#Berklee online

[psychics4unet]

Hey

Thank you so much for the reading

Can you please clear this whether i should go for nyu or berklee ??

cloud divination

I looked to the sky and let the clouds guide me on your choice between NYU and Berklee. 🌥️ The first shape I saw was a cloud resembling a large, sturdy tree with deep roots 🌳, symbolizing stability and growth. This seems to lean toward NYU, suggesting that it could offer you a solid foundation with a broad range of opportunities.

Next, I noticed a cloud that looked like a wave 🌊, dynamic and full of energy, which made me think of Berklee. This shape suggests that Berklee could be a place where you ride the waves of creativity and innovation, immersing yourself fully in the world of music.

Lastly, there was a cloud shaped like an open book 📖, symbolizing learning and wisdom. This could apply to both schools, reminding you that whichever path you choose, it’s the knowledge and experiences you gain that truly matter.

Ultimately, the tree hints at NYU’s strength in providing stability, while the wave points to Berklee’s vibrant, creative energy. Trust your instincts and consider what aligns most with your personal goals and where you see yourself flourishing. 🌟🎓

I hope this gave you clarity. Want to know more? Whether it's about love, career, or any other topic, let's get the full picture with a personal reading just for you. Click the link and join me on this journey!

In case anyone else here on tumblr would like a free psychic reading (cloud divination), Click the link and follow the instructions (I answer only to those who follow the instructions, thank you):

[beardedmrbean]

A Chinese student in the US has been sentenced to nine months in prison for stalking and threatening a female Chinese student who put up pro-democracy fliers on campus.

The fliers, put up at the Berklee College of Music in Boston in late 2022, read: "We want freedom... We want democracy, we want to love, stand with Chinese people."

In response, Xiaolei Wu said he would "chop [the woman's] hands off".

A federal judge has ordered that the 26-year-old be deported after serving his sentence.

“What Mr. Wu did in weaponising the authoritarian nature of the People’s Republic of China to threaten this woman is incredibly disturbing," said Jodi Cohen, who leads the FBI’s Boston Division that investigated the case.

The pro-democracy fliers were put up in late October 2022 during a wave of activism among Chinese people abroad.

China's 'Bridge Man' inspires Xi Jinping protest signs around the world

'I'm in Australia but I feel censored by Chinese students'

The court heard that Wu, who studied jazz at the university, communicated directly with his victim through email and social media platforms like WeChat and Instagram.

He told her that he had informed Chinese authorities about her actions and that China's public security agency would “greet” the victim’s family, the US Attorney’s Office in Massachusetts said on Wednesday.

He also tried to track her down and publicly posted her email address, "in the hopes that others would abuse the victim online", said the authorities.

Wu was charged in December 2022.

During his conviction in January this year, Acting US Attorney Joshua S. Levy said Wu's "violent threats achieved his goal of instiling fear" in his victim and others who might want to speak out against the Chinese government.

“Our office and the Department of Justice will not tolerate efforts to intimidate and threaten people to suppress their First Amendment rights. Censorship and repression campaigns will never be tolerated here," he said.

In the US, the charge of cyberstalking carries a sentence of up to five years in prison, three years of supervised release and a fine of up to $250,000 (£202,000).

The same penalties apply to the charge of interstate transmission of threatening communications.

[b-sai-des]

An Interview with Lilith a.k.a nicho santos is dead (pt1)

Earlier this week I had a really in depth and insightful conversation with a good friend of mine from high school, Lilith Santos (they/them), an experimental hip-hop producer studying music production at Berklee College of Music in Boston. They’ve been doing a lot of really interesting work with their solo albums and collaborations with different artists, and I was really grateful to hear from them about a variety of different topics like their collaborations, their personal journey as an artist, elements of their particular approach to production, and their personal philosophy as an artist and a person. 

We started catching up on what we’ve been up to. Lilith said that they’ve been busy with a lot of classes, but they’re doing some upcoming shows in Boston as well.

I’ve gotten to know Lilith pretty well these last few years, and one of the things I’ve always admired about them is their authenticity and sense of community. In our big and close-knit high school friend group I’ve definitely felt this, and Lilith spoke a lot here about the way that they look at things and how that’s shaped and been shaped by their journey with music. 

I know you've been working with a lot of different artists lately, like Annie Elise, Maz, Ghais Guevara, and asoookha. Is there a particular story when you met one of these artists? What was the start of one of those creative collaborations? 

Oh, for sure. I could give you the answer right now. I could do it for all of them, actually. It's not that deep. If we're thinking chronologically, then the oldest person that I know from these two, it has to be Annie, Annie first. Annie is someone that I met online during the peak of the COVID pandemic and all that whole jazz and stuff. And it was a Discord server that I would regularly flock to because I did moderate in that (laughs) as lame as that sounds. Jokes aside, I am very proud of doing my role in the community for that amount of time. And actually, Annie is the person that convinced me to go to Berkeley to begin with. 

Oh, wow. 

Yeah, she was the person that was actually willing to encourage me to audition, do all the stuff that I had to. But it kind of just started off on like a very mutual basis. Like we had friends of friends, she was at Berklee at the time before she dropped out. And, you know, we would talk a lot, but nothing really would suffice until I really got into Boston.

Now, maybe it was like a couple months before I got to Boston. And keep in mind the mindset that I was, I just had gotten out of like an eight-month relationship and she had just gotten out of like a three-year relationship. I told this story to a lot of people because it's really funny how we ended up coming with this idea [their music project, The Heartmenders] to essentially cope with our loss of partners, but also the gain of our fruits of a new life, essentially. And what happened was I was visiting Boston beforehand, just to kind of check out the school, visit Annie and all that. And I remember the first night that I arrived there, I'm driving over to her place, I'm trying to find parking and I get a text and she's like, “Sorry if I seem upset today. I just got broken up with.”

And I'm like, holy shit, that couldn't have been more insane timing than what happened to me. So, you know, being a friend first, I listened to her. We went out to get pizza,  it was like this whole, it was a really nice night. I look back at that night with such fondness and joy, but in retrospect it really was the start of everything. 

