through your music, and you liked to keep it that way. 

You did your best to keep it that way.

The only time you let them get close, let the world peek behind the curtain, was during the piano set of your concerts. 

It was dubbed the surprise song set by the fans even though 2 of 3 songs never changed. It was where you sang your most emotional songs, and where you let yourself be vulnerable. Open. Real. 

Tonight was no different. Or at least, you were trying to convince yourself of that.

You sucked in a long breath, your fingers tracing the black and white keys as the final chords of Bruises echoed through the stadium, curling off the walls and over the crowd. Their energy buzzed around you, rolling like an ocean wave.

You could feel it crashing against your chest, adding to the adrenaline bubbling through your veins. 

You took another deep breath, the air catching in your throat as you tried to control your breathing enough so you could talk. So you could give your signature speech before revealing the night's surprise song. 

Maybe tonight was different. 

You felt more… exposed.

More… vulnerable. 

This year was nothing short of a whirlwind. Eighty sold-out shows across the U.S. in the summer, followed by another thirty in Europe and the UK. Three back-to-back number-one singles—no small feat—only knocked from the top spot after 18 weeks by Taylor Swift herself.

It was amazing and incredible and exhausting all rolled together. 

You dearly loved your fans, their passion, and their devotion, but you were drained. 

Your eyes slid closed, allowing the bone-deep weariness to cut through the buzz from the crowd for just a second as you pulled your fingers from the keys, briefly rubbing the leather braided bracelet around your wrist as you reset for the next song.

It was the closest thing you’d had to your girlfriend's touch in nearly 2 months, and it wasn’t nearly enough. One soft touch from her would make it all melt away. 

One touch and she would take away the burden of control that had plagued you since you started the tour. 

You would finally be able to let go and just be.  

There were only 6 songs left and then you would be with her, your lighthouse on rocky seas. Your anchor on stormy nights. 

You took another deep breath. 

It was the last show of an incredible year, and you had something very very special planned.

Something no one would see coming. 

Your eyes blinked open as the crowd noise dipped, and you painted your signature smirk on your face as you leaned back toward the mic. 

“So Wembley, how are we feeling?” You asked into the microphone, smiling widely at the roar from the audience that met you. “Fantastic,”

You brought your fingers to the piano, letting them dance delicately across the keys. They had no particular rhythm, though they were in the key that your surprise song would be in. 

You wanted to avoid giving the surprise away yet. 

“So you know, I was thinking about what song I was going to play tonight, trying to figure out which one would be the perfect end to such an amazing tour,” You couldn’t help the little laugh that left you as the audience got impossibly louder, cheering out an indistinguishable mix of song titles that you had yet to play on this tour. You paused for a long second, feeling their cheers only grow, popping your in-ear monitor out for effect. 

It was endearing really, how into it they got (especially when you found out that they had created an entire fantasy league about what version of your outfits you would wear and what songs you would sing). They made it easy to pretend like you were having the time of your life instead of fantasizing about what you would be doing in 40 minutes. 

You shook your head, popping the monitor back into your ear and your fingers returning to the keys, letting their chants fill you up, and drive you forward. 

“And I was talking to one of my favorite people,” You continued, starting to pick out a tune that was a bit closer to the song you were going to play. “Now you all know I don’t normally take requests, but this being the final night of the Eclipse World Tour, and with such special guests in the audience I couldn’t quite say no,” 

Your eyes instinctually found Alessia as you hit the opening chord, and though you could see her expression you could feel her gaze burning into you. 

Seeing through you. 

Even surrounded by people, her attention was the only one you craved. 

“It’s a song I haven’t played for a long time, so I’m going to need your help.” You continued, Never breaking eye contact with her. “Will you help me tonight Wembley?”

The crowd roared in approval, and goosebumps erupted on your skin at the sheer energy they projected at you. It filled your chest and fueled your fingers as you finally hit the signature piano riff that opened the song.

You flashed the crowd your signature smirk, all essence of yourself slipping beneath your on-stage persona. 

And when you opened your mouth to sing the first line; it felt easy. It felt right.

Have you ever fed a lover with just your hands 

Closed your eyes and trusted

Just trusted 

*****

Watching you perform was magic. 

It had always been magic. 

Whether it was a show in Wembley in front of 100,000 people, or one when you were small with a guitar the same size as you, Alessia had always been mesmerized by you. Even before the two of you were old enough to put names to what you were feeling. 

It didn’t matter that she had seen you play thousands (hundreds of thousands) of times, nor that this was not her first time attending one of the shows on this tour. 

She leaned forward on the barricade separating the VIP tent from the Floor sections as you began to play the piano break. 

“She’s incredible,” Leah said, leaning closer to Alessia to be heard above the crowd. “They’re eating out of the palm of her hand,”

Alessia hummed. “She is,”

The audience was glued to every move, every breath you took on stage. She was too, and so were all of her teammates. 

What made it even better was that you were hers, and she got to enjoy you from her favorite seat in the house. 

They hadn’t originally been slated to be in the VIP tent.

Viv had organized the tickets, picking an area on the 2nd balcony because they were the only ones left. Alessia had gone along with it, only mentioning to you that 800$ was crazy for a 2nd tier balcony ticket in passing.

You had sleepily agreed, cursing Ticketmaster and reminding Alessia of the 10-hour meetings you had endured when your fans crashed the site during pre-sale. You hadn’t said anything about it since, so she assumed you had forgotten. 

You did not forget. 

There had been a team waiting to escort them when they arrived, and you had made sure the tent was loaded with all of their favorites. You had also refunded the tickets, and given them away to 23 fans outside of the stadium. 

You liked to do things for her. It was a way for you to serve her even from a distance, and she enjoyed telling you how good you were afterward. 

She definitely had plans to do that tonight. 

She leaned forward on the barrier as you got to the final chorus. 

There was a reason this spot was always her favorite to watch the show from, and why she had been hesitant when they escorted her and her friends to the tent. 

They were close to the stage. Close enough that Alessia could see the cracks in your carefully crafted facade. 

