#BUT SHE CAN'T FOR MULTIPLE REASONS AND SHE'S JUST))

[adrianastrix]

Another thing I'll add here is something that I was coincidentally discussing with a friend yesterday: this kind of issue can only be solved if our science education (and I'm talking BOTH Natural Sciences and Humanities) doesn't rely on teachers being simply a source of "correct" information.

I put "correct" in quotes because guys. GUYS. I was in a comitee for quality control of kids science textbooks (ages 11-14), and Jesus Christ. It was a book written in the Year of Our Lord 2022 and it had a SLUR as an "alternative name" to Down Syndrome. Not to mention information that was BLATANT WRONG when you as much as googled the legal definition of a certain thing, and much much more. We obviously bombed it, but there's the kicker: the only thing our ban ensured is that this textbook collection is out of question for Brazilian public schools. Private schools can use it, if they want to.

Which means that even schools can and, as much as we try, will spread misinformation, even if it's in a small scale. The teacher in the Twitter thread very astutely identified it as a crisis of authority. If education is just a matter of relaying "correct facts", it all comes down to a matter of authority. And the poor teacher feels hopeless because she can't even say, in good faith, that her word is inherently better than ChatGPT or Wikipedia or TikTok because, guess what, she could be wrong. There's no such thing as infallible authority.

There's only one solution, one that Education Scientists (which ARE a thing, I'm one of them!) have been saying since, I dunno, THE 18TH CENTURY: giving kids an education centered in DOING science, not memorizing its products. The teacher started amazingly by asking the kid to "look it up" in front of her. But what she COULD have done, if prepared for this kind of challenge (I obviously don't fault her for freezing when confronted by something for the first time) was to ask for the notebook or cellphone and show the student what she meant by "look it up" and how the results vary. And tell him that NO single source should be trusted, either her or ChatGPT, and when sources disagree, what should be the tiebreaker?

In other words, the only antidote is showing the kids HOW science is done, HOW you arrive at conclusions, and HOW documental research is done. Science isn't something that Very Smart Geniuses do in their ivory towers to create The Truth. It's science, not a sacred religious ministery. Science is mundane, messy, controversial, and everyone* can do it with a bit of training, just like everyone* can cook or sing or draw with the proper training. [*"everyone", of course, being a rethorical generalization; obviously there are circunstances in which people might NOT be able to do it, or might need especialized assistance that others don't need, but those are the exceptions, not the rule.]

The main reason why our education is stuck in memorization and trying to out-authority the internet has a name: Standard Testing.

It's LEAGUES easier to test for how many facts someone can spew exclusively from memory (you just need a multiple choice test that can be graded by a machine) than it is to test students for their ability of create, research and communicate knowledge (the current optimal way to do it is the whole process of writing a monography/dissertation/thesis).

The whole EVALUATION system holds us down WAY more than the teaching methods themselves, because when you are teaching scientific abilities, you WON'T be sparing time to ensure that all your students are commiting definitions and formulas to mind. At the VERY least, tests should allow students to search for the info they need: this alone already demonstrate that student's ability to research, compare and choose correct information.

The idea that you can compare kids by a test that quantifies the amount of information they have on their heads, and that once they perform well on a test, that info is certified as correct and true is RIDICULOUS. Information on the brain degrades with time, unless you need it constantly. And people who grade tests are human, humans can be wrong. The accepted answer in a test can be wrong.

But we have to maintain the illusion that we can OBJECTIVELY rank students, schools, school systems and nations on how much knowledge they have. Otherwise, how investors will be reassured that they are "top quality"? How private education businesses can boast that they are "the best", thus justifying their price tag? How international banks will "ensure" that the amount of money countries are investing in education are being "correctly spent" (instead of being used to repay them)?

Soooo... ChatGPT is only the tip of the iceberg. There ARE ways for us to solve that problem, there HAS been ways for it since the 18th FREAKING century. But as long as they don't make the money people happy, as long as we expect school knowledge to take the form of a standard list of memorized correct info, we will still be ineffectively fighting the robots.

