#Benny Spellman

[mrbopst]

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[thesabrinatheteenagewitchblog]

Duke's spell has disastrous consequences in this Sabrina The Teenage Witch Season 4 Episode 16 (91 overall) "Welcome Back, Duke" (February 25th, 2000)!

[twins-write]

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[kirkypet]

six favorite fics meme

Thanks @thebyrchentwigges for tagging me!

I haven’t been writing very long (certainly not compared to some 😄), but I’m coming up to my 8th writing birthday so it’s long enough to have gathered up six favourite fics and have a reasonable amount of difficulty about it

I’ve written for two main fandoms: Mad Max Fury Road, and American Gods (tv), so I’ll be picking from them. Let’s say three from each:

Fury Road

I had to work my way through my in-canon headcanon, if that makes sense, before I found my fun place in this fandom - AUs. What can I say, I’m not outdoorsy, gritty or action-driven enough to do justice to the Wasteland proper. But AUs have a bit more room for manoeuvre.

I’m still not clear what’s the proper definition of Fury Road characters in another fandom’s universe is, but that’s what these first two are.

A Bladerunner take on Citadel life, transplanted to Los Angeles with cyberpunk Many Mothers and a Very Special Max.

💡 What made me think of it? I plotted it out while being bored by Bladerunner 2049

📚 What It Taught Me: that I don’t need to be scared of writing action

🎶 The Song: Do You Know The Way To San Jose? (Dionne Warwick) … thump thump thump

Rebel smugglers and elite sex workers in space! This is an extended retelling of the quite comical Firefly episode ‘Our Mrs Reynolds’, with a sequel thrown in because this story spawned a delightful villain and an unexpected ship.

💡 What made me think of it? A tumblr prompt post doing the rounds - something about a Wild West brothel Fury Road AU idea

📚 What It Taught Me? That it’s a joy to get comments where people are YELLING. Incoherently yelling.

🎶 The Song That Makes Me Think Of This Fic: Delta Dawn (Skeewiff)

This is actually my most popular Fury Road fic, in terms of kudos. More straightforward this one - it’s not a crossover or mashup, but a simple fairground AU. Byrch gave me tarot advice for this, for which I’m eternally grateful.

💡 What made me think of it? Listening to Fortune Teller (Benny Spellman)

📚 What It Taught Me: That you can get a whole plot from a single song (more or less)

🎶 The Song that Makes Me Think Of This Fic: Going to have to say Sweet Caroline (Neil Diamond) makes me want to cry a little now

American Gods

For me, this fandom’s fic was all about FIXING IT. Fixing the end of season 2, to be more specific. Hence, my first two favourite AG fics are two different flavours of Laura Resurrects Sweeney. They’re both technically series, each consisting of one Resurrection fic, one very short follow-up, and one What Happens Next.

This is the first in the Stir Crazy series, a shutdown-era fic with themes of marriage, belief and shortsighted schemes that have unforeseen consequences. Salim’s in this one - and they’re detectives! (nearly forgot to mention that)

💡 What Made Me Think Of It? The devastation of the end of s2. Simple. The detectives bit to be honest I can’t remember where that came from.

📚 What It Taught Me? I don’t need to be afraid of writing smut (I tackle it in much the same way as I do action)

🎶 The Song That Makes Me Think Of This Fic: Promised Land (by any of the artists who recorded that song BUT name checking Chuck Berry who wrote it)

The first in the I Can Fix Him series. Laura goes to Ireland! Shadow does some self-reflection! Themes include the Geography of Gods (I guess you could say that gods, like grapes, are very sensitive to their terroir), polyamory and everyone acknowledging that they fucked up and being better for it

💡 What Made Me Think Of It? A tumblr picture of a portal tomb in Ireland somewhere, can’t remember the specifics but it was the start of the idea

📚 What It Taught Me: It confirmed that flying from Dublin to the US involves way more liminal spaces than any other international travel

🎶 The Song That Makes Me Think Of This Fic: it’s a toss up between Alive And Kicking (Simple Minds) and Gettin’ Happy (Dolly Parton) - I couldn’t fit it in, but that’s the middle Zorya sister’s song. She deserved some good lovin’

This isn’t a fix-it fic (I’d got those out of my system by then), but was inspired by Boss Level, a movie that improves with every watch. Simple premise stolen from that film - assassination mark gets stuck in a timeloop and starts over every time they get killed. Laura of course is the assassins’ mark - and there are several gods queuing up to take her out. Sweeney included, but his definition of ‘take her out’ is a little unclear.

💡 What Made Me Think Of It: Boss Level, as mentioned

📚 What It Taught Me: it’s a joy to get fanart

🎶 The Song That Makes Me Think Of This Fic: Joy Division Oven Gloves (Half Man Half Biscuit). The line ‘talk to the hands’, specifically

Thanks for asking!

Tagging @evilasiangenius @bethagain @lurkinghistoric and the very lovely @jandjsalmon whom I’ve only just now looked up on tumblr (I see you recc’d one of these - thankyouuu 💚💚💚). Btw this was just my way of answering the ‘what are your 6 favourite fics that you’ve written’ question - do it however you like

[lovingxe]

dr details: my babysitter's a vampire

pls ask questions lol I love this dr

name - jade spellman-reyez

age - 17

date I first shift to my dr - tbd

are you supernatural? - yes! im a witch

significant other? - yes! benny weir :))

[snuh]

Benny Spellman: Fortune Teller

[severingt]

