#BUT IT HAS GREAT PLOT AND WORLD BUILDING AND CHARACTER RELATIONSHIPS
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collegetennisoriginstory · 3 hours ago
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Idk if this has been asked before but is CT:OS a standalone game or will there be sequels?
Haha. It absolutely depends on whether I can continue writing interactive fiction for the next 2 years, 4 years, or way more. Finances and whether I end up writing full-time somehow are a big factor, as is interest/burn out :)
If I've only got another 2 years in me, likely CT:OS is a stand-alone game.
If I've got 4 years, probably substantial DLC content using some of the ideas in PT:OS (below) but I've got so many other games/plots I want to try my hand at.
If I've got way more years in me... definitely a CT:OS sequel (or two, to be exact). TLDR above the cut, long ramble below the cut.
Pro Tennis: Origin Story
Where MC is 4 or so years out of college, has turned pro, and has risen slowly, painstakingly through the challenger tour ranks, and is now trying to break into the Top 50. At their age, it's probably a make-it or break-it period, as if they don't succeed then, they'll probably never succeed.
While CT:OS is about found family and coming of age and pursuing one's dreams, which I love, I'd want PT:OS to be about losing faith in one's dreams or one's talent, wondering if their sacrifices are worth it, wondering if one's actually good enough (or crazy enough), building a family of people who are firmly in your player's box (who has faith in you even when you don't have faith in yourself.)
More about PT:OS
Choose what happened to their relationships after college and after the first couple of years on tour (I love writing exes: e.g. broke up in college or breaking up fresh out of college cause the tennis road-life/ambition etc. killed the relationship)
Additional stats to balance like money/sponsorships/media presence/fame, and just... normal adult struggles like cooking for yourself, doing your own laundry, booking your hotel rooms, making ends meet (see elaboration below)
I want to write a story about being in a long dark tunnel, wondering if one should keep pushing, keep grinding, keep sacrificing their life and youth and sanity and relationships for this insane dream of being a tennis player
I'd probably keep the original cast of ROs, but introduce maybe 2 more? Perhaps a celebrity e.g. actor/musician (we all know how those love to flock around tennis players, but only famous ones), and maybe one's coach for spiciness?
As someone whose favourite part of Challengers was not, in fact, Zendaya's hotness (gasp, blasphemy) and instead, the scene where Patrick Zweig's character is struggling to find a hotel room for the night & starving & desperate for calories, I really want to make a game where the player not only has to deal with playing tennis, but also all the other practical life bits that need to align in order for a Top 200 or Top 100 player to become a Top 50 player.
Like yes, there's the Nadals and the Williams sisters and even the Nishikoris (who never quite lived up to their potential) but what of the players whose names you've never even heard of?
I'm interested in class (how only rich people get to tough it out / stick it out for years without significant sponsorships) and also race/gender/sexuality and how that coalesces with finances and media presence etc.. and also how mediocre players scrounge together a team to support them, plus of course the emotional toll of always being on the road (and always being exhausted) without ever seeing much of a pay-off until they crack some invisible threshold of 'greatness'.
Finally, the trilogy would probably be rounded out with a final game.
Third game (no idea what the name would be)
MC is older, maybe 30? And has suffered some career-ending event (injury, horrific tailspin drop-off) after winning a grand slam, perhaps seeking one final shot at proving to the world that they do have what it takes to be a champion, a legend to be remembered as someone who isn't just a one-slam pony.
Themes explored would be:
Age (when is it too late to hang up one's boots?) and still feeling like you've got what it takes even though the world's telling you you're past your prime, the limits of physicality
Trying to rebuild something that has been broken, when everyone's telling you that it'll never be fixed
Leaving a legacy, fame, self-worth (figuring out what to do when one is stripped of something that has been a guiding star)
Maybe even addiction?
<This would be the game that would be most heavily inspired by Carrie Soto>
If you read all of that, wow, I'm impressed, and yep, that's what I'd foresee for CT:OS. A trilogy, if I've got it in me.
RO speculations:
Tobin could even become one's physical trainer or nutritionist/physiotherapist, though maybe that's a bit of a stretch.
Sam could become world's most biased sports podcaster/journalist
Rayyan continues as MC's rival/(possible lover)
G is ... still adamantly Not Part of the Tennis World even though they attend every game?
What do you guys think?
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bahablastplz · 10 months ago
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SKZ Recs (NSFW)
As a chronic fanfic reader, I have a lot of recommendations. So, these are the ones I think about the most. All of them include smut, so they're 18+. Red text indicates fics on AO3. Go support these amazing authors!! Enjoy!! <3
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Bang Chan 
The SKZ house @writeonwhiskey (Chan x reader x Hyunjin…SKZ but make it a frat… and also sexy) 
Silent cry @j-0ne25 (Fake dating/friends to lovers, live laugh hurt comfort… emphasis on the hurt) 
Love is intuitive @skzonthebrain (forbidden love and angst… so emotional and loving <3) 
Kinktober Day 8 @dreaming-medium (breeding, best friend, fake dating, so sweet and spicy) 
Summer in Seoul @writeonwhiskey (strangers to lovers, summer love, spicy and romantic) 
Saturday mornings @skzdarlings (Chan/reader/Seungmin where Seungmin is an absolute menace that gets reader in trouble… dom Chan is so good in this one omg) 
It’s cold out @therhythmafterthesummer (roommate Chan is going through his rut… oops there’s more ABO on this list than I realized sorry not sorry) 
Bodyguard: The first guard @skzdarlings (A sequel to the bodyguard, an ongoing work that has elements of enemies to lovers and great, in-depth world building and character development)
However you want it, lover-lover @cbini (you ask your bf Chan to step on you after watching spicy edits of him on tiktok omg)
More than just friends @kwanisms (roommate Chan is entering his rut... he's usually able to control himself but this time you're ovulating. sprinkle some brat taming in here as well and it's so delicious)
Lee Know 
The Experience Project @leeknowsallyoursecrets (Enemies to lovers Lee Know, really good plot and relationship building!) 
Sanguis Limerence @jl-micasea-fics (Vampire OT8, Lee Know x Reader x Chan, SUPER good world building, especially in their sequel with the backstories… I was so invested. And it’s super hot)
Barb Wired Brat @roseykat (BDSM Lee Know with reader going into subspace… awakened things in me) 
Audience @gimmeurtmi (2 min, wet dreams, exhibitionism, degradation… yeah) 
Well Shit @2chopsticks2eyes (Brother’s best friend, inexperienced reader, enemies to lovers and fwb… literally so good) 
Sea May Rise, Sky May Fall @skzms (Lee Know x Reader x Han, complete series, Pirate AU with beautiful world building, in-depth characters and GREAT smut. One of my all time favs)
rsvp @cbini (teasing dom vampire boyfriend Minho and you get the punishment you deserve... brat taming and so so so sexy like it's insane)
Changbin 
 The accidental acquisition of sugar @skzdarlings (accidental sugar daddy Changbin x reader that’s absolutely hilarious with great smut) 
Valentine’s series ‘do you really think you���re in a position to give orders’) @skzdarlings (forbidden love/romeo & juliet style but with gun play… um this was so hot tho) 
Close your eyes (...And count to seven) @MysteryBird (Possessive gang leader bf! Changbin that you’re trying to piss off by sleeping with the other members… 100k+ words and so delicious) 
Hyunjin 
Praise kink Hyunjin @dreaming-medium (A kinktober fic, enemies to lovers detective Hyunjin… absolutely delicious) 
Snowed In @moonjxsung (really artistic, heartfelt, and beautifully written)  
Jury’s still out @straywrds (rivals to hooking up/hate sex… super spicy and hot) 
Dressing down @jl-micasea-fics (shopping trip with best friend Hyunjin turns out spicy ahh the chemistry) 
Four of wands @straywrds (beautifully crafted story I was so immersed in!! witch Hyunjin and sex magick, the characters have so much depth! crazy tension)
Han 
Watch your six  @dreaming-medium (sensory deprivation kinktober ah this is engraved in my brain) 
The same but different @skzdarlings (ahh hanlix fairy au where they’re linked with great world building and is so funny… I maybeee think about this every day) 
Sea May Rise, Sky May Fall @skzms (Lee Know x Reader x Han, complete series, Pirate AU with beautiful world building, in-depth characters and GREAT smut. One of my all time favs)
Screen Identity: Mismatched Passion (SIMP) @leeknowsallyoursecrets (Spin-off series to the experience project! Jisung x reader enemies/academic rivals to lovers in which they’re both anonomously sexting each other on discord without knowing who’s on the other end of the screen!!! top tier level tension)
Felix 
The bodyguard @skzdarlings (Forced proximity, enemies to lovers, had me SUPER invested and made me cry) 
The same but different @skzdarlings (ahh hanlix fairy au where they’re linked with great world building and is so funny… I maybee think about this every day) 
Snap out of it @2baabbies (Felix gives you the option to either go home with your shitty boyfriend or go home with him at the end of the night ahhh!!) 
Seungmin 
Bet on it @skzonthebrain (Academic rivals, enemies to lovers and such good tension/chemistry) 
Audience @gimmeurtmi (2 min, wet dreams, exhibitionism, degradation… yeah) 
Saturday mornings @skzdarlings (Chan/reader/Seungmin where Seungmin is an absolute menace that gets reader in trouble… dom Chan is so good in this one omg) 
Seungmin + hairpulling @straykeedz (kinktober fic, best friend Seungmin finds out you have a thing for hairpulling and can't get you out of his head... this is taken straight from the deepest depths of my fantasies i s2g)
no nut november @gimmeurtmi (this whole nnn series is fantastic but seeing Seungmin lose his composure because of his breeding kink does something for me)
august is a fever @seungminheart (mean dom Seungmin... you don't think he is really into you so you see how far you can push him/I love mean dom Seungmin and I think this fic does it just right)
I.N. 
Lavender boy @hyunsvngs (A/B/O Alpha jeongin… super sexy and great dynamics) 
Clueless @jeongin-lvr (inexperienced big dick I.N. that just wants to make reader feel good… also omg he’s so hot in this pls) 
Better and better @seungminheart (sharing a bed, best friend Jeongin, amazing banter, soft dom Jeongin, brat taming, every trope from my hopes and dreams)
Third leg? @beesspacedotorg (huge dick alpha Innie... some brat taming, great banter and dynamics and sexy)
OT8 
Sharing a bed series @skzdarlings (Best trope ever and they really do it justice) (Chan's is linked but you should read all 8)
Sharing is caring @skzms (Minsung x reader x OT8… really well written spice) 
Fake texts @thefantasyden (I swear these are like crack I read them every single time) 
Kinktober23 @roseykat (one of the first SKZ blogs that I started reading that really brought me deep into the fandom… My fav from this is Table Manners and Bible Studies, and it has a part 2)
All Bark no Bite @doitforbangchan (Main pairing is Chan x Reader with some OT8, it's an ABO au with some really good spice)
Masterlist
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frailsituation · 10 days ago
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Tips for writing plot twists
1. Start with a false sense of security
• The best plot twists work because the audience feels confident they know what’s coming.
