#Barbara Liotta

[brothertonyvolturi22]

Remembering the honor of the ones that passed in 2022 Sonya eddy Barbara walters

Pope Benedict XVI Pele

Kirstie alley Stephen ' twitch' boss

Georgia holt grant Wahl

Queen Elizabeth II takeoff

Bob Saget Angela Lansbury

Sidney Poitier Olivia Newton - John

Robbie Coltrane Thierry Mugler

Andre` Leon Talley ray Liotta

Aaron Carter Leslie Jordan

Anne Heche Fred ward

Coolio Mike hodges

Jamie Lopez Dan reeves

Jay weaver grichka and Igor bogdanoff

Joan Copeland Kim mi-soo

Michael Lang Peter bogdanovich

Calvin Simon Marilyn Bergman

Ross browner Dwayne Hickman

James mtnme or mtwme. Maria Ewing

Chris Dickerson Melanie ham

Fred parris Deon lendore

Meat loaf. Steve schapiro

Charles Mcgee Yvette mimieux

Lusia Harris Gaspard Ulliel

Hardy Kruger Louie Anderson

Elza soares Clark gillies

Don Wilson Kathryn Kates

Thich nhat hanh bobbe long 'beegie ' Adair

Jean ramirez Ronnie spector

Dallas Frazier wavy navy pooh

Jon Lind adalia rose Williams

Clint arlis Jordan cashmyer

Rosa Lee Hawkins Breck Denny Jr.

Morgan Stevens Diego verdaguer

Peter Robbins rachik vachik mangassarian

Paul Carter Harrison dick Halligan

Betty Davis Emilio Delgado

Lee MacMillan Sam Bruce

Loretta Lynn Naomi Judd

Andy fletcher Bob Lanier

Kevin Samuels kailia posey

Niece waidhofer jaylon Ferguson

Gleycy correia James Caan

Tony Dow Ryan fellows

Luke Bell. Robert lupone

Don Anthony st. Claire Jesse Powell

Gavin Escobar PnB Rock

Robert Cormier Mikaben

And more rip

[ulkaralakbarova]

When Manny Singer’s wife dies, his young daughter Molly becomes mute and withdrawn. To help cope with looking after Molly, he hires sassy housekeeper Corrina Washington, who coaxes Molly out of her shell and shows father and daughter a whole new way of life. Manny and Corrina’s friendship delights Molly and enrages the other townspeople. Credits: TheMovieDb. Film Cast: Corrina Washington: Whoopi Goldberg Manny Singer: Ray Liotta Molly Singer: Tina Majorino Jonesy: Joan Cusack Sid: Larry Miller Jevina: Jenifer Lewis Jenny Davis: Wendy Crewson Grandma Eva: Erica Yohn Grandpa Harry: Don Ameche Brent Witherspoon: Brent Spiner Bratty Boy: Tommy Bertelsen Repeat Nanny: Lin Shaye High Heels: Noreen Hennessey Shirl: Lucy Webb Miss O’Herlihy: Juney Ellis Rita Lang: Mimi Lieber Liala Sheffield: Karen Leigh Hopkins Mrs. Wang: Pearl Huang Tommy: Marcus Toji Joe Allechinetti: Louis Mustillo Wilma: Patrika Darbo Delivery Man 1: Don Pugsley Annie: Lynette Walden Business Associate: Bryan Gordon Club Singer: Jevetta Steele Woman in Audience: Yonda Davis Percy: Curtis Williams Lizzie: Briahnna Odom Mavis: Ashley Taylor Walls Frank: Harold Sylvester Anthony T. Williams: Steven Williams Lewis: Asher Metchik Howard: Courtland Mead Mrs. Werner: Sue Carlton Gregory: Kyle Orsi Mrs. Rodgers: Maud Winchester Mrs. Morgan: K.T. Stevens John Brennan: Christopher Chisholm Chubby Boy: Bryan A. Robinson Mrs. Murphy: Roz Witt 2nd Delivery Man: Sean Moran Film Crew: Screenplay: Jessie Nelson Editor: Lee Percy Producer: Steve Tisch Executive Producer: Ruth Vitale Original Music Composer: Rick Cox Producer: Paula Mazur Executive Producer: Bernie Goldmann Director of Photography: Bruce Surtees Music: Thomas Newman Stunts: Ben Scott Stunts: Kym Washington Longino Associate Producer: Joe Fineman Line Producer: Eric McLeod Casting: Mary Gail Artz Casting: Barbara Cohen Music Supervisor: Bonnie Greenberg Costume Design: Francine Jamison-Tanchuck Production Design: Jeannine Oppewall First Assistant Director: Phillip Christon Second Assistant Director: David Minkowski Second Second Assistant Director: Peggy Hughes Production Accountant: Gwen Everman Script Supervisor: Benita Brazier Camera Operator: Geary McLeod First Assistant Camera: Heather Page Steadicam Operator: Kirk R. Gardner Still Photographer: Suzanne Hanover Gaffer: Alan Brownstein Best Boy Electric: Steve Reinhardt Key Grip: Charles Saldaña Production Sound Mixer: David Kelson Boom Operator: Randall L. Johnson Key Makeup Artist: Michael Germain Makeup Artist: Deborah La Mia Denaver Key Hair Stylist: Candy L. Walken Hairstylist: Julia L. Walker Hairstylist: Michael Pachal Property Master: Barbara Benz Assistant Property Master: Michael D’Imperio Art Direction: Dina Lipton Set Designer: Louisa Bonnie Set Decoration: Lauren Gabor Leadman: John Maskovich Construction Coordinator: Lars Petersen Construction Foreman: Steven C. Voll Transportation Coordinator: Billy G. Arter Additional Editor: Lynzee Klingman Supervising Sound Editor: Steve Richardson ADR Voice Casting: Barbara Harris Sound Re-Recording Mixer: Matthew Iadarola Sound Re-Recording Mixer: Gary Gegan Color Timer: Mato Dialogue Editor: Lewis Goldstein Dialogue Editor: James Matheny Dialogue Editor: Kimberly Lambert Dialogue Editor: Jim Brookshire Dialogue Editor: Alison Fisher Supervising Sound Effects Editor: Joel Valentine ADR Editor: Darrell Hanzalik ADR Editor: Mary Ruth Smith ADR Editor: Jeff Watts Assistant Sound Editor: Paul Silver Assistant Sound Editor: Catherine Calleson Assistant Sound Editor: Tony Cappelli Foley Artist: Alicia Stevenson Foley Artist: Zane D. Bruce Foley Mixer: David Jobe Foley Recordist: Don Givens ADR Mixer: Charleen Richards-Steeves ADR Recordist: Greg Steele Music Editor: Will Kaplan Set Dresser: Mike Malone Movie Reviews:

[agendaculturaldelima]

#ProyeccionDeVida

🎬 “INHALA” (BLOW)

🔎 Género: Drama / Biográfico / Crimen / Drogas / Años 70s & 80s

⏰ Duración: 119 minutos

✍️ Guion: David McKenna y Nick Cassavetes

📕 Novela: Bruce Porter

🎼 Música: Graeme Revell

📷 Fotografía: Ellen Kuras

🗯 Argumento: Basada en hechos reales, cuenta la historia de George Jung, un hombre de familia humilde que consiguió hacerse multimillonario gracias a su propia versión del sueño americano. Durante su estancia en la cárcel se adentra en el mundo del narcotráfico en Colombia, y a través de un ingenioso sistema de importación llega a comerciar la mayor parte de la cocaína que entra en Estados Unidos durante la década de los setenta. Acompañado por Mirtha y Delgado, formarán un triángulo que compartirá situaciones límite dominadas por la pasión, el odio, la amistad y una desmedida ambición de poder.

👥 Reparto: Johnny Depp (George Jung), Penélope Cruz (Mirtha Jung), Ted Demme (Archie Sigmond), Ray Liotta (Fred Jung), Ethan Suplee (Tuna), Franka Potente (Barbara Buckley) y Emma Roberts (Kristina Sunshin)

📢 Dirección: Ted Demme

© Productoras: New Line Cinema & Alliance Atlantis Communications

🌎 País: Estados Unidos

📅 Año: 2001

📽 Proyección:

📆 Jueves 21 de Marzo

��� 8:00pm.

🎦 Cine Caleta (calle Aurelio de Souza 225 - Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

🙂 A tener en cuenta: Prohibido el ingreso de bebidas y comidas. 🌳💚🌻🌛

[mariuskalander]

Tweeted

RT @spectatorindex: Notable deaths, 2022 Ash Carter Barbara Walters Bill Russell Bob Saget Elizabeth II Franco Harris Gorbachev James Caan Jiang Zemin Kirstie Alley Madeleine Albright Meat Loaf Olivia Newton John Pele Pope Benedict Ray Liotta Shane Warne Shinzo Abe Sidney Poitier Vivienne Westwood

— Mario Calandra (@MariusKalander) Jan 4, 2023

[news24fr]

