#Benefit Tags:

[lightboundhellhound]

edit: currently lamenting the fact that i didn’t think of “all of the above” …

[fisherrprince]

I’ve been possessed. If anyone wants to know where Edgeworth is, he’s been watching kamen yaiba with the detective boys for 4 hours

[poorly-drawn-mdzs]

The musical episode.

[First] Prev <–-> Next

[wiihtigo]

cant trust anyone these days

[hannikin-grahamkin]

He's not my enemy. He is my homoerotic rival and if anybody but me ever tries to hurt him I will promptly kill them.

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[yuuchama]

(Leona Kingscholar x gender neutral reader)

Leona had groaned and ranted against you sleeping in his bed all night. "There's no room," he claimed while sprawled out on a mattress wide enough to fit an entire Spelldrive team. If you laid down to claim the bed's edge, he'd kick you to the carpet or nudge you over the side and quickly pretend to be asleep. The hours he spent coming up with excuses and dirty tricks would have been better spent actually sleeping.

Many times he'd yawn and repeat, "what kind of herbivore willingly crawls into the den of a beast?" while keeping you at arm's length. Every time you thought he was out cold and snuck back over, he'd swat you away. It was a raging battle of endurance.

Yet when morning came, Leona sang a completely different tune. Perhaps it was the exhaustion of staying up late. Perhaps he was just done fighting his feelings. At some point he really did fall asleep, allowing you to take over one pillow and the fringed corner of a blanket. They were temporary luxuries.

You awoke with the heavy prince on top of you, each slow breath warm against your ear as he nuzzled his chin against your shoulder. His arm curled around your head. Strands of long, dark brown hair stuck to your lips. Sunlight poured through the windows, bringing the dry heat of the day with it. You could have cooled off by moving a leg if the prince hadn't hooked his own knee over your thighs.

"Leona...?" You whispered the name. The pressure of his chest pushing down on yours made inhaling an inconvenience. Your hope that he would wake up was successfully answered by a twitch of his ear against your cheek.

"Leona, I can't breathe." Though still half asleep and uncoordinated, you felt uncomfortable. The sensation of pins and needles danced in your hands, along the bottom of your feet, and you wanted to roll over. Leona's tail tuft began to swish lazily, trailing over the hem of your shirt. Bit by bit, it helped you wake. "I want to get up."

You strained to move out from under the mass of muscles, grabbing the mattress's edge to pull yourself up. Leona huffed and buried his face further against your skin. There was an odd sensation at the base of your neck. A little damp, a little sharp, and very warm. Leona gently nipped at your throat until you stopped trying to escape.

"Did you just bite me?" Though tired, you were now fully awake and could take in more of the situation. Leona responded with a sleepy grunt. You retaliated with a couple strikes to his side, weakly aiming for the only spots within reach. "You're hot! Let me up!"

It was the wrong course of action. Leona stirred, only to move his arm across your chest and lock both legs around yours. Fingertips grasped at the fabric of your attire. "Be quiet," he grumbled, turning his face towards yours. He knew you'd talk less if your chin had to fight the weight of his head.

You were more stuck than before. "I can't move."

"Should have listened when I warned you." You were nothing more than captured prey in the lion's embrace.

Leona's chest returned to a rhythmic rise and fall as the morning birdsong lulled him back to sleep. You were going to have to put up with his body heat for a few more hours.

[trans-androgyne]

Believing that trans people afab benefit from transmisogyny as a system is absolutely wild. Having privileges from not being the main target of it is one thing. But you really think that if the systems making up transmisogyny (transphobia, sexism, racism, and white cisheteropatriarchy in general) went away, things would be worse for me as a transmasc instead of better? We're in this fight together. Trans people can weaponize transphobia against each other, but we are not each other's oppressors. We did not build this system and it is not good for us. Direct your rightful anger at perisex cis people; otherwise, you're not punching up, you're just punching.

[lovesickeros]

zhongli and neuvillette fighting over their reader 🤭🤭

scary dog privilege wherever you go, draconic courting gestures that would scare any regular person, they send each other deadly glares the moment you turn away,

stealing your clothes to just get a whiff of your scent, marking their territory all over your house - making it a battlefield basically, neuvillette (in my hc) is cooler and zhongli is warm so the cuddles are always so comfy ☺️😍,

they give you anything you want - you don't even have to lift a finger, they make you travel between the nations a lot though 😒 sooo clingyyy, extra gentle in their dragon forms as to not squish you, don't even get me started on the size difference 😍😍

just a little thought 🤭☺️

- 🐈‍⬛

Neuvi being colder is so real and canon. I see him as being colder + a lot more lithe, kinda lanky with smaller but sharper canines versus Zhongli who's warmer and a bit shorter then Neuvi + bulkier with bigger but not as sharp canines.