• How? Lay down a trail of clues that mislead without outright lying. Create a sense of inevitability.
• Example: A detective follows all the evidence to one suspect, only for the real criminal to be someone they completely overlooked.
2. Plant the seeds early
• A plot twist is most satisfying when it feels inevitable in hindsight. Subtly sprinkle clues throughout the narrative.
• How? Use small, seemingly insignificant details that take on new meaning after the reveal.
• Example: A side character is always conveniently absent during key events—later revealed to be orchestrating everything.
3. Subvert expectations without betraying logic
• A twist should surprise readers, but it must feel plausible within the story’s framework.
• How? Flip assumptions in a way that feels earned. Avoid twists that rely on coincidences or break the rules of your world.
• Example: A character who appears harmless and incompetent is revealed as the mastermind, with subtle foreshadowing tying everything together.
4. Exploit emotional investment
• Twists land harder when they involve characters the audience deeply cares about. Use relationships and personal stakes to heighten the impact.
• How? Create twists that change how readers perceive the characters they thought they knew.
• Example: The protagonist’s mentor is revealed to be the antagonist, making the betrayal personal and devastating.
5. Use red herrings strategically
• Mislead readers by planting false clues that draw attention away from the real twist.
• How? Make the red herrings believable but not overly obvious. They should enhance, not distract from, the story.
• Example: A mysterious object everyone believes is cursed turns out to be completely irrelevant, shifting focus from the true danger.
6. Timing is everything
• Reveal the twist at the moment it has the most dramatic or emotional weight. Too early, and it loses impact. Too late, and it feels rushed.
• How? Build tension to a breaking point before the twist shatters expectations.
• Example: A twist that flips the climax—when the hero thinks they’ve won, they realize they’ve fallen into the villain’s trap.
7. Allow for multiple interpretations
• A great twist makes readers rethink the entire story, encouraging them to revisit earlier scenes with new understanding.
• How? Design the twist so that the story works both before and after the reveal.
• Example: A character’s cryptic dialogue is recontextualized after the twist, revealing their hidden motives.
8. Pair the twist with consequences
• A twist shouldn’t just shock—it should change the trajectory of the story. Make it matter.
• How? Show how the twist raises the stakes or deepens the conflict, forcing the characters to adapt.
• Example: After discovering the villain is their ally, the protagonist must choose between loyalty and justice.
9. Keep the reader guessing
• A single twist is good, but layered twists create an unforgettable story. Just don’t overdo it.
• How? Build twists that complement each other rather than competing for attention.
• Example: A twist reveals the villain’s plan, followed by a second twist that the hero anticipated it and set a counter-trap.
10. Test the twist
• Before finalizing your twist, ensure it holds up under scrutiny. Does it fit the story’s logic? Does it enhance the narrative?
• How? Ask yourself if the twist creates a moment of genuine surprise while respecting your audience’s intelligence.
• Example: A shocking but clever reveal that leaves readers satisfied rather than feeling tricked.
Follow for more!
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the-knight-of-the-stars · 1 month ago
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Are we gonna talk about how that finale entirely erased any conversation about class divisions or are we too focused on ships?
Are we gonna talk about how Caitlyn for a good chunk of the season willingly enforces violence and opression against the lowest class, no doubt directly causing more deaths and suffering, and she is forgiven by the narrative without any meaningful reflecting?
Her great moment getting together with Vi is right after she JUST had a conversation with Jinx where we see she STILL doesn't recognize any class bias she clearly has, insted making it about HER.
Her and the other enforcers are treated like noble heroes in the final battle, all the blame put on Ambesa. Vi's happy ending is getting into a relationship with the exact type of person who perpetuated all the suffering she endured as a child.
Are we gonna talk about how Jayce never leaves his privilege pedestal, never actually reflects on how he was also enforcing violence to the people of the undercity and living on his bliss of progress at THEIR expense?
Jayce, who got help on every step of the way to get to where he is, who wasn't disabled, who never lived the kind of poverty or class obstacles Viktor did, who never recognized the harm he enabled and was complicit to, HE was the one to tell Viktor "People build their own destiny." and "There is beauty in imperfection" ?????
Not to mention the whole bit where he implies Viktor did all that because he wanted to "eradicate what he thought was weakness"??? Didn't we stablished Viktor wanted to HELP THE PEOPLE FROM THE UNDERCITY TO HAVE BETTER LIFE CONDITIONS?? don't try to gaslight me.
I know this is just a TV show, but I need to remind everyone that what perpetuates opressive, discriminatory and violent systems as long and as deeply as they do is indiference. Is turning your head and enabling others to stay ignorant.
Edit: You guys are misunderstanding me. And I admit it is probably my fault, I wrote this high with emotion I wasn't as eloquent.
Jayce's exact choice of words or his time living in the alternate world is nowhere near my point.
My point is, that the narrative is establishing that the privileged character, is the one that has to show (and is quite literally, textually, always the one to show) the underprivileged character that "he was looking at life the wrong way." Forgetting that Viktor's journey of feeling powerless was greatly influenced by the fact he was poor and from the undercity.
That's what I meant by it erasing the part of the plot about class systems. In the end, the story only requires Jayce to understand Viktor's struggle on a superficial level, but the text never recognizes that it as the product of a deeply rooted SYSTEMIC ISSUE. One Jayce and even Viktor on some level, benefited from and perpetuated.
Understanding Viktor still doesn't give him any moral ground, and nobody ever challenges him on that because the story isn't interested in that anymore.
And the same with Caitlyn. She knows what she did what's wrong, fine, she feels bad. Like I said, she still has a class bias, and no character challenges her on it again because the story derails to magic and fighting and whatnot.
The plot just forgets (or ignores) that layer of the story despite it being so prominent up until now.
And ignoring the class discussion does a disservice to every single character because they were initially built on it. You can see it in how they lose the essence they had on s1.
I know y'all love the characters and want to empathize with all their motivations, okay? But the fundamental issue is that characters also represent things, and more so in a story as political as this one. We also have the right to point out that the show told us they represented something and then abandoned that narrative.
What do I think they could have done differently? If I tell you scene by scene we could be here for an entire year. The gist of it is: I think they should have stuck to the character themes they already had established.
Vi as someone fiercely loyal to the undercity beyond her relationship with Powder/Jinx, and being "cursed" by the role of the older sister. Jayce as someone with good intentions but who is ultimately limited by his blind idealism. Mel as a cunning politician who thinks she is on the right path because she isn't violent like her mother, not realizing she is still perpetuating it. Caitlyn as someone kind and compassionate who realizes the institutions she believed in are fundamentally flawed, and because of the way they are built will never be on the side of kindness. Etc, etc.
None of that gets any meaningful resolution.
I am glad if you liked it, or got something from it, you are entitled to your opinion.
I wanted to say this because I was angry, and still am. Because there was so much incredible potential, and honestly, to me, it feels like the writers chickened out on actually saying something in the end.
That's all I have to say about that.
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tosahobi-if · 1 year ago
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GAME OUT NOW
Misfortune begets misfortune; evil will prey upon itself. Just as how the fox cannot live without the rabbit, the predator must understand what rises will fall.
Long before you were born, the Great Calamity, a calculated effort by Magyo cultists nearly wiped out the entirety of the Jungpa sects. If not for the noble sacrifice of the peerless Sword Saint of the Mount Hua Sect: the Divine Blade, Yeo Jinhu, demonic forces would have rent the heavens and the earth asunder.
Despite his triumph, nothing would ever be the same – the losses were staggering, the task of rebuilding the sects to their former glory seemed to prove an insurmountable challenge. Yet nearly two decades after his death, peace returned to the land once more.
After the death of your parents, you lead an ordinary, if not monotonous, life as the playmate of the spoiled young master of the Mount Hua Sect. However, all is not what it seems. Following the mysterious arrival of an amnesiac with strange abilities, whispers of a plot brewing in the shadows start to surface, and the world as you know it begins to fall apart around your feet.
Suddenly confronted with the uncertainty of the future, you must unravel the tragedy of what truly conspired all those years ago before you risk losing all you hold dear.
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tosahobi (18+) is a muhyeop choose-your-own adventure game centered around elements of korean folklore and taoism in a tale of family, grief, and heritage.
play as a customizable main character: choose their physical appearance, gender, pronouns, sexuality, and more.
explore different relationships: from platonic to romantic to familial, build a variety of relationships with the cast (and hopefully make more friends than you do enemies.)
choose from different skill sets: pick between medicine, weaponry, tactics, and hand-to-hand combat. each field comes with its own advantages and disadvantages that affect multiple scenarios as the story progresses.
choice-driven story: with several routes and (many) choices, fail or succeed and find your way to an ending (whether it be happy or not.)
something is incredibly wrong: can you feel it too?
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THE YOUNG MASTER
Yeo Jinwol of the Mount Hua Sect, is the youngest son of the sect leader. Contrary to his charming public demeanor, he has a childish side and can be extraordinarily stubborn. Having grown up in the shadow of his elder brothers he is fiercely protective of those he considers precious to him and struggles to measure up to the expectations placed on his shoulders. Assigned his playmate at a young age, whether you consider it fortuitous or not the two of you have been stuck together for years.
THE ENIGMA
Yul is your sajae, a disciple under the same master as you. Despite their amnesia, they're preternaturally talented at whatever they set their mind to. With strange yet unexplainable abilities that seem to stretch far beyond the scope of their powers, their missing memories may be the key to unlocking the answers you seek. Reclusive yet dedicated you'd almost think they were far, far older than their age if not for their intense sweet tooth and their tendency to follow you around like a very clingy second shadow.
THE PRODIGY
Baek Iseul, the Frozen Blade, is the rising star Emei Sect and has long been hailed as the next Sword Saint. Contrary to her cheerful personality you've never met anyone with a sharper gaze before. Hailing from obscurity, her power rivals even those who have trained for years and years, and has amassed an ever-growing collection of heroic feats under her belt. Popular and well-liked with a mischievous streak, you're really not sure why someone with such a promising future has taken a liking to you.
???
if to transcend means to leave the world behind, bind me to the soil so even long after my death, long after my body has turned to dust, i can find you once more.
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utilitycaster · 16 days ago
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Do you think this episode is so boring because they brought back the Nein and reminded us how good they are? I keep thinking about this as I'm absently watching this episode, saw your post and would love to hear your thoughts on it. Because like, at least to me, most villains this campaign are painfully boring. But the Weave Mind are also boring. That was fine, M9 handled it perfectly and I loved it. Ludinus is arguably the only kinda interesting bad guy and a PC's mom is in mortal danger and I can't manage to care.