SoulPM Playlist 25th November

Better – Ruby Winters

Bet You Never Thought – Gene Chandler

Our Lives Are Shaped By What We Love - Odyssey

It Sure Is Groovy – Gil Bernal

Home Is Where The Hatred Is – Esther Phillips

The World Can't Stop (Me From Loving You) �� The Originals

Another Chance – Four Larks

Lonely Too Long - Sandpipers

You Never Should Have Loved Me – Freda Payne

Stop! Leave My Heart Alone – Two People

Now Is The Time – Sisters Love

I Can't Wait To See My Baby's Face – Spyder Turner

Stay With Your Own Kind – Patrice Holloway

The Winds Kept Laughing – Betty Turner and the Chevels

Don't Tear Me Down – Charlie Rich

All Night Long – Loinel Ritchie

Baby Love - Supremes

Big Boss Man – Jimmy Reed

Feel the Fire – Teddy Pendergrass and Stephanie Mills

Fortune Teller – Benny Spellman

How Deep Is Your Love - BeeGees

It Takes Two – Marvin Gaye and Kim Weston

Its A Shame – Detroit Spinners

Lovin You - Shanice

Papa WasA Rolling Stone - Temptations

People Get Ready - Aretha Franklin

Please Mr Postman - Marvelettes

Progress – Booker T Jones

Slow Motion – Gerald Alston

The Girls Alright With Me - Spinners

The One Who Really Loves You – Mary Wells

The Young Mod's Forgotten Story - Impressions

War – Edwin Starr

With You Im Born Again – Billy Preston and Syretta

[agentcable]

Chicago Fire Season 2 Ep. 5 "A Power Move"

Boden must resign from the firehouse. The mole is revealed and the men plan to get rid of him. Arthur causes trouble at Molly's, while Dawson struggles to let Jay do his job.

If you want to watch the series for yourself, stop reading! This post contains spoilers to the storyline.

Dawson and Jay Halstead see each other despite the danger. He swears her to secrecy or he'll be killed. Molly must pay Arthur, a wannabe mobster, or Jay's cover could be blown.

McLeod tells Boden the state is unhappy with his performance, not with Firehouse 51. Boden gets a generous early retirement package, but he rejects it. However, he joins the Wellness Program and orders a physical for everyone. Casey and Severide say Boden must fight for is firehouse.

A tree falls on a townhouse, trapping a woman and a baby. The team quickly frees the two, leaving the building before it collapses.

Casey, asks the state attorney to move Heather to a minimum-security facility. When Isabella agrees, Casey calls Heather in prison.

Struggling to cope with the suicide Shay saw, she started dating Davon, who's mysterious. After responding to an unusual call about a yard worker with a rototiller chewing on his leg, Shay gets cut off by a car and loses her temper. Clarke notices that tensions between Shay and Dawson are hight. He's dealt with suicide, so he offers her advice. He says the suicide wasn't her fault and that she couldn't carry the burden.

Spellman is the firehouse's snitch, causing problems. Spellman keeps finding transfer requests on his locker. He confronts the house and is flooded with transfer requests, including from Chief Boden.

Mills says there's a problem with Boden's protein count. He says Boden should see a specialist because the extra protein is from asbestos poisoning, even though Boden says he hasn't been exposed to asbestos for fifteen years.

Zoya and Severide's relationship is getting stronger until she says she must go back to Russia soon. She asks Severide to marry her so she can stay in the US, but he says no. Meanwhile, Cruz watches the exchange and feels for Zoya.

Molly's closes and Arthur and Jay come in. Arthur is disappointed with the takings. Arthur gets angry and smashes some glass cabinets with a chair, which makes things worse between him and Dawson and Jay. He can't protect Dawson and she's not happy with her boyfriend sitting by.

Later at Molly's, Cruz talks to Zoya about her marriage proposal. He thinks Severide's refusal is crazy. He'd be proud to be her boyfriend. Out of nowhere, screams are heard - Game Day is on fire!

McLeod meets Benny secretly to make him an offer. If she saves Firehouse 51, she wants him to replace Boden. Benny tells his son about the change, but Severide doesn't listen.

Meanwhile, Boden is worried about his health before he resigns.

[serpentinesheldonserpentine]

[thebowerypresents]

Robert Plant and Alison Krauss Close Out Summer Tour with Triumphant Show at Beacon Theatre

Robert Plant & Alison Krauss – Beacon Theatre – September 12, 2022

Pairing a rock musician with a bluegrass-country singer might seem curious at first glance, but famed Led Zeppelinsinger Robert Plant and equally renowned singer-producer Alison Krauss converge to make sweet music. Dubbed a superduo, they first surprised fans with this union back in 2007 with their debut album, Raising Sand. The two have been dismissing any romantic relationship for more than a decade, and Krauss recently described their nonmusical relationship as “happily incompatible.” What cannot be argued is that the musical connection is an award-winning partnership, having won six Grammys as a pair. The lauded duo returned with a follow-up, Raise the Roof, last fall and culminated its supporting tour at a sold-out Beacon Theatre on Monday night.  As with the first album, the sophomore effort is another collection of covers that the two happily performed, opening with “Rich Woman,” a Li’l Millet and His Creoles cover. While a red-satin-shirt-clad Plant took lead on Benny Spellman’s “Fortune Teller,” it was Krauss’s piercing sirenlike calls that wowed the room as her voice reverberated throughout the venue. The two would trade off lead from song to song. In a floor-length floral dress, Krauss accompanied with fiddle and backing vocals on “Please Read the Letter,” while Plant shook maracas on “Last Kind Words Blues.”

The spare original “High and Lonesome” (penned by Plant and T Bone Burnett) elicited claps all around, but it was the classic Zeppelin tune “The Battle of Evermore” that culminated in a standing ovation. Plant and Krauss employed Everly Brothers harmonies, appropriately singing “Gone Gone Gone (Done Moved On)” before returning to encore with another of the brothers’ hits, “Stick with Me Baby.” And then the rollicking Randy Weeks ditty “Can’t Let Go” put a stamp on the evening. —Sharlene Chiu | @Shar0ck

Photos courtesy of Toby Tenenbaum | @TobyTenenbaum

[guessimdumb]

Benny Spellman - Sinner Girl (1967)

Classic New Orleans soul - Allen Toussaint writing, producing and singing backup vocals on this wonderful b-side.

