#BOTH OUT FOR DELIVERY

[succubusjuice]

.

[therabbitthatpostthings]

Anyone else come to some wildly different conclusion on Ghibli movies with age?

Kiki's Delivery Service: Kid: Being a witch is so cool! Adult: Growing up and growing apart from the life you had before is a natural progression of life. You aren't losing the old parts of yourself, just finding new pieces that were there all along. Life is about changing, you'll never stay stagnant.

Ponyo: Kid: She's such a cute fish, you should always follow your dreams! Adult: Leaving home will not take you away from your family. Even when you're miles away and you feel like you're in different worlds your family will still be there, encouraging you. Parents are meant to let go of their kids at some point.

Howl's Moving Castle: Kid: Sophie's a big sister like me! I want to a princess in a magic castle. Adult (I've also read the book): Sometimes you don't find your place in this world, you make one. The people that come along with you will see you through every ugly part of yourself and you would do the same for them. Chase after that shooting star.

Spirited Away: Kid: What just happened... Adult: SHIT HAPPENS! And it sucks, life sucks but you keep going. You can cry along the way. You are being so fucking brave for even going on this hellish journey we call life. It's okay. You're okay.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[thechosenthree]

IZZIE TAYLOR & CASEY GARDNER

Atypical 3x07 “Shrinkage”

JACKIE TAYLOR & SHAUNA SHIPMAN

Yellowjackets 1x07 “No Compass”

+ bonus

[quetzalpapalotl]

Finally watched TF One in English and oh my god, you people were right Brian Tyree Henry makes an amazing Megatron. His acting brought so much to the table, especially with Megatron being arguably the most complex character in the film.

This is how he sounds in the latam dub, so you all understand why I was bitching so much.

[linddzz]

(with every disclaimer that Harris/Walz is far from perfect and while I feel better voting for this ticket than Biden, there's still more I want to see from them on several things but especially Gaza)

One thing that I keep feeling but am like....scared??? to say out loud after 2016 (and how close 2020 was lbr) is that there aren't just the happier vibes of a Dem ticket finally learning how to go on the offense, it almost feels like a total flip of where it's been since hell...2014???

The "you're being a fuckin gross weirdo" has been picking up in leftist spaces for a bit (I want to make a tally of how many commentators have joked that they should get royalties for saying it before Walz) but I never would have expected it to reach mainstream Dem messaging and for that to explosively flip the culture war vibes (so far. Man does it say a lot that I keep feeling the need to add caution into everything lmaooooo).

Harris/Walz seem to have managed the thing Democrats have struggled with since even the Obama years: messaging. And it's wild??? They figured out how to smack down culture war shit without ignoring it and without validating it with a full argument. You're being weird. Mind your own damn business.

And with that, now the wider social framing feels like the social progressives from the center to the left are on the offense. Now it's THEM who have internet brain rot weirdo vibes. Now the reactionaries are crying and being sensitive and throwing tantrums. They were before! But it feels like it's finally not being taken seriously. Now the center to left is making memes launching their ticket based on Vibes! Do you know how wild it is for the meme-vibes ticket to not be the other guy???

The backlash to the backlash feels like it's starting and I'm under no illusions that "oh sweet we won lmao we are so back" but man it feels nice to be on the side pointing and going "y'all are being fuckin weirdos."

(Knowing how to deflate a bully is definitely something Walz picked up from being a coach and teacher, but the "you're weird" and "mind your own business" are so word-for-word from how I've seen trans rights activists starting to hit back that I do wonder if he's gotten tips from his GenZ kids. He has said before that his stances on gun control changed bc his daughter talked to him and he's mentioned before that he listens to his kids a lot. So....I do wonder.)

[seilon]

certainly feeling some things about the fact that simon. bullied edwin, yes, because he clocked him being gay. but not out out of hatred for him because of it. instead it was because he thought edwin was cute and felt sad and confused by edwin not paying attention to him. because simon is also gay. that is some beautiful and tragic storytelling and such a good way to come back around and give edwin some amount of closure on that chapter of his life wow

[fuckyeahweaving]

hey galemancers I found a truly horrible "how are you feeling?" answer in act 2

Tav: How are you feeling? Gale: Oh, you know. Filled with the bottomless dread that can only come from your own impending and self-inflicted death. Gale: Glad to have met you though. At least I'm going out on a high.

