#BELOVED!!!! THANK YOU SO MUCH!!!!

[whatareyoudoingwithamaserati]

hello. character asks:

2, 4, and 7 for princezam

17 and 30 for one seth gordon. enjoy (:

I AM GOING TO BITE YOU <333 it is Autism Time alright alright okay!!!!!!

PrinceZam!

2) When I think I truly started to like them

Honestly, the exact moment slips me! He got in my head one day and then he Did Not Get Out. I did run back through my discord channel and apparently an hour and a half after starting Zam’s s3 POV I messaged “WHAT IS THIS, THE BULLY ZAM SERVER????” so I think about then! (I had already watched Clown’s POV and thought that Zam was oooo such an asshole oooo for his whole building walls bit and then you watch Zam and he is so wet and pathetic that all of a sudden he did nothing wrong ever) It did not take me long to go ah. Yeah this is The Guy. I’m gonna make a plushie of him and throw it at walls

4) How many people I ship them with

SO many people. SO many fucking people. I think if princezam makes it on a server and doesn’t act like a raging gay then he will crumble to ash and fall apart in the wind. That said I am particularly fond of the idea of clownzam. They’re two guys committed to a bit defined by their usernames (clown) (prince) while also somehow managing to be mortal enemies and homoerotic losers at the same time. Would love to see more out of them

7) A quote of them that you remember

Okay so this one is. Not even going to be remotely serious despite his ability to be gutwrenching and dramatic. There’s a lot of Zam quotes I love and remember (shoutout “YES! YES! YESSSS!! VINDICATION!!!!” my beloved) but there is one in particular. that I cannot escape from. One that frequently comes to mind. Hey guys. Uhm. “YO. LEO. LEO. IF YOU DON’T STOP SWINGING THAT SWORD AT ME RIGHT NOW MAN I SWEAR TO FUCKING GOD I’M GONNA KICK YOUR ASS MAN I’M FUCKIN- I GOT I GOT I GOT LIKE FIFTEEN PEOPLE ON ME I’M NOT CLOWNPIERCE I CAN’T WIN THIS Y’KNOW LIKE I’M GETTING MY ASS BEAT I’VE GOT LIKE EVERYONE ON ME I DON’T KNOW I’M JUST SPAWNING PHANTOMS. I’M JUST TRYING TO SPAWN PHANTOMS. I DON’T SEE THE ISSUE. I PERSONALLY DON’T SEE THE ISSUE. I PERSONALLY DON’T EVEN SEE THE ISSUE I’M JUST TRYING TO SPAWN A COUPLE MOBS LIKE I DON’T EVEN SEE WHAT’S GOING ON—“

^^clip because his voice SELLS that shit. Luv this guy <3

Seth Gordon (the man the myth the legend <333)

17) What do you think their first word was?

For the jokes, I want to say his first word was fuck. His parents didn’t really care much about keeping their language in check, and I see him as one of the middle-younger kids of a big family, so all of his older brothers would be swearing already, and it would rub off on him. For the non jokes….. I think I would say his first word was dada. Give me a daddy’s boy Seth who had his father be his whole world for so many years only to be disappointed in the end that his father was just a man after all. He’s a Fox for a reason

30) The funniest scene they had?

OH MY GOD OKAY SO. Personally I am a fan of every scene he is in, and I think among his funniest are the ones where he drops everything to slug Kevin in the face. That said I think the funniest one is when he straight up hears Kevin's name and drags his ass out of deep sleep so he can fight him. There is NOTHING like a man and his homoerotic enemy who he hates with everything in him. Or maybe his funniest scene is the iconic "are you stupid" "yes" I'm sorry Seth you gotta deal with Neil being an absolute dumbass I'm not sure what else you expected. OR when Neil asked if Andrew and Renee were a thing and Seth looked like he might vomit. Or him flipping off their opponents and then Kevin. OR—[I am forcibly dragged off the stage. He could raise an eyebrow and I would probably find it funny]

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[lokorum]

funny crying little man for @poreyneel as my part of our art trade!! 

