#BUT I'm getting better at making pieces with backgrounds and I wanna work on that

[crow-with-a-pencil]

Feels like home.

[stariikis]

𝐭𝐡𝐞 𝐦𝐮𝐬𝐞 | 𝐧𝐫𝐤 ˖ ࣪⭑

synopsis ; like the moon needs the stars, riki's whole life would crumble without you. his inspiration, greatest motivation, and his muse.

pairing ; artist!nishimura riki x muse!reader genre ; fluff, established rs, realllly really short drabble of thoughts

this love's possessing me, but i don't mind at all

There are a million ways to say, 'I love you.'

Aren't there?

One chasing after their certain eye-candy may purchase a whole bouquet of that person's favourite flowers. Another would pour their heart and soul onto a piece of paper, a subtle love confession decorated with stickers and fanciful designs. Another might try their hardest to impress them with whatever their forte is.

Riki, however, takes all these and mashes them into one gorgeous painting on an easel.

He emerges from his 'workplace', one of the study rooms in your shared apartment. A blank canvas, about the size of his hand, accompanies him out. Not to mention the various brushes, the bristles sticking out all over the place revealing how loved they are. The paints, watercolour in a small box, acrylic aligned in their designated tubes, and oils of any colour possible.

Lips puckered in a pouting motion, he scans you as if wondering what light he wants to paint you in today. Where he wants to set up his painting station for the next few hours.

The reasons for his choice of background go from the smallest of things to the most obvious. It could simply be the style of your choice of clothes, but once it had been because of the way you reacted when he woke you up in the morning.

He used a fiery red base colour for that artwork. Perfectly encapsulating the constant frown you wore the rest of the day. His words, not yours. They could only ever be his words.

When he finally dismissed you from 'work', he paid you for your efforts with a kiss.

Your sour expression morphed instantly. In the blink of an eye, it was almost as if you had never woken up on the wrong side of the bed.

it's taking over me, don't wanna fight the fall

Today he quietly brings you to the edge of a field, just as sundown occurs. He looks up at the sky, cotton candy clouds bleeding into a warm hue of orange. Nothing leaves his mouth. An absolute silence has overcome him.

And knowing that there's no need for you to break it, there's no need to coax him out of this state for the better, comforts you deep down to the core.

It's like you know exactly how to go about routine, as you settle yourself in the wispy, tall grass and wait for him to set up his materials. However, after propping up his easel, he doesn't unpack his paints and brushes like he usually does. He doesn't unroll his scuffed-with-paint marks apron.

He merely gazes at you, soft and mesmerised.

As an artist, he should have neutral feelings towards his muse. He should be evoking surrounding emotions and feelings. He should be drawing them from deep within himself, and expressing them on the canvas before him.

A muse is only meant to be an inspiration. At times, it's the subject of the art piece. However, it's never the sole purpose.

But the way Riki looks at you proves all that wrong. The way his calloused hands held yours on the way to this destination. The way he scoots closer to you just as you drift off into sleep, and whispers all the newest paintings he's made. He confesses all the sketches he makes are of you. He can't get you out of his mind, he murmurs in a shaky tone, he can't rid himself of your influence on his artistry.

But he's so in love.

Why would he ever want to?

it's like supernatural ₊ ⊹.𖥔 ݁ ˖

thank you for reading! i'm so sorry to anyone expecting me to write any other members. i'm just too addicted to writing for riki... i promise they will have their own fics soon. pls scold me if i don't churn them out... TT

[ohno-the-sun]

Oh uh forgot to ask in the previous ask (the one with the digital piece of candy and scurrying and stuff)

How do you draw art so good

Like

Is there a method you use or is that just the style you've gotten over time?

you've activated my trap card

I'm just gonna preface that this tutorial is from someone who was not professionally trained and didn't have a lot of free time for art, so a lot of the tips I have is short cuts I use to get the best results quickly

If you genuinely want to get better at art then please look at references and practice that is always the best

However if you are like me and only really do art for fun but want to go faster then these are for you pfppt

Overall I'd say my style is influenced by speedpaints I would watch when I was younger, I like analyzing how people do things and what makes something look "good" to me

I always recommend watching them because they will often have techniques you've never seen before or do things a certain way that you can try out yourself

I consume good art, it feeds me

but seriously it can be super helpful when developing your own methodology, or just generally trying something new

Usually it starts with me pulling some references from artists I really admire and sort of sketching out how they do the things I like

For example 8um8le has like super good anatomy and poses so I focused on trying to replicate how they do that

venemous-qwille is super good at color and pulling focus so that's what I focused on in my study of them

In general I'd say my process is sketch -> silhouette -> color -> shading -> render

I really don't like doing lineart lol

I'd say for the sketch the most important part is using references and just kind of fudging it until it looks correct anatomically/physically

General rule of thumb is spend time on areas of interest, and keep non important areas light (like the stitching on his pants)

I don't do lineart because I think its unnecessary for most paintings I do

I naturally tend to put more time and focus on areas of interest (like hands and feet) and if you use a brush with opacity for the sketch, those areas are naturally going to be darker in the final sketch

Of course this is gonna be different for everyone but it's what works for me

Sometimes I do a really really sketchy layer underneath my sketch/lineart, just so I know where everything is going

Use thumbnails! They are great to help figure out the general layout of things and what pose I wanna do

Next is what I call the "silhouette" layer

This is super important for me cause it helps me refine the figure and make sure the pose/anatomy looks correct, also depending on what color I choose for the silhouette helps guide what colors I'm going to use on top

This piece is a good example of how it works. The silhouette shows me how the figure interacts with the background, how the pose looks and if its any good

The silhouette layer doesn't have to be super clean, as long as it follows the sketch decently well and shows where the figure is then its fine

I also sometimes make the silhouette layer multiple colors to help guide shading and vibe

Next is the coloring layer. I usually make this a clipping layer on top of the silhouette layer, or I change the silhouette layer to alpha lock, either way it saves me time on coloring everything in

Sometimes I am super rough with the coloring too, using like an airbrush or my fav watercolor brush just to generically block in color where I want it

Works out cause most objects have like a bounce light to them from surrounding objects, so this is sort of a cheat I use to get that effect without all the work lol

Also don't be afraid to have the lower silhouette layer shining through, having multiple colors sort of subtly shining through the piece helps lots

Next is the shading layer, this is usually another clipping layer, usually set to "multiply"

The colors I pick here is usually within this range, any color works, just depends on the piece and vibes.

Since this piece is set in a sunset forest I choose a more desaturated orange for the shading layer

I know there's a whole thing about multiply layer being a crutch (and it kind of it) but it is a useful tool when you just want some darker values across the piece but don't want to go through the process of color picking every single darker shade

Also in my opinion it looks better than picking a darker color and setting it to a lower opacity, idk I just think the color has more "depth"

Next is the hardest to explain, sort of the vibes layer

Usually its just a layer of more concentrated color on top of the normal color and I fudge with the settings and values until I get a result I like

Next is the longest step, is the "extra" or the render stage.

Usually I add a background before this step so that if I need to merge the figure better with the background I can

If I render with a white background but he's supposed to be in a dark forest, its going to mess with the lighting severely

Also this is when I add more "vibe" layers on top to get the figure to match the background better

Backgrounds in general I recommend checking out @/derekdomnicdsouza on instagram he's got lots of great tutorials for breaking down backgrounds simply

I'd say general rule for the rendering layer is to focus on the areas of interest and spend less time on areas you don't care about

I even blur stuff out on the edges I don't want people to see, partially to save time on fixing mistakes in areas I dont care about (oop), but mainly to help draw the eye to the areas I do want people to focus on

Theoretically parts of the background should like mesh with the characters, parrallel lines are a no no unless they are directing a viewer to look somewhere, things that are perpendicular help bring things together

tbh I'm still not the best at layout and probably need more practice, but overall this is what I like doing

Overall this is what my layer set up ends up being

Sort of a sandwich with the lineart/sketch as the "meat" lol

Color and basic shading below the sketch, clean-up and rendering on top

I like this method cause it's super flexible if I ever want to try something different or try to replicate someone's style

I can make each step less or more messy depending on the end result and can add a lineart layer if need be. Also if there's a part that is straight up not working or needs to be removed its super easy to do cause I can just paint over it on the "extras" layer, color picking from the surrounding area to get the same vibe

Generally rule of thumb for my style is: get the initial layout of colors, form and shading to look good, then the rendering should be smooth sailing

Really the best advice I can give to get better at art is to enjoy what you're doing and become very very obsessed with drawing a silly little guy

You'll eventually get very good at drawing them pfptpf

[peachsukii]

Hihi, Peach!

