#Azula was a child soldier and was to inherit the crown
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chaoticnerdsstuff · 2 years ago
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This is about Boscha-
FIRST OF ALL HOW IN THE HELL IS SHE LIKE AZULA???
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portraitoftheoddity · 4 years ago
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Kinda dark Avatar AU plotbunny:
When Azula and Zuko listen in on Ozai’s audience with Azulon, and Azulon’s cruel declaration of Ozai’s punishment, the Firelord doesn’t specify that Ozai must bear the pain of losing his firstborn. Merely that he must bear the pain of losing a child.
A child.
Which could be either of them.
So Zuko (who hasn’t fled early, but heard things out) runs to their mother and tells her, and Ursa, rather than trying to reason with her husband or deal with Azulon, says fuck this shit, packs her bags, slips poison in her hubby’s dinner, grabs her babies and runs. 
Ozai unfortunately doesn’t die, but he’s ill and incapacitated for some time, allowing Ursa the chance to get her and the kids to the colonies, and from there to the Earth Kingdom to start a new life, far from where the line of Sozin can hurt them.
Azula, naturally, is not particularly pleased with this development, having gone from princess to refugee overnight, and has some serious tantrums about the whole situation. But her fear -- and the dread that her father just might covet power enough to kill her for it -- keep her from trying to run away back to the Fire Nation. She grumbles and threatens and sets some things on fire, but after some time decides that she can handle any challenge, including this one, with vicious determination. And far from Ozai’s influence, she begins to soften, just a little. Rewarded for kindness instead of cruelty, without the constant demand for perfection and ruthlessness, it’s safer to be something other than her father’s perfect miniature. She’s still got a cutthroat streak, but she’s allowed to start being more human, in tiny increments. 
Zuko, fearful and panicky at first, flourishes as they put more and more distance between them and the Caldera. Admittedly useless at first at the kind of chores their new life requires, he throws himself into learning, and adapts quickly to the demands of a rustic life in a way he never did to court life. The angry outbursts become fewer as his fear abates, and the constant litany of criticisms from his father becomes more and more of a memory, eclipsed by the daily loving affirmations of his mother. In a world where he has to hide his firebending rather than drill it mercilessly, he no longer has his failures highlighted daily, and his confidence grows. 
Ursa, never truly happy as a Fire Princess, slips easily back into the kind of simple life she enjoyed as a young woman. And while this isn’t exactly the life she’d envisioned for herself, so far from where she’d once called home, it’s the happiest she’s been in a long time, watching her children grow and get to be children. Safe. 
Naturally, it doesn’t last.
Overnight, Ozai went from having two heirs to having none, and losing his edge over his brother to inherit the throne. When he recovers from his poison-induced illness, he is furious, and ready to tear the world apart to track down his traitorous wife and offspring. He sends out spies to comb the world over, looking for them.
And two years from the time they fled, he finds them.
Someone in the coastal Earth Kingdom village near where Ursa and her children have settled is greedy enough to sell out the location of some suspiciously gold-eyed colonials to an interested party. The messenger hawk flies on a tailwind back west.
Normally Prince Ozai wouldn’t sully his hands with such matters, but this is an affair that requires discretion and personal oversight. Also, it’s personal.
He sets off with the elite Rough Rhinos cavalry unit for the Earth Kingdom to recover his wayward family, who are caught unawares. Ozai confronts his wife, striking her to the ground, and Zuko -- grown bold in his father’s absence -- cries out. He pulls the knife his uncle gave him long ago and leaps forward, striking out to protect his mother--
--Ozai catches his wrist, turning the blade aside into a glancing blow, and seethes down at his impudent son. He forces Zuko down to his knees, still easily able to overpower him, and places a hand over his face. 
Ursa screams as Ozai sets their child’s face on fire.
Azula, frozen in the grip of the soldiers restraining her, doesn’t make a sound. 
Ozai throws his son’s limp and twitching body aside and turns on Ursa again. He doesn’t need two children, after all. The heir and the spare. He just disposed of the spare. And he doesn’t need her either, he explains, pulling fire into his hand once more.
Zuko, barely conscious, manages to push himself up to his elbows just in time to watch his mother die.
Ozai steps back from the corpse and orders his daughter -- who has remained silent and dutiful (paralyzed and terrified) all this time -- transported back to the ship that will return them to the fire nation. As the soldiers load her onto the back of one of their mounts, Zuko hoarsely shouts after her, calling her name. Promising he’ll come for her. 
A thrust from one of the Rhino’s swords silences him. Ozai never cared for loose ends. 
So the prince of the fire nation sails back home with his daughter and sole surviving heir in tow, with a tragic tale of how Earth Kingdom terrorists, in retribution for his brother’s siege of Ba Sing Se, abducted and murdered his wife and son before he could rescue them. He trusts Azula to say nothing to counter it.
(Azula says very little at all, that whole following year.)
And in the Earth Kingdom, a peasant huntsman finds a burned and bleeding boy on the sand by the water’s edge and carries him frantically to the local healer. 
(Against all odds, the boy survives his grievous wounds.)
When Firelord Azulon succumbs to illness some few months later, there is a grand funeral, and a coronation for the new Firelord. Now with the duties of running an Empire on his hands, Ozai becomes less concerned with his daughter’s tutelage -- Iroh, only recently returned from his long travels and mourning the fresh loss of a nephew as well as that of his son, steps in to mentor and tutor the new crown princess, doing what he can to offer comfort and wisdom to the cold and distant girl. 