(づ ᴗ _ᴗ)づ♡

the idea behind it was "gortash after realising that durge is gone or dead. he is alone\ exhausted\ waiting for something that is not gonna happen". so ofc OFC i couldn't resist to use part of the infamous durge's love letter. im not sure if orin or balthazar\ketheric would cared enough to show it to gortash BUT IMAGINE IF THEY DID SDKFJKSFDKJSDF OH MY GOSH 

[goosewizard]

i know coming back right is kinda a silly idea but im thinking about it.

what if ranboo came back, and they came back right?

not physically, of course. god, he looks a decade older and has the exhaustion to match. their skin is marred, mostly scar tissue now, from the explosion, from sam, from the endless ocean of limbo, from crying. tubbo hates that they match now. he’s skinnier, too, as if death took everything but the skin and bones of him. they look more monstrous. theres a new streak of white in his hair. it reminds tubbo of wilbur. it reminds tommy of himself.

but he’s just as kind, he still holds their son with tenderness and sings songs of old to him. he still brushes tubbos hair away with a feather-light touch. they still help techno with the dogs. he still visits tommy. they still grow pink tulips.

their memory is... better. ranboo still loses his house keys and forgets where he was going or what they ate for lunch, but they have every scar on tommy memorized, he knows tubbo like the back of their hand, can recite historical events like a textbook, will never lose track of an important date again.

its all they had in limbo. he didnt want to forget for good.

he's still scared, if they're being honest. scared that their sacrifice was for nothing. scared that his family will be destroyed again and again for the sick pleasure of some fucking guy. scared that he'll be used again. scared that they'll hurt the people they care about again. but for now they're okay, they have a team and a family and a second chance.

ranboo comes back and theyre okay, honestly. they move into the mansion with his husband and child. he thanks techno again and again for saving his son. for saving him. techno doesnt accept the thanks, he should've done more. he talks with tommy about limbo, and about grief. they visit their own graves and they grieve. for one another, for themselves. it washes over them in waves. tubbo still waits for the other shoe to drop, for his husband or himself to turn into a maniac and blow the server to bits, but it doesnt come. it won't come. its not the same, it cant be, but its good for the first time in a long time.

maybe the other shoe doesn’t have to drop. maybe sometimes people can come back and maybe they can be okay.

[dragonpropaganda]

The Architecture of Rain World: Layers of History

A major theme in Rain World's world design that often goes overlooked is the theme of, as James Primate, the level designer, composer and writer calls it, "Layers of History." This is about how the places in the game feel lived-in, and as though they have been built over each other. Here's what he said on the matter as far back as 2014!

The best example of this is Subterranean, the final area of the base game and a climax of the theme. Subterranean is pretty cleanly slpit vertically, there's the modern subway built over the ancient ruins, which are themselves built over the primordial ruins of the depths. Piercing through these layers is Filtration System, a high tech intrusion that cuts through the ground and visibly drills through the ceiling of the depths.

Two Sprouts, Twelve Brackets, the friendly local ghost, tells the player of the "bones of forgotten civilisations, heaped like so many sticks," highlighting this theme of layering as one of the first impressions the player gets of Subterranean. Barely minutes later, the player enters the room SB_H02, where the modern train lines crumble away into a cavern filled with older ruins, which themselves are invaded by the head machines seen prior in outskirts and farm arrays, some of which appear to have been installed destructively into the ruins, some breaking through floors.

These layers flow into each other, highlighting each other's decrepit state.

The filtration system, most likely the latest "layer," is always set apart from the spaces around it. At its top, the train tunnels give way to a vast chasm, where filtration system stands as a tower over the trains, while at the bottom in depths, it penetrates the ceiling of the temple, a destructive presence. (it's also a parallel to the way the leg does something similar in memory crypts, subterranean is full of callbacks like that!)