Cause I remember she would text me two months later, on and off talking. This was after I got into Berklee. After she helped me with my audition process, the year prior, she was like, “You know, well, since my ex doesn't have the performance privileges to be with me anymore, do you want to perform with me?” Already getting a gig opportunity before school started was crazy to me, and I'm so fucking grateful for this moment in our friendship. I'm very grateful for her in general. I can tell you that I'm grateful for all these people. When I got that opportunity, it was such an easy thing to say yes to, and I'm so glad I did. 

It was at Bill's bar, for a Breaking Sound showcase. And it seemed like the biggest thing in my life. Now it's like, you know, footnote of the past, but it's like one of the biggest things that happened to me. And in that period of time of moving in, getting settled into school and figuring stuff out before the show, we were like, “Hey, let's just make some music together so I don't have to just perform like all your stuff – no offense, I just want to be able to perform some of my stuff as well.” And she’s like “Yeah, sure!”

I feel like we were super lucky in how we caught lightning in the bottle that day when I was making beats over at her house and we were laying down vocals. She was so easy to work with. She really knew her way around the DAW [digital audio workstation], I was still more or less an amateur. I'm still a student in my craft, I'm still learning how to do all of that stuff, but, you know, seeing her work inspired me to figure out a work process on my own, work harder on my stuff. And we would just end up sending a bunch of shit back and forth to each other from the summer before I moved into Boston. 

I think the important thing was that the relationship, the friendship, was already established. So that made the work 500 times easier. Being able to work with her on that, get like devil's advocate on certain inputs, but also just being able to rock out and like have no stress and making shit with was probably one of the biggest blessings I could ever receive, and it definitely did carry into how I treat a lot of my collaborators and like, you know, how much I want to do, see the chemistry, you know, whatever's up with that.

And, you know, Annie and I have been like really close friends since I still keep up with her from time to time on the phone. She's super busy nowadays, but she always makes time to respond and do all this stuff with me, so I find myself grateful.

Annie Elise and Lilith Santos are The Heartmenders.

We're working on a new album right now. We're taking our time with it.

That gets me excited, because the first EP – I was blown away by that.

And that was like, those are really old tracks. Actually, I'll send you the old demos right now, I think it was on a fucking Medium article. I wrote about it in the Medium article. I do talk about the entire story in a lot more depth. I'm really glad I wrote about it. It was a really fun exercise (laughs). Yeah, it was just a fun time. It's really funny looking back at my previous heartbreak, and I don't feel so strongly about it right now. You know, it's just kind of funny knowing a time where like I deadass wrote about it, and it was so cathartic for me for no reason. 

I can give you another collaborator too, which one are you the most interested in? I could do all of them. 

Yeah, whatever you feel most interested in talking about. It sounds like you have a really good repertoire and a good relationships with all these people. It's cool to hear that kind of camaraderie that's there that you have with all the people that you're working with, and it sounds like a really nice community there.

Oh, for sure. For a lot of things, especially in school, the one thing I have to remind myself at the beginning was that I'm here for the school. Obviously, I'm here to make my parents proud. And it was already a crazy journey, becoming a musician, taking it seriously, and then actually going to a school for it. But the more important thing that I'm here for is the community. I mean, I've made some amazing friends. I could like, talk so much about them, you know, just how true to themselves they are, and how much they inspire me to keep working on things and do things a different way or see things a certain way. It's honestly super inspiring. 

One of those people is Maz. Now, Maz is someone I met recently in the whole grand scheme of things. I became very good friends with him like a year ago. He's like one of my closest homies I ever made at the school. And we met off of a beat battle for the Berkeley Hip Hop Club that I was recommended to do when, you know, everyone was still trying to find their friends for college, their roommates, and be like, “oh, like I have this thing in common, too.” I didn't meet him there, but a friend of mine was like, “Yo you should join the beat battle. The guy who runs Berklee Hip Hop right now is judging it, and I think he would be really cool for him to see your work.” I took him up on the offer. He really liked my work! 

And we kind of knew of each other, but it was really when we met in person – a lot of the stuff, especially for all these collaborations, except for one, really blossomed after meeting them in person after they're really getting to know them as a person. I'm a very social person. I try to be at least, and, you know, (laughs) it definitely shows. 

Now, the funny thing is with Soul Snatchers, that whole EP was just tracks made for fun. And we somehow just worked our way into a really nice, concise circle full of ideas and such. it's just really easy to just make something, put down vocals, and then be done with it. The surprising this about this was I exclusively produced it. Another great thing about the collaboration was that I had Maz there helping me with the beat as well. Maz already is like one of the greatest working producers I know at Berklee. Like, he knows how to mix, he knows how to engineer, he knows how to experiment just enough, but also keep it in the realm of like, digestible. You know, for someone like me, that's a bit of a task! So seeing Maz do it and also being a part of his band helps too. It's amazing. And I think the main thing I got from this was that we were just having fun. A lot of the music that we make is never really that deep.

There are certain things in the production that Maz wants to fulfill every time we have a session. And whenever those prerequisites are filled up, I get to do whatever I want. So it's kind of taught me a lot about restraint. He's very set on what to do. He's very clean, thorough, efficient with it. It inspired me for my own production, just kind of honing down my process even more to like almost on a molecular level, especially for just like basic ideas.

It's really nice. I have like a mini Maz in my head sometimes telling me to make split decisions or not, and then just sticking with them until the end of the song. 

It seems like from all your collaborations, you kind of picked up things from them, and you've learned from each of them. I was also wondering, for your most recent album, distant benevolence – I was struck  when you released side B, because I could definitely see how you and asoookha had two distinct styles, but they kind of came together on both side A and side B.

Yeah! Ah, oh, man, ah that collaboration was a lot of fun! So they mentioned this in their YouTube description of the actual tape itself. They literally uploaded it like a day ago. In the comments, he does recall the story of when this first happened. Originally, we were friends of a friend. Shout out to TEYO. If you're reading this, what up? That kid is fucking talented. And amazing.

TEYO! on Spotify

He was the one that brought asoookha and I together. I remember hearing off of one of his tracks. I think it was "the lights dim as I live." It's a good song. The production on that was like, absolutely stellar. And like hearing that come from an 18 year old, right? Fucking wild! Like I was making stuff at like 18, but I don't think I ever sounded like that good. So I was like, okay, I had to see what was up with this guy. 

