#Bartolomé Estebán Murillo

[artthatgivesmefeelings]

Bartolomé Estebán Murillo (Spanish, 1617 - 1682) Liberation of St Peter, ca. 1665 - 67

[twobrothersatwork]

Bartolomé Estebán Murillo (Spanish, 1617-1682), Santa Rosa of Lima.

[theonlinecollector]

Bartolomé Estebán Murillo

San Juan Bautista (1665-66)

Museo Bellas Artes, Sevilla

[aliveafterparadise]

Now, Raphael Has Entered The Chat . . .

[Cover Art: Archangel Raphael with Bishop Domonte by Bartolomé Estebán Murillo] So far, deep in the throes of the cosmos . . . The New God [Archangel Michael] begins to put his thesis to the test! He’s introduced us all to what he simply calls ‘a story,’ except now with three chapters and two interludes worth of getting to know this kooky cast, we’re starting to think Michael is serious about…

[saturnsedan]

"So I pray to hands, and I pray to needs. And I pray to blades of grass to find forgiveness in the weeds." - Danny Schmidt

Day 2 of ThorNute Week '24 - Worship / Role Reversal

Pose inspired by "Worship of the Female Form" by Alméry Lobel-Riche. But I also took inspiration from "The Crucifixion" by Bartolomé Estebán Murillo.

[fishgeraldthealmostincel]

I was listening to Crucified by Ghost yesterday and it made me think of my experience being trans in a Christian household. Uhhh cw for blood and religious imagery ig!

God I hope tumblr doesn't fuck with the quality on this one

Also!! Here's the original artwork this was based on, I believe it's called The Crucifixion by Bartolomé Estebán Murillo

Anyway this was a really cathartic piece to create and also kind of funny because me and my friends sometimes joke that I'm Jesus but better and more trans

[cartesianu]

"But He! so wretched in his height,

So restless in his wretchedness, must still

Create, and re–create––perhaps he'll make

One day a Son unto himself––as he

Gave you a father––and if he so doth,

Mark me! that Son will be a sacrifice!"

- Cain by Lord Byron

Painting: The Crucifixion by Bartolomé Estebán Murillo

[hzaidan]

Often referred to as the "Santiago Madonna," this painting once belonged to the Marqués de Santiago, whose collection contained many outstanding works by the artist…

Please follow link for full post

Bartolomé Esteban Murillo,Art,Paintings,Bible,Realism,Icons,biography,History,mythology,religion,Zaidan,Jesus,Classical,Icon,footnotes,Christ,

01 Work, Interpretation of the bible, Bartolomé Estebán Murillo's Virgin and Child, with Footnotes #215

[trascapades]

🎨#ArtIsAWeapon

#ExhibitClosing "Juan de Pareja, Afro-Hispanic Painter" closes at the @metmuseum on July 16. 📍The Metropolitan Museum of Art, 1000 5th Ave, #NYC

Reposted from @metmuseum Before becoming an artist in his own right, Afro-Hispanic painter Juan de Pareja was enslaved in Diego Velázquez’s studio for more than two decades.

NOW ON VIEW—"Juan de Pareja, Afro-Hispanic Painter" shares an unprecedented look at the life and artistic achievements of Juan de Pareja.

The exhibition tells his story and examines the role of enslaved artisanal labor and a multiracial society in the art and material culture of Spain’s so-called “Golden Age.”

Representations of Spain’s Black and Morisco populations in works by Francisco de Zurbarán, Bartolomé Estebán Murillo, and Velázquez join works that chart the ubiquity of enslaved labor across media.

Visit now through July 16 to experience the first gathering of Pareja’s rarely seen paintings, some of enormous scale, which engage with the canons of Western art while reverberating throughout the African diaspora.

@schomburgcenter Have you seen our founder #ArturoSchomburg’s books, writings, and photos on display @metmuseum? They are part of the exhibition #JuandePareja, Afro-Hispanic Painter.

Mr. Schomburg’s materials offer the framework for discussing the painter. Pareja (c. 1608–1670) was enslaved and worked under famed Spanish painter Diego Velázquez (c. 1599–1660) for over two decades before becoming an artist in his own right.

Mr. Schomburg’s materials were invaluable resources to expand the conversation on Pareja and offers valuable insights on 17th–century Spain. They also provided insight into 17th-century Spain.

Dr. Vanessa K. Valdés, author of Diasporic Blackness: The Life and Times of Arturo Schomburg and associate provost for Community Engagement at The City College of New York, co-curated. Additionally, she wrote the essay “Arturo Schomburg, Juan de Pareja, and Afro-Hispanic Studies” for The Met’s exhibition catalog and served as its co-editor.

Images reposted from @metmuseum

#JuandePareja #MetMuseum #VanessaKValdés #BlackGirlArtGeeks

[classic-art]

The Nativity

Bartolomé Estebán Murillo, c. 1665-1670 Oil on Obsidian

[artthatgivesmefeelings]

Bartolomé Esteban Murillo (Spanish, 1617-1682) Inmaculada Concepción de los Venerables o de Soult, Detail, c.1660-65 Museo Nacional del Prado, Madrid

[twobrothersatwork]

Bartolomé Estebán Murillo (Spanish, 1617-1682) The Prodigal Son Driven Out (1660s)

[arinewman7]

Archangel Raphael with Bishop Domonte by Bartolomé Estebán Murillo

[terciariosfranciscanos]

'El buen Pastor' c.1675-82

🎨Bartolomé Estebán #Murillo (Sevillano y #Terciario franciscano

Se le conoce como el pintor de los niños por las caras aniñadas) 1617-1682)

[met-drawings-prints]

The Nativity, Bartolomé Estebán Murillo, ca. 1665–70, Metropolitan Museum of Art: Drawings and Prints

Purchase, Clifford A. Furst Bequest, by exchange, and Harry G. Sperling Fund, 1995 Size: 10-3/4 x 9 in. (27.3 x 22.9 cm) Medium: Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk

https://www.metmuseum.org/art/collection/search/336199