[takescrackseriously]

Nevermore Theory Time!

Annabel Lee might kill Pluto

So as we know, Nevermore is based on Edgar Allen Poe's works, a very popular one of his is The Tell-Tale Heart.

In this particular story, a madman who (tries convincing us he is not mad) kills his neighbor for having an 'evil eye'. After killing said neighbor, the man then buries him underneath a floor board, but strangely enough, can still hear his neighbor's heartbeat. Eventually, the police come to investigate and the neighbor's heartbeat grows louder and louder, but only the man seems to hear it. Convinced that the police can also hear the heartbeat and are just toying with him, the man confesses to the murder. The end <3.

Due to it being very popular, I doubt RnF wouldn't atleast incorporate some elements of it into Nevermore. And we've been shown that characters can come for multiple stories (such as with Duke being from both Duc De L'Omlette and The cask of Amontillado).

Now as to how this ties into Nevermore (another person made a post similar to this but I can't find them)

Annabel Lee is shown to have connections to both insanity, with her being afraid of being considered a mad woman, and her close associations with hearts. Examples:

Her spectre missing it's heart

The Nevermore logo featuring a beating heart

When having her panic attacks, it's noted that her heart beats faster (obviously, but hear me out on this one)

She has a fear of being called mad, which is shown throughout the series, such a s when Lenore accuses her if being a madwoman

Now as to why I believe she will kill Pluto, one of Pluto's spectre abilities is called 'Evil eye'. Now technically I don't have much of a concrete motivation for the kill, in fact it is unlikely due to her fear of Lenore not trusting her.

But

What if she tries to kill one of Lenore's friends again to try and convince Lenore that this whole academy is an 'us vs them' situation? And it's literally shown to us that she isn't above (albeit more indirect) murder.

Another, more logical reason, would be that she now sees Lenore's friend group as more of a threat than ever, especially since Pluto and Duke tried to kill her. Now as to why she would do it herself, let's be honest all the Clusterfuck (except her and maybe Prospero) are idiots and couldn't even kill one man, who says what they could do to kill a another?

When this will happen, I think closer to the end of season 2, for no reason other than it feels right.

Now, (this whole theory is mainly speculation) as what I think would happen if Annabel Lee is to kill Pluto, is a discussion for another day as I am trying to figure out what the hell is up with me for making this.

Actually, nevermind, I wanna think how would they react.

Now I would assume Annabel wouldn't tell Lenore of this murder, but I personally think she'd crack (heheheh) under the pressure of killing Lenore's friend. Why? Well, the main reason she was so okay with killing Duke was because she viewed him as an extra (if that makes sense). But after her becoming friends with Prospero, she may actually start to understand why Lenore values people other than her, and this may encourage her to tell Lenore of her terrible act, out of guilt.

Or maybe Annabel suspects Lenore knows and is just not telling he that she knows.

I mean like, another possibility could be Prospero being the madman, as he does ask Annabel Lee if she thinks he is neurotic/insane, and he then tries telling her that he is sane and was roommates with Pluto, I guess.

But hey, that's just a theory, a Crack theory!

[mixelation]

been rotating a minakushi/mikoto concept, help

concept is basically: kushina and minato have an open relationship because he takes Long Missions; kushina starts hooking up with mikoto. kushina and minato would have been 19-20 when itachi is born, so i think mikoto is definitely already married. on the fence about how much fugaku knows about this and his opinion. leaning towards "fugaku is cool with mikoto hooking up with other women, because their marriage is largely political and he doesn't consider kushina a threat to their marriage*"