I get invited to the discord server and I immediately make friends with this dude. Asoookha is awesome. We have a lot of the same interests. We're both into the same, like DJ and HoloLive, VTuber shit. It's a, it's a really funny thing to bond over. But at the same time, like our shared love for these like weird ass interests, like anime and like VTubing and like just weird fucking unplayable video games, it really brought us closer.

Youtube upload of Distant Benevolence Side B by asoookha.

And this guy's in Australia. Now keep in mind, this is not my first rodeo with a long distance friendship– I have this friend named Allanah, crazy voice actor, who I met a couple years ago over the internet and across the sea. So awesome. Like just such an awesome individual��� Asoookha lives all the way in Australia, so I know how this shit works already. I know what kind of times to be up at. I know when to hit them up, when to not hit them up type of deal. And it was just really easy for us to get along. 

And one day, I think it was like maybe a couple of months ago, they were like, yo Lilith, do you want to just like make a collab album? That would be really funny. And I was like, as funny as that does sound, I think it would sound pretty good. So I went along with it. And I think for the entire time, asoookha was just not expecting for this to work out. Like, it was just going to be like another, like, “Oh, like, you know, we'll say we'll do it, but we're never actually going to do”, but we, we kind of came in and swept! It was such a crazy display of a two way street I've ever seen, especially from Boston all the way to Australia. We were really on top of our shit.

And that's what was like, so surprising about it. And, you know, our styles are super different. I'm very – I don't think my stuff should be perfect at all. I don't want it to be perfect. That's against my whole being as a producer, my style. Just having the weird dichotomy of like, super clean, nostalgic beats from asoookha and like this dirty but like raw and emotional stuff coming from me, it was like magical to me, hearing everything front to back. We thought about the track order and stuff together. And we just realized like, it would sound good if we just went from one emotion to the other, just like quite literally had two sides of the tape dedicated to each of us. It was kind of easy from then on.

I'm very thankful to call myself his friend. He's probably one of the craziest, talented producers out there in terms of sampling and finding stuff and getting really deep, like deep into that pocket.

I was surprised to hear “X-Wing” being sampled in one of the asoookha tracks on side B.

“video games SUCK?” 

Yeah! The way he utilized Denzel Curry's vocals from X-Wing and kind of just completely flipped it.

The band [CENSORED (sorry, no sample snitching)], I think it’s a flip of them, if I recall correctly. But like, no, they're just, asoookha’s kind of crazy with it. Like they, like a lot of people just kind of slap on rap acapellas onto beats, and they’re the only couple of people that I know that can do that super well. But it surprised me to hear asoookha just threw their thing on that. Like, I mean, I don't do that a lot anymore as much as I used to, but I've been thinking about it more and more now. It's just kind of inspiring. A lot of the people I'm very grateful to. I'm so fucking grateful to be in this position that I'm in. They just kind of proved me wrong in a lot of ways. That's really all I can ask for from people! Like just prove me wrong! Show me I can do something a different way. That's really it.

I could definitely see both of your styles, there's such a beautiful synthesis on the final product. So yeah, I definitely, I definitely see the fruits of that labor.

For sure. Oh man, I'm gonna have this new whole list of shout outs right now. Shout out to Eli. Shout out to VVN. Shout out to Kyle, my boy Kyle. Shout out to Maz. Shout out to fucking Nate, man. Shout out to Quinn. Shout like, I got so many people to shout out. I don't even know if I can fit this shit in. I got so many people to thank for like, in terms of music stuff. Cause you know, it's just you know, this industry is already hard as is, as an artist being solo. Having a community just to kind of back you up and uplift you when you need it, but also being able to give that energy back and uplift that back to them: that is like one of the things I live for. Friends and family are awesome.

As for your upcoming shows, where are you going to be playing at? 

I'm doing something for the Women Producers Showcase at The Loft at Berklee. It's going to be a nice little show, not too much. Then I got like a little thing going on at Bencils Live. It should be on the 18th, if I recall correctly. it's going to be like a whole 30-minute set party kind of vibes. But I'm just going to be doing my thing. I don't know. It's just going to be a bit hectic in terms of preparation. I just go by feeling to be honest (laughs).

One of the things that's clear with Lilith is the sense of gratitude she has for the people she works with and have friendships with and the opportunities she's had. Lilith really values the nature of collaboration, and they've learned from each of their projects with different artists and friends.

After this point, our interview turned more towards Lilith's personal journey and their specific style. Lilith explains the significance of their artist name and their journey of coming out as nonbinary along and their personal philosophy which carries over into their personal style. Go to part two.

[bad-entertainment]

I was looking to apply to Berklee (best music uni in USA) like just to know how to and look what they have and the online degree is like 61 800$ US so like 70 000$ Canadian for me like are they out of their fucking minds??? Who can pay for that T-T it’s not even on campus what the fuck

[favemusiclessons]

Blues Guitar Lesson: How to Play a Flat Tire Blues Shuffle

Music and rhythm isn’t always just 1 2 3 4. There are also the “ands” in between. And just like the downbeats make us feel grounded, the upbeats (the “ands”) can give us a feeling of lightness. In this video, Berklee Online course author Michael Williams demonstrates how to play what is known as the Flat Tire guitar rhythm. It consists exclusively of upbeats and has a real bluesy feel to it (and has a similar feel to that of a flat tire). This video comes from “Blues Guitar,” a Berklee Online course written by Michael Williams.

[infiinitys]

LIZETH SELENE. THEY/SHE / have you ever heard of EAT ME by demi lovato + royal the serpent, well, it describes JETT CORRIGAN-ORTIZ to a tee! the twenty-six year old, and LOUNGE SINGER @ PROHIBITION LOUNGE + KEYBOARDIST/SYNTH AND BACKING VOCALS FOR FISH BRAINS was spotted browsing through the stalls at portobello road market last sunday, do you know them? would you say THEY/SHE are/is more cocky or more ASSERTIVE instead? anyway, they remind me of gromit belts holding up jeans that are most certainly to big for them, tapping in rhythm to the music in their mind, smoking a cigarette outside of a dimly-lit diner & a bullshit meter that never fails them, maybe you’ll bump into them soon!