She could see the dark circles under your eyes, and how your smile never met your eyes. She could see the slight curl of your shoulders, and how you kept twisting your bracelet tightly around your wrist. 

She could see the command you had of the crowd wearing on you, and just how in your head you were. 

All of her instincts told her to protect you. To wrap you up, and take the reigns so you could just exist without thinking. So you could submit and know that she would take care of you. 

And sure, her teammates had caught glimpses of the dynamic between the two of you, but you both liked to keep the heavier aspects to yourselves.

It was harder for her to do that when she had watched the toll this tour had taken on you, and knew just how close you were to being able to let go. 

“Is it just me or does she look shattered,” Katie asked as the song came to an end, the final note ringing around the stadium as your eyes once again closed and you sucked in air through your nose. 

Alessia didn’t take her eyes away from you. “Not just you,”

She followed the rapid rise and fall of your chest, and how your fingers silently fluttered over the keys before you began to play again. 

“She’s barely slept at all this week because of end-of-tour meetings,” Alessia continued as you began picking out a new tune. “And she’s been co-producing an album that comes out next month, so she’s barely had time to think, much less do anything else.” 

Leah hummed from her other side. “I’m just surprised you haven’t stepped in yet.” 

Alessia made a low sound in the back of her throat. 

It was… complicated. 

While Alessia had rules that you followed (even while you were on tour) to help protect both your physical and mental health, you both had boundaries when it came to your careers. 

She understood that you had responsibilities and that sometimes you had to prioritize work to make everything run smoothly. (She also secretly relished watching you in boss mode, knowing that you would be kneeling at her feet later.)

The agreement you had was that she would only interfere under 2 conditions. First, if you crossed the Limits the two of you had agreed upon years ago without communicating with Alessia first. Second, if you asked.

“Tonight I will,” Alessia said as your eyes opened and you leaned back towards the microphone, your fingers dancing along the keys.

“Since we have the incredible women of Arsenal in the audience tonight, I think there’s one more song we have to do before continuing the show,” 

The audience roared in response. 

Your smile was charming, even as your eyes danced vacantly across the screaming fans in the pit next to the small stage that held your piano. 

Alessia could imagine the edits that would be online later, the people swearing that your expression was solely meant for them. They would think the way you twisted your bracelet was to show them how much you liked the copies they wore. 

She shook her head. 

The chords under your fingers changed, shifting into another familiar tune. 

North London Forever 

Whatever the Weather

You pulled back from the microphone, tilting your head to the sky as the fans picked up the song all around you. 

The stage lights swelled around you, illuminating the crowd as they sang for you. Your fingers deftly played the background music for the song. 

She could understand why it was a tradition for you. Why you always added North London Forever to the last show of your tours, especially when you ended in London. 

And my heart will leave you never 

My blood will forever

Goosebumps erupted on her skin as the crowd of 100,000 sang the rest of the chorus, and pride swelled in her chest, replacing her worry for just a moment. 

You wouldn’t have done a sing along if you were too far gone. 

Your relationship was built on trust, and Alessia trusted that you were ok for now. She would step in when the show was over, and you were ready. 

****

“Thank you London,”

The final notes of Shut Up and Dance pounded through the stadium. 

You held your arms out wide, as if to physically soak in their cheers as the stage lights dimmed, leaving only one shining against your back, silhouetting you for the audience In a perfect replica of your album cover. Then everything went dark, and the platform you had been standing on lowered so you were under the stage. 

“Great show Y/n,” Your tour manager, Aubrey, said as you stepped off the lift, the crowd noise barely fading.

You nodded in response, your tongue suddenly feeling too heavy in your mouth to form words. it felt like you were trying to think through an old television with terrible reception, the images staticy and broken. Fatigue settled into your bones, heavy and cold. 

A soft robe was draped over your shoulders by one of the production crew, and you twisted the bracelet around your wrist until the edges cut into your skin.

You focused on the pain, letting it ground you as you put one foot in front of the other and allowed your team to guide you from beneath the stage. 

your security team flanked you the second you were out from under the stage, acting like a protective wall. 

“You need to rehydrate.” Steve, your head of security said, pressing a blue Gatorade into your fingers.

They instinctively closed around the bottle, and Steve nudged you again to get you to bring it to your lips. 

“Small sips kid,” Clint added from your other side, as the third member of your security team, Natasha, made eye contact with Steve

You tried to follow their directions, but your hands were shaking so badly you almost dropped the drink. 

You felt Powerful. 

You felt… floaty.

It was so… weird. It usually took you hours to come down from the high of a show, and devolve into… whatever this was. 

To finally give in and call your girlfriend for help. 

You had been… reluctant to bother her in the last few weeks. 

She had been busy with international friendlies, and you didn’t exactly like exploring your dynamic while you were separated. 

Dropping into sub space was hard for you on a good day, guided by Alessia‘s firm but comforting presence. Doing it while the two of you were doing long distance was a painful impossibility. 

The few times it had actually worked were misery for you. Like your brain was made of broken glass and no one was there to help you knit the fractured shards back together. 

Even with her voice on the other end of a video call, it had been brutal. 

You had put it off, and put it off, and now it seemed that your body wasn’t going to give you a choice. 

“I’ll be back.” Natasha said, turning on her heel as Steve shifted to shield you from the people buzzing around backstage. 

You didn’t even acknowledge her, blinking slowly as cling helped you bring the bottle of Gatorade to your lips. 

“Take deep breaths.” Clint said gently. “We have to get to the tunnel.”

You tried, but it was like you were under water, or sucking air through a straw. 

You were crashing, and you still had to face the public one last time before you could let go. 

You swallowed hard, forcing the fog in your brain away and your signature smirk on your face. 

It would satisfy the people waiting for you to make your way out from behind the stage and into the safety of the stadium halls, away from prying eyes.

“Let’s go.” You muttered, pushing the Gatorade back towards Steve. 

It took all of your strength just to utter the word, and you knew it would take every bit of mental fortitude you had to wave at the fans as you passed. 