Des stars de cinéma aux leaders mondiaux en passant par la reine elle-même, le monde a perdu un certain nombre de personnalités bien-aimées et influentes en 2022 qui ont fait leur marque dans les mondes du cinéma, de la musique, du sport et de la politique. En leur rendant hommage, une photo a fait surface sur les sites de médias sociaux montrant des centaines de célébrités décédées en 2022. Plus de 190 célébrités dont la reine Elizabeth, Madeleine Albright, Shane Warne, Sidney Poitier, Robbie Coltrane, Olivia Newton-John, Ray Liotta, Coolio, Bob Saget, Taylor Hawkins et Dame Deborah James ont été présentés dans l'image. La mort de la reine Elizabeth en septembre a sans doute été la mort la plus médiatisée en 2022. La reine est décédée à l'âge de 96 ans le 8 septembre, après 70 ans sur le trône, faisant d'elle l'un des monarques les plus anciens au monde. L'une des morts les plus choquantes a été celle de Kailia Posey, 16 ans, qui est apparue dans l'émission de télé-réalité 'Les tout-petits et les diadèmeset est connu comme le visage du mème "Grinning Girl". Elle est morte par suicide. Dans les derniers jours de 2022, le monde a dit au revoir à plusieurs personnalités bien-aimées, dont le footballeur brésilien Pelé, la créatrice de mode britannique Vivienne Westwood et la journaliste de télévision américaine Barbara Walters. Le soir du Nouvel An, le pape émérite Benoît XVI est décédé à l'âge de 95 ans. Une page Reddit appelée r/pics a partagé l'image et l'a sous-titrée comme '' L'année 2022 était impitoyable. DÉCHIRER.'' Voir l'image ici : L'œuvre a été créée à l'origine par un artiste britannique nommé Chris Barker. Selon un Reuter rapport, l'image est inspirée de la pochette de l'album de 1967 des Beatles, "Sgt. Pepper's Lonely Hearts Club Band'. Voici l'image originale et une liste de toutes les célébrités présentées : Clé incomplète ici. Pardon. Je mettrai à jour quand j'en aurai l'occasion. #sgtpepper2022 pic.twitter.com/brndB0O1dF — christhebarker (@christhebarker) 31 décembre 2022 Réagissant à l'image, un utilisateur a écrit : ''Une autre année, un autre excellent collage de @christhebarker en hommage à ceux qui nous ont quittés cette année. Ceux-ci m'attrapent toujours, car il y a ceux dont vous aviez oublié qu'ils étaient partis, et d'autres que vous ne connaissiez pas. Taylor Hawkins assis à côté du tambour est une belle touche. RIP tout.'' Pas seulement en 2022, l'artiste britannique produit de telles œuvres chaque année, capturant les personnalités publiques décédées au cours de l'année. Années précédentes 2/2 pic.twitter.com/e1lh0FNR8r — christhebarker (@christhebarker) 1er janvier 2023 «Je fais ça depuis 2016. C'était l'année où tous ceux qui étaient gentils ou gentils ou créatifs ou spéciaux ont décidé qu'il était temps de partir avant que les mauvaises choses ne commencent. Ou du moins c'est ce qu'il ressentait à l'époque. Je suis devenu un peu désensibilisé au fil des ans. Je veux dire, j'essaie toujours de garder la dignité de la star et de penser à leurs proches et à ce que cela leur ferait ressentir de le voir, mais – avouons-le – je prends des notes au cours de l'année maintenant plutôt que d'attendre jusqu'en novembre. . C'est une chose », a déclaré M. BarkerPanneau d'affichage jen 2016.

[danobre3]

Criterion upcoming titles July 2020

[collectorsclubberlinnews]

]The Gifts of Tony Podesta, American University Museum, 26.1.19

]The Gifts of Tony Podesta, American University Museum: ab 26.1.19 zeigt Darren Almond, Jake & Dinos Chapman, Jenny Gage, Mads Gamdrup, Anna Gaskell, Margi Geerlinks, Siobhán Hapaska, Mwangi Hutter, ..

26. Januar bis 17. März 2019: Diese erste große Ausstellung der Corcoran Legacy Collection zeigt starke Fotografien und Skulpturen, die Tony Podesta im letzten Jahrzehnt der Corcoran Gallery of Art gespendet hat, welche jetzt zum Bestand des American University Museum gehört. Podesta hat den Ruf, ein beherzter Unterstützer der zeitgenössischen Kunst vorrangig von Frauenzu sein. Er ist ein…

[lamilanomagazine]

