#BHAR era

[shinypetrichor]

[supermassiveart]

[rosetinted-escape]

I have no idea how to phrase this correctly or coherently but:

You Make Me Feel Like it's Halloween and Supermassive Black Hole are like twins in my brain?? Like, they are related. Not lyrically but musically they are besties.

I don't know how else to explain it.

[king-of-kaoss]

[lulupen2023]

My ooold parody sketch for my ooold parody fic (the one I'm posting here, chapter after chapter)

[justify-my-reasons]

Maffoo, your ND is showing. One recognizes the other. My headcanon? Undiagnosed AuDHD

Also I love this interview. And more "recently" the mini skate one that also show some signals

[sunburnacoustic]

Muse live at Pentaport Rock Festival, 2007 | archived from microcuts.net

[justify-my-reasons]

Here's my attempt to draw Matthew Bellamy in his 2006 BHAR era

I tried so hard (and got so far -nnn) because I didn't draw a real person since, Idk seven or eight years ago. At least I think is recognizable.

This man has such unique and amazing features that I wanted to study his face and try to draw him. Maybe I'll try again later.

But yeah, I'm not an artist I'm just a fan :)

Matt Bellamy from Muse

Pencil - 1h30 minutes drawing

(Here goes nothing until I still have the courage to post this.)

[supermassiveart]

semasoulalai

[bliss-tastic]

It was here! 5:28 for the question and Matt's answer too 🙈

Dom: You know, Matt’s a straight talker, he’s straight to the point, which is a good thing. He’s creative, ambitious. he’s a very respectable thing, a human being.

Matt: (makes weird noise and fidgets)

Dom: Don’t get embarrassed

Interviewer: That’s the point where you should start crying ‘oh, I love you man’.“

Dom & Matt: (Embarrassed laugh)

[libero-de-mente]

𝗗𝗶𝗮𝗿𝗶𝗼 𝗱𝗲𝗹𝗹'𝗔𝘃𝘃𝗲𝗻𝘁𝗼

𝟯 𝗱𝗶𝗰𝗲𝗺𝗯𝗿𝗲 𝟮𝟬𝟮𝟯

Caro diario

questa mattina, mentre ancora assonnato cercavo di calcolare le ore che mi rimanevano per tornare a letto questa sera, ho ricevuto una telefonata.

La voce dall'altro lato era concitata "Rino sono caduta, sono sul terrazzo. Ho freddo aiuto. Aiutami ti prego".

Mia madre. Oramai convivo con questa consapevolezza che in qualsiasi momento le possa capitare qualcosa. Del resto intimarle di stare ferma e non fare nulla risulterebbe, per lei, come una condanna a morte.

L'arrendersi all'evidenza che non può pulire, stendere, riassettare la casa in generale o preparare dei manicaretti al sottoscritto come ha sempre fatto sarebbe un colpo letale per lei.

Mentre correvo da mia madre pensavo al "cadere".

Chissà cosa si prova quando a cadere è il tuo corpo, ma non la tua mente e la tua anima. Dev'essere un contrasto forte, il non accettare che il corpo che ti ospita da quando sei nato sia compromesso. mentre la testa ancora vorrebbe fare mille cose.

Il mio corpo è già ceduto molte volte ma era dovuto a qualche patologia, quindi avevo una giustificazione che il mio cervello accettava come discolpa.

Una volta no, cedette anche il mio cervello. Ero disperato, troppe ingiustizie di chi credevo essere mio fratello. Fratello, diminutivo di frate, contrazione del latino frates. A sua volta, il lemma latino trova un riscontro diretto nel sanscrito bhratar, al cui interno troviamo la radice bhar-, legata all'idea di sostentamento e nutrizione.

Stesse radici. Stesso nutrimento. Stesso sangue.

Lei, mia madre, ha vissuto questo tradimento da mamma. Penso che sia ancora più terribile. Lo credo fermamente in quanto genitore anche io, non sopporterei di essere tradito da uno dei miei figli. Preferirei morire piuttosto che vivere tale condizione.

L'ho aiutata, nulla di grave per fortuna caro diario, e dopo averla scaldata e finito le faccende per la quale era caduta, ho fatto una cosa semplice. L'ho fatta ridere. Così da scaldarle il cuore e l'anima.

Natale è in questi gesti, non negli alberi addobbati e nei regali, almeno per me è così. Certo le decorazioni aiutano a vivere in allegria, ma è aiutando che secondo me si crea l'atmosfera che assaporavamo da piccoli.