I totally don't know if you're even taking asks, and you can ignore this if I you need to but! I had such a horrible, terrible day and I was hoping you could write something small to make me feel better about everything.. 😅

So, seven hours ago, I was a bright blonde but I needed a touch up so I went into the salon and payed 100 dollars for some upkeep.. I sat patiently for nearly six and a half hours, only to turn out with white/bleachy ashy roots and dark brown hair...... So not what I wanted! I sobbed in that stylists chair until my hair dryer and she just brushed ut off. Everyone has been telling me that it looks fine but compared ro the bright, beachy blonde that I came in with, I feel blatantly ugly now.. ☹️

Could you maybe write a super quick drabble or something about how Bakugo would try to comfort? If not, I totally get it! I adore your work so much.

Have the best day, lovely! 💕💕

Awww I'm so sorry to hear that :( There's nothing worse than getting the opposite of what you want, and paid for, done! I hope you don't mind that I use this little prompt for a Softie Sunday piece. <3

₊✩‧₊ ⎯  picture perfect 『 ♡ Bakugo x reader 』

content // age 22, fluff. reader & bakugo live together, he dyes your hair for you. :) 『 #reis softie sundays + softie sundays archive 』

Bakugo's sitting on the couch of your shared apartment, invested in his book while the TV buzzes in the background. He hears your key turn in the door and peaks over the pages toward the foyer, patiently waiting for you to reveal your new hair. You've been gone for over half the day - he assumed you'd be a few hours, but not...all day. Maybe you went with something completely different than usual?

When the door opens, you scuttle inside with your head hung low, a baseball cap covering your hair. Bakugo could somewhat see your hair sticking out from underneath. Why the hell were you hiding it?

"Didn't ya just get your hair done?" he calls from the living room. "What's with the hat?"

"I don't wanna talk about it," you say quietly, taking off your shoes and retreating to the bedroom. Without hesitation, Bakugo tosses his book onto the cushion and quickly perks up to follow you back to your joint bedroom. He leans on the doorframe, curiously watching you pace back and forth in front of the mirror.

"Somethin' wrong?" he asks, arms crossed over his chest. You slowly reach up to take off your hat, untucking your hair and letting it fall naturally.

"I hate my hair."

Bakugo gives you a once over, confused as to why you'd be upset. "S'nice. You're always pretty to me, sweetheart. What's wrong with it?"

"Over six hours and it came out the opposite of what I wanted. They stripped out my blonde color and replaced it with...this." You pull a strand of hair forward as example, showing off the new brownish color.

"I could fix it for ya," he proposes while walking over to you, fluffing your hair gently in his hands. "Used'ta bleach Red's hair for him back in school."

You sniffle and lean against his shoulder. "I'd like that."

He never ceases to surprise you.

Within the hour, Bakugo's back home with all the needed materials to fix your hair - toner, bleach, and gloss. Over the next few hours, he's tending to your hair to help bring it back to what you wanted, extremely focused on doing a perfect job. By the time you're all finished, it's way past his normal bedtime. You can tell by the look in his eyes that he's exhausted, but you're his number one priority - sleep can wait until Bakugo knows you're happy.

Once he's done drying your hair, he brushes it out for you before letting you look in the mirror, admiring his work. For an at home job, it's not half bad. He spins you around and playfully pushes you toward the bathroom mirror, smirking proudly when he catches your initial reaction.

"Wha'cha think?"

You're in awe. How the hell did he do this?!

"Katsuki...it's perfect!" you exclaim while flipping your hair around to see the subtle dimension of color shifting. "Exactly what I wanted. Thank you!"

He hugs you from behind and leaves a soft kiss on your cheek.

"Ya look gorgeous no matter what," he reminds you as he squeezes you tightly. "But I gotta say, I did a damn good job. Now let's get'ta bed already, I'm beat."

When you wake up the next morning, Bakugo compliments your appearance a multitude of times while the two of you are getting ready for work, reminding you just how beautiful you are to him in any light.

I hope this made you smile! <3

all tags; @kirishimaeijiromyman @strwbrrykthv @slayfics

@maddietries @starieqq @liluvtojineteyam

@jays-adventure3 @simp-plague @napbatata @queenpiranhadon

[hyunfilms]

blue side of the sky (lmh) | nineteen.

♡ spotify playlist | series masterlist

—summary: waking up after 3 months with no recollection of your past, your friends do what they can to help you remember. except, they omit an important piece to the puzzle - afraid you would remember the heartbreak and hurt all over again.

—pairing: lee know x f. reader

—genre: (18+) exes to lovers, bestfriends to lovers au | fluff, angst, smut

—word count: 3.3k

—chapter content/warnings: just the very much needed talk for oc x minho, crying, cute lil random flashback at the end

The phone sits on your bed for a good awhile before you contemplate on actually picking it up and texting him. Your talk with Jisung was about a week and a half ago, but you figured you could at least talk to Minho and get things straight without anyone getting in the middle of it.

Even though you missed Minho, you knew you weren't ready and that you still needed time to properly say your peace to all of this.

You would let the universe handle it, allowing you to have Minho in your life however it'd like you to have him— even if that meant at a distance, even if things never returned to normal. You would be sad, but you trust in the universe to take care of you this time around. 

Whatever is meant to be, will be. 

It all still feels terrible.

You grab your phone when you finally gain the strength to call him, nervously letting out a breath when the other line starts to ring. By the third ring, you almost regret calling him. You start to slowly pull the phone away from your ear when you hear Minho hastily pick up the call— music playing in the background.

"Y/N?" He calls for you as he steps around the corner of the studio, hoping the music is a bit softer outside of the room.

"Hi. Sorry, are you in class? I didn't mean to interrupt." 

"No, no." He clears his throat, also experiencing nervousness as he continues to talk to you over the phone. "I was just hanging out with Hyunjin. We were working on a random piece and just messing around with choreo."

"Still. I'm sorry to interrupt."

"You're not. Don't worry. Is everything okay?"

"Yeah, it will be." You chew on your bottom lip for a moment before speaking up again. "I was just wondering if we could talk."

"Are you sure? I just don't want you to feel uncomfortable or anything, I'll wait until you feel completely ready."

"To be honest, Minho. I don't know if I will ever be completely ready. But, we should talk. Alone. I need to let you know what's been going on my mind, too."

"Okay. I'll be leaving in about 15 minutes. I'll shower and head to your place? Unless you wanna meet somewhere else, but uh—" He clears his throat. "It's kinda cold. I just, I don't know. Whatever makes you comfortable."

"My place is fine."

"Okay." Minho lets out an inaudible sigh, a bit nervous about how the rest of the evening will go. "I'll see you in a bit."

"Sounds good." You respond softly before ending the call. Minho stills in his position for a bit before returning to the studio, his heart beating in his chest— because he is scared, he is nervous. But, nonetheless, he knows whatever is meant to happen, will need to happen. 

This is just another chapter in the book, another learning lesson; another step in becoming better for each other, your friends. Unlearning bad habits, leaving the past where it belongs.

"You good?" Hyunjin furrows his brows at Minho, watching him slowly walk back into the studio. Hyunjin has his hands on his hips, using his shirt to wipe the sweat from his face. It takes a minute before Minho reaches his gaze and responds with a shrug.

"I don't really know. I will be." 

"Who was that?"

"Y/N. She wants to talk."

"Oh." Hyunjin purses his lips into an 'o' shape before nodding. "Is she okay?"

"I don't know either." Minho lets out a pathetic chuckle. "She said she's not sure when she'll ever be ready to talk more about this but she has stuff she wants to tell me."

"I see."

"I really messed up." Is all Minho says as he walks over to his duffle bag on the ground.

"You did." Hyunjin sighs. "But, you are acknowledging it and trying to learn."

"I just, I don't really know. I had her back and I tried to take the chance to fix it without really... fixing it. If that makes sense."

"It does, and I get it. I honestly might have done the same if I was in your position. Plus, I know Jisung just wanted things to be okay for a bit." Hyunjin comes to stand next to Minho as he grabs his water bottle. "Promise me you'll give her the time she needs this time around."

"I will. At this point, I don't wanna lose her as my bestfriend. Even if that means I need to give her space for awhile—" He shrugs and throws the duffle bag strap over his shoulder. "However long it takes." 

"Mm, yeah." Hyunjin nods. "It'll be okay. Are you gonna go straight to her house?"

"No, I'm gonna head home first. Are you just gonna stay here?" 

"Yeah, I'll probably stay posted here for a bit longer. Still wanna get this choreo down." Minho gives him a tiny, toothless smile before waving goodbye.