Milano, Bookcity al Museo Nazionale Scienza e Tecnologia

Milano, Bookcity al Museo Nazionale Scienza e Tecnologia. Dal 16 al 20 novembre, il Museo Nazionale Scienza e Tecnologia partecipa, come ogni anno, a Bookcity Milano, la manifestazione promossa dall’Assessorato alla Cultura del Comune di Milano e l'Associazione BookCity Milano costituita da Fondazione Corriere della Sera, Fondazione Giangiacomo Feltrinelli, Fondazione Umberto e Elisabetta Mauri e Fondazione Arnoldo e Alberto Mondadori, e da AIE. Per quattro giorni, negli spazi del Museo si alterneranno alcune tra le migliori penne della scena letteraria italiana, per rileggere, secondo il loro punto di vista trasversale, il tema dell’undicesima edizione della manifestazione dedicata al libro e alla lettura: la vita ibrida, specchio della complessità contemporanea. In un mondo alla ricerca di semplificazioni rassicuranti, la parola ibrido può intimidire, eppure proprio un terreno ibrido è il più fertile per far germogliare nuovi stimoli culturali e per attraversare gli steccati della conoscenza. Il programma del Museo apre nuove finestre di riflessione proponendo temi ad ampio spettro, che spaziano dall’intelligenza artificiale e metaverso all’iperconnessione, dalle transizioni del nostro tempo al futuro delle città, dal complesso equilibrio del rapporto umanità-natura alla scoperta di un’icona del Museo, il sottomarino. Il palinsesto di Bookcity è articolato su percorsi tematici, curati per la prima volta da alcuni rappresentanti del mondo culturale italiano. In questa nuova formula, la giornalista e saggista Eliana Liotta, curatrice del polo tematico del Museo, domenica 20 novembre dalle 16 presenta Le parole della cura, raccontando i valori e i progressi delle scienze della vita a partire da quattro concetti: fiducia, scienza, futuro e inclusione, contenitori di senso e titoli di altrettanti incontri, dialoghi con personalità del mondo scientifico e della letteratura. Intitolato La vita ibrida. Il valore della scienza, l’evento di chiusura di BookCity Milano 2022 si terrà nell’Auditorium del Museo domenica 20 novembre alle ore 20. La serata, pensata come un inno alla scienza e al pensiero scientifico, avrà come protagonisti tre grandi scienziati, moderati dalla giornalista scientifica, scrittrice e autrice RAI Barbara Gallavotti, che si alterneranno sul palco per offrire un punto di vista trasversale al focus dell’edizione. Amalia Ercoli Finzi, ingegnere aeronautico e consulente di enti quali l’ASI e l’ESA, la NASA, ci porterà nello spazio, aiutandoci a comprendere le infinite implicazioni per la nostra vita di quello che impariamo andando lassù; Alberto Mantovani, immunologo, accademico dei Lincei e Presidente della Fondazione Humanitas per la Ricerca, ci aiuterà a comprendere le molteplici relazioni tra salute, ambiente e ricerca medica; Giorgio Metta, esperto di Intelligenza Artificiale, Direttore Scientifico dell’Istituto Italiano di Tecnologia, ci accompagnerà nel futuro, parlando di connessioni fra intelligenza artificiale, tecnologia ed esseri viventi. L’evento di chiusura, con i saluti istituzionali del Presidente dell’Associazione BookCity Milano Piergaetano Marchetti e del Direttore Generale del Museo Fiorenzo Galli, sarà dedicato al tema di questa edizione, nella prospettiva scientifica, per esplorare lo spazio e il futuro, la tecnologia e la salute, l’ambiente e la ricerca medica. Un evento promosso da BookCity Milano e Museo Nazionale Scienza e Tecnologia, in collaborazione con Humanitas, Istituto Italiano di Tecnologia IIT e Politecnico di Milano. PROPOSTE DEL MUSEO Tutti i seguenti incontri, proposti dal Museo, si svolgeranno in Sala Conte Biancamano con ingresso da Via Olona 6/bis e saranno a ingresso libero fino a esaurimento posti.   Giovedì 17 novembre ore 18 Bestie, bestiari, intelligenza. L’AI nella vita e nella percezione degli italiani Un dialogo tra l’autrice, un matematico e un giornalista sulla intelligenza artificiale in Italia: nella vita dei cittadini, nella rappresentazione artistica, nella stampa. Se ne parla nel libro: Bestiario di Intelligenza Artificiale, Panini, 2022. Venerdì 18 novembre ore 10:30 La transizione ecologica e la sfida della crisi energetica Dall’istituzione del ministero della transizione ecologica a oggi i mercati energetici sono stati profondamente sconvolti. Come sono mutate le sfide e gli orizzonti della transizione? La decarbonizzazione è più vicina o più lontana? La fuoriuscita dal mondo fossile è più semplice o più complicata? Se ne parla nel libro: Che cos’è la transizione ecologica. Clima, ambiente, disuguaglianze sociali. Per un cambiamento autentico e radicale Ed. Altreconomia, 2021 a cura di Massimo Acanfora e Gianluca Ruggieri. Ore 17 Tua nonna è una chimica (ma non lo sa) La nostra casa è pervasa dalla chimica. Ne siamo circondati. Conoscerla e riconoscerla ci aiuta a vivere meglio e a non farci fregare. Tra rimedi della nonna, falsi miti e reazioni strepitose indagheremo le molecole che ci circondano.  Se ne parla nel libro: C'è chimica in casa. Mondadori, 2022. Ore 18 Vivere e lavorare con ritmo Dialogo, fiducia, equilibrio, ritmo: concetti chiave per un nuovo modo di vivere il lavoro. Sfidando i luoghi comuni che esaltano con entusiasmo (e una certa dose di imprudenza) le tendenze all’ultima moda come quella del lavoro ibrido, il manager di lungo corso David Bevilacqua offre una visione forte e controcorrente. In un’epoca come la nostra, dove i confini tra le varie dimensioni della vita tendono a sfumare, non c’è nulla che sia più importante di imparare a entrare in contatto con gli altri, ma anche con sé stessi e con il senso del proprio lavoro, senza lasciarsi travolgere dalla complessità derivante da un mondo sempre più interconnesso (e iperconnesso). Se ne parla nel libro: Ibridomania Dagli eccessi del lavoro ibrido all'importanza del ritmo di David Bevilacqua, edito da Guerini Next. Ore 19 Capire il Metaverso Nick Rosa, italiano di stanza a Londra da 14 anni e a capo della strategia Metaverse in Europa di Accenture presenta il suo libro dove spiega che cosa è il Metaverso, perché è importante, che impatto avrà per il business e quali sono le sue implicazioni a livello etico. Un affascinante viaggio tra mondi virtuali e il futuro significato della realtà per la nostra società. Se ne parla nel libro: Understanding the Metaverse A Business and Ethical Guide di Nick Rosa, Editore: John Wiley & Sons. Sabato 19 novembre Ore 11 Fabbrica e Città: dai grandi cambiamenti dell’otto-novecento nelle Fabbriche e nelle Città di allora alle riflessioni sulle transizioni del nostro tempo Partendo dall’analisi offerta dal libro “Umanesimo Industriale nell’Italia d’Otto-Novecento” brevemente introdotta dall’autore, l’incontro affronterà i temi che le sfide delle transizioni del nostro tempo impongono al presente e al futuro delle città e delle fabbriche: energetica, green, digitale. Se ne parla nel libro: Umanesimo Industriale nell’Italia d’Otto-Novecento di Eligio Imarisio, a cura di Fondazione Ansaldo, edito da ERGA edizioni, 2022. Ore 12 Macchine invisibili. Le nostre vite nell’era dei media algoritmici Le nostre vite quotidiane sono sempre più intrecciate con quelle di invisibili presenze virtuali: gli algoritmi. La raccolta e l’elaborazione di dati da parte di intelligenze artificiali (IA) alimenta ormai la maggioranza delle interfacce e applicazioni che utilizziamo quotidianamente, in particolare legate alla produzione, elaborazione e condivisione di immagini, influenzando azioni e processi decisionali spesso senza che ce ne rendiamo conto. L’atteggiamento nei confronti di queste tecnologie oscilla tra una diffidenza tecnofobica e un’accettazione inevitabile del mutamento introdotto dalla rivoluzione digitale. Quello che manca è, da un lato, una comprensione delle strutture logico-matematiche su cui riposa il funzionamento dell’IA, dall’altro, un riconoscimento del valore culturale e umano degli algoritmi e delle immagini computazionali. L’incontro si propone di creare un dialogo tra discipline umanistiche, logico-matematiche e scienze dure attorno a questi temi, per comprendere questa trasformazione in atto e il suo impatto sulla nostra società. Se ne parla nel libro: Simone Natale, Macchine ingannevoli: Comunicazione, tecnologia, intelligenza artificiale, Einaudi, 2022 ; Ruggero Eugeni, Capitale algoritmico. Cinque dispositivi postmediali (più uno), Morcelliana, Milano 2021. Ore 14 Chiedi chi erano i piloti Viaggio letterario nelle storie straordinarie dei piloti. Dalla vita turbolenta e avventurosa di Lauro de Bosis, protagonista de "Il volo di Icaro" di Giovanni Grasso, l’intellettuale antifascista che sorvolò Roma, beffando clamorosamente il regime, prima di scomparire nel Tirreno al termine di un volo fatale compiuto in nome della libertà, agli aviatori raccontati in "Molte aquile ho visto in volo" da Filippo Nassetti, a partire dal fratello Alberto, scomparso a soli 27 anni, medaglia d’oro al merito civile e primo pilota al mondo a tornare abile al volo dopo un tumore al cervello. Se ne parla nel libro: Icaro, il volo su Roma, Giovanni Grasso, Rizzoli - Molte aquile ho visto in volo, Filippo Nassetti, Baldini+Castoldi. Ore 15 Hasta la digitalizzazione siempre! Oggetti del Museo, rivoluzioni ed eroi digitali Attraverso le storie di alcuni oggetti delle collezioni di cultura digitale del Museo, Gabriele Balbi, storico dei media e della tecnologia, riflette sui modi in cui è stata raccontata la "rivoluzione digitale": una delle narrazioni più potenti del nostro tempo, che aveva promesso e ancora promette nuove opportunità per tutti, informazione accessibile in quantità illimitata, la demolizione di vecchie gerarchie e barriere. Ma che viene raccontata in maniera simile da decenni, a partire dalle “reliquie” di questa rivoluzione: i miliardi di dispositivi digitali che sono stati prodotti e venduti in suo nome. L'autore, in dialogo con la curatrice delle collezioni e con la giornalista Donata Columbro, illustra alcuni artefatti conservati al Museo, lanciati sul mercato a cavallo del millennio e ormai divenuti storia. Gli oggetti, solitamente non esposti, saranno estratti per l'occasione dalle Collezioni di Studio e visibili in sala durante la presentazione del libro. Se ne parla nel libro: Gabriele Balbi, L’ultima ideologia. Breve storia della rivoluzione digitale, Laterza, 2022. Ore 16 Alla scoperta dei sottomarini Christian Hill ci porta alla scoperta di uno dei mezzi di trasporto più incredibili che l’uomo abbia saputo inventare: il sottomarino. Dalle tecnologie che lo riguardano alla vita a bordo, alla grande varietà di forme e di usi che nel tempo ha assunto, ci immergeremo in un mondo sconosciuto ai più per comprendere la storia e il funzionamento di un’imbarcazione speciale, ma anche per apprezzare una delle più grandi conquiste dell’umanità: la possibilità di vincere gli elementi e sfidare la potenza di mari e oceani attraverso la scienza e la tecnica. Se ne parla nel libro: Il grande libro dei sottomarini, Christian Hill, Editoriale Scienza, 2022. Ore 17 Tutta la vita in 3 MQ I taxi sono storie in movimento, diversi in tutto il mondo eppure uguali. Luoghi magici, sospesi tra una partenza e un arrivo, dove tutto è possibile. Attendono in fila, silenziosi e solerti e ti regalano la prima immagine di una città. Dentro i taxi passa la vita, tanta vita. Ci si innamora e si piange, si telefona e si fanno affari. Quando scendiamo, l’autista raccoglie i frammenti di noi rimasti sul sedile per trasformarli in racconti immaginari. Sempre diversi. Cambiano le fogge e i colori, si chiamano con un fischio o sventolando la mano. Ma alla fine il taxi è lo stesso ovunque e in ogni lingua. E significa casa e albergo, sogno e speranza. Due sillabe sospese tra il noto e l’ignoto. Se ne parla nel libro: Taxi Confidential, di Giuseppe Coccon, Ronca editore 2021. Ore 18 I nostri confini e la grande sfida Gli ultimi tre anni hanno cambiato il nostro modo di vedere il mondo, ma in maniera talmente rapida e drammatica da lasciarci storditi. Eppure, in quello che è accaduto, ci sono le chiavi per leggere il nostro futuro. Per prima cosa bisogna fare ordine: nel corso di questo evento riannoderemo i fili così da capire come ci siamo trovati nel mezzo di una catastrofe sanitaria globale, perché non eravamo preparati, cosa possiamo aspettarci ancora dal nuovo coronavirus e come ciò che abbiamo attraversato potrà consentirci di affrontare meglio non solo futuri microbi ma molte patologie. Gli ultimi tre anni però hanno soprattutto cambiato la nostra percezione della natura: ci hanno ricordato che non possiamo ignorare le esigenze degli ambienti selvatici, né sottrarci ai legami con gli altri esseri viventi. Dunque, se vogliamo assicurarci un futuro come umanità, dobbiamo rispettare i confini invisibili che racchiudono la nostra libertà di azione su questa piccola, meravigliosa, unica sfera blu: il nostro pianeta. Se ne parla nel libro: Barbara Gallavotti, Confini invisibili. Quello che abbiamo imparato sui microbi e le sfide che ci aspettano. Mondadori, 2022. Ore 19:30 Libri InScena Un’attrice autrice, una fotografa e un compositore contemporaneo raccontano, attraverso la loro arte, alcuni passaggi di una Long Story concepita come un racconto nel racconto. Un dialogo complicato tra madre e figlia, in una situazione di costrizione, diventa la lente per mettere a fuoco alcuni temi universali. Quello del tempo, fil rouge in FORSE e focus nell’arte, è anche il filo che lega i tre artisti. Un set fotografico, la gabbia metaforica in cui declineranno la loro performance. In un tempo complicato, costretto e incerto come il nostro presente, l'arte è chiamata a lanciare, ancora una volta, il suo grido. Lasciando spazio a riflessioni inevitabili sul futuro, sul valore dell'istante presente su un nuovo modo di coesistere e abitare anche il nostro pianeta. Se ne parla nel libro: Forse di Claudia Donadoni, Macchione, 2022. Domenica 20 novembre Ore 11 Vivere ARTÙperTu Il golden retriever Artù, protagonista del libro, sensibilizzerà i bambini e i ragazzi presenti in sala su importanti temi legati al mondo degli animali, quali l’atto di responsabilità che comporta l’adozione o l’acquisto di un cane o di un gatto, l’importanza delle cure veterinarie, la tutela e la sicurezza degli animali da compagnia, la lotta all’abbandono, il pericolo del randagismo. Lo farà coinvolgendoli nel racconto della sua storia, quella di cane giornalista, famoso per la sua capacità di condurre toccanti interviste con il format “ARTÙperTU”. Un giorno viene rapito, ma facendo affidamento sul suo fiuto (per il buon cibo) riesce a sfuggire ai sequestratori. Vagando solo per Milano, arriva al Museo Nazionale della Scienza e Tecnologia, dove conosce la saggia gatta Enrica, che vive realmente trai convogli di treni all’interno del Museo: sarà lei che lo guiderà a ritrovare la sua famiglia, con l’aiuto del Direttore e di una medaglietta “supertecnologica”. Artù farà riflettere sull’importanza di affrontare la vita “ARTÙperTu”, ovvero essere sempre “in ascolto” degli altri, grati per quello che si riceve e rispettosi verso il prossimo, che si tratti di una persona o di un animale. Artù sarà poi felice di autografare le copie del libro, i cui ricavati vengono devoluti a ENPA Ente Nazionale Protezione Animali, per il progetto di adozione a distanza di cani e gatti anziani. Se ne parla nel libro: ARTÙperTu con Enrica al Museo, di Andrea Bertuzzi, Audens. Ore 12 Vita no limits Ripercorriamo la storia della realtà virtuale dai primi visori stereoscopici di metà ‘800 passando per il Sensorama di Morton Heilig del 1956 fino ad arrivare ai giorni nostri e ai visori che leggono i nostri movimenti pupillari o alle tecnologie aptiche che ci fanno percepire i mondi virtuali come realmente concreti per mezzo del tatto. La vita virtuale non ha più davvero limiti.  Se ne parla nel libro: La Realtà virtuale, di Stefano Gallarini, Lupetti Editori di Comunicazione 2021, collana Educazione Cittadinanza Digitale. Ore 15 FIGLI DELLE STELLE - Dal Big Bang al corpo umano “Il mondo non morirà per la mancanza di meraviglie, ma per la mancanza di meraviglia”. Questa citazione è generalmente attribuita allo scrittore e giornalista britannico Gilbert Keith Chesterton, ed è perfetta per descrivere ciò che sta accadendo in questo preciso momento storico. Per la specie umana l’incanto è scemato, al punto da avere adottato comportamenti distruttivi e stili di vita capaci di intaccare le basi stesse della vita sulla Terra. Al punto di avere dimenticato quella connessione indissolubile fra le nostre esistenze e il mondo naturale. Per ricordarcelo, Gianfranco Bologna ci riporta là dove tutto è cominciato, al Big Bang, proseguendo poi attraverso le ere: dai primi organismi unicellulari alle grandi estinzioni di massa, dai primi antenati fino all'uomo contemporaneo. Riunisce le conoscenze più aggiornate di astrofisica e cosmologia, geologia e climatologia, genetica ed ecologia, sociologia ed economia, e ne evidenzia le relazioni, indispensabili per rapportarci in modo equilibrato con la natura. Se ne parla nel libro: Noi siamo natura. Un nuovo modo di stare al mondo, di Gianfranco Bologna, Edizioni Ambiente, 2022. Ore 17:15 Italo Calvino: un innovatore rampante Le Lezioni americane di Italo Calvino hanno ispirato scrittori e politici, scienziati, musicisti, filosofi e attori. Non molti sanno che ne esiste un’altra, rimasta inedita e, per così dire, nascosta tra le righe del grande scrittore: è la lezione sull’innovazione, quella con la quale Calvino dimostrava di aver capito prima di chiunque l’era digitale in arrivo. Se ne parla nel libro: L’innovatore rampante. L'ultima lezione di Italo Calvino di Andrea Prencipe e Massimo Sideri, Luiss University Press, 2022.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[boag]

