#Bazaar Hindustani

[asoknath]

Gerasim Lebedev and His Daring Experimental Playhouse

Gerasim Stepanovich Lebedev, 1749-1817. Courtesy Beyond Russia OBJECTIVES Here, in this essay, I will restrict the scope of my discussions to the experimental playhouse Grasim Lebedev founded in 1795 under the banner “Bengally Theatre”. The playhouse was alive only for two gala nights within a range of three months before it was lost into fragments of historical irrelevance. I intend to restore…

[beautifulindianculture]

Embracing the Rich Tapestry of Beautiful Indian Culture

In the vibrant mosaic of world cultures, few can rival the sheer diversity and beauty encapsulated by the Beautiful Indian culture. Spanning thousands of years and encompassing a multitude of traditions, languages, cuisines, and art forms, India stands as a testament to the richness of human heritage. Let's embark on a journey through the kaleidoscope of Beautiful Indian culture, exploring its myriad hues and timeless splendor.

From the snow-capped peaks of the Himalayas to the sun-kissed shores of Kerala, Beautiful Indian culture manifests in myriad forms, each region boasting its own unique customs and traditions. Whether it's the exuberant dance forms of Bollywood or the serene chants of ancient Vedic hymns, there's a profound sense of beauty and harmony that permeates every aspect of Indian life. This cultural kaleidoscope serves as a testament to the country's enduring spirit and its ability to celebrate diversity in all its glory.

One cannot delve into the essence of Beautiful Indian culture without acknowledging its deep-rooted spirituality. With a history steeped in ancient wisdom and philosophical insights, India has given birth to some of the world's most profound spiritual traditions, including Hinduism, Buddhism, Jainism, and Sikhism. The sacred rivers, majestic temples, and bustling bazaars all bear witness to the spiritual fervor that courses through the veins of Indian society, uniting people in a shared quest for enlightenment and inner peace.

A hallmark of Beautiful Indian culture is its reverence for tradition and heritage, which finds expression in a myriad of rituals and festivities. Whether it's the colourful revelry of Holi, the solemnity of Diwali, or the joyous festivities of Eid, Indians take great pride in preserving their cultural legacy and passing it down through generations. These celebrations serve not only as occasions for merriment but also as reminders of the values and beliefs that bind communities together in a tapestry of shared history and collective identity.

At the heart of Beautiful Indian culture lies a deep appreciation for the arts, which find expression in a dazzling array of forms, from intricate classical dance forms like Bharatanatyam and Kathak to the melodious strains of Hindustani and Carnatic music. Artisans and craftsmen across the country continue to keep age-old traditions alive, weaving intricate patterns into textiles, carving exquisite sculptures from stone, and painting vibrant scenes that capture the essence of Indian life. In a world where modernity often threatens to overshadow tradition, these artistic expressions serve as a poignant reminder of India's rich cultural heritage.

Beautiful Indian culture is also synonymous with culinary excellence, boasting a diverse array of flavours and spices that tantalise the taste buds and nourish the soul. From the fiery curries of the north to the aromatic biryanis of the south, Indian cuisine is a celebration of flavour and aroma, with each dish telling a story of tradition, innovation, and culinary mastery. Whether it's street food vendors dishing out spicy snacks or Michelin-starred chefs reinventing age-old recipes, the gastronomic landscape of India is as diverse and vibrant as the culture that inspires it.

In the midst of rapid urbanisation and globalisation, Beautiful Indian culture faces the challenge of preserving its traditional heritage while embracing the opportunities of the modern world. Yet, amidst this dynamic interplay of old and new, there remains an enduring sense of pride and resilience that continues to fuel India's cultural renaissance. From the bustling metropolises of Mumbai and Delhi to the tranquil villages of Rajasthan and Kerala, the spirit of Beautiful Indian culture shines bright, illuminating the path forward with its timeless beauty and boundless creativity.

In conclusion, Beautiful Indian culture stands as a testament to the indomitable spirit of a nation that celebrates diversity, embraces tradition, and cherishes the beauty of life in all its myriad forms. From the majestic monuments of its ancient past to the vibrant rhythms of its modern-day festivals, India's cultural tapestry is a testament to the enduring legacy of a civilisation that has thrived for millennia. As we continue to navigate the complexities of the modern world, may we always remember to pause and appreciate the timeless splendour of Beautiful Indian culture, a treasure trove of heritage and inspiration for generations to come.

[tripaveller]

Culture of Hyderabad - The City of Nizams!

Hyderabad, famously known as the "City of Nizams," is a vibrant fusion of historical legacy and modern dynamism. Founded in 1591 by Muhammad Quli Qutb Shah, the city's cultural heritage has been significantly shaped by its illustrious Nizami rulers, creating a unique amalgamation of North and South Indian influences.

Historical Significance The grandeur of Hyderabad’s past is reflected in its iconic landmarks such as Charminar, Golconda Fort, and the Qutb Shahi Tombs. These structures exhibit a stunning blend of Persian, Mughal, and indigenous architectural styles, serving as a testament to the city’s rich and diverse history under the Nizams' patronage.

Language and Literature Hyderabad is a linguistic mosaic where Telugu, Urdu, Hindi, and English coexist harmoniously. Urdu holds a special place due to its literary and poetic significance. The city has been a nurturing ground for eminent poets and writers like Mirza Ghalib and Amjad Hyderabadi. Events like literary festivals and mushairas (poetry recitals) celebrate the city’s vibrant literary tradition.

Music and Dance The musical heritage of Hyderabad is equally illustrious, with both Carnatic and Hindustani classical music thriving here. The city hosts numerous concerts and festivals, celebrating these traditional music forms. Dance forms like Kuchipudi and Kathak are also integral to Hyderabad’s cultural fabric, with several academies dedicated to preserving these arts.

Festivals Hyderabad's cultural diversity is showcased through its numerous festivals:

Diwali: Celebrated with dazzling lights and grand festivities.

Bonalu: A vibrant Telangana festival dedicated to Goddess Mahakali, featuring colorful processions and folk dances.

Makar Sankranti: Known for kite flying and traditional sweets, heralding the harvest season.

Cuisine Hyderabadi cuisine is globally acclaimed, known for its aromatic biryanis, succulent kebabs, and delightful sweets like Qubani ka Meetha and Double Ka Meetha. The iconic Hyderabadi Biryani, a blend of Mughlai and Andhra flavors, stands as a symbol of the city’s rich culinary tradition.

Art and Craft Hyderabad boasts a thriving art scene, with traditional crafts such as Bidriware, Pochampally ikat, and Hyderabadi pearls. Markets like Laad Bazaar and Shilparamam display the city’s artisanal heritage, offering intricate jewelry, textiles, and handicrafts.

Modern Hyderabad While deeply rooted in history, Hyderabad has embraced modernity and innovation. Known as "Cyberabad" due to its booming IT industry, the city features sprawling tech parks and contemporary infrastructure. This technological growth has attracted a global workforce, enhancing the city’s cultural diversity.

Accommodation

For a comfortable and convenient stay, don't forget to book service apartments. These accommodations offer the perfect blend of home-like comfort and hotel-like amenities, making them ideal for both short and long stays

Conclusion Hyderabad's blend of ancient traditions and contemporary influences creates a city that is truly unique. Its rich history, diverse culture, and rapid modernization ensure that the legacy of the Nizams thrives in the heart of modern India. Whether exploring historic landmarks, savoring delicious cuisine, or engaging in the vibrant arts scene, Hyderabad offers an unforgettable cultural experience.

[nitesh-123n]

India's Top 5 Online Language Learning Sanctuaries: A Journey into Multilingual

In a world where the resonance of languages echoes through the corridors of culture and connectivity, the quest for linguistic prowess has never been more exhilarating. As digital avenues pave the way for global interaction, online language learning platforms emerge as veritable sanctuaries, offering pilgrims of polyglotism a myriad of pathways to linguistic enlightenment. Embark with me now on a journey through the vibrant bazaars of language learning, as we uncover India's top five online language learning havens, each a tapestry woven with the threads of linguistic diversity and cultural richness.

Hindustani Tongue: Harmonizing Hearts with the Melodies of India

Step into the hallowed halls of Hindustani Tongue, where the rich tapestry of Indian languages unfolds before eager learners like an ancient manuscript awaiting decryption. Irrespective of your origins, Hindustani Tongue extends its embrace, beckoning you into a realm where Hindi, Punjabi, Tamil, Telugu, Bengali, Marathi, Gujarati, and English converge in a symphony of linguistic splendor. Powered by the digital marvels of Google Classroom, this sanctuary of learning boasts a coterie of seasoned language mentors, each a custodian of linguistic lore and pedagogical prowess. Immerse yourself in over 50 bespoke courses, meticulously curated to cater to every aspirant's unique linguistic odyssey. Through the alchemy of immersive audio-visual aids and personalized mentorship, Hindustani Tongue transcends the boundaries of conventional language learning, igniting within its disciples a flame of multilingual mastery that burns bright with each passing lesson.

Duolingo: Nurturing Novices into Linguistic Luminaries

Venture forth into the whimsical wonderland of Duolingo, where language learning takes flight upon the wings of gamification and interactive engagement. With its vibrant interface and gamified lessons, Duolingo transforms the arduous voyage of language acquisition into an enchanting odyssey of discovery. From the sun-kissed shores of Spanish to the mystical realms of Japanese kanji, Duolingo caters to the eclectic tastes of language connoisseurs, offering a treasure trove of linguistic gems waiting to be unearthed. Through its innovative fusion of spaced repetition algorithms and interactive exercises, Duolingo empowers learners to chart their own course towards linguistic proficiency, one whimsical lesson at a time.

Rosetta Stone: Carving the Path to Fluency with Precision and Panache

Enter the hallowed halls of Rosetta Stone, where the secrets of linguistic fluency lie veiled amidst a tapestry of meticulously crafted lessons and immersive experiences. Drawing upon decades of pedagogical expertise, Rosetta Stone unveils the art of language acquisition with surgical precision, guiding learners through a labyrinth of linguistic intricacies with finesse and flair. From pronunciation drills to real-world simulations, each lesson serves as a stepping stone towards communicative mastery, equipping learners with the linguistic arsenal needed to navigate the global stage with confidence and poise.

Babbel: Crafting Conversational Competence with Care and Compassion

Embark on a voyage of linguistic discovery with Babbel, a bastion of communicative competence where the art of conversation reigns supreme. Rooted in the principles of practicality and pragmatism, Babbel empowers learners to wield the tools of language with confidence and finesse. Whether you're honing your French for a romantic rendezvous in Paris or delving into the depths of Mandarin for professional advancement, Babbel offers a curated curriculum tailored to your individual aspirations and learning objectives. Through its immersive blend of interactive lessons and personalized feedback, Babbel nurtures linguistic fluency with care and compassion, transforming novices into seasoned conversationalists with each passing dialogue.

Memrise: Cultivating Memory Gardens of Linguistic Delight

Immerse yourself in the verdant landscapes of Memrise, where language learning blossoms like a garden in full bloom. Inspired by the principles of cognitive science and mnemonic mastery, Memrise invites learners to embark on a botanical expedition through the verdant fields of vocabulary and grammar. With its vast repository of user-generated content, Memrise offers a cornucopia of linguistic delights, from colloquial expressions to cultural nuances, waiting to be cultivated and cherished. Whether you're captivated by the romance of Italian sonnets or enraptured by the tonal intricacies of Mandarin tones, Memrise provides a fertile ground for linguistic exploration and growth, where each lesson serves as a seedling waiting to blossom into linguistic fluency.