They've also got very different habits – Zhongli is very prideful not just of himself but his nation. He'll personally give your a tour and purposely drag it out as long as he can. Complimenting Liyue is basically complimenting him, checkmate Neuvi. Especially if he convinces you to try on some local Liyue fashion. Harmless and just a nice gift to anyone else but Neuvi sees it for what it is (since your wearing something from Liyue, technically wearing something of his. He loves his technicalities when it comes to staking a claim over you). Adds salt to the wound by touching you in totally innocent ways like to adjust you towards something he wants to show you or accidently brushing against you when he takes the bags of spoils he's practically drowning you in but really he's just making sure his scent sticks. He's just a sweet, nice gentleman with absolutely no ulterior motives trust.

Neuvillette does love Fontaine, but his habits are more about himself then the nation. He'll take you around if you ask or if the idea strikes him, but you'll probably stay around the making city area or the opera house specifically. He enjoys more personal time with just you and him then anything else. He values the immaterial to the material. Zhongli spoils you with gifts, but Neuvi tries to offer quality time irregardless of physical gifts (though he still gives them just not to the extent of Zhongli). He'll take you to see different operas if that's to your fancy, or leverage a bit of his authority to maybe see a few films since those seem to be hitting off in Fontaine recently. Bet that creaky old archon doesn't have those huh. He feels awkward if you want to watch a trial, but he'll reluctantly agree because. well. it's you. just don't wave or anything he's trying to work and he just Really wants to see you smile at him like that again and it makes him lose his train of thought. gets custom clothes designed by Chiori to replace your clothes from Liyue because they smell of Zhongli and it makes him sulky + he likes to match.

G-d forbid these two are in the same room as you because it's a war of attrition at that point. Constant accidental brush of the hand against your shoulder or elbow but it's just them trying to get rid of the others scent. they are side eyeing each other behind your back while being all smiles whenever your looking. If it's hot and you lean into Neuvi more he's practically GLOWING. not even smug he's just absolutely smitten and happy to be of service. immediately takes off his gloves and presses his hands to your face asking if your okay and if you want to go back with him. if it's cold out and you seek out Zhongli more hes smug as hell beneath the calm veneer. Offers you his coat and stay as physically close to you as he can under the pretense of being worried you'll catch a cold if he doesn't warm you up.

don't even get me started on your house either because you probably have tons of gifts from both of them accumulated everywhere. if Neuvi sees you use a tea set from Zhongli suddenly he had a fantastic gift idea he thought you'd like. he even got some tea included with it so why don't you let him make you some? Zhongli sees you using a goblet Neuvi gave you (totally a coincidence it's similar to his) and suddenly you have 27 square cups in your cabinets that you have no idea where they came from. if the goblet is mysteriously missing oh well. who knows :]

[the-orange-solace]

When I was a child, I watched an episode of Criminal Minds where a man had a split personality. A woman who killed other women who threatened the man she formed to protect. I remember her sitting in the dark on a couch, a cigarette in hand beside a lamp, as she spoke to an Agent about why she had to kill them, that it was to protect him. It was her entire purpose for existing.

As a child, I used to pace empty halls in the middle of the night and lay in bed, repeating in my mind that I would be the only being in my body. I will not break into multiple people. I will be in control. I have to be because, at the time, I believed I could break into those monstrous plurals you see on TV. The ones that killed their family after years of neglect, abuse, and wrongdoing. The ones you should be afraid of ever becoming, no matter who you are or your situation.

So I became terrified.

And yet, nearly every night, I'd look up at the sky or the ceiling and beg for something to change—to not be alone. I was stuck pretending I was a different character, a type of escapism that sometimes got out of hand, lost in an identity that wasn't my own. Looking up and imagining being taken away, every character I adored was by my side, caring for me in return. I had to keep going, be them, and exist in a world with them.

I'd made up stories, different realities, and places in my mind to escape to, as well as explanations for things my underdeveloped brain couldn't comprehend in the place I found myself within. I clung to concepts, characters, and situations that reflected my own, and soon, I no longer felt alone—not with all the escapism I conjured up, not with the different identities to help me face what was happening.

But I was in control. I was one being. No matter what. I had to be a single being because that was good. I had to be good.

I would never hurt anyone, and being many meant being bad. I couldn't be bad.