But it was required.

It was the least you could do for the people who bought obstructed view seats. A thing you had done for every one of your other shows. A thing fans would absolutely notice if you didn’t do it. 

It didn’t matter how much you didn’t want to. 

“Let’s do it.” Clint agreed, positioning his hand on the small of your back, while Steve did the same on your other side. 

You straightened and squared your shoulders. 

You could do this one last act for your fans. Then you could let go. 

*******

“That show is incredible,” Beth said, leaning against the VIP barricade. “I don’t know how she runs around like that for 3 and a half hours,”

“A lot of cardio,” Leah shrugged. “She released a whole behind the scenes video of how she trained for the tour.”

“That video felt staged though.” Viv said. “She was very different then she usually is with us, or you Less,”

The English striker hummed. “She likes to keep separation between her professional life and her private life.” 

“Makes sense.” Katie agreed. “Did you see how many people had braided bracelets in all different colors?”

“I did.” Alessia nodded, her eyes trailing across the area near the stage, looking for your personal assistant. “But they have no clue what hers actually means. You all know her, but the fans just know the idea of her. It’s easier to keep it all separated.” 

It was strange that she hadn’t seen your assistant yet. That she hadn’t come to retrieve her and the team. 

Chloe was usually waiting at the VIP tent to take her backstage before the last fireworks of the show had even finished. 

It had alarm bells swirling in her brain. 

“It’s kind of amazing how confident she is on stage.” Beth agreed. “It’s like she’s 2 different people.” 

“Sometimes she is.” Alessia trailed off spotting a different redhead coming around the stage. Your security instead of your assistant. 

It was hard to wrap her head around the dichotomy between your loud, confident persona on stage and the quiet girl she knew you were, and as your career grew, that difference had only gotten larger. 

Her eyebrows furrowed as Natasha approached them, nodding towards her friends before meeting her eyes. “I need to borrow you, please,”

Katie whistled. “Get it Lessie,” 

“Gotta get that post concert energy out,” Kyra snickered, and the tear erupted into laughter behind her. 

She shot a glare towards her cackling team. “Of course,”

Natasha was a part of your personal security. She didn’t need words to convey that you needed Alessia, and you needed her now. 

“Alone please,” Natasha said, her eyes flickering towards the girls who tried to exit the tent with Alessia. 

The laughter stopped around them, and Alessia nodded once, turning back towards the team. 

“We’ll catch up with you lot tomorrow?” Alessia said, authority that the team rarely heard leaking into her tone. “We can do lunch, or maybe Dinner.” 

Leah stepped forward and nodded, knowing this was not the time to argue with her. “Tell y/n thank you for the tickets and that we send our love,”

“Go take care of your superstar,” Beth nodded towards Natasha.

“I will,” Alessia nodded, stepping out of the tent. 

She meant it. 

You had taken care of yourself for most of the tour. It was her turn now. 

******

You didn’t remember how you got to your dressing room. You didn’t remember waving to the fans, smiling widely and sending them hand hearts. 

one second you were backstage, and then you blinked and Steve was gently closing the dressing room door behind you. 

You paced the room, pushing the dark robe off of your shoulders. You didn't know what to do with yourself. 

It was too warm and too cold. The dress shirt you wore on stage was too soft and too scratchy. Your mind was racing too fast and moving too slow all at once. 

your breathing hitched, and you brought your trembling fingers of one and to your lips to prevent the sobs threatening to bubble out. The other tugged useless at your collar, trying to get air. This was not normal. It was rare you dropped, let alone this hard or this deep. 

It was like quicksand, sucking you into the chaotic spiral deeper, faster, with more force the more you tried to fight it. Your thoughts were a jumbled mess, and your brain was going to rip itself apart trying to untangle them. 

You were in free fall, plummeting faster than you ever had before with no net to catch you. You had put it off for too long, and now you had no choice.

You knew you needed to do something, but making the decision of what you should do felt impossible. 

You were done making decisions for the foreseeable future. 

The sound of the door clicking open and shut again was nearly drowned out by the buzzing in your ears, but you Instinctively turned towards the presence that entered. 

The air shifted around her as she stood in front of you like a mirage, immediately capturing all of your attention. For just a split second, your racing thoughts went quiet, and you were wholly consumed by her presence. It crackled like a warm fire on a cold day, or like a lightning storm over the sea. You couldn't decide. 

You didn’t want to decide. 

And you knew you didn’t need to. 

Alessia- No, your Daddy was here and she would take care of everything. 

Her gaze swept over you, taking in every twitch of your fingers against the buttons of your shirt, and the tremble that snaked its way across your shoulders and down your spine. You felt naked, despite the clothing scratching at your skin. 

She crossed the room in 3 long strides, her hands catching your wrist before you even registered that she had moved. 

”That’s enough, little one.” She said, keeping her voice gentle despite the command clear in it. “You’ve done so well, and I’m so proud of you, but I’m here now.”

She carefully unwound your fingers from here they were tearing at your shirt, placing them on her hips before deftly undoing the buttons. “I’ve got you. Just take deep breaths for me, love,” 

You tried, but it felt like it was stuck in your throat, trapped by the inhuman sound now bubbling past your lips. 

She carefully slid the thin material of your shirt from your shoulders, and you met her eyes. 

The sob you’d been holding in finally broke free, your knees weakening as the weight of it all hit you. But before you could completely crumble, Alessia’s arms were around you, pulling you into her chest. Her scent, her warmth, everything about her surrounded you like a safety net.

Her fingers tangled in your hair, and she rested her cheek on the top of your head. “You’ve done so well, you can relax now. I’m here with you and I’m not going anywhere,” 

Her other hand ran soothing circles on your back, easing the prickles on your skin like the world's best Aloe. “Just breathe, love.”

Her comforting touch seeped past your skin, settling deep into your bones. It eased the knotted panic in your chest, and dulled the sharp, frantic edges of anxiety that raced through you. 