*for multiple reasons-- kushina can't get mikoto pregnant (important because this is why he married mikoto), kushina's not going to displace him as head of house or head of clan or gain sway within the clan from it (because she's not an uchiha), my understanding is that in japanese culture f/f romance is often seen as a phase/immature and not necessarily "real"

anyway then minato gets nominated for hokage and is back in konoha mostly full time again. instead of breaking up with mikoto, kushina pitches a threesome, and mikoto goes for it without consulting or telling fugaku. itachi is a toddler and she'd thought she'd be going back to active missions but the clan wants her to be a perfect housewife with more babies and she loves her kid but she's BORED and minakushi make her feel good. kushina is kind of envisioning this as a continuation of the "vaguely open marriage" arrangement mikoto has because kushina is not a homewrecker, but minato doesn't give a shit (and is maybe even MORE into it?) so she changes her mind quickly. she and mikoto are "best friends" so no one blinks an eye at mikoto occasionally being over late

threesome doesn't last very long because minato becoming hokage means a lot of power for him but also a lot of loss of privacy. they mutually agree to break it off and mikoto and kushina remain close friends. the timeline is such that sasuke is definitely fugaku's, but also people will question this later (i went back and forth on it, because i don't think minato is the type to abandon a baby thta's biologically his, and mikoto isn't the type to slip up with her contraceptive & i like the idea that ninja contraceptives are really really good)

anyway. flash forward a year and a half-ish and naruto is born. the affair creates a butterfly effect where, idk, there's an uchiha guard or maybe even mikoto herself on kushina's protection squad, and this is enough to tip the obito vs minato battle hard enough in minato's favor that his intervention is better. leaning towards the kyuubi being partially extracted such that there's still an attack on the village itself, but kushina reseals it into her and comes out physically spent but in no danger of dying.

so the namikaze-uzumaki family is all alive, but kushina isn't doing well physically or mentally and minato is both exhausted and stupid busy trying to clean up the mess and they have a one day old baby and no family help. (kakashi is fourteen and jiraiya is off trying to track down the mask man, and yep that's about all they have to lean on.) so mikoto shows up with baby sauske strapped to her back and is like "okay, we're a village and we help each other"

kushina: no, no, i want to be a good mom, i can do this--

mikoto: we're helping each other. you're helping me by sitting with the babies while they nap and i'm helping you by making a list of chores that need to be done by the help your husband, our benign dictator, is going to assign

kushina: but i want to be the one who--

mikoto: i know, i wanted to too. but you need to rest and hiring someone to clean your house because your husband won't your husband can't feels SO good

and mikoto tells fugaku she's basically living at her friend's just while she gets back on her feet (and isn't this SO good for the clan, her helping the hokage's wife with their baby), but then she just. never really leaves

for this AU i'm also toying with the idea of fugaku/the uchiha in general still wanting a coup and mikoto NOT wanting it because she wants to fuck the hokage in this universe, so there's some drama about what happens if the hokage cucks the uchiha clan head??? but also mikoto lets itachi be pushed through the ranks because she wants him to take over as clan head ASAP

[gayofthefae]

The biggest scam was spinning Mike's van speech as "fear is the reason I can't" instead of what it actually was, "I'm afraid of what happens when I can't".

The only way consistent with the other things he's said that he would be saying it is obliviously. He doesn't behave like he's having an epiphany and he doesn't behave like he recently discovered the answer to the question he's been killing himself over for months. He doesn't behave like he knows he has an answer before during or through his speech. So at absolute best, he is giving us the reason not realizing it's the reason and the idea is that he realized it was the reason during/as a result of Will's speech.

In that case, what prompted the speech then? If he's just sitting there scared she won't need him and has been sitting on this information the whole time, why bring it up now? That would have still been true three days ago and it wasn't what Will said because most of my conversations don't go "what if me and your girlfriend robbed a casino" "Now that you mention it, do you think she'll break up with me?"

Because he really goes down a full tangent of thoughts he has clearly been sitting on and mulling over. And there is a specific energy to those other situations we can weed out from delivery. It isn't "I almost have the missing piece for why I can't tell her I love her, your input?"