Far away, Zuko regains his strength bit by bit. His injuries heal, but the wound in his soul won’t stop bleeding. At 13 years old he gazes west at the setting sun with his one good eye, and vows vengeance for his mother. Vows to keep his promise to come for his sister.
Firelord Ozai will die. 
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hello-nichya-here · 3 years ago
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Why Ozula Makes Sense & Why It Should Be Canonized
Note: Massive Trigger Warning
Note: Yes, I already know's Nichya's opinion on Ozula. But I want to see her specific thoughts in regards to my post.
In a fan base filled with split opinions, two of the few universally held truths are that Ozai is a horrible parent and that Azula has a lot of issues. But there is a lack of consensus on whether Ozai even abused Azula and even more of a lack of consensus on the nature of his abuse if he did abuse her.
  And for the record, I personally believe that at bare minimum Ozai did emotionally abuse Azula (“Trust is for fools, fear is the only reliable way” did not come out of nowhere). Not to mention turning Azula into a child soldier is obviously abuse.
  But is what we see, or what is heavily implied, enough to explain everything about the Ozai-Azula relationship? 
  In other words, does the abuse we see, or is heavily implied, enough to explain why Azula was utterly loyal to Ozai to the point she would gleefully risk her life for him while he sat in a bunk, despite Azula being utterly pragmatic in the other aspects of her life? 
  Does it truly explain why Azula utterly broke after he left to burn the Earth Kingdom despite being made Fire Lord and becoming the presumptive heir to the Phoenix throne?
  Moreover, where did Azula learn to flirt and/or why does she come off as sexually charged with nearly everyone she encounters (ex. Ty Lee, Sokka, Zuko) when it is canon that she has no life experience outside of being a soldier or a princess in court?
  Other people have come up with headcanons and theories involving, among other things, historical context and meta-textual evidence to explain the questions that I brought up, but what if there was a more sinister answer to all of them?
  What if Ozula was a thing?
  Yes, I know, there is very little evidence or subtext to support this but I think that if it did occur in canon, it would not only explain a lot about Azula’s character and/or issues, but also shed some much needed light on the Ozai-Azula relationship and even Ozai himself. Especially since, despite all the extended universe material we have gotten in the decade plus since ATLA the show ended, we still don’t know that much about their relationship, or Ozai himself.
  So, what is my personal take on how a canon version of Ozula? 
  I think that Ozai sexually abused Azula in part to replace Ursa once he “had” to banish Ursa and also in part to prepare her to produce super powerful heirs like herself in addition to using as a tool to keep her under his thumb by making her more attached to him than before he started coming on to her.
  In regards to the first reason, Azula is a dead ringer for Ursa and most people would agree Ursa is one of the attractive women in the ATLA-verse. Thus, considering Ozai’s canonical entitlement issues, it must have been hard to no longer rape have sex with Ursa...that is unless he copulates with Ursa’s mini-me. 
  This ties into the second reason, which is the desire to produce more superpowered heirs. 
  Thanks to The Search, we know that Ozai married Ursa in order to fulfill a prophecy that said would have produced exceptionally powerful benders. And that prophecy was mostly proven right since Azula is the GOAT Firebender as of current canon and Zuko has surpassed, or is close to surpassing, his father while still in his late teens or very early twenties.   
  For most people, being the father to such prodigies would make them content in life, proud that they could call themselves father to such talented people. 
  But Ozai isn’t like most people for, as Ursa aptly put it, Ozai is a small man trying to appear bigger than he is, which is obviously proven by Ozai’s ambitions and desires over the years.
  It was not enough that he was a prince of the most powerful nation in the world, so he must become Fire Lord at all costs. And once he achieves that by ripping his family apart and traumatizing the remaining members was enough that he was Firelord? 
  No! He must become the Phoenix King and build his new empire on the ashes of The Earth Kingdom despite already having it under his rule. 
  And it was not enough that he had a cult of personality, for Ozai commissioned larger than life statues with his package being accentuated to the point of absurdity. 
  So is it crazy to believe that he believes that not only is he entitled to the most beautiful woman he knows of (and if he can’t have her then he’ll have the closest thing to her even if it is his own daughter) but the most powerful heirs he could possibly have? Especially considering Ozai is a narcissist who made Azula his golden child because of his daddy issues caused by being the unfavored son of Azulon. 
  In other words, would it have been out of character for Ozai to fuck "himself" aka the person he thinks he would have been if Azulon recognized his “superiority” over Iroh? Especially when he can make more prodigies like himself Azula?
  And in regards to the third reason, did you see how needy Azula was in regards to Ozai when they had their short little talk before Ozai crowned him as the Phoenix King?
  I think Ozai, more than anyone, realized that Azula would soon quickly surpass everyone who was not a fully realized Avatar and wanted to ensure that Azula wouldn’t do the pragmatic thing and off him once she realized that she didn’t need daddy anymore. Especially after he offered his own father and betrayed his brother to take the throne. 
  For if he was paranoid enough to banish Ursa for her ability to make that OP poison, what makes you think he never had similar paranoid thoughts about either of his children? Especially Azula considering how strongly she takes after him and how he has been molding her in his image and ideologies ever since it was apparent she was a prodigy?