⠀⠀⠀⠀⠀⠀⠀⠀𝚃𝚁𝙸𝙶𝙶𝙴𝚁 𝚆𝙰𝚁𝙽𝙸𝙽𝙶 : cancer, parental death, hospitals, coma, car crash

   𝐁𝐈𝐎𝐆𝐑𝐀𝐏𝐇𝐘

It's almost like you know your child is going to be a rock star when you name them Jett, after the infamous Joan Jett. While both of Jett's moms take credit for the name, it was Molly's love of badass female rockers that won the day.

Born into a home to Gloria and Molly Corrigan-Ortiz -- Jett was loved from the very moment their moms held them in the hospital. Having been shoved in boxes by extremely conservative parents in their respective childhoods, Gloria and Molly knew that they always wanted their child to have the freedom to be themselves.

Interests were never chosen for them, and Jett always was given the right to let their moms know that it was onto the next.

Jett has always been a magnetic personality, confident, kind and loud -- something that at times has been a detriment. Occasionally this drove people away.

The interest that stuck out the most was music. From the very moment she touched a piano, it seemed like it was made for them. Classical piano practically became their identity, something that changed when she was fifteen. One thing they'd learn the older they got? They had a killer voice to match. One that grabs a hold of you and never lets you go.

This was when they discovered rock and punk. From there, they started playing the keys for a local rock group out of their high school. This was their ticket into the popular crowd.

In high school - because of their newfound popularity they felt like they had to keep up appearances to keep their "friends" around. By senior year they were the captain of the cheerleading squad, dating the quarterback and even won prom queen.

They were familiar with Jaden Lapointe and Liam Kumar in high school. In a way, Jett was jealous of them. They were completely themselves, who they wanted to be. And fuck, had Jett become so damn used to living a lie. It felt like home.

Graduating felt like sweet relief. They dumped their football-for-brains boyfriend ( not that the decision didn't come with some amount of pain, they had really loved him for a time ) before they went off to Berklee College of Music in Massachusetts.

Those years in college were transformative, as their moms said it would be. Jett stopped playing classical completely and turned their focus to singing and playing the music that they loved. They even released a couple of their own solo songs, something that gained her significant traction online.

However, nothing really ever made them feel complete. There was a point in time when they thought about quitting music all together. However, their moms always encouraged them to keep going. Keep growing.

And so, they continued to work on some solo work, playing some freelance gigs and even landed a couple bands. However, none of them were ever really the right fit. Getting a job at the lounge helped things become a bit more stable as they kept looking.

The answer they had been looking for finally came when they impulsively went out with some friends and ran into Fish Brains a couple of years ago at a gig - completely by chance. They had to reintroduce themselves to Liam and Jaden, considering they looked completely different than they did back then. They were finally themselves. The familiar classmates soon recruited Jett as their keyboardist and background vocalist.

Since high school, Jett had never stayed with a band for more than a couple months. The biggest reason? They didn't believe the band could go the distance. However, they have complete faith in their bandmates and believe that they have a strong career ahead of them.

Three years ago, Gloria and Molly followed their child to Notting Hill with news that would shake them to their very core, Molly had been diagnosed with stage four cancer. Not only did they relocate because of the medical care that would allow Molly to get treated by the best money could buy, it would allow their child to be around their mother.

The inevitable finally came close to a year ago when Molly passed away. Without the band, Jett might have crumbled. However, the only time they allowed themselves to break was at the funeral.

Grieving has been a slow and painful process for them, something that they'd rather die than admit out loud. They never wanted to burden anyone, especially their loved ones. However, they see Molly everywhere they go. In the trees, in the sky, especially in the songs they write.

A couple months ago, Gloria got hit by a drunk driver and was put on life support with some hope for recovery. It's a sliver, but it's enough for Jett. They are currently trying their best to juggle the medical bills alongside daily expenses... but they can't lose Gloria. This is something that has caused them to overextend themselves and have been trying their best to hide it from their bandmates.

  𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒

Pansexual and puts an extreme emphasis on the fact that they have no preference in gender.

Wears mostly clothing they find in thrift stores.

Hands are littered with rings to the point that it looks like they're wearing silver knuckles.

Making music your day job and your side job doesn't always pay. They currently live in an apartment with two other roommates, people that are very important in her life.

Has a beautiful Persian cat named Iggy. That is their child, he is their everything.

Definitely very particular when it comes to love. At least, that's what they like to say... completely ignoring their crippling fear of losing someone they love and the heartbreak that would follow.

Loves her bandmates. Even Jedi, something they would never tell him to his face. They've never expected them to be anything but themselves.

Has had quite the journey of self acceptance. Identified as nonbinary initially before coming out as genderfluid this past year.

more to come.

𝐋𝐈𝐍𝐊𝐒

TBA.

[debbiedeane]

Website: https://www.debbiedeane.com/

Address: Brooklyn, New York, USA

Debbie Deane hails from a musical world without boundaries, where singer-songwriters and top-tier jazz musicians breathe the same creative air. Born and raised in Brooklyn, Debbie grew up listening to Carole King, Stevie Wonder, Joni Mitchell, and Steely Dan. As a teenager she explored the fertile ground of the Great American Songbook. Introduced to folk, funk and fusion by her older brother, she studied the great divas of the jazz and pop worlds developing an intense interest in jazz harmony. Music was the ultimate refuge.

After earning a degree in English Literature from Harvard, Debbie embarked on a career in music. She studied jazz intensively at Boston’s Berklee College of Music, honing the piano skills that she continues to display as a singer-songwriter. At first her songwriting and singing came as an afterthought, but then took center stage.

In her performing and recording life, Debbie had the good fortune to work with  acclaimed jazz musicians who share her interest in quality songwriting — people like drummer Brian Blade and the late, great bass player Jeff Andrews.  Moving back to Brooklyn, she lived in a ""jazz den"" with some of the city’s most promising jazz musicians, including saxophonists Seamus Blake and Terry Deane, drummer Marc Miralta and pianists John Stetch and George Colligan. ""Everyone came through our place,"" says Debbie. ""The people I’ve played with, they’re all my friends and they’ve known me, they’ve been my roommates and people I went to school with."" Their presence on Debbie’s recordings and at her live shows is a powerful endorsement.