In conclusion, as we traverse the digital landscapes of language learning, let us embrace the myriad opportunities that await us, from the immersive realms of Hindustani Tongue to the whimsical wonderland of Duolingo. With each platform offering a unique blend of pedagogical prowess and technological innovation, the journey towards linguistic mastery beckons, inviting us to embark on a voyage of discovery that transcends borders and boundaries. So, dear traveler, let us heed the call of the multilingual muse and embark on this odyssey together, for the world is our classroom, and the languages within it, our keys to boundless exploration and enlightenment. https://hindustanitongue.com/speak-hindi/

[ideasmithy]

LANGUAGE NO BAR The words that issue forth from me I taste them on my tongue Flavours of ideas shaped by those who came before me, far from me Separating me from kin I am an English speaking Indian The language that shapes my identity born differently from me Its birth land, a legacy of pain to mine Today, celebrating independence from that legacy I wonder, Should we have let go of English along with the English? Tossed it out, sent back to the Queen, thank you very much? Poets know language contains our history but won’t be contained by it So India & Pakistan, sworn enemies today But Hindustani & Urdu, loving sisters still Sharing dreams & ideas Just like real siblings do Is it possible to cut out slices of civilization? Can we edit history? How do you carve pieces of lived experience Say this is yours, that’s not mine Or draw lines of control within minds The United Kingdom has a population of 59 million* India has 125 million…English speakers* There's more English in Indian tongues And each day, there’s more India in English Avatar, Bandana, Cheetah, Gymkhana Bazaar, Guru Jungle, Khaki, Pyjama, Shampoo Legacy is that stodgy old elder Whose senility must be endured But the family of language is everyone who speaks it Every person whose life it describes These are solid lines, not lies Our ideas of food, clothing shelter occupy English With chutney & curry,  Bangle & shawl Bungalow & verandah English may be part of painful Indian legacy But India plants a proud flag in this joint history Mother promise! Father promise! God promise! Let’s prepone this meeting What is your good name, sir? First class! Culture moves forward, language no bar Language transcends its origin story And English, we have claimed you We set you free of your own history Like we say in India, we are like that only. *Wikipedia Aug'2020 ---------------------------------------------------- #IWear: Kanjeevaram saree in fishtail drape, paisley silk blouse & gigot sleeve jacket ---------------------------------------------------- 🎶: MILE SUR MERA TUMHARA https://www.instagram.com/p/CD4e9BsJPft/?igshid=l7g80rbuv1zr

[mercurygray]

Beecham House - Episode 3

At what point in a TV show do you stop critiquing and just say, you know what, I know a team of 6-7 people on the internet who could have written this better? At this point, it wouldn’t even be fanfic, we would straight-up be writing the damn thing. 

@jomiddlemarch has summed up my thoughts exactly: I keep wanting it to be better than it is; other than the costumes/scenery, everything is Swiss cheese.

The Automaton - Where was John going to purchase this clockwork wonder from - and if the man is already in India, why has the Sultan not already heard of him if he's making pre-fab gold objects? (On a side note, this reminds me of the Peacock Clock at the Hermitage as well as Tipu's Tiger, both 18th century automatons. I believe Tipu's Tiger was actually built on the subcontinent, in Mysore.)

Oh no, Henrietta has found the kitchen. Mrs. Patmore would be horrified - and Henrietta is, too. (But, giving credit where due - Mrs. Patmore would have made the kitchen her first stop, and after nearly exchanging blows with Mool Chand would have found some way to make it work.)

Baadal seems to be fairly young to be in charge of such a large house and staff, something that's never hindered his ability to run things. What's his family story?

This conversation between Roshanara and Margaret is making me very angry that Roshanara isn't a bigger character on this show. "She seeks your influence to persuade me to marry a prince of her choice." Once more, I need more about who Murad Beg is and what kind of influence he has! Marriages in the 18th century are about the transfer of property and power, and certainly the Empress' cousin is a man of both, but why should the Empress need to persuade Roshanara - and why isn't the subject of her non-compliance more of a plot point?

"How is it, Miss Osbourne, that you are not married?" Well, ma'am, I come from a genteel but poorly off family in Devon,  my brother squandered what little fortune he had in India and ran away, leaving me penniless. I, too, have been subject to the poor decisions men make on our behalf - a lesson for any young lady to take to heart, if she can.

AhHA! Samuel Parker is NOT what he appears.

Daniel as a character is getting...kind of interesting. Like his brother, he too seems to be more receptive to what India has to offer - he's often seen wearing the soft native pay-jama rather than breeches, and he's receiving massage treatment from the house hakim for his shoulder. He speaks Hindustani. He's already told his mother off for not bothering to learn everyone's name - but he's also toying with Chanchal's affections in a way that everyone but her can see.

Hot take: If Henrietta Beecham really is addicted to opium, we should have had an awful withdrawal scene, or at least several days where she is clearly suffering for lack of the drug, which then propels Violet to go brave the bazaar (in native dress, no less!) to get her some.

"You did not know what John's circumstances were when you brought me here." I feel like it would almost be funnier if Henrietta had brought Violet to marry Daniel - the brother who's not doing as well as John - and then over the course of the show she started throwing herself at John instead.

Violet seems to be increasingly desperate about this match with John. It seems to me a woman like that must not have very much going on at home in the way of options, which is odd, considering she just name-dropped her father's shipping company, which means she should be well off. Father's shipping company doing poorly? Family history of madness? Previous disgraceful behavior herself? Discuss.

I want Chandrika to break down and tell Henrietta Beecham that India is no stranger to Christianity and that St Didymus himself brought it there, but I think she's from the north and that's down in the Malabar coast. Ah, well.

With Gopal's death, we also *just* found out that Maya is his sister. This feels like a pretty serious storytelling oversight. What brought both of these people into John's employ? Do they both have the same opinion of him? I feel like Gopal, as his valet/bodyservant, might have had a different take than Maya. (Certainly we see that Ram Dal has some opinions. I want to hear more from him.)

Okay, so Castillion has a streak of 'going native' in him, too. Interesting. (Beecham/Castillion wrestling match in future episode, anyone? Anyone?)

I love the Margaret/John dynamic. I really do. I want it to work. I also want it to have some backbone, not this on-again-off-again-what are we anyway nonsense, because they’re friends, but also...more than friends?

Violet's drama-riddled entrance back into Beecham House is predictably hilarious (especially the victorious look she exchanges with Chandrika) but a) no one makes any remarks about her wearing a sari (green is a great look on her, btw) and b) the opium didn't break?

Can John and Daniel dress like Mughal princes more often? This is a good look.

Ram Lal! I love this guy!

Why are Daniel and Captain Parker in their shirtsleeves before the Emperor? This is all very odd from an 18th century men's manners perspective.

Oh, Chanchal. No. No. I know he's terribly attractive but oh, girl, no.

[soniig]

congrats on 1k boo ❤️❤️

Anaar, difficult to pull apart but endless in its nectar, Ham-dardi for those suffering, Rabab that flows through eastern lands giving peace to the ears regardless of the hearer, saadgi, a gold necklace adoring the necklace of a bride wearing rusted silver anklets on her feet, a blend of classic and ancient,Malalai of Maiwand, brave and nurturing, a blue Hazara dress swirling to Pashto songs, Kabuli jewelry sold in Hindustani Bazaars by refuge children, appreciated for its unique beauty all throughout Asia, stopped by no barriers, free-flowing

[odishaphotos]

Tabla

Tabla

The tabla is a type of musical instrument that includes two instruments. It is used in traditional Indian music and folk music. It has been widely used in the classical music of Hindustani music since the eighteenth century.

Creation--

Although the history of Tabla is not clear, there are many ideas. One of the two main ideas is that Tabla came to the Indian subcontinent by Muslim and Mughal invaders. But the idea of ​​Tabla's Indian affiliation comes from the Bhaje cave.

Structure--

The relatively small baja consisting of two tabla baja is called daya, dahina, siddha or chatu and the big baja is called baya, dughi or dham. The dye is mainly made of small wood, while the bayan is made of a mixture of metals such as nickel, copper and bronze. The upper part of each bazaar is made of leather, the middle part of which is called Sahi. This multi-layered part is made by mixing rice or wheat flour with different types of black. To keep the tablecloth in place while playing the instrument, it is used to keep the plant tissue and flexible metal wire wrapped in cloth. The upper part of each bazaar is made of leather, the middle part of which is called Sahi. To give stability to the tabla during playing, it is placed on the underside of the plant tissue wrapped around the edges and the flexible wire. This is called chutta or guddi.

[shankarjaikishanfansassnintl]

*Lyricist Shailendra - Biography*

*Birth name : Shankardas Kesarilal* *Born : 30 August 1923* *Rawalpindi, Punjab, British India (now in Pakistan)* *Died : 14 December 1966 (aged 43)* *Occupation : Lyricist* *Years active : 1949-1966* Shankardas Kesarilal (August 30, 1923 -- December 14, 1966), popularly known by his pen name Shailendra, was a popular Indian Hindi lyricist. Noted for his association with the filmmaker Raj Kapoor and the composers Shankar-Jaikishan, he wrote lyrics for several successful Hindi film songs in the 1950s and the 1960s. Shailendra hailed from Ara district of Bihar and the film "Teesri Kasam" was shot in the state as well. *CAREER AS A LYRICIST :* Shailendra started his career as a welder with Indian Railways. His job brought him to Mumbai (then Bombay) in 1947. He started writing poetry during these days.

