#Avant Garde Jazz

[theartofjamesb]

In Hell We Only Listen to Free Jazz

[canmking]

J o h n C o l t r a n e

[avantgardemetallover]

BAND: Trevor Dunn's Trio-convulsant

GENRE: Avant-Garde Jazz Rock

ALBUM: Sister Phantom Owl Fish

RELEASED: 2004

Led by bassist Trevor Dunn (who you may know from Mr Bungle), with guitarist Mary Halvorson and drummer Ches Smith!

[purplealbumoftheday]

today's purple album of the day is: Communion by Park Jiha!

[ruiditos]

Kersaia - Matana Roberts (2011)

[brainfeedarchiv]

Archie Shepp and Charles Greenlee in Coda magazine (May 1975)

[prgnant]

BYG/Actuel Series 1969-1971

playlist

[iamlisteningto]

Colin Stetson’s The love it took to leave you

[balleralbumcovers]

EPIC ALBUM COVER #23

Miles Davis - Bitches Brew

Released: 1970 (Columbia)

Avant-garde jazz, jazz fusion, jazz-funk

[projazznet]

Komeda Quintet ‎- Astigmatic

Astigmatic is a studio album by Polish jazz pianist and composer Krzysztof Komeda. Gunter Lenz – bass Rune Carlsson – drums Krzysztof Komeda – piano Zbigniew Namysłowski – alto saxophone Tomasz Stanko – trumpet

[jazzandother-blog]

Charles Mingus - Goodbye Pork Pie Hat

(English / Español / Italiano)

Few of the most important names in the history of jazz have the same importance as composers, instrumentalists and bandleaders: Duke Ellington, Charlie Parker, Thelonious Monk, Miles Davis or John Coltrane, for example, are equally relevant from whichever angle you look at them. The same is true of Charles Mingus, a musician as personal and influential as an instrumentalist, as brilliant as a composer, or as a reference among the great ideologues and leaders of formation in the history of the genre. Mingus was a genius, one of the few jazzmen to whom such a heavy label can be attached without fear of it being too big for him. Today, 46 years after his death, it is as necessary as ever to vindicate his figure, beyond his biography and his classic albums; beyond Mingus the activist, the visionary composer, the reference of self-publishing, the irate character, the portentous instrumentalist... Beyond all of them is Mingus, a multifaceted genius whose legacy is, without a doubt, one of the richest in 20th century music.

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Pocos nombres entre los más importantes de la historia del jazz tienen la misma importancia como compositores, como instrumentistas y como líderes de banda: Duke Ellington, Charlie Parker, Thelonious Monk, Miles Davis o John Coltrane, por ejemplo, son igualmente relevantes sea cual sea el ángulo desde el que se los mire. Lo mismo ocurre con Charles Mingus, un músico tan personal e influyente como instrumentista, como genial en su faceta de compositor, o referencial entre los grandes ideólogos y líderes de formación en la historia del género. Mingus era un genio, uno de los pocos jazzistas a quienes se les puede colgar tan pesada etiqueta sin miedo a que esta le quede grande. Hoy, cumplidos 46 años desde su muerte, reivindicar su figura es tan necesario como siempre, más allá de su biografía y sus álbumes clásicos; más allá de Mingus el activista, el compositor visionario, el referente de la autoedición, el personaje iracundo, el instrumentista portentoso… Más allá de todos ellos está Mingus, un genio poliédrico cuyo legado es, sin duda, uno de los más ricos de la música del siglo XX.

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Pochi dei nomi più importanti della storia del jazz hanno la stessa importanza come compositori, strumentisti e bandleader: Duke Ellington, Charlie Parker, Thelonious Monk, Miles Davis o John Coltrane, ad esempio, sono ugualmente rilevanti da qualsiasi angolazione li si guardi. Lo stesso vale per Charles Mingus, musicista tanto personale e influente come strumentista, quanto geniale come compositore, o come riferimento tra i grandi ideologi e leader della formazione nella storia del genere. Mingus era un genio, uno dei pochi jazzisti a cui si può affibbiare un'etichetta così pesante senza temere che sia troppo grande per lui. Oggi, a 46 anni dalla sua morte, è quanto mai necessario rivendicare la sua figura, al di là della sua biografia e dei suoi album classici; al di là del Mingus attivista, del compositore visionario, del riferimento dell'autopubblicazione, del personaggio irascibile, dello strumentista portentoso… Al di là di tutto questo c'è Mingus, un genio poliedrico la cui eredità è, senza dubbio, una delle più ricche della musica del XX secolo.

Fuente: Pasión por el Jazz y Blues, (Yahvé M. de la Cavada. scherzo,es)

[biopolitique]

Albert Ayler

[avantgardemetallover]

BAND: Orange The Juice

GENRE: "Avant-Garde" Metal/jazz and an overall mixture of genres

ALBUM: You Name It

RELEASED: 2008

I'm pretty excited to show you guys this band and album, they are SO underrated in my opinion.

This is a polish band, I found them a few months ago, I heard a snippet of a song and got hooked! I've been listening the their song "10,5" on repeat recently hehe

I'm planning on buying the CD of this album! You guys should check them out :)

[twistedsoulmusic]

Our latest Monday Mix features ten tracks handpicked for your listening pleasure – your ears are in for a treat! Enjoy the selection and spread the word about our Monday Mix.

[purplealbumoftheday]

today's purple album of the day is: Mingus by Charles Mingus!

[musicandotherdelights]

Daily Listening, Day #72 - March 12th, 2020

Album: A Love Supreme (Impulse!, 1965)

Artist: John Coltrane

Genre: Avant-Garde Jazz

Track Listing: 

"Part I - Acknowledgement"

"Part II - Resolution"

"Part III - Pursuance/Part IV - Psalm"

Favorite Song: "Part II - Resolution"