Filtration system is an interesting kind of transition, in that it is much later and more advanced than both of the areas it cuts between. This is a really interesting choice from James! It would be more "natural" to transition smoothly from the caves of upper subterranean to the depths, but by putting filtration system in between, the two are clearly demarcated as separate. The difference in era becomes palpable, the player has truly found something different and strange.

Depths itself is, obviously, the oldest layer not only of subterranean but of the game itself. The architecture of Depths has little to do with the rest of the game around it, it's a clear sign of the forgotten civilisations that our friend Two Sprouts, Twelve Brackets showed us, there's not actually that much to say about it itself, it's mostly about how it interacts with the other layers of subterranean.

That said, Subterranean is far from the only case of the theme of layers of history. It's present as soon as the player starts the game!

The very first room of the game, SU_C04, is seemingly a cave. It is below the surface, the shapes of it are distinctly amorphous rather than geometric. (well. kind of, it doesn't do a very good job of hiding the tile grid with its 45 degree angles.)

But let's take a closer look, shall we?

See that ground? it's made of bricks. The entire cave area of outskirts is characterised by this, the "chaotic stone" masonry asset is mixed with brickwork, unlike the surface ruins which are mostly stone. This, seemingly, is an inversion of common sense! The caves are bricks and the buildings are stone. This is not, however, a strange and unique aspect but a recurring motif.

This occurs enough in the game for it to be clearly intentional, but why would materials such as bricks be used in otherwise natural looking terrain?

The answer lies in the "Layers of History" theme. This is in fact, something that happens in real life, and it's called a tell

To be specific, a tell is a kind of mound formed by settlements building over the ruins of previous iterations of themselves. Centuries of rubble and detritus form until a hill grows from the city. Cities such as Troy and Jericho are famous examples. The connections to the layers of history theme are pretty clear here, I think. Cities growing, then dying, then becoming the bedrock of the next city. The ground, then, is made of bricks, because the ground is the rubble of past buildings. The bones of forgotten civilisations, heaped like so many sticks!

[shootingstarpilot]

Do you have any advice for writing Mace Windu?

Hello friend! I've been sitting on this for a while, because everyone's got their own interpretations, but mine is based on an idea I was struggling to put words to.

(Caveat that I have not read Legends material, that people can write what they like, etc. etc.)

The way I see it, Lucas specializes in writing stories in terms of themes and archetypes. This is why certain dialogue choices or the development of certain relationships can be... clunky, let's go with that. Characters (Obi-Wan and Anakin fall into their own category, sure) are written primarily as archetypes. You have Yoda as the wise old sage, Sidious as the ultimate evil-

And Mace Windu as the ultimate good.

We see this in the Chancellor's office, right? During the final showdown. This is the moment where Anakin makes his choice- stay in the Light or Fall- and the characters visually representing that choice are Palpatine and Mace. He's the Master of the Order. He's raised a Padawan who sits on the Council with him. He's an incredibly skilled swordsman- hell, his fighting style of choice (Vaapad) epitomizes how clearly he's mastered the art of internal balance!

All of that to say- his whole character is built around the idea that he is the Good Guy. That would be the one piece of writing advice I would give. If you're wondering how to write him, start with that idea- that he is written to represent the absolute opposite of Sidious. He's the ultimate good. He is the illuminating Light to Sidious' corrupting Dark. This is why antagonistic portrayals of him never ring true to me- they're coming from a foundational understanding that I simply do not subscribe to. It reeks of a fundamental misunderstanding of his character and of the whole saga's themes.

(And also racism. I'd be remiss if I didn't mention the racism that too often plays a significant role.)

All of that being said, what might it look like to write from the foundation of Mace being the representation of ultimate good? The good thing about characters being written as archetypes is that it gives us fans a significant amount of freedom in determining what those characters look like when they're written as characters. Different people will have different takes, but for me:

Well, first off- he's the epitome of a Jedi. So all of what that entails- he is fundamentally kind, fundamentally compassionate, and fundamentally in control of himself.

He's funny. I think he has a very dry sense of humor, and that he finds joy in the smallest things.