The filmmaker Raj Kapoor noticed Shailendra, when the latter was reading out his poem Jalta hai Punjab at a mushaira (poetic symposium).[2] Kapoor offered to buy poems written by Shailendra and use them for his movie Aag (1948). Shailendra, a member of the left wing IPTA, was wary of mainstream Indian cinema and refused. However, after his wife became pregnant, Shailendra himself approached Raj Kapoor in need of money. At this time, Raj Kapoor was filming Barsaat (1949), and two of the film songs had not been written yet. For INR 500, Shailendra wrote these two songs: Patli kamar hai and Barsaat mein. The music for Barsaat was composed by Shankar-Jaikishan. The team of Raj Kapoor, Shailendra and Shankar-Jaikishan went on to produce many other hit songs. The song "Awara Hoon" from the 1951 film Awaara, written by Shailendra, became the most appreciated Hindustani film song outside India at the time. In the days when composers would recommend lyricists to producers, Shankar-Jaikishan once promised Shailendra that they would recommend him around, but didn't keep their promise. Shailendra sent them a note with the lines, Chhoti Si Yeh Duniya, Pehchaane Raaste Hain. Kahin To Miloge, Phir Poochhenge Haal ("The world is small, the roads are known. We'll meet sometime, and ask 'How do you do?'"). Shankar-Jaikishan realized what the message meant and having said sorry, turned the lines into a popular song. The song was featured in the film Rangoli (1962), for which the producer Rajendra Singh Bedi wanted to sign up Majrooh Sultanpuri as the lyricst. However, Shankar-Jaikishen insisted on Shailendra and the producer had to oblige. Apart from Shankar-Jaikishan, Shailendra also shared a rapport with composers such as Salil Chowdhary (Madhumati), Sachin Dev Burman (Guide, Bandini, Kala Bazar), and Ravi Shankar (Anuradha). Apart from Raj Kapoor, he shared a rapport with filmmakers such as Bimal Roy (Do Bigha Zameen, Madhumati, Bandini) and Dev Anand (Guide and Kala Bazar). *Last years* In the mid-1960s, Shailendra invested heavily in the production of the movie Teesri Kasam (1966), which won the National Film Award for Best Feature Film. However, the film was a commercial failure.[5] The falling health resulting from tensions associated with film production and anxiety due to financial loss, ultimately led to his death. *Legacy* Shailendra's son Shaily Shailendra also became a lyricist. The contemporary lyricist Hasrat Jaipuri stated once in a TV-interview that Shailendra was the best lyricist the Indian film industry ever had. ................................................................ *SHAILENDRAJI with Shankar Jaikishan Songs List* 1 ..... Takdhinaa Dhin… Barasaat Mein Hamse Mile Tum Sajan ..... Lata, Chorus ..... Shailendra ..... Barsat – 1949 2 ..... Patlee Kamar Hai Tirchhee Nazar Hai ..... Lata, Mukesh ..... Shailendra ..... Barsat - 1949 3 ..... Aawaaraa Hoon, Yaa Gardish Mein Hoon Aasman Kaa ..... Mukesh ..... Shailendra ..... Awara – 1951 4 ..... Ho Haiyaa Haiyaa Ho Haiyaa… Naiyaa Teree Majhdhaar ..... Rafi, Chorus ..... Shailendra..... Awara – 1951 5 ..... Ek Do Teen Aajaa Mausam Hai Rangeen ..... Shamshad, Chorus ..... Shailendra ..... Awara - 1951 6 ..... Pativrataa Seetaa Maaee Ko Toone Diyaa Banvaas ..... Lata, Rafi, Chorus ..... Shailendra ..... Awara - 1951 7 ..... Dam Bhar Jo Udhar Munh Phere ..... Lata, Mukesh ..... Shailendra ..... Awara - 1951 8 ..... Tere Binaa Aag Ye Chaandnee Too Aa (Part-1) ..... Lata, Mannadey, Chorus ..... Shailendra ..... Awara - 1951 9 ..... Ghar Aayaa Meraa Pardesee, Pyaas Bujhee Meree (Part 2) ..... Lata, Chorus ..... Shailendra ..... Awara - 1951 10 ..... Thahar Zaraa O Jaanee Waale, Baaboo, Mister, ..... Chorus ..... Shailendra ..... Awara - 1951 11 ..... Unse Pyaar Ho Gayaa, Unjse Pyaar Ho Gayaa, Dil Meraa Kho Gayaa ..... Lata ..... Shailendra ..... Badal - 1951 12 ..... Do Din Ke Liye Mehmaan Yahaan Maalom Naheen Manzil Hai ..... Lata ..... Shailendra ..... Badal - 1951 13 ..... O Anmol Pyaar Bin Mol Bike Is Duniyaa Ke Bazaar Mein ..... Lata ..... Shailendra ..... Badal - 1951 14 ..... Aaj Maane Na Moraa Jiyaa Thumuk Thumuk naache Saawan..... Lata, Chorus ..... Shailendra ..... Badal - 1951 15 ..... Ae Dil Na Mujhse Chhupaa Sach Batta Kyaa Huaa ..... Lata, Mukesh ..... Shailendra ..... Badal - 1951 16 ..... Ille Bel Laa Illaa, Illebel Aare Din Hai Pyaare Pyaare ..... Lata ..... Shailendra ..... Kali Ghata - 1951 17 ..... Toone Haaye Mere Zakhm-E-Jigar Ko Chhoo Liyaa ..... Lata ..... Shailendra ..... Nagina - 1951 18 ..... Roon Main Saagar Ke Kinaare, Saagar Hansee Udaaye ..... C. H. Atma ..... Shailendra ..... Nagina - 1951 19 ..... Ik Sitaaraa Hai Aakaash Mein Ik Sitaaraa ..... C. H. Atma ..... Shailendra ..... Nagina - 1951 20 ..... My My Dear, O O Aao Near, O Mummy Naheen Daddy ..... Shamshad, Rafi ..... Shailendra ..... Nagina - 1951 21 ..... Hamse Koee Pyaar Karo Jee, Hello ..... Lata, Rafi, Chorus ..... Shailendra ..... Nagina - 1951 22 ..... Preet Ye Kaisee Bol Ree Duniyaa Reet Ye Kaisee Bol Duniyaa ..... Lata ..... Shailendra ..... Daag - 1952 23 ..... Laage Jab Se Nain Laage, Ho Dil To Gayaa Kyaa Jaane Ulfat Mein ..... Lata ..... Shailendra ..... Daag - 1952 24 ..... Ae Mere Dil Kaheen Aur Chaal ..... Lata ..... Shailendra ..... Daag - 1952 25 ..... Ae Mere Dil Kaheen Aur Chaal, Gham Kee Duniyaa Se (Fast) ..... Talat ..... Shailendra ..... Daag - 1952 26 ..... Ae Mere Dil Kaheen Aur Chaal, Gham Kee Duniyaa Se (Slow) ..... Talat ..... Shailendra ..... Daag - 1952 27 ..... Dekho Aaayaa Ye Kaisaa Zamaanaa, ..... Lata, Chorus ..... Shailendra ..... Daag - 1952 28 ..... Meethee Meethee Baaton Se Bholee Bhaalee Ghaaton Se ..... Lata ..... Shailendra ..... Parbat - 1952 29 ..... Ayayyo..Beraham Maar Daale Naa Mujhko Teraa Gham ..... Lata, Chorus ..... Shailendra ..... Parbat - 1952 30 ..... Kyaa bataaoon Muhobbat Hai Kyaa ..... Lata, Rafi, Geeta ..... Shailendra ..... Parbat - 1952 31 ..... Din Suhaane Ye Mausam bahaar Kaa ..... Lata ..... Shailendra ..... Poonam - 1952 32 ..... O Bhole Balamaa, O More Saajanaa, Ae, Ghunghar Baaje Chhun ..... Lata ..... Shailendra ..... Poonam - 1952 33 ..... Do Din Kee Zindagee Mein Dukhde Hain Beshumaar ..... Lata ..... Shailendra ..... Poonam - 1952 34 ..... Jhumak Jhumak Chal mere haathee, Chal Mere Haathee ..... Lata, Chorus ..... Shailendra ..... Poonam - 1952 35 ..... Ye Shaam Kee Tanhaaiyaan Aese Mein Teraa Gham ..... Lata ..... Shailendra ..... AAH - 1953 36 ..... Raajaa Kee Aayegee baraat, Rangeelee Hogee Raat ..... Lata ..... Shailendra ..... AAH - 1953 37 ..... Jo Main Jaantee Unke Liye Mere Dil Mein Kitnaa (Happy) ..... Lata ..... Shailendra ..... AAH - 1953 38 ..... Jo Main jaantee Unke Liye, Jo Main Jaantee Unke Liye Mere Dil (Sad) ..... Lata ..... Shailendra ..... AAH - 1953 39 ..... Chhotee See ye Zindagaanee Re Chaar Din kee jawaanee Teree ..... Mukesh ..... Shailendra ..... AAH - 1953 40 ..... Itnaa Pyaar Karegaa Kaun Maa kartee Jitna, Itna Pyaar Karegaa Kaun ..... Lata ..... Shailendra ..... AAS - 1953 41 ..... Hampe Dayaa Rakhnaa He Daataa ..... Lata, Chorus ..... Shailendra ..... AAS - 1953 42 ..... Main Hoon Tere Sapnon Kee Raanee Toone Mujhe ..... Lata, Chorus ..... Shailendra ..... AAS - 1953 43 ..... Chaahe Nainaa Churaao Chaahe Daman Bachaao ..... Lata, Talat ..... Shailendra ..... AAS - 1953 44 ..... Dekho Jee Dekho Ek Baar Is Taraf Dekho ..... Lata, Mukesh ..... Shailendra ..... AAS - 1953 45 ..... Dard-E-Ulfat, Haay Dard-E-Ulfat Chhupaaoon Kahaan ..... Lata ..... Shailendra ..... AURAT - 1953 46 ..... Dard-E-Jigar Thahar Zaraa Dam To Mujhe Lene De ..... Lata ..... Shailendra ..... AURAT - 1953 47 ..... Zulm Hai, Ye Duniyaa Banaaee Hai Kis Beraham Ne ..... Lata ..... Shailendra ..... AURAT - 1953 48 ..... Chalee Kaun So Desh Gujariyaa Too Saj Dhaj Ke ..... Asha ..... Talat ..... Shailendra ..... BOOT POLISH - 1953 49 ..... Nanhein Munne Bachee Teree Mutthee Mein..... Asha, Rafi, Chorus ..... Shailendra ..... BOOT POLISH - 1953 50 ..... Tumhaare Hain Tumse Dayaa Maangate Hain ..... Asha, Rafi, Chorus ..... Shailendra..... BOOT POLISH - 1953 51 ..... Thahar Zaraa O Jaanee Waale ..... Asha, Mannadey, Madhubala ..... Shailendra ..... BOOT POLISH - 1953 52 ..... Main To Chaaloon Paschim Pooram Chale Duniyaa ..... Lata ..... Shailendra ..... MAYUR PANKH - 1953 53 ..... Tandaanaa, Mushkil Hai Pyaar Chhupaanaa ..... Lata, Chorus ..... Shailendra ..... MAYUR PANKH - 1953 54 ..... Ye Barakhaa Bahar, Sautaniyaa Ke (In Two Parts) .....Lata, Asha.....Shailendra..... MAYUR PANKH - 1953 55 ..... Jaa jaa jaa Re jaa Re jaa, Ranj-O-Gham Ke Andhere ..... Lata ..... Shailendra ..... NAYA GHAR - 1953 56 ..... Chhoom Chhanaanan Chhoom, Ye Samaan Aur Ham Tum ..... Lata ..... Shailendra ..... NAYA GHAR - 1953 57 ..... Jawaan hai Jahaan Jhoom uthee har nazar (In Two Parts) ..... Lata ..... Shailendra ..... NAYA GHAR - 1953 58 ..... Unhein too Bhool jaa Ae Dil, Tadapne Se bhee Kyaa haasil ..... Talat ..... Shailendra ..... NAYA GHAR - 1953 59 ..... Kisee Ne Apnaa Banaa Ke Mujhko Mushkuraanaa Sikhaa Diyaa ..... Lata ..... Shailendra ..... PATITA - 1953 60 ..... Mittee Se Khelate Ho baar Baar Kisliye, Toote Huye Khiloune Se ..... Lata ..... Shailendra ..... PATITA - 1953 61 ..... Andhe Jahaan Ke Andhe Raaste jaayein To Jaayein Kahaan ..... Talat ..... Shailendra ..... PATITA - 1953 62 ..... Tujhe Apne Paas Bulaatee Hai Teree Duniyaa ..... Talat ..... Shailendra ..... PATITA - 1953 63 ..... Hai Sabse madhur Who Geet Jinhein Ham Dard Ke Sur Mein ..... Talat ..... Shailendra ..... PATITA - 1953 64 ..... Kaare Badaraa Too Na jaa na Jaa, bairee Too Bides Na jaa ..... Lata ..... Shailendra ..... SHIKAST - 1953 65 ..... Bujh Gaye Aashaa Ke Deeye… Sab Dushman Is Jaan Ke ..... Lata ..... Shailendra ..... SHIKAST - 1953 66 ..... O Ghan Saanware Unse Kahiyo Jaa, Ek