I don't find Ludinus and the Weave Mind boring! I don't find Liliana boring either! And I found Ozo Cruth and Otohan Thull DREADFULLY boring but actually, the fights with them are pretty fucking great. I mean, I have a LOT of criticism about the first Otohan fight that boils down to "this was EXCEPTIONALLY poorly signaled and I'd be PISSED if my character was killed for someone else's arc at this point in the story" but Otohan being boring is about the non-combat elements; she felt very real and compelling as a THREAT, just, she could have been a giant blender of magic knives that the party was going to be dumped in for all she had an impact on the story as a person. But I do think it is because we've seen the Mighty Nein and Vox Machina recently and remembered that they're orders of magnitude more compelling.
I think it's really like...I don't even want to say Bells Hells isn't bonded, but they lack something. I think I alluded to it in the tags of one of my posts but there's no banter between party members or sense of urgency. Like, I enjoyed the whole All-Minds-Burn/Myceit scenes a lot, actually, but after Imogen's initial (justified) panic the pacing felt unbelievably slow until we got to combat. I have found that really, for a good deal of the campaign, you have to kind of take things episode by episode and enjoy the good set pieces and scenes because it simply does not make for a pleasing and rewarding whole. The reason I didn't care about Liliana is, to be fair, partly because I think having her die would be an interesting development, but also because there wasn't a sense of "we can't stop and fuck around with mushrooms, LILIANA IS DYING" within the episode itself. No one was comforting Imogen as they ran through the tunnels. The Mighty Nein showed more personality and investment in the lead up to a fight that really, they had no more stake in other than the broad world-ending ones. As someone who's been playing a LOT of Veilguard which is all about building a close-knit team, and who's had VM and the Nein the past month to compare Bells Hells with, that lack is immediately apparent.
I said, over a year ago (possibly over two, I don't recall) now about one of the relationships in the campaign that it felt like when I see a single episode from a soap opera I don't follow. The actors are imbuing lines with emotion, but everything feels kind of disconnected. Like, this is all in a deeply subjective realm, I cannot give you a strong argument based on logic here as it's very much vibes-based, but I feel like when I watched this, my thought process was "BAFTA-winning Actor Laura Bailey is doing an excellent job of conveying the emotions 'terror and anguish over a dying relative' in this line read, and not "Imogen Temult, a character I've been familiar with since October 2021, is devastated over the potential demise of her mother.' " And I never had that issue with C1 and C2. Like, you can call it je ne sais quoi or the juice or the sauce or chemistry or the spark or whatever the fuck but Campaign 3/Bells Hells simply doesn't seem to have it for a huge number of people who have adored pretty much every other Critical Role work, and that means something. My personal thought is that it's because this has been such a plot-focused campaign without strong DM prepping of what kind of characters would be appropriately invested that we've had the problems we did (rampant indecision, lack of party chemistry due to lack of early opportunities to mingle and meld, lack of investment in each others' lives due to insufficient time focused on backstory-related plotlines), but I could be wrong, and ultimately the root cause isn't super important to this question, which is just. they don't have the it factor.
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youhideastar · 7 days ago
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Fangs of Fortune: A Primer
I keep hoping someone funnier or better with images than me will write a primer for this show, but I haven’t seen it yet, so it’s looking like I’m going to have to be the propaganda I want to see in the world.
Fangs of Fortune is a 34.5-episode drama that takes place in Ancient Fantasy China, split between the human world and the Wilderness (home of the yao/demons). You can watch it on iQiyi or YouTube. There will be some spoilers below, mostly for early episodes; photos here are from official production stills/promos. As far as I can tell, Fangs of Fortune is a (successful) attempt to get a m/m romantic pairing past the censors by giving the dudes a(n also-queer) female love interest as well, which is neat. The show cares way more about the characters than about the plot, so I’m going to follow suit, starting with…
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Zhao Yuanzhou, a.k.a. Zhu Yan
30,000-year-old suicidal Great Demon with suave DILF energy, sky-high self-confidence, and rock-bottom self-worth. 8 years before the show opens, he was possessed by malicious energy and killed a ton of people, including the only living relatives (father and brother) of this guy:
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Zhuo Yichen
24-year-old swordsman and demon hunter (head of the Demon Hunting Bureau, in fact), who wears the most beautiful costumes of all time, has sworn to avenge his family, and happens to be in possession of the only weapon that can kill the aforementioned Great Demon Zhao Yuanzhou—if only he knew how to use it.
On the dynamic between Zhao Yuanzhou and Zhuo Yichen, which is the driving force of this show, I can’t do better than this post and this post – please go read them, you will not regret it. In the meantime, please enjoy some homoerotic violent hand-holding.
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Zhao Yuanzhou shows up at the Demon Hunting Bureau very sexily and offers to teach Zhuo Yichen to use said weapon, if Zhuo Yichen will (a) swear to kill him with it once they’re done, and (b) in the meantime, let Zhao Yuanzhou join the demon hunting crew. Specifically, he demands to be paired up with this lady:
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Wen Xiao
Scholar, demon hunter, Zhuo Yichen’s sort-of foster sister, and technically the Baize Goddess, guardian of the Wilderness… but when her predecessor as Baize Goddess died, she couldn’t complete the transfer of her powers to Wen Xiao, leaving Wen Xiao unable to do the job, and sickly to boot. Wen Xiao compensates by being smarter, more socially adept, and more mentally healthy than everyone else in this cast… although I will grant that’s a low bar to clear.
While recruiting a crew to go after a pesky water demon, Wen Xiao runs into…
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Pei Sijing
Stoic archer who recently retired from demon-hunting after she had to kill her own brother; target of Wen Xiao’s very persistent affections.
Here they are being cute together:
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Congratulations, you have now met the polycule! There are also two comic-relief teenagers (with obligatory difficult backstories) and two villains, one of whom is boring and will be ignored, and one of whom is Zhao Yuanzhou’s human-hating mall goth demon ex-boyfriend Li Lun, as seen below:
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There is not really an overarching plot: in general, the plot is driven by the desire to get Wen Xiao fully powered-up as the Baize Goddess so that she can fix stuff that has gone wrong in the Wilderness, but after a certain point, most plot arcs are driven by problems caused in the previous plot arc. The writers are way more invested in putting the characters in Situations that will crunch them up against each other in interesting ways than in having a coherent plot or worldbuilding. Fortunately, they are very good at writing these characters reacting to each other in Situations, so it works out.
Why should you watch this show? First, it is delightfully gay and there is great fic for it, which you will get more out of if you’re familiar with canon (but don’t let that stop you from diving in now…). Second, the writers are really good at building compelling relationships between characters, romantic and otherwise, and in particular, they have a gift for writing two-character dialogue scenes and cute banter. Third, damn, this is maybe the most visually beautiful show I’ve ever seen in my life. The costumes, in particular, are unbelievable.
Are there downsides? Yeah, candidly, you are going to spend a chunk of the first third of the show sitting through long flashbacks that I call The Ponderous Tragic Backstories of the Het Guest Stars when all you want to do is get back to the main characters. Don’t worry, the whole show is not like this. It happens four times (three toward the beginning and once toward the end). And at least even the Ponderous Tragic Backstories of the Het Guest Stars are still very pretty to look at.
Anyway – check it out! Ask me if you have questions! Correct me if I goofed on anything! See you in Queer Poly Ancient Fantasy China!
(Edited to correct the number of episodes, thank you, @kandadze!)
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celestie0 · 5 months ago
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Are we gonna have smut in ihm soon?🤭
man it’s really fuckin disappointing and sad to spend 10 hrs out of my week to try to create a meaningful story, one that resonates a lot with me and the things i’ve been through in my life, one that i hope my readers can resonate with and see themselves in, just to get asks like this.
like, picture this. you get super excited to write this story of yours, you plan aaaaaall these secondary plot lines, introduce new characters, create different character dynamics, try to include scenes that strengthen relationships with already existing character dynamics. plan out an ENTIRE story on paper (my ideas doc ALONE for ihm has 13k+ words) and try to leave subtle clues here and there in your chapters to support a build up of tensions that’ll lead to a payoff later on in the series. oh, and this is just the planning part. did you know that it takes the average person 1-2 hrs to write 1k words? the last ihm chapter was 14.1k words. go ahead and do the math, and try to figure out how long it must’ve taken me to write it. without even counting the time spent i spent editing it.
i know that this fandom is so horny brainrot fucked up to the nines, i’ve sincerely never seen a fandom that needs to touch grass more than the jjk fandom. and admittedly, i am also super excited to write more smut in my stories! sex is fuckin cool n sexy! but let me just get one thing straight to you horny anons that send me asks like this: my stories are STORIES first and foremost. they are not VESSELS for your FANTASIES. they are not PORN with PLOT. they are my stories, that i write drawing from my real life experiences. and, hey, news flash, they mean a fuckin lot to me! i’m assuming you didn’t do the math on the 14.1k word chapter thing, but i’ll tell you right now: it took me maybe 20 hours to write ch3 of ihm. something that probs took you 1 hour to read, and then ten seconds to send me this ask. surely your tonedeaf brain can at least understand that i wouldn’t spend that much fuckin’ time writing something if it was just supposed to be porn with plot.
listen, i know that i’m not the best writer. i understand that, after reading all of this, you might be thinking “shut the fuck up bitch, your writing aint alla that for me to respect you. we only care about the smut, don’t you understand?” that’s valid. i’ll respect that. i never claimed to be a great author, or deserving of anything meaningful from you in return. ultimately, it’s my choice to spend the time that i do writing, no one’s forcing me, and i would never expect people to support me either (although i am always infinitely grateful for it and tbh the support is what keeps me writing). but what i don’t deserve is to be sent careless asks that make me feel like you see no purpose in my stories other than sex. other than smut. other than a penis going inside a fucking vagina.
anon, you know what would make me excited to continue writing my story? excited to get to the parts where characters ARE intimate with one another? is if you maybe threw in something as simple as a fuckin “hey i loved that part in ihm ch3 where [x]. thought it was a cool thing to do. btw, looking forward to the smut!” would’ve taken you a solid 30 seconds. it just took me 30 seconds to type that. or? you know what else you can do? go sit the fuck down, shut the fuck up, and spend 20+ hrs writing a 14k+ oneshot on the smut that you so badly wanna see. it’s your choice. really! i mean it. go be the change you wanna see in this world.
i have never once felt like i deserved any of the support that i’ve gotten. idk how to write pretty prose. or moving stories. i read some other people’s work on this app and i’m genuinely gobsmacked by how talented they are and constantly think how shitty my writing is in comparison. but my thing is that i am at least trying my best to write stories that people feel worthy of reading, because i feel like that’s the kind of respect that an audience deserves. i am trying my best to put my character and integrity into things that i write, even if what i produce ends up falling flat or doesn’t come across. but this ask isn’t an isolated issue. this issue has come up multiple times in the time i’ve had my blog, where people just reduce my stories down to smut smut smut smut smut when are we gonna get smut when are they gonna fuck write more smut in kickoff you should make ihm couple fuck like rabbits in the next chapter oh we better see them do [redacted redacted redacted] or else imma [redacted redacted redacted]. my fics are literally TAGGED with "slow burn romance"...i am fully transparent about it. and while i’ve also gotten so many meaningful heartfelt reactions to my stories (which, btw, were tastefully horny…yes, there is a way to send an author an ask that is tastefully horny while also appreciating their work!! insane wild concept!! /sarcasm), unfortunately these bad interactions will always stick.
like. would you ask someone you knew irl that was writing a novel, when they're gonna write the smut for it? would you tell them to hurry tf up and finish their novel just so that you can read the smut? would you send them your smut fantasies and be like "include this in your novel for ME because I want it "? no. because they'd think you're creepy n weird asf n overbearing then drop you. so why is it okay to do that to an author on tumblr? what happened to manners? what happened to decorum? especially for creators who are making you content for FREE.
if i was an author that wrote purely smut oneshots, i’d maybe kinda sorta understand (still think it's wrong asf, regardless of the content of stories that you write). but i feel like, after the 200k+ words that i’ve poured into my two stories (including the chapters i’ve written that i haven’t yet released) where it’s CLEARLY evident that these stories are much more than smut, i’d think that i deserve treatment a little bit better than this.
i’m done. i’m done trying to be nice. i’m done just silently deleting rude asf asks because i don’t wanna cause a scene. i’m done worrying about hurting people’s feelings, when I’M the one that is getting my feelings hurt while you just get to hide behind an anon.
i. am. just. fucking. done.