"Alright, I'm out." He throws up the peace sign just as he heads out the door and to his car. He tosses his bag into the passenger seat, letting out another breath as he gets situated in the driver's seat. He's dreading this talk even though this has already torn you two apart— but he is determined to fix this the right way;

The right way as in putting it in time's hands.

When Minho gets home, his roommates are all tucked away in their rooms. He slips out of his shoes and tosses his duffle bag to the side of his room, adding to his laundry pile. He grabs a hoodie and some jeans, stepping into the bathroom for a quick shower. He quickly runs the towel through his hair before stepping out and grabbing his keys— heart still racing in his chest as he returns to his car. It's one of those drives where Minho has the music incredibly low because he needs to hear himself think; can't really focus with all these what if's and imaginary scenarios about how the evening will turn out.

Pulling up to your place, he sees Uncle Adrian home, but tucked away in the house somewhere. He can see a the dim light in the kitchen on, with another one of the room lights also on. He parks his car and pulls the hood over his head while walking to your small detached suite, taking a moment before knocking on the door a few times. You're sitting on the couch indulging in a new series when the knocks come— instantly throwing the blanket off of your legs to greet Minho at the door.

"Hey." You quickly eye Minho standing there in his hoodie and jeans, stepping aside to let him in.

"Feels nice and warm in here." He shakes off the cold a bit, plopping onto your couch.

"I'm glad." You chuckle, returning to your position on the couch. "How was the studio?"

"It was okay. Nothing too bad."

"Did you eat?" He shakes his head.

"I'm not really hungry."

"You sure? I have some leftover pasta." You point at your kitchen counter, making Minho smile.

"Promise, I'm good. Thank you." He switches his attention back to the TV. "Watching a new show?"

"Mhm. Finally finished the other one."

"That's new."

"I'm trying here." You respond before subtly biting onto your bottom lip. Great, the silence is settling in and it's awkward.

But luckily for you, Minho is quick to break the silence.

"So, how've you been feeling?" You sigh and turn your body towards him, giving him your full and undivided attention.

"I've been alright. I think I've seen brighter days. What about you?"

"Mm, not sure. But, it's alright. I'm making it through my days." You nod. Silence. More silence filling the room feels a lot louder than it actually is— probably due to all your thoughts and the neverending spiral of overthinking.

"Minho." You call his name and he feels his heart constrict for various reasons. "Why didn't you tell me about this earlier?" 

"Y/N, I'm sorry. I should've, but I was too caught up in us. I brushed things over without thinking about you or Jisung. I-I thought—" He sighs. "I really thought I could fix the past by doing better now, but I know it doesn't work well that way." He looks at you. "I planned to tell you, I just let it slip away from me. Selfishly." You look at him and you aren't sure what your heart is trying to tell you. You're angry, you're upset. You're sad, you're missing a piece of yourself because of all this.

"Do you know where we went wrong?"

"It was nothing you did." He responds lowly. Somehow, this statement triggers the tears that are suddenly streaming down your cheeks, and you can't help but quickly wipe them away. Minho has the hardest time preventing himself from reaching over to console you; but, he stills. He knows he can't, he shouldn't.

"How was it nothing when you upped and left? Clearly, something was wrong. Especially for you, somebody who was my bestfriend and knew me better than myself, to leave when things got rough between us." You tell him softly, though the words sting and they carry weight you are not strong enough to carry.

"It wasn't you. I was stupid. I ran when things got tough, I mistook a small ounce of infatuation and excitement as a way out of it. I'm so sorry. I didn't realize how stupid I was being right away."

"Minho, I don't really know what to say. After everything that's happened, I was starting to feel safe with you again. Like there was nothing you could do to hurt me. And I think what hurts the most is knowing that I was terribly wrong. That I, at one point, was an after-thought for you. Because of this small ounce of infatuation and excitement. If it was nothing on me, then you wouldn't have left." You continue to cry and Minho swallows the lump in his throat— his own tears threatening to spill. "If it was nothing on me, then you wouldn't have kept seeing her while I was in the hospital. I know I had no control over that, but you definitely did." You dig your head into your hands and cry.

"Y/N. Please tell me what you need so I can make this better." Minho's voice wavers, his need to pry you away from your hands almost becomes unbearable. The more he watches you, the more he realizes that this must be how things turn out. This is how it all ends, this is what you two have become;

Broken.

And there was no fixing this, no seal strong enough that could keep the cracks together. Because eventually, the seal wears off, it takes another blow, and everything comes apart— breaking to pieces all over again.

When Minho thinks about this, the urge to console you slowly subsides within him. It's not that he doesn't want to, but he realizes he is the cause of all the cracks he can see on you; all the cracks that are threatening to break apart because the seal isn't strong enough, no glue good enough to keep it together. All he does is add onto it, and maybe, he should just keep his distance like he originally did.

He loves you, and maybe this time, love meant he needed to let you go.

"I need time away from you." You finally look up at him again, and the silence that settles between you two is heartbreaking. "I just need to keep my distance because I don't think it's fair I didn't get my own time to process this, to properly get over it. I am grateful you told me and were honest about everything. Eventually, I'd like to move forward and say my peace to it. But for now, that's not the time. I'm not ready to."

He loves you, and maybe this time, love means he will let you go.

"Okay." Is all Minho responds with. But, you continue to cry and Minho isn't sure what he should do. Clearly, you can't let him in again. Clearly, the distance is what you need. 

"I hate this." You manage to mumble as you look at him. "I look at you and I don't want you to leave, I don't want you to just give me an 'okay.' I wish you could hold me and tell me things will get better. But then, I look at you and I also can't believe that you're the same person who managed to do the most damage to me. The one person I wasn't good enough for, the one who I wish never gave up. It makes me confused, angry. Part of me really wishing I didn't have to talk to you or see you."

"I'll do anything to make you comfortable and to keep you happy. I wanna show you that you are my biggest priority and that you are first before anything. Anyone. So, I'll give you time. I'll give you space. No matter how long it takes. Even if time eventually tells me that things are different between us, I'll take it. Because I'd rather have part of you than have none of you." Tears are slowly staining his cheeks at this point, but he continues to look at you; never once breaking contact. "I love you, and I'm gonna be here no matter what. But, I'll give you just that and let you be."

"I hope time can be good for us." 

"I hope so too." He stands, asking for your hand so that he can pull you up and hug you. You follow his actions, tightly wrapping your arms around his waist while letting your cheek rest against his chest. His one arm is wrapped around your back, while the other comes behind your head; his lips kissing the top of your head. He whispers an 'I'm sorry' against the surface before he says: "You don't need to forgive me. You know that. I deserve it. Whatever happens though, I'll always be here. Okay? I'll always be here. I'm not going anywhere." He repeats before placing another kiss on your head. You stay in the position for a few more seconds before pulling away to look up at him.

Looking at Minho makes your heart clench so, so badly. He can't help but return your look with soft eyes, nose slightly reddened from the crying he did earlier— hand coming to brush the hair away from your face before he steps back and starts heading towards the door. You wiggle your fingers and ball them into a fist, preventing yourself from reaching out, stop him from leaving. All you do is slowly and silently follow after him, now surrendering the rest of this chapter with Minho to the universe.

"Call me if you need me. I'll come no matter what." You nod, closing your eyes when he plants a soft kiss against your forehead. He gives you one last, tiny smile before turning on his heels to walk back to his car. You watch as he throws his hood back over his head, shutting the side gate closed behind him.

You nibble on your bottom lip as you find yourself walking into the house, hoping to find Uncle Adrian and be in his company for a bit. When you walk in, the kitchen light is still on and you find your uncle pouring himself a glass of water. 

"Oh, hey." He sees you pop around the corner as the back door shuts. His smile instantly fades when he sees the expression on your face, and the way you hug your arms close to your chest. "What's wrong, Y/N?" You start crying into your hands again and your uncle panics, throwing a blanket over your shoulder before walking you over to the couch. He pulls you into a hug, doing his best to ease the pain you're feeling. "Talk to me." He says.

"I wish things were easier." You mumble through your crying, finally looking up at your uncle again. "I wish things didn't have to be like this between me and Minho." Your uncle's heart breaks because he wishes he could do more for you. And he knows this isn't solely because of the breakup; your heart isn't aching because of your relationship, no.

Your heart is aching because you no longer see the same bestfriend, have the same bestfriend, that you had. You've come to re-learn Minho, how you two used to be even before the relationship— and before you could even have that back, you've already lost it. Your uncle knows that the relationship only makes up one [complicated] part of it.