Dukhiyaa Kee ..... Lata ..... Shailendra ..... SHIKAST - 1953 67 ..... Gham Mein Jal Rahaa Hai Ulfat Ka Aashiyaanaa ..... Rafi ..... Shailendra ..... SHIKAST - 1953 68 ..... Sapnon Kee Suhaanee Duniyaa Ko Aankhon Mein basaanaa ..... Talat ..... Shailendra ..... SHIKAST - 1953 69 ..... Ham Kathputale Kaath Ke.. Ham to hain Khel Khilaune ..... Hemant Kumar ..... Shailendra ..... SHIKAST - 1953 70 ..... Jab jab Phool Khile Tujhe Yaad Kiyaa Hamne ..... Lata, Talat ..... Shailendra ..... SHIKAST - 1953 71 ..... Naee Zindagee Se Pyaar Karke Dekh(Happy) ..... Lata, Rafi, Chorus ..... Shailendra ..... SHIKAST - 1953 72 ..... Naee Zindagee Se Pyaar Karke Dekh (Sad) ..... Lata, Chorus ..... Shailendra ..... SHIKAST - 1953 73 ..... Rulaa kar Chal Diye Ik Din, hansee bankar Jo Aaye ..... Hemant Kumar ..... Shailendra ..... BADSHAH - 1954 74 ..... Gul Muskuraa Uthaa Bulbul ye Gaa Uthaa..... Lata, Chorus ..... Shailendra ..... BADSHAH - 1954 75 ..... Moree Bipadaa Aan Haro, Prabhu kaahe Der Karo ..... Lata ..... Shailendra ..... POOJA - 1954 76 ..... Main Muraleedhar kee Muralee Laee, Muraleedhar Ne Laee ..... Lata ..... Shailendra ..... POOJA - 1954 77 ..... Chal Chal Re Musaafir Chal, Too us Duniyaa Mein Chal ..... Rafi ..... Shailendra ..... POOJA - 1954 78 ..... Jahaan Kaheen Deepak Jaltaa… Jo ek baar Kah Do Ki Tum Ho (Part-1 - Happy) ..... Rafi ..... Shailendra ..... POOJA - 1954 79 ..... Jo Ek Baar Kah Do Ki Tum Ho hamaare, To badale Ye Duniyaa (Part-2- Sad) ..... Rafi ..... Shailendra ..... POOJA - 1954 80 ..... Holee Aaee Pyaaree, Bhar Pichkaaree Rang De Chundariyaa (Part 1) ..... Lata, Rafi, Chorus ..... Shailendra ..... POOJA - 1954 81 ..... Rang Khelo Rasiyaa Suratiyaa Pahchaan… Holee Aaee Pyaaree (Part - 2) ..... Lata, Rafi, Chorus ..... Shailendra ..... POOJA - 1954 82 ..... Roomjhoom Ke Bajaao Bansaree Muraaree ..... Rafi, Krishnarao ..... Shailendra ..... POOJA - 1954 83 ..... Manmohanaa Bade Jhoothe, Haar Ke Har Naheen maane ..... Lata ..... Shailendra ..... SEEMA - 1955 84 ..... Kahaan jaa Raaha hai Too Ae jaane Waale ..... Rafi ..... Shailendra ..... SEEMA - 1955 85 ..... Too Pyaar kaa Saagar hai, Teree Ek Boond Ke..... Mannadey, Chorus ..... Shailendra ..... SEEMA - 1955 86 ..... Shaam Gaee Raat Aaee Ki Balam Aajaa ..... Lata, Chorus ..... Shailendra ..... SHREE 420 - 1955 87 ..... Mera Jootaa Hai jaapaanee ..... Mukesh, Chorus ..... Shailendra ..... SHREE 420 - 1955 88 ..... Dil Kaa Haal Sune Dil Waalaa ..... Mannadey, Chorus ..... Shailendra ..... SHREE 420 - 1955 89 ..... Pyaar Huaa Iqraar Huaaa Hai ..... Lata, Mannadey ..... Shailendra ..... SHREE 420 - 1955 90 ..... Ramayyaa Vastaavayyaa, maine Dil Tujhko Diyaa (Part-1) ..... Lata, Rafi, Chorus ..... Shailendra ..... SHREE 420 - 1955 91 ..... Yaad Aate Rahee Dil Dukhaateee… Ramayyaa Vastaavayyaa (Part-2) ..... Lata, Mukesh, Chorus ..... Shailendra ..... SHREE 420 - 1955 92 ..... Ramayyaa Vastaavayyaa, maine Dil Tujhko Diyaa ..... Lata, Rafi, Mukesh, Chorus ..... Shailendra ..... SHREE 420 - 1955 93 ..... Mud Mud Ke Na Dekh, Mud Mud Ke (Part-1) ..... Asha, Chorus ..... Shailendra ..... SHREE 420 - 1955 94 ..... Mud Mud Ke Na Dekh, Mud Mud Ke (Part-2) ..... Asha, Mannadey, Chorus ..... Shailendra ..... SHREE 420 - 1955 95 ..... Meraa Jootaa Hai Jaapaanee, Ye Pataloon ..... Lata, Mukesh, Chorus ..... Shailendra ..... SHREE 420 - 1955 96 ..... Jaa Jaa Re Jaa Baalamavaa, Sautan Ke Sang ..... Lata ..... Shailendra ..... BASANT BAHAR - 1956 97 ..... Badee Der Bhaee, Kab Loge Khabar Moree Raam ..... Rafi ..... Shailendra ..... BASANT BAHAR - 1956 98 ..... Duniyaa Na Bhaaye Mohe Ab to Bulaa Le ..... Rafi ..... Shailendra ..... BASANT BAHAR - 1956 99 ..... Sur Na Saje Kyaa Gaaoon main, Sur Ke Binaa ..... Mannadey ..... Shailendra ..... BASANT BAHAR - 1956 100 ..... Bhay Bhanjanaa Vandanaa Sun hamaaree ..... Mannadey ..... Shailendra ..... BASANT BAHAR - 1956 101 ..... Kar Gayaa Re kar Gayaa Mujhpe Jaadoop ..... Lata, Asha ..... Shailendra ..... BASANT BAHAR - 1956 102 ..... Nain Mile Chain Kahaan, dil Hai Waheen Too ..... Lata, Mannadey ..... Shailendra ..... BASANT BAHAR - 1956 103 ..... Ketakee Gulaab Joohee Champak Ban Phoole ..... Mannadey, Bhimsen ..... Shailendra ..... BASANT BAHAR - 1956 104 ..... Manbhaavan Ke Ghar jaaye Goree, Ghoonghat Mein Sharamaaye Goree ..... Lata, Asha ..... Shailendra ..... CHORI CHORI - 1956 105 ..... Tum Arabon Kaa Her Pher karnewaale Raamjee ..... Lata, Rafi ..... Shailendra ..... CHORI CHORI - 1956 106 ..... Yeh Raat Bheegee Bheegee, Ye mast Fizaayein ..... Lata, Mannadey ..... Shailendra ..... CHORI CHORI - 1956 107 ..... Jahaan Main Jaatee Hoon Waheen Chale Aate Ho, Choree Choree Mere Dil Mein ..... Lata, Mannadey ..... Shailendra ..... CHORI CHORI - 1956 108 ..... Ye Chaand Ye Sitaare Ye Saath Teraa Meraa ..... Lata ..... Shailendra ..... HALAKU - 1956 109 ..... Teree Duniyaa Se jaate Hain Chhupaaye Dil Mein Gham Apnaa ..... Lata ..... Shailendra ..... HALAKU - 1956 110 ..... Ajee Chale Aao, Ajee Chale Aao, Tumhein Aankhon Ne Dil Mein Bulaayaa ..... Lata, Asha ..... Shailendra ..... HALAKU - 1956 111 ..... Aa Jaa Ki Intazzar Mein Jaane Ko Hai Bahaar Bhee ..... Lata, Rafi ..... Shailendra ..... HALAKU - 1956 112 ..... Dil Kaa Naa Karnaa Aetbaar Koee ..... Lata, Rafi ..... Shailendra ..... HALAKU - 1956 113 ..... Qismat Kaa Khel hai Janaab-E-Alee, Aape Paas Hain Motee Khazaane ..... Lata ..... Shailendra ..... KISMAT KA KHEL - 1956 114 ..... Arz Hai Aapse, Aur Aapse Bhee.. Baalam Ayegaa ..... Lata ..... Shailendra ..... KISMAT KA KHEL - 1956 115 ..... Chalo Le Chaloon Main Taaron Mein, Rang Rangeele Gulzaaron Mein ..... Asha ..... Shailendra ..... KISMAT KA KHEL - 1956 116 ..... Na Bure, na Bhale, Ham Ghareeb Gham Ke Pale ..... Lata, Chorus ..... Shailendra ..... KISMAT KA KHEL - 1956 117 ..... Too Mane Yaa Na maane Balam Anjaane, Bedard Tere Liye ..... Lata, Chorus ..... Shailendra ..... KISMAT KA KHEL - 1956 118 ..... Are Bhaee Nikal Ke Aa Ghar Se, Aa Ghar Se ..... Kishore ..... Shailendra ..... NEW DELHI - 1956 119 ..... Milte Hee Nazar aap Mere Dil Mein Aa Gaye ..... Kishore ..... Shailendra ..... NEW DELHI - 1956 120 ..... Nakhrewaalee, Dekhane Mein Dekh Lo Hai Kaisee Bhoole ..... Kishore, Chorus ..... Shailendra ..... NEW DELHI - 1956 121 ..... Zindagee Bahaar Hai Muhobbat Kee Bahaar Se ..... Lata, Chorus ..... Shailendra ..... NEW DELHI - 1956 122 ..... Tum Sang Preet lagaaee Rasiyaa ..... Lata, Chorus ..... Shailendra ..... NEW DELHI - 1956 123 ..... Baaree Barasee Khatan Gayaa to Kihat ke Liyaayaa Sotee ..... Lata, Chorus ..... Shailendra ..... NEW DELHI - 1956 124 ..... Goree Tere Sapnon Ke Sanjanaa, Aaye Tere Anganaa ..... Lata, Chorus ..... Shailendra ..... NEW DELHI - 1956 125 ..... Naa Jaane Tum Kaun Meree Aaankhon Mein Samaa Gaye ..... Lata ..... Shailendra ..... PATRANI - 1956 126 ..... Kabhee to Aa, O Sapnon Mein Aa Ke Chale Jaane Waale ..... Lata ..... Shailendra ..... PATRANI - 1956 127 ..... Chandramaa Madbharaa Kyon Jhoomein Hai Baadar Mein ..... Lata ..... Shailendra ..... PATRANI - 1956 128 ..... Oonche Mahal Mein Rahanewaale… Dil Gayaa Dard Rahaa Seene Mein ..... Lata ..... Shailendra ..... PATRANI - 1956 129 ..... O Balamaa Tum Badardee, Munh Dekhe Kee Preet Tumhaaree ..... Lata ..... Shailendra ..... PATRANI - 1956 130 ..... Rang Rangeelee Pagiyaa Baandhe Aaye Rituraajaa ..... Lata, Chorus ..... Shailendra ..... PATRANI - 1956 131 ..... Paawan Gangaa Sar par Sohe, Maathe Pe Chandrachhataa Pyaaree ..... Lata,Chorus ..... Shailendra ..... PATRANI - 1956 132 ..... Raajaa Pyaare mat karo Pyaar kaa Mol ..... Lata, Usha, Chorus ..... Shailendra ..... PATRANI - 1956 133 ..... Are Koee Jaao Ree Piyaa Ko Bulaao Ree ..... Lata, Usha, Meena, Chorus ..... Shailendra ..... PATRANI - 1956 134 ..... Dulhan Goree Ghoonghat Mein Muskaaye ..... Chorus ..... Shailendra ..... PATRANI - 1956 135 ..... Aa Gaee Lo Aa Gaee Main Jhoomtee ..... Lata ..... Shailendra ..... RAJHATH - 1956 136 ..... Mere Sapne Mein Aanaa Re Sajanaa, Mere Sapne Mein Aanaa Re ..... Lata ..... Shailendra ..... RAJHATH - 1956 137 ..... Kahaan Se Milte Motee, Aansoo Hai Meree Taqdee Mein ..... Lata ..... Shailendra ..... RAJHATH - 1956 138 ..... Naache Ang Ang Ang Tere Aage, Baaje Re man Mridang Baaje ..... Lata, Chorus ..... Shailendra ..... RAJHATH - 1956 139 ..... Pyaare Baabul Se Bicchad Ke, Ghar Kaa Aangan Soonaa Karke ..... Lata, Chorus ..... Shailendra ..... RAJHATH - 1956 140 ..... Aa Jaa Aa Jaa Aa Jaa Nadiyaa Kinaare, Taaron Kee Chhaiyaan ..... Lata, Chorus ..... Shailendra ..... RAJHATH - 1956 141 ..... Chale Siapaahee Dhool Udaate, Kahaan Kidhar Koee Kiyaa Jaane ..... Mannadey, Chorus ..... Shailendra ..... RAJHATH - 1956 142 ..... Ae Pyaase Dil Bezubaan, Tujhko Lee Jaaon, Aag Ko Aag Mein Dhaal Ke ..... Mukesh ..... Shailendra ..... BEGUNAH - 1957 143 ..... Nazar Kahe Aajaa Jigar Mein Samaa Jaa ..... Lata, Chorus ..... Shailendra ..... BEGUNAH - 1957 144 ..... Aajaa Raat Beetee jaaye, Shamaa Tadap Kar ..... Usha, Kishore, Chorus ..... Shailendra ..... BEGUNAH - 1957 145 ..... Manzil Wahee hai Pyaar Kee Raahee badal Gaye ..... Subir ..... Shailendra ..... KATH PUTLI - 1957 146 ..... Haay To Hee Gayaa Mohe Bhool Re, haay Too Hee Gayaa Mohe Bhool Re ..... Lata ..... Shailendra ..... KATH PUTLI - 1957 147 ..... Bol Ree Kathputalee Doree Kaun Sang Banandhee, Sach batlaa Too Naache (Fast) ..... Lata ..... Shailendra ..... KATH PUTLI - 1957 148 ..... Bol Ree Kathputalee Doree Kaun Sang Banandhee, Sach batlaa Too Naache (Slow) ..... Lata, Chorus ..... Shailendra ..... KATH PUTLI - 1957 149 ..... Itne Bade Jahaan Mein Ae Dil Tujhko, Trujhko Akelaa Chhodoon Kaise ..... Lata, Chorus ..... Shailendra ..... KATH PUTLI - 1957 150 ..... Meenee Meenee Cheechee, Meenee Meenee Cheechee ..... Lata, Mukesh ..... Shailendra ..... KATH PUTLI - 1957 151 ..... Ae Dilbar Dilwaale, Pyaar