  So by sleeping with her, and therefore bonding with her, he would ensure that Azula would have no motive to ever overthrow him. 
  And how would this work in practice? 
  The same way he praised her for her firebending and ruthlessness. He would likely tell that he needed her; that she was a much better (pseudo) Fire Lady than Ursa could ever be (the old nick site said Azula was renowned in court and it is plausible that she did the duties that Ursa would have done as Fire Lady); that it was one more thing that Zuko could never do better than Azula and more proof that she deserved to be his perfect tool by his side; etc.
  And for the most part I think that Azula “responded” really well to Ozai’s false praise by further latching on to him, convinced more than ever that Ozai does love her and would never leave her. Especially since Ursa is gone, Iroh and Zuko are both gone at this point due to Zuko’s banishment, and Mai and Ty Lee are also already gone, or going to leave soon, leaving Azula with only Ozai as the only family and/or friend who hasn’t “abandoned” her.
  Ok, so I know what you guys are going to ask next; “cool theory but how does it explain anything other than your sick fetish?”
  Well, I think canon Ozula would explain a lot of things about Azula’s and Ozai’s behavior that really isn’t explained by canon or is, currently, only lightly implied. 
  For example, why did Ozai never remarry or produce more heirs in the five years he ruled despite putting his real heir, Azula, in constant mortal danger and spending most of that time either disowning Zuko or hunting him down as a traitor? Especially considering that he was only able to ascend since his brother was a dumbass and only had one kid himself? Not to mention the fact that Ozai is likely has a very high sex drive (have you seen his body?) yet we never see any concubines in the palace.
  Well because he wanted to produce heirs with Azula and so waited until she was of age to marry her and then have his new heirs.  
  Why did Azula collapsed after being told to say behind despite getting the title she always desired, Ozai having a logical reason to leave her behind (people would try to invade the Fire Nation..which is what happened with Zuko and Katara), and Azula eventually getting to inherit the Phoenix Empire? 
  Well, Ozai leaving her behind shows that Ozai thinks all Azula is worth after her numerous failures is producing heirs, making Azula realize that his bedroom talk was all lies and that he never loved her, only saw her as a tool. Moreover, all his words about her being a better Fire Lady than Ursa are lies since they both ended up in the same spot in life; only existing as Ozai’s (unwilling) broodmares. 
  Why does Azula hate and hallucinate Ursa despite Ursa being by all accounts a loving mother? And why does Azula avoid and hate reflective surfaces? 
  Well, because Azula’s subconscious wishes that Ursa was there to protect her from the abuse and also subconsciously reckoning with the long buried knowledge that part of the reason why Ozai came onto her is because she looks like a clone of her very beautiful mother. 
  Moreover, it would explain why Azula thinks Ursa thought of Azula as a monster when Ursa never said anything like that or gave any indications of seeing Azula like that. 
  For Azula would likely think, subconsciously, why would my mother leave me with a monster unless I am a monster?
  It would also explain, partially, why Azula goes from someone who is a bully, but loves & plays with her bro at 8, to someone who smiles when Zuko is burned at 13. 
  This is because Azula would think that all Zuko has to do to be in Ozai’s good graces is be a good firebender, a ruthless leader, and follow Ozai commands perfectly & without any hesitation. 
  Yet Zuko can’t even do any of that while she, in addition to previous requirements, has to give her mind, body, and soul to Ozai.
  It would also explain why Azula is so frantically loyal to Ozai (and even loves him) even when it is obvious to everyone that Ozai only cares for himself (he literally groomed her); why someone could be so fucked up and go insane at the age of 14 (victims of child sex abuse end up suffering from mental illness thanks to their trauma; and also explain why Azula has such sexual mannerisms (ex. her interaction with Sokka on DoBs) and voice acting while also being the only main female character to constantly wear makeup that is quite similar to her mother’s (she is trying to appear much older than she is while also trying to “replace” her mother for her father’s sake and maybe even for her own sake as well).
  Finally, it would contextualize that infamous bedroom scene, or more generally the subtle incest vibe between her and Zuko, by explaining her behavior towards him as attempt to unnerve him and/or an attempt to pass on her abuse to another person (which is very common).
  So the next thing you guys are likely going to say,” Ok then. Maybe Ozula might explain a lot of things but how would you explain the fact that Azula has never shown any indication that her father touched her like that? Moreover, what would be the benefit of introducing such a dark topic into the franchise.”
  Well to the first question, Azula would never bring it up because of some combo of: it is shameful as hell, she doesn't think it is wrong because it is all she knows, she still loves Ozai deep down, and/or thinks it her fault just like it was Zuko's fault for getting burned by Ozai and banished for talking out in the war council and/or not fighting back at the Agni Kai.
  And as to the second question, well there would be a lot of benefits. 
  For example, imagine the lore/story potential we could get out of a canon Ozula, as outlined in the headcanon down below?
One of the reasons why the places like Yu Duo became quickly filled with mixed families was due to a mix of sex slaves and families selling their daughters to their wealthy colonziers. 
  Also the Fire Nation had an extensive sex trackiffing network to service wealthy nobles and the Firelord; Ozai was in charge of this network and was able to blackmail people like Mai's father into supporting him in court and eventually his regime, especially in the early days when it looked like Iroh might challenge Ozai. 