[fatalism-and-villainy]

While talking to @menciemeer, something came up re: Jack’s motivations for being in Italy in season 3 that I haven’t seen discussed much - and that is that he’s explicitly there not to catch Hannibal, but to save Will. Here’s his dialogue with Pazzi in Secondo:

Jack: If he hasn’t already, Il Mostro will return to Florence. Pazzi: Come back with me. We have a chance to regain our reputations and enjoy the honours of our trade by capturing the monster. Jack: I’m not here for the monster. Not my house, not my fire. I’m here for Will Graham.

This is even more striking in light of the context for his character that the very next episode gives us - his conversation with Chilton in Aperitivo establishes that he’s been forced into retirement with the FBI, but he’s not interested in regaining his standing or reputation. (Very odd in light of the fact that come the Red Dragon plot, he seems to still have his old job in Behavioral Science). Chilton tries to get him to use Will as bait to find Hannibal:

Chilton: Will is going to lead you right to him. Jack: Oh, no, he’s not. Not to me. I’ve let them both go. I’ve let it all go. Chilton: You dangle Will Graham and now you cut bait? You’re letting Hannibal have him hook, line, and sinker. Jack: You’ll excuse me, Dr. Chilton. I like to be home in the evenings when my wife wakes.

What stands out about this exchange is Chilton’s “letting Hannibal have him” phrasing. It foregrounds not subduing Hannibal, but preventing Will from succumbing to his worst impulses, as a central motivation for Jack in 3A. It’s also significant that it’s his need to care for Bella that leads him to defer pursuing anything relating to Hannibal or Will, because her death is framed within the episode as the impetus for his investment in following Will to Europe - as he tells Will in the funeral scene, “you don’t have to die on me, too.”

So much of Jack’s character arc in the first two seasons is juggling his repeated sacrifice of others for the greater good. His guilt over what befalls both Will and Miriam features prominently in season 2, and during Will’s trial, he’s already prepared to put his career and reputation on the line to stand up for Will and atone for what he feels is his role in Will’s downfall. Both the traumatic events of Mizumono and Bella’s death bring about more of a full turnaround in that direction - Jack becomes less invested in apprehending killers in service of public safety, and more invested in saving the specific person who’s been harmed by that project.

I think this motivation doesn’t always stick in people’s minds because these exchanges get eclipsed by Jack beating Hannibal to a bloody pulp a couple episodes later, as well as his inexplicable return to working for the FBI in 3B. But even in the former altercation, his fight with Hannibal feels personal, more about venting anger and grief than actually apprehending Hannibal. In Dolce, when Will asks why Jack didn’t kill Hannibal, Jack responds “maybe I need you to” (in the same exchange, of course, as “you need to cut that part out”). That scene also establishes clearly that Will and Jack are, like Pazzi, “outside the law and alone.” As in Mizumono, they’re effectively vigilantes - and Jack’s mission is not serving justice for the FBI, but in saving Will from Hannibal’s influence.

This is why, despite the fact that Jack is once again embroiled in FBI business in season 3B, I always envision his role post-canon as being a continuation of what haunts him in the first half of the season - less about catching or killing Hannibal than about rescuing Will. It’s a lot more compelling to me, at least, than him simply continuing to be the face of law enforcement.

[daily-hanamura]

[nat111love]

CITADEL (-2023)

↳ Season 1 . Episode 2  "Spies Appear in Night Time"

[daredevils-advocate]

.

[tittyinfinity]

People are lined up at my door to get my autograph🥰

[tiktaaliker]

ITS BEEN A FUCKING WEEK. PASS THE DETRITUS

[fastfists]

"Mhm, should see if anyone needs some fresh fruits 'r vegetables. T'Chaotix definitely...'n I 'ave some homemade roasted crickets for Esp' anyway I gotta drop off..."

[red-dyed-sarumane]

ik my layout rn is rime bc shes also very important to me but if im not the person obsessed with an obscure & obtuse vocaloid song series to everyone else then whats even the point. my favorite character ever rn has one single piece of official art & a 3 & a half minute song with weirdly specific wording and like 30 different possible interpretations & thats it thats all that exists of her. her creator never speaks of her (or any of the other characters from the series or even the series itself for that matter). she's referenced in other songs as only a sacrifice/victim with no extra details about her character. the amount of fan art of her minus my own is in the very low double digits & several of those are because i got my friends to draw her for me. u may be insane for ur fave character but are u strong enough to subsist off exactly two things of them for 4 years & love them just as much if not more than when u first saw them.