“That’s it little one,” She cooed, her grip on your firm and unyielding. It was tether to reality. An anchor in the crashing storm that was your mind. A lifeline when you were being pulled beneath the tide.

“You’re safe. You’re here with me, and I will always keep you safe. Just relax,”

Her voice was as steady as her grip on you. Commanding in a way that couldn’t be ignored, but soft enough that it didn’t bristle your sensitive instincts. It was a mixture that only Alessia seemed to be able to achieve. A tone she could modulate to perfectly match the situation. 

You melted into her chest, nodding weakly as your tears slowed. Your entire body shuttered with each inhale, and hitched with each breath you blew out. 

You were moving past the uncomfortable phase of the drop where your brain felt like a shattered glass mirror, fractured and sharp, and into the lapping warmth that only Alessia seemed to be able to bring you. 

Alessia’s hands continued their slow, comforting path up and down your back, her breath even and calm, giving you a rhythm to sync your own to. 

“That’s it, little one,” she hummed, pressing a kiss to the top of your head. “You’re such a good girl for me. You’ve done so well. Just let it all go.”

You whimpered. 

It felt too raw, too exposed. But Alessia knew—she always knew.

Her fingers tilted your chin up, forcing you to meet her gaze. Her eyes were soft, but her tone left no room for argument.

“Look at me.” She said, using a finger to gently tilt your chin up. “You’ve done so well being in charge. You’ve run this entire tour, and made so many people happy. I’m so proud of you, but you can let go now. Let me be in charge for a little while,” She capped the statement with a gentle peck to your lips. 

You tried to lean in to continue the kiss, but she pulled away. 

“Later,” She promised, and you nodded once, sinking back into her chest. 

You understood that she didn’t like to start anything while you were like this unless it was well discussed beforehand. While there was any chance that you couldn’t consent, or feel like you could remove consent. 

You weren’t sure how long she stood there and held you, rocking gently from side to side and scratching your scalp. Long enough for the storm in your chest to mellow and for your brain to slowly begin knitting itself back together, grounded in the gentle pressure of your girlfriend. Your daddy.

“Let’s get cleaned up and then we can go home,” She said, when you pulled back enough to look at her. “Do you want your collar?” 

you nodded against her chest, kissing gently under her chin. 

“I need a verbal response, little one,” She said, dominance leaking into her tone to help you wade through the thick fog coating the crevices of your brain. 

It took you a long second to think of the words, and another to push the fog in your mind back enough to actually verbalize them. 

“Yes Daddy,” You said, frowning at how horse and garbled your voice was. 

she hummed, carefully maneuvering you back towards the door. One hand stayed securely wrapped around you as the other reached into the bag you hadn’t seen her enter with and pulled out your soft, brown leather collar. 

You hadn’t seen it since you left for tour, and just the sight was almost enough to send you back into a drop. 

“Easy,” Alessia murmured, guiding you towards the couch that existed in all of your dressing rooms. She sat you on the edge, and kneeled in front of you so she was slightly shorter than you. 

She trailed her hand down your arm to the bracelet around your wrist, carefully unclasping it and tucking it into her pocket. She then brought the soft leather of your regular collar to your neck, gently buckling it closed, making sure it wasn’t too tight. 

Your shoulders immediately relaxed, the full weight of her claim settling on you. 

“Let’s get cleaned up,” She said, catching your hand and standing you up. You went with her easily, leaning your weight on her as she led you to the bathroom. 

The way she undressed you both and got you settled into the warm water of the shower was familiar, routine even. 

You could feel yourself settling as she washed your hair, and cleaned your body of the sweat from the show. 

She touched you like you were delicate, but not like you were fragile, and it was everything you needed to wade back to reality. 

By the time she was using a towel to dry you off, and slipping one of her old UNC sweatshirts over your head you felt almost like yourself again. Your thoughts didn’t hurt anymore, and you were more grounded then you had been. 

“Kneel for me,” She said softly, settling herself on the couch, and placing a pillow at her feet. 

You hummed, and did as she asked, letting her guide you to lean back on her legs. 

You sunk into the warmth of her sweatshirt, surrounded by the scent of her perfume as she toweled off your hair and braided It for you. 

The rhythmic movement of her fingers through your hair and the feeling of safety and Alessia that encompassed you were enough to have your eyelids drooping. 

You blinked heavily at the knock that sounded on the door, and the blonde head of your head of security poking his head in. 

Steve didn’t look at you, steadfastly keeping his eyes on Alessia. “Miss Russo, we have the car ready whenever you are ready to leave.” 

“Thank you, Steven,” She said softly, authority still dripping from her tone. “We’ll be out in a few minutes,”

He nodded and closed the door quietly as he exited. 

“You’re all done, little one,” Alessia said, rubbing gentle circles in your shoulders, as you leaned further into her, your eyes sliding closed without your permission. 

They only opened when she shifted behind you, and you turned to look at her sleepily. 

She smiled gently at you, unable to stop herself from leaning in and pressing a quick peck to your lips. 

This was her favorite version of you, soft and sleepy, unguarded and completely trusting. It was the version that only she got to see, and she was honored that you had chosen her to be your safe place. 

”Alright little one,” She said, her finger hooked into the O-ring at the front of your collar, tugging lightly as she stood. “Let’s go home,”

[ariaste]

Hello, published author here who just noticed a thing in the s3 teaser that may help us to determine the timeline:

This is not an ARC. ARCs, aka "Advance Review Copies" or "Advance Reader Copies" are sent out in advance of the publication of a book in order for magazines/newspapers/whoever (and these days, online book influencers) to review it, and for booksellers to have a chance to read it so they can order copies for their store and hand-sell it better on publication day. ARCs usually go out around 3-4 months before publication.

ARCs are also sometimes called "advance uncorrected proofs" because they usually haven't been through copyedits yet (aka typo-finding and punctuation-checking). ARCs are always clearly marked on the front cover as what they are, to make it harder for people to sell them online and so that bookstores don't accidentally put them out as merchandise.