He loves so much. He loves his Padawan, he loves his friends, he loves his family, he loves the Republic- he loves the galaxy enough to go to war for it, and he loves the men who'll kill his people.

There will never be a situation where he has the capacity to help and chooses not to.

And last but not least, I choose to believe that this man can bake pastries with the best of them. In my heart of hearts, he's a stress baker, and he mends his socks with purple thread.

Hope this helps!

[twentyfivemiceinatrenchcoat]

AGH FASHION DESIGNER SUGURU AND MODEL SATORU W A NEW INTERN DESIGNER UNDER THEIR WING 😞😞☹️ - 🌺

WAHHHH I LOVE THIS 🥺🥺🥺 the pining and flirting and slowburn of it all… model!satoru and his favorite designer suguru geto, both of them undeniably skilled and born with an eye for fashion….. well-known and adored……..

designer!suguru who gets tasked with showing you the ropes, who’s always so patient and kind despite your inexperience. diligent with his teaching but also so laidback, so easy to talk to… he looks intimidating, but he’s so polite that you can’t help but swoon a little. and he admires your enthusiasm so much…… grows fond of you soooo quickly bc you’re just such a breath of fresh air compared to the divas he’s forced to work with all the time. he thinks you’ve got real potential and he wants to nurture it.

and ofc you end up running into model!satoru eventually…. bc he’s always hanging around suguru whenever he gets the chance. and he’s maybe a little jealous that you’re hogging so much of his personal designer’s attention, but… he also thinks you’re so cute . T_T like a little puppy following suguru around… so excited to be apart of what you’ve dreamed of for so many years……… he looks into your eyes and sees the same sparkle he had before he made it big, and it makes his heart race.

yeah . i’m just thinking abt the peaceful coffee breaks with suguru….. how he’d insist on paying for your drink, ”since he’s your senior” (he wants to be your favorite </3)…… and how he’d just be so protective over his little intern. don’t get me started on the close proximity with satoru when you’re taking his measurements, the glance and smile he sends your way during an impromptu shoot… the way he always calls for you with a sweet coo of ”how’s my favorite intern doing today?”

😔😔😔 yeahhhhhh. they make me feel ill.

[berrybanana-arts]

“I’ve got my eye on you, Sixer.”

A little bit of menacing Bill and troubled Ford for Forduary! :)))

Edited the pencil drawing to fix some features, add detail and highlights, and push the contrast a little.

The unedited version! :))

Goofy thumbnail:

[waveoftheocean]

hubert comm for @lemon-grey!!!

[koushuwu]

TOGAME JO ↳ for @feitanporter happy birthday my love <3

[surreal-duck]

master artist and his number one fan

guy who is being so normal about the new additions to their profiles. i think abt midoris initial infatuation with his art slowly developing into appreciating yuzuru himself as a person and idol to the point he worries about how he sees him (ex: a bit of home party and in workplace survival rules) sometimes thats a lie i think about it a lot. and yuzuru learning to enjoy art just for the sake of drawing!! seeing the lets try diy story where he doesnt even refute drawing on midoris desk and was only worried that his doodles might cover up the mascot design compared to how discouraged he usually would be in earlier ! stories. everything to me i adore their dynamic if that wasnt obvious by *gestures to basically everything*

and happy pride month 🏳‍🌈

[rockwgooglyeyes]

Taking into consideration Till's history with sexual assault (i will be tw and cw tagging for this), it puts the Ivantill kiss in round 6 in so much more perspective for me. Not only that, but it gives a lot of context and reasoning to the way that Till interacts with other people (as well as his rapid, violent mood swings) into perspective.