Your uncle will let you because you need to. He's glad you two were able to talk it out properly, but he's certain it wasn't easy for you to put up those boundaries towards your own bestfriend. It makes him torn because despite the ups and downs of your relationship, Minho was always good to you as your bestfriend. He helped take care of you, he never wanted you to be unhappy, was always making sure that you never felt a lack of support, love or care from him.

He gets it. It's not easy, but hopefully these times, will bring you to better days. To happier times. To more trust, less worries. To brighter, blue skies.

Right now, he will let you be.

Right now, you are mourning everything about Minho. 

☁︎ FLASHBACK | HIGH SCHOOL

You drag yourself up the hill after your walk to the convenience store, suddenly craving for a specific brand of ramen and spicy tuna onigiri amongst other snacks you've grabbed as you pranced around in the aisles. You swing the bag gently back and forth, head hung low as thoughts continue to swirl around in your head at 100mph.

You miss Minho.

You haven't heard from him today since he had been busy with family on the other side of town, and you were starting to wonder if you should text him first instead of waiting. You were torn about it. Should you text him now? Would he think you're too clingy?

Is he thinking of you the same way you are?

Maybe you shouldn't, and maybe you should just let him be until he's free.

You let out a sigh, finally coming up the block to your house with the bag twirling around your fingers. You check your phone still seeing zero texts or calls from him, making your heart drop just a tiny bit. But, before you could let your feelings completely take over, you catch sight of a shadow up ahead. You look up and find Minho standing near the streetlight; making you pause in your tracks to take in how the light perfectly sits on him right now.

You missed him.

"Hey. I was just about to call—" Minho's head whips in your direction, a small smile creeping at the corner of his lips. You jog towards him, immediately throwing your arms around his neck while hugging him and keeping him close. "Woah." He chuckles, reciprocating the hug and wrapping his arms around your waist. "You okay?" He looks down at you, hand gently coming up to brush your hair back, to caress your cheek.

"Yeah."

"You sure?"

"I just really missed you." You mumble as you press your forehead against his chest. "I didn't hear from you all day and I wanted to text you, but I didn't because—"

"Y/N." He chuckles a bit, his breath visible in the air. "Slow down."

"I wanted to text you but I didn't wanna bother you."

"I'm sorry. I was busy, but I also wanted to surprise you." You look up at him. "I missed you, too." You let out a content sigh and pull away from him, hand still loosely holding onto his

"Did you?"

"I did." He kisses your knuckles. "And I'm here now, right? I'm not going anywhere."

☁︎ END

⇢ 19.5 [cloudy days]: here

♡ taglist: @ppiri-bahng @jihanlovic @meloncremesoda @sweetlikecherry @asjkdk @hoes4lino @skzddicted @skzho @edgaralienpoe @harui-zen @bestleeknowstan @havenwithleeknow @septicrebel @heesdazed @borahae-reads @yoontaethings @pearbunny @bintificreads @lukeys-giggle @ajxreads @everglowdaisies @allaboutsan @endzii23 @leeknowsramen @heres-your-ramen2000 @morningstardada @mal-lunar-28 @downbadreading @lilysophie @feelikecinderella @urmomma0324 @ddazed-lhs @djeniryuu @melanctton @i8rsie @maru-matt @sleepyleeji @taerifin @nattisbored @jisunglyricist @m111nho @drhsthl @nixtape-foryou @arminseas @guiltycoco @syuuji @sulkygyu @cadihyo @reianagarcia @leeknowyah @smndjdufuehr @dprkbyn @xxibreinaxx @mxnsxngie @reiheis @mellowmentalitydragon @vixensss

[cheseely]

Hi, I'm sure you get this often but I really love your recent genshin artwork, do you think you could explain your painting process? I love the colouring effect in that piece especially. Thank you.

Thank you so much! I got a few messages like this from my previous piece (thank you guys for the staff pick & blaze btw, I really didn't expect all the support😭) so I thought I'd share a bit of my process below as thanks.

I always do my lineart first because it feels less daunting to me when applying colours. I will do some rough colours first so I can easily adjust it to my liking.

Next, I make sure to separate each character into different layers when I clean it up. I like to work one character or object at a time, it's less overwhelming for me that way, and I can use clipping masks for ease of rendering.

I'll usually apply some adjustment layers on top of the base layer for shadows and highlights. When I say base layer, I just mean a layer of the colour without any effects.

I like using 'hard light' for shadows, and 'screen' for highlights, but you can really use whatever clicks with you.

Rinse & repeat this process for every character in the illustration. Note that I make Furina the focus so everything behind her will be less rendered than the elements in front of them (Neuvillette is a lot less rendered compared to Furina, and the painting in the back barely has much shading).

Once I render out each asset in the illustration and add shadows & highlights to my liking, I then to merge foreground/ midground/ background elements so I can make the overall illustration clearer to read. I don't want it to feel messy or overcrowded, and I think it's easy to get tunnel-visioned in small details and lose the clarity of the entire illustration.

Make sure to zoom out constantly and make your illustration B&W to check the values to see if the drawing is clear.

I created a simple S curve with the values for readability, and have the foreground elements have darker values & contrasts.

As for the BG, I wanted to add more textures into the drawing, particularly the painting in the back. Here's an image of it when I only added in the base colours.

I use the smudge tool to create more texture once I fill in the base colours. Since I don't really 'paint' anything with the textures in, I just put in the base colours and take a textured brush to smudge it. However, over-smudging can lose the painterly texture I want, so I usually smudge vertically or horizontally in a single stroke to create a sense of movement.

Another thing to note is that I only textured the BG, I thought it would help it blend into the background a bit better. I usually wouldn't do this for the foreground because I want those elements to be clearer.

At the very end, I tend to spend a fair bit of time just fiddling with more adjustment layers, various filters (such as blur, or noise), or liquify small details to really finalize the piece. Just vibes...basically this is me

Anyway, I hope that was helpful & it made sense!! Feel free to message me if you have any other questions & I'll try my best to answer! I might've glazed over a lot since I didn't wanna make this too long.

[flightyalrighty]

(sorry if you've gotten this before or if this is not the right kind of question for the blog)

Do you have any advice on HOW to make a comic series? From what I've seen your work is fantastic, well made and written! (Cool concepts, story, and character dynamics etc)

How did you start? How DO you start?? How do you comic lol

I'm glad you enjoy my work! I'll do my best to answer this question!

I could give the ol' "Just jump in! Get started!" But I don't think that's the answer you're looking for, here. Even if it's technically the correct one.

"How do you make a comic series" Is one of those questions where the answer is kinda difficult to summarize in a single ask, because there's a whole lot that goes into it, y'know? I'll give you a brief run-down of my process.

I figure an idea for a story. In the case of Infested, the whole story was written before I even got started on the script. This is an outlier in my usual process and I don't normally do this and definitely don't recommend it.

Figure the plot like how you would figure a regular story's plot; The beats you wanna hit, the way the characters develop, the beginning, the middle, the end. What's the point of the story? What, exactly, are you trying to convey here? Who's the target audience? All that stuff ought to be figured out before even picking up a [MEDIUM OF ARTIST'S CHOICE].

Script the story. If you've seen a movie script, these things look a bit like that. You wanna not skip this step because this is where you determine the visual language of each page. Comic script writing is a whole thing and a half but I do have some random tips regarding it. -> When writing the beginning of a new scene, write down the time of day, the weather, and any important details about your setting (this is most important if you're working in a team). -> Using storyboard/film language when trying to figure out a scene is very helpful. You're not gonna remember exactly how that scene looked in your head when you finally get around to penciling it. Trust me. Write it down. Or thumbnail it! Thumbnails are also very helpful! -> Remember that you have very limited space for dialogue. Write with that in mind.

Figure the paneling on a page. I work at 11x17 and do my panel layouts based on those dimensions. I tend to make more important panels, or panels with PUNCH or SHOCK bigger than the others. Each panel is an individual illustration, but together they make a whole piece. You gotta treat it like that, y'know? Find the focal point on a page, find the most important element of it, and make that your focal point. Don't be afraid to get a lil wacky with panel shapes, either. They don't HAVE to be squares and rectangles. Check out what other cartoonists do! Get inspired! Paneling is an art-form within itself!

Page from "Hanna Is Not A Boy's Name" By Tess Stone

5. Penciling time! Get the perspective figured out, then draw the background, then draw the characters. Do it in that order. Trust me. With a background already set up, characters can be drawn more like they exist within that space, instead of floating in front of it. Also? Be aware that comic artists need to be ready to draw ANYTHING. You may have a great idea that you GOTTA put out into the world, but you have no idea how to draw, say, a car. Or debris. Or jungle foliage. There's no shame in using references, tutorials, or even doing a bit of tracing if something's outside your wheelhouse. Here's a bazillion tutorials from two guys who REALLY know their stuff.

