#Become a world class fighter

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[badass-queer-couples-battle]

Sword gays showdown, round 4 of bracket three

Propaganda:

For Adora:

Finding the sword kicks off the whole show. She transforms into a giant magic lady and is now in charge of saving everyone from the  big bag guys (which she used to be a part of). A bunch of stuff happens, but eventually her identity is now tied to having the sword. She is fully convinced that w/o the sword (and therefore She-Ra) she’s worthless. This culminates in having to destroy the sword or the world ends. She’s super depressed bc her whole self worth was tied to the sword and being she-ra. On the way to save her gf, she turns into way cooler she-ra (her own version of it that is not controlled by the sword which was made by her colonialist ancestors). Her sword is now part of her identity instead of her identity revolving around the sword. 

lesbian chosen one who was given a sword that activated her powers and made her into a living weapon, but she destroyed the sword to save her planet - and then made her own sword with her magic and saved the entire universe

For Ballister:

he could tell when his sword was switched out for a fake, graduated top of his class so we know he's a good fighter, also the scene where he's fighting is hot because he's so confident with a sword in his hand, also he's gay

A canonically gay, disabled, South Asian man takes down the government with his genderqueer shapeshifter sidekick/adopted daughter! He has a swordfight with his ex-boyfriend! in which he defeats about 20 knights singlehandedly! 

top of his knight class this man is a master swordsman

(Movie) He has used a sword since he broke into the Institutes training ground and ended up becoming a knight

He has very divorced vibes with Ambrosius and he uses a sword.

He's a legit knight! So, it's in the fine print.

According to the Nimona movie, Ballister here has been practicing the art of sword fighting since childhood to earn the trust of the city and he was SO CLOSE to becoming a knight. He's also definitely not dating another one of his knight mates (?). Nope. Not at all. This movie is super straight /s I think he also beats an entire army of knights with nothing but his sword and a chaotic good shapshifter so that's pretty cool. He's also south Asian, has a prosthetic arm he made himself and is honestly such a goofy guy (in a good way ofc) if that's anything.

[felassan]

June 25th Game Informer article on DA:TV - cliff notes:

In CC we will be able to customize qunari Rook's horn type and material

There are "hundreds of options" in CC

Duelist spec for rogue class is the fastest, with 2 blades for rapid strikes

Saboteur spec for rogues uses tricks and traps

Veil ranger spec for rogues is purely ranged, sniping enemies from afar with a bow

The death caller mage spec is necromancy

The evoker mage spec wields fire, ice and lightning

The spellblade mage spec uses magic-infused melee attacks

The reaper warrior spec uses "night blades" to steal life and risk death to gain unnatural abilities

The slayer warrior spec is a simple but strong 2handed weapons expert

The champion warrior spec is a tactical defense fighter

Specs don't matter up front like in CC or anything ("you class into them via the skill trees you progress through the game")

Selecting Rook's faction is the penultimate step in CC

The Lords of Fortune are pirated-themed

Each faction has unique casual wear worn in specific cutscenes when the character isn't wearing armor

Each faction has 3 unique traits, e.g. for Lords of Fortune, they gain additional reputation with this particular faction, have increased damage versus mercenaries, and perform takedowns on enemies with slightly less effort

"Faction selection, which ties into your character's backstory, determines who your Rook was before, how they met Varric, why they travel with Varric instead of their faction, and more"

"The message of The Veilguard is you're not saving the world on your own – you need your companions, but you also need these factions, these other groups in the world. You help them, they help you now".

Each spec is tied to a faction

Each faction has a companion "as well as [people BioWare are calling agents, ancillarily] who exist as the faces of these factions. We didn't want to just say, 'Here's the Grey Wardens, go deal with them.' We wanted characters within that faction who are sympathetic, who you can see and become the face of the faction, so that even if there are moments where the faction as a whole may be on the outs with you, these characters are still with you; they've still got your back"

BioWare wanted to avoid pointless stuff like 'gather 200 random resources'. The factions want to help you but have realistic challenges and problems in front of them "so that narratively, it makes sense why you help them in return for their help when the time comes"

Rook's appearance, lineage and class can be changed using the Mirror of Transformation in the Lighthouse

Update: the article has been updated with the following Editor's Note -

"[Editor's Note: This article previously stated players can change their physical appearance, class, lineage, and identity using the Mirror of Transformation. That is incorrect as class, lineage, and identity are locked after you first select those. The article has been updated to reflect that, and Game Informer apologizes for any confusion this mistake may have caused.]"

[source]

[tobiasdrake]

Fun Fact: As Saiyans go, Raditz isn't just weak; He's a talentless hack. Nappa is much more talented at martial arts, but his skills are undermined by him being a complete fucking moron.

Raditz is our introduction to the particularities of the Planet Trade Organization - or, well, the Saiyans since the PTO didn't quite exist as a concept yet when he showed up.

Toriyama only came up with the PTO later in the arc. It's honestly kind of funny; Vegeta's referred to as the "Strongest in the Universe" a couple times in this arc because the idea for Frieza doesn't exist yet. The original plan was that the Saiyan race are the ones doing planet gentrification on their own initiative, but they were almost all wiped out by a meteor so if we take out Strongest in the Universe Vegeta, we'll put an end to it.

So all this stuff like the spaceship pods and Scouters that was original Saiyan equipment and methodology got retooled into being PTO equipment and methodology.

But I digress. We meet Raditz and he's unlike anyone we've seen before. He immediately starts shit with Piccolo because they're both assholes, and we see how he operates.

He has a little doodad that reads off someone's "Battle Power" into a flat, easily digestible number that even a child could understand. This is the industrialization of martial arts, simplifying it into something that can be replicated and mass-produced.

It's the difference between teaching swordsmanship lessons in your dojo versus handing someone an AK-47 and telling them to go shoot the enemy.

This is the key distinction between the Saiyans and Earthlings, that made Goku - A Saiyan raised on Earth engulfed by their martial arts philosophy - so formidable. The Saiyans and by extension Planet Trade's culture is built on capitalist efficiency. Their warriors are carefully measured, analyzed, and matched with suitable challenges. They aren't trained. In fact, Vegeta scoffs at the idea of it.

They're battle-hardened.

They measure their fighters and quantify their abilities into a number, then select the right target that matches that number. Those warriors become stronger through fire and frenzy, rather than by studying principles of martial technique.

Consequently, upwards mobility doesn't seem to be a thing. Nobody in the PTO got to where they are by working hard and improving themselves. Every single one of them is naturally gifted, coasting by on whatever privileges their birth afforded them. Especially Frieza.

They aren't practitioners of an art. They're cogs in a machine.

Raditz believes these distinctions made Goku weaker.

He has no idea. The limitations of the PTO's methodology is a recurring theme in the Saiyan and Namek arcs.

Raditz is a low-class Saiyan. By virtue of being a Saiyan, he's still unbelievably powerful compared to the terrestrial races of the worlds he's sent to. But power is all he brings to the table; He's an unrefined juggernaut who coasts by entirely on Big Number Go Brrrrr. Philosophically, Goku is unimpressed.

Coming from Goku, that's a pretty sick burn. He's already lost to Raditz once; He knows how Big Number this guy is. But he can't bite his tongue at Raditz's oversimplification of his art.

As a fighter, Raditz delivers what he promised. All he has going for him is Big Number Go Brr... but it's a really big number.

Raditz is impossibly strong, impossibly fast, and his basic-ass ki blasts are impossibly powerful. The gulf between Goku and an adversary has never been so huge before.

And yet, for all his power, he is repeatedly startled and befuddled by Goku and Piccolo's training and technique. These weaklings are breaking out abilities he didn't even know were possible.

Raditz watching Goku power up the most basic ki concentration technique on Earth and exclaiming "WHAT IS THIS SORCERY!?" really tells you everything about the PTO's methodology, doesn't it?

Raditz falls for every trick and every shenanigan that these guys have spent their careers honing, forced to rely solely on tanking attacks with his tremendous Numbers.

This dipshit hasn't even trained the weakness out of his tail.

Goku was fifteen years old when he trained his tail and eliminated this vulnerability.