[hokeoutsider]

Auction ENDS Tonight, Sept 23, Wednesday....9PM.....CT !

“Fortune Teller”     Hoke…Ebay Outsider-Art Auction…Sept 16-23… Acrylic Painting on Wood…

https://www.ebay.com/sch/metrolux6/m.html?item=353205298607&rt=nc&_trksid=p2047675.l2562

[julio-viernes]

___

Rastros de carmín en un cigarrillo en memoria de Bill Isles, miembro fundador  de los O´Jays. Él abandonó el grupo poco después de este éxito de 1965 que pudo servir para titular el famoso libro de Greil Marcus. Se dice que el título salió de la letra de "Don't Look Down" de Iggy Pop, pero no me extrañaría que fuera de aquí, del tema de Allen Toussaint que interpretó originalmente Benny Spellman en su toma definitiva de 1962.

[tbonesprimecuts]

Remembering Allen Toussaint

It’s been a tad over two years since we lost the great, Allen Toussaint. We remember him TONIGHT by replaying our T-Bone’s Prime Cuts Tribute show from 2015. #TBPC Hour One: All Allen – Hour Two: Some of my favorite covers of A.T. songs. We’re joined by Christine Ohlman from theSN brilliant journalist Nick DeRiso and amazing New Orleans talent, Amy Trail. T-Bone’s Prime Cuts airs on WICR, 88.7…

[myonechicagoworld]

CHICAGO FIRE – PROVE IT (S02E02)

Renee Royce: Hey [chuckles]

Kelly Severide: You’re -- you’re back early.

Renee Royce: Yeah, two weeks of my mom’s natural birthing

                         lectures was enough.

                         Come here. Feel this.

                         Crazy kicking for the last two days. The baby missed

                         you, I think.

Kelly Severide: I-I’m gonna be late, so I better get going, but, um,

                          we’ll catch up after shift?

Renee Royce: Sounds good.

Kelly Severide: Okay.

                                        [kissing sound]

Kelly Severide: Okay.

                                            cutscene

Matt Casey: Yeah, I’m just looking for any kind of an update.

Attorney: I don’t have one. Everything is up in the air right now.

Matt Casey: Okay, well, I-I still have the kids here.

Ben Darden: Where do you keep the cereal?

Matt Casey: Uh, call me back as soon as you hear anything.

                                         [phone beeps]

Matt Casey: Uh, yeah. All right. I’m gonna make you guys some

                      lunch for school.

Ben Darden: What about breakfast?

Matt Casey: Yes. Good point.

Griffin Darden: When’s my mom coming back from her trip?

Matt Casey: Soon, really soon.

                      Ben, just… here, put that stuff back, buddy. You guys

                      need to get dressed. We’re late.

Griffin Darden: Well, when you talk to mom, tell her we’re ready to

                          go home, okay?

Matt Casey: Evie will pick you up from school today.

                                         [glass shatters]

Matt Casey: Oh! Okay.

                     [grunts] I got this. Don’t worry

                     [sighs]

                                        [doorbell rings]

Ben Darden: I’ll get it!

Matt Casey: Thanks, Ben.

Griffin Darden: You missed some.

Matt Casey: Thanks, Griffin.

Gabby Dawson: Boo!

Matt Casey: Gabby.

Gabby Dawson: Hey. I figured I’d stop by on my way to work, see

                            how everyone’s doing.

Griffin Darden: I’m starving.

Gabby Dawson: All right. Whoever runs to the bedroom first and

                            gets dressed in under two minutes gets one of

                            these. I’m timing you. Go! I’m timing you! Get on it!

                            [chuckles]

Matt Casey: Impressive.

                     Did you talk to Antonio? I’m not getting anything from

                     the attorney.

Gabby Dawson: Yeah, he says that Heather has a good chance of

                             getting out on probation soon. First offense, single

                             mother…

Griffin Darden: Cut it out! Stop it, Ben!

Ben Darden: Aah!

Matt Casey: Guys!

                                        [shouting continues]

Matt Casey: I hope he’s right.

                                                cutscene

                                    [door opens and closes]

Man 1 (Ken Rowe): Kelly.

Kelly Severide: These arsons we’ve been fighting… M.O. matches

                           up with John Westminster. That’s a guy that my dad

                           helped put away a few years back.

Man 1 (Ken Rowe): Yeah, yeah. “Big John” I remember. So?

Kelly Severide: So I called DOC. and it turns out he was released

                          from prison a month ago, right before the fires

                          started.

Man 1 (Ken Rowe): So you think he’s looking to settle the score

                                 with Benny by coming after you?

Kelly Severide: I think it’s worth looking into.

Man 1 (Ken Rowe): Sure. Anything for Benny Severide’s kid.

                                    [door opens and closes]

                                               cutscene

Gail McLeod: [sighs] I-I don’t think you understand the seriousness

                        of this situation, Chief.

Chief Boden: Oh, I can assure you I do.

Gail McLeod: Then explain why you have yet to input any data into

                        The Wizard.

Chief Boden: I will, Ms. McLeod, as soon as I get five minutes.

Gail McLeod: No, today, this shift… unless you’d like me to get a

                        relief Battalion Chief to come in to do it for you.

Chief Boden: Hmm. I’ll get it done.

Gail McLeod: Good. Thank you, Chief.

Chief Boden: [scoffs]

                                              cutscene

                                      [ambo door shuts]

                                  [squad shutters closes]

Leslie Shay: Hey.

                                     [squad door shuts]

Kelly Severide: Hey.

Leslie Shay: So, the management company called to remind us that

                      the new tenants are gonna move in on the 16th.

Kelly Severide: Yeah, Renee and I can finish packing up this

                           weekend.

Leslie Shay: So does that mean you talked to her about the baby?

Kelly Severide: She just got back to town a few hours ago. Give

                          me a break, okay?