6. Speech Balloons! Yes, really. In fact, you may want to do this and penciling at the same time. I certainly do. It's better to figure this out immediately so it doesn't hurt you later when it comes to getting your balloons to share a space with your art. Here's some great advice on the whole subject from a master of the craft

7. Inks! Line weight variation is key. Closer to the "camera" means thicker lines. If a part of a character is in shadow, that part is gonna get thicker lines, too. Personally, I make my background line art thinner than character line art. It helps the characters pop out!

8. Flats! Or flat colors if you wanna get specific about terminology. It's exactly what it sounds like -- Coloring the characters and backgrounds with the bare bones basic colors. I highly recommend keeping the character flats and bg flats on separate layers if you're working digitally.

9. Rendering! There's no hard and fast rule as to how a cartoonist ought to render their comic -- If they want to do that at all, even. Go with what you believe looks good AND is something you can do quickly. The "quickly" part is important. Heed my warning. Don't be like me.

And then I'd schedule the comic to be uploaded on whatever day suits me -- Thursday (usually) in Infested's case.

Of course, I kinda suck at relaying my process, so the final thing I can do for you is direct you to an extremely helpful book that really breaks it down in a way that may click with you as it did with me.

I hope this was in any way helpful to you!

[kozachenko]

Ok the WIP I posted a little while ago is no loner a WIP yipeeeeeee I am so tired of looking at this drawing.

Artist's Notes:

THIS DRAWING IS FINALLY DONE YAAAAAAAAAAAAAAAAAAY!

Ok so this drawing was a WIP that I had had sitting around for a while, and so because I wanted to do a test run with the new face style I'm trying out, I decided to pick it back up again. Now you may notice that compared to the other version of the WIP, the shading is different, and that's because I had to change all of it to match the light source of the moon, which was.... not exactly fun (especially cuz I stayed up late at night to finish this which was tiring), but it was worth it because I am a lot happier with the shading now. Also, when I initially redid the shading on the white trim of her outfit, I ended up making them look like indiscreet white blobs that just looked... bad, so I had to fix that and I think it looks a lot better.

My favourite parts of this drawing have to be the face and the hair, though I'm not surprised about how much I like the hair since hair is my favourite thing to draw. Also the wolf, I really like how the wolf turned out, since I also love drawing animals from time to time. I also like how the background turned out.

Also, Enoko's design was a hit hard to get right, and I decided to add the white trim separating her shirt and skirt mainly because I didn't like how abruptly it changed in the original design. Also, for some reason her dress makes me think of 1800s-y southern/western clothes, which has given me the headcanon that Saki gave her these clothes when they first met. Makes me wanna draw the two of them together in very western styled clothes, I think it would be cute. I also changed up some of the colours on her original design to fit in more with the palette that I was going for with this piece. Also, I like how her tails turned out, mainly because when I was working on some of the sketch for this I tried to make them smaller, but they didn't look right so I just went "fuck it" and made them big and poofy. Also drawing her wolf ears was fun, I like drawing simplified wolf ears like that. Overall, I'd say I did a good job incorporating elements (like the bear trap hands, the tails, the gem) in a way that didn't feel like they were out of place in the piece (something I was concerned about with Enoko's design).

All in all, I wouldn't call this my best work, but I do like a lot of aspects of it. I've also noticed that I'm kinda getting a bit frustrated with certain parts of my style like the lighting (mainly the lighting), so I think I wanna try and branch back into that more painterly style that I started out with when I first started posting here while still mixing in some elements of my lineless style. Also, I need to get better with my colour values, mainly just for clarity since I kinda think that's where this drawing falls flat a little.

[nitw]

do you wanna rant at me about the anime boys ? i am vaguely curious about them. mostly for the (con)text of them and your feelings about them (other than "[gnashing teeth keysmash] I'M OKAY [eats them]")

LMAOOO thank you i love when people invite me to yap............... i'll try to keep it as simple as possible in case you uhhhh 👉👈 feel like checking out alien stage yourself som,etime. teehee

FIRST OF ALL, QUICK SYNOPSIS:

alien stage is an animated music project on youtube co-produced by animators vivinos and q-meng, with assistance from multimedia studio lico

it's set on a different planet than earth, in a far future where aliens have dominated humans. it's fucked up!!

it specifically focuses on a broadcasted singing competition where humans (who are born and raised to perform - literally think of them as show dogs) compete against each other by elimination. and i mean literal elimination. whoever gets less votes dies onstage. it's fucked up!!!!!!!!!!!!!!!!!!!!!!!

there are 6 main characters, and each music video delves into their backgrounds and relationships with each other. there's a lot of drama and grief and horror!!!!!! 👍👍👍👍

ANYWAY THE GAYBOYS

this is TILL:

voiced by AKUGETSU who sounds like if an electric guitar was a person

rowdy punk guy who does everything he can to express his individuality. comes off as rude and intimidating sometimes but he's really just an insecure mess. also he never did anything wrong ever in his life

a prodigy at songwriting and playing guitar! (he also plays the recorder but we don't rlly get to see that much)

his guardian alien (urak) is an abusive piece of shit who has sent multiple kids to die in the competition before till, without succession

often seen restrained and/or beat up. my guy cannot catch a break

has a huge embarrassing crush on one of the other characters, his childhood friend mizi. but it's been made very clear at this point that it's more of an idealistic fantasy than anything - he never actually got to know her well and just yearns for her attention. also mizi is a lesbian and she's got her own angst to deal with </3

i don't know what's going on with his neck and at this point i'm too afraid to ask

HE SHOULD BE AT THE CLUBBB HE DESERVES LITERALLY ANYTHING BETTER THAN THIS

i like when his face goes (╬◣Д◢)

and this is IVAN:

voiced by PARK BYEONG HOON who 💗 💗 💞 💕 😻 ❤️ 💗 💓 💖 💕 💕 💖 💘 💕 💗 💓 😍 😍 🥰 💕 🥰 ❤️ ❤️‍🔥 💕 hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

came from a very hostile background until he was auctioned off to his current guardian (unsha) - a wealthy businessman who treats him more like a priced object than anything - and was then trained for the competition like the rest

kinda monotone. mysterious freak. no one knows what his fucking problem is at first

secretly a ticking time bomb bottling up all his sadness until he's ready to explode in the most dramatic way possible

formed a DEEP UNREQUITED OBSESSION with till which he hasn't let go since he was like 5 years old. i have to respect it

tried to escape from captivity with till once as kids. till hesitated at the last second. * Ivan will remember that.

he sucks he's the worst i cry about him every day

i like when his face goes (⇀ヮ↼˶)

i don't wanna spoil too much because the series is really worth watching BUT basically these two tragic dudes have spent their whole lives together, doing advanced emotional parkour tricks to distance themselves from the inevitability of it all, and it does NOT work in their favor!!!!! in fact it just makes everything more complicated and terrible and sad and oh god i will never be able to look at the colors green and red together the same way again

[ribbonetteart]

Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖

a bit late for Christmas but at least Valentine's day is around the corner ^^;;

Process below if that interests you:

AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!

This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.

and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.

In short, I wasn't confident my skill could live up to the vision.

So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!

2 Years Later...

It's December 5th. Fuck it. Let's crack this open again, I tell myself.

SO starting with the line art, it's actually 2 different brushes layered over one another.

I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.

The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.

The happy medium was to just combine the 2. Here's a better look at that:

I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]

For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:

I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.

The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).

Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?

The Flowers...

In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be having (working against my usual style, rendering a background), so how could this be a pain in the ass?

Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.

(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)

I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.

I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.

I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.

The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.

At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).

The most tedious of this process was making each set of gladioluses a unique color.

Was it worth it? You tell me! I think they're pretty, at least.

Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.

Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!

I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.

I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!

If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝

[circeyoru]

have you listened to the song "Partner in Crime" by Madilyn Mei? If not, I strongly recommend it because it makes me think of Unwanted Souls!Alastor. Specifically early days of when the reader tries to push him away

This is for {Unwanted Soul} , check MASTERLIST for the work

The one I listened to is Partners in Crime by Set it Off. But I gave this a listen and omg the lyrics are quite in sync with the story!!

Let me go on a song tangant. Stay if you wanna read.

**Heavy spoiler if you haven't caught up with this series!!!!!

You're right; this matches well in the beginning when Reader/you are trying to push Alastor away so you can go back to your little world of self-indulgence. But what happened afterwards is Alastor staying and showing you care and devotion you never had.