Raditz is less proficient than Goku was as a child. This isn't even the PTO's flaws manifesting through Raditz, either. Nappa and Vegeta trained their tails.

"LOL What kind of a useless clown doesn't train his tail?" ~Nappa, probably. Oh, wait. No. Actually.

~Vegeta literally.

Raditz is limited by the philosophy of the Planet Trade and he's also on the weaker side of Saiyans, but he also sucks even without taking power levels into account. He brings absolutely nothing to the table. He reads someone's number to tell him in advance if they'll fall down when he punches them, and then he punches them if the number tells him he's clear.

Raditz isn't a fighter. He's a bully with a gun.

For his part, Nappa is a more advanced version of Raditz. His Big Number Go Brr is even bigger than Raditz's and he's familiar with more advanced techniques beyond "Throw this ball of ki at your face".

As a front-line fighter, Nappa is unbelievably tough. Blow after blow and attack after attack, he never gives as much as it feels like he should. No matter what they do to him, he keeps getting back up and coming back, more bloodied and bruised than ever but ready for another round. He is unbelievably resilient.

Fighting Nappa feels like an exercise in futility. You're going to have to kill this man to put him down because he'll accept nothing less. Even when Goku takes the field, he finds himself at a loss with Nappa's absolute unwillingness to take the hint and lose consciousness already.

Nappa is a brick wall. Goku only finally manages to end this by breaking his spine so he can't keep getting up again.

That is what Nappa brings to his table. Though it's worth noting that his Sisyphean endurance is something Vegeta shares as well. It's not unique to Nappa. Fights with Vegeta are every bit as much of an ordeal as this bout with Nappa was.

Saiyans are hard to put down.

Nappa's biggest weakness, however, is simple: Like Raditz, he's coasting on his brute strength. He doesn't pay attention to what's happening around him, and is easily blindsided by sudden attacks from other fighters in this brawl.

Or baited into incredibly poor decision-making.

For all his Saiyan might, the Earthlings would have killed Nappa well in advance of Goku's arrival, if he didn't have Vegeta to watch his back. I'm half-convinced the only reason he trained his tail is because Vegeta told him to.

Nappa is very much a follower. He does what he's told. He's honestly a better Saiyan than Vegeta in the sense that he. Like. Cares about other Saiyans? His kneejerk reaction when Vegeta suggests taking Earth's Dragon Balls is that he wants his friend back.

And he's filled with eugenic fervor for the glory of the Saiyan race when he finds out what mixing Saiyan and Earthling physiology can do.

Fun little side note: "Super Saiyan" was originally the term used to describe Gohan's hybrid abilities before it was recontextualized to mean something else on Namek.

It's honestly interesting to look at their interactions and realize that Vegeta is a cruel, monstrous, selfish bastard even by Saiyan standards. Vegeta is uniquely wicked within this culture of for-profit colonizing murderers.

But Nappa defers to Vegeta every time. Vegeta tells him, "No, you're wrong," and Nappa pivots to supporting whatever Vegeta just said instead. Nappa obeys.

But he doesn't listen. Vegeta and Nappa were following the action while Raditz was fighting Goku and Piccolo. They saw all of the strange anomalies that occurred, that Raditz couldn't comprehend. Vegeta spends this time thinking about what this means for Earth and re-evaluating his assessment of the foes to come.

And he adjusts accordingly. From the moment they arrive at the fight, Vegeta pegs overreliance on the Scouter's readout for the vulnerability that it is.

Like. He says this. He acknowledges that he understands. And not five minutes later:

BUT THE NUMBERS, VEGETA

THE NUMBERS SAID NO

Even then, Nappa flat-out ignores The Numbers if he doesn't like what's printed on them.

Nappa and Vegeta both disregard the printout this time, but in different ways. Vegeta observes that Earthlings suppress their ki, presenting a smaller number than their true ability. So when the Scouter says 5000, that means Goku's true level is likely well beyond that.

Nappa observes that Goku is probably weak so that's stupid and you're wrong.

Nappa just does things. He doesn't think or pay attention to what they're doing. He destroys a city as soon as they arrive, and Vegeta immediately lays into him for what a fucking idiotic thing to do that was.

He's a beast on a chain, barely restrained by his deference to Vegeta. Powerful, seemingly unstoppable, but needing Vegeta to hold his hand and walk him through the higher concepts of combat and martial arts.

An absolute fool. But a Saiyan elite fool.

[vajrapoet]

turning d&d 4e into a brutal xianxia game

i've always looked at D&D 4e as particularly amenable to the wuxia genre. in fact, it works as a spirit cultivation game. a problem with a lot of 4e (for me at least) is its disconnect of mechanics from the fiction. it is a game-first, player-first game, and that's a great genre in itself. but this post is looking at 4e through potential diegetic lens, with each game mechanic justified through spirit cultivation xianxia genre

as follows:

XP as Cultivation: exp serves great as cultivation. leveling up serves as cultivation progress. the three tiers work as "Man -> Earth -> Heaven" kinds of Cultivation Realm.

Powers as Techniques: each power works as a martial art technique that can be learned and mastered. this works better using the Alternative Rewards system found in the DMG, and getting powers from the world instead of getting it immediately on level up.

emphasize alternative rewards: instead of purely making level-ups the main way to get powers, have the powers be found in the world as alternative rewards. have them be of differing levels. if they find a level 14 fighter power from learning it from a bull God, they need to be a Level 14 PC with a Fighter Feat to be able to "equip" it.

Classes as Martial Arts schools: Fighters as the Fighter Sect, Wizards as the Eight School Magics Sect, etc. Subclasses or the Build Options work as School Specializations. this is the one that is least wuxia-esque to me, because wuxia is an inherently classless idea. you should be able to learn a strand of martial arts from one master and then learn a completely new and different one from another master that chooses to pick you up on.

every pc from a different school: to bridge this genre gap, when you make a PC, write the class they choose as a martial school. even if two PCs are two Sorcerers, they must come from different but perhaps similar schools. maybe one is from the Tantric Deity Sect and the other is from the Nine-Elements Yang Sect

Healing Surges as Qi: Qi is the breath or the life force. Similar ideas in other cultures are prana, ginhawa, ki, and kebatinan. You can only heal yourself as much as your inner reserves can heal you. If your Qi is tapped out, even healing potions will have a muted effect

Hit Points as Hit Protection: this one is stealing from NSR ideas. replace hit points with the idea of Hit Protection. Fighting in Wuxia/Xianxia etc. is a flurrious exchange of blows. when attacking a character, as long as they're not bloodied, they're actively fighting back, defending according to the targeted defense (blocking, parrying, ducking, weaving with AC, dodging and leaping with Reflex, resisting with Will, etc.) Hit Protection still includes personal vigor, which justifies attacks that poison or set them on fire as those attacks probably hit home to transmit those effects

xianxia lethality: xianxia and wuxia are surprisingly more brutal than one would think. it's bloody and arms are broken, legs are cut off. we move into homebrew-y territory here.

half HP, double damage: lean into this. power comes not from numbers but from techniques and traits for PCs. half HP and double damage not just for monsters, but for PCs as well. this will make fights less meat sack slogs and into tense, explosive engages.

move attack hit rate from 60% to 90%: this is something fft did well. most attacks have a 100% starting hit rate. enemy evasion values shifts that around. my idea is to raise attack hit rate to much higher. this makes defense-raising options much stronger as well and every attack becomes an important additional strike

make bloodied more potent: bloodied inflicts an injury. make this fiction oriented: a good enough attack might scar your face, or might render your arm useless and make you suffer disadvantage. this might not feel fun, but it will force creativity and the players must respect the world

improvisation: in wuxia and xianxia you actually will see more instances of the heroes using their environment to affect the outcome of the battle. throwing tables to distract, using roofs to provide cover, etc. here we move again into homebrew territory:

improvisation as default. this one is a large shift in the game. get rid of action economy. get rid of action types. you can move and do one thing. this is anything. most commonly it will be an attack. this includes even minor actions. there are no set actions you can do, no list to choose from. use your imagination. lean into the p 42 of the DMG. turn THAT into the core mechanic of the game

use essentials rules: this one is the least controversial but 4e essentials rules are the best consolidation of the rules. especially the item rarity stuff.

dare to be unbalanced: 4e's neo-golden cow is balance. don't care about the balancing. xianxia thrives on the unbalancedness of things to create tension and friction. the need to have revenge on a martial master that killed your master before, but they are a Level 28 Fighter and you're a measly Level 3 Wizard. You have to cultivate to get up to his level. You need 10,000 more years of training to get to him! now there's a reason for adventuring (collecting training manuals, finding masters, finding cultivation cores to gain XP). adopt an OSR mindset. become world-first: make the PCs rise to the challenge instead of tailoring everything to them. if they move into an area with level 8 monsters, they can choose to take those on, or just go back and go somewhere else, return at a later time when they have better equipment and better weaponry.