I just to preface with this- I have never been the victim of sexual assault or sexual harassment, so my discussion on this purely comes from what I know at a psychological angle, in addition to what I know based on this video from pop culture detective on Youtube and his videos on the male interaction with abuse and generally seedy behavior in media. It's really good, I enjoy his content a lot. Anyways analysis below the cut. Content and trigger warning for discussion of sexual assault, sexual abuse, psychological abuse, and pretty much everything else relevant in this fandom (slavery, child abuse, etc)

Out of all of the characters in Alien Stage, Till is the most openly dehumanized. Sua is treated like a doll, Ivan is treated like a trophy horse to parade around, Luka is something of a combination of both- but Till is the lab rat. He's the losing dog that Urak is betting on. They're all dehumanized to a degree but Till is dehumanized so much so that his defining feature is his rebellion. Even amongst the fandom, he's made into Ivan's side piece or the idiot who's hopelessly in love with Mizi and yeah, I do think Till is a dumbass but I say that out of the deepest affection possible, I love this little freak and I want the best for him. I truly do.

He's so smart and talented and yet, he hates himself. He's passionate about music, he uses it to express himself in ways that he can't otherwise, and he's so good at music, too. He's not good with people and he has a temper and he's easily flustered, yes, but he's so complicated. He was hopeful and innocent to the ways of the world but when he was bought by Urak, he was shown how utterly and hopelessly cruel the world could be. Comparatively, even Ivan and Sua got lucky, with their absent and emotionally abusive owners- Till was put through hell, experimented on, forced into a cage and treated like a feral animal that needed to be shown who was boss- even when he was willing to go along with anything at the start. He wanted to be loved. He wanted to be cherished. Children always want so desperately to please their authority figures, I can't imagine that he would have resisted in the beginning, hoping that if he went along with whatever Urak told him to, that he would be rewarded and treated with tenderness and care.

He never was. He was beaten and broken and thrown through the wringer time and time again. They made him miserable because that's what Urak wanted- that's what makes good art, after all. A tortured artist who cuts off their own ear but paints the most beautiful night skies.

Even in Round 2, we see this dehumanization. Till has a tether, keeping him to the stage, because he's "dangerous." He's marketed as this rebel, who needs to be tied down, who needs to gagged and muzzled, we can't let him speak because if he opens his mouth, he'll bite. He's pushed down to the ground, subdued, IN HIS MARKETING. This is how he's presented FROM THE BEGINNING. He is forced into this role of the mad dog who screams and claws and bites because this is the mold he was given, he pushed himself into it because that was all he could do. He's giving Urak what Urak wants and even that isn't enough. Because he might be broken, he might have given in, but he's still a stubborn bastard.

Before Round 6 (but after Round 5), Till refuses to sing Mizi's song in the bar. He gets angry with a member of the audience for implying that Mizi is dead, maybe even saying shitty something about her, and he goes at them with a bottle. As @a-star-that-burns-brightly said, he's the only human we've ever seen to get violent with an alien within the bounds of Alien Stage, which makes Till all the more impressive- which means that they have to bring him down all the more forcefully.

I will admit- I didn't understand the scene to be SA until it was pointed out to me (not that I thought it wasn't, it just went over my head) but it adds so much to Till's character to analyse it through that lens.

They rape Till, punishing him for refusing to sing and punishing him to attacking an audience member. Terry Crews, who some may know from Brooklyn-Nine-Nine or other media, is a survivor of sexual assault, and he talked about it before the United States Senate Judiciary committee. He was assaulted by his manager, who was a man. And you may be wondering why I bring this up, and it's simply because I want to remind people that sexual assault is not about sexuality. It can be connected but correlation is not causation. Sexual assault is about exerting power over an individual to make them feel weak, lesser, and show them who is in control of the situation. It's not dissimilar to bullying (but far, far worse). After all, why would corrective rape be a phenomenon if it wasn't about exerting power over the victim and showing them that they don't have autonomy or agency? Because if they had autonomy or agency, they would be able to consent or conversely, the ability to say no.

Of course they don't have autonomy/agency, though, right? Because they're pets. They're possessions. It's akin to how we treat dogs and cats, we breed them and we don't let them say no, because they don't have an understanding of consent like we do, why would they need to say yes or no? They can just fight someone off if they don't want it, right?

Right?