                                               cutscene

Lt. Spellman: 51 has the best food in town. Where’d you learn how

                       to cook?

Peter Mills: My family owns a restaurant. Been behind a grill since I

                     was a kid.

                                              [dog whines]

Kelly Severide: Any update on Heather’s friend, Jen?

Matt Casey: Still in critical condition.

Leslie Shay: Casey, how are the boys?

Matt Casey: As far as they know, mom’s on a trip. Hopefully they’ll

                      be home soon. If it hadn’t been for her, they’d have

                      shown up to school an hour late wearing pyjamas.

Gabby Dawson: Yeah, that smelled like beer.

                                    [alarm blaring & buzzing]

(Over PA): Truck 81, Squad 3, Engine 51, Ambulance 61. Multi-

                   vehicle accident, Interstate 90 at the Eisenhower

                   Expressway.

                                         [sirens wailing]

Man 2 (Truck Driver): Hey! Hey, over here! Over here! Hey.

                                    Just before the house went over, I saw a

                                    motorcycle passing on the right.

Chief Boden: Go.

                              [fire extinguisher spraying]

Kelly Severide: [grunts] Sir?

                          I can feel his leg, just not a pulse.

                          All right, get me some cribbing and air bags. We

                          need to lift and stabilise this home.

Harold Capp: You got it.

Victim 1: [groans]

Kelly Severide: Boden, you hear that?

                           (into radio) Otis, Mouch, grab me a ladder.

                           (over radio) There’s someone else inside.

Otis Zvonecek: (into radio) Copy.

                           Severide, where do you want it?

Kelly Severide: Guys, right there.

                          Clarke, follow me.

                          Located the victim. Send me up a line.

Gabby Dawson: Ma’am? Can you hear me?

Leslie Shay: Airway’s clear. She’s breathing.

Kelly Severide: All right, I’m on line.

                          All right, going down.

Leslie Shay: Dawson.

Gabby Dawson: Yeah?

                             Back door’s open.

                             Casey! We got a missing kid. Ran from the car.

Matt Casey: Got it.

Chief Boden: (over radio) What have you got, Severide?

Kelly Severide: (over radio) He’s in bad shape. We need to find a

                          ��way to get him out of here quick.

Gabby Dawson: From the size of the seat, the kid could be

                            anywhere from, like, three to six years old.

Kelly Severide: Clarke… send me down a sawzall, then bring the

                           stokes basket.

Jeff Clarke: Got it. Send up a sawzall.

Kelly Severide: Got it.

                                           [saw whirring]

Harold Capp: Up on green.

Kelly Severide: [coughs] Found the owner of the boot.

                          (over radio) The other victim’s trapped beneath

                          ‘em. We need those airbags now!

                                             [whirring]

Matt Casey: There.

Harold Capp: (into radio) Air bags are up.

                       (over radio) Motorcyclist’s legs should be free,

                       Lieutenant.

Victim 1: [groans]

Kelly Severide & Jeff Clarke: One, two, three, up!

                                                 [grunts]

Kelly Severide: Go. There we go.

                           All right, guys, get ready to lift him up.

Matt Casey: Hey buddy. It’s okay. I’m Matt. What’s your name?

Child: Colin.

Matt Casey: Come on out. Come on. Let’s get you safe and

                      sound.

                                            [siren blares]

                                          - title screen -

Chief Boden: This “Wizard” program is the most convulated…

Mouch: Yeah, we should record this. Use it to show how

               ineffective McLeod’s systems are. This crazy budget

               tightening has nothing to do with saving lives.

Christopher Herrmann: Now you’re talking like a Union president.

Chief Boden: You will not record this.

Christopher Herrmann: Yeah, you know what? You need to get

                                         out there, you know, and start your

                                         campaign. Greg Sullivan’s already in high

                                         gear. I got one of his flyers in the mail

                                         yesterday.

Mouch: Me too. Nice, high-gloss paper. Guy’s got campaign

              funds.

Christopher Herrmann: Nah, forget the funds. You know what,

                                         the most valuable commodity in any

                                         election is the candidate themselves.

                                         Visit the firehouses, present ideas, take

                                         questions…town hall style.

Mouch: [slurping] It’s not a bad idea, Herrmann.

Chief Boden: Will the two of you kindly take your business

                        elsewhere?

                                                cutscene

Firefighter: He’s right there.

Matt Casey: Evie.

Woman 1 (Evie): Mr. Casey, I’m so sorry to bother you.

Matt Casey: Where are Griffin and Ben?

Woman 1 (Evie): Outside. My daughter has a sore throat, could be

                             strep. I-I need to take her to the doctor.

Matt Casey: Oh.

Woman 1 (Evie): I tried to get them to come inside, but there’s a

                            problem with Griffin.

                                         [car door closes]

Matt Casey: Griffin, come inside. We’ll give you guys a VIP tour.

Griffin Darden: He can go in. I’m staying outside.

Ben Darden: Hey, Dawson!

Gabby Dawson: Hey, guys.

                            Hi. I’ll take Ben inside.

Matt Casey: Thanks.

Christopher Herrmann: Hey! Ben Darden’s in the house!

Kelly Severide: Hey, you little rug rat! Look at you!  [laughs]

                          How you doing? You’re getting so big. Come on,

                          we’ll show you around the joint. How about that,

                          huh?

Ben Darden: Is that all of Chicago? Is my house on there?

Kelly Severide: Yep, it is. It shows us every street and address in

                           the city. Right there, that’s the ‘dangerous

                           buildings’ list. Every station has one. It shows us

                           all the buildings that are really tricky to fight fires

                           in.

Peter Mills: Yo, you want to come check out the truck? Yeah.

Joe Cruz: Hey.

                               [indistinct background chatter]

Griffin Darden: Ben’s an idiot for acting like this place is so cool.

Matt Casey: Your father loved it here.