We know that the IWTV team knows this becaaaaause, from the end of s2e8:

*THAT'S* an ARC. You can see how it says so all over, both "advance reader's copy" and "advance uncorrected proof". It's also a paperback (as ARCs usually are) rather than the hardback that Lestat is holding -- all very typical and correct.

And here is a finished copy. And we know exactly how far after publication it is, because:

Daniel also gives a shout out to a "book fair" and Atlanta, which I take to mean the Decatur Book Festival, which takes place in October. So that means the book would have been published in June -- nice timing! Get all that good Pride Month promo for this gay-ass vampire memoir. So far we are nailing the Expected Publishing Industry Timeline And Behaviors.

So the only thing I can tell you definitively about what this means is that Louis got that ARC probably in February, aka around eight fucking months ago at the end of s2, and still hasn't even skimmed it, and that is HILARIOUS of him. not a shred of guilt on him about it either. (if you get a print ARC (as opposed to an e-ARC) and you don't even read it, it is polite to be a little embarrassed about that. not my personal best friend Louis DPDL tho.)

As for whether Daniel is a vampire during the s3 trailer -- the thing we are all clamoring to know -- I have two possible ways the timeline could be working, given the publishing industry stuff:

OPTION 1: Louis leaves Dubai -> Goes to New Orleans for Depression Hovel reunion, refuses to get back together with Lestat -> Lestat "I will woo him back with a Song, just like last time. ok that didn't work I'LL GO BIGGER. that didn't work. BIGGER" Lioncourt starts his rockstar career as a Gotta Get My Man Back tantrum -> Daniel finishes the manuscript, delivers it to his publisher, and sends an ARC to Louis (February) -> Book is published, bestseller (June) -> Daniel (who was turned at some unknown point) goes on TV about it (October) -> famous currently-bestselling journalist gets in touch with up-and-coming rockstar to get his side of the story -> Lestat has a mental breakdown on camera about how Louis is not even paying attention to all the albums he is recording, hurtful, tragic, heartbreaking

or

OPTION 2: Daniel DEFINITELY got out of Dubai alive -> [all of the above up to "Daniel sends an ARC to Louis"] -> book is getting great reviews -> already-famous Pulitzer Prize-winning journalist gets in contact with up-and-coming rockstar to do the sequel even before the book is out (slightly odd publishing choice but when you have two Pulitzers, the rules are different, so it's not implausible) -> Daniel gets his finished copies of the book (which brings us to probably May at the earliest; you don't usually get your finished copies more than a month in advance) and has one on set for interviewing Lestat -> Lestat has his sexy little rockstar breakdown on camera -> Daniel is human for interviewing Lestat but gets turned by Armand somewhere in the five-month span between finished copies arriving in May and his TV interview in October.

Option 1 gives the show writers a little more timeline wiggle room, which can be useful, but Option 2 is more Dramatic and builds extra tension if Daniel is trying to do this interview while not having a good time with his Parkinson's. Either way Louis is just out here not answering anybody's phone calls or reading the lovely ARC he was so thoughtfully sent bc he's busy redecorating his house.

THAT SAID, please take all of this with a grain of salt, i have been losing my mind over the s3 trailer and i may have missed something

this has been your war correspondent a report from the publishing industry. thank you and goodnight

[dcxdpdabbles]

So Danny is just a bunch of good that takes a humanoid shape, and we've seen him stretch and warp himself. What is sometimes he just leaves bits of himself behind. He has restoration so he can heal himself and others so when he realizes he left a foot behind he just grows a new one.

Batman: We've found more of the meta, 3 left feet all genetically identical, either were dealing with a cloning operation or someone using a regenerative meta as an organ farm. The most recent finds washed up between Gotham and metropolis.

Meanwhile Danny: I've gotta visit Dani more Madrid was beautiful can't wait to show Jazz the photos, tried to land and eats it, Damn it I though I fixed this!

Danny loves his new power- he likes to call it "Play-Boo" as a pun on playdough because it allows him to shift and change his body as he sees fit.

It was hard to mentally change his appearance as his core was tied to his idea of himself. Still, he can make his hair longer at will, shift to a younger or older version of himself, and even slightly change his coloration, though that takes a bit more concentration.

Danny is sadly unable to shape-shift into someone else. He thinks being able to regenerate is an okay trade-off. Especially when Danny accidentally leaves bits of himself behind with his new warping technique.

It's not the kind of warping he would like- seeing as he could only go a few yards from his original spot- but he hopes with time and practice, he will be able to fling himself from one side of the country to the other, much like opening portals.

But unlike the portals, he won't have to step into the ghost zone as a layaway.

One day, he'll be able to think, "Star City!" and bam will be there without having to destabilize his whole body or lose limbs. Or some internal organs. Like his left kidney.

Which was currently somewhere in Gotham as his warping has developed to the point that he can send himself to the area within eyesight, and he had traveled to metropolis in this method instead of flying to try to perfect it.

"Shoot," He grumbles, falling into a booth across from Dani. She had asked that he visit the big city with her, do a few sights, and then the two would fly downstate to check out some national parks.

"Lost something again?" She asks, sipping the soda she had ordered while waiting for him. Dani had been in the city for about three days and had fallen in love with the diner they were eating at.

She insisted they meet up there just so Danny could try some of their roast beef sandwiches. The favorite food of the two siblings.

"My left Kidney." He sighs, patting his side. Thank goodness his Play-Boo allowed him to not feel pain. He hated to have to feel every time he lost one of his body parts. "I need to eat my troubles away until a new one grows back."

"I'm not paying for your meal."

"But Dani! I'm down a kidney!"

She snorts. "It'll grow back by the time we leave, and you know it. But fine, you big baby, I'll pay for lunch. You have to cover the diner."

Satisfied, he lets her call over a waitress who quickly takes their orders and vanishes to the back, where the cook will likely make "the best damn roast beef" for him. He leans back, asking Dani about her travels.

She eagerly starts talking about the local art she has taken pictures of. At one point, her travels had turned into photo albums, documenting everything she saw and experienced.