A quick google search tells u that people from Newark include Ray Liotta, Queen Latifah, Barbara Kruger, Whitney Houston, Mikey Way, Paul Simon, etc . How could u hate such a place

Other people from south jersey are always like ewwww I hate north jersey and they all have stupid accents . Couldn’t be me I love a bitch from Newark or whatever .

[tabloidtoc]

National Enquirer, August 31

You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Ghislaine Maxwell’s private photo album -- Martha Stewart, Elon Musk, Michael Bolton 

Page 2: Queen Latifah shows off her belly while golfing on a Beverly Hills course 

Page 3: Simon Cowell is facing a brutal recovery and fighting to walk again after a catastrophic bike accident left him with a broken back that needed a delicate six-hour surgery -- his back was shattered in a number of places when he was hurled from the back of his powerful $20,000 EB-01 electric bike after he popped a huge wheelie outside his Malibu home 

Page 4: Surgery-obsessed Khloe Kardashian can’t stop tweaking her nose and now pals are terrified her honker will wind up like Michael Jackson’s sorry schnozz -- Khloe’s nose has been pruned to the point where it looks odd on her face, Rachael Ray and husband John Cusimano survived a devastating fire that gutted their beloved home in Upstate New York and she’s planning to rebuild an even better house and make it 100% fireproof 

Page 5: Ben Affleck’s girlfriend Ana de Armas has stepped into a bigger role of playing surrogate mom to Ben’s son Samuel -- she has not only assumed larger parenting duties with the eight-year-old she’s also giving Sam the warmth that burly Ben finds touch to provide but Sam’s mom Jennifer Garner isn’t thrilled with their kids spending so much time away from her 

Page 6: Once beautiful Sarah Ferguson has ruined her face with too much sun -- after examining recent photos of the duchess medical experts said she looks more than a decade older than her 60 years -- years of stress following her divorce from now-disgraced Prince Andrew and virtual banishment from the royal family after embarrassing photos of Texas millionaire John Bryan sucking her toes were released have ravaged the duchess 

Page 7: Prince Harry and Meghan Markle have secretly bought their first home together which is a $10 million California home but they didn’t pay for it themselves -- Harry’s dad Prince Charles dipped into his personal fortune for the property in upscale Santa Barbara but Charles’ generosity has sparked a bitter new royal rift -- Prince William is furious at Charles for bailing Harry and Meghan out again and feels Charles is rewarding them for abandoning the royal family 

Page 8: Chip and Joanna Gaines are reviving their hit Fixer Upper series after a two-year hiatus but it’s putting a fresh strain on their marriage -- they’ve been bickering about it ever since Chip agreed to the deal which puts the show on their own Magnolia Network and Joanna is unhappy because Chip made the decision without her forgetting why they wanted a break in the first place which was to focus on their five kids and their Magnolia-brand empire, John Legend hit a sour note with longtime pal and presidential candidate Kanye West after saying that anyone who votes for the rapper is reckless and uninformed -- it’s pissed Kanye off to the point where he can’t see straight and he’s extra enraged because their wives Kim Kardashian and Chrissy Teigen have been good friends for years 

Page 9: Brad Pitt and Angelina Jolie’s seemingly endless divorce and custody war has cost them more than $20 million and there’s no end in sight -- the exes have coughed up wads of cash for lawyers and court fees and arbitration expenses -- although Brad’s attorneys have repeatedly tried to negotiate shared custody Angie has instructed her legal team to accept nothing less than full custody of her five youngest kids Pax and Zahara and Shiloh and Vivienne and Knox and she doesn’t care how much it will cost 

Page 10: Hot Shots -- Paunchy Sylvester Stallone in Malibu, Brooke Burke at the beach in Malibu, Kaia Gerber gets in a workout 

Page 11: Late-night rivals Jimmy Fallon and Conan O’Brien are waging a feud behind the scenes -- in public they act like pals but they’re competitive as hell and bad-mouth each other when the cameras are off -- Jimmy has always felt that Conan has kept him at arm’s length while buddying up to Stephen Colbert

Page 12: Straight Shuter -- Lauren “Pumpkin” Shannon tumbled off an e-scooter (picture), The Real Housewives of New York City will get two new Black cast members, even before season 16 of The Bachelorette started Clare Crawley left for former NFL star Dale Moss but he’s fame-hungry, Howard Stern plans to retire when his SiriusXM deal expires and although Sirius will try to get him to stay Andy Cohen is pushing himself as a replacement, 90 Day Fiance cast members are demanding a raise and although several cast members think getting attention on social media and being recognized in their hometowns makes them the new Kardashians but every single one of them is replaceable 

Page 13: Mom-to-be Bindi Irwin is already prepping her little one to join the family business by playing recorded crocodile growls for the baby in her womb

Page 14: True Crime 

Page 15: Former jailbird Amanda Knox’s worst nightmare is coming true now that the man convicted of murdering her roommate Rudy Guede is threatening to pen a tell-all book, convicted Bill Cosby is making a new bid to get out of prison because he refuses to die in a cage -- his lawyers have lodged an appeal because Cosby is scared he will get COVID-19 and die behind bars 

Page 16: Jeffrey Epstein’s accused madam Ghislaine Maxwell hobnobbed with the rich and famous for years and she’s now mortified those A-listers could be dragged into her legal troubles -- the disgraced British heiress is currently rotting in a New York jail awaiting trial in 2021 on six federal charges related to trafficking minors for sex but before her stunning fall Ghislaine rubbed shoulders with a who’s who of royalty and the business world and the entertainment industry -- pictures include Ghislaine with Epstein and Michael Bolton, Prince Andrew, Martha Stewart, Calvin Klein, Harvey Weinstein, Simon Hammerstein and Josh Lucas, Jessica Capshaw and Denise Richards, Heidi Klum 

Page 18: Country rocker Hank Williams Jr. has been left reeling after his daughter Katherine died in a car accident and his son Sam went off the rails -- Katie was only 27 when she was killed in a single-vehicle crash in Tennessee and now 23-year-old Sam is selling gifts from his dad like expensive jewelry and spending up a storm and boozing and fighting with his siblings 

Page 19: Rogue investigators framed Ethel Kennedy’s troubled nephew Michael Skakel for the murder of Connecticut teen Martha Moxley in a bid to get the Kennedy clan -- now a private investigator involved with the Moxley case for decades says the crime scene was contaminated and the Greenwich police did a horrible job -- Skakel’s lawyer revealed hairs found on Martha’s body may be linked to a suspect convicted of a similiar attack in the area in 1977 and being held in a California prison 

Page 20: Real Life

Page 22: Health Watch 

Page 28: Violent protests and gun battles and the politics of hate [by President Donald Trump] have brought America to the brink of a new civil war 

Page 32: What your dreams really mean 

Page 34: A brave Jeffrey Epstein survivor only known to the public as Kiki Doe has revealed how she was lured into the late sex creep’s perverted world and detailing the horrific encounter she claims derailed her life for more than 15 years 

Page 36: Former pro wrestler Marty Jannetty has found himself tangled in a murder probe after boasting that he made a sicko child molester who attacked him disappear 

Page 38: One year into their whirlwind romance Zooey Deschanel and Jonathan Scott of Property Brothers are heading toward a post-pandemic wedding, Hollywood Hookups -- Conor McGregor has proposed to the mother of his children Dee Devlin, The Bachelor star Vanessa Grimaldi and Josh Wolfe engaged, Brooklyn Beckham and Nicola Peltz engaged 

Page 40: Mariah Carey’s estranged sister Alison has made a bizarre series of claims she was sexually abused as a child during satanic sex rituals she was forced into by her own mother 

Page 42: Red Carpet Stars -- Kristen Stewart in Chanel 

Page 45: Spot the Differences -- Ray Liotta working out with a personal trainer outside Gold’s Gym in Los Angeles 

Page 47: Odd List 

[webional]

Gece Uyutmayacak En İyi Gerilim Filmleri Listesi

https://webional.com/en-iyi-gerilim-filmleri-listesi/

1-Ölüm Kitabı

Stephen King severlerin kesinlikle bildiğini düşündüğüm 1990 yapımı filmdir.