He's venting. He isn't confessing his insecurities, he's just venting. The concepts have been sitting with him but the words haven't. Those are just flowing out. He barely looks up at Will and they use multiple head on shots to convey that he isn't super aware of his presence or reactions. He's just word vomiting here. He isn't doing it for Will's input but he also doesn't seem to get anything out of it informationally.

He knows everything he's saying already. He just needs to say it to destress. He's venting.

This situation makes no sense for him to vent and accidentally spill the reason he can't say "I love you", and then also...not even notice. The turning point in this scene is the painting, not his fear. Regardless, that is universally known. We all feel it based on the structure of the scene. Some who argue the fear the reason try to argue that it had no bearing because it was just for Will but...well that's not how narrative structures work so moving on.

The turning point - the change to him being able to say it - is the painting, not his speech, and is treated as such. So for us to earn treating his vent as the turning point, he would need to treat it that way. He doesn't. He has no visible change during that monologue. It has changed nothing. He was just getting something off his chest.

He vented a fear. It was comforted by Mike. That comfort shifted things.

NOT

He explained the reasoning which was based in self-doubt. Will corrected his self doubt.

That second one also just totally undermines Will sacrifice. Will made a major sacrifice and it was not in vain, which it would be if it had been "realization!...compliments, that's nice" as opposed to "issue, solution".

[glisten-inthedark]

Stranger Things Music

I just saw this post and I won't be able to get too much into it now, but some general thoughts that might help.

First, as the OP pointed it out the song 8:15 used the same notes as other important songs such as The First I Love You, The First Lie, Presumptions and Being Different.

From a musical standpoint, this is what we generally call a leitmotif. For those who aren't aware, leitmotif - or motif - is a short musical idea that is repeated throughout a composition and has some kind of thematic significance.

A good example of it is the musical Les Misérables, if you're into musicals or if you have watched it, you'll probably have noticed that notes and cord progressions are used throughout the entire thing.

I'll use the motion picture of Les Mis as an example. If you listen to Look Down, and then listen to Paris that they named Look Down, they repeat the same notes and rythm that they used in Look Down.

And if you hear the 2:21 mark of Look Down and then hear the song Own My Own, you'll notice both share the same cords.

This is what a leitmotif is - and I'm mentioning the more obvious ones used in Les Misérables and not the really obscure ones just so those unaware can picture it better.

But the notes and chords or rythms are supposed to represent an idea, or a character.

Another good example of a leitmotif lies in Epic The Musical- couldn't miss the chance of using my beloved lmao -. Our first introduction to Odysseus as a character is a with guitar notes in The Horse and The Infant and that we later hear in Warrior of the Mind and a tiny bit of it in Monster.

Now, coming back to ST.

The fact that they created a motif and sprinkled into these songs is telling, because it needs to be there for a reason. Motifs are used exactly for that, they're meant to convey an idea or character or thought through music, they can't be repeated just because.

Andrew Lloyd Webber can definitely be guilty of that and it doesn't work. And the fact that they created one and used it multiple times is telling, because is not the type of soundtrack that necessarily needs motifs.

Thanks for the OP for adding when the songs were used, because it makes my life easier.

The first Lie (Nancy and Jonathan realise they are in love with each other)

In this case, we have both characters facing a truth and accepting it. However, there's also the title of the song that serves as a juxtaposition of what the scene means.

Presumptions (first used whe Max is invited to Halloween)

Someone new is brought into the group and I'm pretty Dustin is the one that invites her (?) either because he assumes he has a chance or because he genuinely wants to get her know better.

The first I love you (First used when El tells Mike she did hear him confess he loved her, also used when Robin comes out to Steve)

In the first case, it was in one way used to signify El's feelings and in the second as one character opening up to another about something deep and private about themselves.

Being Different (first played when Will confesses in the van)

Will talks about his own feelings but masks them as El's own feelings to reach Mike and then lies about the painting and either Mike is unaware or is hopeful that it means something else while he's not entirely sure.