[monocaelia]

atlas.

- he could only hold the world for so long, it was about time his body caved in ; aka, the two times you're reminded of his humanity. feat. gojo satoru & gn!reader genre : hurt/comfort , happy ending w.c. : 1.8k

warnings: spoilers for jjk s2 ep5 note : i hate goe joe satoru.

gojo satoru.

you didn't even need to see him to know who he is; he is the revered member of the gojo clan blessed enough to be born with both the six eyes and the infinity cursed technique and is a one in a lifetime miracle.

from the beginning of his life, gojo had been the strongest sorcerer in existence. with both blessed techniques at his will, he was near unstoppable and was worthy of shouldering the problems of jujustu society from a young age, as decided by the gojo clan.

and, for someone as blessed and impenetrable as he is, gojo had never felt the emotional strife of losing someone dear to him.

there are two times that you recall ever witnessing gojo satoru lose his composure, where you have seen the blessed one who holds the power of the gods in the palm of his hands and is always one step ahead of everyone else fall to his knees as the weight of the world finally takes its toll on his poor soul.

the first time was when getou suguru had betrayed jujutsu tech. you weren't sure of the details; you were in the middle of a mission and had returned to the news of your classmate and friend becoming a wanted criminal.

honestly, hearing it firsthand did not feel real to you. getou suguru was someone you had always admired. he was someone who not only had a powerful cursed technique, but was also a skilled fighter and knew how to use his technique to the fullest despite coming from a normal family rather than one of the prestigious families that were well-known in jujustu society.

you had shared smiles with him, stories of the crazy memories made while exorcising curses and the near-death experiences shared while on missions together.

and you knew gojo and getou were near inseparable during their time at jujutsu tech; you couldn't imagine the pain gojo was going through with the news of his one and only becoming a murderer wanted in all of jujutsu society.

you find gojo satoru alone in getou's old dorm room. it's empty; the once neat, but lived in dorm now completely void of any evidence of being lived in with the exception of a framed picture of your class left on the nightstand.

getou and gojo tower over you and ieri, but it's all smiles from the four of you. because of the small frame and the number of people in the photo, you're all squished together. though, it's not like any of you minded.

a perfect picture of youth; the most beautiful moment in life.

the frame is held in gojo's hand as he sits on getou's dorm bed. you can see his fingers clench the frame as frustration settles into his bones, before he relaxes once more.

"it's not your fault, you know," you say gently, breaking the silence and hopefully through the roaring storm that you know is brewing within gojo's head. you step into the room and join gojo on the bed; he doesn't move and he doesn't face you.

"no one saw it coming." you try to reassure him, but you know any attempts at this point are futile. gojo does not respond, a flood of memories flying by crystalline eyes as he tries to figure out when it went so wrong.

the silence is permeable as reality settles into gojo. his lips part, a shaky breath, and he's speaking again.

"i should've seen it coming," he whispers. there's a clear anger in his voice, though you know full well exactly who it's directed at. "i was his friend and i didn't even realize he was hurting alone." His voice cracks.

"i didn't even do anything to save him."

it is then that you begin to see gojo as who he is. he isn't an untouchable god who feared nothing, who had enemies that couldn't even lift a finger to hurt him if they even dared. this gojo beside you isn't an omnipotent god, he's just a kid like you; he's human. he's vulnerable, even if the elders believe otherwise, for his friends are his one and only achilles' heel and the key to his humanity.

not quite knowing the words to comfort him, you reach over to hold his hand. it isn't much, but you know firsthand that just having someone beside you to help support your pain is better than shouldering everything alone.

the tight squeeze of your hand and the quite sniffles beside you are all you need as a reminder that gojo satoru is not a god; he is only gojo satoru.

the second time gojo felt genuine fear was when he nearly lost you.

as a result of a curse that was underestimated for second-class sorcerors to take, you had become collateral for a simple mistake from the higher ups. of course, mistakes could just be that, but everyone knows better.

this was set up so they could easily dispose of you and rule your death as a mere 'accident.' the higher ups needed you gone as the deemed your existence a hinderance to gojo's full potential, a dam in the middle of the river.

lucky for you, you made quick work of the curse before collapsing with the only words you heard being a shout of your name.

the bright lights of the jujutsu high infirmary are the first thing you see when your eyes slowly flutter open. your vision is blurry and the world is still spinning as you regain consciousness. with hesitance, you slowly sit up despite your body aching and telling you to lay back down.

it is only when a firm hand presses against your chest and pushes you down do you actually do so.

crystalline blue meets your gaze. they're playful and full of youth, a pair of blue eyes that you're most familiar with. but theres a shadow of solemnity behind those bright irises and you know exactly why.

"about time you woke up," gojo speaks up, ruffling your hair with his hand. they're roughened from years of training and fighting, but there are no other blemishes that stain the purity of his hands. "i thought you finally had enough of me and decided to kick the bucket, dear." there's a light, jesting tone to his voice as he speaks. he's laughing, though you can see the redness underneath his eyes as he brushes off your near death experience as a joke.

"and leave you alone to torment the students? as if," you jab back with a smile of your own. "i wouldn't ever want to wish that on your students. fushiguro would drag me back from the dead if i left him alone with you."

gojo's bottom lip juts out and his brows furrow in a pout as you say this and you can't help but laugh a little on your own.

"but i know you'll miss me, so i won't die just yet," you reassure your white haired companion. your hand reaches over to hold his own and gives it a gentle squeeze, a reminder that you're alive and still breathing beside him as your pulse and your warmth bleed onto his own.

his hand squeezes yours tightly, as he did years ago, and his bottom lip is caught between his teeth as he bites down onto the plush skin. his eyes aren't focused on you anymore and instead focus on anywhere but you as the reality of the situation settles into his bones.

"promise?" gojo asks, his voice a mere whisper.

he already lost one of his closest friends years ago and you witnessed that heartbreak with your own eyes as you had comforted gojo when he needed it most. you couldn't imagine how his fragile heart would break again if he had lost you just now.

despite being the strongest, you know that not being able to fully protect the ones he held close was one of gojo's biggest weaknesses as much as he tried to hide it.

but you know that you couldn't give him any empty promises knowing the work you're doing. it would only give him false hope and the both of you know that better than anyone else.

you don't answer him and instead pull his hand to your lips, pressing a soft kiss onto his skin. with a gentle tug, the hand held by gojo is pulled into his chest as he cradles your palm. his fingers intertwine with yours and your heart swells at the small action.

it is then that you meet crystalline blue once more, though this time they are unwavering as they firmly stand their ground against the hands of fate that, at any moment, could cruelly tear the two of you apart.

"don't leave me," gojo begs. "you can't leave me until the world has turned for the better, for us and for the youth of jujutsu society. i'll make it happen so..."

the once invincible sorcerer brings your hand up to his lips and he presses a kiss along your knuckles, reciprocating the act you did before.

"please, don't leave me."

gojo leans down and presses a kiss to your forehead. it's soft and hesitant, but you know at this point his fear of your life nearly slipping through his fingers has caught up to him. he pulls away, only to lean down again to kiss you.

your heart flutters feeling his lips kiss yours and you can tell from the way his lips barely ghost of yours that gojo is scared you'll disappear from him if he moves the wrong way. like a warm wave easing the worries that burrow into his entire being, your hand that's free from the one held in gojo's reaches up to cup his face. your thumb caresses his cheek and bring him closer to you, reassuring him that you won't slip away from him should he kiss you too hard.

gojo pulls away from the kiss with cheeks warm and his eyes, now a calming blue that held the stars you love so much, glint with satisfaction and relief.

though, the sweet and tender moment shared between lovers is ruined the moment gojo opens his mouth again.