Debbie continues to gig extensively in New York and beyond.

Piano Lessons:

Debbie Deane has been a piano teacher for over 20 years. She teaches out of her home in Windsor Terrace, Brooklyn, specializing in kids ages 6 and up.  

She teaches the fundamentals and basics - scales, reading music, music theory, and playing by ear. Her students play a lot of songs. Each student is different, and she tailors lessons accordingly. As a result, she teaches all styles of music. She does have a soft spot for Bach and Beethoven, so everyone has to try classical, which is great for technique.

Facebook: https://www.facebook.com/DebbieDeaneMusic

Instagram: https://www.instagram.com/debbiedeanemusic/

Youtube: https://www.youtube.com/@debbiedeane8771/

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[celtic-cd-releases]

https://www.elirmusic.com

https://www.facebook.com/elirmusic/

https://elirmusic.bandcamp.com/album/silver-sails-2

https://open.spotify.com/album/1kDkupv3mDkwssE07G2H8G

[evelyne-am]

My first post here is off my parents. Actually it’s mainly off my mum. At birth her name was given as Evelyne. My whole life I have enjoyed having my fathers name as my own, but as a young adult I realise that I would’ve loved to have my mum is on it and when I was at Berklee ive used this as my screen name, when i was hiding from Bengali people online lol. If you have known me a long time you have known that my Facebook name was not Armeen Musa but Evelyn Binte but as I worked in a professional field I had to keep my real name at all times as Facebook became part of my jo. (Recently my friend Samira added her mums name as her middle name and i have been thinking of the same) so as I am starting a new journey I was wondering how I feel to open this account; I realised that I was feeling like Evelyne again.

[melodyplace]

Music Schools and Learning music

Introduction :

The Importance of Choosing the Right Music School

Music education plays a crucial role in shaping aspiring musicians' careers. Whether you are looking for the best music schools in Hyderabad or searching for best music schools online, selecting the right institution can be a life-changing decision. A quality music school provides structured learning, experienced faculty, and real-world exposure to the music industry.

How Music Education Shapes Your Career

Formal music training enhances your technical skills, performance ability, and industry knowledge. Attending a reputable school, such as top music schools in Hyderabad, can open doors to career opportunities in performance, production, education, and business.

What to Expect from This Guide :

This guide provides an in-depth overview of how to choose the best music school, ranking factors, online learning opportunities, career paths, and financial aid options.

Understanding Music Schools :

What Defines a Top-Tier Music School?

A great music school offers exceptional faculty, comprehensive programs, state-of-the-art facilities, and strong industry connections.

Different Types of Music Schools :

Conservatories focus on performance and technical training.

Colleges and universities offer academic degrees in music.

Online programs provide flexible learning for modern musicians.

Key Factors to Consider When Choosing a Music School

Reputation and rankings

Faculty expertise

Specialization options

Tuition fees and scholarships

Networking and career support

Ranking Criteria for the Best Music Schools

Faculty and Teaching Staff: Learning from the Best

The expertise of faculty members significantly influences your education. Experienced instructors and industry professionals provide invaluable mentorship.

Programs and Specializations: Finding Your Musical Niche

Whether you're into jazz, classical, or electronic music, the best schools offer specialized programs catering to diverse interests.

Industry Connections and Opportunities: Internships, Gigs, and Networking

Look for institutions with strong ties to record labels, studios, and live music venues.

Best Online Music Schools and Programs :

The Future of Digital Music Education

With advancements in technology, best music schools online provide professional training remotely, making education more accessible.

Accredited Online Music Degrees and Diplomas

Several universities and institutions now offer accredited programs for aspiring musicians and producers.

Free Online Music Schools: Learn Without Spending a Dime

There are various free online music schools offering high-quality courses in performance, theory, and music production.

Best Platforms for Learning Music Production and Performance :

Online platforms such as Coursera, Udemy, and Berklee Online offer excellent courses for budding musicians.

Choosing the Right Music Program :

Performance vs. Composition: Which Path Is Right for You?

Consider your strengths—whether you're inclined toward live performance or composing and producing music.

Music Business and Production: A Modern Career Path

The industry requires professionals who understand both the creative and business sides of music.

Jazz, Classical, or Contemporary: Understanding Genre-Specific Training

Select a school that aligns with your preferred genre. Top music schools in Hyderabad offer training in various styles.

Admission Requirements & Application Process

What Do Music Schools Look for in Applicants :

Most schools assess talent, technical skills, and passion.

Crafting an Impressive Music Portfolio

A well-prepared portfolio, including recordings and compositions, can boost your chances of admission.

Preparing for Auditions: Tips from Experts

Practice consistently, select the right repertoire, and work on stage presence.

Scholarships and Financial Aid for Music Students

How to Find and Apply for Music Scholarships :

Many institutions and organizations provide financial assistance for talented musicians.

Grants, Fellowships, and Assistantships for Aspiring Musicians

Explore funding opportunities that can ease the burden of tuition costs.

Life at a Music School :

A Day in the Life of a Music Student

A typical day includes classes, rehearsals, collaborations, and practice sessions.

Balancing Practice, Performance, and Academics

Time management is key to excelling in both academics and music training.

The Importance of Collaboration and Networking

Connecting with peers and professionals can open up career opportunities.

Career Opportunities After Music School :

Performance Careers: From Orchestra to Solo Acts

Many graduates become solo performers, session musicians, or ensemble members.

Music Production and Engineering: Behind the Scenes of Sound

Training at the best music production schools equips students for careers in sound design and production.

Music Education: Teaching the Next Generation :

Teaching music at schools, colleges, or private institutions is a rewarding career path.

The Business of Music: Marketing, Management, and Publishing

A solid understanding of the industry helps musicians navigate contracts and marketing.

Pros and Cons of Attending a Music School :

Is a Formal Music Education Necessary for Success?

While many successful musicians are self-taught, formal education can accelerate career growth.

Alternatives to Traditional Music Schools

Online courses and mentorship programs offer flexible learning options.

How to Make the Final Decision :

Comparing Costs, Location, and Reputation

Consider your budget and proximity to music schools near me for convenience.