  The reason why Zhao kept getting promotions despite his incompetence was because he was the best at capturing girls/women to keep the supply running high and Ozai had to keep him happy or else Zhao would spill the beans. 
  The reason why Ukano supported the NOS despite Zuko offering him a job and most likely becoming his father-in-law is because he was part of the network and it was a matter of time before Zuko found out and exposed him. 
  Azula helped procure women for Ozai during the 3 years Zuko/Iroh were away and this is part of the reason why Ty Lee and Mai distanced themselves from her (they thought they were next even though Azula would never do that to them) & why they followed her despite loathing her until someone they cared about was going to die (they thought Azula would punish them by making them into sex slaves though Azula “cares” about them too much to ever do that to them). 
  Azula was also abused by Ozai in those 3 years as raping women and girls weren't enough for him anymore and needed a new kink, incest, especially since Azula looks like her mom, who is one of the most attractive women in ATLA and Ursa was long gone.
And even disregarding the lore potential, there is the potential (positive) real world impact a seriously written Ozula could have.
  For it one of the best things about the Avatar franchise is its ability to deal with complex & sensitive topics such as child & spousal abuse (The Fire Nation Royal Family; Yakone’s family; Toph’s family), abusive/toxic friendships (The Dangerous Ladies), sexism (S1 Sokka & Pakku), PTSD (Korra), genocide (Airbender genocide & Southern Water Bender Genocide), propaganda/brainwashing (The Fire Nation schools & the Dai Li), and imperialism (Post-Sozin to the start of FL Zuko’s reign Fire Nation) with the respect they deserve while making it palpable to kids. 
  And considering the post-MeToo world we live in, what better dark and taboo topic to tackle than sexual abuse?
  Especially considering that most people aren’t really aware that most victims of sexual abuse where abused by someone close to them, that most people don’t seem to recognize when such grooming occurs or that it is a bad thing until it is too late (ex. Drake Bell, Kyle Massey, Drake (The Rapper), R. Kelly, etc.), and most victims don’t react to their abuse the way most people think they should (ex. Fight back or tell others). 
  Thus, couldn’t Ozula be used to educate people on the signs of such grooming and/or abuse and how to properly help such victims?
  I also think that seeing Azula overcome the effects of a canon Ozula could also provide healing for someone who played a pivotal role in bringing Azula to life: Grey DeLise.
  It was a shock for me to find out, but Grey DeLise has repeatedly said that she got abused by people her mother let into their home and that her mother did nothing despite obviously knowing what was going on. 
  Considering that DeLise heavily projects onto Azula (including Azula’s relationship with Ursa), has a history of sexualizing Azula (she explicitly said she voiced the bedroom scene with Zucest in mind), and went to really dark place to record Azula’s breakdown, is it crazy to say that DeLise had Ozula as her one of personal headcanons and that it affected her Azula performance?
  That is why, in combination with everything else I have said, I think Ozula has the potential to have a real impact how sexual abuse victims are treated and viewed.
  Imagine Ozai plotting to remove Ursa, Azulon, Iroh, and Zuko from the palace so he could "play" with Azula unimpeded after almost being caught several different times while also taking things to the next “level”? 
  Imagine the goading of Azulon/Ursa's banishment and Zuko's burning/banishment all part of this plot?
  Imagine Azula making inappropriate jokes about fathers breaking in their daughters to Mai & Ty Lee, causing them to be unnerved while Azula wonders what was wrong with her apt description of father-daughter relationships?
  Imagine Ozai spending the next three years molding Azula to not only be his perfect pet weapon but also his future consort once she is of age.?
  Imagine his anger when Azula comes home with her childhood friends and Zuko, cutting down on their alone time?
  Imagine his horror when he finds out that Azula non-ironically enjoys her time with them more than him despite the fact Ozai had groomed her from a young age to only love him? 
  Imagine his happiness when Zuko leaves and Mai and Ty Lee are later jailed, allowing him unlimited time with Azula again, despite the hardships Azula’s lapses in judgment regarding her friends & brother. Not to mention Ozai thinking that he once again gets to be the sole attention of Azula's affections? 
  Imagine Ozai finding out Azula non-ironically misses her brother and friends and so he leaves her behind during Sozin's Comet as punishment for her conflicted emotions & past failures?
  Imagine Ozai defeated coming home to see Azula chained, physically and mentally broken, screaming for her bitch of a mother. Only then realizing, for a fleeting moment, the damage he did to his daughter, only to go back to feeling rage at her humiliating loss & even more humiliating loss of sanity?
  Imagine Ozai patiently waiting to be reunited with his pet heir and once they meet in his jail cell, convincing Azula that they can be together again if Azula can get a hold of that accursed letter and kill Ursa, the only person who could possibly refute it?
  Imagine Ozai hearing that Azula failed in her mission due to being unable to kill her mother despite having Ursa literally in her hands, marking the first time Azula ever disobeyed him? Moreover, imagine his rage once he hears how she disowned him and basically dismantled from within an organization trying to reinstate him on the throne?
  Imagine Ozai confronting Ursa, Iroh, and Zuko once they find out about his abuse of Azula, thinking he has once again found a way to manipulate them? Only to find out that they are through with him for good and that they will help Azula heal from his abuse.