Credo che oggi sia stato importante che lei si sia rialzata, questo dà forza e coraggio. Non importa come e quando cadi, importa sapersi rialzare, anche con un aiuto, perché così ci si rafforza nell'animo.

[killedbythegroove]

now that I'm 30, my toxic trait is I wish I could meet dom in his 30s aka BHAR era. I find him the most fruity and attractive. why I had to be 17 years later than him. but then I'm lucky to even know them now and being 30 is so far so good imo. I understand why they were so wild...

this is honestly so real bc i am always saying i wish i was born earlier so i could be 21 when dom was 21 because i would’ve had himmmmmm. I SHOULD HAVE BEEN THERE. I KNOW I WOULDVE HAD A CHANCE I JUST KNOW IT

[bliss-tastic]

If anybody wants to see it, 1:50 is the question

There’s a muse interview somewhere where the interviewer asks matt “did you always know you had that voice?”

And Matt’s like “w-what voice?”

[bollywoodirect]

Tribute to #Roshan, one of the greatest music composers in the history of Hindi cinema, on his 57th death anniversary. Roshanlal Nagrath (14 July 1917 – 16 November 1967), better known simply as Roshan, was a celebrated Hindi film music composer. He was the father of actor and director Rakesh Roshan and music director Rajesh Roshan, as well as the paternal grandfather of Hrithik Roshan. In 1948, Roshan moved to Mumbai to pursue a career as a Hindi film music director. Initially, he worked as an assistant to Khawaja Khurshid Anwar for the film Singaar. After facing significant struggles, he finally received his break when Kidar Sharma gave him the opportunity to compose music for Neki Aur Badi (1949). While the film did not achieve success, Roshan established himself on the Hindi film music scene with the release of Baawre Nain in 1950. During the early 1950s, Roshan worked with legendary singers like Mohammed Rafi, Mukesh, and Talat Mahmood. Films such as Malhar, Shisham, and Anhonee featured his compositions, showcasing his talent. One of his iconic creations from this time was Aeeri Main To Prem Diwani Mera Dard Na Jaane Koi, sung by Lata Mangeshkar in the film Naubahaar. Although he was not consistently commercially successful, Roshan’s work was widely respected. He played a pivotal role in introducing lyricists Indeewar and Anand Bakshi to the industry. Both would later rise to prominence as sought-after songwriters in Mumbai. Anand Bakshi’s first break came in 1956 with Bhala Aadmi, although it was Nissar Bazmi who gave him the opportunity. Roshan later collaborated with Bakshi on CID Girl (1959) and delivered a significant success with Devar (1966). The 1960s marked the golden era of Roshan’s career, where his unique ability to blend folk music with Hindustani classical influences became his trademark. His compositions during this time included memorable songs from films such as Barsaat Ki Raat (Na To Caravan Ki Talaash Hai and Zindagi Bhar Nahi Bhoolegi Woh Barsaat Ki Raat), Aarti (Ab Kya Misaal Doon and Kabhi To Milegi), Taj Mahal (Jo Vaada Kiya Woh Nibhana Padega, Pao Chhoon Lene Do, and Jurm-e-Ulfat Pe), Dil Hi To Hai (Nigahen Milane Ko Jee Chahta Hai and Laga Chunari Mein Daag), Chitralekha (Sansaar Se Bhaage Phirte Ho and Man Re Tu Kaahe), and Anokhi Raat (Oh Re Taal Mile and Khushi Khushi Kar Do Vida). His work in the film Mamta (1966) with lyricist Majrooh Sultanpuri resulted in timeless melodies like Rehte The Kabhi Jinke Dil Mein, Rahen Na Rahen Hum, and the duet Chuppa Lo Yun Dil Mein Pyar Mera with Hemant Kumar. The film Devar also featured iconic songs such as Aaya Hai Mujhe Phir Yaad Woh Zalim, Baharon Ne Mera Chaman Loot Kar, and Duniya Mein Aisa Kahan Sab Ka Naseeb Hai. Roshan’s unique contribution to Hindi cinema was his mastery of the qawwali, which was evident in creations like Nigahen Milane Ko Jee Chahta Hai and Na Khanjar Uthega, Na Talwar Tumse. His ability to craft soulful and memorable music, blending genres with finesse, cemented his legacy as one of the most gifted composers in the history of Indian cinema.