Pe Marane Waale, Dil Kee Lagee Yoon na Bujhee ..... Lata ..... Shailendra ..... BAAGHI SIPAAHI - 1958 152 ..... Maan Bhee Le Ae Dil Too Apnee Ye Haar ..... Lata ..... Shailendra ..... BAAGHI SIPAAHI - 1958 153 ..... Samaan Ye Pyaar ka Bahaar Ke Ye Mele ..... Asha, Mannadey ..... Shailendra ..... BAAGHI SIPAAHI - 1958 154 ..... Chinchan Pappulu, Chhuee Muee Main ..... Asha, Mannadey, Chorus ..... Shailendra ..... BAAGHI SIPAAHI - 1958 155 ..... O Beraham Tere Sitam Hampe Honge Kab Tak Dekheinge Ham ..... Lata, Mannadey, Chorus ..... Shailendra ..... BAAGHI SIPAAHI - 1958 156 ..... Dil Mein Pyaar Kaa Toofan Na Samjhe Koee Naadaan, Zaalim Ghoor Ghoor Ke ..... Lata ..... Shailendra ..... YAHUDI - 1958 157 ..... Dil Se Tujhko Bedilee Hai… Ye Meraa Deewaanaapan Hai yaa Muhobbat Kaa Suroor ..... Mukesh ..... Shailendra ..... YAHUDI - 1958 158 ..... Ye Duniyaa, Haaye Hamaaree Ye Duniyaa ..... Rafi, Chorus ..... Shailendra ..... YAHUDI - 1958 159 ..... Meree jaan, Pyaar Kisee Se Ho Hee Gayaa Hai, Ham Kyaar Karein ..... Lata, Chorus ..... Shailendra ..... YAHUDI - 1958 160 ..... Aate jaate Pahloo Mein Aayaa Koee, Mere Dil Batalaa Na Chhupaa ..... Lata, Chorus ..... Shailendra ..... YAHUDI - 1958 161 ..... Bechain Dil Khoee See Nazar, Tanhaaiyon Mein Shaam-O-Sahar Tum Yaad Ate Ho ..... Lata, Geeta ..... Shailendra ..... YAHUDI - 1958 162 ..... Teraa Jaanaaa Dil Ke Amaanon Kaa Lau Jaanaa, Koee Dekhe Banke Taqdeeron Kaa ..... Lata ..... Shailendra ..... ANARI - 1958 163 ..... Kisee Kee Musukuraahaton Pe Ho Nisaar ..... Mukesh ..... Shailendra ..... ANARI - 1958 164 ..... Sab Kucch Seekhaa hamne na Seekhee Hoshiyaaree ..... Mukesh ..... Shailendra ..... ANARI - 1958 165 ..... Dil Kee nazar Se, Nazaron Kee dil Se, Ye Baat Kyaa Hai ..... Lata, Mukesh ..... Shailendra ..... ANARI - 1958 166 ..... Nineteen FiftySix, Nineteen FiftySeven, Nineteen Fiftyeight (In Two Parts) ..... Lata, Mannadey, Chorus ..... Shailendra ..... ANARI - 1958 167 ..... Bhaiyaa Mere Raakhee Ke Bandhan KO Nibhaanaa (Happy) ..... Lata ..... Shailendra ..... CHHOTI BAHEN - 1959 168 ..... Bhaiyaa Mere Raakhee Ke Bandhan KO Nibhaanaa ..... (Sad) ..... Lata ..... Shailendra ..... CHHOTI BAHEN - 1959 169 ..... Badee Door Se Aaee Hoon main Teraaa Dil Bahalaane, Main To Teree Ho Chukee ..... Lata ..... Shailendra ..... CHHOTI BAHEN - 1959 170 ..... Ye Kaisaa Nyaay Teraa Deepak Tale Andheraa ..... Lata ..... Shailendra ..... CHHOTI BAHEN - 1959 171 ..... Main Rickshaawaalaa, Hai Chaar Ke Baraabar Ye Do Taangwaalaa ..... Rafi ..... Shailendra ..... CHHOTI BAHEN - 1959 172 ..... Baaghon Mein Bahaaron Mein Ithalaataa Gaataa Aayaa Koee ..... Lata, Chorus ..... Shailendra ..... CHHOTI BAHEN - 1959 173 ..... Saawan Aawan Kah Gaye.. Dil Mein Samaa Ke Milane Na Aaye ..... Lata ..... Shailendra ..... KANHAIYA - 1959 174 ..... Ruk Jaa, Rukj Jaa O jaanewalalee Ruk Jaa ..... Mukesh ..... Shailendra ..... KANHAIYA - 1959 175 ..... Mujhe Tumse Kuchh Bhee Na Chaahiya ..... Mukesh ..... Shailendra ..... KANHAIYA - 1959 176 ..... Yaad Aaee Aadhee Raat Ko Kal Raat Kee Taubaa ..... Mukesh ..... Shailendra ..... KANHAIYA - 1959 177 ..... O More Saanware Salone Piyaa ..... Lata, Chorus ..... Shailendra ..... KANHAIYA - 1959 178 ..... Nee Baliye Rut Hai Bhahaar Kee ..... Lata, Mukesh, Chorus ..... Shailendra ..... KANHAIYA - 1959 179 ..... Kahe Jhoom Jhoom Raat Ye Suhaanee ..... Lata ..... Shailendra ..... LOVE MARRIAGE - 1959 180 ..... Kaahaan Jaa Rahe The Kahaan Aa Gaye Ham ..... Rafi ..... Shailendra ..... LOVE MARRIAGE - 1959 181 ..... Teen Kanastar Peet Peet kar, Galaa Phaad kar Chillaanaa ..... Rafi ..... Shailendra ..... LOVE MARRIAGE - 1959 182 ..... Qareeb Aao Na Tadapaao, Hamein Kahnaa Hai Kuchh Tumse ..... Geeta ..... Shailendra ..... LOVE MARRIAGE - 1959 183 ..... Dil Se dil Takaraaye, Phir Donon Ghabaraaye ..... Geeta, Rafi, Chorus ..... Shailendra ..... LOVE MARRIAGE - 1959 184 ..... Ghair Kee Galee mein Piyaa Toone meraa naam Liyaa ..... Asha ..... Shailendra ..... MAIN NASHE MEIN HOON - 1959 185 ..... Mujhko Yaaron Maaf karnaa Main Nashe Mein Hoon ..... Mukesh ..... Shailendra ..... MAIN NASHE MEIN HOON - 1959 186 ..... Nazar Nazar Se Ho Rahee Hai Baat Pyaar Kee ..... Lata, Mukesh ..... Shailendra ..... MAIN NASHE MEIN HOON - 1959 187 ..... Maine To Naheen Pee, Main Saaqee banee Thee ..... Lata, Raj Kapoor ..... Shailendra ..... MAIN NASHE MEIN HOON - 1959 188 ..... Teraa Teer O Bepeer Dil Ke Aar paar Hai ..... Lata ..... Shailendra ..... SHARARAT - 1959 189 ..... Ajab Hai Daastaan Teree ye Zindagee (Part - 1) ..... Rafi ..... Shailendra ..... SHARARAT - 1959 190 ..... Ajab Hai Daastaan Teree ye Zindagee (Part - 2) ..... Rafi ..... Shailendra ..... SHARARAT - 1959 191 ..... Khol De Khol De Khidkee Chaahat Ke naam Pe ..... Kishore ..... Shailendra ..... SHARARAT - 1959 192 ..... Too Meraa Copyright, Main Teree Copyright ..... Lata, Rafi ..... Shailendra ..... SHARARAT - 1959 193 ..... Sooraj Zaraa Aa Paas Aa, Aaj Sapnon Kee Rote Pakaayeinge Ham ..... Mannadey, Chorus ..... Shailendra ..... UJALA - 1959 194 ..... Ab Kaahan Jaayein Ham Ye Baataa Ae Zameen ..... Mannadey, Chorus ..... Shailendra ..... UJALA - 1959 195 ..... Yaaron Soorat Hamaaree Pe Mat Jaao ..... Rafi, Mukesh ..... Shailendra ..... UJALA - 1959 196 ..... Duniyaa Waalon Se Door, jalane Waalon Se Door ..... Lata, Mukesh ..... Shailendra ..... UJALA - 1959 197 ..... Chham Chham Lo Suno Chham Chham ..... Lata, Mannadey, Chorus ..... Shailendra ..... UJALA - 1959 198 ..... Dil Apnaa Aur Preet Paraaee Kisne Hai Ye Reet Banaaee ..... Lata ..... Shailendra ..... DIL APNA AUR PREET PARAI - 1960 199 ..... Jaane Kahaan Gaee, jaane Kahaan Gaee ..... Rafi ..... Shailendra ..... DIL APNA AUR PREET PARAI - 1960 200 ..... Ajeeb Daastan hai Ye Kahaan Shuroo Kahaan Khatam ..... Lata, Chorus ..... Shailendra ..... DIL APNA AUR PREET PARAI - 1960 201 ..... Andaaz Merraa Mastaana Maange Dil Kaa..... Lata, Chorus ..... Shailendra ..... DIL APNA AUR PREET PARAI - 1960 202 ..... Meraa Dil Ab Teraa O Saajanaa, Kaisaa jaado Pheraa ..... Lata, Chorus ..... Shailendra ..... DIL APNA AUR PREET PARAI - 1960 203 ..... Soch Rahee Thee Kahoon Na Kahoon Par Aaj Khahoongee ..... Lata ..... Shailendra ..... EK PHOOL CHAR KANTE - 1960 204 ..... O O O Meree baby Doll, Haan Yaa Na Are Kuchh To Bol ..... Rafi ..... Shailendra ..... EK PHOOL CHAR KANTE - 1960 205 ..... O Bombshell Baby Of Mombay, You have Rocked Right Onv My heart (English Songs) ..... Iqbal ..... Shailendra ..... EK PHOOL CHAR KANTE - 1960 206 ..... Sambhal Ke Karnaa Jo Bhee Karnaa naazuk haathon Waale ..... Mukesh ..... Shailendra ..... EK PHOOL CHAR KANTE - 1960 207 ..... Matwaalee naar Thumak Thumak Chalee jaaye ..... Mukesh ..... Shailendra ..... EK PHOOL CHAR KANTE - 1960 208 ..... Dil Ae Dil Bahaaron Se Mil Sitaaron Se Aankhein Milaa ..... Lata, Talat ..... Shailendra ..... EK PHOOL CHAR KANTE - 1960 209 ..... O Basantee pawan Paagal naa jaa Re naa jaa Roko Koee ..... Lata ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 210 ..... Meraa naam Raajoo Gharaanaa Anaam ..... Mukesh ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 211 ..... Pyaar Kar Le, Pyaar Kar Le Naee To Phaansee Chadh Jaayega ..... Mukesh ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 212 ..... Jo Jisase Milaa Seekhaa hamne… Ham Us Desh Ke Wassee Hain (Part - 1) ..... Mukesh, Chorus ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 213 ..... Hothon Pe Sachchaee Rahatee Hai, jahaan Dil Mein Safaaee Rahtee Hain (Part - 2) ..... Mukesh ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 214 ..... Ye Loot Khasot ye Daakaajanee.. Ham Us Desh ke Waasee hain (Part - 3) ..... Mukesh ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 215 ..... Ham kal Kyaa The Ham Aaj hain Kyaa.. Ham Us Desh Ke Waasee Hain (Part - 4) ..... Mukesh,Chorus ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 216 ..... Kyaa Huaa Ye Mujhe Kyaa Huaa Kyaa Pataa ..... Lata, Asha ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 217 ..... Begaanee Shaadee mein Abdullaah Deewaanaa, Aese Manmaujee Ko Mushkil Hai ..... Lata, Mukesh ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 218 ..... Aa Ab Laut Chalein, nain Bichhaaye Baahein Pasaaree Tujhko Pukaaree ..... Lata, Mukesh, Chorus ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 219 ..... Hai Aag Hamaare Seene Mein… Ham Bhee hain Tum Bhee Hon Donon Hai (Part - 1) ..... Lata, Mukesh, Geeta, Mannadey, Mahendra,Chorus ..... Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 220 ..... Tumne Mujhko Samjhaa Thaa… ham Bhee Hain Tum Bhee Ho Donon Har (Part - 2) ..... Lata, Mukesh, Chorus, Shailendra ..... JIS DESH MEN GANGA BEHTI HAI - 1960 221 ..... Aane Lagaa Jeene Kaa mazaa, jaan Gaee Pahchaan Gaee Ye Muhobbat Hai Kyaa ..... Lata ..... Shailendra ..... SINGAPORE - 1960 222 ..... Dhokhaa Khaayegee na Yaaron Kee Nazar, Jee Haan Ye Hai Dildaaron Kee Nazar ..... Rafi ..... Shailendra ..... SINGAPORE - 1960 223 ..... Ye Shahar Badaa Albelaa, Har Taraf Haseenon Kaa Melaa ..... Mukesh, Chorus ..... Shailendra ..... SINGAPORE - 1960 224 ..... Hat jaao Deewane Aaye, mastee Lekar Mastaane.....Lata, Rafi, Chorus.....Shailendra.....SINGAPORE - 1960 225 ..... Haay Meree Uljhee nazar Pardessee Ke Sang ..... Lata ..... Shailendra ..... AAS KA PANCHHI - 1961 226 ..... Raah Ke Taalib hain Par Beraah Padte Hai ..... Mukesh ..... Shailendra ..... AAS KA PANCHHI - 1961 227 ..... Ae Dil, Pyaar Kee Manzil, Ab Hai Muqaabil Dekh ..... Mukesh ..... Shailendra ..... AAS KA PANCHHI - 1961 228 ..... Dheree Chalaao Zaraa, Haay Dheere Chalaao ..... Lata, Subir ..... Shailendra ..... AAS KA PANCHHI - 1961 229 ..... Maine Kahaa Meree Jaan… Dekho Na aao Ae Beraham ..... Lata ..... Shailendra ..... BOY FRIEND - 1961 230 ..... Kyon Jee Mujhe Phchaanaa, O Ho, Naheen Pahchaana ..... Rafi ..... Shailendra ..... BOY FRIEND - 1961 231 ..... Dekho na Jaao Ae Jaan-E-Man, Dil Na Dukhaao Ae ..... Subir ..... Shailendra ..... BOY FRIEND - 1961 232 ..... Nazar Mere Dil Ke Paar Huee ..... Lata ..... Shailendra ..... JAB PYAR KISISE HOTA HAI - 1961 233 ..... Bin Dekhe Aur Bin Pahchaane Tum Par Ham Qurbaan ..... Rafi ..... Shailendra ..... JAB PYAR KISISE HOTA HAI - 1961 234 ..... Jaa Jaa Jaa Mere Bachpan Kaheen Jaa Ke Chhup Naadan ..... Lata ..... Shailendra ..... JUNGLEE - 1961 235 ..... Yaa Hoo, Chhahe Koee Mujhe Junglee Kahe ..... Rafi, Prayag Raj ..... Shailendra ..... JUNGLEE - 1961 236 ..... Aaee Aaee Aa karoon Main Kyaa Suku Suku ..... Rafi, Shankar, Chorus ..... Shailendra ..... JUNGLEE - 1961 237 ..... O Saajanaa Naa Pooch Mujhse Pyaar Kya Hain ..... Lata ..... Shailendra ..... KROREPATI - 1961 238 ..... Pehle Murgee Huee Thee Ki Andaa, Zaraa Soch Ke Batana ..... Mannadey ..... Shailendra ..... KROREPATI - 1961 239 ..... Dekhne Waalo Tham Lo Dil Ko Apna Tamasha Shuru Ho Gaya ..... Kishore, Chorus ..... Shailendra ..... KROREPATI - 1961 240 ..... O Ladke Badhte Badhte Tu To Yahaan Bhi Aa Gaya, O Ladki Marji Mere Dil Ki ..... Lata, Kishore ..... Shailendra KROREPATI - 1961 241 ..... Aap Huye Mere Balam Main Tumhari Huyi, Maan Lijiye Aji Maan Lijiye ..... Lata, Mannadey ..... Shailendra ..... KROREPATI - 1961 242 ..... O Meree Mainaa Arre Sun Mera Kehna ..... Rafi, Kishore ..... Shailendra ..... KROREPATI - 1961 243 ..... Tum To Dil Ke Taar Chhed Ke Ho Gaye Bekhabar ..... Lata ..... Shailendra ..... ROOP KI RANI CHORON KA RAJA - 1961 244 ..... Aesee Hee Agar Marzi Teri Armaanon Mein Aag Lagaa Denge ..... Lata ..... Shailendra ..... ROOP KI RANI CHORON KA RAJA - 1961 245 ..... Chaand Gaya Taare Gaye Jao Na Satao Rasiyaa Tum Sang Jaagi Saari Raina ..... Asha ..... Shailendra ..... ROOP KI RANI CHORON KA RAJA - 1961 246 ..... Tum To Dil Ke Taar Chhed Ke Ho Gaye Bekhabar ..... Talat ..... Shailendra ..... ROOP KI RANI CHORON KA RAJA - 1961 247 ..... Aa Jaa Re, Aa Jaa Aa Jaa Nain Duaare Taras Gaye Tere(Part-1) ..... Asha, Subir, Chorus ..... Shailendra ..... ROOP KI RANI CHORON KA RAJA - 1961 248 ..... Aa Jaa Aa Jaa Nain Duaare Taras Gaye Tere(Part-2) ..... Asha, Subir, Chorus ..... Shailendra ..... ROOP KI RANI CHORON KA RAJA - 1961 249 ..... Tomaar Aamaar Premerri Jowaa, Othlee Paathlee Re Seema Jaane Na ..... Lata, Mahendra, Chorus ..... Shailendra ..... ROOP KI RANI CHORON KA RAJA - 1961 250 ..... Sun Le Meri Paayloon Ke Geet Sajna ..... Lata ..... Shailendra ..... SASURAL - 1961 251 ..... Ye Albelaa Taur Na Dekha Wallaah Yaar Lut Gaye Hum To Nazar ..... Rafi ..... Shailendra ..... SASURAL - 1961 252 ..... Sataa Le Ayee Jahaan Na Kholenge Zubaan, Sitam Tere Kabhi To Beasar ..... Mukesh ..... Shailendra ..... SASURAL - 1961 253 ..... Kyaa Mil Gaya ,Haaye Kya Kho Gaya, Mujhe Mere Baalam Ye Kyaa Ho Gaya ..... Lata, Rafi ..... Shailendra ..... SASURAL - 1961 254 ..... Ek Sawaal Main Karoon Ek Sawaal Tum Karo ..... Lata, Rafi, Chorus ..... Shailendra ..... SASURAL - 1961 255 ..... Jhanan Jhan jhnaa Ke Apni Payal Chali Main Aaj Mat Poocho ..... Lata ..... Shailendra ..... AASHIQ - 1962 256 ..... Main Ashiq Hoon Baharoon Ka, Nazaaron Ka ..... Mukesh ..... Shailendra ..... AASHIQ - 1962 257 ..... Tum Jo Hamaare Meet Na Hote, Geet Ye Mere Geet ..... Mukesh ..... Shailendra ..... AASHIQ - 1962 258 ..... Ye To Kaho Kaun Ho Tum, Kaun Ho Tum, Mujh Se Pooche ..... Mukesh, Chorus ..... Shailendra ..... AASHIQ - 1962 259 ..... Mehtaab Tera Chehra, Kis Khaab Mein Dekha Thaa ..... Lata, Mukesh ..... Shailendra ..... AASHIQ - 1962 260 ..... O Shaama Mujhe Phoonk De, Main Na Main Rahoon ..... Lata, Mukesh ..... Shailendra ..... AASHIQ - 1962 261 ..... Teraa Mera Pyar Amar , Phir Kyon Mujhko Lagta Hai Darr ..... Lata ..... Shailendra ..... ASLI NAQLI - 1962 262 ..... Kal Kee Daulat Aaj Ki Khushiyan, Unke Mehfil Apni Galiyaan ..... Rafi ..... Shailendra ..... ASLI NAQLI - 1962 263 ..... Jaan-E-Wafa, Jaan-E- Jahaan, Jaan -E - Tamanna Kahon ..... Lata, Rafi ..... Shailendra ..... DIL TERA DIWANA - 1962 264 ..... Bijlee Giraa Ke Aap Dil Tera Deewana Hai Sanam ..... Lata, Rafi ..... Shailendra ..... DIL TERA DIWANA - 1962 265 ..... Mujhe Kitnaa Pyar Hai Tumse Apne Hi Dil Se ..... Lata, Rafi ..... Shailendra ..... DIL TERA DIWANA - 1962 266 ..... Rickshe Pe Tum Mere Aa Baitho, Ab Mera Hunnar Dekho ..... Asha, Rafi, Chorus ..... Shailendra ..... DIL TERA DIWANA - 1962 267 ..... Ek Tha Raja Ek Thi Raani, Aao Sunoon Unki ..... Lata ..... Shailendra ..... HARIYALI AUR RASTA - 1962 268 ..... Bol Meree Taqdeer Mein Kya Hain ..... Lata ..... Shailendra ..... HARIYALI AUR RASTA - 1962 269 ..... Parwaano Ki Raah Mein Deewano Ki Chaah Mein ..... Asha ..... Shailendra ..... HARIYALI AUR RASTA - 1962 270 ..... Teree Yaad Dil Se Bhulaane Chala Hoon ..... Mukesh ..... Shailendra ..... HARIYALI AUR RASTA - 1962 271 ..... Bol Meree Taqdeer Mein Kya Hain Mere ..... Lata, Mukesh ..... Shailendra ..... HARIYALI AUR RASTA - 1962 272 ..... Laakhoon Taare Asmaan Mein Ek Magar Dhoondhe Na Mila ..... Lata, Mukesh ..... Shailendra ..... HARIYALI AUR RASTA - 1962 273 ..... Zaraa Thahro Sada Mere Khuli Palak Mein Jhoota Gussa Band ..... Rafi ..... Shailendra ..... PROFESSOR - 1962 274 ..... Main Chali, Peeche Peeche Jahaan, Ye Na Pucho Kidhar ..... Lata, Rafi ..... Shailendra ..... PROFESSOR - 1962 275 ..... Jaao Jaao Nand Ke Laalaa Tum Jhoote ..... Lata ..... Shailendra ..... RUNGOLI - 1962 276 ..... Chhotee See Ye Duniya Pehchane Raaste Hai ..... Lata ..... Shailendra ..... RUNGOLI - 1962 277 ..... Chotee See Ye Duniya Pehchane Raaste Hai ..... Kishore ..... Shailendra ..... RUNGOLI - 1962 278 ..... Saagar Pe Aaj Maujon Ka Raaj, Bechain Hai Nazaara ..... Lata, Chorus ..... Shailendra ..... RUNGOLI - 1962 279 ..... Ek Nazar Kisee Ne Dekha Aur Dil Hua Deewana ..... Lata, Kishore ..... Shailendra ..... RUNGOLI - 1962 280 ..... Ham Tum Ye Khoyee Khoyee Rahein, Chanchal Isharon Se ..... Lata, Mukesh ..... Shailendra ..... RUNGOLI - 1962 281 ..... Ruk Jaa Raat Thehar Jaa Re Chanda Beete Na ..... Lata ..... Shailendra ..... DIL EK MANDIR - 1963 282 ..... Yaad Na Jaaye Beete Dinon Ki Jaa Ke Na Aaye ..... Rafi ..... Shailendra ..... DIL EK MANDIR - 1963 283 ..... Joohee Kee Kalee Meree Laadlee Naazon Ki Palwee (Part1) ..... Suman ..... Shailendra ..... DIL EK MANDIR - 1963 284 ..... Joohee Kee Kalee Meree Laadlee Naazon Ki Palwee (Part2) ..... Suman ..... Shailendra ..... DIL EK MANDIR - 1963 285 ..... Palanhaare Ram Hain, Raakhanhare Ram Raam Hain ..... Suman ..... Shailendra ..... DIL EK MANDIR - 1963 286 ..... Door Ke O Chanda Aa Meri Bahoon Mein Aa ..... Lata, Chorus ..... Shailendra ..... EK DIL SAU AFSANE - 1963 287 ..... Mast Nazar Dekh Idhar Hum Hai Wohi Dilwale ..... Mukesh ..... Shailendra ..... EK DIL SAU AFSANE - 1963 288 ..... Suno Jee Suno Hamari Bhee Suno Ajee Meharbaan Hamaaree ..... Mukesh ..... Shailendra ..... EK DIL SAU AFSANE - 1963 289 ..... Tum Hee Tum Ho Mere Jeevan Mein Phool Hi Phool ..... Lata, Rafi ..... Shailendra ..... EK DIL SAU AFSANE - 1963 290 ..... Man Re Too Hee Bataa Kya Gaaon ..... Lata ..... Shailendra ..... HAMRAHI - 1963 291 ..... Dil Too Bhi Gaa , Pyar Mein Muskara, Sapnon Mein Jo ..... Rafi, Chorus ..... Shailendra ..... HAMRAHI - 1963 292 ..... Kar ke Jiskaa Intazaar, Meraa Dil Gayaa Haar ..... Lata, Rafi ..... Shailendra ..... HAMRAHI - 1963 293 ..... Apne Huye Paraaye Qismat Ne Kya Din Dikhlaaye ..... Lata ..... Shailendra ..... APNE HUYE PARAYE - 1964 294 ..... Maine Bulaayaa Aur Tum Aaye, Ab Dil Chaahe Kya ..... Lata ..... Shailendra ..... APNE HUYE PARAYE - 1964 295 ..... Phir Koee Musukuraayaa Phir Ek Phool Khila ..... Mukesh ..... Shailendra ..... APNE HUYE PARAYE - 1964 296 ..... Bahar Banke Woh Muskuraye Hamare Gulshan Mein ..... Lata, Chorus ..... Shailendra ..... APNE HUYE PARAYE - 1964 297 ..... Gagan Ke Chandaa Na Pooch Hamse, Kaha Hoon Main ..... Lata, Subir ..... Shailendra ..... APNE HUYE PARAYE - 1964 298 ..... Aa Gale Lag Jaa, Mere Sapne, Mere Apne, Mere Pas Aa ..... Rafi ..... Shailendra ..... APRIL FOOL - 1964 299 ..... O Sanam, Tere Ho Gaye Hum ..... Lata, Rafi ..... Shailendra ..... AYEE MILAN KI BELA - 1964 300 ..... Aa Haa Aayee Milan Ki Bela Banke Phool ..... Asha, Rafi, Chorus ..... Shailendra ..... AYEE MILAN KI BELA - 1964 301 ..... Aaj Kal Mein Dhal Gaya Din Hua Tamam Tu Bhi So Ja So Gayi ..... Lata ..... Shailendra ..... BETI BETE - 1964 302 ..... Aaj Kal Mein Dhal Gaya, Din Hua Tamaam Tu Bhi So Ja So ..... Rafi ..... Shailendra ..... BETI BETE - 1964 303 ..... Nainowalee Tere Naina Jaadu Kar Gaye, Jaadoo kar Gaye Ho ..... Rafi ..... Shailendra ..... BETI BETE - 1964 304 ..... Raadhike Tune Bansari Churai Kya Tere Man Mein Aayee ..... Rafi ..... Shailendra ..... BETI BETE - 1964 305 ..... Aaj Kal Mein Dhal Gayaa, Din Huaa Tamaam Tu Bhi So Ja So Gayi ..... Lata, Rafi ..... Shailendra ..... BETI BETE - 1964 306 ..... Aa Jaa Aayee Bahaar, Dil Hai Bekarar,O Mere Raaj Kumaar ..... Lata ..... Shailendra ..... RAJKUMAAR - 1964 307 ..... Hoshiyaar, Jaane Waale Zara Hoshiyaar, Yahaan Ke Ham Hai Rajkumar ..... Rafi ..... Shailendra ..... RAJKUMAAR - 1964 308 ..... Naach Re Man Badkamma, Thumak Thumak Badkamma ..... Lata, Asha ..... Shailendra ..... RAJKUMAAR - 1964 309 ..... Dilrubaa Dil Pe Ye Tu Sitam Kiye Ja ..... Asha, Rafi ..... Shailendra ..... RAJKUMAAR - 1964 310 ..... Man Mohan Krishna Muraaree, Tere Charnon Ki ..... Lata ..... Shailendra ..... SANJH AUR SAVERA - 1964 311 ..... O Sajanaa Mere Ghar Angna, Muskaate Na Man ..... Lata ..... Shailendra ..... SANJH AUR SAVERA - 1964 312 ..... Taqdeer Kahaan Le Jayegee Maloom Naheen ..... Rafi ..... Shailendra ..... SANJH AUR SAVERA - 1964 313 ..... Dost Dost Na Raha, Pyar Pyar Na Raha (Part1) ..... Mukesh ..... Shailendra ..... SANGAM - 1964 314 ..... Gale Lagee Saham Saham Bhare Gale