"don't break my promise, okay? i don't care if you die, i'll die with you and haunt you forever as punishment for dying first, okay?" your white haired boyfriend urges as he leans his forehead against you, blue now an annoyance to you as he forces you to make eye contact with him.

your hand pushes his face away with a snort, ignoring his whining complaints as you do so.

though, it's not like you would ever willingly die first. you couldn't leave gojo satoru alone, your soul couldn't bear the burden of knowing you would shatter the glass that makes gojo's heart.

[princesssarisa]

I think in Wicked (the musical at least – not sure about the novel), there's a bit of an uneasiness between the theme of "everyone is morally gray, no one is all bad or all good" and the fact that Elphaba is a freedom fighter against a fascist government that commits atrocities against a minority group.

Yes, the Wizard has some sympathetic qualities, Elphaba has some flaws and briefly turns to villainy toward the end, and Glinda is a mass of moral grayness under her perky pink facade. But for the most part it's clear who the villains are (the Wizard and Madame Morrible), Elphaba's stance against them is clearly heroic, and Glinda's choice to work for them is clearly a moral sell-out, with which she struggles and from which she eventually redeems herself. When the Animals' treatment parallels the treatment of Jews in Nazi Germany, you can't take a "both sides" view of the situation. But every now and then, the show seems to do just that – whether in the song "Wonderful" with the Wizard's talk of "moral ambiguities" (though of course in that song, he's trying to justify his actions and manipulate Elphaba into joining him), or Elphaba and Glinda's reconciliation in "For Good," where they paint themselves as having been equally at fault. And again, and again, I've heard people say "There are no real villains in Wicked: the whole point is that there are two sides to every story and neither side is all good or all bad." But if that's the intended message, does it honestly fit with a plot that involves fascism and racial persecution?

Another work of fiction that I think has some uneasiness between its themes is Disney's Beauty and the Beast. Namely between "the Beast as a suffering, misunderstood outcast" and "the Beast as a powerful bully who needs to be humbled and change." I think a lot of the controversy about that movie stems from the uneasiness between those two themes.

On the one hand, the Beast is a spoiled, selfish prince, who was cursed as punishment for shutting out a poor beggar woman, who has a terrifying temper, and who orders others around and throws tantrums when he doesn't get his own way. His beastly appearance and mannerisms can be seen as outward symbols of his bad behavior, which is based in toxic class privilege and masculinity. From this perspective, Gaston is his kindred spirit, which is emphasized by visual cues: e.g. their similar striking blue eyes, or Gaston's pelt-covered, horned chair in the tavern that looks like the Beast's silhouette. The difference between them is that the Beast finally realizes he was wrong and changes his ways, while Gaston only becomes more beastly. But on the other hand, the Beast is also an "other", who hides from the world, who struggles with basic social skills, who is full of insecurity and self-loathing, whom Belle bonds with because they're both misfits, whose bestial mannerisms and overpowering rages are at least partly because the spell is warping his mind (in other words, a magical mental illness), and whom a mob tries to murder just because he looks scary. Analogies have rightly been drawn between the Beast and victims of racism, homophobia, or other prejudice. From this viewpoint, Gaston is his opposite: the type of privileged boor who receives undeserved hero-worship just because he's handsome and charismatic, and who persecutes "others" like the Beast.

When people view it chiefly as a story about the taming of a powerful bully, you hear accusations of "Stockholm Syndrome" and of the dangerous fantasies of changing an abuser. Viewing the Beast as a misunderstood outcast, who finds acceptance in a fellow outcast and who overcomes his mental health struggles and bad coping mechanisms as a result, reduces those accusations. But if you view the Beast chiefly as a misunderstood outcast, then his character arc can feel disempowering: so much of it consists of learning to be more people-pleasing and self-effacing, not to mention re-learning "normal" human manners and behavior (as an autistic person, I know I've sometimes felt "He needs to mask to be loved"), and he becomes fully "normal" by becoming human again in the end.

Maybe there is no uneasiness between these different themes: maybe it's just complexity. Maybe my feelings on the subject shows that I'm autistic and struggle with things that aren't black-and-white. But in both of these works of fiction, I do sometimes feel as if the writers were trying to tell two different stories at once, which sometimes fit together, sometimes not.

Does anyone else feel that way about other works of fiction? Can you name any other stories with multiple themes that seem slightly opposed and uneasy together?

[theanticool]

So you watched #PaulTyson, saw Amanda Serrano vs Katie Taylor, and now you want to watch more women's boxing? Here's a quick guide!

I have been beating the drum of women's boxing for over a decade at this point, so I feel uniquely qualified to help people who might want to get deeper into their women's boxing bag. So here are a handful of fights to help you jump into the sport!

(I've kept it to recent examples because these fighters are still active)

Katie Taylor vs Amanda Serrano 1 - April 30, 2022

I'm sure most people who saw Taylor-Serrano 2 on the undercard of the Mike Tyson-Jake Paul card did not get to see the first fight. And they should. The 2nd fight picked up right where the first one left off, with these two getting in the phonebooth and getting to work at a torrent pace. Absolutely fantastic fight. Worthy of the Fight of the Year honors it got from Sports Illustrated. Was lucky enough to be there in person and it is one of my favorite memories as a combat sports fan.

2. Claressa Shields vs Savannah Marshall - October 15, 2022

If there is any woman who has claim to the title of best ever outside of Katie Taylor and Amanda Serrano, it is the 'GWOAT' Claressa Shields. She is a 5 division champion who was also the undisputed champion at 154lbs. She's a two time Olympic gold medalist, winning her first one at the age of 16 year old. And through her pro and amateur career, only one woman had ever beat her (on the amateur circuit) - knockout artist Savannah Marshall. Marshall has a claim to being the biggest puncher women's boxing has ever seen and has a style unlike any ever seen in women's pro boxing. So a professional meeting between the two was always going to make for a fun clash.

3. Alycia Baumgardner vs Mikaela Mayer - October 15, 2022

Of the fights on the list, this is probably the least exciting but it carried significant weight and I still found it incredibly entertaining. Mayer is a former Olympian who was on her way to unifying all the belts at 130lbs to become undisputed champion. She had marched her way through the pros, earning a 17-0 record at the time and taking out former champions like Maïva Hamadouche, Erica Farias, and Jennifer Han. Alycia Baumgardner was not that. She was a pro boxer who was in the wilds, trying to cut her teeth at a time when no American promoter was investing in women's boxing. It wasn't until Matchroom (UK promotion) gave her a shot against a different super featherweight champion Terri Harper did Baumgardner finally breakthrough, knocking the champ out in an upset victory. That set these two on a collision course for unification

4. Gabriela Fundora vs Celeste Alaniz - November 2, 2024

This one is a little different. It was less a great, competitive fight than the ascension of the next great women's boxer. Gabriela Fundora comes from a boxing family. Her brother Sebastian is a world champion up at 154lbs. So her winning a world title at only 22 years old isn't too crazy. But fighting for the undisputed (all four belts) kind of is. Celeste Alaniz is a fellow young up and coming boxer who had just knocked off former two division champion and Olympic bronze medalist Marlen Esparza. The fight between these two was fun, while it lasted. Keep an eye out on the winner here. They're going places. Like the top of the P4P list.

5. Yesica Nery Plata vs Kim Clavel - January 13, 2023

Felt wrong not putting any Mexican boxers on this one so I'm going with the light flyweight champion, Yesica Nery Plata. At 30-2, Plata has built up an impressive run as a pro. She is the WBA and WBC light flyweight champion. Sadly, the fight I most want to see from her is a rematch with Kenia Enriquez and with Enriquez up a weight class, that ship has sailed. That said, would love to see her in there with a Yokasta Valle.

[vintagerpg]

The Compleat Adventurer (1983) does for the non-magic classes what The Compleat Spell Caster did for magic-users. Basically: made up a whole bunch of new ones.