She made some money this way, selling some of her photos, but mostly, Dani preferred to keep them for herself or the family.

As she talked about the light reflecting on some large News building- the daily planet- and the great lengths she had to go to get close enough to capture the sunlight, the door to the dinner chimed.

Two men in suits ushered in, one wearing a dark blue that seemed far cheaper than the deep black of his companion. Danny instinctively turned towards the sound, but he quickly looked away as the two men found a seat in a booth furthest away from him.

"I met this guy, Jimmy, who promised to have my photos submitted for a junior photographer contest. It's to help promote tourism, so it's based on the "Metropolis' beauty," but first place is five hundred!" Dani eagerly tells him, her eyes sparkling.

"I know you'll win. You'll make a name for yourself in no time as the best photographer of our era." Danny smiles at his little sister. He lowers his voice "Maybe with that money you win we won't have to sell my organs for a while."

She laughs, adding to the joke like it's second nature, "But you're so fun to harvest! Side's it's not like Vlad will allow you to walk away from the operation. He already has two more kidney orders from Gotham waiting for you."

Danny grimces. "I just lost one this morning. Why does he overbook me so much."

"I can do it if you-"

"Not on your life. I can regerate. You can only cry."

Dani kicks him hard in the shin. She waves her coffee spoon at him like a wizard banishing a wand. "Are you calling me a crybaby?"

"Well, I'm not calling you a cry-lady." He laughs as she scoffs. She opens her mouth to say something when her eyes lock with something over his shoulder. Her face closes down at once, hardening into someone who has traveled through the roughest parts of cities and towns.

Danny used to be worried that her instance of traveling alone at such a young age would ruin her childlike wonder and innocence, but he knew it would be worse to keep her at home.

Even with Vlad finally getting the much-needed help, the fact that Dani has existed for two years now didn't mean she was comfortable with being tied down.

Twisting around, he doesn't see anything out of the ordinary. The two men are casually eating their meals by the far window- too far for them to hear, the waitress is sitting behind the counter flipping through a magazine, and the chef can be seen through a little window making something at his gril.

What had alarmed Dani so much?

"We have to go," She hisses in ghost speech, eyes never leaving the man in the blue suit. Was it him? He seems to unthreatening with his big bulky glasses and easy smile. "I don't know why, but I don't like that guy's vibe."

Well, he won't argue with her about her gut feelings. Those were never important to ignore. "Let's take the rest of this to go."

She raises her hand, calling over the waitress, flipping open her wallet to leave enough to cover their bill and leave a generous tip. Danny quickly gathers their food in take-home boxes, keeping his body in front of Dani to block the men's view of her.

He's grateful that he had pulled on his hood, as his ears had gotten cold from the warping. With the fact he never turned around once since they walked in and his trusty hood, his face has been kept hidden from the men.

A small victory.

Hopefully, he won't see them again after this.

"Come on." He tells Dani, as she quickly gathers her stuff. "Vlad is going to have my arms and legs if we late meet him. I don't want to be just a torso again."

"I mean, it's your fault for trying to run away." She sighs. "You know how he gets. At least you didn't have to entertain his guests."

"Yeah laying in a dark room hoping to regrow my limbs is much better than letting those freaks touch me." Danny agrees thinking back to the big gala Vlad had invited them to.

To show goodwill and try to move past their hostility, the Fentons' children- Jazz, Dan, Danny, and Dani- had all agreed to go with him, under the condition that they be on their best behavior.

Danny had been running late due to a ghost attack and had chosen to use his wrapping far past the agreed limitation his parents, and Vlad had set for him.

He got to Vlad's castle but none of his limbs had followed him. Mom had been so outraged by his reckless behavior he's been grounded staying in one of the guest rooms without tv to "think about what could have happened!"

Dad and Vlad had merely nodded to their wife's punishment for their child. (And he was still getting used to the idea of Vlad being married to his parents.)

Jazz, Dan, and Dani were left to the gala, where Jazz had intellectual conversations with college professors Vlad was funding or where Dan was talking up some pretty men and women with a drink in hand, Dani as the youngest was left to affluent old ladies pinching her cheeks and giving her backhand compliments on being a "lady."

The Dannies hated being touched by strangers, and those higher-class old ladies had no concept of personal space.

"Don't worry, I'm almost too old soon." Dani chirps, holding the door open for him. "Soon Vlad will have to find other kids to flaunt in front of rich people."

"That would be the day." The two exit the dinner, switching the conversation to the idea of dessert- deciding to search on their phones a local frozen yogurt place.

Neither notice the two men- one whose fork has crumbled in his grip and another who is clicking away on his phone with a look of outer disgust on his face

"Bruce?"

"I'm already messaging Babs. She's following them with the city cameras as we speak. Don't worry, Clark, this "Vlad" isn't going to get away with it."

[breathinlove]

band!ellie 2 headcanons and smau

read this

sinopse: ellie williams is the lead singer in a band (+some texts with her).

cw: nsfw after the texts with warning! swearing, explicit, reader works in a record store and ellie's a simp, not explicit if reader is fem or masc.

part 1

band!ellie who made it unbelievable for dina and jesse to believe she found her girl, but then they met you.

“this shit's cringe as fuck, but you two are sweet…” jesse starts and dina immediately agrees. “yeah, she's perfect for you, el.” “i knowwwww, i need her.” jumping like a teenage girl fr...

band!ellie who sometimes thinks her bandmates like you way too much.

“invite y/n to the next rehearsal too for real.” jesse says after you leave a rehearsal you went to. “okay man i get it, she's amazing.” with an annoyed expression. “so… invite her.” dina chuckles. “no, i don't want any of you jumping on my girl.” but she does invite you anyway.

band!ellie who's so stupid tbh, she's gonna sign girls’ tits after concerts and act all oblivious when you swerve her kisses.

and swerving her is so fun istg, she's gonna try like 4 times before she's upset. UPSET! (she will go non verbal).

band!ellie who's the type to perform and glance at you like you're about to have sex right that instant (u will, after the concert tho!).

band!ellie who's a singer herself but turns on the tv and pretends to be the weeknd for you.

band!ellie who wishes she could rap… actually, no. she thinks she can.