Eight Fifteen was first played when it was revealed El lived with Hopper.

So in this case we are being made aware of something no one else knows other than El and Hopper themselves and are let in their secret.

So is there a thematic thread that connects these moments? Or is the thread in the titles of the songs?

And another important question is when are these songs reused and again in what contexts were they used?

Because that could tell us something as well.

[ayulaoneone]

It's fucked up that pets are dependents and you need extra money to feed them and shit and you have to consider that before you get one. In my opinion when you put a collar around a girl's neck and watch the personhood drain from her eyes she should become immortal somehow also.

[starry-bi-sky]

more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)

Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.

It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.

(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)

-

In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.

(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)

Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.

He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.

Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.

(“Oh, and if you find him, kick his ass for me.”)

Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.

(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)

(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)

(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)

-

Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.

(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)

Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.

Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)

-

Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.

I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.

(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)

In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.

And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.

[givemewallywestorgivemedeath]

K but the fact that Kristen is just a regular human being. Just a standard, average person in a land filled with mystical beings and magic spilling from every crack, nook and cranny.

And here's Kristen Applebees, the first born child of typical suburban parents, born into a religious neighborhood where everyone goes to church every Sunday and prays every night and everyone has a white picket fence with a perfect manicured lawn and not-so-subtly shuns those who are in anyway different from them.

Was Kristen not chosen by her God, by Helio himself, because of her perfect average parents with their perfect average house in their perfect average neighborhood?

Kristen wasn't rich, she didn't have a powerful bloodline, her parents weren't important, there was no prophecy foretelling her birth. No, Kristen was an attainable goal. Kristen was a good example for the youth, an example of what could be achieved if you just played along and played your part.

Kristen was destined to be the perfect picture of a devoted follower of Helio. She was the poster child, born smack dab in the center of Helio's flock, surrounded on all sides by followers and moulded into the perfect unquestioning chosen one since birth.

But by choosing Kristen, by marking her as property of a God, Helio gave Kristen power. Power over him, power over good and evil, the divine and infernal. Because Kristen is promised to Helio, because she was chosen by him and prophesied to be his, Kristen wields the power to start the end of days and crumble nations with a snap of her fingers. Should she want to, Kristen could destroy the world by simply not doing that, by not ending up in Helio's afterlife to live for eternity by his side, by proving a God wrong.

And it's with this power, this leverage that Kristen holds over Helio's neck like the sword of Damocles, that Kristen is able to free herself from his grasp. It's slow, at first. Joining a 'risky' school, meeting people outside of the religion, questioning elders, researching history and religions. And she doesn't understand how much power she has, not at first, because the power she possesses isn't magic, but a divine promise and unspoken rules that govern a world that she was never supposed to know.

But despite not having magic, despite being chosen for her averageness, despite being trained to be naive and blinded to the realities of the world, Kristen is overpowered as, if you'll excuse the pun, hell.

Helio creates divine religious scholars to protect her when she doubts and strays from him. Helio creates an entire new deity and religion for Kristen, allowing her to think that YES! (and, later, YES?) is it's own separate power from his and he does all of this, not out of generosity or love, but because he needs to keep Kristen alive. Kristen cannot die before she rejoins Helio's flock or the divine promise will break and Helio would be fucked.

So Helio gave her power under the pretense of it being from elsewhere, solely so that he could keep Kristen alive until he changed her mind.

And then! And then Kristen dies! And is revived. And she's Saint Kristen Applebees now (but the Saint of who?) and Helio has fully given up on her and turned his back on her (but his prophecy cannot be unspoken and he cannot be proven wrong so does he really? Can he really?) and Kristen finds a new God, a broken God and Kristen chooses her.

Kristen names her, creates her, Cassandra the Goddess of Doubt and Night, and Kristen finally has her religion, a source of power that doesn't stem from Helio, she's finally escaped his grasp.

And yet.

And yet, Helio still spoke his prophecy, still chose Kristen and she will always have that power over him.