Konusu: Filmde yazar Paul Sheldon karakterinin son hatırladığı kar fırtınası olan bir günde takla atarak kaza yaptığıdır. Gözlerini açtığında Annie Wilkes adında saplantılı şekilde hayranı olan kadının evinde olduğunu anlar. Paul Sheldon’ı saplantı haline getirdiği için onu resmen esir almıştır.

Oyuncuları: Kathy Bates, James Caan, Lauren Bacall, Richard Farnsworth, Frances Sternhagen.

Fragman:

2-Yedi

Netflix’ten izleyebileceğiniz 1995 yapımı, David Fincher filmidir.

Konusu: Hristiyanlık dininde 7 ölümcül günah olarak bilinen kibir, tembellik, oburluk, yıkıcılık, kıskançlık, şehvet düşkünlüğü, açgözlülük günahlarını işleyen insanları öldüren seri katilin peşine düşen iki dedektif anlatılıyor.

Oyuncuları: Brad Pitt, Morgan Freeman, Kevin Spacey, Gwyneth Paltrow, Andrew Kevin Walker.

Açıkcası oyuncular ve David Fincher ile birlikte şampiyonlar ligi kadrosu resmen. Hala izlemediysen mutlaka izlemeniz gereken filmler listenize eklemelisiniz.

Fragman:

3-Kemik Koleksiyoncusu

1999 yapımı suç ve gerilim filmi olan Kemik Koleksiyoncusu izlemeyenlerin kesinlikle izlemesi gereken filmlerdendir. Film, Jeffery Deaver’in The Bone Collector adlı kitabından uyarlanmıştır.

Konusu: Saygın bir krimonolog olan Lincoln Ryhme bir saldırı sonucu felç olur. Genç bir polis olan Amelia ile bir cinayet vakasını çözmek için birlikte çalışmaya başlarlar.

Oyuncuları: Denzel Washington, Angelina Jolie, Queen Latifah, Michael Rooker, Ed O’Neill.

Fragman:

4-Raydan Çıkanlar

2005 yapımı Jennifer Aniston’lı en iyi gerilim filmlerindendir. Gişede 57,5 milyon dolar hasılat yapmış bu filmi mutlaka izlemelisiniz.

Konusu: Hasta kızları ve yoğun iş temposundan yorulmuş bir baba olan Charles, Chicago’ya gittiği trende Lucinda isimli bir kadınla tanışır. Birbirlerinden etkilenirler ve kısa bir zaman içerisinde yemeğe çıkarlar, bir süre birlikte zaman geçirirler. Bir gün beraber oldukları otel odasında içeriye bir hırsız girer ve Lucinda’ya tecavüz eder. Bu ilişkinin çok doğru olduğunu düşünmedikleri için polise gidemezler ve hırsızın isteklerine karşı direnmekte zorluk çekmeye başlarlar.

Oyuncuları: Jennifer Aniston, Clive Owen, Vincent Cassel, Melissa George, Addison Timlin.

Fragman:

5-Zindan Adası

2010 yapımı, 294 milyon dolar gişe hasılatına sahip en çok izlenen ve Leonardo Di Caprio’nun en iyi filmlerinden, izledikten sonra kafanızı allak bullak edecek mükemmel bir film.

Zindan Adası filmi yine Netflix’ten izleyebileceğiniz filmlerdendir.

Konusu: Suçlu ve akıl hastası olan kişilerin tutulduğu hapishane ve hastane karışımı bir adada bir katil kayboluyor. Bu olayı çözmek için görevlendirilen iki dedektifin bu adadaki araştırmaları ve gariplikleri anlatıyor.

Oyuncuları: Leonardo Di Caprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Emily Mortimer.

Fragman:

6-Saplantı

2017 yılında çıkmış en iyi gerilim filmlerdendir.

Konusu: Kız çocuğu sahibi olan evli çiftin boşandıktan sonra, kocası eski eşiyle yaşadıkları eve yeni nişanlısıyla gelir ve eski eşi kıskançlıktan deliye döner.

Siz siz olun böyle bir hata yapmayın 🙂 !

Oyuncuları: Katherine Heigl, Rosario Dawson, Geoff Stults, Cheryl Ladd.

Fragman:

7-Sessiz Bir Yer

2018 yılında çıkmış başarılı post-apokaliptik gerilim ve korku filmlerindendir.

Konusu: Filmde ses çıkaran her şeyi yok eden bir güç vardır. Abbott ailesi ise mümkün olduğunca sessiz kalarak hayatta kalmaya çalışmaktadır.

Oyuncuları: John Krasinski, Emily Blunt, Millicent Simmonds, Cade Woodward, Noah Jupe.

Fragman:

8-Glass

2019’da çıkmış başarılı korku, gizem ve gerilim türündeki filmlerdendir.

Konusu: Glass filmi aslında bir üçlemedir. Parçalanmış ve Ölümsüz filmlerinin devamıdır. Bu yüzden diğer iki filmin konuları ve oyuncuları biraradadır ve hikaye bu iki filmle bağlantılı olarak ilerler.

Oyuncuları: James McAvoy, Anya Taylor-Joy, Bruce Willis, Samuel L. Jackson, Sarah Paulson.

Fragman:

9-Predator

2018 yapımı bilim kurguya dayalı başarılı bir gerilim filmidir.

Konusu: Meksika’da görevde uzaylılarla karşılaşan eski özel kuvvetler askeri, uzaylıların teknolojisine ait bazı parçaları evine gönderir. Oğlu bu paketi açtıktan sonra uzaydan tehlikeli yaratıkların gelmesine neden olur.

Oyuncuları: Boyd Holbrook, Olivia Munn, Yvonne Strahovski, Trevante Rhodes, Jacob Tremblay.

Fragman:

10-Hizmetçi

2016 yapımı Güney Kore sinemasından çıkmış ödüllü dram ve gerilim filmidir.

Konusu: 1930’larda Kore ve Japonya’da geçen bir gerilim filmi. Kendisine miras kalmış bir asilzadenin mirasını çalmaya çalışan dolandırıcı ve dolandırıcının tuttuğu hizmetçi etrafında olaylar geçer.

Uzak Doğu sinemasını ve gerilim filmleri sevenler için mutlaka izlenmesi gereken filmlerdendir.

Oyuncuları: Kim Tae-ri, Kim Min-hee, Jung-woo Ha, Cho Jin-woong, Moon So-ri.

Fragman:

11-Ölüm Korkusu

Alfred Hitchcock ve eski filmleri sevenler için 1958 yapımı mükemmel bir filmdir. Vertigo ismiyle de bulabilirsiniz.

Konusu: San Fransisco’da dedektiflik yapan Scottie, ortağıyla beraber bir suçluyu kovalarken, ortağı çatıdan düşer ve onu kurtaramaz. Sonrasında Scottie’de yükseklik korkusu başlar ve polisliği bırakıp özel dedektiflik yapar.

Oyuncuları: Kim Novak, James Stewart, Barbara Bel Geddes, Tom Helmore, Ellen Corby.

Fragman:

12-İhtiyar Delikanlı

2003 yapımı bir diğer Güney Kore filmlerden İhtiyar Delikanlı Amerika ve İngiltere’de Oldboy olarak vizyona girmiştir.

Konusu: Yine bu isimdeki bir Japon mangasından uyarlanan filmde uzunca bir süre hapiste kalan bir adamın çıktıktan sonra ��ğrendiği bir sırla hayatı değişir.

Oyuncuları: Hye-jeong Kang, Min-sik Choi, Yoo Ji-Tae, Jin-seo Yun, Dal-su Oh.

Fragman:

13-Hannibal

2001 yapımı psikolojik gerilim filmidir. Ayrıca bilmeyenler için Kuzuların Sessizliği filminin devamı olan filmdir.

Konusu: Dr. Hannibal Lecter, FBI Ajanının hatası sayesinde hücresinden kaçar ve Floransa’ya yerleşir. Hannibal’ın elinden zor kurtulmuş kurbanı olan Mason Verger intikam almak için yanıp tutuşur. Mason Verger, Hannibal’ı tuzağa düşürecek bir yol bulur ve FBI dedektiflerinden Paul ona yardım eder.

Oyuncuları: Anthony Hopkins, Julianne Moore, Gary Oldman, Ray Liotta, Giancarlo Giannini.

Fragman:

14-Düşman

2013 yapımı başrolde Jake Gyllenhall’in olduğu psikolojik gerilim filmidir. Gişede çok iyi sonuçlar almasa da Jake Gyllenhall hayranlarının seveceği bir film.

Konusu: Adam Bell adından suratsız, lanet, aksi bir tarih profesörünü canlandıran Jake Gyllenhall sevgilisiyle bile birlikte olmaktan kaçınır. İzlediği filmdeki Anthony Clair isimli aktörden etkilenir ve takip etmeye başlar. Karşılaştıktan sonra hayatları iç içe geçer.

Oyuncuları: Jake Gyllenhall, Melanie Laurent, Sarah Gadon, Isabella Rossellini, Joshua Peace.

Fragman:

15-Paralel Evren

2013 yapımı çok bilinmeyen ve senaryosuz bir bilim kurgu gerilim filmidir.

Konusu: Dünya’nın yakınında Kuyruklu Yıldız’ın geçtiği bir gecede toplanan bir grup arkadaş, gerçekliğin kırıldığını anlarlar. Bulundukları mahallede elektrikler kesilir ve sadece biraz ilerideki evde elektrik vardır.