"that was... something." you smirk and she scoffs, throwing herself on the couch she was standing on, mic in hand. "i'm literally in my rapper era but whatever, you'll see." and you're full on laughing. "don't laugh." and you come hug her and say she's so so special.

band!ellie who makes it so you can't open x (twitter) without seeing girls mourning your girlfriend… she's alive not single tho!

band!ellie who's always late for everything, but she tries her best istg. you and the band are TIREDDD.

band!ellie who's nervous about pda… but she likes it, showing everyone you're hers and she's yours.

band!ellie who made a slideshow about how you should move into her apartment… that was kinda like:

“REASONS FRRRR 🔥🔥🔥🔥🔥💯💯💯

ALL OF THEM 🤣

we're literally soulmates so we gotta be roommates too???

countless sleepovers omg i'm crying!

i'll never be late again (kinda😬)

we can get a pet tg 😯

i'll get to listen to u sing in the shower more and you know i like hearing you and singing with you while im in the toilet or even outside the bathroom

passionate lesbian sex before sleeping, after eating, doing the dishes, the laundry ALL THE TIME

i love you the most and i want you close all the time

you love me back (i hope) so you gotta want me close too

i want you as my wife asap

think about it, thanks and please my love ❤️”

you moved in… weak mf but can anyone blame you??

band!ellie who loves cooking with you for friends and family when they come over. just loves being with you in general but even house chores are better with you??

band!ellie who comes to disturb see you at your job, your bosses hate her and said they were gonna stop selling their album 😒 (they actually love her).

band!ellie who switches from your serious cool rockstar girlfriend to your silly baby girlfriend in a second.

band!ellie who reposts them and comments under edits fans make of you, even more than her own edits.

“that's my baby so stop gawking.(jk)” “whats her @” “id repost but my gf would be jealous, shes hot asf 🤤🤤” “THAT'S MY GIRL” “creamed💔” "straight to the y/n folder" someone said “ellie cant handle allat” and she replied fr “true, she the one handling me 💯💢” SHE HAS NO CHILL...

band!ellie who pays the same attention to potential hate you'd get, she will block them… don't talk about her girl.

nsfw (cw: cunnilingus [e and r!receiving], fingering [e and r!receiving]. switch!ellie!!!!).

band!ellie who treats you like a star

you were supposed to be in the shower but ellie saw you stripping out of your clothes and she has to ask to kiss your clit, dropping to her knees. her fingers bruising your thighs and shes eating you out as if she'd been starving. you cum but she's not satisfied yet, she pulls you down on the bedroom carpet with her "give me another one, please." hands roaming your skin ever so softly, sending shivers down your body. she asks what you want, the position, how many fingers, she just needs to please you. and now she's on top of you, pounding you with her fingers and pressing down your lower stomach because she just wants you to cum again.

band!ellie who loves sleepy sex

she's gonna be in bed with you, almost asleep asking you for kisses, then for some touches... and you end up between her legs, sloppy nasty head and some slow fingering. your lips around her clit and kissing her pussy lips and slit and your fingers in and out her pussy. she's whining and squealing, playing with her own tits and caressing ur face. you're humming against her pussy and she's clenches "let go for me, ellie..." you coo and she squirts on your mouth and fingers. soft pants leaving her lips, soon stopping with her caresses on your face as you lick her cum. you look up, hair messy against the pillow and eyes closed. "i love you..." she mutters after you clean her and lay next to her "i love you." you spoon her.

a/n: this is kinda shitty but it's for who asked for more! @kyleeservopoulos @sameenatruther @harrysslutsstuff

[starzblvd]

Me Espresso.ᐟ

Ellie thinks coffee tastes disgusting, but you taste delicious. Do u guys get my fire references in here, hope you babes enjoy 🍽️ Band!Ellie Bsf!ellie college!au

Hot summer nights while having your knees digging your weight into the carpet floor of your best friends small dorm room was starting to become weekly routine. Making band tees with cheap markers for her band that had its fair amount of supporters, somehow they’d sell out every time they performed. It was probably because there’d only be like 20 shirts that actually looked good enough to put out for sale.

Sitting next to you was Ellie with half of a bun she struggled to keep it together had some strands fall out and onto the back of her neck. You could smell the perfume on her, you convinced her to buy it that one time she’d agreed to come shopping with you. Wanting to be helpful you had to show her the right way to wear it, by spraying it on your wrist to then rubbing it into her collarbone, just to be helpful of course.

Holding up a finished shirt Ellie grins into the cocky face you’ve gotten to love the look of,

“Oh they’re gonna love this,”

“what your 300 Spotify listeners?”

“Ouch,” Ellie looks at you playing heartbroken to then throw the shirt right at your face. It was always banter like this, with the very few times the lines almost blurred to get somewhere further. Staying away gets harder when being with her was so natural.

“Just for that I’m so not coming to your concert tomorrow.”

“Hey hey hey I need my number one fan there, plus we’re getting ice cream after.”

You’d become a groupie to her, always front lining to every concert she was able to catch a venue in, which were basically all bars. When she’d look below to you under the neon lights playing guitar it felt like such a special moment only between you and Ellie. No crowd no other band mates, as if you knew what she was thinking of and that she wanted you too. Some of your plans started to circle around her now that she was being a bit more discovered.

”You aren’t going to talk to your fan girls?”

“Nah, I’d rather spend my time with you. You know?” Staring at each other awkwardly stopped being so awkward when they’d happen so much, it’s was perfectly normal.

And with opportunity you got to be with Ellie you already knew you’d take it. As little as you knew she was wrapped around with whatever you had been involved in too, stuck and feeding off your sweetness like a bee.