Now, if you keep up with everything I posted about {Unwanted Soul}, you'll know that I never planned for this oneshot to end up as a series with this much background and connections for you. So, in Part 1, it was entirely matched with the request and that long to avoid a continuation. But then you saw the results, hahahahaha~

Anyways. Part 1 never mentioned anything of a dilemma of you pushing Alastor away yet wanting him near you, the later parts did. If you piece back everything, you'll see what I mean with this song.

When you're gone I feel alone again The voices cannot hold my hand They keep me company at very best Distract me from my loneliness

Here, this is a reference to when you had that breakdown when Alastor was more than late for that grocery shopping. You hoped it work, but when it did, you just feel so lonely. Everywhere you see in the apartment, especially the living room since that's where Alastor always was. So you retreated into your room, where he barely had permission to enter. With low self-esteem and self-harming thoughts, you conjured a knife and just stabbed yourself to distract yourself from the mental pain.

Maybe I'm just an anomaly Even my demons have their families Truly something must be wrong with me To need you as much as I do

Naturally, this is a reference to your living years. You felt alienated in your life and among the people that surrounds you. Yes, you're stable and successful to the point that you don't have to worry about getting hungry or not having a house to return to. But you felt so empty with what you're doing. You wanted companionship that you can lean on. Then Alastor comes along and you tell yourself it's too good to be true and pushed him away to protect yourself from a heartache.

I was never meant to win I was never meant to win I was never meant to win Shut up!

Sidetracking, this is referring to you quitting your job as an informant for Lucifer. It's some time after you mastered the two powers you had but never used. You think it's too powerful and you're not worthy of it, so you hide it away. Then it went to thinking you're not fit to work for Lucifer, the King of Hell. Worse when you come to see him as a friend instead of your employer and superior being. It was easy to put a stop to it since Lucifer wasn't as persistent with keeping you by his side than Alastor. (haha this explained why I never put Lucifer as a love interest or show competition between him and Alastor)

Here's the reigns Take ahold of me Please don't let me go You do the talking Sew up my mouth if I can't keep it closed

This is where you basically accepted that Alastor was a yandere for you and let it progress. You know how it is with this type of character. You were just too damaged and desperate for something you longed for that you didn't care anymore. It was a good thing that Alastor saw how damaged you are by that self-harm you inflicted on yourself, better now than later when you were more firm with your feelings for him.

There's a dog barking right around the block And a big ol' whistle blow Run for it I'll keep em occupied for you Cause I love you, I love you so Left me hangin at the station But you'll be back for me soon

I'll switch the narrative here. This matches more for Alastor. This talks about the time when you sent him to the hotel to work (and leave you alone). A little interest that shouldn't be explored for or for you to personally be involved with. So Alastor does his best to keep the hotel matters at the hotel, never needing you to leave your home to investigate anything. Alastor knows you moved him out because you were caring too much and you're trying to stop it. He doesn't care, he wants you. But he'll be patient and give you time, he knows you'll be back for him. And boy was the wait worth it when he saw you fight for him.

Something tells me you aren't coming Guess that I'm truly doomed

When Alastor was nearly brought down by Adam and realized that his power wasn't enough (since it was limited by you). That moment, he was fully prepared to just teleport back to your apartment and stay there.

I'm 'bout to die Yet the only thing I find I'm worried about is you I'm 'bout to die Yet the thing on my mind seems to nearly be nothing but you

This is when, moments before your slumber, you told Alastor that you missed him and removed the rule that blocks his connection with you. You know you're not dying, maybe, but there was that slim chance. You also know that wouldn't be what Alastor thinks, and in a way, you reassure him.

I'm just a pawn in your game Not your partner in crime

You used to think that Alastor was using you for something. In fact, you looked for evidence to prove your theory. But the battles he started for you, the demons he killed for you, and the words that made up deovtion and promise to you, it all pointed against that. Isn't it all so weird?

You're slowly killing me And yet I don't mind (You were never meant to win) You're slowly killing me But please take your time

This is where you accepted that you're not gonna be able to push away Alastor anymore. So you take a back seat and let it happen. You were never meant to win against Alastor's love for you, you were never meant to push him out of your life. What Alastor's killing is the doubts and reason you have to push him away, it takes time to heal and for Alsator to find out about your past. So... You want him to take his time.

"Hey, Alastor." You smiled as you waved your hand at him to beckon him over.

"Yes, My Love?" Alastor skipped over, throwing away a demon's limb behind him comically which earned him a burst of carefree laughter from you.

In a swoft move, you pulled him to your level and gave him a butterfly kiss on the lips then stared into his eyes, "I love you, so dearly. Never leave me."

Alastor felt himself melting from your words and the plead he saw as his order to keep you forever. What ever were you thinking to suddenly say this? He won't question since you ended up demanding his attention and presence. So he smiled and nodded, "Of course. I'll never dream of leaving you. I love you too much for that to ever happen, My Beloved."

[golby-moon]

made a thingy for the @spnfolklorebang and dumped uh a lot of art on it. I now never wanna see and/or draw snow again (good thing it's July ig fghjfhfg)

so first up is the banner, in which I reuse the putting credits on trees thing because I'm very original with banners (at least it wasn't a desk this time gdfgdf). for some reason that sign with the title gives me Club Penguin vibes and I have no idea why, though I'm thinking idk maybe the colors? also look at me forcing myself to get better at drawing forests using that greyed out outline-less object method

drawing the Impala is Hard no matter the angle so I actually used a reference for once yay. just now realizing Dean might be too small but ehh. for this one, I really wanted to emphasize the fact that Cas isn't there at this point in the fic so I drew a lot of empty space in the Impala as opposed to zooming in on Dean and relieving myself of the burden of drawing more Vehicle. also this is my first time drawing snow like that how's it look. also also what no I totally didn't distort various sections of the banner to make the trees in the background what are you talking about

(bonus sketch but I originally just had the Impala all frosty like this and idk I was still somewhat fond of this version even if the fic had the Impala more snow-covered. looking at this now, the frost looks more like salt from the road than anything though :/)

oh no look away it's my attempt at drawing people squatting down ,_, (never a good thing though neither is me trying to shade stuff). nah but I actually found references of Dean and Cas squatting shockingly easily and tried to copy those. still doesn't look quite right imo but an attempt was made so that they could actually see the tiny prints in the snow which I think came out suspiciously well considering. the weird section of snow on the bottom right is supposed to be a slushy sort of river that's partially melted but not really so I tried to make it look kinda melted. also am I the only one who never realized until now that we never saw any of the main characters wearing any sort of winter clothes? they're up to their ears in flannel but don't have a coat or a warm hat??

bonus art piece thingy featuring Phillippe LeChat (the familiar from That One spn episode, since my boy Phillippe is featured in the fic). houses never come out looking quite right and the roof is a disaster but an attempt was made and yeah I did give him huge anime-ish eyes I don't make the rules

the fic this is made for is called "Full Snow Moon" by @mbqnoyolo

(07/06/24)]

[clovers-housetree]

Clean-Up Time!! ^w^

(This might be a bit inspired by the mess in my own room I need to tackle... ^^;)

Pet-names used: Little starling, little one

Aw, hey there, little starling! Doing alright?

Oh, yeah? Trying to clean? Yeah, it looks like you've had a lot of fun in here, huh? ^^ I know how that can be, I get carried away daydreaming all the time... ^^;

Would you like some help? Looks like such a big mess for such a little one... but I know I think and feel a lot more sunny with a clean space!

Unless you're enough of a big kid to do it on your own, or you can tell me how I can help you! I won't mess with anything unless you tell me to.

Yeah? You'd like my help? Of course! ^w^

Now, I know cleaning can be kind of a big task, which is why I think we should help ourselves out and make sure we're ready to clean!

Have a snack? Check!

Got water? Check!

Maybe a show or some music in the background to help spread the good vibes? Check!

Plushie assistant? Check!

Now, do you feel well-rested and with enough energy to clean? That's the most important part, little starlings can't shine as bright if they don't have the energy!

All set? Alright!

Now, the most important thing here is to do your best, because that's the best you can do! Even if it's just picking up a few plushies, just making your bed, even a single piece of trash! Progress is still progress, no matter how small, and your room's all that much cleaner! That's the important part.

And I'll be right here if you need me, need my help to reach something, maybe wanna sit and take a break, whatever you need!

Let's see what we can get done!

If you work better in certain amounts of time at a time and like a bit of a game...

I've got a special mission for you, little starling! How many minutes or seconds at a time do you think you'll have the energy to clean?