Oyuncuları: Emily Baldoni, Nicholas Brendon, Aqueela Zoll, Elizabeth Gracen, Maury Sterling.

Fragman:

16-Yaşam Şifresi

17-Kapan

18-Memento

19-Sapık

20-Kayıp Otoban

21-Mulholland Çıkmazı

22-Kayıp Kız

23-Arka Pencere

24-Oyun

25-Cinayeti Gördüm

26-Zodyak

- #EnIyiGerilimFilmleri, #EnIyiGerilimFilmleriListesi, #EnIyiGerilimFilmleriListesiImdb, #EnIyiKorkuGerilimFilmleri, #GerilimFilmleri

[collectorsclubberlin]

26. Januar bis 17. März 2019: Diese erste große Ausstellung der Corcoran Legacy Collection zeigt starke Fotografien und Skulpturen, die @tony.podesta im letzten Jahrzehnt der @corcorangallery of Art gespendet hat, welche jetzt zum Bestand des @americanuniversity Museum gehört. Podesta hat sich den Ruf, ein beherzter Unterstützer der zeitgenössischen Kunst vorrangig von Frauen zu sein. Er ist ein wichtiger Förderer der Künste im In- und Ausland mit übergroßem Einfluss in der gesamten Washingtoner Kunstwelt. Folgende KünstlerInnen werden gezeigt: Darren Almond, Jake & Dinos Chapman, Jenny Gage, Mads Gamdrup, Anna Gaskell, Margi Geerlinks, Siobhán Hapaska, @mwangihutter (in Berlin durch die @galerieburster vertreten), Justine Kurland, Jone Kvie, Clare Langan, Barbara Liotta, Malerie Marder, Ottonella Mocellin, Ernesto Neto, Anneè Olofsson, Gyan Panchal, Nira Pereg, Patricia Piccinini, Torbjørn Rødland, Jenny Rydhagen, Ann-Sofi Sidén, @katjastrunz2018 , Janaina Tschäpe, Hellen van Meene und Tom Waldron. The Gifts of Tony Podesta kuratiert von Jennifer Sakai und Klaus Ottmann 26. Januar 17 Uhr: The Gifts of Tony Podesta Gallery Talk UAwg: museum @ american.edu Host: @American University Museum at the Katzen Arts Center https://tinyurl.com/yaqy8wso (hier: American University Museum) https://www.instagram.com/p/Bs7fJTWlStC/?utm_source=ig_tumblr_share&igshid=f3z09c5p2blr

[amazonscreeningroom]

Director’s Cut: ‘Romy and Michele’s High School Reunion’ Director David Mirkin’s Shares His 10 Favorite Films

It’s been 20 years since Romy and Michele went to their 10-year high school reunion and created a beloved cult comedy that still feels fresh decades later (We’re still trying to nail that dance sequence). 

To celebrate, we spoke with Romy and Michele Director David Mirkin to learn what films have stayed with him through the years:

The Graduate

“This is the film that made me want to be a director. Mike Nichols at his genius best.  Stunningly brilliant performances coupled with a  master class in staging and camera work. Fantastic script by Buck Henry from the incredible book by Charles Webb. One of the greatest performances in cinema history from Anne Bancroft.  Dustin Hoffman goes from unknown to iconic. Not a bad moment. Not a false note. Nothing gets better than this.”

Dr. Strangelove 

“It’s really hard to pick just one Kubrick film. So I’ll sneak 2001 and Clockwork Orange into this paragraph too. See them. Each of Kubrick’s movies is a stand-alone film school. Strangelove has stunning black and white cinematography, multiple genius Peter Sellers and fall down funny performances by George C. Scott and Sterling Hayden, who is filled to the brim with precious bodily fluids.”

Goodfellas 

“The best gangster film ever made. Peak Scorsese. Simultaneously terrifying and intensely funny - an extremely hard combination to pull off. Insanely great, perfect performance by Ray Liotta. Trying to sell drugs and guns while simultaneously attempting to prepare the perfect pasta sauce, all while coked out of your mind, is not only something everyone can relate to, it is also one of the best shot and edited sequences in the history of film.”

It's a Mad Mad Mad Mad World

“Virtually every brilliant comic actor of the time giving hilarious performances mixed with ridiculously violent state-of-the-art (1964) car chases and stunts, energized by a beautiful symphonic score by Ernest Gold, all in glorious, fully immersive ultra-wide screen Cinerama (2.76 to 1) Technicolor. It blew my mind as a child and continues to pull me out of deep depressions to this day.”

Monty Python and the Holy Grail

“Monty Python are simply the Beatles of comedy. The TV series has never been bested in terms of hard-funny jokes per square inch and this movie proves that gritty, dark and dirty production can still be pants-pissing hilarious. No one commits to absurdity with more life or death seriousness than Python. It is a well known rule of cinema that anything with a bunny rabbit violently ripping blood-spurting heads off humans is high art.”

Days of Heaven

“Super funny.  Okay, maybe not but this may be the most amazingly beautiful film ever shot. When I first saw it, I said to myself, I want all my movies to look just like this. Then I found out that director  Terrance Malik and cinematographer Nestor Almendros only shot for about an hour a day at golden hour over the course of a year to achieve that look. Not super-practical when you really think about it and unlikely to ever happen again. But we can still watch this and dream. Oh and the Ennio Morricone score will casually rip your heart out.”

The Lady Eve

“So many comedies that followed owe a huge debt to writer/director Preston Sturges and this film. Barbara Stanwyck effortlessly proves that women could be strong, brilliant and incredibly funny over 76 years ago. Something that many studios still don’t seem to fully comprehend.”

Paper Moon/What’s Up Doc

“Both brilliantly directed by Peter Bogdanovitch, one right after the other, with many of the same brilliant actors playing very different roles, demonstrating effortless versatility. Lots of these folks were doing great Mel Brooks films at the time as well. No one on earth has ever been funnier than the comedy goddess, Madeline Kahn.”

Jaws 

“All of Spielberg’s many gifts on display. Scary-funny in the best way. It is virtually impossible to stumble across this film playing on television at any point in the story and not watch it all the way through to the end. That’s the irresistible brilliance of the writing, directing and riveting performances.”

Raising Arizona

“To this day there is still nothing that compares to this film. A complete original. The gift to film that is the Coen brothers demonstrate a masterful combination of stunning camera work, insanely great writing and pitch-perfect direction of a stellar cast of very talented, very intelligent actors fully committing to drop-dead-serious idiocy.”

The Empire Strikes Back

“A little film few have heard of outside the snobbish Hollywood cinemaphile world. If you can find it, watch it and then send me a thank you for alerting you to its existence.”

Revisit Romy and Michele’s High School Reunion during the 20th anniversary sale, happening now on Amazon Video. 

[justforbooks]

The Loss of Jonathan Demme

By Anthony Lane

A fellow named Melvin Dummar comes across this guy—“a strange ol’ weirdo wino, layin’ out in the middle of the desert,” with a busted shoulder and a bloody ear. Melvin hauls him into his pickup and drives him to Las Vegas, where the old man asks to go. Along the way, they talk and sing; after some coaxing, the passenger even croons “Bye Bye Blackbird.” Then, after thunder and rain, he rolls down his window and sniffs the air. “Greasewood and sage,” he says. Before they part, he asks for money, and Melvin hands over the contents of his pockets—a palmful of loose change. “That’s it,” he adds. “That’s all I got.”

Such is the prelude, both easygoing and far-reaching, to “Melvin and Howard” (1980). Melvin is played by Paul Le Mat, and Howard, if you trust the movie, is Howard Hughes, played by Jason Robards. The director is Jonathan Demme, who died on Wednesday, at the age of seventy-three. Everything that there was to like about Demme is present in the scene: the contagious warmth that he feels toward his characters; the appeal to all the senses, not excluding smell; the consoling thought that, wherever you are and whatever you’re doing, music should not be far away; and the life-giving mix of movement and stasis—two people just sitting there, revealing something of themselves, while the truck chews up the miles and the day breaks free of the night.

Most of the tributes paid to Demme, in the past few days, have marvelled at the range of goods that was stocked, as it were, in the storefront of his films. Try the early exploitation flicks of the nineteen-seventies, like “Caged Heat” and “Crazy Mama,” made under the aegis of Roger Corman. Or the antsy and energetic comedies of the eighties, “Married to the Mob” and “Something Wild,” succeeded, at the start of the following decade, by the solid studio pictures, “The Silence of the Lambs” and “Philadelphia,” that came away with Academy Awards. Dotted through Demme’s career, meanwhile, were the music videos and the music documentaries, which harkened to figures as disparate as Bruce Springsteen, Neil Young (twice), the Pretenders, and, of course, the Talking Heads, in the imperishable hipness of “Stop Making Sense” (1984). Only last year, Demme filmed Justin Timberlake and the Tennessee Kids in concert at the MGM Grand, in Las Vegas—not far from where the hobo billionaire of “Melvin and Howard” asked to be dropped off, at the rear of his own hotel.

This chop and change suggests a reluctance to settle, not merely in a choice of genres but often in the mood space of a single film. Nobody who saw “Something Wild,” in 1986, can ever forget the giddying swerve of the plot. Jeff Daniels, as Charlie, is hardly the first stiff to be loosened up by a dangerous dame (think of Henry Fonda in “The Lady Eve,” being led in a merry dance by Barbara Stanwyck), but in the hands of Demme, with the hard-staring help of Ray Liotta, the danger becomes a blood sport. A pair of Hitchcockian handcuffs serves first as an accessory to sex and then as a shackle to bind the hero while the villain, in the next room, plies his demonic trade. You want to know if screwball can be used as an offensive weapon? Look and learn.