We have: Beastmaster, Buccaneer, Gladiator, Harlequin, Knight, Martial Artist, Rogue, Spy, Swordsman, Warrior and Hunter, which has three sub-classes - Scout, Bounty Hunter and Witch Hunter. Many of these are expressions of professions from literature or history that seem like they should be represented in RPGs. Solomon Kane is the frame for the Witch Hunter. Spies, Knights, Buccaneers and Gladiators have clear real-world corespondents. Beastmaster is indicated as a stand-in for Tarzan, and I am sure the 1982 film of the same name has nothing to do with the class. The swordsman is interesting because it gestures at (without really fulfilling) the role of the Dexterity-based fighter a la Errol Flynn. The Rogue meanwhile tries to remix the Thief into a better representative of literary predecessors like Cugel and Gray Mouser. Same for the Martial Artist, which I think does the concept more justice than the Monk. The Harlequin is most interesting for me, as it moves a Thief sort of character toward acting, trickery and low magic (and I think might influence some ideas the lads at Games Workshop got a few years later).

I don’t think any of these are great classes right out of the box, but they are almost all interesting in some regard and could certainly be mined for something like OSE. I’d welcome that! I think they (and other books like these) indicate a baseline dissatisfaction with the official D&D offerings (that has maybe since become hard coded into the hobby’s DNA).

I haven’t talked about the art in these books, partly because they mostly lack clear credit. Peter Blandori did all the covers, though and most of the memorable interiors. I love how he makes everyone look haunted and possibly unstable — most of the people look like they could be NPCs in a Mothership game.

[rottenpumpkin13]

AU where bad things happen but everyone is alive and somewhat sane. Anyway. Cloud works really hard, gets kidnapped by the science department and becomes strong enough to be considered for first class soldier but he is… still so small and pathetic looking next to the others. He is allowed to become a first so the company can buy his silence. However! He is purposefully cut out of frame in photo ops of the firsts, his invitations to public events are ‘lost.’ When he tells people he is a first class soldier to get in to restricted areas he needs to go into for his job he is laughed at and ignored. Nobody but the other firsts and a few higher ups know Cloud is actually a first class soldier. How do they react to the little power house being slighted constantly? How does Cloud react to people being convinced he is a liar and a poser?

Cloud had wanted to be a hero, but now he'll settle for doing his job and staying out of the way. His rise to First Class was so unconventional that all he really cares about now is helping and doing his best, even if he levels with the others effortlessly. The other Firsts respect him as an equal, but there's little they can do to change how the public sees him. Except for Zack. Zack won't let it slide.

*Zack is filming Sephiroth and Cloud in the training room*

Zack: Ready when you are! This video is gonna go viral. Just wait 'till they see how easily Cloud can hold his own against Sephiroth.

Angeal: I'm not sure about this. What if Sephiroth hurts him?

Zack: Eh, he won't. Cloud's a tough fighter.

*Cloud punches Sephiroth in the face*

Angeal: OI!

Zack: In fact, I think he might even be more powerful than Sephiroth.

*Cloud drives his knee into Sephiroth's and forces him down hard*

Angeal: I SEE YOUR POINT!

Zack: I can't wait until the whole world knows Cloud's name. What if he replaces Sephiroth as the new favorite?

*Coud raises his sword to impale Sephiroth*

Angeal: STOP THEM!

Zack: Embrace Cloud, Angeal.

[the-monkey-ruler]

The more I read about the JTTW Conspiracy Theory, the less I like it, and the more disappointed I am that BMW followed it.

I have found that it has turned into a unique taste at least for a more modern audience that really enjoys the thematic meanings of Journey to the West. Xiyouji at its core is one that says that anyone can change and that people can take a hold of their lives and start changing themselves for the better. I found the book uplifting how between the humor and the allegories we see the pilgrims really come together in each new demon fight and rely on each other. That no matter what you've done there can be hope that you can find people like you and you're not alone on any journey.

That is how I always connected with Xiyouji, as a journey to hope, not to save the world per se, but one that you are not you're worst self and that you can learn and grow as a person. This is journey about learning how to save yourself for your own sake. That anyone (even a monkey) can find themselves, know who they are to the point of enlightenment and become one with the universe essentially becaming a Buddha.

The JTTW Conspiracy Theory does take that message and make it more that "enlightenment is a lie" and "changing is just conforming to be more submission to your masters." It frames Wukong's person growth into something of him just becoming a mindless tool of heaven. That all his hard work and travels were really for nothing and just that he is seen as nothing more as a yao and that he will always be seen as a yao to be used.

Don't get me wrong, Xiyouji does poke fun at itself. While yes they do make Arhats taking bribes and do make Daoist yao master eat babies it is in the tone of satire and to make the scene more humorous with the absurdity of it all. Xiyouji is about to poke fun at religion while still being sincere in the religious messages found within the book. It makes fun of the gods but it also makes fun of humans and yao and anyone who can be criticized. But just because it is able to make light of the gods in both Eastern and Weatern Heaven doesn't make it an anti-religious work but rather I see it as an attempt to make the gods more human to the audiences. Humor has been used for centuries as a way to show the absurdity of life and make characters more relatable, and I really think that Xiyouji is still so popular after nearly 400 with such great movies/shows/games because it is FUNNY and their characters are still able to crack a smile even in the more dire of situations.

I have said that the Chinese Odyssey and Bio of Wukong really make the JTTW Conspiracy Theory popular, and it has, but it could be traced back to the Havoc in Heaven 1961 Movie with how it was framed that Wukong was a freedom fighter. The 1961 Movie has a long and rich history about its creation and its political meaning. But in short, it was seen as a symbolic meaning of class warfare between Wukong (the freedom fighter) and Heaven (the oppressive authoritarian government). This was taking Wukong's original meaning being of an arrogant and selfish warlord who uses his power for his own desires and transforming it into a Wukong who is now the common man who is meant to relate to the average worker fighting for his rights and the rights of others. Hence why in the 1961 Wukong WINS in the end! He BEATS the Jade Emperor! He WON! No Buddha, not mountain, he goes home, he DID IT. Because he is the HERO.

This was an understandable change as this was in the mind of inspiring people to stay hopeful in the face of opposition.

"When the first half of the film was released in 1961, state and public reception was glowing, but by 1965, when the second half was completed, it became impossible not to recognize in it revolutionary undercurrents. At first, Mao was compared favorably to the mischievous Sun Wukong, wreaking havoc in “Heaven,” overturning the Chinese bourgeoisie. But by the same metaphor Mao had also plucked away the country’s “stabilizing pillar” with his disastrous Great Leap Forward. By the start of the Cultural Revolution, Mao’s China could be seen as “Heaven,” Mao himself its stuffy Jade Emperor, and the disenfranchised groups living under his regime, the monkeys."

This is still self-contained as it was only Eastern Heaven that was shown to be overthrown. Guanyin and the Buddha were never shown and thus never perceived in a negative light, thus not suggesting that enlightenment is a lie or anything like that. Also Wukong wasn't fighting for Yaoguai but rather his own monkeys, another difference, as this has no connection with "yao are an opposed group" that is seen within the JTTW Theory. Wukong shows no issues in later movies fighting Yao. And the biggest difference is that Wukong WINS in the end, he goes home and the heavens are defeated. We never see any repercussions for that because there are none, the movie is over and the audience is meant to leave with the feeling of hope and optimism that Wukong has given them.

The reason I always connect the JTTW Conspiracy Theory to Bio of Wukong is that it brought in the pessimism that rechanged the whole story. Wukong DOESN'T win. Wukong ISN'T able to change anything. He dies a martyr who rather loses his life against an impossible battle rather than live a life of servitude and while he is gone he will never be forgotten. He is a TRAGIC hero. It embraces the beauty of rebellion even in the face of resistance and the death of blind idealism.

And that IS a beautiful story. I can see why this story got so popular with young adults in the early 2000s, as they are facing a changing economy and starting to feel how hard work and everything they have been studying for feels like it was all for nothing in the workplace. This was a story that resonated with an entire generation and it can show the struggle of trying to cling to individualism in the face of conformity in order to integrate better into social pressures. I think that there can be a lot to be explored and so much that can be take from this kind of take.

