#BECOMING DUS

[kitty-c4t]

You will now dance forever >:)

NOOOOOOO

[mistikfir]

3x12 "The Number of the Beast Is 666"// 3x13 "The Wrath of the Lamb" "La mappa dell'Inferno" by Sandro Botticelli 

[homosexualslug]

realized that both the beginning and the end of the happy paris stage of Loumand's relationship has this same contrasting orange to blue/green color scheme. and like. the visual metaphor of Armand literally leaving his cold, lifeless world behind him and choosing the bright, golden warmth of life with Louis instead of killing him like he was supposed to in that tunnel. but as soon as he chooses the coven over Louis, he separates from the warmth like oil in water that was never supposed to be there. and now he's back out in the cold. I'm normal about this, btw.

[winterfieldfrontiers]

oKAY!

[puukoristaja]

"From A to Zrieek! A Guide to Cockatoos"

[claudia-lioncourt]

I have loved you with all myself.

INTERVIEW WITH THE VAMPIRE, Season 1 Episode 7: "The Thing Lay Still"

[creativelycomplex]

New Delainey interview discussing her role as Claudia and her casting announcement for the CARRIE series. Yeah it’s a good week to be a Delainey Stan.

[the-introducer]

Disco elysium x Detroit become human crossover where Harry and Kim end up at the same laundromat as Hank and Connor and Harry jamrock shuffles hanks hippie shirt while he’s napping unawares

[disintegrat-ing]

Harry, a Skintwister

Harry is a cheerful fellow; or at least, he always seems to be smiling.

Kim, a Shaper

Quiet, but has a natural affinity and infinite patience with machines; and, oddly, with Harry.

(Very much referenced/inspired by this excellent Cultist Sim picrew. I don't know how much of a fandom crossover there is here but hey maybe someone will like it)

[daily-dubois]

Day 83

[artbyblastweave]

Funniest thing I've seen recently, and not funny in a ha-ha way, more funny in a "the endless entropic void gnawing at my will to live" way, was somebody asking around for alternatives to Neil Gaiman, in the light of Neil Gaiman's ongoing fall from grace. As though what we're currently sitting through isn't the collapse of the carefully curated "Good Guy Neil" image that caused people to parade Gaiman as the same kind of preferred progressive alternative to, say, Rowling. As though we won't be in the same goddamn situation in a few years or months, with some number of the new progressive sci-fi/fantasy darlings- not all of them, to be clear, but at least some of them- when their impeccably-curated marketing implodes in on itself and they're revealed to be the same kind of sex pest or abuser. Can you not see the wheel to which you are strapped. The game of human pinball you are condemning yourself to with this mindset. Maybe you do see, and you're just resigned to taking it one soul-crushing disappointment at a time, one "I never would have guessed" after another. I mean I think we all need to get resigned to that one way or another, sun's gonna go out before it stops happening

[gothicwill]

I really dgaf that Louis was a serial killer in the 70s I’m more irked by the fact that he’s a landlord tbh

[steviebunny]

I'm so tired of watching some of that interview with the vampire discourse. They are flawed characters for a reason they literally have eternity. Obviously they're going to be immensely flawed. You can both love lestat for his good moments, his affection, his ability to see beauty everywhere, and have empathy for his childhood , what Magnus did to him all while acknowledging that he was a toxic partner to Louis and guardian to Claudia. You can feel empathy for Louis, and acknowledge his rage and quiet resentment as a flaw. You can love Claudia and criticize that she murdered her parental figure. You can feel for Armand and want to give that poor boy a hug after the 500 years of suffering he's had at the hand of everyone who was supposed to care for him while also being upset he's a manipulative gaslighting bastard.

The only two least flawed characters internal struggles we even get a look at are Daniel and Madeline. Who are both remarkably human for the majority of the show.

Not to mention for a majority of the centuries each of these vampires have been alive. Therapy has not existed! For most of these characters, the peak of their own self-reflection is Claudia's journaling or finding themselves through art, be that music, directing, or photography.

We all know people in the year of our Lord 2024 who don't go to therapy because they think it's useless or just for the "crazies" If you thought your toxic gay vampire franchise would be beyond that you're delusional.

[mugentakeda]

jadeite

[mintoil]

idk why people were acting like louis was lying or projecting when he said armand was boring. he's an interesting character from a viewing perspective, but imagine that being the only person you're around all day everyday for 70 years. he has no job, no social life, no interests no hobbies, bro said "a vampire with hobbies, absurd", what else do you even have to do. pick up bird watching or something instead of telepathically listening to your boyfriend get piped across the city every other night. on top of that he throws a tantrum so bad he has to wipe your memory because you made one singular friend in 30 years oml.

[jaggedjot]

There is a deep rooted bitterness underneath Claudia’s immediately infamous “two blood fat cocks slapping hands” line. After having spent more than a cumulative decade of her life searching for another vampire and being met with nothing but silence or pain, Claudia was welcomed by more than a dozen in one night, only to then be told by Louis that she should not see them again. It must reignite the resentment Claudia felt towards Louis’ open pessimism and misery while they travelled through Eastern Europe. The purposeful crudeness of the line, a sudden sour note after her teasing Louis’ fear “of your own lust”, suggests her frustration at being unable to fulfil her sexual desires. The disagreement the pair have in this scene about the significance of Lestat’s portrait reflects the larger rift in their relationship over Louis’ unwillingness to move past Lestat (“He's a hundred-and-something-year-old painting in a frame.” “They got a fսcking shrine to him!”). Claudia’s life was forcibly shaped time and time again to better serve Louis and Lestat’s love for each other; turned into a vampire so that they could repair their relationship, intimidated and hurt when she encouraged Louis to leave Lestat, made prisoner by Lestat ostensibly for Louis’ welfare, and now the memory of that relationship threatens her newfound kinship. It is galling enough that her long awaited introduction to a vampire community comes as an afterthought tacked onto Louis’ hand delivered invitation (“Come. And bring the petite beauty with you.”, “Monsieur de Pointe du Lac. Our finest seats.”), but the realisation that even that was determined by another man’s attraction to Louis has to be beyond infuriating.