Something that @k9punkout (Numso) said stood out to me, though, is that this might not even be the first time that this has happened to Till. This breaks my heart. Like, legitimately, it made me nearly cry when I read it, because the idea of sexual abuse being used as a form of regular and routine punishment against someone is horrible- but at the same time, that already happens. In prisons, in war zones, in households, sexual abuse is used as a regular punishment against people and that's horrible. The way that Till's experience specifically reflects that of a child in a toxic and abusive household is immensely interesting because of how people forget about that, how people don't seem to really care. He's a sopping wet kitten, yeah, he's a silly little guy, but he's been abused for his whole fucking life. He has a superiority complex that's teetering on an incredibly thin knife's edge and sometimes it wobbles into self-hatred and an absolute absence of self worth.

It's no wonder that Till clings so fiercely to the idea that Mizi is innocent and pure and hopeful, like he once was, because if she isn't- then does that mean he was stupid to ever hope at all? Was he stupid for expecting love and affection, from the people who were supposed to take care of him? Does that mean he's suffered for no reason, save Urak's amusement? Does that mean he's miserable just because, just because Urak demands that someone be miserable in order for them to be great? Does that mean he's been beaten, broken, made into this wretched, ugly thing simply because he's around? It's not so much that his suffering needs to have a purpose, it's more that if it's pointless and based on whim, then that says something about Till himself. That says that Urak saw something in him, something sturdy enough to be broken again and again and get back up. It says that he deserves this. (He doesn't, no one deserves that and deserving things is horseshit, but I can't imagine Till to be thinking anything else.)

Back, finally, to the whole reason I started writing this fucking thing: the Ivantill kiss in Round 6. I've seen some people call it SA, and while I can see why (and of course, I respect their opinions), I disagree.

Ivan shouldn't have continued to kiss Till after Till pushed him, yes, but at the same time, through the narrative of their kiss- it wasn't really a kiss at all. Not in the sense that it was an expression of sexual intent. And maybe this is because I'm on the acearo spectrum but. I don't believe Ivan wanted to kiss Till, it wasn't a romantic kiss, it was one last attempt to get Till to wake up, before it was too late.

Through the lens of knowing that Till is a survivor of sexual assault, the way that Ivan kissed him and his reaction to Ivan kissing him is all the more impactful because Till pushed Ivan away, yes, but he didn't seem horrified, or hollowed out like he is post assault in the bar scene. It shows his trust in Ivan, and maybe even the fact that he knows that Ivan isn't doing this to hurt him, Ivan is kissing him in a final effort to say "I love you. You're loved. I'm sorry."

Blue (@bluemoonscape) talked through this with me a bit earlier and he said something that stuck out to me as well "The kiss, if anything, shows how much control the aliens assert over them to put them in a position where this would be two friends’ last chance to communicate with one another, hence how desperate it is on Ivan’s part. (...) Ivan wasn’t trying to assert power over Till in any way; that just isn’t in his nature. Over the years, he basically lets Till dictate every aspect of their relationship, hell, he even gives power to Till over Ivan’s own freedom (power that Till didn’t want but nonetheless got)" and he really summed it up beautifully in my opinion. The ivantill kiss WASN'T romantic because it wasn't meant to be- Ivan was just saying that he loved Till period. It was a fucked up way to do it. I wish he hadn't.

But he was just trying to say goodbye.

(@atrophiedemotion because i mentioned this to you! <3)

[lokorum]

[abisalli]

i love your yj doodles so much i just wanna pick them up and squeeze them like a stressball

they are very squeezable

[unclewaynemunson]

Okay so @willowworkswithwords sent me this fucking perfect prompt about Steve casually mentioning how much of an asshole his dad is is during a movie night at the Munsons and Wayne immediately shifting into Concerned mode, and I almost finished the thing but then tumblr glitched and i lost it to the void forever. I learned my lesson to never save anything to tumblr without backup ever again, buuut here it finally is:

Wayne first met Steve Harrington long before Eddie officially started dating the boy. He figured out that his nephew was head over heels before Eddie himself did. He hadn't been too thrilled about it, at first. In his experience, boys like Steve Harrington, with his big car and neatly ironed polo shirts, could only want two things from boys like his Eddie: drugs and secret encounters in the dark before he'd finally follow the path that was perfectly mapped out for him by his parents. But it didn't take him too long before he admitted that he had misjudged the boy. He noticed it even before Eddie himself did: Steve Harrington had fallen like a brick for his nephew, and he was in it for the long run.