Okay, awesome! We can set a timer for that amount, and see how much we can clean in that time! It's not a race, of course, but it's kinda fun to make it like a game.

I do this a lot, sometimes I keep going after the timer stops 'cause I tend to get into a rhythm, but we can stop and relax at any point if you need a break- cleaning is hard work, after all!

Alright, ready? Set? Go!!! >:D

If you're trying to clean a bigger space all at once (like me, trying to clean my whole room... ^^;)...

Alright, let's see... Y'know, I kinda like sorting things, and starting in one area, that way we can have at least one clean area, and everything gets organized!

It's like a little scavenger hunt!

Hm, let's see...

We could start with the trash, since that all goes in the trash can and won't pile up anywhere in your space.

And then the dishes if you've got any you're not using, I can take 'em out for you! ^w^

Okay, cool, got that done! Check!

Now... I like to start with cleaning my bed off, since it's a nice place to sit when it's break time, but we can start wherever you'd like!

Just a bit at a time, making little piles of everything, or bringing things to the places they belong!

There you go, fantastic job!

Look at all this progress you've made, little one! Sure took lots of energy, huh? Good thing we can relax, now, even Toby's tired...

You did amazingly, I'm very proud of you! And now, you have a cleaner space, no matter how big or small!

"Fluttershy protects this blog! SFW interaction only, please and thank you! ^w^"

"Wouldn't show a kid? Doesn't belong here!"

[pahtoosh]

mornings and kisses

[image ID: a moodboard on a blue background. there is a photo of croissants and another of brownies on the left. the right side is a photo of a messy bed. a photo of sebastian stan with long hair is in the middle. /.end ID]

masterlist

summer celebration masterlist

18+

wc: ~360 words

warnings: i read this and then never wanted to get out of bed ever again !!

a/n: day 2 of my summer celebration!!! there are two pieces today, this one and then another drabble with lee!!! I'm so excited for you all to read them!!!

pairing: chef!daddy!bucky x gn!little!reader

summary: your daddy gets to sleep in with you

⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆ ⋆｡ﾟ☁︎｡⋆｡ ﾟ☾

You woke up with a big stretch and then closed your eyes again, turning to the side and hugging your stuffy close. 

Bucky chuckled, “Good morning, baby.”

You whined, not wanting to get out of bed yet. Then, you gave your daddy a confused look. Normally, you’d wake up by yourself on weekdays. Bucky’s bakery opened up early in the morning and you liked sleeping in, so your mornings typically started alone. You would read the note Bucky left for you on the nightstand, get ready for the day, and then call your daddy for a morning check-in. If you didn’t have any other plans, you’d walk to the bakery and spend the day hanging out with him while he worked. 

“Why you not workin’?”

“Tryin’ to kick me out, sugar?” Bucky teased. 

“Noooo.” You set your stuffie aside and cuddled your daddy. He was the best cuddler. His arms were big and strong from carrying stuff in the bakery. Also, he had a soft tummy that you loved to lay your head on. Bucky’s cuddling style was to trap you with his large body, acting as your weighted blanket. Sometimes you’d switch it up and you’d be the one trapping him, but he usually preferred the first one. 

With you resting comfortably in his arms, Bucky began to explain. “There was a power outage, the whole building’s out for a few hours.”

You nodded against his chest. It was nice feeling the vibrations of his voice as he talked. “You go back later?”

“Mhm.” Bucky kissed the top of your head. “But for now I just wanna be with my baby. I’m gonna give you alllll the morning cuddles and kisses we’ve missed out on.”

You giggled excitedly and pressed a kiss to your daddy’s chubby cheek. 

He returned the gesture. 

You kissed his other cheek then, and he did the same to you. You kept going back and forth like that until Bucky held you tight and kissed the same spot on your neck over and over again, making you squeal. 

He might take advantage of your ticklish spots, but there was no better place than in your daddy’s arms.

[teruthecreator]

(tw for racism, pedophilia, transphobia, child impregnation mention)

yeah idk why y'all read this

i was originally going to just post this and have some tags with my reasonings, but i realized that opens me up to too much bullshit from people who may think i'm being unnecessarily mean or whatever. so i'm going to explain exactly why the screenshots above are something i hold issue with.

firstly, and i just want to get this out of the way, this post is not intended to be a hit piece against the creator. i've seen how she reacts to any mild-mannered or slightly joking criticism, so i know this post is probably going to not land well. but it isn't my intention to make her mad or anything--she's writing a piece of content for the internet, which means she is just as open to criticism as any other poster. and what i intend to go into in this post is criticism. i'm allowed to do this, as that is the nature of the internet. people are allowed to critique whatever they please, and if you don't want critique then you shouldn't post. simple as!

i am also making no attempts to posit myself as better than the creator. i'm not doing this for clout or moral superiority or any of that dumb shit. i simply want to discuss something that's been bothering me for a bit, while simultaneously warning people who haven't read this yet (who may be sensitive to the issues above) to steer clear. if things like casual racism or transphobia aren't properly tagged, then readers who are affected by such things run a risk reading this! same goes with people who are triggered by lewd content involving minors. i wanna make sure people are getting a more critical scope of this work than what has been hoisted up by others.

okay, now that i've gotten that out of the way, i'm going to get into my points.

firstly, the subtle and not-so-subtle racism throughout this fic, especially in relation to serizawa. i'm white, so there is only so much i can speak on without trampling over the words of other fans of color, but some of this feels so blatant it's odd it hasn't been noted earlier. it's important to note before i go into it that serizawa is specifically written as half-black half-japanese for this fic, in case the screenshots don't make it abundantly clear. but there are just too many moments of casual racism in this fic. i'm not talking about the plot point of serizawa being bullied as a kid for being mixed; i'm not mixed, so i can't speak on the accuracy there but it is well-known that black people face a lot of racism in japan. i'm talking about how it seems everyone else has these racist moments that aren't acknowledged by serizawa or the narration as being bad.

reigen hypothesizing over serizawa's exact ethnic background is just strange. yes he's a fairly observant guy (he has to be, with his job), but there is no canonical evidence to suggest he would immediately jump to theorizing whether serizawa is american or not. and the way it's posed in that first quote--"he has darker skin and the kind of hair texture that would likely indicate African ancestry"--is not great. that's an extremely inappropriate way to bring up someone's race. i don't think most people would stare at someone and be like "hmmm well your nose shape and hair texture would suggest you're of this race". it's racial essentialization that is only slightly covered up by the excuse of "oh he tweets in english". there are some other smaller moments of questionable wording, like calling serizawa's afro "sloppy" when it isnt (which btw there's another issue with the creator only referring to an afro as a "fro". it's a hairstyle; you're allowed to use the actual name of it). even if reigen cuts his hair in canon, he never states it's because serizawa's afro looks sloppy. (also there's something to be said about the casual racism baked into making your employee cut his natural hairstyle for a job, as that is a very real issue many black people face when wearing their natural hair or even protective styles in the workplace.)

i'm especially bothered by toichiro's very casual racist remarks. toichiro in this fic is a general bother of mine (most of which can be boiled down to "he would not fucking say that"), but the way she chooses to characterize him in relation to serizawa feels gross. calling a black man a slave should be a very obvious red flag, but also saying serizawa (again, as a black man) has a "brutal masculine appeal" is also extremely stereotypical and racist. and really there is just no need for it; toichiro's actions in canon prove how shitty of a guy he is without the need for him to be racist (along with other things i'll get to in a bit). as my girlfriend put it: he doesn't need to be a member of the fucking kkk to show he's a bad guy.

there's also, again, the very casual racist remark of calling serizawa a "dog". i don't care if that isn't the intent; when you are writing a character of color you need to be aware of your wording, even in insults (unless she intended to make tsuchiya racist, which i don't think she did).

secondly, the eugenics/child pregnancy bit. it is surreal to even have to write this, but i seriously do not understand the purpose of either of these bits in the story. they are so minor yet so jarring you can't help but wonder why they're there. once again, i do not think you need to have toichiro doing esper eugenics just to prove he is an evil guy. he has nuance, and by making him casually reference child pregnancy (like that isn't an INSANE thing to say) reduces that nuance to nothing. that's the only reason i could see why that bit was included: to make toichiro look worse. but, even still, the author is running the risk of potentially triggering victims of csa or people who don't want to see that by not properly tagging the mention of it (or, at the very least, warning readers in the intro notes). the only other explanation for it would maybe be shock factor??? but that's a pretty shitty thing to use for shock factor, if i'm honest. also the fact that the esper eugenics was referenced again in a more recent chapter just has me very disturbed and confused. there isn't a canonical explanation for why we see less espers who are women than espers who are men, but that doesn't mean we need to jump to fucking Eugenics. it's weird!