Campus Visits and Trial Lessons

Visiting schools and attending trial classes can help in making an informed decision.

Speaking with Alumni and Faculty

Talking to former students and professors provides insights into the school’s environment.

Conclusion :

The Journey to Becoming a Successful Musician

A structured music education provides the foundation needed for long-term success.

Final Thoughts on Finding the Best Music School for You

Whether you choose budget-friendly music schools or elite institutions, ensure that the school aligns with your career goals and aspirations.

[sheetmusiclibrarypdf]

Mark Harrison's music instructions books

Mark Harrison's music instructions booksBest Sheet Music download from our Library.Please, subscribe to our Library. Thank you!About Mark HarrisonMark Harrison's VideosBrowse in the Library:

Mark Harrison's music instructions books

Mark Harrison - Smooth Jazz piano (PDF + MP3 audio tracks)

Blues Piano For Beginners by Mark Harrison

Mark Harrison - R&B Keyboard (with audio MP3)

Mark Harrison - Intro to Jazz Piano

Mark Harrison - Contemporary Jazz Piano

Pop Piano Book, The By Mark Harrison

Music Theory, All About - A Fun And Simple Guide To Understanding Music By Mark Harrison

Piano Styles Of 23 Pop Masters (Mark Harrison ) Secrets of the great contemporary players

About Mark Harrison

Mark Harrison studied classical piano as a child, and by his teenage years was playing in various rock bands in his native Southern England. In the 1980s he began writing music for TV and commercials, including a piece that was used for the British Labor Party ads in a national election. He also appeared on British television (BBC), and became a fixture on London's pub-rock circuit. In 1987, he relocated to Los Angeles to experience the music business in the U.S.A., and began performing with top musicians such as John Molo (Bruce Hornsby band), Jay Graydon (Steely Dan), and Jimmy Haslip (Yellowjackets). In the ensuing years Mark wrote and recorded several contemporary jazz albums with the critically-acclaimed Mark Harrison Quintet. Fast forward to the 2020s, and he is now the music director for the top-flight Steely Dan tribute band Doctor Wu - recent sold-out California shows include the Bakersfield Hall of Fame, Herb Alpert's iconic Vibrato music venue, and many others.Mark has composed and recorded a large body of work for television music libraries, commercials and documentaries, and his TV music credits include Saturday Night Live, The Montel Williams Show, American Justice, Celebrity Profiles, America's Most Wanted, True Hollywood Stories, and many others. Mark Harrison has specialized in teaching contemporary music styles for decades, and has become one of the most in-demand music educators in Southern California. He held faculty positions at the renowned Grove School of Music (instructing hundreds of musicians from all around the world) and the University of Southern California (Thornton School of Music), working alongside world-famous musicians such as Patrice Rushen, Alfonso Johnson, and the late Ndugu Chancler.Mark currently runs a busy online teaching studio, for professional and aspiring musicians alike. His students include Grammy-winners, hit songwriters, members of the Boston Pops and L.A. Philharmonic orchestras, and first-call touring musicians with major acts. Mark's music instruction books are used by thousands of musicians in over twenty countries, and are recommended by the Berklee College of Music for all their new students. He has also written Master Class articles for Keyboard and How To Jam magazines, covering a variety of different keyboard styles and topics. Mark is an endorsed artist/educator for Dexibell keyboards, and released his latest original contemporary jazz-rock album Willing To Be Lucky (performing and recording all instruments) in 2024.

Mark Harrison's Videos

https://www.youtube.com/embed?listType=playlist&list=UUqVek0zpwE2bCmVqQN85k5A&layout=gallery Read the full article

[musicindustry123]

How Music Industry Certifications Enhance Skillsets for Aspiring Artists

The music industry is as competitive as it is diverse. With millions of new songs released every day on streaming platforms, aspiring artists need more than just raw talent to stand out. Today, success in the music industry requires a combination of creativity, technical skills, and business acumen. But how can artists acquire the knowledge they need to thrive in such a multifaceted industry? This is where music industry certifications come in.

Music industry certifications are specialized training programs that offer practical knowledge and hands-on experience in various fields, such as music production, sound engineering, digital marketing, and business management. These certifications equip aspiring artists with essential skills that go beyond songwriting and performance, empowering them to handle everything from producing high-quality tracks to marketing their brand effectively. In this article, we’ll explore the various ways music industry certifications can help aspiring artists grow, succeed, and navigate the complexities of the modern music scene.

1. The Growing Importance of Skills in the Music Industry

In the past, musicians mainly relied on record labels to manage their careers. Record labels would handle everything from producing albums to marketing and distribution. However, the digital age has dramatically transformed how music is created, shared, and consumed. Today, artists have the power to independently produce, promote, and distribute their music worldwide. While this has opened up exciting opportunities, it has also increased the need for a diverse skill set.

For example, an independent artist may need to:

Record and mix their own tracks.

Design promotional material and manage social media accounts.

Understand digital distribution channels like Spotify, Apple Music, and YouTube.

Navigate contracts, copyrights, and royalty agreements.

All of these tasks require skills that go beyond playing an instrument or singing. Music industry certifications are structured to provide these critical skills, ensuring that artists are well-prepared to handle the multifaceted demands of the industry.

2. Certifications That Help Build Essential Skills

Certifications offer specialized training in areas that are crucial for modern musicians. Here are some key skills that aspiring artists can develop through certification programs:

a. Music Production and Sound Engineering

Mastering music production can greatly enhance an artist’s ability to create polished, professional-quality tracks. Certifications in music production and sound engineering, such as the Avid Pro Tools Certification or Ableton Live Production, teach artists how to use industry-standard software, record clean audio, and mix and master their tracks.

Skills Gained:

Recording techniques, including microphone placement and sound capture.

Audio editing, mixing, and mastering.

Familiarity with digital audio workstations (DAWs) and plugins.

b. Digital Marketing and Social Media Management

Understanding digital marketing is essential for promoting music in today’s digital landscape. Certifications like Hootsuite’s Social Media Marketing or Google Ads for Musicians teach artists how to effectively use social media platforms, run ad campaigns, and engage with fans online.

Skills Gained:

Content creation for social media platforms like Instagram, TikTok, and YouTube.

Running effective digital ad campaigns.

