#Bescond
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Estelle Meyer, Sylvain Dieuaide, Blanche Leleu et Priscilla Bescond dans "L'Extraordinaire Destinée de Sarah Bernhardt" créée par Géraldine Martineau au Théâtre du Palais-Royal, Paris, septembre 2024.
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Jacques LE BESCOND (*1945) - Epsilon
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Wild Diamond (Diamant brut), Agathe Riedinger (2024)
#Agathe Riedinger#Malou Khebizi#Idir Azougli#Andréa Bescond#Ashley Romano#Alexis Manenti#Kilia Fernane#Léa Gorla#Alexandra Noisier#Antonia Buresi#Noé Bach#Audrey Ismael#Lila Desiles#2024#woman director
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What sport moment had you jumping up and down?
- Ohh!! Who knows me defintely knows my answer to this, or actually I have two but they know both!
Oberstdorf 2021 Team Sprint Final Women
AND
PyeongChang Olympics 2018 Biathlon Pursuit Women
Both of those got me jumping up and down, cant choose between them like at all
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Fabien sera dans les fleurs de notre coeur, avec son 20/20. Bien dit Anaïs ! <3
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Retro-Engineering a Database Schema: GPT vs. Bard vs. LLama2 (Episode 2)
Exciting news! In my latest blog post, I dive into the world of database retro-engineering and compare the performance of three AI models: GPT, Bard, and the new player on the block, LLama-2. 🚀 This article discusses how LLama-2 analyzes a dataset and suggests a database schema with separate tables for different categories. It successfully identifies categorical and confidential columns, providing valuable insights for data analysis. 💡 Curious about the results? Click the link below to read the full blog post and learn about Llama-2's performance and areas for improvement. 📖 [Read more here](https://ift.tt/SosADt0) Don't miss out on the latest trends in database retro-engineering! Stay informed and unlock valuable insights for your data-driven projects. #DataScience #AI #DatabaseRetroEngineering List of Useful Links: AI Scrum Bot - ask about AI scrum and agile Our Telegram @itinai Twitter - @itinaicom
#itinai.com#AI#News#Retro-Engineering a Database Schema: GPT vs. Bard vs. LLama2 (Episode 2)#AI News#AI tools#Innovation#itinai#LLM#Pierre-Louis Bescond#Productivity#Towards Data Science - Medium Retro-Engineering a Database Schema: GPT vs. Bard vs. LLama2 (Episode 2)
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L'agence de communication Sevanova s'implante à Dijon
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j'ai porté plainte ...sans suite.Que dire de la justice le dossier nétait pas assez conséquent, et le #meetoo a été préjudiciable en fait.
. Il a eu une enfant qui est Poly-handicapée et c'est sa caution de parent malheureux puisqu'il a arrété de bosser pour s'occuper d'elle..face à la justice c'est un papa...
Et bien j'me dit que la vie m'a rendu justice, une sorte de revanche sur le sors. C'est dégueulasse pour son enfant mais il a eu ce qu'il méritait, lui qui se voyait président de la fédération nationale...
Je conseille ( mais c'est assez éprouvant) le compte Insta d’Andrea Bescond, qui dénonce ses violences/crimes de mec , inceste...
le compte insta d'Elsa Wolinski aussi
fin de chapitre
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Quand tu seras grand (2023) réal. Eric Métayer et Andréa Bescond
#ce film est super pipou je vous le conseille vraiment#quand tu seras grand#film#frenchblr#french side of tumbr#what the france
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Blanche Leleu, Estelle Meyer, Antoine Cholet, Isabelle Gardien, Adrien Melin et Priscilla Bescond dans "L'Extraordinaire Destinée de Sarah Bernhardt" créée par Géraldine Martineau au Théâtre du Palais-Royal, Paris, septembre 2024.
#spectacles#style#chapeau#Bernhardt#Leleu#Meyer#Cholet#Gardien#Melin#Bescond#Martineau#TheatrePalaisRoyal
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The gingerbread display is one of the most enchanting annual traditions, brought to life by Executive Pastry Chef Yohann Le Bescond and his pastry team. This year, their design was inspired by 1994 AQHA World Champion stallion, A Sudden Impulse. The gorgeous display is crafted with more than 1,900 gingerbread cookies and 250 pounds of gingerbread dough. Stop by The Equestrian Hotel to see it in person near Emma's Patisserie!
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What to do what to do depression is upon you, what to do what to do to fix my mood, what to do what to do, let go of what besconds you, what to do, what to do, what to do,
I often feel trapped
Like I’m in a video game
Another round, days are all the same
Doesn’t matter where I go
The map is just a circle
And every mission
You do it for no reason
Most the time
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Long rambling notes about different characters’ perspectives on the beginning of the God Wars in Ruin of Angels by Max Gladstone.
Zeddig: rose-colored glasses towards Old Alikand, inclined to gloss over any atrocities or strategic blunders on the part of the High Families
Tara: biased in favor of Gerhardt, admires Old Alikand as a godless society, “grand unforeseeable tragedy” arising from conflicting interest of two noble forces
Bescond: skewed towards justifying the Iskari occupation, emphasizes or possibly exaggerates Gerhardt as a monster to contrast with Iskari as saviors but also denigrates Old Alikand
I wish I could hear more of how Raymet understands the story. “some of us have theories” like what Raymet? probably something that makes Zeddig’s ancestors look bad
It is interesting to note that Ley's final summation of the story mentions “heroism”, but she doesn’t say who she regards as heroic.
(none of these biases necessarily represent malice or dishonesty on anyone’s part, they’ve all been taught about the events from different perspectives and have different priorities)
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Zeddig locates responsibility for the Wars with Gerhardt’s decision to stay in Alikand, not the Families’ decision to attack him or the foreign gods’ involvement (which, I mean, this is probably fair but still it is a thing)
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Here’s how Zeddig describes the origin of the Wastes:
“Drained of power, torn from their faithful, they hid in dumb matter. Desperate, they fused sand to glass and stranger forms, built labyrinths to hide within. Matter is not so comfortable as a mind, to a god. But they tried to take the story matter tells itself - I am a stone, I am sand, I am a river - and shelter there. So, in his rage, Gerhardt broke even those simpler stories. And here we are.”
In Zeddig’s narrative, Gerhardt’s enemies were already defeated and fleeing for their lives when he, motivated by rage, broke reality in order to kill them. Her telling encourages sympathy for the gods by placing emphasis on their suffering and presents Gerhardt's final attack upon them as a pointless, vindictive act of destruction.
Here’s how Tara describes the same events:
“These are... the nightmares of dying beings, feasting on one another, growing inside one another to burst from each other’s chests. They war against themselves, in this world Gerhardt wrecked. In his hunger, Gerhardt scraped away the [...] thingness [...] from the Wastes - and when he began to die, he lost control.”
Tara's use of the word hunger implies need, maybe even desperation, on Gerhardt’s part. She doesn’t totally exonerate him - this world Gerhardt wrecked is pretty blunt about the harm he caused and his responsibility for it - but she emphasizes that he was fighting for his life against powerful enemies. She also mentions that he lost control, possibly implying that he did not predict or intend the full extent of the damage he caused. Her description of the gods evokes pity and horror more than respect or compassion.
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