But I think the real issue is while Bio of Wukong is a light novel inspired by a movie that is more of a Time Travel Movie reimagining of Journey to the West, the JTTW Conspiracy Theory tries to apply to the actual book. The JTTW Conspiracy Theory takes it a step further and claims that enlightenment is a lie, and the whole Journey is orchestrated by the Buddha to promote his “corrupt” religion while crushing SWK's spirit and making him into a tool for the Heavens. This kind of stance can come from a general anti-religion stance or a nationalist position to base Buddhism.

I could understand how modern authors compare heaven to current authority, creating a hero of rebellion who fights against oppressors but still never wins in a way to connects to audiences through gaining sympathy. By now it feels overplayed but when it first came out the 'dark version' was very appealing to young adults esp when it comes to feeling limited when facing new experiences. While it isn't accurate to JTTW and what the message is, it is more like JTTW can be used as a medium for that kind of storytelling.

JTTW Conspiracy Theory takes what could have been solid symbolism of using JTTW as a medium for modern issues in a way that is able to relate and connect with its audience, and rather turns it around as a critic of JTTW's original narrative and tries to push it as a stance against religion. This uproots Xiyouji's original messaging and its deep connection to established folklore, Buddhism, and Daoism. While I do believe that directors try to capture the impact that Bio of Wukong had, it falls short as it just isn't a FEESABLE story within Xiyouji's own verse. If you view the entire premise of Buddhism and all religions as false, then whatever answers they give to important questions can be nothing but lies and falsehoods, to maintain their own power and deceive worshippers. It takes away the foundations of Xiyouji to the point that it is no longer even the same story.

In the end, I do believe that this Conspiracy Theory has run its course and that it would be better to be shelved as more of a 'horror' genre of the book rather than to be seen as a proper adaption. It might be my own personal old age but I have been through the early 2000 'angst' era and while it was fun while it lasted I do believe that this was a needed step into a new evolution of where Xiyouji interpretations can go. I would love personally to see more interpretations of Wukong as a ruthless warlord rather than a freedom fighter. To see Wukong as a near irredeemable monster and throughout the journey becoming someone more of an anti-hero who learns more about empathy and kindness through each trial. And I do think we are heading in this direction. The most prime example I believe would be Monkey King Hero is Back which shows a reluctant Wukong slowly realizing what it means to be a hero, not his power, but what you are willing to fight for. A more interpretational battle rather than Wukong fighting demons or even fighting an oppressive regime he starts to fight himself. Another layer of Wukong's identity being explored but his own pride and ego being his enemies rather than an external force.

We see more modern movies trying to move past Wukong being just a hero or a martyr but truly being dedicated to making him the complex individual that he could always be. I hope that we do see more directors taking this stance as Journey to the West is a beautiful story with the unique and rare gift that it allows all characters, gods, demons, and humans to be seen on an equal footing. Gods are allowed to be funny and flawed, demons are clever and can be redeemed, and humans can be both good or bad depending on their actions. While Xiyouji is lighthearted I do think that interpersonal struggle aligns more with its messaging. It's complex with it's allegories but there isn't a sense of hopelessness as the one thing in life that you can control is yourself at least.

I think that Black Myth Wukong has a lot to offer, especially in terms of bringing new fans into the series. While I am a lil saddened that the story is inspired by a theory 20 years ago, I can see why as it was quite popular. I will say though it has been done to death, and while I'm sure it was a 'safe' bet it is something that is unoriginal and that does leave me disappointed (please note nearly all web-movie jttw have come out in the past ten years have a similar premise). I can only hope that with future DLC or in future JTTW adaptions they take that as a sign to grow from the premise gathering rather than repeating the same old thing.

[badass-queer-couples-battle]

Sword gays showdown, round 3, bracket three

Propaganda:

For Ballister:

he could tell when his sword was switched out for a fake, graduated top of his class so we know he's a good fighter, also the scene where he's fighting is hot because he's so confident with a sword in his hand, also he's gay

A canonically gay, disabled, South Asian man takes down the government with his genderqueer shapeshifter sidekick/adopted daughter! He has a swordfight with his ex-boyfriend! in which he defeats about 20 knights singlehandedly! 

top of his knight class this man is a master swordsman

(Movie) He has used a sword since he broke into the Institutes training ground and ended up becoming a knight

He has very divorced vibes with Ambrosius and he uses a sword.

He's a legit knight! So, it's in the fine print.

According to the Nimona movie, Ballister here has been practicing the art of sword fighting since childhood to earn the trust of the city and he was SO CLOSE to becoming a knight. He's also definitely not dating another one of his knight mates (?). Nope. Not at all. This movie is super straight /s I think he also beats an entire army of knights with nothing but his sword and a chaotic good shapshifter so that's pretty cool. He's also south Asian, has a prosthetic arm he made himself and is honestly such a goofy guy (in a good way ofc) if that's anything.

For Amaya:

Badass super strong disabled lesbian general who can and will take you out. Doesn't need a sword to punch you into next week, but will use one anyway.

She’s married to another sword gay and she’s also disabled so I love her very much 

First deaf character I saw in any cartoon, she's very badass and protects her kingdom's border, later falls in love with an elf warrior princess she once fought. In the new season, they're planning their wedding while trying to navigate political tensions between the elf society and humans. Some of the elves aren't super into the idea of a human marrying one of them, which isn't for homophobic reasons but still (I believe) meant to mirror real world conservatives (really liked a scene with Janai's brother telling Amaya she's fine as a girlfriend for Janai but actually *marrying* her is too controversial and political. Whoever wrote this did a really good job).

She’s currently engaged to another lady, she uses a sword, is a general badass.

General Amaya is a standard sword lesbian with a cool shield and some funny "lines" example: "This bread is...." *bashes bread on table with no damage to the bread* "Weapons grade"

[felassan]

New today on DA:TV from Game Informer, 'Breaking Down Dragon Age: The Veilguard’s Classes And Factions':

"Breaking Down Dragon Age: The Veilguard’s Classes And Factions by Wesley LeBlanc on Jun 25, 2024 at 02:00 PM "As part of the character creation process for Dragon Age: The Veilguard, players will have to select both a class for their player-controlled Rook and a faction. After customizing much of your Rook's body, including things like a Qunari's horn type and material, for example, with the hundreds of options available in Veilguard, it will be time to pick said class.  [embedded link to DA:TV reveal trailer] There are three classes to choose from: Rogue, Mage, and Warrior. As the names suggest, each features a unique combat system and plays differently as a result. Though you’ll be performing things like light and heavy attacks using the same buttons, what those attacks do varies based on your class. For example, a sword-and-shield Warrior can hip-fire or aim their shield to throw it like Captain America, whereas a Mage can use that same button to throw out magical ranged attacks – read more about the combat of Veilguard in Game Informer's exclusive feature here. Plus, as you spec out these classes and unlock their individual specializations, the differences will only grow even more stark.  - The Rogue has access to three specializations. The Duelist is the fastest of the three, with two blades for rapid strikes; the Saboteur uses tricks and traps; and the Veil Ranger is purely range, sniping enemies from afar with a bow. - The Mage can utilize necromancy with the Death Caller specialization; Evokers wield fire, ice, and lightning; and the Spellblade uses magic-infused melee attacks. - The Warrior can become a Reaper, which uses night blades to steal life and risk death to gain unnatural abilities; a Slayer, a simple but strong two-handed weapons expert; or the Champion, a tactical defense fighter. While these specializations don't matter upfront – you class into them via the skill trees you progress through the game – it's nice to see the potential of each class before you choose it."

"For the penultimate step of the character creator, at least during the demo BioWare shows me, players select a faction. The Grey Wardens return, joined by other returning favorites and new additions like the Antivan Crows, the Mourn Watch, the Shadow Dragons, the pirate-themed Lords of Fortune, which is what I chose in my demo for the current Game Informer cover story, and the Veil Jumpers. Each faction has unique casual wear, which is worn in specific cutscenes when the character isn't donning armor, and three unique traits. The Lords of Fortune, for example, gain additional reputation with this particular faction, have increased damage versus mercenaries, and perform takedowns on enemies with slightly less effort. Veilguard game director Corinne Busche says this faction selection, which ties into your character's backstory, determines who your Rook was before, how they met Varric, why they travel with Varric instead of their faction, and more. "The message of The Veilguard is you're not saving the world on your own – you need your companions, but you also need these factions, these other groups in the world," creative director John Epler tells me. "You help them, they help you now.""