When I was a teenager, I started researching and getting involved in minority and disabled spaces. I loved being informed, the stories, the many perspectives, and the complexity of humanity. So it was no surprise when I shared a plural headcanon with a friend, and they felt safe coming out to me. They were many. They took my hand and guided me through a community I was fascinated with and wanted to aid and represent like so many others.

I spent years learning, staying silent as others spoke, just listening to everything I could. But then, one day, like so many others, I spoke through a different facet, a different identity I had created as a child. The many faces of me represented things I could not be, I could not hold, nor could I handle. I was struggling; some of me wanted to lash out. So she did. She lashed out.

As always, I was faced with kindness, listening ears, and aid that then pushed me more to the surface from drowning. But I never left; just another part of me was lost, right? Of course. People are complex. I deal with my emotions in a complex way. Of course.

My plurally disabled friend watched as I became more comfortable speaking through the identities I had, whether they were facets of myself or characters that helped me. Soon enough, the continuous "role-play" and "emotional processing" developed into normal conversation, a comfort, a relief.

They kindly approached me and asked if I was a system, too. They had never met anyone who spoke to themselves like I do, definitely not any singlets. None of our other friends did, in person or not, not even people in our families. It was just us.

The fear from my childhood arose. I couldn't be multiple; I couldn't be more than one. It was bad. But hadn't I learned about Plurality? All its ups and downs? Its complexities and nuances? I accepted it wholeheartedly; I learned and evolved from the demonized perception I was given as a child. So, why was it still bad?

Because I must be lying; I must be a fake, a poser. It was the only reason, wasn't it? I had seen so many conversations and arguments about fakes, those who wished to be special. Had I somehow become the harm they spoke of? How could I do this to a community I swore to listen to and fight for?

I obsessed over it, forcing the panic, dissociation, habit, and ease of speaking in multiple identities and beings of myself away. I buried it as deep as I could for the betterment of everyone else. The community didn't deserve such harm, and I wouldn't bring it to their doorstep if I claimed it to be something I'm not.

The loathing became so present it formed into tics that caused aches and disruptions in my life. Multiple stressors--along with an identity crisis--will do that to someone. So my shoulder and neck muscles ached from shrugging, flexing, and all the repetitive movements I couldn't stop without crying from the suppression. So I didn't. I let it disrupt and hurt.

Then, one day, someone, some random, unknown system to me out in the world, spoke about how it didn't matter what was real or not; it didn't hurt anyone. Plurality and the belief of it didn't hurt anyone. It hurt no one to discover themselves, to test the waters, to simply pry into yourself and learn. There was no shame in figuring yourself, or yourselves, out. There was no right or wrong, nothing to be ashamed of or fearful of. Just another part of living.

So I did. I poked and prodded. I gave my parts names, spoke to them in the middle of the night, asked questions, got to know them, and learned we couldn't talk through words at first but could emotions and sensations. I realized I couldn't find where my Plurality started or where it ended, that we—oh god, we—the idea was so surreal but...comforting—were so combined, living without specific individuality outside of me that there was no separation in sight. Not that I could figure out. For so long, I believed everything was just me. Only me.

But now it was someone else, too. These things that made no sense, these things that felt out of place or special, unique, and ever-changing could be someone else.

Someone else.

The more I reflected, learned, applied, and prodded, the more things made sense. Until one day, I looked at my friends, held my breath, and spoke. Stated that it like it was a sin for me of all people to say.

I was plural.

No one blinked an eye. No one questioned it outside of boundaries and clarification. It wasn't surprising that their childhood friend was many. How surprising could it be when they used so many different names for different parts of themselves to express hard things?

It was astonishing.

And here we are, years and years later, grown and still learning, living, fighting, but more in touch with ourselves than ever before with so many more sys friends and aquatints. More experiences, a better understanding.

It's not shameful to learn, apply, and reflect. You take nothing from anyone but your time and open-minded exploration of the world and yourself(ves). There is no evil in being human, living life, phase or not. There is nothing wrong with you, any of you, for existing or living. You just are. I embrace you, I embrace us, and I embrace everything that comes with a life of many.

So, if you're struggling, just know you're not alone outside the body. We know, and so do many others. It's going to be okay; you'll find yourself in time. Don't rush it. There will always be time.

[author-james]

https://pin.it/ACmeUI3KZ

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”

[inkyarcturus]

I HAVE CREATED SUSTENANCE TO FEED Y’ALL- and tumblrs getting it first since tiktok is algorithm based and will kill me for posting so late-

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.