Se Boltee Who Tum na Thee (Part2) ..... Mukesh ..... Shailendra SANGAM - 1964 315 ..... O Mere Sanam, Do Jism Magar Ek Jaan Hai Hum ..... Lata, Mukesh ..... Shailendra ..... SANGAM - 1964 316 ..... Mere Man Kee Gangaa Aur Tere Man Ki Jamuna ..... Vyjayantimalal, Mukesh ..... Shailendra ..... SANGAM - 1964 317 ..... Har Dil Jo Pyaar Karegaa Woh Gaanaa Gaayegaa ..... Lata, Mukesh, Mahendra ..... Shailendra ..... SANGAM - 1964 318 ..... Hamne Zafaa Na Sikhi Unko Waffa Na Ayi ..... Rafi ..... Shailendra ..... ZINDAGI - 1964 319 ..... Muskuraa Laadle Muskuraa, Koi Bhi Phool Itana Nahin ..... Mannadey ..... Shailendra ..... ZINDAGI - 1964 320 ..... Ham Dil Kaa Kanwal Deinge Jisko Hoga Koee Ek Hazaaron Mein ..... Lata, Chorus ..... Shailendra ..... ZINDAGI - 1964 321 ..... Ik Naye Mehamaan Ke Aane Ki Khabar Hai ..... Lata, Chorus ..... Shailendra ..... ZINDAGI - 1964 322 Ham Dil Ka Kanwal Deinge Jisko Hoga Koi Ek Hazaaron Mein ..... Lata, Mannadey, Chorus ..... Shailendra ..... ZINDAGI - 1964 323 ..... Jaan Pehchaan Ho, Jeenaa Aasaan Ho ..... Rafi ..... Shailendra ..... GUMNAAM - 1965 324 ..... Aayegaa Kaun Yahaan, Kisko Sadaayein Detaa Hai Dil ..... Sharda ..... Shailendra ..... GUMNAAM - 1965 325 ..... Khayalon Mein, Ham Kaale Hai To Kya Huaa Diwaale Hain ..... Rafi, Mehmmod ..... Shailendra ..... GUMNAAM - 1965 326 ..... Laal Chhadee Maidaan Khadee, Kya Khoob Ladee ..... Rafi ..... Shailendra ..... JANWAR - 1965 327 ..... Ankhon Ankhon Mein Kisi Se Baat Huee ..... Lata, Asha ..... Shailendra ..... JANWAR - 1965 328 ..... Ankhon Ankhon Mein Kisi Se Baat Huee ..... Lata, Mannadey, Asha ..... Shailendra ..... JANWAR - 1965 329 ..... Dekho Ab To Kisee Ko Naheen Hai Khabar ..... Asha, Rafi, Batish, Balbir, Chorus ..... Shailendra ..... JANWAR - 1965 330 ..... Tumhein Yaad Karte Karte, Jaayegee Rain Saaree ..... Lata ..... Shailendra ..... AMRAPALI - 1966 331 ..... Tadap Ye Din Raat Kee, Kasak Ye Bin Baat Kee ..... Lata ..... Shailendra ..... AMRAPALI - 1966 332 ..... Jaao Re Jogee Tum Jaao Re, Ye Hai Premiyon Kee Nagree ..... Lata ..... Shailendra ..... AMRAPALI - 1966 333 ..... Naacho Gaao Naacho, Dhooom Machhao Naacho ..... Chorus ..... Shailendra ..... AMRAPALI - 1966 334 ..... Haseen Ho Tum Khudaa Naheen Ho, Tumharaa Sijdaa Naheen Kareinge ..... Rafi ..... Shailendra ..... BUDTAMEEZ - 1966 335 ..... Dil Ko Na Mere Tadpaao, Pyaar Ko Mat Thukaraao ..... Rafi ..... Shailendra ..... BUDTAMEEZ - 1966 336 ..... Aaye Re Din Saawan Ke, Saawan Ke, Balma Tere Aavan Ke ..... Lata ..... Shailendra ..... GABAN - 1966 337 ..... Main har Raat jaagee Ki Ik Baar Shaayad.. Tumhaaree Qasam Tum Bahut Yaad Aaye ..... Lata ..... Shailendra GABAN - 1966 338 ..... Tum Bin Sajan Barse Nayan, Jab-Jab Badal Barse ..... Lata, Rafi ..... Shailendra ..... GABAN - 1966 339 ..... Koee Matwaalaa Aayaa Mere Dwaare, Ankhiyon Se Kar Gaya ..... Lata ..... Shailendra ..... LOVE IN TOKYO - 1966 340 ..... Haay Aap Naaraaz Khuda Khair Kare, Naaz-O-Andaz Khuda Khair Kare ..... Rafi ..... Shailendra ..... PYAR MOHABBAT - 1966 341 ..... Husn Ko Chand... Haaye Mil Gaee, Mil Gaee Mil Gaee Re Mujhko ..... Rafi ..... Shailendra ..... PYAR MOHABBAT - 1966 342 ..... Aaj Aaye Ree Baanke Mere Saiyaan, Sapne Jo Dekhe Sach ..... Asha, Usha ..... Shailendra ..... PYAR MOHABBAT - 1966 343 ..... Dekho Dekho Madam, Suno Jo Kah Chale Ham, Hai Cheez Sabe Badhiyaa ..... Rafi, Mannadey ..... Shailendra PYAR MOHABBAT - 1966 344 ..... Titlee Udee, Ud Jo Chalee, Phool Ne Kahaa, Aajaa Mere Paas ..... Sharda ..... Shailendra ..... SURAJ - 1966 345 ..... Dekho Meraa Dil Machal Gayaa, Toone Dekhaa Aur Badal Gayaa ..... Sharda ..... Shailendra ..... SURAJ – 1966 346 ..... Rahegaa Ishq Teraa Khaaq Mein Milaa ke Mujhe.. Aa, Aa Bhee Jaa ..... Lata ..... Shailendra ..... TEESARI KASAM - 1966 347 ..... Paan Khaaye Saiyaan Hamaaro, Saanwalee Sooratiyaa Honth Laal Laal ..... Asha ..... Shailendra ..... TEESARI KASAM - 1966 348 ..... Haay Gazab Kaheen Taaraa Tootaa, Lootaa Re Lootaa Mere Saiyaan ne Lootaa ..... Asha ..... Shailendra ..... TEESARI KASAM - 1966 349 ..... Sajan Re Jhoot Mat Bolo, Khudaa Ke Paas Jaanaa Hai ..... Mukesh ..... Shailendra ..... TEESARI KASAM - 1966 350 ..... Sajanvaa Bairee Ho Gaye Hamaar, Chithiyaa Ho To Har Koee Baanche ..... Mukesh ..... Shailendra ..... TEESARI KASAM - 1966 351 ..... Laalee Laalee Doliyaa Mein Laalee Re Dulhaniyana ..... Asha, Chorus ..... Shailendra ..... TEESARI KASAM - 1966 352 ..... Chalat Musaafir Moh Liyaa Re Pinjade Waalee Muniyaa ..... Mannadey, Chorus ..... Shailendra ..... TEESARI KASAM - 1966 353 ..... Aaj Kee Raat Ye Kaisee Raat Ki Hamko Neend Nahin Aatee ..... Sairabanu, Rafi ..... Shailendra ..... AMAN - 1967 354 ..... Deewaane Kaa Naam To Poochhoo, Pyar Se Dekho ..... Rafi ..... Shailendra ..... AN EVENING IN PARIS - 1967 355 ..... Mera Dil Hai Teraa , Teraa Dil Hai Meraa ..... Rafi ..... Shailendra ..... AN EVENING IN PARIS - 1967 356 ..... Hogaa Tumse Kal Bhee Saamnaa Kal To Jaanoge ..... Rafi ..... Shailendra ..... AN EVENING IN PARIS - 1967 357 ..... My Name Is Suzee... Le Jaa Mera Dil, Teree Duniyaa Teree Mahfil ..... Sharda ..... Shailendra ..... AN EVENING IN PARIS - 1967 358 ..... Raat Ke Hamsafar Thak Ke Ghar Ko Chale ..... Asha, Rafi ..... Shailendra ..... AN EVENING IN PARIS - 1967 359 Josh- E-Jawaanee Haay Re Haay, Nikale Jidhar Se Dhoom Machaay ..... Mukesh ..... Shailendra ..... AROUND THE WORLD - 1967 360 ..... Jaane Bhee De Sanam Mujhe Abhee Jaane De ..... Sharda ..... Shailendra ..... AROUND THE WORLD - 1967 361 ..... Duniyaa Kee Sair Kar Lo, Insaan Ke Dost Bankar ..... Sharda, Mukesh, Chorus ..... Shailendra ..... AROUND THE WORLD - 1967 362 ..... Ye Munh Aur Masoor Kee Daal, Waah Re Waah Mere Baankelal ..... Sharda, Mubarak ..... Shailendra ..... AROUND THE WORLD - 1967 363 ..... Aao Aao Aate Kyo Naheen, Jaao Jaao Jaate Kyon Neheen ..... Rafi, Mannadey, Chorus ..... Shailendra ..... AROUND THE WORLD - 1967 364 ..... Kal Naheen Paaye Jiyaa More Piyaa Tum Bin ..... Lata ..... Shailendra ..... CHHOTI SI MULAQAT - 1967 365 ..... Jeevan Ke Doraahe Pe Khade Sochate Hain Ham ..... Lata ..... Shailendra ..... CHHOTI SI MULAQAT - 1967 366 ..... Mat Jaa, Mere Bachpan Naadaan, Bachpan Ne Kahaan Mujhse ..... Asha ..... Shailendra ..... CHHOTI SI MULAQAT - 1967 367 ..... Pate Kee Baat Kahegaa Kahegaa Jab Bhee Deewaanaa ..... Mukesh ..... Shailendra ..... DIWANA - 1967 368 ..... Tumhaaree Bhee Jay Jay, Hamaree Bhee Jay Jay ..... Mukesh ..... Shailendra ..... DIWANA - 1967 369 ..... Tumko Sanam Pukaar Ke, Chal De Na Din Bahaar Ke ..... Sharda ..... Shailendra ..... DIWANA - 1967 370 ..... Tumharee Bhee Jay Jay, Hamaaree Bhee Jay Jay ..... Sharda ..... Shailendra ..... DIWANA - 1967 371 ..... Mubaarak Dene Aaye The.. Ham To Jaate Apne Gaaon ..... Sairabanu, Mukesh ..... Shailendra ..... DIWANA - 1967 372 ..... Chaahaa Thaa Banoon Pyar Ki Rahoon Ka Devtaa ..... Mukesh ..... Shailendra ..... GUNAAHON KA DEVTA - 1967 373 ..... Dhaanee Chunaree Pahan ..... Asha ..... Shailendra ..... HARE KANCH KI CHOORIYAN - 1967 374 ..... He Kahaan Chalaa Re Kahaan Chala Re Kahan Tera Kaun Teree ..... Sharda ..... Shailendra ..... HARE KANCH KI CHOORIYAN - 1967 375 ..... Panchhee Re O Panchee Ud Jaa Re O Panchhee ..... Asha, Rafi ..... Shailendra ..... HARE KANCH KI CHOORIYAN - 1967 376 ..... Savere Waalee Gaadee Se Chale Jaayeinge ..... Rafi, Chorus ..... Shailendra ..... LATT SAHEB - 1967 377 ..... Ae Chand Zaraa Chhup Jaa ..... Asha, Rafi ..... Shailendra ..... LATT SAHEB - 1967 378 ..... Na Chhedo Kal Ke Afsaane Karo Is Raat Ki Baatein ..... Lata ..... Shailendra ..... RAAT AUR DIN - 1967 379 ..... Jeenaa Hamko Raas Na Aaya, Ham Jane Kyon Jeete Hain ..... Lata ..... Shailendra ..... RAAT AUR DIN - 1967 380 ..... Awaara Ae Mere Dil Jaane Kahaan Hai Teree Manzil (Fast) ..... Lata ..... Shailendra ..... RAAT AUR DIN - 1967 381 ..... Awaara Ae Mere Dil Jaane Kahaan Hai Teree Manzil (Slow) ..... Lata, Chorus ..... Shailendra ..... RAAT AUR DIN - 1967 382 ..... Dil Kee Giraah Khol Do Chup Na Baithoo Koee Geet Gao ..... Lata, Mannadey ..... Shailendra ..... RAAT AUR DIN - 1967 383 ..... Laaraa Laaraa Main Gaaoon Tum So Jaao (Happy) ..... Rafi ..... Shailendra ..... BRAHMACHARI - 1968 384 ..... Main Gaaoon Tum So Jaao, Sukh Sapnon Mein Kho Jaao (Sad) ..... Rafi ..... Shailendra ..... BRAHMACHARI - 1968 385 ..... Chakke Mein Chakka, Chakke Pe Gaadee, Gaadee Mein Nikalee ..... Rafi, Chorus ..... Shailendra ..... BRAHMACHARI - 1968 386 ..... Mere Tumhaare Beech Mein Aab To Na Parbat Na Saagar ..... Lata ..... Shailendra ..... JHUK GAYA AASMAN - 1968 387 ..... Priya Priya, Sachchaa Hai Gar Pyaar Meraa Sanam (Happy) ..... Rafi ..... Shailendra ..... JHUK GAYA AASMAN - 1968 388 ..... Sachchaa Hai Pyaar Mera Sanam, Hoge Jahaan Tum Wahaan (Sad) ..... Rafi ..... Shailendra ..... JHUK GAYA AASMAN - 1968 389 ..... Re Aane Waale Aa Too Der Na Lagaa ..... Lata ..... Shailendra ..... KAHIN AUR CHAL - 1968 390 ..... Paanee Pe Barse Jab Paanee, Jab Ho Fizaayein Deewaanee ..... Lata, Chorus ..... Shailendra ..... KAHIN AUR CHAL - 1968 391 ..... O Lakshmee O Sarasu,O Sheela, O Rajanee, Dekho Kyaa Kyaa Lekar Aya ..... Rafi ..... Shailendra ..... KAHIN AUR CHAL - 1968 392 ..... Le Lo Le Lo, Sapnon Kaa Saudaagar Aayaa ..... Mukesh ..... Shailendra ..... SANPON KA SAUDAGAR - 1968 393 ..... O Zindagee, Ae Meree Bebasee, Apnaa Koee Na Thaa ..... Mukesh ..... Shailendra ..... SANPON KA SAUDAGAR - 1968 394 ..... Tum Pyar Se Dekho, Ham Pyar Se Dekhein ..... Sharda, Mukesh, Chorus ..... Shailendra ..... SANPON KA SAUDAGAR - 1968 395 ..... Duniya Kee Kitabon Se Ik Din Mushkil Kaa Naam Mit Jaayegaa ..... Rafi ..... Shailendra ..... JWALA - 1970 396 ..... Ahaa Le Gaee O Jiyaa Le Gaee Chnabi Sunder Salone Gopaal Kee ..... Lata, Asha, Chorus ..... Shailendra ..... JWALA - 1970 397 ..... Kaare Kaare B