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bellamioneotp · 7 months ago
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Most Famous Bellamione Fics
This fic list got voted on my poll, so here it is! The fics that the Bellamione nation was built on.
All fics are on Fanfiction.net as it was the OG site for our Bellamione foundations.
Those Gilded Chains we Wear- This fanfic was published around 2012 and basically launched the Bellamione fandom into the stratosphere. The popularity of the ship began to pick up and more long form fics began to be published. It's considered a cornerstone of Bellamione culture and has inspired countless fics no doubt.
Impossible- This fic predates Those Gilded Chains and is very well written as well. It leans a bit more heavily on Hermione and Bellatrix not getting along at the start but still presents growth in their relationship. I feel this fic does not get as much recognition in the community despite it being one of the rare long fics in 2011 for the ship.
The Dark Corners of the Earth and Murder Most Horrid- Both written by the same author, this writer is still present in the Bellamione community today and writing more. The first fic presents eldritch horror in it and the second one is detective story. Both stories are long and include much worldbuilding. They kept the Bellamione community fed for long stretches of time.
Fractures, Fractures The Last Champion, and Turn Time Series,- All written by the same author, the first and second one feature the OG professor Bellatrix and student Hermione relationship that was fully fleshed out. Their back and forth was always a treat a read, as was the competition and the plot around it. The Turn Time series is also a fun read and though it can be confusing at times trying to figure out what is going on with the plot in connection to all three fics, that is part of the appeal.
Our Mercurial Selves- No longer up, RIP.
No Good Deed- No longer up on any site, this story was intense and very well written. There was always a lot of interaction between the characters and the story unfortunately cut off at a really good climax point.
Lotus Flower- A soulmate AU that sadly is not finished. But it had a good amount of tension in it that would made seeing it unfold fun to read.
Metamorphosis- A fic that has similar vibes and shares story beats to Those Gilded Chains in a good way. It is completed. Not as super popular as the other ones but still worth a read because the reveal of Hermione dating Bellatrix is satisfying.
Future Shocks- Very action based and not much Bellamione until the end, but it still packs quite a punch when reading it. A good example of how to write the horrors of war.
Reign Down- I consider this the dark au fic of all dark au fics. The world building is fantastic and reading the story unnerves me which means it's doing a great job with how it's unfolding. It has not been updated in a while but if you're looking for how a dark au should be structured for Bellamione, this is it.
Time Heals All Wounds- This fic utilized Time Travel in a way not seen in Bellamione fics before and popularized time travel fics as a way to help redeem the relationship between the two of them.
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alwaysakin · 8 months ago
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Buffy the Vampire Slayer Fanfic Rec
Guys I have so much useless fanfic knowledge -- one of my friends asked me for a list of Buffy fics and this happened.
Non-Buffy Centric, One-Shot Fics
Potential Friend by srmcd1 - a cute little ficlet that looks at what might have happened if Jesse lived.
Age Difference by Amina - for all the Oz fans out there! A time-travelling Oz gives Buffy a new perspective on life and relationships. Slightly Angel-bashing.
All that I wanted was just to be haunted by you by chasingfictions - After the events of "The Body," Jenny's ghost bullies Giles into moving in with the Summers girls. This one made me BAWL.
Appropriate conduct by The_Eclectic_Bookworm - an increasingly angry series of memos between Principal Synder & Jenny, Giles, and the other teachers of Sunnydale High. Absolutely hilarious.
i belong to time, you belong to me by chasingfictions - Dru knows when she meets Spike, that he will fall in love with a slayer. She forgets, until she doesn't. Beautiful, poetic, and very Dru.
One Girl in All the World by zedpm - a trans!Buffy AU, where she was born in a boy's body and is still the slayer. A beautifully done AU, with Oz and (surprisingly! Riley) as particular standouts. Minor Spike/Buffy.
The Holy Grail of Buffy Fics: Long, With a Focus on an Ensemble Cast. Absolute Masterpieces.
hit rewind by untiljanuary - Hands down, the best Buffy fic I've ever read. Buffy (from some time in season 6, but unclear when), is sent back in time to season 3. What makes it so interesting is that it's from everyone else's perspective! The author writes Cordelia, Willow, Faith, Angel and Spike in particular so well. Lots of interesting character work, though the plot hasn't deviated too much from canon so far.
Ships: Buffy/Spike, Angel/Cordelia, Willow/Tara, Anya/Xander. The Buffy/Angel ends on mutual terms.
two roads diverged (and that has made all the difference) by RoseyPoseyPie - a Buffy season 5/Angel season 2 crossover. Hoping to escape Glory, the Scoobies end up in Pylea with the Fang Gang. This fic is absolutely hilarious (the scene where everyone gets high and drunk together is a notable standout). The author writes Anya, Lorne and Cordelia in particular super well. Dawn and Angel's dynamic is also amazing.
Ships: Buffy/Spike, Angel/Cordelia, Anya/Xander, Willow/Tara.
don't know how to stick around, but I wanna by chasingfictions - a series in an alternate universe where Faith, instead of going to prison, joins Angel Investigations. Very Fang Gang centric, but really builds up their family bond. Darla, Faith, and Wesley were stand outs to me in this.
Ships: eventual Faith/Buffy, and minor canon pairings. Faith briefly pursues other girls, including Darla.
Best Spuffy Centric Fic
wouldn't it be nice? by SummerFrost - an alternative universe, where the will-be-done spell in season 4 goes a little differently, and Spike and Buffy start a slow crawl towards friendship that becomes... something. So soft and sweet. Has two sequels, and the season 6 one in particular is WONDERFUL.
Every Letter That You Write Me by othellia - the obligatory fandom soulmate AU. Young Buffy is absolutely adorable in this one, and Spike and Buffy's relationship is bittersweet, raw, and believable.
Choices by lafillesauvage - An AU. After Season 5 of Angel, Spike becomes human. Angel does not. Buffy still chooses Angel, and these are the consequences. Slightly excessive Angel bashing, but the characterization of Buffy and Spike, and little notes like Buffy's relationship with Giles being slowly fixed and Willow getting a non-Kennedy girlfriend are great! Buffy/Angel with a happy Spike/Buffy ending.
The Darkling by OffYourBird - the iconic time travel Spuffy fic. Buffy goes back in time and meets Spike... in the 1970s. His slow path to redemption starts differently, with tons of interesting changes in the timeline. Be warned, this one is LONG and smutty. Shout out for making me believe Giles/Anya could work as a couple!
Inside Man by HollyDB - An Angel season 5 fic. Spike calls Buffy. This shows all the things that change when Buffy has a spy on the inside of the Fang Gang. Follows canon up until the last episode, but provides fun context.
Short, Cute Cangel Fics
give them all that they can drink by eagle_eyes. The one where Cordelia is ace. Amazingly written, and the Cangel relationship is so soft and believable.
Another Chance by NikitaDreams - After the events of Angel: the Series, Cordelia travels back in time. Focus on Cangel and Connor. Lots of cute family dynamics.
Halloween Happily Ever After by GeckoGirl89 - cute, mutual pining between Angel and Cordelia in season 3. Angst with a happy ending. Really highlights how oblivious Cangel were to each other's feelings.
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hyog-blog · 1 month ago
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Fangs of Fortune (ep. 06 - ep. 07)
Uh, not Li Lun, out of all people, making everyone finally question why Zhu Yan actually killed Yichen's brother and all those people years ago. We know he lost control over his malicious energy, but why didn't anyone ask him why it happened? Come on, people, you seem to be so smart))
Well, Wen Xiao seems to be accepting enough to not care about what our gorgeous Demon Lord has done in the past, which is quite refreshing. Ambiguous, morally grey characters need more unconditional love (especially when they're, uh, 34,000 years old? XD). But he doesn't even seem to be so 'grey' at this point - he's doing too many good things right now.
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The whole thing with being a 'vessel for malicious energy' is quite intriguing. Was he born like that? Can he actually stop 'the cycle of rebirth'? Why did he 'lose control' after so many years of cultivation? I'm also trying to figure out the timeline - the killings must have happened after he dropped Wen Xiao off at what seemed to be the gates to the demon-hunting bureau. But she wasn't staying there when that stuff happened? Did his demonic self come back there just to wreak havoc or for some other reason? Was Li Lun involved? Mmmm, the plot is deliciously mysterious, I will have to wait to get those answers.
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Also, I can't even be angry with Li Lun at this point, although he's playing the bad guy now - the poor baby was so visibly hurt when Zhu Yan called him a scumbag. And that painful look he had when our Demon Lord thought something along the lines 'screw you, I know how to wake this boy up from his nightmare' and pierced himself with Yichen's sword (which, uh, seems to be quite a recurring motif and the symbolism of it isn't escaping me, nope XD). In the world of jianghu, the next best thing you can do to show you CARE apart from cutting sleeves is to stab (or get stabbed by) the person you care about. Or get stabbed FOR the person you care about.