thirdly (and this is probably one of my biggest problems and the main reason i wanted to make this post), the weirdly lewd/sexual language shou uses constantly, along with referring to reigen as a pedo or a creep at several points. frankly, i think it's pretty fucking gross for someone in their near-40's to be writing a 12-year-old talking so casually about sex like that's normal. which, i'm sorry, but it's not. yes, teens know about sex and like to joke about lewd shit. but a 12-year-old is not about to make references to a grown man's virginity. 12-year-olds draw dicks on their desk bc they think it's funny. 12-year-olds say the word "buttfuck" because it has the words "butt" and "fuck" in it, and those are the two funniest words on earth to a kid that age. i literally do not understand the purpose of having shou be so lewd all the time. for one, it doesn't make sense for his character. shou is shown time and time again to be extremely mature for his age, but that maturity extends to shit like assembling a counter-terrorism unit and extending a hand to his father to allow him to try again. and even then he's still just as naive as any other kid his age! the omake where he's telling his guys to go to the "far right corner" based on ritsu’s advice proves that he still has plenty of blindspots that are indicative of his age. leaning into this raunchy, lewd version of shou is just weird. and, again, i think it is made a bit weirder given the author's age!!! not ageshaming or whatever--i'm 23 and i write fanfic, clearly i cannot judge there--but it is just extremely inappropriate in my opinion. also having shou be more versed in sextalk than serizawa is odd too and speaks to a larger issue of serizawa's infantilzation throughout this fic, but that's something i can get into in another post if people want an explanation.

also, the way she constantly calls reigen a creep and even has him being accused of being a pedophile during the twitter cancellation is extremely inappropriate when, again, there is NO CANONICAL BASIS FOR THIS! everyone just calls him a fraud and a scammer during separation arc; there is never a reference to reigen being seen as a pedophile in that arc. and, yes, while there are versions of mob psycho where reigen is very clearly written as a creep (looking very specifically at the netflix adaptation), that doesn't mean it's good. honestly, the creep mentions all just feel like really poor jokes that do not land in the slightest.

finally, the transphobia (aka WHY IS SHIMAZAKI A CHASER). i literally do not know what else to say other than: why? why is this a thing? why is he a chaser? what is the purpose of this? is it a joke? i feel like it's supposed to be, but seeing as the author is cis i don't think that's a joke she should really be making. it not only comes out of left field, but it's just kind of a weird thing to ascribe to a character for no reason. not to mention, it's uncomfortable! trans women deal with enough creepy antics from cis men in real life--why must they be accosted by this guy too? it's just weird and uncomfortable.

i wanna round out this post by saying, once again, that i'm not trying to attack anyone with this post. but i do hope people come away from this with a new perspective on this work, and maybe think twice before recommending it uncritically to someone. to the author specifically, i hope you can read my post without rage or indignance blinding you. i might be a little blunt or rude in parts, but it's only because i'm passionate and i don't mince my words when it comes to things i'm passionate about. to the readers, understand i am not judging you for reading this fic without noticing these things. your own life experiences will give you certain blindspots and there's nothing wrong with that. i have plenty of blindspots of my own! it's what makes us human.

there is more i could say, but this post is long enough. i ask that if you come to me in my inbox or in dms about this that you treat me with respect, as i will do that for you. writing something like this took a lot out of me, as i'm usually not so open about my opinion on shit like this.

have a good day :-)

[gemharvest]

Gf for the character thing ? :] or maybe Nene if you received her already

I HAVEN'T RECEIVED HER YET THANK YOU !!!!!!!!! I'll do Nene too, I'll just make it her own post after posting this. :J

favorite thing about them: I love her dumbgirl swag. There's something so special to me that both her and Boyfriend are fuckin'. Dumb As Rocks. ALSO I LOVE THAT SHE'S CANONICALLY AN ARTIST that's such a sweet thing to me. I would pay one morbillion dollars for a GF commission (because she has no idea how they work).

least favorite thing about them: I WANT HER TO DO MOREEEEHGNJFN.. Like she's probably done as much as BF has so that's not a critique of the game, I just wanna see her do more. Because I love women. Oh also I think they should remake every canon piece depicting her and make her canonically fat. I often forget she isn't fat in canon and then I feel sickly when I look at like, the volume 1 cover and she's thin. W-Whe';re h.er tumm-.my go..,m,l,l,...,, <- sorry for crytyping but it fits.

favorite line: That's how you do it! <- I was gonna jokingly just go up down left right but then I remembered she says that in the tutorial. And I quote it to myself all the time so.

brOTP: Y'know what, similar to BF, I think a GF & Darnell friendship would be fuckin' s-tier. I often think abt this post Keyy made tbh. I know that's specifically the Funkycule AU and pup has them in a QPR but I do think abt it often. Also, before I was a romantic PicoGF guy my interpretation of RGB had Pico & GF as just friends, probably closer friends the longer they're in their relationships with BF cuz like, bonding over a shared partner or smthn LMAO so I'll give an honorable mention to Pico & GF friendship.

OTP: WOag. RGB. Wow I've never heard of that before. How many times can I joke about RGB being my OT3 for this game before it gets annoying LMAO anyways. I ALSO REALLY LOVE GFNENE I wish they had more fics. So bad. I'm actually shocked by how bare their tag on AO3 is. They weren't lying, fandom does hate femslash. /hj

nOTP: Is there anyone out there who actually ships her with Senpai. I think that'd be my only answer ALSO YOU KNOW WHAT. I chickened out on saying it with BF but I also consider BF and Senpai a nOTP but like, I DON'T HATE ANYBODY WHO SHIPS IT. OF COURSE. I don't think it's "problematic" to ship Senpai with either of them it's just, like, the most thought I have on Senpai is that I want to kick sand into his eyes. So that feeling doesn't really translate into a desire to see him shipped with anyone. I'm sorry to anybody who ships Senpai with either of them, I respect your grind, it is just sooooo not for me.

random headcanon: This headcanon is like, so deep into my personal GF characterization/ fuckin'. AU. If you wanna call it that atp. BUT ANYWAYS. Fuck this is gonna need quick background hold on. The canon explanation for her looking human iirc is literally just "true love" or whatever tf. But that's not as fun to play with. So instead I like to write her as being ashamed of being a demon, especially because of her parents' actions, so she masks her demon traits. And she reaaaalllly does not like letting them slip through, especially around a specific person (this is foreshadowing for something idek if I'll get to any time soon Sorry). BUT! She is on a limit for how long she can hide her demon traits until doing so starts to hurt her, either through draining her energy or like, it causing physical damage to continue hiding parts of her. And while she trusts Pico & BF, she's still got shit that she's just. Not. Sorting out. So when she feels she's about to reach a limit with it she locks herself away to rest until she's well enough to continue like normal. Girlie No (guy who is writing her to do this) (don't worry I'm going to also write her getting better abt this) I'm gonna eventually have to make a "Karl's Personal FNF Demon World Building" master-post or whatever just cuz this shit is so fun for me to work with Idk.

unpopular opinion: GEH once again idrk if this is an unpopular opinion but I've been using this to just. Complain. About stuff I have seen and disagree with so whatever I'm continuing the trend. Like Pico, I feel like I see. So many. Interpretations of her that just feel Wrong. Like I see people make her The Smart One or like. Dominant Girlboss with little substance beyond that. And it's like. Cool, yay, I love fandom misogyny. FUCK it's probably still rotting in my drafts but forever and always my reaction to this phenomenon with her is "This girl gets her hand stuck in peanut butter jars trying to eat pb with her hands. This is your Smart One?" and I should get it out of my drafts bc I'm real for that. DO NOT MISUNDERSTAND ME WHEN I SAY THIS BTW. Interpretations that smarten up BF to the same degree do not flag this to me. When making more serious fanworks with these guys, you're gonna have to give them more smarts than canon will. My issue is specifically when I have seen people still write in a degree of stupidity with BF and then just. Don't? Do the same with GF?

song i associate with them: Very basic but I think the sound is cute with her. My secondary answer would be Nelward - "Werewolf" but that's more of a. Specific Instance. That I don't want to elaborate on. grins

favorite picture of them:

Like literally all of them The Fuck you're making me choose? /silly Here's the fruits of me looking through her wiki gallery:

^ If I had to pick a single favorite, it'd be those panels from the Nendoroid comic. She was real for that. Anyways FUCK I love her. Statements improved when you remember I'm Boyfkin LMAOOOOOO..