Griffin Darden: I just want to go home, okay?

Matt Casey: I know.

Griffin Darden: [sighs]

Matt Casey: How about this? I’ll cancel my construction job. After

                      shift, we’ll go down to the pier. You can grab

                      whatever you want for lunch.

Ben Darden: Can I go up on the ladder?

Peter Mills: Uh, I-I think we’re gonna have to check on that one,

                     partner.

Joe Cruz: Rules say no visitors in the aerial… But then again,

                 you’re not just any visitor, huh?

Mouch: Chief, what do you say?

Chief Boden: Ah, go ahead.

                                              [cheering]

Ben Darden: Woo!

Joe Cruz: Come on.

Ben Darden: [laughs]

                                        [indistinct chatter]

                                              cutscene

                                          [knocks at door]

Renee Royce: [chuckles]

Kelly Severide: Hey.

Renee Royce: We barely got a chance to say hello this morning,

                         and you  seem so stressed, so I thought I’d come

                         and cheer you up. Now, my parents are a little too

                         excited about becoming grandparents. Oh… look

                         at this. Aw, come on! Isn’t this the sweetest?

                         Kelly… What’s going on with you?

Kelly Severide: Look, you know that I love you no matter what,

                          right? When you moved to Spain, we said that

                          we’d keep in touch but that we wouldn’t be

                          exclusive.

                          [sighs] Is there any chance this baby…

                                         [slapping sound]

                                            [door closes]

                               [knocks at door, door opens]

Chief Boden: Lieutenant? Arson just called. Wanted to let you

                       know that the cops have Big John in custody.

Kelly Severide: Thanks.

                                            [door closes]

Kelly Severide: [sighs]

                                               cutscene

Man 1 (Ken Rowe): Hey, detectives are talking to him now. The

                                 bastard’s even twitcher than I remember.

Kelly Severide: You got anything solid tying him to the fires?

Man 1 (Ken Rowe): Nothing.

Man 3 (Big John): Hey, look. It’s the arson guy’s son.

Kelly Severide: Two buildings up in flames?

Man 3 (Big John): Ooh!

Kelly Severide: Do you know how many people you almost killed?

                           Huh, how many of my own men, huh?

Man 1 (Ken Rowe): Kelly!

Man 3 (Big John): Get away from me!

Man 1 (Ken Rowe): Kelly! Kelly!

Man 3 (Big John): Get him away! Get him away from me!

Man 1 (Ken Rowe): Get him out of here! Get him out of here!

                                  Hey, I looped you in out of respect for your

                                  father, as a courtesy. You understand?

                                               cutscene

                                           [water running]

Gabby Dawson: I’m telling you, Renee looked pissed running out

                            of here.

Leslie Shay: What if I was wrong about the due date?

Gabby Dawson: That would be bad, Shay.

Leslie Shay: I don’t think I was, but I’m not a frickin’ obstetrician.

                                [knocks on bathroom door]

Joe Cruz: Taking too long!

Otis Zvonecek: Remember, as McLeod said, “only 42 ounces of

                           potable water per employee per week.”

Joe Cruz: [chuckles]

Leslie Shay: Sounds like you saved the day with Griffin and Ben

                      this morning.

Gabby Dawson: [chuckles] Yeah. I love those boys, but hanging

                            there with Casey? It’s not exactly helping me

                            move on.

                            You know what? I have been travelling in a too

                            small a circle, if you know what I’m saying. The

                            world does not start and end at Firehouse 51.

Leslie Shay: That is so damn true.

                                [knocks on bathroom door]

Joe Cruz: Let’s go! I have seen you both naked a hundred times!

                 Just open the door, so I can take a shower!

Gabby Dawson: We really need to get out more.

Leslie Shay: Yes. Yes, we do.

                                            cutscene

Kelly Severide: Hey.

Benny Severide: Hey.

Kelly Severide: Thanks for coming down.

Benny Severide: Thanks for calling. It’s good to see you.

Kelly Severide: You too.

Benny Severide: Could I… Could I get one of those too, please?

Woman 2 (Waiteress): Coming right up.

Benny Severide: Thank you.

Kelly Severide: Well, did you… did you talk to the guys at arson?

Benny Severide: Yeah. Yeah. As soon as Big John was on their

                              radar, Rowe called me.

Kelly Severide: Did you know they had him in custody? They let

                          him walk?

Benny Severide: Yeah. I heard that. The thing is, I’m not so sure

                             he’s the guy. M.O might be similar, but, uh, I

                             could tell him pretty well. I don’t see him having

                              the balls to set a car on fire right outside a

                              station house.

Kelly Severide: You’re wrong. All due respect, I think you’re

                           wrong. The guy, he-he knew me the minute he

                           saw me. I-he knew I was your son.

Benny Severide: Okay. Well, let me get in it with arson. See what I

                             can find out.

Kelly Severide: Yeah.

                                             cutscene

Zoya: It’s good?

Joe Cruz: Perfection.

Zoya: [giggles]

Christopher Herrmann: Hey, you know Cruz is making a move on

                                         your cousin, right?

Otis Zvonecek: Yeah. I would kick him out, but he’s the only

                            regular customer we have.

Gabby Dawson: Well, if it isn’t Mr. Long Island iced tea.

Jay Halstead: Mock all you want, but that drink suits this place.

Gabby Dawson: So you’re saying this place is out-dated, and we

                            only exist to get you drunk quick?

Jay Halstead: [laughs] No. More that, um, you’re fun and sweet

                        and unpretentious.

Gabby Dawson: Nice recovery.

                            [clears throat] There’s a scotch tasting happening

                            Friday night at a place in Wicker Park. Would you

                            want to join me?

Jay Halstead: I’d love to.

                                             cutscene

Gabby Dawson: There was a definite hesitation before he said

                             yes.

Leslie Shay: But point being, he said yes.