June.21.24

Just like every concert you shared your special moment, no one else can say they had Ellie’s direct attention during multiple songs. This time it was more of an outside stage with sand below you. Yellow hued string lights draped above the stage and more along the audience area. The heat was really getting to Ellie, making her glow from sweat. The black T-shirt she picked out only made her condition worse. The face framing bangs she cut herself were sticking to the side of her face.

She wasn’t even singing, but being under your watch scorched her hotter. To save herself from embarrassment she mainly looked down to her guitar playing notes, but she made a mistake looking at you when a lyric of a song she made with you in thought came up.

Tell me you never wanna lose me

Cuz I know when you call you call for me

She might’ve been a little out of it when helping writing the song, but it became too late when Dina saw the scrunched up paper and kept insisting on making it an official song for a newer album.

To you it was just another lyric that was written by anyone but Ellie. If only you knew how much she relates to your desperation to be with you in every way and any position she could. Whether your batting of eyelashes at her was intentional or not her finger slipped making an unplanned squeak slip through.

‘Fuck this is so bad she probably thinks I’m shit at playing now’

Lucky for Ellie it was the final song anyways and she could get far away from the crowd and you. Other people clapped upon their leave and when they finished their set list you knew exactly where to meet her.

”You ever going to do more than eye her when we’re up there?” Dina was putting away the instruments back to take home with help from Jessie.

“What are you even saying I don’t do that,” Ellie scoffs then sits down on a blue deflated bean bag that who knows how long it’s been in this back room.

“Oh you know what I’m talking about, your friend zone is taking longer than your time with Cat.” She crossed her arms waiting for another excuse to why she hasn’t done anything after a continued semi dating friendship since freshman year.

“She’s nothing like Cat that’s why, if I lose feelings for her after getting rejected that’s one thing but losing her completely because I fucked it up is different.” Her constant fear of never getting to be near you again because of some feelings she couldn’t stop screwed her over with overthinking everything.

In her journal it was the same thing, “She liked my shirt today, I don’t want to look weird and over wear it now, but not under wear it now. Unless she’d like to see it more often or maybe she likes my style in general she’d like me in anything?? Fucking hate this gay stuff and whys it so hard.”

One of the two large metal doors swings open with you appearing, with the smile you wore she had engraved into her mind with a hot rod of metal after sketching you a few more times she’d probably ever admit. Ellie got up and cut the short distance and accepted you into her arms trying to not look like a desperate looser that flushes over a simple hug. Her ears clammy hands didn’t make her look exactly so hot and relaxed though.

“You did amazing El’s,”

“You think so?” She lit up into a smile under your praise, no matter how many times you give it to her mind melts.

“Except for the part where she messed up on the bridge.” Ellie shot a quick mean look at Jessie, but he just turned a cold shoulder before turning away.

“At least I didn’t bump into Dina’s drums 10 times,”

While Ellie kept bickering back and forth with Jessie she still held onto you, this felt like an opening to try at doing something.

A kiss on the check seemed harmless and innocent enough to take back in the case Ellie thought it was totally disgusting. Raising your head up towards her cheek nearing the corners of her smile, pressing your lips to a pout Ellie brought her face back in your direction landing the small peck on her lips. Ellie locked in place while you pulled away, not that you wanted to, but felt too embarrassed to start a kiss you didn’t know how to finish.

“El’s ‘m so sorry, you just moved out of nowhere and-“

“No, yeah mistakes happen, it’s chill or whatever,”

Her shit faced expression wasn’t helping the full pink flush saturating deeper on her face. Ellie lowered her head to wipe the bottom of her nose trying to forget the way your lips felt, your lipgloss was still sweet on her and so was the taste of it on her tongue wiping her lips clean.

Now it was your turn to feel scared and conflicted. It was too silent in the room even with the chatter of everyone else doing their own things outside. Taking back the small kiss wasn’t so easy now that it was done and got taken up a notch further.

She dropped her arms from both of your sides, looking away from you because looking at you right now felt like looking directly into the sun.

“Ellie you should start up the car we’re done here,” Jessie throws the keys at her giving her a slight knowing look to let her go and collect herself back together.

She didn’t even say anything, walked away without a goodbye or convincing enough reassurance that would calm your nerves.

“I’m gonna go home too, see you guys.” You were left with only your actions to think about. Ellie’s response to an accidental kiss made her ran away in the other away how could’ve you imagined it going any of other way? Feeling guilt and shame were the only emotions you could feel, rethinking the crush you’ve denied yourself from paying attention to and that it should’ve stayed that way.

Instead of paying attention to the kiss Ellie let her actions drive themself, not wanting to think at all. Until she hit herself with the car door, why did I act so grossed out? Making different scenarios of how it could’ve played out a million times better she thrust the keys into the ignition.

She dug out her cracked old red iPhone from her butt pocket and threw it into the passenger side. It hit something else than the leather seat, one of the lipglosses you always carry around abandoned alone. Ellie reached for it and saw the shade label, Glassy Expresso.

It sounded like the taste in her mouth from earlier, a taste you stole from her too soon. Unscrewing the lid she contemplated just trying it on. My lips are dry anyways, she swiped the applicator across her lips twice to get an even coat and rubbed it in with her lips. Some of it slipped onto her tongue, again. If only the taste of you could come along with the gloss.

Lmk if you guys want a pt.2♡🍒

[tswiftupdatess]

4 years ago today, Taylor Swift gave Swifties all around the world a heart attack by surprise announcing her 8th studio album folklore!

The album's on-demand first-day streams were 72 million in the US! 'folklore' sold over 500,000 units, including 400,000 sales, in its first 3 days, becoming the first album to do so since Swift's own 'Lover'. It debuted at #1 on the Billboard 200 and topped it for eight weeks, becoming the longest-reigning number-one album of 2020. Opening with 846,000 units, consisting of 615,000 pure sales and 289.85 million streams, it marked the largest sales and streaming weeks of 2020. Its first-week sales alone were enough to make it the year's best-selling album. It is hailed as her best work and made Taylor Swift the first woman to win Album Of The Year 3 times!

(July 23, 2020)