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I also love how effortlessly Yichen is third-wheeling without creating a feeling that he's actually third-wheeling XD Wen Xiao is obviously biased towards Zhu Yan, now even more so that she knows he IS that Great Demon who accompanied her and the Bai Ze Goddess all those years ago. I would totally trust him, too, if I were her. I also love the messed-up dynamic of a former caretaker/child who's grown up because now Zhu Yan definitely doesn't give us those parental vibes, he's oozing sensuality wherever he goes (and him pretending to be all hurt so she stays with him, ahah, that whole sequence was cute and hilarious). And Zhu Yan saying something along the lines that they now get to 'meet all over again' - was it to build a new relationship with her from scratch? M-hmm, yummy, utterly delicious :D
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And you can see how Yichen kinda sorta admits defeat in the way Wen Xiao no longer needs his protection against the 'big bad demon' (the man is using his big bad demonic energy to push her swing, for Christ's sake XD), but still can't let the other man go so easily because of REASONS and that 'you'll have to pay for your sins either way' thing still going on between them. Zhu Yan does know what buttons to push when it comes to Yichen, but the feeling seems to be quite mutual (they're cute together and their interactions are so yummy 😍). That scene at the temple is EVERYTHING. And then at Zhu Yan's mansion with the swing. Is he swinging both ways? Ahah XD For a 34,000-year-old being I don't see how that could be an issue)))
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Okay, cutting and piercing still seem to be the show's love language and I APPROVE (never had a kink like that, but there's a first thing for everything, I guess XD). The undertones just make it all so yum))
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The introduction of the new character, Yinglei, was hilarious))) We also find out that the Wilderness is crumbling down, which makes the whole Bai Ze token thing even more important.
/and I've finally reached the picture limit in one tumblr post, ahah XD/
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itsbenedict · 1 year ago
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alright, i just got around to finishing Dungeon Meshi- and damn if it didn't stick the landing!
there's a lot to recommend in this manga. first- it's extraordinarily fucking funny. it does not forget that it's a comic, and consistently has great visual gags even when something deeply fucked up and serious is happening.
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and it fires on all other cylinders, too- the character designs are great, the worldbuilding is intricate and believable and does a lot of interesting things with standard fantasy tropes, the main cast is likable and has a great dynamic, the story keeps a lot of plates spinning without getting up its own ass or forgetting the details...
but the thing that really impresses me about Dungeon Meshi- the thing that sticks out as something it does uniquely well- is the theming.
Dungeon Meshi is about hunger and eating. it is about those things, hardcore. just about every plot point and every character dynamic is about that theme, approached from a dazzling array of different angles. it's got plenty to say about like, actual food and cooking, sure- but it also gets into the nature of desire, the cycle of predation, differing personal tastes, taking the other into oneself, satiation vs motivation... it makes sure that every development in the story is grounded in and building on that theme somehow.
Food is not a gimmick- Food is what the story is about, and not as a bit. this isn't a silly food-world full of food-creatures and food-magic- this is a normal, well-developed fantasy setting, in which a story is being told that focuses relentlessly on the relationship of the characters to food and eating. it manages to feel completely natural, even with so much going on that you'd think the food thing would get in the way. it doesn't get in the way. the story was designed around it, down to the smallest detail.
i think it might be a 10/10 manga! it does everything it sets out to do, completely successfully, with a ton of humor and charm. well-paced, well-drawn, well-written, good ending- i can't think of anything to complain about. highly recommended.
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late-draft · 6 months ago
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Hello! I just saw your posts about the Last Air Keyholder AU and—dear Agni!
Listen, this is beautiful. This is awestriking. This is *chef kiss*. I've always loved the initial sci-fi designs for ATLA, so it's incredible that someone's using them as a base/inspiration for an AU.
Also—your unapologetic, deliberate use of tropes? This is something extremely rare to see in narrative (tropes being intentionally used as a device) and I can't wait to see what shape they take here. Count me in!
I love this AU so far and have so many questions!
What is the vibe for the Fire Nation here? The vibe for the cities, the architecture, the worldbuilding, the culture—things like that. From the brief description we got, some parts of your world reminded me of Neo Tokyo from Akira, but maybe that's not what you're going for.
According to your previous sketch (and my inner romantic); is ZK going to happen in this AU? How do you see a possible relationship between them developing here?
Are you planning on adapting major canon plot points moving forward?
I have, like I said earlier, a lot of questions about this! But I don't want to smother you so this is all I'll ask for now. Can't wait to see what you show us next.
Have a nice day!
Hello! Thank you!! Yess a good usage of tropes is like running into a song you love that you heard many times, and still you crank the volume up! The fandom is like 20 years old, is it possible that not much stuff has been made for the sci-fi idea?
You're absolutely right, I gotta lean onto the king of megacities Neo Tokyo from Akira, but I wouldn't have the aesthetic be completely identical to it. There's mystical aspects in this AU too, and here's my initial attempt to throw together a fast vertical slice.
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Light conditions are really important in a setting and in this AU I'd have a lot of the runtime happening during dawn or sunset. There's an aura of orange light floating in but very rarely direct sun rays due to the high buildings. There should however, be lots of traffic lights of all kinds. I'm already immersed in quite a few projects that feature megacities, but each one has a different flavour and I'd be overjoyed if I manage to correctly convey each one. In this ATLA AU, there's no specific time period from IRL that would be used as a reference. All nations are grouped and mixed similar to Republic City from LoK, but this AU is noticeably way more sci-fi than the 1920s LoK. There's a large focus on all kinds of transportation and roads/railways that accompany them. Highrise buildings are specifically Fire Nation in design and ownership (usually). Lower levels have a mix of everything but they do use leftover materials and mostly cement and metal. Ground and below ground levels are brick and a maze of pipes, through which strange disused cables snake. Sometimes they tangle in great masses…
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I'm certain important characters from canon will appear, but I'm definitely not gonna follow the canon plotline strictly. Stuff like "Well there was a village being attacked by Hei Bai, so this AU has to have a village being attacked by Hei Bai…" nothing like that. I'm taking way more freedom in this AU to ensure that characters go through specific things that would be very useful to them and which allow the natural usage of respectively fitting tropes. But I'm not treating this AU as exclusively mine and nobody else's, so anyone can give suggestions! (please give suggestions!!)
Katara and Zuko first meet "racing on the opposite sides" of Aang. From starting out as Katara on her bike assisting the Avatar during chases while the banished prince is attempting to capture him, they sort of move into situations where they race each other. Zuko figures out that Katara is a major reason why all of his attempts thus far failed so he tries to change strategies and trip up Katara in whatever non-harmful way he can imagine. He's convinced, he must demonstrate, that her speed on a bike is not unreachable to him on his rollerblades. And if he shows off a couple of tricks along the way, so be it. :)
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More stuff coming up
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warabidakihime · 5 months ago
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Rules and Roses Chapter 6
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★ characters: kibutsuji muzan x reader x akaza
★ plot summary: Kibutsuji Muzan has finally decided to expand his empire, and the way he intends to do so is by running for the highest political position. With you, his darling wife, at his side, he believes he can achieve and have everything the world has to offer. He is, after all, the Phoenix of Phario.
★ fic playlist: sometimes, same day, as time stops, wolf’s song (this is also the vision board for the fic). 
★ content warnings : implied violence, self-harm and abuse, profanities, toxic relationships, smut.
★ Previous Chapter
a/n: heya! things are finally picking up and it will only go up from here and then BAM! i wasn't able to update last weekend because i wasn't doing great mentally and i was also pretty tired because of work, and so i just focused on resting last weekend. but voila! a new chapter for y'all! i've not proofread this yet, so apologies if there are any typos or parts that confuses you. will fix those tomorrow morning.
i sincerely hope you've been enjoying this fic and i really would like to hear your thoughts so don't be shy and leave a comment or two! you have no idea how much your comments inspire me to write.
anyway! enjoy reading!
--
Year 2016
A vast, icy expanse stretches before the camera. The crowd's excited murmurs gradually build into a roaring applause as a spotlight illuminates the center of the ice.
“Ladies and gentlemen, we are on the edge of our seats as we welcome back the phenomenal Y/N! The reigning champion, the undisputed queen of the ice, is about to grace us with her artistry once more,” the commentator exclaimed to the mic.
You glide onto the ice; your every movement, fluid and effortless, as if you're dancing on air. Your breath, visible in the cold, adds a touch of ethereal beauty to your performance.
“There she is! The moment we've all been waiting for! The crowd is on their feet, their eyes glued to every twist and turn. Her posture is impeccable, and her lines are clean and sharp. This is what true elegance looks like!”
The commentator continued, his voice filled with excitement and passion.
As you progress through your routine, the music swells, mirroring the intensity of your performance. You execute a series of complex jumps with astonishing ease, landing each one with precision and grace.
“And there it is! A triple axel, executed to perfection! The crowd is in awe. This woman is on a different level. Her speed, her power, her control—it's simply breathtaking. Watch as she transitions into a spin; look at that speed and the way she controls her body. It's like she's defying gravity itself!"
You transition into a series of spins, giving your body a blur of color and movement. The commentator’s voice becomes more animated.
“Unbelievable! She's a ballerina on ice! The way she blends strength and delicacy is simply mesmerizing. And did you catch that change of direction? From a Biellmann spin to a layback spin in mere seconds? It's like she's speaking a different language on the ice. A language only the greatest can understand.” 
As you approach the end of your routine, the music crescendos, and you unleash a final burst of energy. Your emotions are raw, and your movements are filled with passion.
“She's pouring her heart and soul into this performance! The crowd is on its feet, cheering and applauding. This is a moment that will be remembered for years to come. And can we talk about the flexibility? Those splits, those extensions! She's not just an ice skater; she's a gymnast on ice! A complete show stopper!”
The commentator exclaimed, his voice filled with awe.
A tear escapes your eye as you finish your routine, and you drop to the ice in a deep bow.
The crowd erupts in a standing ovation.
“A performance that transcends the boundaries of sport. Ice Queen Y/N has once again proven why she is the greatest ice skater of her generation. And speaking of greatness, this woman has it all. Talent, beauty, grace, and, let's not forget, a heart of gold. They say behind every successful woman is a great man, and this woman's boyfriend is definitely one to watch. Though we can't confirm anything, rumors have it that he's a rising star in the business world,” the commentator said, adding a touch of intrigue to his commentary.
You skate slowly towards the edge of the ice, your breath coming in short gasps. The crowd’s cheers and applause gradually subside as you approach your coach.
“And there she goes, skating towards her coach. A moment of pure relief and exhaustion. The pressure is off, and she can finally let go. This is a moment of truth, a moment of waiting. The scores will determine her fate. Let’s hope she’s brought her A-game today, but this is Y/N we're talking about; she's always on her A-game!” 
The camera cuts to the judges’ table as they begin their deliberation. The crowd holds their breath, their eyes glued to the screen.
After what feels like an eternity, the announcer steps up to the microphone.
“And the gold medal goes to... Y/N with a final score of 250.34 , a whopping 12.78 points ahead of her closest competitor! This not only secures her gold medal but also breaks her own world record, a record she has held for years! This is a historic moment, ladies and gentlemen!”
The announcer proclaimed, as the crowd erupts into a frenzy of cheers and applause.
The camera returns to you as you cover your face with your hands, tears of joy streaming down your cheeks. Your coach gave you a fatherly hug, obviously proud of the feat you have achieved. Your family and friends were screaming at the top of their lungs, trying their best to convey their support for you. Meanwhile, the crowd continues to cheer as confetti falls from the ceiling.
You raise your arms in victory, a radiant smile on your face.