Gabby Dawson: You should come to the tasting too. You could

                            bring someone.

Leslie Shay: [sighs] Calm down. I’m-I’m gonna be packing all

                      weekend. I-I can’t.

Gabby Dawson: Boo.

                                    [cell phone vibrates]

Gabby Dawson: Who’s Amy R?

Leslie Shay: Oh, the, um, real estate agent I’m meeting with

                      tomorrow to see apartments, and I think she’s hitting

                      on me, but I can’t tell.

Gabby Dawson: [laughs] It’s kind of amazing how bad you are at

                            sussing out lesbians.

Leslie Shay: [chuckles] I know right?

                                       [siren wails]

Man 4 (Husband): She’s in here! She’s in here!

                                I was in the other room, and I heard a thump.

                                She must have fallen down the stairs.

Leslie Shay: She’s breathing.

Gabby Dawson: Let’s get a C-collar on her and get her on the

                            backboard.

                            Did you…did you move her at all?

Man 4 (Husband): No. She was right there when I found her.

Man 5 (Brother): Oh, my God, Phoebe. What did you do to my

                             sister?

Man 4 (Husband): I didn’t do anything. She fell. Tell him! She fell!

Man 5 (Brother): He beats her up! Did he tell you that? He did this

                             to her.

Leslie Shay: Okay, sir. We gotta…

Gabby Dawson: Hey! Hey!

Man 4 (Husband): [grunts]

Gabby Dawson: (into radio) This is Ambulance 61. We need

                            immediate police assistance.

Man 4 (Husband): [grunts]

Leslie Shay: Hey, buddy? We can’t get your sister to the hospital

                      unless you stop that and move out of the way, all 

                      right?

Gabby Dawson: He’s gonna kill him!

                                    [sirens wailing]

Gabby Dawson: [grunts]

                                    [vase shatters]

Leslie Shay: Oh, God.

Kevin Atwater (Police Officer): Hey!

Man 5 (Brother): [grunts]

Kevin Atwater (Police Officer): Move it.

Man 5 (Brother): [grunts & whimpers]

                             I told you cops he’d kill her if you didn’t stop

                             him.

                             [cries] Nobody listened!

Gabby Dawson: (into radio) Dispatch, we need a second ambo at

                            4042 Larrabee.

Dispatch: (over radio) Copy that 61. Second ambo en-route.

Man 5 (Brother): Please, don’t let my baby sister die!

Leslie Shay: You think that woman knew her husband was a total

                      scumbag before or after she married him?

Gabby Dawson: He could have pretended to be Prince Charming

                            for years, and she wakes up too late next to a

                            monster under the bridge.

Leslie Shay: Boy.

                                           cutscene

Jeff Clarke: No, you know you are backing me into a corner here.

                     What happens when that…

Peter Mills: Oh, sorry to interrupt.

Jeff Clarke: Hold on. Hang on a second. I have to go in the other

                    room.

Peter Mills: Hey, you catch any of that? Clarke was lighting

                    somebody up on the phone.

Matt Casey: Personal business, I guess.

Peter Mills: I guess. Something seems off about that guy.

Matt Casey: Something besides him taking your spot on Squad?

                                           cutscene

Christopher Herrmann: Remember, it’s not a speech. It’s a town

                                         hall, so you have to be comfortable and 

                                         conversational to hold the audience’s

                                         interest, and that’s where these come in.

                                         They’re called key cards. They’re used

                                         by some of the most successful public

                                         speakers in the world.

Mouch: Key cards.

Christopher Herrmann: It’s stuff that we’ve all heard you spout

                                         time and time again, you know, when

                                         you’re getting yourself all worked up.

Mouch: I’d be more comfortable and-and conversational if I was

              sitting.

Christopher Herrmann: Oh, well, then let’s get you a stool.

                                         Hey! The town hall seat of choice.

Mouch: Okay. I can work with this.

Christopher Herrmann: Great. Give it a shot.

Mouch: Three man trucks.

Christopher Herrmann: And? What are your feelings about that?

Mouch: Well… only a pencil-pushing bureaucrat would think a

              three-man truck is a good idea. You know, every study

              they’ve done shows Search and Rescue times go right

              down the toilet whenever you have fewer than five guys

              on a truck. It’s common sense.

              Fitness bonuses, reduced benefits – all stuff I have very

              strong opinions about.

Christopher Herrmann: My brains, your face. We can take this

                                         campaign all the way.

Mouch: [exhales]

                                           cutscene

Matt Casey: Thanks for coming over. I really appreciate the help.

Gabby Dawson: Yeah. No problem. They’re great kids.

Matt Casey: Griffin barely ate.

Gabby Dawson: Well, I don’t blame him. He’s old enough to know

                            when grown-ups are hiding something from him.

                            He’ll be happy to get home.

Matt Casey: Good chance Friday’s my last night with him. You

                      want to come over for dinner? They’re a lot happier

                      when you’re around. We could order Chinese food,

                       get a movie.

Gabby Dawson: I can’t [laughs]

                            I can’t stay for a movie. I have a dinner thing.

Matt Casey: Oh, well… somebody has a hot date.

Gabby Dawson: Mm, no. It’s just a thing.

                                     [doorbell rings]

Matt Casey: Hey.

Gabby Dawson: Antonio.

Antonio Dawson: I just got some bad news. Heather’s friend,

                              Jen… she didn’t make it.

Gabby Dawson: That’s terrible.

Antonio Dawson: Yeah, and it changes everything. Heather’s

                               looking at a manslaughter charge now.

                                           cutscene

Heather Darden: Jen, uh… [chuckles] she taught me how to

                             roller-skate. I’ve known her since…

Matt Casey: It was an accident.

Heather Darden: [quivering] The lawyer said I’d spend the next

                             five to ten years in here unless I made a plea

                             deal.

Matt Casey: They don’t know that for sure. It was a first offense,

                      and you’re a single mom.