As for “The Silence of the Lambs,” one cause of its endurance, and the reason that, however busy I may be, I am incapable of dragging myself away whenever it plays on TV, is that its contents shift with every viewing. As we follow Clarice Starling on her first visit to Hannibal Lecter, down the long walk past the other cells, we hear the deep churn of the musical theme, and our scalps, as ordained, begin to prickle; and what do we discover, behind the see-through wall? A sprightly figure, standing to greet the lady, as erect as a butler, with the spectre of a smile. The gourmet has found his amuse-gueule. From here on, the horror of the film will be garnished with comedy, while the comedy (and this is the creepiest touch of all) will bear the rich savor of romance. “People will say we’re in love,” Lecter says, when the young F.B.I. trainee returns to him later in the tale—for a tip, for a clinching clue, or because she can’t help herself. Their expressions, viewed head-on, fill the whole landscape of the screen. Each can see nothing but the other.

That stark composition returns, in very different circumstances, at the end of “Philadelphia,” when the dying man (Tom Hanks) bids farewell to his beloved (Antonio Banderas). Hanging over that film—so timely in 1993, and so dated now, for all its tender and well-meaning ambitions—is a sense that it was, in part, an act of atonement for “The Silence of the Lambs.” Charges of homophobia had been levelled at the character of Buffalo Bill, the killer whom Starling hunts, despite the fact that Demme took explicit pains, as Thomas Harris had done in the novel, to disclaim any link between violence and the transgender community. In consequence, there were protests at the time of release. To someone of Demme’s patent decency, those will have struck home.

The profession of movie director is not one that we instantly associate with the modest and the benign, but somehow, like Anthony Minghella, Demme rose through the ranks. What was a nice guy like him doing in a job like that? Well, he was schooled by Corman, a gentleman on the throne of schlock, who oversaw, with approval, the ascent of his many protégés. (The roster is laughably distinguished: Scorsese, Coppola, Nicholson, Stallone, and so forth. James Cameron designed the spaceship for the Corman-produced “Battle Beyond the Stars.”) To listen to Demme and Corman shoot the breeze, in their commentary on “Crazy Mama,” is like hearing a couple of veterans recalling their comrades-in-arms, without rancor or rivalry (“Jim Backus, Mr. Magoo, God bless him; he was a delight,” Demme says, scanning the credit sequence), and an ancient dispute about a montage is fondly laid to rest. What the master made plain, according to Demme, was that, “if you lose the viewer’s eye, you’re going to lose the viewer’s interest. He also stressed the importance of having as many characters as possible that are in every way just as interesting as your main characters, even if they get less screen time.”

That is a crucial creed, because it implies not simply a visual knack but a reserve of moral generosity. Between “The Silence of the Lambs” and “Philadelphia,” Demme made “Cousin Bobby,” about Robert Castle, an Episcopalian minister in Harlem: a firebrand built like a fortress. I still remember Demme standing in the frame, arms folded, putting questions to his cousin and watching him at work, even if the matter in hand was something as prosaic as a pothole. There was a persistent liberal ardor to Demme’s politics (witness his 2007 film about Jimmy Carter), but he was also blessed by a larger liberalism: the imaginative outreach, hard to discern in the rampant studio movies of today, which assumes that everybody is worth stopping for—that there will always be folks who repay the camera’s attention. What he radiated, before or behind the lens, was an unstinting curiosity, and a faith that the most reliable map of character was the human face.

That faith, rather than nepotism, led him to cast the Reverend Castle in five more films—first “Philadelphia,” then “Beloved” (1998), “The Truth About Charlie” (2002), “The Manchurian Candidate” (2004), and “Rachel Getting Married” (2008). The last of these, starring Anne Hathaway, found favor in some quarters, yet its fretfulness seemed a small thing when set beside the shimmying tensions of “Something Wild,” and even Demme loyalists had to admit that the later movies suffered an unaccountable loss of pressure. “The Truth About Charlie,” especially, looked all the more forlorn because it was a remake of “Charade,” and there is no known galaxy in which Mark Wahlberg could be an adequate substitute for Cary Grant. Not too many people saw “Ricki and the Flash” (2015), Demme’s final feature, despite the zest of Meryl Streep as the middle-aged rocker of the title, yet the movie is worth revisiting, in the wake of Demme’s passing, because it proves that his inquisitive eye had lost little of its gleam. He was, among his other talents, a terrific picker of extras, and as Ricki performs in bars, or at family gatherings, he dishes up, in passing glimpses, a fine assortment of his fellow-citizens.

Demme was a man for small towns and back roads. He liked those pockets of America where there was fun to be had, at a bargain price, and weakness to be gently laid bare. Hence his penchant for Melvin, a near-loser with a wish list of hopes, and for the tallness of Melvin’s tale. Whether the Howard he came across, that night in the desert, really was Howard Hughes, as legend insists, was not the sort of conundrum to bother Demme, and I doubt if he gave a damn whether the infamous “Mormon will”—in which, years later, Hughes allegedly left more than a hundred and fifty million dollars to Melvin in gratitude for his Samaritan deed, like a mega-Magwitch rewarding Pip—was the genuine article or a fake. What Demme knew for certain, because his grip on our everyday fears and fancies was so secure, is that we want to believe Melvin, and that Melvin, the poor dope, wants to believe himself. The stories that we tell, in other words, may not always be true, and yet they are true of us, and that will have to do. The loss of Jonathan Demme is a sad surprise, for the films that he bequeaths to us remain, to an uncommon degree, the work of a good man.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[cinemotions]

Balint Bernhart - minimalist movie posters

1) Goodfellas (stylized as GoodFellas) is a 1990 American biographical crime film directed by Martin Scorsese. It is a film adaptation of the 1986 non-fiction book Wiseguy by Nicholas Pileggi, who co-wrote the screenplay with Scorsese. The film narrates the rise and fall of mob associate Henry Hill (the first-person narrator in the film) and his friends over a period from 1955 to 1980.Scorsese initially named the film Wise Guy and postponed making it; later, he and Pileggi changed the name to Goodfellas. 

To prepare for their roles in the film, Robert De Niro, Joe Pesci, and Ray Liotta often spoke with Pileggi, who shared research material left over from writing the book. According to Pesci, improvisation and ad-libbing came out of rehearsals wherein Scorsese gave the actors freedom to do whatever they wanted. The director made transcripts of these sessions, took the lines he liked best, and put them into a revised script, which the cast worked from during principal photography.Made on a budget of $25 million, Goodfellas grossed $46.8 million.

It received positive reviews from critics and was nominated for six Academy Awards, including Best Picture and Best Director, with Pesci winning Best Actor in a Supporting Role. Scorsese's film won five awards from the British Academy of Film and Television Arts, including Best Film and Best Director. Additionally,Goodfellas was named the year's best film by various critics' groups.Goodfellas is widely regarded as one of the greatest films in the crime genre. In 2000, it was deemed "culturally, historically, and aesthetically significant" and selected for preservation in the National Film Registry by the United States Library of Congress.

Its content and style have been emulated in numerous other films and television shows. Scorsese followed this film with two more about organized crime: Casino (1995) and The Departed (2006). (from Wikipedia)

2) The Die Hard series is an American action film series that began in 1988 with Die Hard, based on the 1979 novel Nothing Lasts Forever by Roderick Thorp. 

The series follows the adventures of John McClane (portrayed by Bruce Willis), a New York City andLos Angeles police detective who continually finds himself in the middle of violent crises and intrigues where he is the only hope against disaster

Although the first Die Hard has been credited as one of the greatest action movies of all time, critical reaction to its sequels has varied.

The original Die Hard received substantial praise. Pete Croatto of FilmCritic.com called the film "a perfect action movie in every detail, the kind of movie that makes your summer memorable." James Berardinelli wrote that the film "represents the class of modern action pictures and the standard by which they must be judged." 

Critic Desson Howe wrote that "Willis has found the perfect vehicle to careen wildly onto the crowded L.A. freeway of Lethal Weapons and Beverly Hills Cops." Willis was also called "perfect as the wisecracking John McClane" and "an excellent casting choice as a sardonic action hero." 

Alan Rickman's portrayal of villain Hans Gruber was described as "marvelous" and "a career-making performance."] Gruber also ranked 46 on the villain side of AFI's 100 Years...100 Heroes and Villains. In 2007,

Entertainment Weekly ranked Die Hard the greatest action film of all time                                           (from Wikipedia)

3) Slaughterhouse-Five is a 1972 anti-war/sci fi film based on Kurt Vonnegut's novel of the same name about a writer who tells a story in random order of how he was a soldier in World War II and was abducted by aliens. 

The screenplay is by Stephen Gellerand the film was directed by George Roy Hill. 

It stars Michael Sacks, Ron Leibman, and Valerie Perrine, and features Eugene Roche, Sharon Gans, Holly Near, and Perry King. 

The scenes set in Dresden were filmed in Prague. The other scenes were filmed in Minnesota.

Vonnegut wrote about the film soon after its release, in his preface to Between Time and Timbuktu:"I love George Roy Hill and Universal Pictures, who made a flawless translation of my novel Slaughterhouse-Five to the silver screen ... I drool and cackle every time I watch that film, because it is so harmonious with what I felt when I wrote the book."

The film follows the novel in presenting a first-person narrative from the point of view of Billy Pilgrim (Sacks), who becomes "unstuck in time" and experiences the events of his life in a seemingly random order, including a period spent on the alien planet of Tralfamadore. Particular emphasis is placed on his experiences during World War II, including the firebombing of Dresden, as well as time spent with fellow prisoners of war Edgar Derby (Roche) and the psychopathic Paul Lazzaro (Leibman). His life as a husband to Valencia (Gans), and father to Barbara (Near) and Robert (King) are also depicted, as they live and sometimes even enjoy their life of affluence in Ilium, New York. A "sink-or-swim" scene with Pilgrim's father is also featured. The scenes of extraterrestrial life on Tralfamadore feature Hollywood starlet Montana Wildhack (Perrine). (from Wikipedia)

[newyorktheater]

  The city has announced plans  to build a performing arts center dedicated to Immigrants. The proposed Immigrant Research and Performing Arts Center will go up in Inwood, the northernmost neighborhood in Manhattan

Meanwhile, Waterwell theater company and the Broadway Advocacy Coalition launched the  Flores Exhibits, now available online, part of a national campaign to establish legal protections for immigrant children held in U.S. government facilities. Named after the  1997 Flores Settlement Agreement that set a limit on the length of time a child can be detained — an agreement that the Trump Administration wants to rescind — the exhibits are a series of videos read by about a dozen actors from David Schwimmer to Elizabeth Rodriguez and theater artists such as playwright David Henry Hwang and costume designer Clint Ramos, along with  lawyers and advocates. They each read aloud the sworn testimony of experts and also of young people detained at the Clint and Ursula border detention facilities that were collected in June of this year by a team of immigration lawyers.