The physical therapy room was a familiar purgatory. The sterile white walls and the metallic gleam of the equipment were a constant reminder of your limitations. Once a sanctuary of grace and athleticism, it had become a battleground for recovery.
You moved through the routine with mechanical precision, your movements devoid of the once-fluid grace. Your breath came in short, labored gasps as you pushed your body to its limits. The pain was a constant companion, a dull ache that pulsed through your leg. Yet you persevered, driven by a stubborn determination.
Akaza watched from the corner, his eyes following your every move. His expression was a mask of indifference, but his posture spoke a different story. Tension rippled through his muscles as he observed your struggle.
Finally, exhausted but determined, you collapsed onto the mat, sweat beading on your forehead. Your body ached, but there was a sense of satisfaction in pushing through the pain.
The doctor entered, his footsteps echoing in the quiet room. He carried a clipboard, and his expression was serious.
"How are you feeling today, Y/N?" he asked, his voice gentle.
You managed a weak smile. "Tired, but okay."
The doctor nodded, his eyes scanning your form. "The progress is steady. Your strength is improving, and the range of motion in your leg is expanding."
A flicker of hope ignited in your chest. "Does that mean I can start... doing more?"
The doctor hesitated, his expression turning somber.
"There is good news and bad news."
Your heart sank. "Tell me the bad news first."
"The bad news is, the full range of motion you once had is unlikely to return. The scar tissue and the nature of your injury have created limitations. While you can walk and perform daily activities without significant discomfort, activities that require sudden bursts of speed, agility, or excessive weight-bearing are still risky."
A wave of disappointment washed over you. You had never entertained the thought of returning to competitive skating. That chapter of your life was firmly closed. But the idea of never being able to skate again, even for leisure, was definitely a bitter pill to swallow.
"I understand," you managed to say, your voice barely a whisper.
"But," the doctor continued, his voice softening, "the good news is that you've exceeded expectations in your recovery. You're stronger than most people in your situation. With continued therapy and careful management, you can lead a normal, active life."
A normal life.
The word echoed in your mind.
A far cry from the extraordinary life you once lived.
"But remember, and I mean this in all seriousness, there are certain activities you should avoid," the doctor warned. "High-impact sports, for instance, are out of the question, and you need to be cautious about putting too much pressure on your leg."
You nodded, trying to absorb the information. The weight of disappointment was heavy on your shoulders.
"But I also want you to remember," the doctor added, "every day is a step forward, and you've come such a long way, Y/N. So you should be proud of your progress."
You forced a smile. "I am."
As the doctor left the room, you turned to Akaza. His eyes met yours, and in that brief moment, you saw a flicker of something in his gaze—a mixture of pity and something else, something you can quite pinpoint. You decided to dismiss it, attributing it to your overactive imagination.
Akaza approached you, his hand reaching out to offer support. "You're stronger than you think," he said, his voice low and comforting.
You took his hand, grateful for his presence. "I know," you replied, your voice trembling slightly.
Akaza studied your face; his eyes were filled with a strange intensity. "I've seen stronger people break," he said, his voice barely audible. "But you... you're different."
You raised an eyebrow, intrigued by his rather cryptic statement. "Oh?"
Akaza hesitated, as if choosing his words carefully. "Some people," he began, his voice low, "are defined by limitations. Others... they find a way to transcend them."
You didn't know what to make of his cryptic statement.
You simply nodded, grateful for his support.
Akaza chuckled, breaking the tension. “You’re too serious,” he teased. “Come on, let’s get you out of here. You look like you could use a break.”
You smiled, and the weight of the world momentarily lifted.
“Alright, let’s go.”
As he helped you up, he studied your face, his expression turning serious again. “You’re doing well,” he said softly. “Like what the doctor told you, you’re way stronger than you think.”
You nodded, grateful for his support. As you walked out of the physical therapy room, you felt a sense of peace wash over you. The road to recovery was indeed long, but you persevered and made incredible progress.
And as long as you have your friends and family, Muzan, and, believe it or not, people like Akaza by your side, you knew you would eventually find your way back.
Several Years Ago at the Winter Olympics 2018
The ice was your stage, a crystalline expanse where you could lose yourself. Muzan, your fiancé, watched from the stands, his eyes filled with adoration. The crowd roared as you took your final bow, the applause a symphony of admiration. You were in your element, a whirlwind of grace and power.
But then disaster struck.
It happened in an instant—a cruel twist of fate.
As you landed a triple lutz, your skate blade, despite multiple quality checks, betrayed you. It snapped, sending you into an uncontrolled spin. Your body, once so graceful, became a helpless projectile. You felt the ice scrape against your skin as you tumbled, the world a blur of pain and fear.
Muzan watched in horror as you fell. Time seemed to freeze as your body crashed into the ice. A sharp intake of breath escaped his lips. His world narrowed down to you, a blur of white on the unforgiving ice.
Fear, cold and sharp, clawed at his insides.
He leaped over the barrier, his movements a blur. Kneeling beside you, he assessed the damage. Your face was pale, and your eyes closed. A deep gash marred your leg, with blood seeping through the fabric of your costume. His hands trembled as he cradled your head. His voice, usually so calm and commanding, was now a frantic whisper.
"Darling, please wake up," he begged, his voice filled with terror.
"Open your eyes, please, Y/N!"
Panic surged through him as he realized the severity of your injury. The once pristine white of his suit was now marred by the crimson stain of your blood, a stark contrast to the pristine white of the ice.
His voice rose, filled with a desperate urgency.
"Someone help! Get an ambulance! Fucking do something, now!" he shouted, his eyes wide with fear and seething anger.
He frantically searched for a button or a lever—anything to call for help. The crowd's noise seemed to muffle, as if he were underwater.
He scooped you up into his arms, your weight heavy in his arms. The crowd's gasps and cries were a distant echo as he carried you off the ice. His mind raced, a whirlwind of fear and desperation. He had to get you help, and he had to get you help now.
In the ambulance, Muzan held you close, his touch a desperate attempt to reassure you and to reassure himself that this too shall pass, but the metallic smell of your blood, your pale skin, and the way your body trembled in his arms filled him with a cold dread, as did the horrific way you would slip in and out of consciousness. 
*
The days that followed were a blur of pain, surgeries, and endless nights in the hospital. You woke up to find yourself encased in a plaster cast, the once lithe body you knew confined to a hospital bed. The news of your injury sent shockwaves through the world, leaving your fans devastated by the abrupt end to your glittering career.
The doctors were blunt in their assessment. Your career as an ice skater was over. The extent of your injuries, combined with the long recovery process, meant that you would never be able to return to the ice. The news was a devastating blow, and it took a long time to come to terms with it.
Muzan was by your side through it all; his unrelenting and passionate support was a constant in your life. He held your hand through the painful procedures, his presence a comforting anchor.
But the emotional turmoil was immense. The loss of your identity as a skater was a profound shock. The physical pain was a constant reminder of what you had lost, but the emotional pain was even more debilitating. You questioned your worth and your identity.
There were even moments when the darkness consumed you, when the thought of ending it all seemed like the only escape.
But despite everything, you managed to hold on and cling to the hope that things would get better.
And frankly speaking, Muzan didn't let you succumb to despair. He did his very best to show his support for you and his faith in you, and with the help of dedicated therapists, you slowly began to rebuild your life.
It was a long and arduous journey, filled with SO many setbacks and triumphs, but you were able to emerge from the shadows stronger and more resilient than ever before.
*
The car ride home was heavy with silence. You stared out the window, lost in thought. The physical therapy session had been grueling, but it was also a stark reminder of what you had lost. A sudden impulse surged through you.
"Akaza, make a detour," you ordered, your voice firm.
Akaza was startled by your sudden demand. “Where to?” he asked, his voice laced with caution.
“The ice rink,” you replied, your tone leaving no room for argument.
Akaza hesitated, his mind racing. He knew better than anyone the risks involved. The doctor's warnings echoed in his mind. Yet, he couldn't ignore the determination in your eyes. 
"Are you sure about this?" he asked, his voice filled with concern. "The doctor said..."
You cut him off. 
"I know, Akaza. And I don't care, so please."
He sighed. He knew arguing with you was futile. With a heavy heart, he turned the steering wheel.
The ice rink was eerily quiet.
The once-vibrant atmosphere was replaced by an eerie stillness. You slipped into your skates, a familiar weight returning to your feet. As you stepped onto the ice, a wave of nostalgia washed over you.
It was here that you had spent countless hours honing your craft, dreaming of standing on the Olympic podium.
Akaza watched from the sidelines, his heart pounding in his chest. He was a mixture of worry and admiration. You were a force of nature, but he couldn’t shake the fear that lurked in the back of his mind.
You began to glide, your movements tentative at first. But as you gained confidence, your body seemed to remember the familiar motions. You started to hum the melody of your short program, your movements following the rhythm. It was as if you were reliving a distant memory—a ghost of your former self.
Akaza watched in awe as you executed a series of spins and jumps with surprising ease. It was as if the years of physical therapy had erased the trauma of the accident. But as you attempted a particularly challenging move, your body betrayed you. Fear crept in, and your balance faltered.
You landed with a painful thud, your knees buckling.
Tears streamed down your face as the pain shot through your leg. The physical agony was a stark reminder of your limitations, but it was the emotional pain that truly consumed you. The floodgates of memories opened, overwhelming you. The taste of victory, the roar of the crowd, the thrill of competition—all of it came rushing back, only to be replaced by the bitter reality of your present situation.
You curled up into a ball, your body trembling.
Struggling to tune out the pounding of his heart, Akaza hesitated to rush to your side, and when he was about to, Muzan's voice echoed across the empty ice rink, firm yet still laced with concern.
"What do you think you're doing?"
You looked up; pain and confusion were painted on your face. Muzan knelt beside you, his eyes filled with worry.
"I thought I could do it," you whispered, your voice trembling.
Muzan’s expression hardened. "You could've seriously gotten hurt! And you!" Your husband shot Akaza a glare, his temper flaring uncontrollably.
"What were you thinking, letting this happen? Your job is to keep her safe, and you failed miserably! Do you have any idea how irresponsible this was?!"
Akaza bowed in apology, his face pale. "I'm sorry, sir. I did everything I could—"
Before Akaza could finish, Muzan took a step forward, his fist clenched. "Everything you could? Everything you could?! You're supposed to be her bodyguard, not some useless bystander! Do you even care about her safety? Or are you just pretending to do your job?!"
Akaza flinched, taking a step back. "Sir, please, I—"
Muzan raised his hand as if to strike, his face contorted with rage. "Don't you 'sir' me! If anything happens to her, it's on you! Do you understand that? It's on your head, you worthless—"
"Muzan, stop!" you interjected, your voice firm despite the pain.
"Don't blame Akaza. He did the best he could. I was the one who was stubborn."
Muzan paused, his raised hand trembling, before he slowly lowered it, his eyes still burning with anger. He turned back to you, his frustration now mixed with deep concern.