Analyzing engagement metrics and adjusting marketing strategies.

c. Music Business Management

Managing the business side of music is equally important for aspiring artists who wish to stay independent. Music business management certifications, like Berklee Online’s Music Business Certificate, cover essential topics such as contract law, publishing, licensing, and revenue streams.

Skills Gained:

Negotiating contracts and understanding licensing agreements.

Managing music rights and collecting royalties.

Building a personal brand and managing finances.

3. Real-World Applications: How Artists Benefit from Certifications

a. Independence and Control Over Creative Output

For many artists, the biggest advantage of music industry certifications is the independence it offers. With the skills gained from these programs, artists no longer need to rely solely on expensive producers or marketing teams. They can produce their own music, promote it directly to fans, and retain full control over their creative vision. This autonomy is invaluable, especially for those who want to carve out a unique identity in the music world.

b. Cost Savings and Increased Revenue

Producing and marketing music can be costly. By learning how to handle various aspects of their careers, artists can save on expenses they would otherwise incur by hiring third parties. Additionally, understanding the business side of the industry helps artists ensure they’re not losing out on revenue through poor contract deals or missed royalty payments. For example, knowledge gained from a certification in music business management can empower artists to negotiate better deals with labels or distributors.

c. Building a Professional Network

Another significant benefit of music industry certifications is the opportunity to network with industry professionals. Many certification programs include workshops, seminars, and projects where students interact with instructors who are experienced musicians, producers, and managers. This networking can lead to collaborations, gigs, and mentorship opportunities, all of which are invaluable for emerging artists trying to establish themselves.

4. Popular Music Industry Certifications for Aspiring Artists

Several music industry certifications cater to the diverse needs of aspiring artists. Here are a few noteworthy ones:

Avid Pro Tools Certification: Teaches audio production and is essential for anyone looking to master studio recording techniques.

Ableton Certified Training: Perfect for those interested in electronic music production, this certification offers in-depth knowledge of the software’s features.

Berklee Online Music Business Certificate: Offers insights into the business aspects of the music industry, including marketing, contracts, and finance management.

Hootsuite Social Media Marketing Certification: Helps artists learn how to leverage social media platforms to grow their fanbase and market their music.

Google Analytics and Google Ads Certification: Teaches artists how to run targeted ad campaigns and analyze digital marketing strategies effectively.

5. How to Choose the Right Certification

Selecting the right certification depends on your career goals, budget, and current skill set. Here are a few tips to help you choose:

Assess Your Strengths and Weaknesses: Identify the areas where you need improvement. For instance, if you’re good at songwriting but struggle with production, consider a certification in music production.

Research Course Content: Look at the syllabus of different programs to ensure they cover the skills you need. Read reviews and seek testimonials from alumni.

Evaluate Time and Cost: Consider how much time you can commit to a course and whether it fits your budget. Some certifications are online and self-paced, while others may require in-person attendance.

Conclusion: The music industry has never been more accessible to aspiring artists, but with this accessibility comes the challenge of navigating a competitive and complex landscape. Music industry certifications can be a game-changer for artists, providing them with the skills, knowledge, and confidence needed to thrive. From mastering production techniques to understanding the intricacies of digital marketing and music business management, certifications equip artists to handle every aspect of their careers independently.

As the industry continues to evolve, the ability to wear multiple hats—producer, marketer, and manager—can set an artist apart from their peers. Investing in a certification can be the first step towards building a sustainable, successful music career. So, if you're an aspiring artist looking to improve your skills, consider exploring the wide range of music industry certifications available today. They can help you sharpen your craft, reach a broader audience, and ultimately turn your passion for music into a rewarding career.

[gebergerc545]

Blog #4: Final Project

This lesson is built for a 10th-12th grade band classroom with a 50 minute class period. This lesson would serve as an introduction to the topic of jazz improvisation in a jazz-focused unit. While the lesson exposes students to the topic for the first time, its also meant to be a precursor to activities that apply its concepts through physical practice and application by students on their own instruments.

This lesson focuses on the musician Gary Burton, a renowned vibraphonist in the industry and a course instructor/author for Berklee Online. The article that I chose offers his insight and expertise in jazz music, and gives practice strategies for the material that he covers. While it seems like an article that is just there to dole out lots of information, their is an attached video that aligns with the article and breaks down the material and provides more insight in a different medium. This allows the viewer to better process the information than if the article was a stand-alone source.

The importance of having the students read this article from Gary Burton is to immerse themselves in new vocabulary straight away while having time to properly process it through the lesson activities. Jazz as a form of music can be hard to grasp onto conceptually due to its structure and terminology. This article is meant to ease the understanding of it while providing insight from a reputable source. While this lesson provides a good baseline for jazz theory and application, it can lead into a lesson pertaining more to jazz history and its cultural impact, which gives students time to process each different aspect of the topic (like chunking lessons in a sense).

The text complexity of the article is meant for a slightly lower level grade level with an average of 9.0 and a Flesch-Kincaid level of 8.3. The qualitative components of the article are rather straight forward with the information approach, and purpose is pretty heavily implied and noted. Language in the article is a little tricky in terms of vocabulary, but manageable otherwise. While the article is relatively easily for my class in this scenario to comprehend, it serves as a good way to introduce a concept that most of them may be unfamiliar with. For the reader and task, the students would learn about some baseline elements of jazz theory and use that information to inform their own musicianship when playing their instrument.

By engaging in this lesson, students will be able to comprehend baseline jazz theory concepts through individual and group activities. Students will then be able to take their new understanding and apply it to their instrumental technique in a variety of given examples and for future use.

When it came to choosing pre-reading strategies, I really wanted the vocabulary aspect to be at the forefront. In order to do this, I wanted to do a superficial glance over or "skim" of the article so the students could have a chance to isolate words right off the bat. It was intended to be a quick activity since it was supposed to be pre-reading and not a during reading exercise, so I thought this would work as a good compromise. Once this was done, I thought a small group breakout would be a good idea for tying up loose ends and allowing students to bounce ideas of each other. Especially when diving into a relatively new topic where uncertainty can be common, having a group activity like this in the beginning can be very helpful for comprehension. This also helps to kickstart the during reading portion of my lesson.