"He says BioWare wanted to avoid the trope of needing to gather 200 random resources or objects before helping you save the world. Instead, the team aimed to create factions that want to help you but have realistic challenges and problems in front of them so that narratively, it makes sense why you help them in return for their help when the time comes.  "Gameplay-wise – each of our classes has a specialization, and each of them is tied to a faction," Epler continues. "But beyond that, each faction has a [companion] as well as [people we're calling agents, ancillarily] who exist as the faces of these factions. We didn't want to just say, 'Here's the Grey Wardens, go deal with them.' We wanted characters within that faction who are sympathetic, who you can see and become the face of the faction, so that even if there are moments where the faction as a whole may be on the outs with you, these characters are still with you; they've still got your back."  [old version of this paragraph] If you find yourself unhappy with your lineage or your class, you can change them using the Mirror of Transformation, found in the main Veilguard hub, The Lighthouse. You can also change your Rook's visual appearance there, too." [new version of this paragraph] If you want to make changes to your character's physical appearance, you can do that with the Mirror of Transformation, found in the main Veilguard hub, The Lighthouse. However, class, lineage, and identity are locked in and cannot be changed after you select them in the game's character creator. [Editor's Note: This article previously stated players can change their physical appearance, class, lineage, and identity using the Mirror of Transformation. That is incorrect as class, lineage, and identity are locked after you first select those. The article has been updated to reflect that, and Game Informer apologizes for any confusion this mistake may have caused.] For more about the game, including exclusive details, interviews, video features, and more, click the Dragon Age: The Veilguard hub button below."

[source]

[atenea14]

Primarchs in the 2nd millennium

Dumb ideas about what would primarchs do if the chaos gods sent them to Terra in the second millennium. For the sake of simplicity let’s just say that they end up with normal human sizes. No warnings, just silly ideas.

Lion: He would probably be overwhelmed with everything and will end up moving to some forest to live in the woods and hunt for a living. Also publishes poetry under a fake name and becomes popular, his editor is desperate because he doesn’t respect deadlines. There’s a cute girl in the town he frequents that is smitten with his mysterious aura but he never picks up on the cues. 

Fulgrim: He got into Hollywood but ended up hating the crazy fans and stalkers that showed up at his doorstep so he decided to reinvent himself by being an art teacher and organizing art exhibitions during the day. At night he becomes a free private detective to try to atone for Konrad’s sins.

Perturabo: No matter what Dorn does, he will start another company to be his competence.

Jaghatai Khan: Creates a motorbike gang and races for a living. He especially loves participating in rallies. Always makes one of his brothers to be his copilot in the competition. Has a lot of groupies. 

Leman Russ: Opens an artisanal beer pub. His employees are tired because he ends up drinking most of the beer. He also opens a local animal shelter specialized in wolves. The vet of the shelter is trying to get a date with him. 

Rogal Dorn: He does what he’s best at so he obviously opens a construction business. Doesn’t realise he and Perty are in a competition so he doesn’t understand the tantrums. His business is part of a corporation owned by him, Ferrus, Roboute and Horus.

Konrad Curze: He’s a wanted serial killer, has a ton of podcasts talking about him. Ens up becoming a weird horror myth. 

Sanguinius: Gets into politics because he wants a better world, some people admit that they voted for him because he is pretty and pouts about it. He has great ideas. What does his face have to do with the job? He is also in need of a first lady and tension has been raised in some social circles. 

Ferrus Manus: Owns a tech company, the employees believe that Ferrus’ secretary is the CEO because they have never seen him. He rarely gets out of his personal lab, only when Fulgrim drags him to some event. Leaves the part of actually running his company to Horus.

Angron: UFC fighter, ends up banned for killing a competitor. A lot of people that night earned themselves a ticket to therapy. Doesn’t understand the problem, that guy deserved it for being weak. 

Roboute Guilliman: Discovers that he enjoys ancient programming, ends up teaming up with Sanguinius, Fulgrim and Ferrus to create a video game “as a hobby”. His real job is managing the corporation, he’s also starting a law firm because he doesn’t have faith in his brothers and know that they’ll need it sooner or later. Complains he feels overworked but refuses to go on vacation.

Mortarion: Gets fired from a pharmacy company for not keeping up with hygiene rules. He now offers his knowledge on the dark web. Will deny any accusation of him being related to that bioterrorist attack. 

Magnus: Ivy league professor. Tries to be cool and friendly but is the nightmare of his students, expecting them to understand everything in a few minutes. Nobody tells him and he gets sad when the anonymous survey results are revealed and he is not among the preferred teachers. He is the most popular one in the sexiest professor poll but he is unaware this exists. The doctoral student he is supervising shows it to him to try and make him stop sulking, it works but now he’s blushing and will get nervous next time he’s in class. 

Horus Lupercal: Creates a mafia upon the first week of his arrival. Uses the BrosCorporationINC to launder money. Their brothers don’t need to know this. 

Lorgar Aurelian: Enters the diocese but realises that he would have to spend a ton of time before he becomes the pope so he becomes a philosophy professor at the same college that Magnus works. Uses his students to start a cult, somehow it grows a lot and he gets popular, some love him and some hate him.

Vulkan: Owns a small artisan shop, has his private forge and has participated in Forged in Fire, his participation became a legend in that niche (he won obviously). Offers free classes of crafts to orphan kids, actually he is willing to accept any kid in class. There’s some single moms having a silent competition in which he is the prize. 

Corvus Corax: Joins Vulkan’s craft classes, terribly bad at it, kids are scared of him so he stops showing. Will work at anything that allows him to be alone so probably a writer, his favorite genre is angst and drama. Is trying to hunt Konrad so he stops listening to his stories in the media. He also has an investigation blog exposing corruption. He nearly exposed Horus once without realising it was him. After that Horus gifted him a colony of crows, he’s been busy taking care of them and his fans are sad about the lack of new entries.

Alpharius and Omegon: They have been extorting Horus to keep his secret, that’s how they pay for their shenanigans. He doesn’t know it’s them behind the threats and has his men trying to kill them. Nobody really knows what they are doing but have been seen in some intelligence agencies. 

[thebestbooksaround]

This is a Buddie fic rec list where "one of them isn't a firefighter" That makes me warm and happy every time I read them <3

Part 1 || Part 2

Exploding Coffee Machines by inkinmyheartandonthepage (@inkinmyheartandonthepage) | 9k | General

Buck couldn’t be blamed for falling in love with his neighbour. He was powerless against the Diaz boys and wanted nothing more than to be swept up in their everything. Buck thought that Eddie felt the same, that their feelings of more than just being platonic best friends was mutual. Buck had been hopeful that Eddie inviting him to his boss’s house to meet his friends and co-workers meant that they were taking a step in the right direction.

A step that now Buck was going to be late for OR Buck gets burned at work and worries that he's blown his shot with Eddie when he runs late to meet his friends.

What is Love For $2000? by fayevian 17k | Mature

On the screen, the camera pans down as they introduce the contestants. Mary, on her 3rd day winning streak, is a dowdy teacher type. Center stage is occupied by a graying man with loopy handwriting named Auggie. And all the way to the right is… Evan. Damn. --- One night when Eddie can't sleep, he discovers the hottest Jeopardy contestant of all time (objectively). With the "help" of his team and his fairly good working knowledge of Twitter, they devise a plan to get Evan (from Jeopardy) to slide into Eddie's DMs. It works surprisingly well.

i like you so much (it's kinda gross) by brewrosemilk, stardustbuddie (@gayhoediaz) (@wh0re-behavi0r) | 10k | Explicit

Buck Buckley (@/firefighterbuck): @/eddiediaz I’ll never be able to tug your hair now, huh?