Heather Darden: I took the deal.

Matt Casey: What?

Heather Darden: I can’t risk being away from my boys for their

                             entire childhood.

                             [cries] I can’t. I pled guilty to DUI manslaughter,

                             which is 15 months. You know that before Andy

                             died, we put you in our wills as the boys’

                             guardian if something happened to us both.

                             [cries] Can you take care of Griffin and Ben

                             while I’m in here?

                                            cutscene

                                            [laughter]

Gabby Dawson: Yeah, that was a really good game.

Joe Cruz: No, for real, though. Let’s just play the game.

Matt Casey: Guys. Guys.

                      I, uh… I just wanted to give everybody an update on

                      the Darden boys. Turns out they’re gonna be living

                      with me for the next 15 months or so, and… The 

                      thing is I’m gonna need some help. I, uh…

Christopher Herrmann: Say no more. We’re there.

Chief Boden: Whatever you need. They’re our boys too.

Matt Casey: Thanks.

                                          cutscene

Christopher Herrmann: You got this, buddy. You’re no Greg

                                         Sullivan. You’re a fireman’s fireman.

Mouch: Where’s the stool?

Christopher Herrmann: Um… Hey, you guys got any stools?

Mouch: I’m not comfortable, Herrmann.

Christopher Herrmann: Hey, take a deep breath.

                           [both take a deep breath]

Christopher Herrmann: You’re gonna be great.

                                         Hey, guys! Uh, can we get your attention

                                         over here? Just for a minute. Come on.

Mouch: Yeah, thanks. Uh… I’m Randall McHolland, and I am

              running for Union president.

              I’m here for, uh… to talk about some issues. 

              Three-man trucks.

                                [soda can opens]

Mouch: Three-man trucks?

Christopher Herrmann: Which studies show are far more

                                         dangerous than five or six man trucks.

Mouch: Uh, wellness programs… dos and don’ts. Uh, do’s… and

               don’ts.

Christopher Herrmann: Here, here. Try… try…

                      [Herrmann & Mouch murmuring]

                                    [alarm blares]

Christopher Herrmann: Oh thank God.

(Over PA): Truck 65, Engine 118…

Firefighters: Sorry about that.

                      See ya.

(Over PA): … Ambulance 97. Multiple injuries.

Christopher Herrmann: Don’t worry about it. Okay? I mean, this

                                         is just one of 98 houses in the city.

Mouch: Oh, actually now that McLeod has dropped her axe, it’s

              97 and counting. I mean, who knows how many more

              before she’s…

                                        [siren wails]

Christopher Herrmann: Now you’re gonna get all worked up?

                     [siren wails off in background]

                                          cutscene

Woman 3 (Amy): Bedroom has southern exposure, so it’s really

                             light in the mornings, which is not so great for

                             hangovers.

Leslie Shay: True, also not something the average realtor would

                      mention.

Woman 3 (Amy): Guess I’m not the average realtor.

                             Here, come check this out.

                             Built-in wine fridge.

Leslie Shay: Wow. Nice.

                      I have an ex-girlfriend who would have loved that.

Woman 3 (Amy): Sounds like a girl with good taste.

Leslie Shay: Not really. She ended up dumping me and going

                      back to her husband.

Woman 3 (Amy): Ugh, I’m gonna bet she’s regretted it every day

                             since.

Leslie Shay: Oh, God. I hope so.

Woman 3 (Amy): [laughs]

Leslie Shay: Yeah. You don’t have one of those, do you? A

                      husband?

Woman 3 (Amy): Hell, no. Not in this lifetime [laughs]

Leslie Shay: Okay.

                                        cutscene

Kelly Severide: Hey, you’re back.

                          What are you doing?

Renee Royce: I went and got a, uh, a test done. That’s why I’ve

                         been gone. I had a, uh, one-night stand… with a

                         guy in Spain. I thought it would help me get over

                         you. It didn’t.

                         You were right. This baby’s not yours.

                         [sighs] I know how crazy this sounds, but I-I

                         wasn’t lying to you. And I actually convinced

                         myself that it was yours. It was ours.

                         Kelly, you’ll make a great father someday.

Kelly Severide: Ah… Renee [stammers]

Renee Royce: Good bye, Kelly.

                                        cutscene

Leslie Shay: [exhales] Jeez. Is there anything I can do?

Kelly Severide: Honestly, I just need a place to live. Our place is

                          gone, right?

Leslie Shay: Yeah, but I’ve got an “in” with a-a great realtor and a

                      lead on a one-bedroom and a sweet three-

                      bedroom.

Kelly Severide: Yeah?

Leslie Shay: Yeah. We could take the three-bedroom and… find a

                      roommate later if we need. Sound good?

Kelly Severide: Yeah, sounds good.

Leslie Shay: All right. I’m sorry, babe.

                         [alarm blares & buzzes]

(Over PA): Truck 81, Squad 3, Engine 51, Ambulance 61. Building

                   fire, 2939 Cortland Street.

Peter Mills: That’s my restaurant.

                    [sirens wailing, horn honking]

Peter Mills: Ma!

                    Ma? Ma!

Ingrid Mills: [whimpers]

Peter Mills: You okay?

Ingrid Mills: I’m okay. We all got out, but Peter… everything’s

                     gone.

Peter Mills: No. No, we’re gonna save it, okay?

                    Hey, everybody’s out, but we got to get in there.

Chief Boden: No. 

                       (into radio) All occupants are out of the building.

                       The fire is in the roof trusses. We are gonna go

                        defensive with master streams. Nobody enters

                        the building. Let’s get those water canons working.

Matt Casey: Cruz and Otis, raise the aerial.

Peter Mills: [under breath] Come on, come on…

Lt. Spellman: (into radio) Send the water!

Chief Boden: Mills.

Matt Casey: Mills!

Chief Boden: (into radio) Mills, I want you out of that building

                       right now. Do you understand me?