  Imagine Azula finally going through a healing arc, where with the help of well-trained healers and her mother (who she bonds with over both being victims of Ozai), she learns that what Ozai did to her was wrong, how healthy relationships actually work, & how her abuse never justified her abuse of others?
  Imagine Azula then undergoing an atonement arc, where, among other things, she becomes a leading advocate for mental health issues and sexual abuse victims, eventually working with Zuko & Aang to to create shelters & a proto-CPS in addition to radically changing the Fire Nations views on sex & consent?
  Imagine Azula eventually finding a loving partner and engaging in a mutually loving relationship, eventually having her own child who she raises in the exact opposite fashion that Ozai raised her while also being a loving aunt to Izumi?
  Imagine Ozai thinking that Azula will one day return to him, thinking that he has irreversibly molded her to need him the same way a baby needs its pacifier. Only for him to die never being visited by Azula again, who has long stopped caring for Ozai and hasn’t spared him a thought for a long time & will never do so again?
  Therefore, in sum, Ozula has the potential to do to victims of sexual abuse what the depiction of the Ozai-Zuko relationship, and Zuko eventually realizing his father is abusive & disowning, did for victims of abuse while also maybe giving DeLise some form of catharsis.
Thus, in the long list of bad things Ozai did (abuse his wife/son/daughter, kill his father/ruler, illegally urusp his bro, attempt a genocide of a continent, attempt to kill a 12 year old, turn Azula into a child solider/general, etc.) is molesting Azula the worst thing he could have done? 
  Or I am crazy with a need to go to a therapist for my many unresolved issues?
More Notes:
https://youtu.be/UjLzX1xPW1U?t=316
Grey: they're like 'why are you sexualizing everything?" because i do that in my whole life, my whole life is sexualized Olivia: same. that’s why Grey and I get along Grey: we've... got... abusive childhoods Olivia: uhhh Grey: uh... well I do Olivia: I don't, I just like sex! Grey: depending on who i'm doing it with... then yeah. Olivia: visibly uncomfortable Grey: I've not liked it a lot as much as I've liked it. Olivia: 0_0 Brad is like what... the hell.. is happening
Grey also talks about her abuse in an interview with Mental Illness Happy Hour where she details how her mother abandoned her to people she knew were raping her. And Grey has repeated her story in multiple interviews over the years.
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Looooong-ass post ahead! You're not crazy, and there is subtext for Ozula... just like there is for Maizula, something I actually like but that I personally believe didn't happen - and if anyone reading this has not yet seen my first answer to why I don't think Ozai sexually abused Azula, I recommend you do so: https://hello-nichya-here.tumblr.com/post/650918965929000960/trigger-warning-i-know-you-talk-a-lot-about-how
While I see the merit of any good story, and I have read good stories that interpret Ozai and Azula's relationship as having involved sexual assault at some point, it is far more likely that in the actual canon (be it just in the show or also taking into account the comics) that simply neved happened, and I'll explain why.
About Ozai never remarrying
It would be very strange for Ozai to never try to have more heirs, and constantly endanger the ones he does have... until we remember that the only noble family in Avatar that has more than two kids is Ty Lee's, and that there are people like Kyoshi who literally over two centuries old when she died. Avatar is a very mature kid's show, but it is still a kid's show, with characters who control the elements and don't get a single scratch on them in situations that would severely injure or kill a normal human being, and the writers likely didn't want to add more characters to an already complicated, political plot like the Fire Nation Royal Family - which is why Iroh never remarried, Azulon's wife was already dead, there were no Lu Ten flashbacks, etc. If they went to such lengths to avoid creating too many characters, it makes sense that Zuko and Azula have no step-mother and no half-siblings in the show. Furthermore, the show clearly wanted to push Azula and Zuko's rivalry - adding another sibling would force their attention (and ours) to shift to said sibling, which is why Kiyi only was created in the comics that were focusing on the royal family, after Zuko became Fire Lord, and even then she is Ursa's daughter but not Ozai's, meaning Azula is still the only real "rival" Zuko has.
Ozai's supposed obsession with Ursa
Despite the radical change in the story of their marriage, I'd say that Ozai was NOT obsessed with Ursa, be it in the show where she consented to marry him, or in the comics where she kidnapped and raped. Princes were expected to marry and have heirs, and the war meant they'd need to have powerful heirs. He married Ursa (against her will or otherwise depending on the version of the story), had two kids with her (the standard in their universe), and encouraged said kids to be ruthless, punishing them when didn't meet his expectations (the Agni Kai and Zuko's banishment were cruel, but they were the type of behavior the Fire Nation rewarded). We need to remember that Ozai's only real problem with the hierarchy and expectations of his nation was when he had to see his brother be Fire Lord instead of him, because Ozai's only real obsession was the crown.