And yet, in his own foolish shortsighted attempt to keep Kristen within his grasp, Helio still created a deity for her, a separate divine entity that chose her as well.

And yet, Kristen is still the undying, the follower of Night and Doubt, Saint Applebees, Creator of Cassandra.

With no real magic to speak of, with nothing special in her bloodline, with no real talents or money to her name, the perfect picture of normalcy in every way, Kristen has managed to twist the divine sphere around her little pinky finger. She has so much power and she has so little awareness of it.

And also she's going to be President, bitch.

[theyonapodcast]

I love the first time Soo-Won supports Lili.

It feels like an overreaction to burst into tears over, essentially, "Go for it," but makes sense when you realize no one takes her seriously.

Her father, Tetora, and even Yona view her as someone in need of protection. They coddle her.

And then here comes Soo-Won, telling her she's capable of making a difference.

That she did make a difference. He acknowledges her strength and believes in her with ease while people closer to her struggle to accept that she's useful.

[chalkrub]

Pixie had to be put down yesterday and it was one of the hardest things I’ve ever experienced, she was such a special gentle little girl and I’m going to miss her so fucking much it’s hard to really comprehend right now. I’m so thankful I got to spend 20 years of my life with her, which is basically as far back as I can really remember – love her more than I can say

not sure if i'll post more or less art over the next while, depends on how i cope with it but heads up either way.

much love, give your pets a kiss for me

[navree]

unfortunately the percy jackson show means percy jackson discourse which means i once more have to see dogshit takes about rachel elizabeth dare, who did literally nothing except have a relationship with a boy she liked for a couple months, but the freaks are at it again because there's no worse crime in the world than being a girl getting in the way of a ship for a nanosecond

[wawamouse]

Me? Well, I've... I've mostly been a loner.

[smilingmxsk]

At The Moment, You Want...

to love

you keep this homemade soup to yourself, and you've made too much. it simmers, you keep it warm for yourself, and nobody else. you long to share, but you're insecure, or afraid. what if they don't accept the offer, or what if they don't enjoy it? what if they push it away? it's slowly boiling. you made too much, and it could overflow any moment, but you're trying to hard to keep it under control. you don't want it to spill out. part of you wants it to, but it'd be a mess, right? your heart longs to love someone, to express love to those around you, but you're afraid. you keep it inside, along with so many other things, and can't bring yourself to properly express it. it's probably someone in specific you want to love, but something is in the way, a block of sorts. let yourself love freely. share your love, for you have so much of it inside of you.

tagged by: @violetgleams (THANK YOU)

tagging: @rexpyre @lunaferrous @sanguine-salvation and YOU

[pa-pa-plasma]

kind of frustrating that people took "fat does not equal unhealthy" to mean "fat is not unhealthy." sometimes being obese IS unhealthy & excess fat can cause a lot of problems. ignoring health issues isn't progressive. real "oranges kill people with depression" moment

[floralovebot]

ik i call out winx fans here a lot for racism but like,, the fan space here is genuinely so much better than any other social media. i've been looking at winx edits on tiktok and holy shit they're all so fucking mean?? every single comment section is just full of people complaining about how much they hate Insert Character Here, there's constant fighting between the editors, so much misinformation,,, its so bad!! even though there are people here who aren't as fond of certain characters, they mostly keep it to themselves and at the very least don't fight with other fans about it. like,, the fandom here is just full of really creative people who bonded over liking winx, which is what fandom should be, but the tiktok teens turned it into some pissing contest about which character is better. i'm so glad fans here aren't like that god it'd be so miserable

[selfinflictedgunshotwound]

i also find it very funny how people think laura actually cared about james at all when his name is only mentioned 4 times in the secret diary and they all occur in the same paragraph in which she's mentioning lying to dr. jacoby *scratches head* ... meanwhile here's just a few of the times she mentions bobby

like idk you tell me who she was actually in love with