#Be afried

[chuckchuck228]

GOOD DAD COBS AU BECAUSE WHO ARE YOU TO JUDGE ME actually you have all rights to judge just pls don’t....

Also I did this insted of my math homework lol

(also sorry for a big grammar mistakes. It’s also night time at my city....)

[oyabuncongress]

African Beauty

[kneipe]

berlin 2024

[originalhaffigaza]

[trashcan6]

Richard Sterling

Sorry for lack of art recently 🙏 Been busy... And I'm not good at organizing myself 😓

[joeinct]

Werbung für Afri-Cola, Photo by Charles Wilp, 1967

[globalriseofblackpeople]

[vikingspolls]

for a school project..please answer the correct one for Where ur from

*Healthy,as in lots of vegetables,healthy carbohydrates,good meats and fats,lots of water and minimal amounts of processed foods.Eating junkfood occasionally can still count as healthy,as long as its in balanced amounts

[gamat3000]

[african-international-magazine]

Rediscovering Senegal's Photographic Heritage

By Jemimah Chungu 

A captivating narrative of Senegal's rich photographic legacy emerges from the pages of a new book authored by Guilia Paoletti, an assistant professor at the University of Virginia's Department of Art. In a revelatory exploration, Paoletti delves into the vibrant tapestry of Senegalese photography, unearthing a treasure trove of previously unseen images that illuminate the country's historic modernity and cultural richness.

At the heart of Paoletti's narrative lies a visual journey spanning centuries, capturing the essence of Senegal's socio-cultural evolution through the lens of pioneering photographers. From the earliest surviving daguerreotypes dating back to the 1800s to the dawn of modern studio photography, the book offers a window into a bygone era characterized by elegance, sophistication, and artistic expression.

Speaking with CNN, Paoletti challenges conventional narratives surrounding the history of photography, debunking the notion of it being solely a Western invention. Instead, she highlights Senegal's pivotal role in shaping the medium's trajectory, with indigenous photographers asserting agency and creativity in capturing the essence of their society.

Central to Paoletti's narrative are the remarkable stories of Senegalese women, such as the signare – a class of Black or mixed-race women who wielded significant influence and commissioned portraits as a means of self-expression. Through their patronage, these women defied traditional gender norms and asserted their social status, leaving an indelible mark on Senegal's photographic heritage.

However, alongside tales of empowerment and agency, Paoletti also uncovers instances of colonial prejudice and erasure. The encounter between Belgian explorer Adolphe Burdo and the "King of Dakar" serves as a poignant reminder of the clash between modernity and colonial hegemony, with European perceptions often overshadowing African agency.

Despite the challenges of colonialism and cultural hegemony, Senegal's photographic tradition endures as a testament to resilience and creativity. From the decorative collages known as "xoymets" that adorned wedding ceremonies to the proliferation of studio photography in the 20th century, Paoletti paints a vivid portrait of a society deeply intertwined with the art of image-making.

As Senegal's photographic legacy finds renewed recognition and appreciation, Paoletti's book serves as a beacon of cultural revival, offering a fresh perspective on the country's rich heritage. With each image and anecdote, it invites readers to embark on a journey of discovery, celebrating the ingenuity and creativity of Senegal's past and present photographers.

In shedding light on Senegal's photographic heritage, Paoletti's work transcends the confines of academia, offering a poignant reflection on the power of imagery to shape narratives and reclaim lost histories. Through her meticulous research and storytelling prowess, she invites us to reimagine Senegal's past and embrace its photographic legacy as a source of inspiration and cultural pride. (Some excerpts from CNN)

[revindicatedbyhistory]

reached the episode of the horse show where they put in racism

[sharrisworks]

Acclaimed I, Paper Sculpture

[kneipe]

berlin 2024

[givemegifs]

[itsallabouttags]

#itsallabouttags #graffiti #graffitiberlin #handstyles #buby #afri #dogma (hier: Berlin) https://www.instagram.com/p/CoJ9BdYIO_S/?igshid=NGJjMDIxMWI=