Yet he didn't kill his father until Ursa came up with a plan to do it so she could save Zuko, didn't kill Iroh, smiled in disdain when Zuko said he would help the Avatar defeat him, and constantly endangered Zuko and Azula despite having no other heirs. That behavior might seem strange, until you realize Ozai did truly respect the autority of Fire Lord at one point, but after he managed to steal the crown, he felt like he won absolutely everything - and to prove that he became the Phoenix King, showing he was above even that. He didn't need Ursa, Azula, or any other woman to give strong heirs, because Azula was already filling that role. There is no evidence he was obsessed with Ursa because he only married her because it was the norm (same logic applies to the possible sexual abuse she suffered - she was supposed to give her husband heirs, so Ozai forcing himself on her could easily just be him doing what was expected of him), and then once she was no longer needed and he would actually be in a more favorable position if she disappeared he CHOSE to banish her - the law said he had to punish her for killing Azulon, but the law also said he shouldn't have let her kill his father in the first place. And in the comics he threated to kill both their kids if she came back. If he was obsessed with her, he would have used their kid's lives to force her to stay and never say a word about what happened to his father. But didn't do that, because he didn't want Ursa around.
Could he be obsessed with Azula herself instead of thinking of her as a replacement for Ursa?
I personally don't think so, mostly because of his actions towards both his kids and because of the intentions the writers had. During The Beach, Ozai sends Azula away for a little while with Zuko, Mai and Ty Lee. On the meeting before the eclipse, he had Zuko at his right hand. On their last scene together, Ozai looks annoyed that Azula is around, stabs her in the back, lies to her face, and then leaves her. Finally, when he is last seen on screen, he doesn't ask Zuko what happened to her, if she is in prison, if she lost her bending too, if she is dead... nothing.
Ozai's behavior towards Azula is much more similar to his treatment of Zuko than most people realize. He shuts them both down when try to be anything other useful weapons - be it when they are showing "weakness", failing on their missions, trying to betray him, or trying to be equals to him. His reaction to Zuko's "All I ever wanted was for you to love me" was basically the same he had to Azula's "I thought we were going to do this together/This was my idea/I deserve to be by your side/You can't treat me like Zuko". He instantly told them both to shut the fuck up. He has no affection for them - for Azula - be it a normal one or a twisted one. They might as well not exist when they're not winning him battles.
On top of all that, comics!Ozai full on said he'd kill Zuko and Azula if Ursa didn't stay away, and considering how little regard he showed to anyone and how easy it would be for him to find a new wife if he had to, it is very clear he meant it. And a plot-line that was originally going to happen in book 3 but was cut (likely due to there not being enough time to explore it) had Ozai planning an arranged marriage for Azula - if he wanted her for himself, why was he more than ready to give her away to some rando the second she was old enough to marry?
Intention of the writers VS Intention of the actors
Assuming Grey did want there to have, at the very least, subtext for Ozula, we still run into a different problem: her intention goes against what is presented in canon. With something like Zucest or Tyzula, it is easier to make it work despite the pairings not being canon - they are meant to be complicated, unhealthy dynamics in which the characters involved have both negative and positive feelings for each other. So you could say Zuko and Azula were attracted to each other AND were still rivals. You could say Azula was in love with Ty Lee, and the feeling was mutual, but Ty Lee still chose to save Mai at the boiling rock regardless because it was the right thing to do for her friend.
With Ozula, however, it'd lead to a Zutara-esque situation (again, assuming Grey really did want that subtext to exist, since she didn't specify if that was what she meant when she said she went into a dark place while acting Azula's scenes in the finale). Dante Basco, aka Zuko, is the capitain of the Zutara ship, so any scene between Zuko and Katara gets at least a bit of subtext (and Zutara actually had full on ship-bait moments)... but the show also made it clear that the characters were NOT interested in each other like that, and they both ended up with different people. That means Zutara has some base for it, but it is still NOT CANON. Ozula is on even less solid ground since the overwhelming majority of the text activelly goes against it - again, Ozai seemed uniterested in both his wife and his daugheter, and activelly tried to distance himself from them.
How Azula flirts VS how she acts around Ozai
If we assume all of Azula's behaviors towards people like Zuko and Sokka was indeed intentional, we need to ask ourselves: was it really flirting or an attempt to unnerve them?
With that assumption in mind, I mostly see her actions towards Sokka as having been based on a display of power instead of flirting, but I can understand if people disagree. I fully believe she was attracted to Zuko and wanted both to intimidate him and flirt with him, and even discussed it at length on the link bellow (and offered another possible explanation of why she might not have been interested in Sokka after all) https://hello-nichya-here.tumblr.com/post/654197363889635328/zucest-is-it-really-flirting
When we take that behavior into account, regardless of motivation, and then compare it to her actually trying to flirt with Chan, we see that Azula has different styles of flirting, both of which are based on warpped perceptions of how normal interactions work - one having a predator/prey vibe with open ridicule, and the other with awkward/false flattery that is accidentally insulting and/or scary.
However, if we look at how she acts with Ozai, we see that she acts like a completely different person. She is very respectful and very distant - sort of how servants and guards act around her. That shows that despite her love for her father being actual canon (unlike any attraction she possibly felt for any character) their relationship is VERY formal. Azula doesn't take any liberties with her father, making it very unlikely that she learned her more "inapropriate" behaviors from him.