“Many of the detainees were teen mothers, already being exposed to tremendous trauma in their home countries,” Kathleen Chalfant reads the testimony of  pediatrician Dr. Dolly Lucio Sevier, who examined the detainees…The conditions in which they are being held could be compared to torture facilities….extreme cold temperatures, lights on 24 hours a day, no access to medical care, basic sanitation, water or adequate food….To deny parents the ability to wash their infant’s bottles is unconscionable, and could be considered intentional mental and emotional abuse.”

Scene at Broadway Flea Market

Celebs like Brandon Uranowitz waiting to serve their Selfie duty

Adam Cohen, who plays the rabbi in Fiddler on the Roof in Yiddish, baked cookies for the Fiddler table. Notice the clever brown paper poster behind him.

Staffing The Lion King booth at the Broadway flea is Local 1 stage hand Nick Liotta, who made up his own Lion King stage hand T-shirt

flea crowd

auctioning

swag from Roundabout

child buskers

a collage of The Cher Show by the entire cast, auctioned off for Broadway Cares/ Equity Fights AIDS

Broadway Live on Netflix and Audible and…

currently on Netflix

Thoughts on the new era of Broadway streaming on the occasion of the death of Betty Corwin, 98, the founder of Theater on Tape and Film (TOFT) at the Lincoln Center library.

. @MrJasonRBrown‘s 2008 musical “13” will be adapted as a family film for @Netflix by @rhorn1 (Tony-winning book writer for @TootsieMusical.) Added to my post about the evolution of Broadway stage-to- stream (@Netflix, @Audible, @BroadwayHD etc)https://t.co/xkhtfpiNV6 pic.twitter.com/uK97JPc4Ni

— New York Theater (@NewYorkTheater) September 21, 2019

  The Week in New York Theater Reviews

Dimitri Moise and Brandon Gill. Photo by Gioncarlo Valentine.

As Much As I Can

“As Much As I Can,” a show that illustrates the continuing AIDS crisis among African-American men, exists on two different planes, which are not in complete alignment with one another. It is a work of theater, running for just five days at Joe’s Pub (two final performances this evening.) The 14-member cast is largely comprised of professional New York stage actors.

But it is also an effort at outreach. The script, credited to Sarah Hall, is based on interviews with hundreds of men in two communities hard hit by HIV — Baltimore, Maryland and Jackson, Mississippi

Ken Barnett, Justin Genna

Novenas for a Lost Hospital

How do people care for one another in dangerous times? That’s the still-relevant question underlying this beautiful, sad, enraging, uplifting, and awesomely staged theater piece that sweeps through the 161-year history of St. Vincent’s Hospital in Greenwich Village, dwelling on two traumatic periods �� the cholera epidemic, during which four nuns from the Sisters of Charity founded the hospital in 1849, and the AIDS epidemic that surrounded it in the 1980s and 90s….There are many personal reasons why I considered “Novenas” a must-see…

Madelyn Rose Robinson, Susan Ly, Mirra Kardonne, Alice Marcondes, Drita Kabashi, Ana Semedo, Macy Lanceta, Sophia Aranda, Zoe Zimin | Photo by Hunter Canning

The Invention of Tragedy

“The Invention of Tragedy,” a 70-minute excursion into a puzzling world of word play, cat ears, and synchronized neon footwear, is the third of the five plays in the Mac Wellman festival at The Flea. What I like best about it is the title. This would not be the work I would personally choose as the ideal introduction for a first-time Wellman watcher. Yet there are three ways of looking at “The Invention of Tragedy” that offer some satisfactions – as a political parable, as a metaphor for Western theater,  or as entertaining nonsense full of such surface pleasures as colorful design, pleasing music and an appealing cast.

Book: Discovering the Clown

Christopher Bayes, founder of the Funny School of Good Acting in Brooklyn and professor and head of physical acting at the Yale School of Drama,…offers  many zany Zen-like observations and instructions in “Discovering the Clown,” a brief, off-beat book that attempts to translate Bayes’ teaching to the printed page, but is more effective as a tease for his classes.

entrance to the exhibition

The “Theatre is a Gamble” roulette wheel that Prince’s associate producer Ruth Mitchell created for him as a gift in 1998, with the names of his shows.

Michael Bennett, Ruth Mitchell and Harold Prince during rehearsals for the stage production Company, around 1970.

Exhibition: Harold Prince at Lincoln Center Library

The Week in Awards

New York Independent Theater Awards

Multiple-winning shows include “Eight Tales of Pedro” by The Secret Theater; “Shinka” by Ren Gyo Soh, “Electronic City” by New Stage Theatre Company. Special awards went to Magie Dominic, one of the founding members of the Off-Off Broadway movement; playwright Barbara Kahn; La MaMa curator and long-time downtown figure Nicky Paraiso,  and TOSOS – The Other Side of Silence, the first professional gay theatre company in NY

Broadway at the Emmys: Billy Porter wins 

Billy Porter is now an O away from an EGOT.

— Mark Peikert (@MarkPeikert) September 23, 2019

Celebrate @theebillyporter‘s big five-o today by rewatching his AMAZING karaoke of “Everything’s Coming Up Roses” during a #TonyAwards commercial break – captured by @JKCorden & @latelateshow. Happy birthday to a Tony Award-winning #Broadway superstar! https://t.co/4QahcPrmy1

— The Tony Awards (@TheTonyAwards) September 21, 2019

74th Annual Tony Awards will be held once again at Radio City Music Hall —  on Sunday, June 7, 2020. The eligibility cut-off date will be Thursday, April 23, 2020 — earlier than in the past (which may mean a very crowded schedule of openings.) Nominations will be announced April 28th.

LaTanya Richardson Jackson and Leslie Uggams at the 9th annual Salute Her Awards

Black women of Broadway were honored at the 9th annual Salute Her awards:  Leslie Uggams (Legend Award), LaTanya Richardson Jackson (Director’s Award), Lynn Nottage (International Playwright Award), Alia Jones-Harvey (Broadway Producer Award), Dominique Morisseau (Playwright Award), Dr. Indira Etwaroo(Theater Community Award), Cookie Jordan (Woman of Style Award), Linda Stewart (Trailblazer Award).

The Week in New York Theater News

NYC Off-Broadway Week

Beginning today, 33 participating shows, 19 of which are new to the program this season, offer 2-for-1 performances through October 6

Added to my Broadway 2019-2020 Season Guide

“Who’s Afraid of Virginia Woolf,” the fifth Broadway production of Albee’s 1962 play about George and Martha (& Nick and Honey) w/ Rupert Everett, Laurie Metcalf, Patsy Ferran, Russell Tovey. It opens April 9th at the Booth

Laurence Fishburne and Sam Rockwell will star in the fourth Broadway production of David Mamet’s rat-a-tat 1977 play about three low-level crooks conjuring up a get-rich-quick scheme. It opens April 14, though no theater yet (nor website nor Twitter!)

This apparently takes up the slot planned by the same producers for the all-female production of David Mamet’s Glengarry Glenn Ross? Its producers say it has been delayed until the 2020-2021 season.

Sara Holdren is leaving her post as the theater critic at New York Magazine in early October to go back to directing.  She was hired in July 2017.

Top 14 Most Produced Plays in 2019-2020…and 22 most produced playwrights in America

“A Doll’s House, Part 2” by Lucas Hnath and The Curious Incident of the Dog in the Night-Time by Simon Stephens have tied as the most produced plays scheduled for the 2019-2020 season, according to the annual compilation of Top 10 Most Produced by American Theatre Magazine.

Tony Kushner at the Public

Cast for Public Theater’s revival of Tony Kushner’s A Bright Room Called Day: Michael Esper, Grace Gummer, Nikki James, Crystal Lucas-Perry, Mark Margolis, Nadine Malouf, Michael Urie, Max Woertendyke added to the previously announced Linda Emond, Jonathan Hadary, Estelle Parsons.

Quincy Tyler Bernstine

Sean Carvajal

Liza Colon Zayas

Playwright Stephen Adly Gurigis

Terrific cast announced for Stephen Adly Guirgis’s new play “Halfway Bitches Go Straight to Heaven” at Atlantic: Victor Almanzar, Quincy Tyler Bernstine, Elizabeth Canavan, Sean Carvajal, Molly Collier, Liza Colón-Zayas, Esteban Cruz, Greg Keller, Kristina Poe, Neil Tyrone Pritchard, Andrea Syglowski, Benja Kay Thomas, Pernell Walker, and Kara Young.

Choreographer Raja Feather Kelly

What a pairing – playwright Young Jean Lee and director/choreographer Raja Feather Kelly in a new production of Lee’s rock concert/confessional “We’re Gonna Die” performed by Janelle Mcdormeth at Second Stages Feb 4 – March 29

Full schedule of plays-in-progress, panels and a party, etc. at @segalcenter‘s #Prelude2019 Oct 3 – 5 mostly at @GC_CUNYhttps://t.co/luZQtHekG5 pic.twitter.com/RmXVJH62uS

— New York Theater (@NewYorkTheater) September 16, 2019

The difference between principals, swings and standbys

Scenes at Broadway Flea. Immigrants Get Their Own Theater, and a Voice. Billy Porter Wins at 50. #Stageworthy News of the Week The city has announced plans  to build a performing arts center dedicated to Immigrants. The proposed Immigrant Research and Performing Arts Center will go up in Inwood, the northernmost neighborhood in Manhattan…