"All those months of therapy, Y/N. All the pain you’ve endured, thrown out the window just like that? What were you thinking?"
You lowered your gaze, feeling a wave of shame wash over you. Muzan’s words cut deep, but you knew he was right.
Upon seeing you shrink when he raised his voice at you, Muzan’s expression softened immediately.
He sighed heavily.
"You do understand where I am coming from right?" he said as gently as he could. "I completely empathize with you, Y/N; and just like you, I also miss you performing on ice, but you can’t ignore the doctor’s orders. You know how fragile your recovery is. What if you got seriously hurt again?"
You looked away, your heart aching.
"I just miss it," you admitted, your voice barely a whisper. "I thought I should give it a try, then maybe... I could get a feel of it again. Maybe a miracle would happen." You trailed off, unsure of where the thought was leading you.
Muzan’s eyes softened as he watched your tears fall. He reached out, gently lifting your chin so your eyes met his. "Love, I understand the longing; I really do. But we can't rush these things. Your body still needs time to heal."
And then Muzan’s grip tightened around your hand. His voice, stained with pain and frustration.
"Do you have any idea how terrified I was when I saw you lying there on the ice? How many sleepless nights I've endured, haunted by the image of your lifeless body? You risked everything just now—your life, your future, and for what? For a fleeting moment of glory? For old times sake? For a stupid, careless stunt? Do you understand the gravity of your actions?"
Your heart pounded in your chest.
Guilt eating at you by the second.
Muzan rarely raised his voice at you, but when he did, it sent shivers down your spine. At this very moment, you knew he was angry, but you also knew he was speaking from a place of deep love and concern.
"I'm sorry," you whispered, your voice trembling.
Muzan’s expression shifted from frustration to sorrow, his eyes glistening with unshed tears. "You don't need to apologize, love. I'm just... I can't bear the thought of losing you."
Suddenly, the memory of that dreadful day started playing in his head like a slideshow—the sight of you lying motionless on the ice, the panic in the ambulance, the sleepless nights by your hospital bed. He groaned, his grip on your hand tightening involuntarily as the trauma washed over him again. He squeezed his eyes shut, trying to banish the haunting images.
"Seeing you in pain, feeling helpless... it tore me apart," he said, his voice cracking with emotion. "I remember every second of that day, and it still feels like a nightmare I can't wake up from."
Drowning in shame and guilt, all you could ever say at that moment was, "I'm sorry."
He opened his eyes and looked at you, his expression softening as he saw the concern in your eyes. "I know, love. But please, let's not do this again." He paused, his gaze unrelenting.
"I know how much skating means to you, and I promise we'll find a way to bring back the joy of skating into your life. But for now, let's focus on healing."
Akaza nodded in agreement. You looked at them both, feeling a mix of disappointment and understanding. "But the doctor said..."
Muzan interrupted gently, "I know what the doctor said, my love. And I respect his opinion. But I won't let that be the final word. We'll explore every option, every specialist, every clinic. We won't stop until we find a way for you to skate again."
Hope flickered in your eyes. "You mean it?"
Muzan nodded resolutely.
"I mean it with all my heart, love. You've dedicated so many years to this already, and I know how much it means to you. But for now, let's focus on healing your body and your spirit. We'll find a way to bring back the joy of skating into your life, I promise. But let's not rush it, okay? Your well-being is my top priority. It should be your priority too."
Eventually, you yielded, but before you could get a word out in response to what your husband just said, tears came falling down your face profusely, and the sight pained both Muzan and Akaza so much.
It was so hard seeing you like this.
Muzan gently pulled you into his arms, his embrace warm and protective. He whispered soothing words into your ear, his voice a calming balm to your frayed nerves. "Shhh, it's okay, my love. Let it all out. I'm here for you."
Akaza, who was standing nearby, looked away, giving you and Muzan a moment of privacy. He clenched his fists, his own emotions—a tumultuous mix of anger at the situation and a deep, abiding concern for you.
Muzan brushed a strand of hair from your face, his touch tender.
"You've been so strong, Y/N. It's okay to feel what you're feeling. It's okay to grieve and to be angry. Feel free to use me as a shoulder to cry on, an ear to listen to, or even your personal punching bag when you need to let off steam. I'm here for you, always."
You clung to him, the weight of your emotions finally finding an outlet. The tears seemed endless—a torrent of grief and frustration. Your husband held you tighter, his own eyes glistening with unshed tears.
"We will get through this," he murmured. "One step at a time."
After what felt like an eternity, the tears began to subside, leaving you feeling drained but slightly lighter. Muzan pulled back just enough to look into your eyes. "Feeling better?"
You nodded, unable to find the words to express your gratitude and love for him. Muzan kissed your forehead gently, his lips lingering as if to impart some of his strength to you.
Muzan then took a deep breath and turned to Akaza, his anger still simmering but under control. "Akaza," he began, his voice tight, "I apologize for lashing out at you earlier. My temper got the best of me, and that was uncalled for."
Akaza bowed slightly, his expression unreadable. "No, sir. It's alright. I deserved to be called out like that."
Muzan clenched his jaw, feeling the lingering frustration. He took a moment to calm himself further before continuing. "However, let me be clear. If something like this happens again, there will be consequences. Your primary duty is to ensure her safety. Don't you ever forget that."
Akaza nodded solemnly. "I understand, sir. It won't happen again."
Muzan's gaze softened slightly as he regarded Akaza. "Thank you," then he turned to you again and helped you to your feet. 
"Let's get you home," he said, wrapping an arm around your waist.
*
In the car, the quiet hum of the engine filled the space between you and Muzan. After a few moments of contemplation, you turned to him and broke the silence.
“How did you know I was at the ice rink?”
Akaza cleared his throat, glancing at you through the rearview mirror. “I called him,” he confessed, his eyes avoiding yours.
You turned your gaze to Akaza, surprised by his uncharacteristic admission. "You did?"
He nodded, his expression serious. "Yes, madam. I figured it was better to be safe than sorry. Apologies for taking action without consulting you first."
Understanding the weight of his actions and the potential danger Muzan might have faced because of you, guilt washed over you. You turned back to Muzan, remorse clear in your eyes. “Muzan, I’m so sorry. You must have been very busy today, and I even put you in potential danger by rushing to my aid without Kokushibo with you.”
Muzan shook his head, his expression softening as he reached out to take your hand. “Nothing and no one is more important or more special to me in this world than you, Y/N. I would leave everything behind to ensure you’re safe and well, so don’t ever feel guilty for needing me. Besides, I can’t call myself the president of a nation if I can't protect or be there for the people who are closest to me.”
You felt tears welling up again, but this time, they were tears of gratitude. “Muzan…”
Muzan gently wiped away your tears with his thumb, then pulled you into a warm embrace, his touch tender and reassuring.
The car settled into a comfortable silence once again, and after a few seconds, you glanced at Akaza, who was focused intently on the road.
“Hakuji, thanks again for today.”
“Hakuji?” Muzan asked, confusion lacing his voice. “Who’s Hakuji?”
In the driver’s seat, Akaza froze, his heart skipping a beat. The sudden use of his real name caught him off guard, and he quickly regained his composure, masking his panic with a carefully controlled expression.
He gripped the steering wheel tighter, a hint of unease creeping into his voice.
How did you...?
Wait.
Have you perhaps, by any chance, finally–
“That’s me, sir. Hakuji is my real name; Akaza is just a nickname a relative gave me when I was a kid.”
“I see,” Muzan said, his tone shifting to a more measured curiosity. “You refer to yourself as Akaza to everyone? I don’t recall this being disclosed during your application.”
Akaza flashed a sheepish smile, though it did little to hide the tension in his eyes. “Yes, sir. I’ve used Akaza for most of my life, but I’m fine with Hakuji as well.”
Muzan studied Akaza with a penetrating gaze, sensing the subtle shift in the atmosphere.
“Very well,” he said finally, his voice a mix of intrigue and skepticism. 
The drive continued in relative silence, the weight of the recent events settling around the car like a tangible fog. You leaned against Muzan, comforted by his presence, while Akaza focused on the road, his mind racing with the implications of his slip.
When the car finally arrived at your home, Muzan helped you out with a gentle hand, his concern still evident in his eyes. While you were still traveling back, you asked your husband how he got to the ice rink, and apparently he drove there by himself, and because he accompanied you in your car with Akaza, his car was left at the ice rink parking lot. Muzan assured you that he would have Gyokko retrieve it first thing in the morning.
As you walked towards the entrance, you glanced back at Akaza, who had a thoughtful expression on his face.
"You can rest now, Hakuji. Thank you, and I'm sorry too."
Akaza shook his head and smiled gently before bowing. "Don't worry about me, madam. Please rest well."
Muzan took the liberty to officially dismiss Akaza for the night and placed a reassuring hand on your shoulder, his gaze softening. “Let’s get you settled. We’ve had a long day.”
*
Akaza slammed his bedroom door shut, his mind racing. He had been waiting for this moment—a sign, a confirmation. He leaned against the door, his breath coming in short, ragged gasps.
The adrenaline coursing through his veins was intoxicating.
This was it.
The opportunity he had been waiting for.
A chance to rewrite his destiny and prove his worth.
But he had to be careful and meticulous. One wrong move could jeopardize everything. He took a deep breath, calming his racing heart.
It was time to put his plan into action.
He pulled out a drawer and retrieved a small, leather-bound notebook. It was a relic from his past, a journal filled with cryptic codes and half-formed plans. He opened it to a blank page and began to write. The pen moved swiftly across the paper, his thoughts flowing onto the page.
A plan was forming—a dangerous and intricate one, but it was a plan nonetheless.
-
taglist: @bffrrufr @unadulteratedhandsbanditdreamer @unlikelybananawerewolf
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deppiet · 1 year ago
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About the yassification of GO2.
Warning: the following text is highly critical of the second season of Good Omens. If you enjoyed it, I am happy for you, and a non-negligible amount of jealous as well. Please scroll past before I inevitably rain on your fandom parade.
So, I did the thing. I binged the entire second season of what was, up to now, my favorite show ever, in one sitting. And I have a great deal of things to say, but hardly any of them is positive.
Let me start by saying that I don't mind the cliffhanger or the melancholy ending, like at all. In our era of Marvel apologists and the instant gratification culture, it is necessary for media to persevere and add nuance to romantic relationships. That said, what transpired during the six hours leading up to this sort of unearned climax hardly contains anything remotely close to nuance.
Who are these people? I don't mean the new characters, all of them written as cardboard-cut anthropomorphic personifications of stereotypes, yassified to the point of representation losing its purpose and getting in the way of, you know, actual writing. I mean the protagonists themselves, Aziraphale and Crowley, up to now my favorite characters in the entire world and -up to now- tangled in a love story so beautiful I had, for better or for worse, devoted a large part of my creative output on it, making art, songs, and metas on why what those two entities had was as close to perfect as anyone can hope to find for themselves.