[unmattata]

Preface: Why this Little Book

“About ten years ago the idea of writing a little cookbook had its birth. We were in Almora that summer. Almora is a station far up in the Himalayas, a clean little bazaar nestles at the foot of enclosing mountains. Dotting the deodar-covered slopes of these mountains are the picturesque bungalows of the European residents, while towering above and over all are the glistening peaks of the eternal snows.

“We love to think of this particular summer, for Lilavate Singh was with us. The thought of her always brings help and inspiration.

“One day she prepared for the crowd of us a tiffin of delicious Hindustani food. That afternoon while we were sitting under the shade and fragrance of the deodar trees, we praised the tiffin. Before we knew it we were planning a cookbook. It was to be a joint affair of Hindustani and English dishes, and Miss Singh was to be responsible for the Hindustani part of it. Our enthusiasm grew. For three or four days we talked of nothing else. We experimented, we planned; we dreamed, we wrote. But alas! other things soon thrust themselves upon us, and our unfinished cook book was pigeon-holed for years and years. And it is not now what it would have been if finished then.

“Many of the recipes, however, are those that Miss Singh gave us then. Some of them she might not recognize, for they have become quite Americanized, but they are hers nevertheless, and I hope that you will not only try them and enjoy them, but that they will help you to solve some of the problems of living and giving which are confronting us all these days.”

- Mary Kenndey Core, The Khaki Kook Book (1917)

Source: Project Gutenberg

Hee hee. Salaams.

Also, this little comment from the author:��“We love the American people, and we enjoy the American food, but we think that when it comes to making nice tasty somethings out of almost nothing, America is not in it at all. Nearly every nation in the world can do better.” Hahaha

[bollywoodirect]

Remembering legendary poet & lyricist Shailendra, on his 51st death today.

There was one poet in the golden era of Hindi cinema who remained a quintessential lyricist all throughout, who used almost all his literary genius for writing great songs which were poems in themselves and he was second to none. His name was Shankardas Kesarilal Shailendra, for his countless admirers he was simply- Shailendra!

While the constant composition of songs based on the fragile conundrums of love reduced most lyricists to retail merchants of words, Shailendra’s songs always dazzled with their lyrical luster. In more than 170 films, he wrote warm souled poetry. Like the straight-from-the-heart `Aaja re pardesi", "main toh kab se khadi is paar’, Shailendra’s songs were in simple, yet extremely effective Hindustani.

Barring Naushad and O.P.Nayyar, Shailendra worked with almost all the leading composers of the era. As with Shankar Jaikishan, he also had a special rapport with Sachin Dev Burman for whom he penned such wonderful songs like O jaanewale ho sake to lautke aana (Bandini), Na main dhan chahoon, na ratan chahoon (Kaala bazaar) and Aaj phir jeene ki tamanna hai (Guide). But then he wrote beautiful lyrics for every composer, that's why we got gems like Toote huye khwabone in Salil Chowdhury's Madhumati, Haaye re woh din kyun na aaye in Pandit Ravishankar's Anuradha and Kuchh aur zamana kaheta hai in Anil Biswas's Chhoti chhoti baatein.

His songs with their rich human values will keep his memories lingering on. Maybe that's what he meant when he wrote these lines in Anari:

Rishta dil se dil ke aitbaar ka, Zinda hain hum hi se naam pyaar ka Ke marke bhi kisi ko yaad aayenge Kisi ke aansuon mein muskurayenge Kahega phool har kali se baar baar Jeena isi ka naam hai!

Courtesy: Shailendra : Man whose life was a song! India-Forums

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[itunesbooks]

Sameen Rushdie's Indian Cookery - Sameen Rushdie

Sameen Rushdie's Indian Cookery Sameen Rushdie Genre: Regional & Ethnic Price: $9.99 Publish Date: May 29, 2018 Publisher: Picador Seller: Macmillan Drawing together the traditional recipes from different Indian cuisines, Sameen Rushdie’s invitation to share in the pleasures of Indian cookery is irresistible. In Hindustani a good cook is one that ‘has special taste in their hands’, and the author demonstrates her skill, knowledge and love of the food that is prepared and eaten in homes, bazaars and eating houses of the subcontinent. Bearing the needs of the modern cook firmly in mind, she explains her recipes in full, where the dishes originate, how to use spices, how to balance flavor, color and texture and offers suggestions for menus. Sameen offers a marvelous array of meat, poultry and fish dishes, together with vegetable creations which will give heart to cooks at the end of their vegetarian repertoire. She explains where to find fresh ingredients and how to store, prepare and use them, and makes it clear which recipes are most suitable for the end of a busy day. She takes up the cause of the potato with some sumptuous suggestions, describes the intrinsic part daals play in an Indian meal, gives tips for cooking chawal (rice) in pullao and biryani dishes and provides recipes for chapattis, parathas and pooris. There is an excellent introduction to spices; which explains their traditional groupings as well as their medicinal value, and a section on relishes, raitas and chutneys. Meethay—or sweet things—hold a special place in Indian cuisine and recipes for these from the elaborate to the simple are included. There is also a discussion of hot and cold drinks. Whatever your degree of experience in the kitchen, Sameen Rushdie offers not only clearly laid-out recipes, but a grasp of the actual thinking behind different cooking methods. Her menu plans and ideas about color, textures and flavors are a delight, and a meal prepared under engaging instruction will be a revelation to all who enjoy Indian cookery. Covering meat, poultry, and fish, as well as vegetables, chutneys, relishes and sweet dishes, Sameen Rushdie’s book will be a revelation to all those who enjoy Indian cookery. http://dlvr.it/R1dcst

[bollywoodirect]

Remembering legendary poet & lyricist Shailendra, on his 94th birth anniversary today.

There was one poet in the golden era of hindi cinema who remained a quintessential lyricist all throughout, who used almost all his literary genius for writing great songs which were poems in themselves and he was second to none. His name was Shankardas Kesarilal Shailendra, for his countless admirers he was simply- Shailendra!

While the constant composition of songs based on the fragile conundrums of love reduced most lyricists to retail merchants of words, Shailendra’s songs always dazzled with their lyrical lustre. In more than 170 films, he wrote warm souled poetry. Like the straight-from-the-heart `Aaja re pardesi", "main toh kab se khadi is paar’, Shailendra’s songs were in simple, yet extremely effective Hindustani.

Barring Naushad and O.P.Nayyar, Shailendra worked with almost all the leading composers of the era. As with Shankar Jaikishan, he also had a special rapport with Sachin Dev Burman for whom he penned such wonderful songs like O jaanewale ho sake to lautke aana (Bandini), Na main dhan chahoon, na ratan chahoon (Kaala bazaar) and Aaj phir jeene ki tamanna hai (Guide). But then he wrote beautiful lyrics for every composer, that's why we got gems like Toote huye khwabone in Salil Chowdhury's Madhumati, Haaye re woh din kyun na aaye in Pandit Ravishankar's Anuradha and Kuchh aur zamana kaheta hai in Anil Biswas's Chhoti chhoti baatein.

His songs with their rich human values will keep his memories lingering on. Maybe that's what he meant when he wrote these lines in Anari:

Rishta dil se dil ke aitbaar ka, Zinda hain hum hi se naam pyaar ka Ke marke bhi kisi ko yaad aayenge Kisi ke aansuon mein muskurayenge Kahega phool har kali se baar baar Jeena isi ka naam hai!

Courtesy: Shailendra : Man whose life was a song!@www.india-forums.com

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