Eddie Diaz (@/eddiediaz): @/firefighterbuck It’s against the rules, anyway. You don’t look like a fighter, though. What situation would we be in that would make you want to tug my hair?

(Or: Eddie is an MMA fighter and Buck thirsts on twitter.)

you make the world taste better by farfromthstars (@buckactuallys) | 11k | Teen

They follow the room numbers down the hallway until the last door on the right. It’s slightly ajar, and when Eddie knocks politely, it opens further.

“Hey,” a cheerful, male voice says. “You guys are early!”

When Eddie spots the source of the voice, he nearly swallows his tongue.

The man is tall, with broad shoulders and huge arms, a sunny smile on his face that looks so genuine Eddie can’t help but smile back. There’s a splash of pink over his one eye, his hair is just the slightest bit curly, and his eyes are startlingly blue. He’s also about 80% legs, and leaning on a cane to walk.

Belatedly, Eddie remembers that he should say something too, not just stare at this guy approaching them.

“Uh,” he starts eloquently. “Sorry. This one was getting impatient at home ~ Newly arrived to LA, Eddie decides to take his son to parent/child cooking classes. The instructor is so much more than he expected

stupid people. by brewrosemilk (@gayhoediaz) | 160k | Explicit

New in Los Angeles, and having recently admitted to himself that he's gay, Eddie figures that hiring a sex worker might be a good way to keep his private life cut off from his job and his son. A way to keep things from becoming too complicated.

It works. For a while.

your dreary mondays by hammersmiths (@henswilsons) | 33k | Teen

“Wait, you need a sitter?” Chimney says. Eddie nods. “Maddie’s brother got back in town a few nights ago, he’s looking for work.”

Eddie frowns. He doesn’t know much about this mysterious brother of Maddie’s – doesn’t even really know much about Maddie, either, aside from being Chimney’s girlfriend – but he’s pretty sure every time he’s been brought up in conversation it’s not been particularly inspiring. “Is this the brother who flunked out of college because he spent all his tuition on a motorcycle?”

Chimney colours a little. “Um. No?”

or, Buck babysits Christopher and Eddie is—fine about it, actually.

one single thread of gold (tied me to you) by heartbeatdiaz (@heartbeatdiaz) | 4k | Teen

Eddie doesn't know much about Chris' science teacher, except that he's his son favorite and apparently knows everything there's to know. ( Those were Christopher's words. )

So when he enters the classroom, expecting an old man dressed nicely but a little old-fashioned as the science teacher, his whole life crashes to a halt.

"Evan?" The man who's leaning against the desk, looking at some papers, suddenly startles and looks up at Eddie with wide blue eyes.

"Holy shit," It's what the man says after spending at least a minute opening and closing his mouth. or; Eddie met Evan when he was a bartender in Peru and Eddie was on vacation with his cousins. They had a one night stand and Eddie woke up the next morning to an empty bed and a disappointed heart. Just for the same guy to end up being Chris' teacher years after.

always glad you came by foxwatson (@eddiediazes) | 5k | Teen

Buck is the incredibly kind but incredibly straight bartender at Eddie's local gay bar. Eddie is trying very, very hard not to be pathetically in love with him, and is failing miserably.

“Hey, you’re back,” Buck had said, greeting him with that sun-bright grin, and Eddie had yet again been reminded why he’d started questioning his sexuality.

“Well, I get one night off a week. And tonight I could really use the drink.”

Buck’s brow had furrowed, and he got Eddie his favorite beer without even asking again what it was. “You need to talk about it? Assuming I read you right and you’re the kind of guy who talks to a bartender instead of a therapist.”

Eddie had winced theatrically. “Ouch. That obvious, huh?”

“Hey, man, you’re the one that told me you started coming here on your coworker’s advice. Feels like something you’d get from a therapist, if you had one.”

see the stars with my morning eyes by trippedandfell (@trippedandfell) | 3k | Teen

“So,” Buck announces, sitting down between Hen and Chimney at the concessions stand. “I think Eddie’s trying to get me to sleep with him and his fiancée.”

or: Eddie calls Lucy his partner. Buck extrapolates.

walking on sunshine by fallingthorns (@fallingthorns) | 5k | Teen

“Shut up,” Buck grumbles at the dog. “It’s not a crush.”

Buck walks out of the room, out the backdoor, and into the yard, trying to ignore his large and judgmental dog following behind him.

“I don’t want to hear it,” Buck tells him as he gets the hose out to start watering his plants. “Keep it to yourself.”

“Who are you talking to?”

Buck startles and drops the hose, doing a quick 180-degree turn and coming face-to-face with Eddie. He’s clearly standing on something, elbows folded over the top of the fence and chin resting on them as he looks at Buck. His expression looks almost fond and it kind of makes Buck want to both preen and die of embarrassment. -- Or, the one where Buck owns a doggy daycare, has a large dog with an attitude, and is hopelessly in love with his new neighbor.

Under Any Roof by moncuries (@moncuries) | 10k | Teen

Eddie Diaz does not need a noisy neighbor on top of all the shit he's trying to work out.

But he does make really good mac and cheese. -- “You know,” And Buck is meeting his eyes now. They’re uncannily blue. Like Kool-Aid or popsicles. “If you want, I could show you what I get up to up there?”

What? WHAT? Eddie feels heat spread from the tips of his ears to his toes. No way had he just gotten propositioned before sunrise in the decrepit hallway of their apartment building. “Um. No.” He backs up until his calves brush the door to 101. “Thank you, really. But no.”

my house of stone, your ivy grows by stayeven (@demieddie) | 7k | Mature

When Eddie resigns himself to buying sex toys in person—despite the popularity of online ordering now—he expects to be embarrassed and overwhelmed. What he doesn't expect is to leave with a crush on the employee with captivating blue eyes.

and we can stay all day by trippedandfell (@trippedandfell) | 3k | Teen

“So let me get this straight,” Hen says, once she’s stopped laughing at him. “Your nerd crush-

“-Evan Buckley,” Eddie miserably interjects.

“Your nerd crush,” Hen repeats, waggling her eyebrows. At the kitchen table beside her, Chimney is grinning like Christmas just came early. “Read your drunk tweet and then sent you animal facts via DM?”

or: Buck's a zoologist. Eddie's pretty sure he's in love.

[chaoticallyfluffy]

Okay so I posted this in the Captain Marvel Fan Club Community earlier:

And I just can’t get it out of my head!! So I’m writing some more about how the game would hypothetically work!

The gods gifts would probably have to be slightly modified to line up with the games ability scores, and each character (up to six) can be blessed with one attribute being much higher than the others, sort to like how the siblings in the movie each specialize in one power! If there were only three players, each could get two!

Solomon gives the gift of Wisdom

Hercules gives the gift of Strength

Atlas gives the gift of Constitution

Murcury gives the gift of Dexterity

Achilles gives the gift of Intellegence

Zeus gives the gift of Charisma

I think everyone’s gift fits pretty well surprisingly! Both Achilles and Atlas were super compatable with constitution, but Achilles was an intelligent man and Atlas… not so much. Maybe Achilles can also give you a health boost or something, idk.

The god who blessed you would likely speak to you occasionally to give you tips, inspiration, advantage, or blessings.

You will be infused with magic straight from the Rock so you aren’t strictly limited to classes related to a god like a paladin Is, (but it would be pretty cool to have a Champion be a paladin ngl.)

You can study how to use your magic with the grimoires in the library and become a wizard, pledge your allegiance to your diety (or a different one? Ooh drama!) and become a sorcerer or paladin, or even abandon your magic all together and use your empowered form to punch your enemies as a fighter! There’s so many paths you can choose!

I don’t know much about the lore unfortunately but It would be pretty cool to explore different worlds whenever there is a magical issue in that universe and have to fight various creatures and villains to achieve your goals!

And at the end of the day, you can go back to Fawcett to either rest or fight the villains invading your town! Maybe even team up with other hero’s or catch the attention of the Justice league!

I already made a character sheet for Captain Marvel that I’ll never be able to use and now I wanna make character sheets for all the villains too lol. What would mr mind even be? Are there evil mind controlling caterpillars in dnd?

Anyway, I’m going to go suffer knowing this game will never exist. Bye! :,D