These are not the characters I knew. The characters I knew spent hundreds of human lifetimes revolving around each other in a treacherous yet familiar dance- they both knew the love was there, it was comfortable like an armchair that has taken the shape of the body using it for years. They argued the way old couples do, and of course, like all fictional beings that are counterparts of one another, had differences to settle, but what stood in their way wasn't misunderstanding or miscommunication, in was their fear of Heaven and Hell, and their fundamentally different approaches on how to keep each other safe.
What is all this teen angst? This will-they-won't-they silliness that lacks any nuance, thematic coherence, or literally even trace amounts of understanding of the source material? Where is the dark humor, the quotability, the chaotic overarching plot, the self conscious camp? The season is so cynically written to cater specifically to a certain part of fandom, that I am losing respect for the original work- because if Neil Gaiman doesn't care for these fictional beings, and he evidently doesn't, why should I?
The thematic core of what made Good Omens what it was, had always been the "Love in unexpected places" trope Sir Terry Pratchett knew how to write so well. It had never been about the fantasy, because Sir Terry wrote satire wrapped up in a supernatural package, it had never been about the romance, because when the ship becomes the end instead of the means, the love rings hollow, like artificial light trying to pass as sunshine. The beating heart of GO lies in its philosophy, in the beautiful notion that the agents of two oppressive systems at war have more in common with one another than with their respective oppressors. That being a nobody, a mere cog in a larger machine, says more about said machine than it does about you, and that you can try to break free and build a life for yourself, where a happy ending looks like a dinner at the Ritz with the one you love most.
Shoehorning an underdeveloped "romance" between Beelzebub and Gabriel not only feels like bad fanfic (disclaimer: I like the ship and feel like it could have worked if developed in any capacity, and presented in a more humorous and character-appropriate way. I hate with passion how much they watered down Beelzebub in order to make them stereotypically romanceable, adding the Ineffable Bureaucracy to the ever-expanding list of characters I don't care about anymore.) but also, it muddles and grossly undermines the thematic raison d'être of Ineffable Husbands. If the ramifications for defecting and fucking off with the enemy were a slap on the wrist for the respective leaders of both sides, well surely the system can't be that oppressive after all. And if fear of the oppressive system wasn't, after all, what kept these beings apart, surely these two entities don't like each other as much as we thought. Or rather, one is reduced to a lovesick puppy and the other to a brainless husk of a character, a plot device, a means to go from place A to place B without spending much brainpower on the logistics.
And if these two new people got to kiss I care not, for they are not the same people I rooted for (props, though, to the actors, who gave, somehow, an almost Shakespearean gravitas to their love affair, underwritten and dumbed down as it was. They both love the characters, and it shows in the minuscule yet brilliant ways in which they added nuance where the script had none.)
What was that thing with the lesbians about? Though straight passing, I have always known myself to be attracted to women as well as men, and I am always highly suspicious when an "ally" writer (see: straight, no shade to straight people among which I live because they are, like, the majority) decides to make all characters queer, in the face of real-world statistics and despite NOT being queer themselves. When a person like Nate Stevenson does it they get a pass because writers self-insert and because, when done well, it can carry a message of equality. But when the ally writer does it, unless it is pitch-perfect, I am forced to examine the possibility of them being calculating about it and trying to score representation points, often because they need the rep as a fig leaf to cry homophobia behind when people start complaining about the atrocious plot.
Nina and Maggie were boring. They had no personalities, no cohesive backstories, nothing to make us understand what they are to one another and to the overarching plot ("plot" is used loosely here, for there was no plot: the series ended where it should have started, with six hours of -progressively more offensive to my intelligence- fanfic tropes in a trenchcoat serving as the, well, "plot"). I didn't care whether or not they'd end up together, because I have no idea who they are. The blandness of the dialogue had the actresses, both very talented as evidenced in the first season, grasping at straws with what little characterization they were left to work with, and the "ball" was so unbelievably bad a plot device no amount of suspension of disbelief was ever going to make it right.
The minisodes, though at parts clever and philosophical, felt out of place. This was another narrative choice I had to raise my eyebrows at, because it felt like a bunch of executives sat around a table and watched Neil Gaiman's powerpoint presentation of what made Season 1 financially successful. They were shoehorned in, largely irrelevant to the, eh, "plot", and most of them lasted far more than I personally deemed welcome, or necessary.
What else is there to say? The wink-winks and nudge-nudges to the Tumblr nation? The in-your-face Doctor Who reference? The narratively myopic choice to make Crowley a former archangel? The cheese dialogue, not one bit of which was quotable?
I am distraught. I am grieving an old friend, and a part of my fandom life I cannot, in good faith, return back to after this gross betrayal. I am happy for those who don't see it, because I wish I could love this season past its flaws. However, the writing isn't simply mediocre, it is irrevocably, immeasurably, undescribably bad, so bad I am shocked to my very core, so bad I find it offensive to Sir Terry's memory and everything his own creative output was lovingly filled with.
I am passing all five stages of grief and very much doubt I will return to this fandom. I loved the original story and the characters with all my heart- now the aforementioned heart is broken, not by the breakup or anything as pedestrian as cheap romantic tropes. But because my old friends, my family of fictional beings, are no longer the ones I loved and could relate to.
Deppie out.
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coffeebeanwriting · 2 years ago
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What Bores a Reader The Most?
I asked my followers to answer the question “what bores you the most when reading a book?” 
Please keep in mind that these are all opinions and you’ll find yourself agreeing and disagreeing with some. Personally, I think this is amazing insight into the minds of unique readers all around the globe! I decided to keep reoccurring answers instead of merging them, just so people could see the repeating themes.
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“Predictable conflicts or character actions. I want to be surprised.”
“When there’s no clear plot. When it looks like the book is leading nowhere.”
“Endless description. Nothing makes me more prone to skipping ahead.”
“When it feels like what you’re reading lacks purpose and there is no meaningful contribution to the plot.”
“Characters with less personality than a wet paper towel. Main characters with zero personality.”
“When I can’t picture anything in my head or what I understood changes randomly.”
“When a conversation is happening and I can’t follow which character is saying what.”
“Daily routines in a story. Like, I do not care.”
“When the world doesn’t move if the main character doesn’t interact with it. This applies to t.v shows, too.”
“Something that does not have a build up like a sudden relationship out of the blue.”
“When I’m so confused it doesn’t make sense anymore.”
“When there’s a 3 page description of some random object.”
“Wayyyy too much detail.”
“When the big plot twist is revealed and I guessed it ages ago.”
“Too slow or too long.”
“When the author unnecessarily drags the story and takes ages to advance to the climax.”
“Fan service that doesn’t contribute to the plot.”
“Useless descriptions and/or actions.”
“Over description of a landscape (cough old literature cough).”
“No action, no violence. I don’t like when characters talk for too long.”
“Long descriptions.”
“Too much descriptions when you are in a exciting moment. It breaks immersion.”
“Lack of imagery.”
“Constant usage of archaic vocabulary.”
“When the main character is extremely passive and doesn’t act or react.”
“Excessive description that doesn’t further the plot or meaningfully add to characterization.”
“Overly predictable plot, overly crude language for the sake of it, cringe/pompous scenes.”
“Long and boring exposition dumps.”
“Characters that never loose 😴.”
“When the world building starts out great and is really immersive until later on when things don’t add up.”
“When a character has too much internal dialogue.”
“Explaining “the science” behind magic systems in unnecessary detail.”
“Over description. I will skim and skip a lot of it.”
“Too much background info at the beginning.”
“When there’s small talk about a topic I don’t understand. It get’s sooo boring.”
“Too much inner monologue.”
“Slow plot.”
“When it’s just dragging on and on with the backstory.”
“Having to reread a sentence/paragraph a billion times because my brain got distracted.”
“When there’s no action, suspense or something similar for the whole chapter.”
“Things that aren’t relevant to the story.”
“Too much dialogue.”
“A lil too much fantasies.”
“Over drawn setting descriptions.”
“Overly long chapters, repetitive scenes, lots of complicated worldbuilding.”
“When it’s too simple or too detailed.”
“Long, long expositions.”
“Repeating phrases, plots ,etc.”
“Infodumps, especially in the beginning.”
“Too much history.”
“Overly descriptive settings.”
“Slow plot. I need drama!”
“Long chapters.”
“Slow pacing.”
“No major plot twist.”
“Miscommunication trope.”
“Massively long descriptive paragraphs.”
“Too much exposition in the beginning.”
“Long and confusing story building.”
“Repeating plot points. For example: the hero learning to trust his friends a million times without any real progression.”
“Training scenes that show nothing special. Especially sword fighting or head to hand combat.”
“Generic plot developments unless it’s written well.”
“Overuse of complicated words and sentences.”
“Long paragraphs.”
“I’m so over the bubble sunshine and extra grumpy trope.”
“When a character is overthinking.”
“Romanic subplots bore me. Having too many love interests.”
“When it switches between characters/subplots and one of them is awfully boring.”
“When too much information on a character is given one at a time.”
“Clichés.”
“When it takes a long time before the story gets interesting.”
“Long, long, long descriptions particularly of places that aren’t all that important.”
“Descriptions of unnecessary things.”
“Too much side character’s story. They’re a side for a reason.”
“I love beautiful writing so there must be some lovely descriptions... but don’t drone on.”
“Flat characters.”
“Scenes in which my favorite characters do not appear.”
“When the characters have no clear goal or the goal is too weak.”
“If most or all of the characters are unlikable. Then I don’t care what happens to them in the story. Being an evil/mean character is different from being unlikable.”
“When the plot does not move forward.”
“Writing unnecessary, irrelevant things that don’t have an effect on the story.”
“No real plot. The protagonist has no fire to them.”
“When the protagonist needs to figure out a love triangle and which person they like the most.”
“When the interesting parts happen right at the end.”
“When there’s too much info dumping with no easy transitions.”
“No progression after chapters and chapters. Characters not having development.”
“Too much description and a slow start to the story.”
“When characters are too oblivious to something.”
“Oblivious main characters, lazy plots, stereotypical encounters, main character is a god trope.”
“Unnecessarily long amounts of monologue or dialogue.”
“The second chance trope bores me.”
“Slow beginnings... like, get to the action in 3 chapters of less please.”
“Chapters being too long with small writing.”
“If the characters go through the same conflict over and over again.”
“Classic books... I don’t understand a thing, haha.”
“Being bombarded with unnecessary detail.”
“Bad boy meets good girl trope bores me.”
“Too much landscape descriptions like Tolkien or Stephen King.”
“Bad dialogue, too much excessive background details and too many character tags.”
“When the book moves too slowly.”
“Over described scenes or characters.”
“Descriptions without inputs of what a characters is thinking about. I need a lens of character POV to make descriptions interesting to read.”
“A badly written romance subplot where the characters involved don’t have any chemistry whatsoever.”
“I get a bit lost when there’s too much details about an environment.”
“When the story doesn’t go anywhere for a really long time.”
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