He mostly met the boy in passing, whenever he'd come home from his night shift while Steve was just leaving the trailer park, or when he'd be heading out to get to work at the same time as Steve came by to pick up Eddie for a date or to hang out with that group of freshmen that Eddie would never stop talking about. The boy was always perfectly polite to him, calling him things like Sir and Mister, apologizing for being in his space and thanking him for the most ridiculous little things. Wayne thought it was a bit much, but he supposed that it was just how the boy had been raised, all formal and uptight. There was something behind it, however, a certain guarded look in his eyes, that always gave Wayne this uncomfortable feeling in his gut. He didn't quite understand what that was all about – until the three of them were having a movie night in the trailer on one of Wayne's nights off.

The two boys were all over each other on the couch, their legs entangled and their fingers intertwined, with their heads as close together as if they'd die if they wouldn't be breathing the exact same air. It made Wayne wish he had a camera on him; instead, he tried to imprint the picture into his memory.

He didn't care too much for the movie, which was about some rich teenage girl trying to break free from the restrictive uptown life that was suffocating her by getting herself some no-good boyfriend in a leather jacket – who Steve and Eddie enthusiastically agreed was a “hot piece of ass.” The main bad guy was the girl's dad, a character who checked off all the rich asshole dad stereotypes: suit that made him look bigger than he actually was, wife who let herself be bossed around by him at all times, and that kind of undefinable charisma, which made everyone else feel like all the air had left the room whenever he'd walk in.

'He kinda reminds me of my dad,' said Steve while leaning forward to get himself a handful of popcorn. It was just an innocent, offhand remark, and sounded perfectly nonchalant – but as he said it, the camera zoomed in on the girl's face to convey one single emotion: fear.

Steve leaned back into the couch and stuffed his mouth full of popcorn, getting crumbs all over his shirt and seemingly not noticing how both Wayne and Eddie had frozen by his remark.

Wayne met his nephew's wide-eyed gaze over the top of Steve's big hair. Wayne wasn't exactly a talkative person, and over the years in which Eddie had been living with him, they had perfected the art of silent communication, not needing more than some looks and gestures to have complete conversations with each other.

Wayne raised an eyebrow at Eddie, which meant something along the lines of Did you know about this?

Eddie responded with a barely-visible nod.

Wayne made a sideways movement with his head. Why didn't you tell me?

Eddie shrugged. It wasn't my place to tell, that meant.

Wayne nodded at him and turned his gaze back to the screen, but he was too preoccupied with other thoughts to properly shift his attention back to the plot.

'You wanna stay over?' Eddie asked Steve when the movie was finished.

Steve's eyes immediately flashed to Wayne's corner, that familiar guarded look in them. 'Um... Would you – would it be okay if I stayed the night, sir?'

'You can stay whenever you like, son,' said Wayne. 'And stop calling me sir, alright?'

'Alright, yeah, okay, sorry sir,' Steve stammered, which made Eddie burst into loud laughter. Wayne merely shook his head and got up from his chair.

He never sat Steve down for some official talk about his asshole dad – that wasn't his style anyway. He preferred conveying the message by little gestures: calling him “son” whenever he had the chance, refusing to be called “sir” ever again, giving him a key to the trailer, inviting him over to watch basketball together, taking him fishing when they both had a day off work... After a while, that guarded look finally disappeared from the boy's face. But it returned a couple months later, when Steve accidentally called Wayne “dad” in a distracted moment. Wayne didn't say anything about it; he merely gave the boy a pat on his shoulder to let him know it was okay. He didn't mind getting called “dad” by Steve Harrington for one bit.