Azula's trauma
Azula was neglected by her mother and turned into a child soldier by her father. In Zuko Alone, we see Ursa spending a lot of time with Zuko but not with Azula, harshly reprimanding her without trying to understand her motives (like when she asked Zuko why he hurt the turtle-ducks), and even asking "What is wrong with that child?". Add in the over the top neglect she faced in the comics, the obvious guilt Azula was starting to feel for her actions in book 3, as well as the fact that a parent suddenly leaving like Ursa did can severely affect their child's mental health (which was likely to have been fragile in the first place considering Azula's more distressing behavior as a kid, as well as the psychological torment and hallucinations she dealt with in the finale) it makes perfect sense for Azula to believe her mother saw her as monster. Her claim that their mother liked Zuko more and her reaction to Mai's "I love Zuko more than I fear you" shows that her problems with her mother come believing she was not loved while her brother was - could she have also wanted Ursa to be there to protect her from sexual abuse? Sure. She could have simply wanted her mother to procted her from literally anything, or just be by her side and be proud of her.
This trauma also explains her freaking out as Ozai left her in the finale. She had recently lost Zuko, Ty Lee and Mai - the later of the three having accidentally touched an old, open wound of hers. Ozai was all she had left, and he turned his back on her after all she did for him. That was the last straw, and finally broke. You can add sexual assault or literally any kind of abuse to the story to explore a new theme/possibility, but it not existing in canon is not a plot-hole because the story works perfectly without it.
Imagine...
"Imagine Ozai killed Azulon and banished Ursa and Zuko so he could have Azula to himself, abused her, and then was mad when she brought Zuko home, with Mai and Ty Lee coming along"
I can imagine it. What I cannot is remember it. It can be a good, important, cathartic story, but is not the story we saw in the show. In the show we saw Ursa planning Azulon's death, not Ozai. We saw how his abuse was 99% purely psychological. We saw Ozai banish Zuko years after he supposedly got rid of the other two impediments of his abuse to Azula. We saw him not giving a damn about Mai and Ty Lee being around, welcoming Zuko home and rewarding him for "killing the Avatar", and then making Azula leave with them. And above all, we saw him shut Azula down the second she tried to have any kind of relationship with him that involved being anything more than a killing-machine.
Ozula can be an interesting plot, but said plot exists solely in theory and fanfics, not in the actual canon.
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zuzuslastbraincell · 4 years ago
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For the salty ask game: 6, 10 and 16? <3
6: Has fandom ever made you enjoy a pairing you previously hated?
I never used to like kataang or maiko much, but I’m good with the former and really like the latter now.
while I’m still not a big fan of the kataang (without wanting to write an essay: ember island players ruins it for me), I’ve softened on it a lot largely just from seeing the content for it on here. they’re just honestly very sweet? I don’t know if it’ll last for practical reasons, but the idea of aang & katara offering each other hope from the beginning and until the end is just lovely. 
as for maiko, I absolutely love the strength of mai & zuko’s dynamic (platonic or romantic) just from their boiling rock interactions alone. I feel like a lot of early s3 maiko very much demonstrates that they have some communication difficulties to work through together (thinking about the beach in particular here, but also the ‘are you cold?’ scene, as well as the break-up via letter interaction, that’s the big one) and in a sense mai represents part of zuko’s ‘ideal’ life as a perfect prince that he realises that he has to break from in the first half of s3, but I’ve come around to the idea that if they spent some time working through their communication issues they could really have something lovely? I do also think mai deserves a short break from the stifling culture of nobility/time to explore herself first, but after that? totally could work. like, i’m personally really attached to the gay zuko headcanon and always have been but a lot recent mutuals are maiko shippers and i’ve become very attached to maiko as well because of them (in parallel universes of course).
16: If you could change anything in the show, what would you change?
so many things....
1. less racist, more sensitive worldbuilding. crucially better south asian rep, clear south asian rep. this also means including removing the caricature of guru pathik and changing the design of combustion man (and p’li) not to include a reference to shiva. the show’s philosophies and vocabulary owes so much to south asian culture and the lack of representation in that aspect alone is shocking.
2. references to the fact that there are some air nomad survivors / descendents in hiding in various and that being a late s2 / s3 subplot. (maybe aang is still the last airbender tho? but certainly his culture won’t die with him). the culture isn’t perfectly preserved / has changed with time and enduring hardships, some things have been lost, but there are still survivors clinging on, proud. maybe it’s this community that helps with him the avatar state, not a random guru? or they could help him with his s3e1 dilemma about ‘blending in’, as many of them have discarded certain aspects of appearance in order to hide? i feel like this could add so much to aang’s arc in the latter half of the show.
3. better writing of the white lotus, with the white lotus as a international resistance org that operates in all nations, that uses old man’s pai sho club as a front. they’re introduced as opposing the dai li in ba sing se, as trying to organise resistance in secret, have ties to some local revolutionary/radical factions as they have a long standing rivalry with the dai li (& part of the reason the dai li side with azula is to crush the white lotus and resistance to their reign). iroh is not grand lotus but merely gets recruited in s2, as part of a redemption arc.
4. a subtle iroh redemption arc where iroh realises he cannot simply be passive and perhaps let the treasonous thought ”hm, maybe it would have been better if the avatar fought sozin” cross his mind - he needs to take a more active role in opposing the fire nation, and he joins the white lotus. i think he also needs to reckon quite specifically with the cost of the siege of ba sing se, he needs to make amends to those hurt from it on both sides - be confronted by fire nation defectors who left after the siege because why were their deaths less important that his son’s? as well as encounter how the siege left scars on the lower ring, in a less visible way (untrained lower ring residents formed resistance militia and generally died in huge numbers; plague and starvation greatly affected the lower ring, etc.). no iroh as a moral authority here - he’s morally grey trying to become good. also he doesn’t stick around in ba sing se, he realises the jasmine dragon, as lovely as it is, isn’t true redemption either, and at the end of the series he stays in the fire nation.