For starters, I wanted the students to transition from the group setting to an individual one by constructing their own K-W-L chart on a piece of paper (I'd provide a model template) and then reading the article while filling out the chart on their own for about 15 minutes. In addition, I'd also want students to highlight musical concepts that are familiar to them once reading the article closely unlike before.

After reading is completed, I wanted to have the class reconvene together as a whole (for the first time) and have each group share their top 3 vocab terms from their T-charts. This would be a collaborative effort so we could create a class summary of our T-charts. We'd then do a similar activity with each person's K-W-L charts in order to create a class summary for that as well. However, we'd only take 1 note from each section in each person's chart for time purposes and narrowing our list.

After this lesson, my following class would shift a focus to both the application of what we covered in a rehearsal setting, and to jazz history and its cultural identity/impact over time. The charts and article would both serve as a resources for students to refer back to, and I could post the T-charts on the wall as well to present them. While its only the first step into the topic, its an important one that needs to be approached with the utmost care if students hope to comprehend its concepts adequately.

In conclusion, this is a lesson that I'd like to model when introducing new topics during a unit to my students in the future. It would work to ease my students into topics that are dense with new vocabulary and concepts, and give them multiple ways to engage with them as well. The key takeaways for my students would be in not just realizing new musical ideas from the idiom of jazz music, but also how previously known concepts intersect with the genre in more ways than one. It would serve as a way to spark their interest and get them excited to explore the topic more as we continued to cover it in future lessons and class periods.

Works Cited

Berklee Online - “Jazz Improv Tips & Tricks With Gary Burton: Starting Out With Improvisation” (2016) https://www.youtube.com/watch?v=fU4knusCntY

Gary Burton - “Jazz Scales You Need to Know for Improvisation” (2016) https://online.berklee.edu/takenote/jazz-improvisation-10-scales/

Heather Lattimer - “Focusing the Reader” (2010)

Heather Lattimer - “Supporting Comprehension” (2010)

Rebecca Alber - “Six Scaffolding Strategies to Use with Your Students” (2011)

Robert J. Marzano - “Academic Vocabulary Building Activities” (2005)

[favemusiclessons]

If you give Berklee some of your info, you can get some free training...

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[music-industry-updates]

How to Monetize Your Songwriting Skills in 2024

Becoming a paid songwriter in 2024 is an achievable goal with the right strategy and persistence. The music industry continues to evolve, presenting numerous opportunities for talented individuals to turn their passion for songwriting into a profitable career. This comprehensive step-by-step guide will help aspiring songwriters navigate the path to professional success, from honing their craft to networking effectively and marketing their work.

1. Understand the Music Industry Landscape:

Overview of the Current Music Industry Trends:

To become a successful songwriter, it is crucial to have a solid understanding of the current music industry landscape. The industry is dynamic, with trends that continuously evolve, influencing the kind of music that gains popularity. Staying updated with these trends will help you tailor your songwriting to meet market demands.

Importance of Knowing Different Music Genres and Market Demands:

Different music genres have distinct characteristics and target audiences. By familiarizing yourself with various genres, you can diversify your songwriting skills and increase your chances of finding success. Research the market demands for each genre, noting which styles are currently trending and which have consistent, long-term appeal.

2. Develop Your Songwriting Skills:

Tips on Honing Your Craft:

Continuous improvement is key to becoming a successful songwriter. Dedicate time each day to writing and revising your songs. Experiment with different structures, melodies, and lyrics to find what works best for you. Seek feedback from peers and mentors to gain new perspectives and identify areas for improvement.

Resources for Learning and Improving Songwriting Techniques:

There are numerous resources available to help you enhance your songwriting skills. Online courses, workshops, and books offer valuable insights into the art and craft of songwriting. Websites like Coursera, Udemy, and Berklee Online provide courses taught by industry professionals. Additionally, joining songwriting communities and forums can provide support and constructive feedback.

3. Build a Strong Portfolio:

How to Create a Diverse and Impressive Songwriting Portfolio:

A strong portfolio showcases your versatility and talent as a songwriter. Include a variety of songs that demonstrate your ability to write across different genres and styles. Ensure that each song is polished and professionally recorded if possible. A diverse portfolio will make you more attractive to potential clients and collaborators.

Importance of Quality Over Quantity:

While it is important to have a diverse portfolio, the quality of your songs is paramount. Focus on creating high-quality songs that highlight your strengths as a songwriter. It is better to have a few exceptional songs than a large number of mediocre ones. Your portfolio should represent your best work and leave a lasting impression on those who hear it.

4. Network with Industry Professionals:

Ways to Connect with Producers, Artists, and Other Songwriters:

Networking is essential for building a successful songwriting career. Attend music conferences, workshops, and industry events to meet producers, artists, and other songwriters. Engage in conversations, exchange contact information, and follow up with new connections. Online platforms like LinkedIn and Instagram can also be valuable tools for networking.

Utilizing Social Media and Industry Events for Networking:

Social media platforms provide an excellent opportunity to showcase your work and connect with industry professionals. Share your songs, engage with other musicians, and participate in relevant online communities. Additionally, industry events like music festivals and songwriting camps offer a chance to meet and collaborate with other professionals in person.

5. Market Your Songs Effectively:

Strategies for Pitching Your Songs to Artists and Labels:

Pitching your songs to artists and labels is a critical step in getting your work noticed. Research potential clients and tailor your pitches to their specific needs and preferences. Create a compelling pitch email that includes a brief introduction, a summary of your experience, and links to your best songs. Follow up politely if you do not receive a response initially.

Using Online Platforms to Showcase Your Work:

Online platforms like YouTube, SoundCloud, and Bandcamp allow you to share your songs with a wide audience. Create profiles on these platforms and regularly update them with new content. Utilize tags and descriptions to make your songs more discoverable. Engaging with listeners and responding to comments can also help build a loyal fan base.

Conclusion:

Becoming a paid songwriter in 2024 requires dedication, continuous learning, and effective networking. By understanding the music industry landscape, developing your songwriting skills, building a strong portfolio, networking with industry professionals, and marketing your songs effectively, you can turn your passion for songwriting into a profitable career. Remember, success in the music industry often comes from persistence and a willingness to adapt and grow.