Ingrid Mills: Why-why is Peter in there alone? Wallace, you get

                     my boy out of there! You get him out of there!

                     Peter! Peter!

Chief Boden: Ingrid! We’ll get him.

                       (into radio) Mayday, mayday. We have a man inside.

                       Squad 3, go get him!

Kelly Severide: Come on.

                                  [radio chatter]

Matt Casey: Otis, Mouch, charge the line and back us up.

                      Herrmann, with me.

                                    [explosion]

Ingrid Mills: What the hell were you thinking?

Peter Mills: Dad’s medals.

Ingrid Mills: I do not need any damn medals. I need you.

Peter Mills: Ma, come on.

Chief Boden: You freelance like that, you will get yourself and

                        anyone else who was willing to go in after you

                        killed! Do you understand me?

Peter Mills: Wasn’t a kitchen fire, Chief.

                             [water spraying]

                                  cutscene

Chief Boden: Ms. McLeod, what brings you here?

Gail McLeod: Chief Boden, I will be making weekly check-ins

                        with all the houses under my aegis, so I would like

                        to speak to everyone, if that’s all right. It’ll just take

                        a minute.

Chief Boden: Common room, ladies and gentlemen.

Gail McLeod: Thank you.

Kelly Severide: Mills. We’ll get the guy who set these fires.

Gail McLeod: This won’t take long. I just want to make sure that

                        we’re all on the same page, yeah?

                        Allowing visitors, especially children, to ride on any

                        of the apparatus is a serious violation of CFD

                        policy and a potential liability for the department.

Joe Cruz: How does she know that?

Gail McLeod: Now…

Christopher Herrmann: There’s a snitch in the house.

Gail McLeod: You can call me a killjoy if you’d like, but the

                        severity of this cannot be overstated.

Peter Mills: We’ve got bigger problems.

                     First your car. Now my restaurant.

Mouch: It doesn’t make sense.

Matt Casey: Mills wasn’t even on the job when Big John set

                     those first fires.

Kelly Severide: No, my-my pop’s right. It ain’t him.

                          It’s a firefighter.

Christopher Herrmann: What makes you so sure?

Kelly Severide: When I was looking at the dangerous building’s

                           map, it-it hit me that all the arsonist’s targets

                           were on there and in our district.

Otis Zvonecek: Except for the car and the diner.

Joe Cruz: So it’s a firefighter who’s got beef with all of us at 51?

                                   cutscene

Ben Darden: Why can’t we go home?

Griffin Darden: I don’t know. I think… I don’t know.

Ben Darden: Where’s mom? What will happen?

Griffin Darden: I told you, I don’t know.

                           [knocks on door]

Matt Casey: Hey, guys. It’s… it looks like you’re gonna be living

                      here for a while with me.

Griffin Darden: You promised we were going home soon.

Matt Casey: That’s right, and I thought you were, but things

                      changed and, um, it’s gonna be this way for a while.

Ben Darden: Why can’t we go home?

Matt Casey: Because your mom isn’t there.

Griffin Darden: The kids at school said she’s in jail.

Matt Casey: She is. And I should have told you that sooner.

Ben Darden: I want to live in jail with her [cries]

                      I want to see my mom.

Matt Casey: Buddy, listen. You can’t live there, but, um, you can

                      visit. You guys can handle this.

                      Listen… those, uh, firefighters and paramedics at

                      51? Well, they’re your family too and they’re gonna

                      help me take good care of you guys. Okay?

Ben Darden: [sniffles]

Matt Casey: Come here, buddy.

                                      cutscene

Jay Halstead: It’s pretty cool… being able to drink in a bar after

                        it’s closed.

Gabby Dawson: Grab a couple glasses, ‘cause I have a

                            champagne cognac in the back we are gonna

                            crack open.

Jay Halstead: Sounds great.

Gabby Dawson: Found it.

Jay Halstead: I can’t wait to try it.

                                       cutscene

                   [background chatter, music playing]

Kelly Severide: Hey!

Kevin Hadley: [laughs] Severide. How are you, buddy?

Kelly Severide: I’m okay. Can’t complain.

Kevin Hadley: Good. Can I get you a beer?

Kelly Severide: Oh, no. I’m good. I’m good right now. Thanks.

Kevin Hadley: So what brings you around my stomping grounds?

Kelly Severide: Well, I was looking for you, actually.

Kevin Hadley: Oh, yeah?

Kelly Severide: Yeah. I was just thinking about some of the fires

                           we fought together. String of arsons on the

                           westside, barbershop, couple garages, that old

                            Italian restaurant on Diversey. You remember?

Kevin Hadley: Vaguely, yeah. You sure you don’t want one? I’m

                         gonna order another round.

Kelly Severide: Nah. I’m good, but I’ll tell you what. I got your

                           next round.

Kevin Hadley: So you came all the way out here just to, uh,

                        reminisce?

Kelly Severide: There’s been a bunch of similar fires the last

                           couple weeks. That’s what brought back the

                           memories. Reminded me you’re a damn good

                           firefighter.

Kevin Hadley: Yeah. I appreciate that. I do [laughs]

                         But I got to tell you… steady work has been pretty

                         hard to come by since I got pushed out of 51.

Kelly Severide: Look at me. Is that why you’re setting the fires?

Kevin Hadley: You think I’m setting the fires?

                         Well… I guess you better prove it.

Kelly Severide: I’m going to.

                                             - end -

Definitions:

M.O. = Modus operandi meaning “mode of operating or working.” It is someone’s habits of working, particularly in the context of business or criminal investigations

DOC = Department of Corrections

Potable = Drinkable

Roof trusses = Roof trusses create a roof’s frame. They determine the shape of the roof and ceiling, while providing support for the roof.

Aegis = Protection; Controlling or conditioning influence

[snuh]

Benny Spellman: Fortune Teller