#BECOMING DUS

[kitty-c4t]

You will now dance forever >:)

NOOOOOOO

[mari-lwyd-cryptid-blog]

Daniel when he saw Louis was going to forgive Armand:

( This is probably only funny to me 😅 )

[homosexualslug]

realized that both the beginning and the end of the happy paris stage of Loumand's relationship has this same contrasting orange to blue/green color scheme. and like. the visual metaphor of Armand literally leaving his cold, lifeless world behind him and choosing the bright, golden warmth of life with Louis instead of killing him like he was supposed to in that tunnel. but as soon as he chooses the coven over Louis, he separates from the warmth like oil in water that was never supposed to be there. and now he's back out in the cold. I'm normal about this, btw.

[sabellart]

i saw that the costume designers were inspired by Leyendecker paintings and just had to do a loustat study

[claudia-lioncourt]

I have loved you with all myself.

INTERVIEW WITH THE VAMPIRE, Season 1 Episode 7: "The Thing Lay Still"

[gothicwill]

I really dgaf that Louis was a serial killer in the 70s I’m more irked by the fact that he’s a landlord tbh

[jaypentaghast]

Maybe a family could be two horrible dads, their ghost daughter with her ghost wife, her ex step-dad who planned her murder and step-dad's 70 year old boytoy

Maybe. In some other universe.

[mintoil]

idk why people were acting like louis was lying or projecting when he said armand was boring. he's an interesting character from a viewing perspective, but imagine that being the only person you're around all day everyday for 70 years. he has no job, no social life, no interests no hobbies, bro said "a vampire with hobbies, absurd", what else do you even have to do. pick up bird watching or something instead of telepathically listening to your boyfriend get piped across the city every other night. on top of that he throws a tantrum so bad he has to wipe your memory because you made one singular friend in 30 years oml.

[mugentakeda]

jadeite

[jaggedjot]

There is a deep rooted bitterness underneath Claudia’s immediately infamous “two blood fat cocks slapping hands” line. After having spent more than a cumulative decade of her life searching for another vampire and being met with nothing but silence or pain, Claudia was welcomed by more than a dozen in one night, only to then be told by Louis that she should not see them again. It must reignite the resentment Claudia felt towards Louis’ open pessimism and misery while they travelled through Eastern Europe. The purposeful crudeness of the line, a sudden sour note after her teasing Louis’ fear “of your own lust”, suggests her frustration at being unable to fulfil her sexual desires. The disagreement the pair have in this scene about the significance of Lestat’s portrait reflects the larger rift in their relationship over Louis’ unwillingness to move past Lestat (“He's a hundred-and-something-year-old painting in a frame.” “They got a fսcking shrine to him!”). Claudia’s life was forcibly shaped time and time again to better serve Louis and Lestat’s love for each other; turned into a vampire so that they could repair their relationship, intimidated and hurt when she encouraged Louis to leave Lestat, made prisoner by Lestat ostensibly for Louis’ welfare, and now the memory of that relationship threatens her newfound kinship. It is galling enough that her long awaited introduction to a vampire community comes as an afterthought tacked onto Louis’ hand delivered invitation (“Come. And bring the petite beauty with you.”, “Monsieur de Pointe du Lac. Our finest seats.”), but the realisation that even that was determined by another man’s attraction to Louis has to be beyond infuriating. 

[autiwara]

Edit: I'm over it, it's slowly growing on me

It's so crazy how you can spend almost 30 hours on something and still end up disliking it being an artist is so fun and cool </3

[steviebunny]

I'm so tired of watching some of that interview with the vampire discourse. They are flawed characters for a reason they literally have eternity. Obviously they're going to be immensely flawed. You can both love lestat for his good moments, his affection, his ability to see beauty everywhere, and have empathy for his childhood , what Magnus did to him all while acknowledging that he was a toxic partner to Louis and guardian to Claudia. You can feel empathy for Louis, and acknowledge his rage and quiet resentment as a flaw. You can love Claudia and criticize that she murdered her parental figure. You can feel for Armand and want to give that poor boy a hug after the 500 years of suffering he's had at the hand of everyone who was supposed to care for him while also being upset he's a manipulative gaslighting bastard.

The only two least flawed characters internal struggles we even get a look at are Daniel and Madeline. Who are both remarkably human for the majority of the show.

Not to mention for a majority of the centuries each of these vampires have been alive. Therapy has not existed! For most of these characters, the peak of their own self-reflection is Claudia's journaling or finding themselves through art, be that music, directing, or photography.

We all know people in the year of our Lord 2024 who don't go to therapy because they think it's useless or just for the "crazies" If you thought your toxic gay vampire franchise would be beyond that you're delusional.

[vampmarie]

more vamp kisses<3 loumands turn

[hallucinatinghalos]

I don't think this contains spoilers but if you don't want to hear any book references or season 3 speculation be warned.

Reading the interview clip where Sam Reid said that Lestat is ripped from the stage by Magnus is wild because we know he knows the books, that's not how it happens there, so he's maybe let Rolin's version slip. Which, if holds true, would be a seismic change. Instead of being torn from Nicki's arms while they sleep, Lestat would be taken during a performance, in front of an audience. Surrounded by humanity, by those he loves, but not a soul can save him. The one place that brought him joy would now be connected to the trauma of Magnus and his turning. If he truly is going to be the catalyst for the theater becoming hunting grounds in the show, for better or worse, it would seem to be related to this change as well. Also, his rockstar moment would have a desperation to it that reflects the books but is tragic in its own way. It would all become devastating in a subtly different way than how Rice wrote it. Even events that only happen in the show would have a different impact. Like Armand first approaching him telepathically while he was on stage would now seem cruel and calculated, and later choosing to put the trial on stage. Sorry about the ramble but it blows my mind how much a small change, changes so much. The murder of the opera singer...the mocking of the Dracula film...the baby on the Mardi Gras float...would all feel different.

[and-fishing-equipment]

genuinely my favorite thing about louis is the atrocities. he's cute and all and he's funny and kind sometimes but also...... he makes terrible decisions, hurts others and himself, is arrogant and avoidant and has depression as well as terrible taste in men. he frequently manipulates himself and others without even meaning to and the lies he's told himself about his own life have influenced him so greatly that he can't even recount events from his own life without unintentionally twisting them to show him in the position that is most cathartic for him to talk about. through all of this i still love him unconditionally. it's such an interesting character concept. what if your protagonist and narrator was so unreliable and whiny and biased all the time but you're hearing a nuanced portrait of his feelings as he made all these dumb as hell decisions. would you still sympathize with him? could you do it?

[polarsirens]

what could have been (i’m sorry thumbelina)