5. leading into point 3 (and 4): in s3 the gaang encounters and works with grassroots underground resistance in the fire nation. i think this is a better message than ‘oh the fire nation is a soceity ridden by class division that exploits its poorer / less privileged people and its own environment as long as it doesn’t affect the elite, and turns even its most privileged children into traumatised child soldiers and is indirectly hurt by its own colonialism and imperialistic culture, and that’s deeply sad’ - i think a better message is ‘the fire nation is a society with all those problems and you can do something about it. you can stand up. even though that’s scary.’ this resistance group is around for day of black sun (in fact they’re vital to it) and then you see a key member in boiling rock too.
6. no combustion man. honestly? weak writing. would much prefer zuko attempting to ‘stealthily’ track the gaang on the false premise of a ‘welcome home tour’ where he slips out under night to try and chase them down - this would mostly be alluded to in a few scenes. i also think this would get zuko to realise how much the fire nation itself has been hurt from war. i think the main early s3 plot points e.g. the beach episode still happens, as does the war meeting. i feel like zuko would need extra firepower to be a decent s3 threat - maybe he takes mai and ty lee with him? zuko ultimate lesbian ally takes bored lesbians from the palace for a knife throwing chi blocking field trip kjfshdj i’m joking. but seriously we could also have a combustion bender on board as well as a potential new character (i’m imagining someone like a younger p’li if i’m honest, same age range as zuko), as long as they have a character beyond being a scary assassin. maybe they defect early to the resistance group before the day of black sun, tell zuko they should too (but zuko doesn’t listen)? that’d be rad.
7. the existence of grassroots resistance would basically allow for the series to end with zuko being offerred the crown, but deciding to give it up / end the royal line. rather than a power vacuum, or iroh, the existance of resistance means there are clearly people (i.e. adults) who can fill that space. maybe this is a bit optimistic of me but i would just love to set up a scenario where zuko doesn’t become a boy-king of an imperialist nation and where absolute monarchy doesn’t continue, where there’s a clear shift in system. i understand the narrative power of zuko acknowledges he has inherited wealth and power that has been gained through exploitation and imperialism, and dedicating his whole life to undoing the damage his family has done, but i think he can do this without being the fire lord? in fact not being the fire lord is a good first step. zuko finds another way of doing exactly this.
8. talked about this a lot recently but better toph s3 representation & greater ties to the earth kingdom. also, i’d just appreciate a lot more flavour from the earth kingdom as a whole, and more prominent characters from there?
9. okay i’m not sure there is quite honestly space in the narrative for an azula redemption clearly on screen in as much depth as zuko’s but 1. i’d like iroh not to treat her horribly, thanks, and maybe even try to reach out to her at appropriate moments, maybe we see him (comically) say a lovely warm hello during her s2 appearances, maybe we see her play pai sho with him in s3 while he’s in prison in return for some secret info he’s not actually giving her while he’s not-so-subtly suggesting she should defy her father (but it’s too little too late, he already *chose* zuko in her eyes, and perhaps he did and is only just beginning to realise that) 2. i would like some hope and optimism at the end for azula. her breakdown is truly tragic but it feels like pain for pain’s sake in a sense - i would have loved for the finale scene with zuko & ozai replaced with a scene where someone visits azula and tells them they’ll be there for her and/or they love her. perhaps iroh, perhaps zuko (though i think that one would be more complicated obviously). i would love a post-finale scene where iroh sets up a tea shop somewhere in the fire nation where we see azula out the back, finishing up wiping down/mopping the patio, and before aang goes inside to say hi to his friends, we see them bump into each other - azula bows deeply, a clear apology, and aang accepts it. then we see azula runs off to go hang out with some friends before we follow aang inside as he encounters his own friends.
basically i’d rewrite a lot of s3. i’m dearly, dearly attached to s3, especially the second half, which has some of my favourite episodes of the entire season, but i think it’s flawed.
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attackfish · 5 years ago
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What if Lu Ten had been a girl?
Truthfully, I don’t think things would be that different. The Fire Nation is implied during the series to be in a state of transition on the area of gender. On one hand, Iroh shows signs of “benevolent” sexism toward Toph, Azula, and the women he flirts with, and on the other, Ozai gives his daughter a tremendous military role, and this is not questioned. There are a disproportionate number of women in the home guard compared to the rest of the Fire Nation military, but they are in the rest of the Fire Nation military, and Zhao addresses Fire Nation soldiers in an Earth Kingdom military outpost as the, “Sons and daughters of fire.” And it does not seem as if there is a gendered componant to Fire Nation inheritance, which given Zuko and Azula’s situation, would definitely have come up.
So Lu Ten in twelve years older than Azula. How would her life have looked? She would still be the crown prince’s only child and heir, and she would still probably follow him into the armed forces, and she would still then die in the siege of Ba Sing Se. There might be subtle differences in how her father treated her, or if he has more protective, but the broad strokes of her life would be the same, and of course it’s only the broad strokes of the canon Lu Ten’s life that we ever find out about.
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