[vidur-bharadwaj]

Building a Sustainable Tomorrow: 3C Director Vidur Bharadwaj's Vision

Introduction: In the quest for a sustainable future, visionary leaders play a pivotal role in steering the course toward environmentally conscious practices. At the forefront of this movement stands Vidur Bharadwaj, the Director of 3C, whose unwavering commitment to sustainability has been a driving force behind transformative changes in the industry. This blog delves into Vidur Bharadwaj's vision and the remarkable strides he has taken toward building a more sustainable tomorrow. The Genesis of a Visionary Leader: Vidur Bharadwaj's journey as the Director of 3C began with a profound vision rooted in environmental responsibility. His early experiences and insights shaped a commitment to redefine the real estate and infrastructure landscape, aligning it with sustainable practices. Vidur's visionary leadership has been instrumental in establishing 3C as a pioneer in sustainable development. Sustainable Real Estate: Under Vidur Bharadwaj's guidance, 3C has become synonymous with sustainable real estate practices. The organization's projects exemplify a harmonious blend of modern living spaces and ecological mindfulness. From energy-efficient designs to the incorporation of green technologies, every 3C development reflects Vidur's dedication to reimagining the real estate sector as a catalyst for positive environmental impact. Innovations in Green Construction: One of the cornerstones of Vidur's vision is the implementation of innovative green construction methods. Through extensive research and development, 3C has introduced ground-breaking techniques that reduce carbon footprints, minimize waste, and promote resource efficiency. Vidur Bharadwaj's emphasis on eco-friendly construction practices is reshaping industry norms and inspiring a new era of responsible building. Community-Centric Sustainability: Vidur Bharadwaj's vision extends beyond physical structures; it encompasses the communities that inhabit them. Recognizing the importance of community engagement in sustainable development, 3C's projects incorporate social initiatives, green spaces, and eco-awareness programs. This holistic approach ensures that sustainability is not just a feature of the infrastructure but a way of life for its residents. Global Impact through Renewable Energy: As a director with a global perspective, Vidur Bharadwaj 3C has propelled 3C into the forefront of renewable energy integration. The organization's commitment to clean energy solutions, such as solar power and wind energy, is contributing significantly to reducing reliance on conventional energy sources. Vidur's vision sees 3C not just as a local player but as a global influencer in the pursuit of renewable energy adoption. Advocacy for Sustainable Policies: Beyond his role at 3C, Vidur Bharadwaj is an influential advocate for sustainable policies at both local and international levels. Through active participation in environmental forums and collaborative initiatives, he strives to shape policies that encourage sustainable practices across industries. Vidur's vision for a sustainable tomorrow extends beyond his immediate projects to a broader impact on industry norms and governmental regulations. Challenges, Adaptations, and Future Directions:

The journey towards sustainability is not without its challenges, but Vidur Bharadwaj's leadership has shown an unwavering commitment to overcoming them. Whether adapting to evolving technologies or addressing industry skepticism, Vidur's resilience and foresight position 3C as a trailblazer in the sustainable development landscape. Conclusion: In Vidur Bharadwaj's role as the Director of the 3C company, he envisions not just buildings and communities, but an entire paradigm shift toward sustainable living. His passion for sustainability, coupled with innovative solutions, has set a benchmark for the industry. As we navigate the complexities of a rapidly changing world, Vidur Bharadwaj's vision shines brightly as a beacon of inspiration, guiding the way toward a more sustainable and resilient tomorrow.

[sunburntashes]

Bad habits die hard

Old promises break down to shards

The love of my life is soaking sun in a yard

My words reach to outwit all the bards

Moniker on your tongue

Tragic by your mouth, the dip of your throat

Honey in your eyes

Melting down the sun

Simpering touches leading wayward

Chronicle secrets—felled cards

Winding down walls, breaking up the guard

Words of crumbs, beckoning a bird towards

A passion poesy-like

This carnation an entropy

jab aasmaan ki zameen thi

toh dariya bechara raha

She was angered

So up into the clouds she soared s

Came down with rage, she roared

Becoming one with who they called Lords

Another Shakespearean era

History was repeated

What seemed to happen too often

Recurred in fated reckoning

Inching towards a hom e long since cha rred

She thrashed at the moon i n parts

Locked her he art

in a lard er

Dared never to look into

t he gard en

ki ab alag aasman tha,

aur zameen bhi k uch alag si

par chand ne wada kiya

ki har raat shayari karunga teri

Khair, chand bhi

aakhir suraj

par fidaa hua

kaafi silsilon ko surat-e-haal laazim hai Dariya -bhar a fsaan ey yu nhi

aakhon ke takraney se mash-hoor nahi ho jatey

20|10|23